Times Arts and Entertainment

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GUYANA

Arts& ntertainment guyanatimesgy.com

Issue No. 001

Friday, February 21, 2014

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eople would invite you to their houses for mauby and ginger beer and families would have picnics on the lawns and wait patiently for the floats to come along. Of course there was music and dancing and crowds, but not to the extent of the vulgarity as we see today,” Pollard says

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s Guyana’s 44th Republic anniversary draws nearer, the atmosphere is sweetened with the aroma of merriment and festivity as Guyanese once again prepare to celebrate the freedoms enjoyed as an independent nation. The airwaves are rich with fete inducing music, cultural events decorate the communities paying homage to Guyana’s rich history, promotions aimed at luring the social butterflies to the best parties and the bands prepare to wow the expected thousands of onlookers on the big day; the day which always promises to be “bigger and better” than past years. Since the regional shift of Mashramani celebrations from its birthplace in Linden, Guyana has seen a transformation both in cultural presentations and the carnival-like revelry that graces the streets every February 23. And while the younger generation has openly welcomed these transformations as improvements, others question whether Guyanese are losing sight of what Mashramani originally represented. Women’s activist and cultural veteran Magda Pollard shares this view on Mashramani and the way it is portrayed today. In an interview with Guyana Times Entertainment, Pollard explained that Mashramani celebrations have evolved into a cultural tug of war of sorts, stating that while efforts are being made on a national level to promote cultural diversity, the main event –

the February 23 road march – continues to take a downward spiral towards vulgarity in a seeming attempt to emulate the carnivals in countries such as Brazil and Trinidad. “Carnival and Mashramani are two totally different situations. We are not in a Carnival experience and we cannot focus only on the road parade and the vulgarity that it has come to portray. We need to go back to our roots and portray what Mashramani originally meant to highlight: celebration after hard work.” Pollard recalls walking along Church Street 25 years ago and engaging in the merriment which she says was “much quieter”. “People would invite you to their houses for mauby and ginger beer and families would have picnics on the lawns and wait patiently for the floats to come along. Of course there was music and dancing and crowds, but not to the extent of the vulgarity as we see today,” Pollard says. She also remembers a greater touch of creativity and quality being injected into the costumes and floats and made reference to one particular float back then which featured a convincing depiction of an Egyptian Pyramid with the Pharaoh Ramses. “It was majestic; floats back then had a touch of class and in that case they brought a bit of outside history home to us and those were things that made it memorable.” turn to page 2

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