play grounds
architecture portfolio selected projects year Two Thousand And Seventeen guillaume dumont-malet
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this is a portfolio about architecture, as odd layers of realities juxtaposed, establishing playgrounds . 3
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su mm ary
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resume
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spread
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white bear’s belly
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Gerald
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freskaa
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N°5 SILO
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Lac Megantic
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rab!
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rab! 1.5
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bang bang modulor
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little things
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igloo scale
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ego archi-trip
resume
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ab out edu ca tion exp erie nce SUMM. 2014 Atelier de la Passerelle Internship one month conceptual work, modelling
act ion
1994
architect
+33645373433
I speak english je parle français ich spreche deutsch hablo un poco de español.
I can work on Autocad Revit Vectorworks Photoshop Illustrator Indesign Premiere Pro
I love awkward art performances strange TVshows graphic design writing night walks
I travelled to Norway Iceland USA Canada Kreta Germany Portugal Italy Switzerland Belgium Poland
2017
2016
2015
2012
master’s degree in architecture école nationale superieure d’architecture de Lyon, FR
bachelor’s degree in architecture and design University of Québec in Montréal, CA
bachelor’s degree in architecture école nationale supérieure d’architecture de Lyon, FR
high school diploma in sciences Antoine de Saint Exupéry High School
SUMM. 2017
SUMM. 2016
2016 v 2017
2014 2015
LFA Looking for Architecture Internship two months, Lyon, FR
Rebuilding Lac Mégantic International Summer Workshop, Québec, CA
rab! topical arts magazine editor in chief of issues 1 and 1.5
Atelier de la Passerelle Part-time modelist and designer six months
APR. 2013
SUMM. 2011
SUMM. 2010
extra jobs
AC BAT Building company Internship on construction site two weeks
AGREGA Architectes Internship two weeks observation and modelling
AXE architecture Internship one week observation
waiter student-bar bartender computer lessons teacher
2017 member of the Department of Aberrations, ENSAL Scenography, Editing and art-related work
2013 2016
took part of
V.P. of the AEDE student association, UQAM President of the Students Office, ENSAL
Lyon Architecture Biennale #1 Regional Workshop Lacharette #7
Livraisons Festival #2 , Contemporary Art Museum Student’s Night of Art #3 at Beaux Arts Museum, Lyon
guillaume dumont-malet resume year 2017
architecte diplômé d’état graduated in 2017
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guillaume. dumontmalet@ gmail.com
date of birth Lyon, France
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following : a selection of architecture projects from years two thousand and twelve and two thousand and seventeen
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spread
to conceive architecture through human b o d y, g u t s , empathy and “milieu�
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fact
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Aquatic Architecture Laboratory on the river Rhône, Lyon, France Master’s degree Final Project. 2017
Conceptual and graphical exploration of the structured interactions between the body and built or unbuilt environnement.
“ Mum ! Can I pick strawberries from this building ? / Yes Darling, but stay in the water and keep away from the researchers ”
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entities the Lab / multidisciplinary Workshop for the experimental architecture which produces microarchitectures the Boat / barge carrying and draining the microarchitectures along the river the Spread / docking structures for the microarchitectures, arranged on the unexploited shores of the urbanized river
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placebo Given the impact on the body and mind generated by various built spaces, one could imagine an homeopathic architecture. Architecture thus becomes grippable, edible, degradable. Every space, on or under ground or water is a potential of exploration for the human body.
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The “milieu� is the ecosystem, the global locus of architecture, composed amongst others of specific animals, organic species, rocks, waste, wrecks, climate and river flows. These elements already begin a form of spatialization.
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times The location of the Lab is an abandonend island, composed of wild nature and waste, freezed in a certain death. Once the water crossed, one can acknowledge its need of revitalization.
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The river is a place of constant movements. This also applies to architecture, which, for its viability, resists to some movements and embrace others, becoming malleable along with the river flow.
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ultra-violence Architecture is an act of violence. Noisy, dirty, frozen, it shakes an ecostystem in all its physical dimensions, whether they are perceptible or not. It is, by definition, transgressive. The construction of the anthropological space universally works by additionning or subtracting the objects of the “mileu”.
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The act of building will fundamentaly change all the climate and sensitive variables of the place. Considering, this project suggests a certain form of violence, though temporary. The purpose of it all is to create inbalance to achieve, eventually, a balance with the “milieu”., the ecosystem.
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white bear’s belly
geometric statement on sub-arctic ground
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fact
process
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Nordic base camp for Inuit hunters and researchers in Kangiqsualujjuaq, Nunavik, Canada 2015
northernness (n) : The state or condition of being northern in situation. Contradictions generate architectural form.
“ I see it ! Down the hill, through the blizzard. There are people on the circle deck. There is a pale light under the polycarbonate skin.�
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ethereal space As it is a research base, the project implies temporary architecture : it will eventually evaporate and leave tracks. Building something that exists but will not exist. In this part of Canada, the winters are mostly dark : the project is thought as an horizontal lighthouse. The morphology of the architecture is defined by its parts of light and shadow, like ethereal volumes.
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Building on a land which first belonged to aborigene cultures is a sensitive topic, as new american culture has already assimilated the natives. The issues of style, construction technics and the vernacular raise questions when establishing new architectural objects.
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digesting light Summers in Nunavit are bright, as the sun nearly never sets. Our bodies, in order to rest, need darkness. Our minds, in order to develop, also need to feel the indoor / outdoor link while experiencing architecture Considering, filled and empty spaces allow the sun to smoothly light up living units, creating a percepetion of brightness along with the proximity of outdoor landscapes
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Here, contradiction generates form, balancing between essential needs and cultural identity issues.
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GĂŠrald
to rust steel while unrusting minds
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fact
process
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Public stop for town crier. Giant megaphone-shaped urban furniture. Montreal, Canada 2016
From concept to scale one-prototype of a micro architecture. Welding, bending, rusting and shaping steel to make urban statements.
“ Can you hear ? It’s the town crier shouting his daily notes. It is funny how his voice echoes against those weird steel arches ”
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accordion Sometimes, you just need to shoot it out loud. Folded, GÊrald is a little urban arch inside which passersby can write messages, notes that they want to pass on. Unfolded by the town’s crier, it becomes a urban voice amplifier which ensures the transmission of the messages.
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manifesto The topic is the creation of a space to give a voice to people who do not have one. The town’s crier stop is a material expression of daily outrage, notes, thoughts that are made public and heard by everyone passing by in the city street.
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Time sets up two different layers on the steel structure : first, the rust that covers the material after slow oxydation, then the layers of messages written by people. Both witness the dynamic of the city, the urge to be seen, heard, and leave tracks.
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freskaa
design with ice for fresh goods shelves
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fact
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Shelves for fresh fruits and vegetables Competition for Montreal grocery stores MontrĂŠal, Canada 2016
Furniture experimentation with ice as a material for its cooling and aesthetic properties. Models and modularity patterns
“ In the back, last rank, on the left, near the cereals. Some tomatoes are steel hanging there, under the ice drops. Yes, sir, they are fresh.�
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rough cold Challenge here is the combination of modularity and refreshing system. The position is to consider ice as a furniture building material. It is used in its rudimentary form for its rudimentary purpose : being and spreading cold. Renewable ice cubes are strategically set up in a perforated metal box between the fruits and vegetables.
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The three states of water inhabit the design of the shelves and allow conservation for all the groceries, as ice melts down in liquid and goes up in vapour. | MĂŠlissa Primeau with
glace fondera et coulera à petit débit pendant la journée sur les fruits et légumes qui ont besoin d’une fraicheur constante pour bien se conserver, telles que les pommes, la laitue ou encore les bananes. Cette eau due à la fonte de la glace est récoltée aubas de l’étalage dans un bac en plastique où les bottes d’herbes fraîches et autres pourront y baigner. Ce bac une fois rempli pourra être congelé pour continuer cette chaîne de réfrigération. Au sommet de l’étalage se trouve un espace plus sombre sans interaction directe avec l’eau de la glace sauf le froid que celle-ci produit. Le sommet permet de ranger des fruits et légumes ayant besoin d’une température ambiante fraiche et d’un endroit sans lumière directe tel que les pommes de terre, oignons, courges, etc. Les filets qui servent de support pour recevoir les produits sont extensibles et se moulent selon le nombre de fruits et légumes qu’ils contiennent, de sorte qu’ils ne tombent pas. De plus, ces filets détiennent un crochet à chacune de leur extrémité pour pouvoir les déplacer et venir s’accrocher dans les trous prévus à cet effet sur la structure. L’étalage dû à sa modularité offre une multitude de façons de disposer les aliments. Les matériaux choisis sont propices au refroidissement de la structure. Comme le métal utilisé pour faire le cadre et les étages. La boîte de métal perforé contenant le bloc de glace permet que l’eau de celle-ci s’écoule sur les produits. Le bac de plastique sur roulettes tout au bas de l’étalage permet la récupération et la congélation future de l’eau. Les filets permettent une grande malléabilité dans la disposition des aliments. Le système instauré pour cet étalage est une manière rudimentaire et accessible de conserver les aliments plus longtemps afin d’éviter le gaspillage.
Exemples de configurations des filets et barres
FRESKA
Nos intentions pour ce projet étaient d’allier l fraicheur avec celle de la modularité. Pouvoir produits frais est sans doute la caractéristique ulti consommateur recherche. Cet étalage génère la clients et inculque la notion de conserver leurs fr plus longtemps avec des gestes simples.
Notre étalage fonctionne avec un système de re base de glace. Ce système permet à tout l’ense structure de bénéficier de la fraicheur qu’appo glace fondera et coulera à petit débit pendant la fruits et légumes qui ont besoin d’une fraicheur bien se conserver, telles que les pommes, la laitu bananes. Cette eau due à la fonte de la glace est ré l’étalage dans un bac en plastique où les bottes d’ et autres pourront y baigner. Ce bac une fois rem congelé pour continuer cette chaîne de réfrigérat de l’étalage se trouve un espace plus sombre s directe avec l’eau de la glace sauf le froid que c Le sommet permet de ranger des fruits et légume d’une température ambiante fraiche et d’un endro directe tel que les pommes de terre, oignons, cou
Différentes manières de placer l’étalage dans le dépanneur
GLACE
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Les filets qui servent de support pour recevoir le extensibles et se moulent selon le nombre de fr qu’ils contiennent, de sorte qu’ils ne tombent pa filets détiennent un crochet à chacune de leur pouvoir les déplacer et venir s’accrocher dans le à cet effet sur la structure. L’étalage dû à sa mod multitude de façons de disposer les aliments.
E RAÎCH
EAU F
Mélissa Primeau Guillaume Dumont-Malet
Assemblage filet et crochet Exemples de configurations des filets et barres
Les matériaux choisis sont propices au refroid structure. Comme le métal utilisé pour faire le cadr La boîte de métal perforé contenant le bloc de gla l’eau de celle-ci s’écoule sur les produits. Le ba sur roulettes tout au bas de l’étalage permet la la congélation future de l’eau. Les filets permette malléabilité dans la disposition des aliments. Le sy pour cet étalage est une manière rudimentaire e conserver les aliments plus longtemps afin d’évite
Différentes manières de placer l’étalage dans le dépanneur
GLACE
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Assemblage filet et crochet
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E
RAÎCH
EAU F
M Guillaum
N°5 SILO
industrial ruins and construction tourism
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fact
process
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Rehabilitation events in old cereal factory Morphopolis Competition Montréal, Canada 2015
Rehabilitation project in phases : architecture through the tourism of demolition and mutations of the industrial building past
“Come, come, ladies and gentlemen ! Contemplate over here the removal of the factory’s skin and hold on tight to the zip line.”
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stepping steel Silo Nr.5 is an old cereal factory located in the Old Port of MontrĂŠal. The city possesses numerous monumental buildings that witness a important passed industrial activity. It is a project of steps, mainly consisting of a scenographied construction yard. A giant walkway is built through the structures for contemplating purposes only and to simultaneously observe the landscape and the evolution of the project.
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The program then migrates from the walkway to the rest of the buildings, being redesigned as offices and entertainment spaces.
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total playground The different buildings of the factory are at a monumental scale and composed of oversized filled and empty spaces. The structure is “set free” as the metal skin of the central buildings is removed and reprogrammed as leisure or experimental art installations.
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The singular industrial objects in place are to be kept as potential entertainment or industrial memory elements. For instance, cereal slides would become bobsled runs, and old cylindrical silos could be turned into hanging gardens above the site. | Célestine Fauteux Mélissa Primeau with
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Lac Megantic
the bridge Which Does Not (Need To) Exist
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fact
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Landscape plan proposition for new town center Summer Workshop Lac Megantic, Canada 2016
Summer School In-Situ workshop on Rebuilding Lac Megantic, which town center was destroyed by train explosion in 2013
“ Indeed, in the 2020’s, humans would drive everywhere with their cars and build immense bridges whenever they felt like it. It changed.”
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proof by contradiction The rudimentary purposes of a bridge is to cross and to link. It is the symbolic and material binding element between two entities. A bridge can also be a major disturbance in the landscape, especially in little towns like Lac Megantic. We were asked to design a panoramic bridge crossing the railway line through the new town’s center.
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Three propositions of bridges were submitted, which immediately showed the absurdity of such an object. Indeed, a bridge can be dematerialized, as long as you keep the symbol of it : the final proposition was an horizontal bridge, consisting in a big-scale landscape composed of small valleys and sport or leisure equipments
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landscape + As the panoramic bridge in the town center becomes obsolete, there is still a desire to reach higher among the inhabitants, in order to contemplate the lake and forest landscape from above.
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Several architectural propositions were submitted, all considered as extensions or valorisation of the existing landscape. | Catherine Chevalier Laurence Gaudette Johana Pignard with
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following : a selection of non architecture projects but still they can together combined form architectural magma 49
rab !
the art Review of ABerrations 01_Degenerate bodies
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https://issuu.com/ rab.dda/ docs/rab fact
process
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rab! , Topical arts review for the Department of Aberrations Issue Nr. 01 2017
Creation of a magazine within a student art association, gathering various artists around the theme of the degenerated body
“ Today, we speak of the body, the real one, landscape of folds, crooks, bumps, tremendous and sticky fluids [...] �
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degenerate 30 artists gather to express themselves on the topic of the contemporary body. rab! ’s goal is to spread artistic pieces and statements for everyone. Art, which is sometimes serious and always aberrant.
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[...] Unless you read further, reverse this editorial and allow you to turn this page. Then you would watch, little by little, the ink transform, dissolve, gain a thousand colors to conglomerate and bam ! reveal drawings, montages, pictures, tattoos, poems. Works of madly genius artists, students, pros, stars, together aberrants, are waiting behind, ready to be devoured. [...]
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artists featured in this issue : adrien cartier beàta czudor david altmejd gus gribouille henri charreau hugo bénazech K-ROL victor lacôte marie raffeneau morgane schunder OBLIQ pierre-eloi coste rémi gallo robin issartel robin vitus romain guillien romane ensminger stéphanie argentier victor de bernis WENC
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rab! is available
online on Issuu: https://issuu.com/ rab.dda/docs/rab
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rab ! n°1.5
the art Review of ABerrations 01.5_Glucid
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https://issuu.com/rab. dda/docs/ rab1.5_a fact
process
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rab! , Topical arts review for the Department of Aberrations Issue Nr. 01,5 2017
Creation of a magazine within a student art association, gathering various artists around the theme of the lucid dreams
“ Here’s half of a piece of artists’s cake, introducing their terrible dreams, their own wonderful and neurotic reality [...] ”
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lucid Everyone of us lives in its own reality, from the little girl who thinks she is a bipolar bear, to the sexagenarian convinced of being an alternate rap queen. This issue of rab ! explores the different dimensions of dreams, eccentric worlds of various artists.
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[...] To you, all the dreamers, the deranged, bizarre, introvert, moody, elusive, big childs, shy, utopist, strange, aberrant [...]
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artists featured in this issue : amĂŠlie tripoz arianne yadan auguste fenez axel felizat emma deboise georgina ilk JUSA julien blatteau julien marie K-ROL laurent pelardy lĂŠa dedieu lilas cognet lora giraud maxime valcarce paul colombat rachelle deville SHOK TITIVAL
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rab! 1.5 is available online on Issuu:
https://issuu.com/ rab.dda/docs/ rab1.5_a
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bang bang modulor
to create space with chicken cage and light fabric
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fact
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Installation for the annual Workshop Lacharette Subsistances, Lyon, France 2017
In-Situ workshop with two mandatory materials. Construction with body dimensions and light staging for the Closing Evening
“ Let’s dismember us all of us - and split and reassemble everything to form the gateway. Then other bodies shall pass under ours ”
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little things
with the Department of Aberrations
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process
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Scenography for the Department of Aberrations Lyon, France 2016 2017
Various scenography intallations for annual student art exhibitions and for the Lyon Fine Arts Museum Student’s Night of Art
“ What if we threw a thousand paper planes in the school ? What if we paint everything blue ? What if all the crazy ideas came true? ”
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igloo scale
how efficient human body heat can be under ice roofs
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fact
process
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Inuit living study in the Université du Québec à Montréal Montréal, Canada 2016
One-scale chalk drawing in the street, representing the accurate plan of an Igloo. Study of nordic architecture
“ How many of us do you think can fit in this igloo ? Let’s give it a try, shall we ? Just lie there, by the imaginary curved ice wall ”
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ego archi-trip
the plan before the architect the architect before the plan
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fact
process
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Poster for future architects, photography and montage for communication class, ENSAL 2014
Concept of branding for an imaginary architecture studio. Superposition of portraits and renowned and unknown plans
“ Would you say your architecture is only an extension of your personnality, composed of personal taste and experience ? �
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guillaume dumont-malet +33645373433
guillaume. dumontmalet@ gmail.com