Guion Museográfico - Traducción en Inglés

Page 1


WELCOME

The Masonic Museum of the Grand Lodge of Chile was founded in 1911 during the administration of Grand Master Víctor Guillermo Ewing, when the headquarters was located in the San Carlos Gallery in Santiago. At that time, the Masonic Museum resembled a cabinet of curiosities. In 1920, a fire that destroyed a large part of the Museum’s collections affected the headquarters.

In 1938, the existence of the Masonic Museum was officially recognize when it was incorporate into the General Regulations of the Grand Lodge of Chile, promulgated by Grand Master Hermógenes del Canto Aguirre.

During this new period, the Museum was directed by Óscar Valenzuela Muñoz and was enriched by a valuable donation from the W∴ Bro∴ Roberto Orihuela Salas, a notable collector. The Masonic Museum then became a collection of heritage objects and was install in the Grand Lodge of Chile’s headquarters on Alameda de las Delicias.

In the 1980s, the museum took on a new character under the direction of W∴ Bro∴ Francisco Söhr Strassmann It was relocate to the basement of the building at Marcoleta 659, and by first time began organizing several traveling´s exhibitions to bring the Museum’s cultural heritage to other regions of Chile.

In 1997, during the administration of Grand Master Marino Pizarro, the Museum opened its doors to the public and began participating in the Heritage´s Day celebrations, welcoming a large number of visitors.

Since 2018, during the administration of Grand Master Sebastián Jans and under the direction of the Grand Librarian and Archivist, Antonio Ordoñez Urbina, the Grand Lodge of Chile has implemented an active politic by the protection of Masonic heritage, professionalizing this area For the first time, the Museum applied for and was awarded projects funded by the Ministry of Cultures, Arts and Heritage, which allowed for the implementation of conservation packaging and furniture

This marked the beginning of the process of registering and documenting the collection, as well as rehabilitating the exhibition room’s museography to enhance the museum’s educational and meaningful experience, while optimizing the conservation and security of the displayed artifacts under the latest museological standards and methodologies.

Today, the Masonic Museum opens its doors to the community free of charge, participating in cultural events and campaigns such as Heritage Day and Museum´s Week It also promotes its heritage digitally, having expanded its presence to social media platforms like Instagram and Twitter, engaging with both national and international communities.

You are here

Universal Freemasonry

Freemasonry in Latin America

The Grand Lodge of Chile: Founding Lodges

The Grand Lodge of Chile: Grand Masters

Freemasonry in Chile: San Martín, O’Higgins, and Blanco Encalada

Art and Freemasonry

Masonic certificate and Documents

Masonic vestments

Freemasonry in Chile: Masonic Presidents

Currículum

Tolerance

UNIVERSAL FREEMASONRY

Freemasonry emerged in the early 18th century with a revolutionary proposal at this time: the acceptance of different religious beliefs based on active tolerance Europe had endured nearly two centuries of "Religious Wars," and it was within this historical context that Freemasonry evolved from the ancient guilds of stonemasons and cathedral builders of the Middle Age It inherited their traditions and secrets, and came to be regard as a child of the Enlightenment

Freemasonry is distinguished as a moral, initiatory, and philosophical institution, whose aim is for its members to work on themselves through ethical and value-based development. The first Masonic body that was founded in a “regular” manner was the Grand Lodge of London & Westminster, formed by four lodges on June 24, 1717, at the Goose and Gridiron Tavern Another significant milestone occurred in 1723, with the publication of the Anderson's Constitutions, which outlined the fundamental principles and rules of the organization

Since its origins, one of Freemasonry’s essential goals as a human institution has been to recognize the diversity of its members’ backgrounds social, religious, and cultural and to promote harmonious and fraternal coexistence These principles are enshrined in the organization’s core values, which are expressed in the ideals of Liberty, Equality, and Fraternity, a triad of fundamental values embodied in virtues such as charity, philanthropy, and tolerance.

Freedom of Thought

FREEMASONRY IN LATIN AMERICA

Contemporary historiography identifies Freemasons José de San Martín and Carlos María de Alvear as key thinkers and actors, who brought the libertarian ideas of independence and the Republican ideal to life through the Lautaro Lodges

In the second half of the 18th century, the first signs of Masonic activity began to appear in South America, both in the Captaincy General of Chile and in the Viceroyalties of the Río de la Plata and Peru Research conducted in the archives of the Inquisition reveals that, during that time, individuals were prosecuted for the "crime of Freemasonry," providing evidence of the existence and operation of the Lodges of St. John.

The Masonic ideals that arrived in Latin America in the early 18th century introduced not only ideas of independence, but also the vision of social progress and modernization.

Fraternity THE GRAND LODGE OF CHILE: FOUNDING LODGES

Starting in 1850, the process of establishing the first Masonic lodges in Chile began. Thanks to the efforts of a group of Frenchmen who decided to meet in Valparaíso, the lodge L’Étoile du Pacifique was created Four years later, on December 14, 1853, British and American Freemasons, with a charter from the Grand Lodge of Massachusetts, founded Bethesda Lodge. That same year, a group of Chileans led by Manuel de Lima decided to establish a distinctly Chilean lodge Thus, on July 27, 1853, under the jurisdiction of the Grand Orient of France, Unión Fraternal Lodge was founded

On May 24, 1862, the Grand Lodge of Chile was founded in Valparaíso during a meeting attended by the following lodges: Unión Fraternal Lodge N°1, founded in Valparaíso on July 27, 1853; Fraternidad Lodge N°2 , founded in Concepción on May 24, 1862; Orden y Libertad Lodge No 3, founded in Copiapó on January 11, 1862 & Progreso Lodge No 4, founded in Valparaíso on April 19, 1862.

At the end of 1862, the Grand Lodge of Chile obtained international recognition thanks to the support of Bethesda Lodge in Valparaíso and the endorsement of the Grand Lodge of Massachusetts Since then, it has been part of the international Masonic community as a founding and permanently active member of the Inter-American Masonic Confederation and other bodies that guarantee its regularity Today, it remains active throughout the entire country, from Arica to Punta Arenas.

Fraternity

THE GRAND LODGE OF CHILE: GRAND MASTERS

The Grand Master is the supreme head of Freemasonry within the national territory

His primary duty is to uphold the normality, regularity, and proper observance of the Masonic rite within the Grand Lodge of Chile, as well as in its constituent lodges and triangles, ensuring the effective formation of Freemasons

Liberty and Equality

FREEMASONRY IN CHILE: SAN MARTÍN, O’HIGGINS, AND BLANCO ENCALADA

The libertarian spirit that fueled Chile’s independence movement inspired many of its key figures with the ideals of our Order, and some were recognized members Deeply influenced by the libertarian thought of Francisco de Miranda, many protagonists of the independence struggle were part of the Lautaro Lodges Among them were men such as José Antonio Zenteno, Ramón Freire, Fray Camilo Henríquez, and Juan Gregorio de la Heras. Especially noteworthy are the figures of Bernardo O’Higgins Riquelme and José de San Martín, both prominent members of the Lautaro Lodge and instrumental leaders in the struggle for Latin American independence José Miguel Carrera also stands out; while not a member of the Lautaro Lodge, he was initiated into Freemasonry in the United States

In 1827, the first documented Masonic lodge on Chilean territory was organized under the name Filantropía Chilena, with Manuel Blanco Encalada serving as its Worshipful Master Alongside him, 14 other brothers were founders of the lodge, including notable names such as Manuel José Gandarillas, Manuel Rengifo, and Ventura Blanco Encalada The lodge’s founding charter and several other documents are preserved, though the exact date of its dissolution remains unknown The civil war between conservatives and liberals ultimately ended the dominance of libertarian thought following the Battle of Lircay in 1830, leading to a decline in Masonic activity in Chile.

Beauty

ART AND FREEMASONRY

In Chile, Masonic visual artists, musicians, poets, and writers began to gain prominence in the early 20th century, in parallel with international trends and artistic avant-gardes The work of some of these members across various artistic disciplines has been both valuable and widely recognized. Among them stand out:

The foremost representative of muralism in Chile, he was influenced by Mexican painters, particularly Jorge González Camarena He trained at the Chilean Academy of Fine Arts, where he studied under masters such as Marta Colvin, Pablo Burchard, and Gregorio de la Fuente. His most notable murals include: “Tribute from the City of Santiago to Gabriela Mistral”, located beside Santa Lucía Hill; “To the Workers”, at the Sumar Factory; “The Search”, in the Main Hall of the Club de la República in Santiago; “The Bolivarian Dream”, in the city of Maracaibo, Venezuela His entire Masonic life unfolded in Logia Germinación No 81 in Santiago

Beauty

ART AND FREEMASONRY

Luigi Stefano Giarda Giudice

Composer, cellist, and music professor at the National Conservatory In 1901, he composed the opera Lord Byron, and in 1942, he wrote the Masonic Hymn of Chile, with lyrics by Tomás de la Barra. In 1912, he received an international award for his work as a composer

He began his Masonic journey in Logia Losanna No 205, in the Orient of Naples. In Chile, he was a member of Logia Aurora de Italia No. 24 and founder of Logia Giordano Bruno No 17, where he served as Worshipful Master He later held the office of Second Grand Warden of the Grand Lodge of Chile. In 1998, Logia Luigi Stefano Giarda No. 179 was founded in his honor

Tomás de la Barra

He studied law at the University of Chile One of his most significant contributions was writing the lyrics to the Masonic Hymn, set to music by Luigi Stefano Giarda The hymn emphasized the values of fraternity, truth, justice, and freedom It was sung in the temples of the Grand Lodge of Chile until the early 20th century, when it was replaced by Mozart’s Masonic hymn, which remains in use today.

He was initiated into Freemasonry in 1899 in Logia Estrella de Chile No 17 In 1904, he joined Logia Aurora de Italia No 24, where he became Worshipful Master. In 1906, he was elected to the Grand Master’s council and appointed Keeper of Seals and Stamps of the Grand Lodge In 1913, he was awarded the 33rd degree and elected Deputy Grand Commander of the Supreme Council. While in Scotland in 1918, he affiliated with Logia Montefiore No 753 and later with Logia St John No 3 In 1922, he joined the Supreme Council of the 33rd Degree

MASONIC CERTIFICATE AND DOCUMENTS

These diplomas are documents that convey identity, help reconstruct the history, and symbolize critical events in the lives of Freemasons and their lodges They also serve as a form of recognition for one's Masonic path, honoring merit and service through various offices held. Many of these documents, which hold great heritage value, were granted to prominent figures in Chilean history who were members of our institution Recognized by their signatures, they left an indelible legacy over the years The mottos and emblems found on Masonic diplomas are key elements of Freemasonry, as they express ethical concepts and ideals that define the institution

The emblem, or divisa, has a collective character and serves as an identifying mark of universal Freemasonry, of a particular lodge, or of a Grand Lodge or Grand Orient

The divisa is crafted and engraved on various materials using different woodcut and printing techniques It features rich iconography, symbolically and artistically rendered, which reflects the historical context of the time in which it was created

The motto most frequently seen on Chilean diplomas before 1900 is:

A. .U. .T. .O. .S. .A. .G. ., which stands for "Ad Universi Terrarum Orbis Summi Architecti Gloriam" (To the Glory of the Grand Architect of the Universe) After 1900, this was replaced by its Spanish translation:

A. .L. .G. .D. .G. .A. .D. .U. ., meaning "A la Gloria del Gran Arquitecto del Universo"

MASONIC VESTMENTS

The Masonic apron is a garment that developed from the aprons worn by operative masons during the Middle Ages Its original function was to protect the wearer and their clothing from the harsh demands of manual labor Today, it is a symbolic garment whose design and decoration for each symbolic degree are regulate by the Grand Lodge of Chile and carry an initiatory meaning corresponding to the Masonic rank of the wearer

Aprons used in Chile during the 19th century followed the old European custom: each Mason would acquire an apron with the design he preferred, and the size and decoration weren´t regulated Later, lodges adopted the practice of making specially Regalia to Masters, which could include the name of their lodge. However, the apron received at initiation was always white leather

Regarding the aprons worn by the Grand Master and his Grand Officers, Article 49 of the Statutes of the Masonic Order, approved by the Grand Lodge of Chile during the administration of Grand Master Víctor Guillermo Ewing in 1907, states:

"...they shall wear a white moiré apron, edged with a scarlet ribbon and bearing a star at the center, which for the Grand Master shall be embroidered in gold bullion and in silver for the Grand Officers, Dignitaries, and members of the Grand Lodge"

These aprons were use until Grand Master Eugenio Matte Hurtado, by decree in 1931, replaced them, establishing the current characteristics

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
Guion Museográfico - Traducción en Inglés by Gran Logia de Chile - Issuu