Pichiavo
Spanish, b.1977 Pichi & b.1985 Avo Perseus, 2015
Archival art print on 308gsm Hahnemühle paper, hand-finished with golden highlights and 24-carat gold leaf Edition of 40 85 x 85 cm
Signed by The Artist
Framed to Museum Standard
Unframed £1,950 | Framed £2,550
Only 1 of each available for purchase
In Perseus, PichiAvo fuses classical mythology with contemporary urban aesthetics. Inspired by Benvenuto Cellini’s 16th-century bronze Perseus with the Head of Medusa, the duo reimagines the hero through graffiti and gold. Metallic hues, hand-applied 24-carat leaf, and intricate detailing transform defiance and beauty into a luminous act of modern reverence.
Hua Tunan
Chinese, b.1991
Night Luminescent Pearl, 2016
Archival art print on 330gsm velvet
watercolour somerset paper with one layer screen printed highlights and hand finished with gold and white details Edition of 35 63.5 x 88 cm
Framed to Museum Standard
Unframed £1,950 | Framed £2,650
Only 1 of each available for purchase
Hua Tunan channels the energy of Western graffiti and traditional Chinese brushwork into a dynamic, performative painting process. Night Luminescent Pearl radiates nature, movement and vitality, uniting heritage and spontaneity in perfect balance.
10FOOT
British, b.1987
Disintegration Loops (Ultra Blue), 2024
Seven-colour archival enamel ink screen print on Somerset Satin White 410gsm Printers Proof Edition of 3
42.3 x 60 cm
Signed by The Artist
Framed to Conservation Standard
£2,250
Only 1 available for purchase
The elusive British graffiti artist 10Foot, known for his fearless interventions across London’s cityscape, reimagines the A–Z London Street Atlas to chart the very network he has tagged. Disintegration Loops (Stain) transforms the city’s underground into both map and memoir, where geography, memory and rebellion merge into a portrait of lived defiance.
10FOOT
British, b.1987
Disintegration Loops (Silver Throwup), 2024
Seven-colour archival enamel ink screen print on Somerset Satin White 410gsm Printers Proof Edition of 2
42.3 x 60 cm
Signed by The Artist
Framed to Conservation Standard
£3,250
Only 1 available for purchase
The elusive British graffiti artist 10Foot, known for his fearless interventions across London’s cityscape, reimagines the A–Z London Street Atlas to chart the very network he has tagged. Disintegration Loops (Stain) transforms the city’s underground into both map and memoir, where geography, memory and rebellion merge into a portrait of lived defiance.
10FOOT
British, b.1987
Disintegration Loops (Translucent Red), 2024
Seven-colour archival enamel ink screen print on Somerset Satin White 410gsm Printers Proof Edition of 3
42.3 x 60 cm
Signed by The Artist
Framed to Conservation Standard
£2,250
Only 1 available for purchase
The elusive British graffiti artist 10Foot, known for his fearless interventions across London’s cityscape, reimagines
the A–Z London Street Atlas to chart the very network he has tagged. Disintegration Loops (Stain) transforms the city’s underground into both map and memoir, where geography, memory and rebellion merge into a portrait of lived defiance.
10FOOT
British, b.1987
Disintegration Loops (Golden Throwup), 2024
Seven-colour archival enamel ink screen print on Somerset Satin White 410gsm
Edition of 32
42.3 x 60 cm
Signed by The Artist
Framed to Conservation Standard
£2,450
Only 1 available for purchase
The elusive British graffiti artist 10Foot, known for his fearless interventions across London’s cityscape, reimagines
the A–Z London Street Atlas to chart the very network he has tagged. Disintegration Loops (Stain) transforms the city’s underground into both map and memoir, where geography, memory and rebellion merge into a portrait of lived defiance.
10FOOT
British, b.1987
Disintegration Loops (Stain), 2024
Seven-colour archival enamel ink screen print on Somerset Satin White 410gsm Printers Proof Edition of 3
42.3 x 60 cm
Signed by The Artist
Framed to Conservation Standard
£2,250 `
The elusive British graffiti artist 10Foot, known for his fearless interventions across London’s cityscape, reimagines the A–Z London Street Atlas to chart the very network he has tagged. Disintegration Loops (Stain) transforms the city’s underground into both map and memoir, where geography, memory and rebellion merge into a portrait of lived defiance.
Banksy
British, b.1974
Migrant Boat, 2025
Two-colour screen print on ~100gsm
recycled paper stock
Edition unknown - sold out 50x 70 cm
Framed to Museum Standard
Unframed £695 | Framed £1,195
Only 5 available for purchase
Banksy’s Migrant Boat reimagines his powerful Glastonbury installation as a two-colour print merging protest and performance. A crowded dinghy is borne aloft by festival hands, a shared vision of humanity and support. The flash of orange lifejackets pierces the monochrome, drawing urgent attention to the plight of those at sea and the call for compassion.
D*Face
British, b.1978
Going Nowhere Fast, 2011
10 color screen print on 400 gsm high quality archival paper
Edition of 150 55 x 100 cm
Signed by The Artist
Framed to Conservation Standard
£2,450
Only 1 available for purchase
British street artist D*Face reimagines
Roy Lichtenstein’s In the Car through his own subversive Pop lens. Going Nowhere Fast replaces romance with decay, reworking comic-book gloss into commentary on speed, desire and disillusionment. Both homage and critique, the piece captures D*Face’s fascination with beauty, mortality and the American dream in reverse.
Seth
French, b.1972
Over The Rainbow (Special), 2016
Screen print and air-brush on vinyl film
Edition of 15
60.5 x 88 cm
Signed by The Artist
Sold in original artist’ frame
£1,950
Only 1 available for purchase
French artist Seth Globepainter, known for his dreamlike murals exploring childhood and imagination, captures transcendence in Over the Rainbow. A child climbs across clouds into a whirl of colour, a portal from grey reality into boundless wonder. The work embodies Seth’s lyrical fusion of innocence, hope and escape.
Mr Doodle
British, b.1994
Jetpack Joy, 2023
Screen print on 410gsm Somerset Satin
Radiant paper
Edition of 150
50 x 50 cm
Signed by The Artist
Framed to Museum Standard
Unframed £1,500 | Framed £1,895
Only 2 available for purchase
Jetpack Joy, from the ‘Mr Doodle in Space’ series, captures the essence of DoodleLand. Bursting with movement and curiosity, the work embodies the joy and adventure of launching into a world of creativity, highlighting Mr Doodle’s ability to inspire wonder and explore the limitless possibilities of imagination.
Invader
French, b.1969 Alert (Red), 2011
Screen print on paper Edition of 60
60 x 60 cm
Signed by The Artist
Framed to Conservation Standard
£5,500
Only 1 available for purchase
Invader is a pioneering French street artist who, since the late 1990s, has “invaded” over 80 cities worldwide with more than 4,000 of his pixelated mosaics inspired by classic arcade imagery. Alert (Red) reimagines his first print from 2001, created for “I Invade Tokyo”. Influenced by Macintosh icon designer Susan Kare, the work fuses nostalgia, code, and rebellion, a digital relic turned contemporary signal.
Blek le Rat
French, b.1951
The King, 2023
Screen print on 300gsm Arches fine art paper
Edition of 300
31 x 23 cm
Signed by The Artist
Framed to Museum Standard
Framed £2,450
Only 1 available for purchase
Widely regarded as The Godfather of stencils, French artist Blek le Rat has shaped the language of urban art since the early 1980s. His iconic stencilled rats became symbols of resistance and wit across Paris. Even Banksy has credited his influence, calling Blek the true pioneer behind the movement.
Banksy
British, b.1974
Banksy vs Bristol Museum
“David”, 2009
Offset lithograph in colours
Edition unknown - sold out
42 x 59.5 cm
Framed to Conservation Standard
Unframed £550 | Framed £950
Only 2 available for purchase
Banksy’s ‘David’ poster, part of the 2009 Bristol Museum exhibition, reinterprets Michelangelo’s sculpture with a bandana and bomb belt. It critiques modern political issues and is prominently displayed in the ‘Piano Bar’ at the ‘Walled Off Hotel’ in Bethlehem.
Banksy
British, b.1974
Crisis As Usual, 2019
Screen print on 50gsm paper
Edition unknown - sold out
50 x 77 cm
Framed to Museum Standard
Unframed £2,250 | Framed £2,750
Only 2 available for purchase
Created for Gross Domestic Product™, Banksy’s pop-up store in Croydon, Crisis as Usual turns social chaos into satire. The work captures the absurdity of modern resilience, finding laughter in turmoil. Conceived amid a legal dispute over his name, it’s Banksy’s wry take on creativity under pressure, and crisis as business as usual.
Banksy
British, b.1974
Banksy vs Bristol Museum
“Dorothy”, 2009
Offset lithograph in colours
Edition unknown - sold out 42 x 59.5 cm
Framed to Conservation Standard
Unframed £750 | Framed £1,150
Only 2 available for purchase
Banksy’s‘ Dorothy’ official poster, designed for the 2009 Banksy vs Bristol Museum exhibition, showcases Judy Garland’s character alongside Toto. The phrase “I don’t think we’re on canvas anymore” cleverly twists Dorothy’s iconic line, prompting viewers to reconsider their comfort zones.
Roamcouch
Japanese, b.1990
When You Wish Upon a Star (London)
-Mono, 2013
15 colour screen print on paper
Ediion of 30
46 x 72 cm
Signed by The Artist
Framed to Conservation Standard
£1,450
Japanese street stencil artist Roamcouch, known for blending nostalgia with cinematic urban dreamscapes, reimagines London’s night as a stage for innocence and wonder.Two children beneath Big Ben reach for stars, turning the city’s concrete poetry into a tender ode to dreaming big.
Banksy
British, b.1974
Soup Can (Banana/Lime/Purple), 2005
Screen print on paper Edition of 10
35 x 50 cm
Issued with a Pest Control Certificate of Authenticity
Signed by The Artist
Framed to Museum Standard with Optium Museum Acrylic
Price on Application
Banksy reimagines Andy Warhol’s legendary Campbell’s Soup Cans (1962), paying homage while adding a distinctly British twist by replacing the iconic label with Tesco’s Value range, Britain’s budget supermarket line. The Banana, Lime & Purple colourway is printed in a limited edition of only ten signed prints.
Banksy
British, b.1974
Grin Reaper, 2005
Screen print on paper Edition of 300
44 x 70 cm
Issued with a Pest Control Certificate of Authenticity
Signed by The Artist
Framed to Museum Standard with Optium Museum Acrylic
Price on Application
Banksy’s Grin Reaper turns death into a mischievous reminder to live. The hooded figure stands on a clock set to five-to-midnight, scythe in hand, grinning with a 90s acid-house smiley. Equal parts morbid and merry, it’s Banksy at his sharpest, dark humour with a heartbeat. Smile, time’s ticking.
Banksy
British, b.1974
Choose Your Weapon (Khaki), 2010
Screen print on paper
Edition of 25
70 x 70 cm
Issued with a Pest Control Certificate of Authenticity
Signed by The Artist
Framed to Museum Standard with Optium
Museum Acrylic
Price on Application
Banksy’s pays tribute to Keith Haring while reflecting on an era when dogs were used by British youths as weapons and status symbols. Reimagining Haring’s barking dog as a companion to a hooded figure, Banksy transforms menace into metaphor, suggesting creativity as resistance, where art becomes his weapon of choice.
Stik
British, b.1979
Single Mum, 2011
3 colour screen print on paper
Edition of 50
45 x 112 cm
Signed by The Artist
Framed to Museum Standard
£25,000
Single Mum (Yellow) is inspired by Big Mother, Stik’s 125foot mural in Acton, West London. The image of a mother and child gazing toward luxury apartments from a condemned council block captures both tenderness and displacement. Painted on Charles Hocking House, demolished in 2018, the work remains a poignant elegy for home, dignity, and community.
Invader
French, b.1969
Sunset (Gold & Blue), 2018
Embossed screen print with glow in the dark ink.
Edition of 100 42 x 42 cm
Signed by The Artist
Framed to Conservation Standard
£7,950
Invader is a pioneering French street artist who, since the late 1990s, has “invaded” over 80 cities worldwide with more than 4,000 of his pixelated mosaics inspired by classic arcade imagery. Sunset (Gold) was created for his exhibition Into the White Cube at Over The Influence, Los Angeles. Charged by light, the work transforms at nightfall revealing the enduring pulse of his cosmic pixel universe.
Invader
French, b.1969
Sunset (Glow in the Dark), 2018
Embossed screen print with glow in the dark ink.
Edition of 100 42 x 42 cm
Signed by The Artist
Framed to Conservation Standard
£7,950
Invader is a pioneering French street artist who, since the late 1990s, has “invaded” over 80 cities worldwide with more than 4,000 of his pixelated mosaics inspired by classic arcade imagery. Sunset (Glow in the dark) was created for his exhibition Into the White Cube at Over The Influence, Los Angeles. Charged by light, the work transforms at nightfall revealing the enduring pulse of his cosmic pixel universe.
Lazarides
British, b.1969
Ape Rule, 2020
Photo print on Somerset Tub Sized Satin
410gsm
Edition of 100
70 x 50 cm
Signed by The Artist
Framed to Conservation Standard
Unframed £750 | Framed £1,150
Banksy’s original photographer, fromer agent, and close collaborator, captures Banksy’s iconic stencil of a monkey wearing the phrase “Laugh now, but one day we’ll be in charge.” Photographed in situ, the image distills Banksy’s sharp social satire and the urgency of his early street practice, where humour, rebellion, and truth collided in public view.
Lazarides
British, b.1969
Unforgettable You, 2020
Photo print on Somerset Tub Sized Satin
410gsm
Edition of 100
70 x 50 cm
Signed by The Artist
Framed to Conservation Standard
Unframed £750 | Framed £1,150
Banksy’s original photographer, fromer agent, and close collaborator, captures Banksy’s iconic stencil of a monkey wearing the phrase “Laugh now, but one day we’ll be in charge.” Photographed in situ, the image distills Banksy’s sharp social satire and the urgency of his early street practice, where humour, rebellion, and truth collided in public view.
Lazarides
British, b.1969
Inebriated Wisdom, 2020
Photo print on Somerset Tub Sized Satin
410gsm
Edition of 100
70 x 50 cm
Signed by The Artist
Framed to Conservation Standard
Unframed £750 | Framed £1,150
Banksy’s original photographer, fromer agent, and close collaborator, captures Banksy’s iconic stencil of a monkey wearing the phrase “Laugh now, but one day we’ll be in charge.” Photographed in situ, the image distills Banksy’s sharp social satire and the urgency of his early street practice, where humour, rebellion, and truth collided in public view.
Lazarides
British, b.1969
Photo Op, 2020
Photo print on Somerset Tub Sized Satin
410gsm
Edition of 100
70 x 50 cm
Signed by The Artist
Framed to Conservation Standard
Unframed £750 | Framed £1,150
Banksy’s original photographer, fromer agent, and close collaborator, captures Banksy’s iconic stencil of a monkey wearing the phrase “Laugh now, but one day we’ll be in charge.” Photographed in situ, the image distills Banksy’s sharp social satire and the urgency of his early street practice, where humour, rebellion, and truth collided in public view.
Lazarides
British, b.1969
Streets of Rage, 2020
Photo print on Somerset Tub Sized Satin
410gsm
Edition of 100
70 x 50 cm
Signed by The Artist
Framed to Conservation Standard
Unframed £750 | Framed £1,150
Banksy’s original photographer, fromer agent, and close collaborator, captures Banksy’s iconic stencil of a monkey wearing the phrase “Laugh now, but one day we’ll be in charge.” Photographed in situ, the image distills Banksy’s sharp social satire and the urgency of his early street practice, where humour, rebellion, and truth collided in public view.
Lazarides
British, b.1969
How To Paint Graffiti & Get Away With It, 2020
Photo print on Somerset Tub Sized Satin
410gsm
Edition of 100 50 x 70 cm
Signed by The Artist
Framed to Conservation Standard
Unframed £1,250 | Framed £1,650
A figure shields their face behind a book titled How to Paint Graffiti and Get Away With It, while a Banksy piece spans the rail bridge beyond. Rumoured to be the most revealing image of Banksy, Steve Lazarides, Banksy ’s original photographer, agent and close collaborator, captures the performance of secrecy itself.
Lazarides
British, b.1969
St. Werburgh, 2020
Photo print on Somerset Tub Sized Satin
410gsm
Edition of 200
41.5 x 59 cm
Signed by The Artist
Framed to Conservation Standard
Unframed £1,250 | Framed £1,650
A figure hides behind a sprayed wooden plank... Banksy, or perhaps the idea of him. Steve Lazarides, Banksy’s original photographer, agent, and close collaborator, captures the theatre of concealment, where authorship dissolves into performance. The photograph becomes both witness and illusion, preserving the fleeting choreography of street art’s secrecy.
Lazarides
British, b.1969
Balloon Fight (Flight), 2020
Photo print on Somerset Tub Sized Satin
410gsm
Edition of 200
41.5 x 59 cm
Signed by The Artist
Framed to Conservation Standard
Unframed £1,250 | Framed £1,650
Banksy’s original photographer, former agent, and close collaborator, captures the fleeting poetry of Banksy’s iconic Girl with Balloon, a moment where protest meets passerby. His lens archives the ephemeral theatre of the street, preserving not just an image, but the pulse of a movement before it vanished into legend.
Banksy
British, b.1974
GDP Rat, 2019
Screen print on 50gsm paper
Edition unknown - sold out
38.5 x 50.5 cm
Framed to Museum Standard
Unframed £1,950 | Framed £2,450
Released through Gross Domestic Product™, Banksy’s short-lived “homewares” store, GDP Rat turns consumer branding on its head. The rat, Banksy’s enduring stand-in for rebellion, sprints in place, caught in the loop of the modern rat race. Witty, raw, and rare, it captures Banksy’s critique of capitalism with perfect irony.
Futura
American, b.1955
Pointman AV 001LV, 2023
Illuminated sculpture in ABS plastic and mixed media
Edition of 500
33 x 20.3 x 12.7 cm
£795
Only 1 available for purchase
Pointman AV 001LV marks the first time Futura’s iconic figure is released as a luminous object. Transforming his signature abstract character into a glowing sculptural form, the piece merges design, technology, and art, a continuation of Futura’s legacy as a pioneer of post-graffiti abstraction and cultural futurism.
Futura
American, b.1955
Pointman AV-003S, 20123
Art toy lamp made of ABS Plastic with half silver-plated paint & mixed media Edition of 250
52 x 28 x 20 cm
£1,450
Only 1 available for purchase
A master of post-graffiti abstraction, Futura continues his exploration of form and light with Pointman AV-003S, a striking silver figure that blurs the line between sculpture and technology. The illuminated robot-like form radiates a futuristic calm, transforming ambient light into an extension of his iconic visual language.
Pahnl
British, b.1901
Spot of Bother, 2019
69 colour screen print on Heritage rag
Artist Proof Edition of 6
65 x 65 cm
Signed by The Artist
Framed to Museum Standard
Unframed £850 | Framed £1,400
Only 2 available for purchase
In Spot of Bother, Pahnl’s miniature figures cheekily disrupt Damien Hirst’s pristine dots, repainting the canon of contemporary art one circle at a time. What begins as chaos becomes collaboration, a joyful rebellion that turns high art into human play, reminding us that even perfection benefits from a bit of bother.
Pahnl
British, b.1901
Not Quite Right, 2018
6 colour screen print on Heritage rag
Artist Proof Edition of 6
65 x 65 cm
Signed by The Artist
Framed to Museum Standard
Unframed £750 | Framed £1,300
Only 2 available for purchase
In Not Quite Right, Pahnl playfully channels M.C. Escher’s logic-defying architecture. His tiny figures navigate an impossible labyrinth of stairs and angles, turning confusion into choreography. Geometry, humour, and human scale collide, a witty meditation on perspective, balance, and the beauty of getting things almost, but not quite, right.
Pahnl
British, b.1901
This is Fine, 2017
6 colour screen print on Heritage rag
Artist Proof Edition of 6
65 x 65 cm
Signed by The Artist
Framed to Museum Standard
Unframed £850 | Framed £1,400
Only 2 available for purchase
In This is Fine, Pahnl reimagines Hokusai’s “The Great Wave off Kanagawa” with quiet humour. Amid the swirling chaos, a small figure drifts calmly through the storm, embodying the art of acceptance. A modern mantra disguised as parody, it reminds us that sometimes the only way through the wave is to ride it.
Pahnl
British, b.1901
Missed a bit, 2016
5 colour screen print on Heritage rag
Artist Proof Edition of 6
65 x 65 cm
Framed to Museum Standard
Signed by The Artist
Unframed £850 | Framed £1,400
Only 2 available for purchase
In Missed a Bit, Pahnl pays playful homage to Piet Mondrian’s “Composition II in Red, Blue and Yellow” (1930). His tiny figures climb into the rigid grid, breaking modernist precision with mischief and movement. What Mondrian built in perfect order, Pahnl cheerfully interrupts, a tribute to geometry, humour, and the creative act of imper fection.
Invader
French,
b.1969
Sunset (Blue & Green), 2018
Embossed screen print with glow in the dark ink.
Edition of 100 42 x 42 cm
Signed by The Artist
Framed to Conservation Standard
£7,950
Only 1 available for purchase
Invader is a pioneering French street artist who, since the late 1990s, has “invaded” over 80 cities worldwide with more than 4,000 of his pixelated mosaics inspired by classic arcade imagery. Sunset (Glow in the dark) was created for his exhibition Into the White Cube at Over The Influence, Los Angeles. Charged by light, the work transforms at nightfall revealing the enduring pulse of his cosmic pixel universe.
Adam Neate
British, b.19
The Hug (Dimensional Edition), 2012
Bonded perspex and aluminium, overprinted with two-colour screen print Edition of 55
76.7 x 61 cm
Signed by the artist
£1,950
Only 1 available for purchase
Over the years Adam Neate periodically revisits the subject matter of ‘THE HUG’. In 2011 ADAM NEATE painted a truly dynamic composition. It combined expressionistic brush strokes on canvas with moulded, and aerosol painted Perspex and metal. In order to capture the essence of the original work, the incredibly high resolution image has been bonded between a sheet of Perspex and aluminium. The surface of the Perspex has then been expertly over screen-printed with two layers of highlights.
Invader
French, b.1969
Rubik Camouflage, 2023
Diasec-mounted Giclée on aluminium composite panel Edition of 812 100 x 100 cm
Ready to hang
£2,950
Only 1 available for purchase
Invader is a pioneering French street artist celebrated for more than 4,000 “invasions” worldwide. A leading figure in the Rubikcubism movement, he transformed Rubik’s Cubes into fine art. Rubik Camouflage conceals the artist’s Space Invader within a kaleidoscope of colour, exploring visibility, code, and the infiltration of technology into daily life.
Invader
French, b.1969
Invaded Cube, 2023
Diasec-mounted Giclée on aluminium composite panel Edition of 812 100 x 100 cm
Ready to hang
£3,450
Only 1 available for purchase
Invader is a pioneering French street artist celebrated for more than 4,000 “invasions” worldwide. A leading figure in the Rubikcubism movement, he transformed Rubik’s Cubes into fine art. Invaded Cube captures his signature motif embedded within the cube itself—a meditation on play, order, and the digital imagination.
Invader
French, b.1969
3D Little Big Space, 2022
Vinyl sculpture Edition of 5000
28 x 20 x 4 cm
Plate-signed on the base
£895
Only 1 available for purchase
Invader is a pioneering French street artist celebrated for his pixelated mosaic installations inspired by classic arcade imagery. Since the late 1990s, he has “invaded” cities across the world with over 4000 mosaics. 3D
Little Big Space is a miniature replica of his monumental PA_1432 mosaic on Place Stravinsky, Paris. Measuring just two percent of the original, it preserves every detail of the iconic work, bringing the scale of street art into the collector ’s hand.
KAWS
American, b.1974
Gone (Black), 2019
Painted cast vinyl sculpture
Edition unknown - sold out
35 x 37 x 7 cm
£1,450
Only 1 available for purchase
An emotional depiction of loss, Gone (Black) portrays KAWS’s well-known characters COMPANION and BFF in an embrace reminiscent of a classical pietà. The work exemplifies the artist’s ability to blend pop culture and poignancy, transforming vinyl into a meditation on compassion, vulnerability, and connection in the contemporary world.
KAWS
American, b.1974
Take (Black), 2020
Painted cast vinyl sculpture
Edition unknown - sold out
34 x 16 x 13 cm
£1,950
Only 1 available for purchase
Released in 2020, Take (Black) forms a sculptural dialogue with Share, reversing their roles in a gesture of empathy and exchange. The black BFF cradling the Companion reflects KAWS’s enduring exploration of connection, protection, and vulnerability, themes that anchor his vision of pop iconography with human emotion.
RENATO HUNTO
Italian, b.1982
È Amore, 2019
13 colour screen print on Somerset Satin
300gsm
Edition of 50 58 x 71 cm
Signed by The ARtist
Framed to Conservation Standard
Unframed £500 | Framed £900
Only 2 available for purchase
Hunto’s È Amore bursts with Cubist geometry and Mediterranean warmth. Intertwined figures embrace within a kaleidoscope of bold colour and form, celebrating love in its most human and universal expression. Both abstract and intimate, the work channels Picasso’s legacy through the vibrant lens of contemporary street art.
