Sophie Mess
British, b.1989
Beauty in the Detour, 2025
Acrylic with spray satin varnish on canvas
Unique
Signed by the Artist
120 x 150 cm
£6,400
Born from a spontaneous moment, Beauty in the Detour captures the unexpected grace of flowers casually placed after a photoshoot. Sophie Mess was struck by the natural, unplanned arrangement—imperfect yet harmonious. This piece celebrates the quiet beauty found in letting go, embracing creative accidents, and staying present. With instinctive composition and fluid movement, it speaks to the richness of the unplanned path. Mess invites us to trust the process, to notice what we might otherwise overlook, and to find meaning in life’s detours. Here, the accidental becomes intentional, and the ordinary becomes extraordinary.
SNIK
British, b.1991 and b.1984
Embers, 2025
Hand-cut stencil with acrylic, spray paint and ink on canvas
Unique
Signed by the Artist
90 x 135 cm
£4,950
First painted as a mural in the heart of Paris, ‘Embers’ was born on a wall touched by fire, a place marked by the past, yet ready for new life. It was there Snik placed their portrait: a quiet figure, eyes in soft gaze, suspended between stillness and change. Delicate ivy, cut in black and white stencil, traces across her face, resilient, reaching, while warmth blooms outward in soft layers of spray-painted colour, evoking the glow of something enduring. Through their signature technique, Snik creates a moment where beauty lingers at the edge of transformation. Embers is not about what was lost, but what holds on. A pulse beneath the sur face. The quiet beginning of what grows back stronger.
Joachim Lambrechts
Belgian, b.1986
Red Vase and Flowers, 2019
Oil and spray paint on canvas
Unique
Signed by the Artist
100 x 120 cm
£4,000
‘Red Vase and Flowers’ represents a significant milestone in Joachim’s artistic journey, being his first work without human or animal forms, marking his entry into the still life genre. In this piece, Joachim delves into the expressive power of complementary colours, particularly red and green, which enhance each other’s vibrancy. The composition was carefully refined, achieving a perfect visual balance. Beyond traditional brushwork, Joachim employs innovative techniques like scraping with knives and scratching fine lines onto the canvas, creating intricate textures visible in the petals and foliage. This piece not only reflects technical growth but also a new sense of quiet confidence, where simplicity and depth coexist in living colour.Red Vase and Flowers marks Joachim’s debut in still life, boldly exploring red and green contrasts. The artist brings delicate life to flora using unique techniques like scraping and scratching, revealing a striking, detailed beauty in the composition.
Ruben Sanchez
Spanish, b.1979
The Weight of Present V, 2025
Acrylic and spray paint on canvas
Unique
Signed by the Artist
120 x 80 cm
£5,500
The Weight of Present V’ continues Ruben Sanchez’s exploration of compositional imbalance, yet here the tension is subdued and intimate. Washed-out tones and loosened forms suggest a quieter kind of disruption, one internal, reflective, and ongoing. Perhaps shaped by a mid-life reckoning, the work speaks to the gentle drama of transition. The still life becomes a metaphor, holding space for psychological states in flux. Balance is no longer structural but emotional, something sought yet never settled. The painting invites viewers into a contemplative quiet where the present is not a fixed point but a slow pressure that shapes and questions. It is a canvas of subtle becoming, where emotional presence is felt rather than declared.
Ruben Sanchez
Spanish, b.1979
Horse Pushing Vase, 2024
Acrylic and spray paint on canvas
Unique
Signed by the Artist
120 x 80 cm
£5,500
In ‘Horse Pushing Vase’, a simple gesture becomes a meditation on instability. A horse gently nudges a vase toward the edge, creating a moment filled with quiet tension. The composition appears calm, yet every form leans with intent. The work reflects the emotional negotiations we carry daily, where maintaining balance becomes an act of invisible labour. There is no collapse, only the presence of its possibility. The piece resists resolution, focusing on the emotional choreography of staying upright. Through stillness, it evokes movement, and through restraint, complexity. This is a portrait of subtle persistence, where fragility is acknowledged without shame, honouring the quiet, continuous work of managing what lies just beneath the surface.
Helen Bur
British, b.1990
Women For Life, 2025
Oil on Linen
Unique
Signed by the Artist
83 x 83 cm
£3,490
Helen Bur’s ‘Women for Life’ revisits the 1981 Greenham Common Women’s Peace Camp, a pivotal moment in feminist and anti-nuclear activism. Inspired by Mike Goldwater’s iconic photo, the painting draws from archival imagery to depict the women who marched 100 miles from Cardiff to the US airbase, carrying banners reading “Women for Life on Earth.” Their peaceful protest aimed to halt nuclear escalation and promote East-West cooperation. Dressed in bright scarves and jackets, the women sit in defiance, halting a bus en route to the military base. Helen Bur’s focus remains on the women - grounded, determined, and unshaken - set against a muted military backdrop, transforming concrete into a site of resistance. Their message endures each May 24th, Women’s International Day for Disarmament and Peace: we remember, we resist, we rise.
Helen Bur
British, b.1990
Pillars, 2025
Oil on Linen
Unique
Signed by the Artist
90 x 70 cm
£3,360
In ‘Pillars’, Helen Bur presents a poignant study of solidarity through stillness. Painted in oil on linen, the work features two women lying on their backs, head-to-head, their hands clasped in quiet connection. The mirrored posture suggests both vulnerability and resilience, as if each figure draws strength from the presence of the other. The composition evokes themes of mutual support, communal endurance, and feminine resistance without spectacle, rooted in a calm, deliberate intimacy. The title, Pillars, signals the foundational role of collective strength, particularly in contexts of protest, grief, or care. With strong, meditative tones and restrained gesture, Bur invites us to witness solidarity not as grand action, but as quiet, essential presence, an act of resistance held in stillness.
Bordalo II
Portuguese, b.1987
Neutral FX Panda, 2025
Paint on an assemble of found objects (plastic, wood and others)
Unique
Signed by the Artist
121 x 107 x 25 cm
£13,500
Bordalo II’s ‘Neutral FX Panda’ is a striking piece from his iconic Trash Animals series, created entirely from discarded materials such as plastic toys, broken objects, and industrial waste. This powerful sculpture addresses the environmental crisis of overproduction, plastic pollution, and its devastating effects on ecosystems and wildlife. The red rotary phone, encircling the panda’s face and wraps around the right ear, serves as a symbolic “wake-up call,” urging urgent action to combat these global challenges. Through the transformation of trash into art, Bordalo II forces us to confront the consequences of our consumption and reconsider our values. The Panda stands as a poignant reminder of the importance of sustainability and the need to protect endangered species, while highlighting the pressing environmental issues of our time.
Sonny Sundancer
British, b.1986
Smouldering Light, 2025
Oil and acrylic on aluminium panel in tray frame
Unique
Signed by the Artist
76 x 61 cm
£2,880 Smouldering Light is set against a fractured, textured backdrop where a cheetah emerges like a memory—an ephemeral figure drifting through a dreamlike terrain that bridges the urban and the wild. Embracing abstraction and expressive texture, the canvas mimics the gritty feel of concrete, layered with smoky greys and dynamic, nuanced hues. This bold interplay of shadow and light brings movement and depth, drawing the viewer into an atmospheric world where emotion and instinct converge. The rough surface offers a tactile experience, encouraging a deeper, sensory engagement. Through this work, Sonny explores the boundaries of wildlife representation, using abstraction to reveal the emotional undercurrents beneath the image, and inviting viewers into a space where raw nature meets urban expression.
Sonny Sundancer
British, b.1986
Ishema, 2025
Charcoal and watercolor on Arches Platine 640gsm 100% cotton paper, hand-deckled edges (unframed)
Unique
Signed by the Artist
56 x 56 cm (excl. frame)
£2,750
Ishema’ meaning “pride” in Kinyarwanda is a powerful portrait that embodies strength, dignity, and ancestral presence. In this large-scale work, Sonny fuses the precision of charcoal realism with his signature graffiti-inspired aesthetic. The gorilla’s penetrating gaze commands attention, while vibrant, expressive strokes of colour ripple across its shoulders, echoing the energy of street art. This visual tension between control and spontaneity mirrors the artist’s exploration of nature’s place within an increasingly urbanised world. Rich in symbolism and emotion, Ishema challenges traditional wildlife portraiture by bridging cultural and visual languages. Through this fusion, Sonny not only honours the spirit of the gorilla, but also elevates it as a timeless symbol of resilience, identity, and the wild’s enduring voice.revealing a striking, detailed beauty in the composition.
Sonny Sundancer
British, b.1986
Orgainse - Dusk Walker, 2025
Oil and acrylic on aluminium panel in tray frame
Unique
Signed by the Artist
81 x 66 cm
£2,920 Suspended between light and reflection, a cheetah glides into a place where the real and imagined collide. The interplay of oil and acrylic on aluminium creates a luminous, ever-changing surface that shifts with the viewer’s perspective. The cheetah, caught in mid-motion, seems to exist in a dreamlike realm, where time and space dissolve into abstraction. The dark warmer tones and cool hues intertwine, echoing the dualities of nature - motion and stillness, light and shadow. Dusk Walkerinvites the viewer into a fleeting moment, where the boundaries between the natural world and the imagined are blurred, offering an exploration of the ephemeral beauty of the wild.
Spidertag
Spanish, b.XXXX
Triangle Line Blue & Green, 2025
Neon Superflex on 10mm Black Acrylic Panel with Polished Edges
Unique
Signed by the Artist
70 x 86 cm
£2,750 Triangle Line distills Spidertag’s symbolic language into a minimal, architectural neon composition. A blue triangle, constructed from precise right angles, grounds the line in calm, geometric stability. Harmonious analogous transitions a singular green line floats in exact parallel, an intentional balanced echo rather than a disruption. This spatial relationship creates subtle tension through restraint, highlighting how meaning can emerge from precision and placement. The triangle symbolises foundation, the line signals gesture. This piece speaks to Spidertag’s broader visual vocabulary rooted in his concept of Futurism Privitisim, where light and structure merge. Triangle Line invites a meditative encounter with space, symmetry, and the silent strength of minimalism.
SNIK
British, b.1991 and b.1984
Everything is in its Right Place, 2025
Hand-cut stencil with acrylic, spray paint and ink on canvas
Unique
Signed by the Artist
130 x 100 cm
£6,250
Inspired by SNIK’s Overcome mural in Stavanger, ‘Everything in its Right Place’ carries the quiet balance and surrender at the core of the Exhale Project—a four-part series spanning Norway’s remote Utsira island and mainland. Pathwaysexplores our interwoven journey with nature; Afterthought, the quiet reclaiming of forgotten spaces; Exhale, a breath held within the noise; and Overcome, the city gently softened by growth.This canvas continues that meditation. Layered in hand-cut stencil and spray, it offers a portrait of stillness in motion—a figure suspended between fragility and form.A moment of acceptance.A space to breathe.Where nature reclaims, emotion settles,and everything, finally, finds its place.
Spidertag
Spanish, b.XXXX
Lines & Yellow, 2025
Neon Superflex on 10mm Black Acrylic Panel with Polished Edges
Unique
Signed by the Artist
70 x 110 cm
£2,950
Lines channels Spidertag’s mural energy into a kinetic neon composition that moves through space via a five-colour sequence: Blue _ Orange _ Yellow _ Green _ Purple. Each shift is deliberate, an intentional rhythm, with the line moving freely, like graffiti made of light. The sequence plays with both contrast and harmony: bold complementary shifts from blue to orange, followed by smoother analogous transitions from yellow to green, and then green to purple, not a conclusion, but a shift into a new phase. The lines remain parallel, holding tension, except for the yellow line, which breaks rank , this moment of deviation is rebellious, a symbol of evolution. The piece flows through space in a chromatic rhythm that mirrors the vibrancy of a city, dynamic, colour ful and alive.
Pichiavo
Spanish, b.1977 Pichi and b.1985 Avo
Cupid Diaspasis B, 2023
Spray paint, acrylis and oil on plasterboard
Unique
Signed by the Artist
120 x 124 cm
Approx. 20kg
£7,950
Cupid Diaspasis is a poetic celebration of love’s timeless beauty, where fragility meets permanence. Set against a hand-chiselled wall that evokes the history of ancient ruins, PichiAvo creates a romantic interplay between classical grace and urban decay. Cupid, the eternal symbol of passion, appears both delicate and bold, his presence a soft echo against the weathered surface. The textured backdrop, full of stories and whispers of time, invites us to feel love’s imprint, how it’s treasured in memory and marks us forever. In this delicate fusion of old and new, Cupid Diaspasis reminds us that love endures over time, fragile yet eternal, leaving traces that never fade.
Sophie Mess
British, b.1989
Nebule Rose, 2025
Acrylic with spray satin varnish on canvas
Unique
Signed by the Artist
120 x 90 cm
£3,800 Nebula Rose’ is a radiant homage to the union of creation and cosmic wonder. Inspired by the Rosette Nebula, where stars are born, and a mural Sophie painted in Oskarshamn, Sweden, it blends the celestial and the earthly. The Nebula’s likeness to a blooming rose, with its soft pinks and ethereal glow, weaves space and flora into a harmonious dance. The artist’s garden roses anchor this celestial scene, infusing the vastness of the universe with personal, grounded beauty. This work is a meditative reflection on transformation, the way disparate forces collide, merging to create something utterly new. With its rich colours and layered textures, Nebula Rose invites us to witness creation as a beautiful collision of worlds, both boundless and intimate.
My Dog Sighs
British, b.1972
Concrete Vision, 2025
Spray paint on canvas
Unique
Signed by the Artist
150 x 90 cm
£6,750 Concrete Vision’ by My Dog Sighs showcases his iconic eyes, within which a reflection of the world unfolds. The large canvas is enveloped in smokey tones, with vibrant hues that balance softness and intensity. The eyes, symbolic of perception and introspection, reveal the complexities of urban life—where beauty, grit, and emotion coexist. The reflective nature of the piece invites viewers to project their own experiences and stories, fostering a personal connection. This canvas becomes an intimate dialogue between artist and audience, where smokey tones and swirling colour add depth and mood to the urban narrative. Concrete & Vision is not just a visual experience but a space where art becomes a mirror of our shared world.
Bisser
Belgian, b.1990
Shroomhead, 2024
clay and glaze ceramic sculpture
Unique
Signed by the Artist
17 x 17 x 17 cm
£1,950
Bisser’s 3D sculptures merge urban art and traditional craftsmanship, combining his graffiti roots with ceramics. Using self-taught techniques and experimental firing, he infuses each whimsical piece with life, showcasing his distinctive sense of play and creativity.
Bisser
Belgian, b.1990
Bust, 2024
clay and glaze ceramic sculpture
Unique
Signed by the Artist
10 x 10.5 x 9 cm
£350
Bisser’s 3D sculptures merge urban art and traditional craftsmanship, combining his graffiti roots with ceramics. Using self-taught techniques and experimental firing, he infuses each whimsical piece with life, showcasing his distinctive sense of play and creativity.
Bisser
Belgian, b.1990
Bust, 2024
clay and glaze ceramic sculpture
Unique
Signed by the Artist
11.5 x 11.5 x 9 cm
£400
Bisser’s 3D sculptures merge urban art and traditional craftsmanship, combining his graffiti roots with ceramics. Using self-taught techniques and experimental firing, he infuses each whimsical piece with life, showcasing his distinctive sense of play and creativity.
Bisser
Belgian, b.1990
Saber Rat Tooth, 2024
clay and glaze ceramic sculpture
Unique
Signed by the Artist
9 x 12 x 10 cm
£570
Bisser’s 3D sculptures merge urban art and traditional craftsmanship, combining his graffiti roots with ceramics. Using self-taught techniques and experimental firing, he infuses each whimsical piece with life, showcasing his distinctive sense of play and creativity.
Bisser
Belgian, b.1990
Birdy, 2024
clay and glaze ceramic sculpture
Unique
Signed by the Artist
12.5 x 11 x 11 cm
£490
Bisser’s 3D sculptures merge urban art and traditional craftsmanship, combining his graffiti roots with ceramics. Using self-taught techniques and experimental firing, he infuses each whimsical piece with life, showcasing his distinctive sense of play and creativity.
Bisser
Belgian, b.1990
Duckdog, 2024
clay and glaze ceramic sculpture
Unique
Signed by the Artist
7 x 7.5 x 12 cm
£490
Bisser’s 3D sculptures merge urban art and traditional craftsmanship, combining his graffiti roots with ceramics. Using self-taught techniques and experimental firing, he infuses each whimsical piece with life, showcasing his distinctive sense of play and creativity.
Bisser
Belgian, b.1990
Elephshark, 2024
clay and glaze ceramic sculpture
Unique
Signed by the Artist
15 x 4.5 x 12 cm
£470
Bisser’s 3D sculptures merge urban art and traditional craftsmanship, combining his graffiti roots with ceramics. Using self-taught techniques and experimental firing, he infuses each whimsical piece with life, showcasing his distinctive sense of play and creativity.
Bisser
Belgian, b.1990
Ratine, 2024
clay and glaze ceramic sculpture
Unique
Signed by the Artist
11 x 35 x 10 cm
£460
Bisser’s 3D sculptures merge urban art and traditional craftsmanship, combining his graffiti roots with ceramics. Using self-taught techniques and experimental firing, he infuses each whimsical piece with life, showcasing his distinctive sense of play and creativity.
Bisser
Belgian, b.1990
Mousine, 2024
clay and glaze ceramic sculpture
Unique
Signed by the Artist
20 x 4.5 x 13 cm
£490
Bisser’s 3D sculptures merge urban art and traditional craftsmanship, combining his graffiti roots with ceramics. Using self-taught techniques and experimental firing, he infuses each whimsical piece with life, showcasing his distinctive sense of play and creativity.
Bisser
Belgian, b.1990
Louder, 2024
clay and glaze ceramic sculpture
Unique
Signed by the Artist
20 x 26 x 13 cm
£2,250
Bisser’s 3D sculptures merge urban art and traditional craftsmanship, combining his graffiti roots with ceramics. Using self-taught techniques and experimental firing, he infuses each whimsical piece with life, showcasing his distinctive sense of play and creativity.
Renato Hunto
Italian, b.1982
Hot Speech, 2025
Spray paint on canvas
Unique
Signed by the Artist
100 x 120 cm
£2,750 Renato Hunto brings his signature street technique to the canvas, using spray paint to explore the intricate themes of love and sex. The vibrant, abstract forms are charged with raw emotion, each colour and curve representing the dynamic forces of passion, desire, and intimacy. Hunto brings bold use of spray paint - so familiar from his urban interventions - and infuses the canvas with a sense of spontaneity and urgency, creating a visual language that speaks to the fleeting yet powerful nature of human connection. The piece balances the beauty of love with its complexities, using contrasts and fluid shapes to evoke both the fragility and strength of intimacy. Hunto merges the energy of the street with a deeply personal exploration of human emotion.
Joachim Lambrechts
Belgian, b.1986
Jeanne d’Arc, 2019
Oil and spray paint on canvas
Unique
Signed by the Artist
150x 150 cm
£7,800
‘Jeanne d’Arc’ is a powerful tribute to the enduring legacy of an extraordinary individual. Inspired by Joan of Arc, the national heroine of France, this work captures the pivotal moment when Joan’s story transcended time and history. At just 17, Joan, guided by divine visions, led French forces to key victories in the Hundred Years’ War, including the lifting of the siege of Orléans. Her bravery led to the coronation of Charles VII, altering the course of the war. However, at 19, Joan was captured, tried, and executed for Heresy and Witchcraft.. In this painting, Joachim portrays Joan in her most vulnerable state symbolising her sacrifice and loss of dignity. Yet, this vulnerability also represents her posthumous rehabilitation and sainthood, a powerful rebirth after she was exonerated. Riding a horse with wild hair flowing, she becomes a symbol of liberation and resilience.
Renato Hunto
Italian, b.1982
Hidden Breast, 2025
Spray paint on canvas
Unique
Signed by the Artist
100 x 120 cm
£2,750 Renato Hunto brings his signature street technique to the canvas, using spray paint to explore the intricate themes of love and sex. The vibrant, abstract forms are charged with raw emotion, each colour and curve representing the dynamic forces of passion, desire, and intimacy. Hunto brings bold use of spray paint - so familiar from his urban interventions - and infuses the canvas with a sense of spontaneity and urgency, creating a visual language that speaks to the fleeting yet powerful nature of human connection. The piece balances the beauty of love with its complexities, using contrasts and fluid shapes to evoke both the fragility and strength of intimacy. Hunto merges the energy of the street with a deeply personal exploration of human emotion.
Joachim Lambrechts
Belgian, b.1986
Walk in the Park, 2019
Oil and spray paint on canvas
Unique
Signed by the Artist
120x 150 cm
£6,480
Joachim’s ‘Walk in the Park’ is a contemplative meditation on urban life, emotional tension, and the quiet power of nature. Painted after a walk through Antwerp City Park during a period of personal stress, the work captures a shift in inner state from anxiety to calm. The artist places himself within the scene, depicting the symbolic act of smoking. Though he does not smoke, the gesture does not reflect habit but serves as a metaphor for emotional strain and the coping behaviours often observed in public spaces. Through a careful balance of colour and composition, Joachim evokes both the vibrancy of the park and the stillness it offers, presenting the landscape not only as a setting, but as a restorative state of mind.
SNIK
British, b.1991 and b.1984
Morning Lights (Orange), 2025
Hand-cut 9 layer stencil with acrylic, spray paint and ink on canvas
Unique
Signed by the Artist
63 x 64 cm
£2,750
From the walls of New York City, ‘Morning Lights’ captures its quiet breath rising against the city’s restless rhythm. A portrait of a woman, eyes closed, feels the hush of morning before it moves. Around her, deep orange flowers bloom, rising like the glow of waking skies, not as decoration but as something elemental, encasing her in life, letting nature slowly claim the space. Rendered in a rare orange palette, this piece continues the artists’ evolving exploration of growth, a floral presence that, over time and across continents, has begun to overtake the figures they portray. Like the first light of dawn, quietly spreading, never rushing, always present, Morning Lights carries the rhythm of change. A quiet crescendo. This is not a portrait of waking, but of feeling light as it arrives.
Nean Kingdom
Belgian, b.1991
And I Alone, 2025
Acrylic on canvas
Unique
Signed by the Artist
70 x 50 cm
£1,800
‘And I Alone’ by Nean Kingdom captures a solitary figure standing on an ocean barrier, gazing into the vastness of a sunset. The warm glow of yellow, orange, and burnt orange immerses the viewer in a tranquil moment of solitude, inviting reflection on the power of isolation. Through cinematic and natural influences, Nean explores how solitude can bring clarity, strength, and a deeper connection to nature. The piece evokes the serene beauty of stillness, offering a space for introspection and self-discovery. This work reminds us that isolation, far from being an emptiness, can be a pathway to inner peace and connection with both nature and ourselves.
Nean Kingdom
Belgian, b.1991
With Love, Despit the Pain, 2025
Acrylic on canvas
Unique
Signed by the Artist
70 x 70 cm
£2,050
‘In With Love, Despite the Pain’ by Nean Kingdom offers a poignant meditation on loss and remembrance through a scene steeped in melancholy. In the heart of a forest, a man stands before a cut tree stump—once a towering presence among the trees. He lays cut flowers upon its surface, a quiet act of mourning. Both the stump and the flowers are symbols of lives once vibrant, now silenced. Influenced by cinematic language and nature’s quiet power, Nean captures the fragile beauty in moments of farewell. This piece invites the viewer into a space of gentle sorrow, where love persists even in absence. It is a still moment full of meaning, a melancholic tribute to the things we’ve lost but still hold dear.
