VI Studio Project : An Integrated Design Project for Sustainability
VII Design Competition : ASA Design Competition 2025
VIII Design Competition : Reviving the Identity of Baganbari
IX Built Project: Warehouse Redefined
X Proposed Project : Luxury Villa at Phuket
The project explores the concept of “Charn,” a Thai word representing an open space—such as a porch, terrace, or courtyard—where people gather, reflect, and reconnect with themselves. This concept inspired the design of the Bangkok Meditation Hub, which consists of four single-story buildings connected by porches, terraces, and courtyards. Each building serves a specific function, including meditation, exhibition, and open spaces. Together, these areas form a cohesive environment that fosters mindfulness and encourages community engagement.
Inspired by the balconies along Bangkok’s klongs, the “Bangkok Chameleon” project is a meditation hub designed to reflect the city’s adaptive spirit. It uses the Thai concept of “Charn” to create interconnected spaces that guide visitors through four stages of meditation. Each space embodies a different state of mind, from initial detachment to deep tranquility. The design blends traditional Thai elements with modern needs, offering a sanctuary for reflection and community in the heart of Bangkok. It’s a place where the city’s dynamic energy meets the stillness of inner peace.
The design prioritizes passive strategies: open layouts for natural ventilation, local materials, and a symbiotic relationship with water. It draws inspiration from traditional Thai architecture, which is inherently adapted to the local climate. While the narrative focuses on the design process, it’s deeply rooted in observations of the local community and their interaction with the klongs. The research involved exploring the area, observing daily life, and understanding the cultural significance of the spaces, like the multifunctional balcony near Wat Khuhasawan. Also, the project’s concept is built upon extensive research into the local architecture and cultural practices of Bangkok. The transformation of cottages and their balconies along the klongs informed the design, ensuring it is sensitive to the site, environment, and culture.
Final Design Model
PROJECT II
POST GRAD. SUST. ARCH. STUDIO
CHULALONGKORN UNIVERSITY
Design for Environment
The study specifically examines the third floor, as a case study. Using Climate Studio, simulations were conducted to evaluate daylight performance through spatial Daylight Autonomy (sDA) and Annual Sunlight Exposure (ASE) metrics. The introduction of sun-shading devices aimed to mitigate excessive heat gain while enhancing daylight distribution. The findings were compared against LEED v4 standards to assess performance improvements. The results indicate that strategic sun shading significantly reduces ASE while maintaining optimal sDA, contributing to enhanced energy efficiency and occupant comfort in tropical climates. This study highlights the potential for integrating passive design strategies to improve building performance in similar climatic contexts.
Energy consumption in tropical regions tends to be high due to the cooling demands. With global efforts to reduce carbon footprints and promote sustainability, there is a growing need to design energy-efficient buildings that rely on passive strategies, such as natural ventilation, daylight optimization, and shading, to reduce dependence on mechanical systems.
Thus, balancing daylighting with thermal comfort becomes critical. While natural light can reduce the need for artificial lighting and improve occupant well-being, excessive sunlight can lead to overheating and discomfort. Architects must, therefore, design solutions that allow sufficient daylight while minimizing heat gain.
The case study focuses on a hypothetical four-story office building located in Chittagong, Bangladesh. Chittagong experiences a hot, humid tropical climate characterized by high temperatures, significant solar exposure, and heavy monsoonal rainfall. The study specifically examines the third floor of the building, chosen due to its intermediate position and exposure to external conditions.
re-claim youths
This conceptual project envisions a vibrant youth center, a spatial composition dedicated to fostering community and growth. The program integrates a diverse range of functions, including an open-plan library, a communal food court, and an active play zone, all designed to promote a dynamic and engaging atmosphere.
The architectural language emphasizes interaction and expression, facilitating the sharing of ideas, the performance of music, and the cultivation of a vibrant, multi-sensory environment. The design explores the juxtaposition of natural and built elements, interweaving green spaces with a structural framework of concrete, creating a dialogue between the organic and the constructed.
This youth center is conceived as an incubator for the future, a built environment that nurtures exploration and self-discovery. The spatial organization encourages a sense of belonging, promoting an atmosphere where users can engage with the fundamental questions of life within a supportive and stimulating context. The very essence of vitality permeates the space, offering an immersive experience that celebrates the raw energy of youth.
PROPOSED
RAJSHAHI, BANGLADESH
PROJECT IV BUILT PROJECT
RAJSHAHI, BANGLADESH
This project addresses the revitalization of a historically significant field situated in front of Munnujan School, a space long overdue for renovation. The field serves not only as a recreational zone for local children but also as a vital community gathering place, hosting numerous functions and festivals throughout the year, particularly the large congregations during festive periods. A pre-existing stage, the “Rabindra Nazrul Moncho,” serves as a focal point for these events. The design intervention proposes a new gallery structure to accommodate the large gatherings, strategically positioned to enhance the functionality of the stage without encroaching upon the existing field’s open space.
The architectural approach prioritizes the use of vernacular materials, specifically locally-sourced ceramic brick and handcrafted concrete blocks. This material palette is chosen for its superior durability and its contribution to a more sustainable and contextually sensitive design, minimizing environmental impact. The primary architectural element is a prominent brick jali wall, functioning as a dynamic backdrop to the field. This permeable screen serves a dual purpose: it acts as a visual anchor for the space and incorporates integrated planter boxes, allowing for the preservation and integration of existing mature trees, further enhancing the ecological sensitivity of the project. This creates a layered aesthetic, blending built form with natural elements, and reinforces the field’s role as a vibrant community hub.
PROJECT V BUILT PROJECT
RAJSHAHI, BANGLADESH
The Rajshahi City Corporation initiated a transformative project to repurpose a derelict waterbody into a vibrant entertainment and community hub for the local populace. This conservation-focused intervention involved a meticulous design process, driven by a commitment to create a meaningful and engaging public space. The architectural language embraces a vernacular aesthetic, employing locally-sourced red bricks as the primary building material, creating a cohesive and contextually relevant visual identity. Two strategically positioned shade structures are incorporated into the site, offering respite for pedestrians and framing key views within the landscape. Furthermore, the design incorporates subtle patterns derived from the architectural fabric of the surrounding neighborhood. These abstracted motifs are integrated into the built elements, forging a deeper connection between the project and the local community, fostering a sense of ownership and belonging.
Upon its completion, the project garnered significant public acclaim, drawing visitors not only from the immediate neighborhood but also from across the city, solidifying its role as a vital urban amenity. The success of the project is further underscored by the thoughtful integration of essential infrastructure, including a well-considered lighting scheme that enhances the space’s usability and aesthetic appeal, and a robust plumbing system that ensures functionality and sustainability. The project stands as a testament to the transformative power of thoughtful design, demonstrating how a neglected space can be reimagined into a thriving community asset.
PROJECT VI
POST GRAD. DESIGN STUDIO
CHULALONGKORN UNIVERSITY
Libros & Cafe
AN INTEGRATED DESIGN PROJECT FOR SUSTAINABILITY
The kiosk nestles within the bustling cityscape, fostering a deeper connection with urban life. It invites patrons to slow down, sip coffee, and engage with books, a mindful pause in the urban rush.
The concept of the Kiosk mimics the design of a ribcage or a similar natural skeletal structure. The kiosk’s rib-like arches echo the city’s pulse—fluid yet structured. These curves mimic the sway of branches or the flow of pedestrians along busy streets.
ASA Experimental Design Competition 2025
PROJECT VII COMPETITION PROJECT BANGKOK, THAILAND
Naga Dwellings
Background: Bangkok faces sinking risks from rising sea levels, climate change, and subsidence, dropping 1-2 cm yearly due to groundwater extraction and urban weight. High-end projections predict a 2-meter rise by 2600. The Chao Phraya River overflows often, and typhoons threaten defenses.
Design Concept: Envision Bangkok in 2609, largely submerged into an underwater metropolis. Inspired by Thai mythology’s Naga, serpentine water guardians, the “Naga Dwellings” are modular, self-sustaining habitats floating below the surface or anchored to sunken ruins. These pods reimagine traditional Thai stilt houses as buoyant, watertight structures, blending nostalgia for a water-based past with futuristic resilience.
A family in 2609 wakes in their Naga Dwelling, seeing fish swim past transparent walls amid Bangkok’s submerged relics, like Wat Arun’s spire. The pod sways with currents, stabilized by tethers. They tend an aquaponic garden growing basil, while kids play in a glowing communal pod. Boats and drones connect this underwater world to dry zones above.
Features: Hexagonal pods with temple-like, curved roofs harvest sunlight via photovoltaic film, echoing Thailand’s golden spires. Interiors feature open “sala”-style spaces with 3D-printed lattice screens from recycled plastics, lit by bioluminescent algae reminiscent of Loy Krathong lanterns. Pods link into floating villages like old khlong communities, adaptable to changing needs. Solar panels, tidal turbines, and hydrogen cells power the pods, while reverse osmosis and waste recycling sustain water and resources. Vertical aquaponics grow rice, herbs, and fish, preserving Thai culinary roots.
“Naga Dwellings” honor Bangkok’s riverine heritage, using modern tech to thrive in a submerged future. As King Bhumibol Adulyadej said, “Nature is something we have to live with, not fight against”, a guiding principle for this harmonious, forward-looking design.
Honorable Mention
PROJECT IX BUILT PROJECT CHITTAGONG, BANGLADESH
Commissioned to reimagine a conventional warehouse, the client brief stipulated a departure from typical industrial aesthetics, seeking a visually distinctive design. The project scope was primarily focused on the articulation of the two front elevations, utilizing existing plans and drawings as a basis for development. The primary design challenge was to mitigate the visual impact of the standard profiled sheet roofing. To achieve this, the design proposes a continuous envelope of ACP (Aluminum Composite Panel) cladding, effectively concealing the roofline and creating a sleek, contemporary aesthetic that distinguishes the structure within its context.
To further integrate the warehouse within the larger complex, which includes several existing buildings featuring brick facades, portions of the elevation are articulated with complementary brickwork. This strategic use of brick creates a dialogue between the new structure and its surroundings, establishing a sense of visual harmony within the site. The corporate identity is boldly emphasized through the strategic application of a vibrant red ACP panel, specifically highlighting the building’s name and ensuring prominent visibility. Furthermore, the design incorporates functional and aesthetic modifications to the two mezzanine levels designated for worker use. The existing floor slabs are extended outward by five feet, transforming them into usable balconies. This extension not only provides valuable outdoor space for the occupants but also introduces a dynamic interplay of projections and recesses, enriching the overall facade composition and adding a human scale to the industrial building.
3D Rendered Photo
Real Photo of the Project
PROJECT X
PROPOSED DESIGN
PHUKET, THAILAND
Luxury VillaPhuket
Address: Bangkok, Thailand
Nationality: Bangladeshi
Languages: Bengali (Native), English (Fluent)
Architectural Designer with over six years of experience converting conceptual ideas into precise technical drawings for residential, civic, and landscape developments. Proficient in sustainable design techniques and cutting-edge rendering software. Demonstrated success leading diverse teams of 15+ experts, resolving on-site design issues, and executing impactful projects. Skilled in leveraging AI tools to streamline design processes and enhance project efficiency. Committed to pushing architectural boundaries using innovative, emerging technologies.
