www.glogauair.net
13 Artists in Residence at GlogauAIR studios OPEN
Resident Artists Nicole Dyer AlejandroIanUrrutiaJehle DanielaKyleAstridSchwabeLloydDaniToralGiacomo Laura Palau AlexandraBarredaSlavaIsmaelIglesiasCharmainePohHeloisaPomfretNéstorGarcía Project Space LOOP Discover Award Chema Alvargonzalez&GlogauAIR 39373533312927252321191715 About Open Studios 43711 INDEX
Fri. 13th December 19 - 23h 1st 2nd & 3rd Floor | Resident Artists Project Space | LOOP Discover Award Sat. 14th December 14 - 19h 1st 2nd & 3rd Floor | Resident Artists Project Space | LOOP Discover Award PROGRAM
Chema Alvargonzalez
& GlogauAIR
Chema Alvargonzalez was a conceptual multidisciplinary artist who lived and worked between Barcelona and Berlin. He lived the exciting events surrounding the fall of the Berlin Wall in 1989 and the period following it. He studied at the HdK under the direction of Rebecca Horn and obtained a Master of Fine Arts and Multimedia in 1994. After his studies he materialised most of his artistic works between both cities. During those periods where he lived in Berlin he introduced several incoming artists to city and the richness of its artistic scene. He continued to do so informally until 2006, when he founded GlogauAIR, creating a meeting point between artists from all disciplines to work in collaboration to expand their practice while exploring and interacting with the city of Berlin.
7 Memoria Artística Chema Alvargonzalez Copyright © All rights reserved
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GlogauAIR continues the project begun by its founder, the late artist Chema Alvargonzalez. The pillars upon which GlogauAIR was founded are an openness and receptivity to new ideas; an integration of the international and local approaches and perspectives on contemporary art. The four themes that can be recognized in this prolific artist’s oeuvre are journey and migration, memory and loss, experiment and chance, and the dream of a city. These themes continue to form the foundation of GlogauAIR’s mission to support the production of new creative work from local and international artists today.
At GlogauAIR, artists from diverse social and geographical backgrounds find a place to develop their works in a dynamic environment of coexistence, exchange of ideas and internationalisation. At the same time they get to know a new culture and landscape in Berlin, getting influences from the city, which has become a pioneering place for contemporary culture.
GlogauAIR is an art space and residency in a historic building in Kreuzberg open to new ideas and exchange. Centered on the principles to explore, create, and exhibit, the residency program offers the use of a studio space in a historic building in Berlin and a base in Kreuzberg from which to explore and discover the creative side of the city.
Reaching the second floor, Dani Toral creates immersive spaces, paintings, ceramic and paper-mache objects through bold markmaking and vibrant color palettes that reflect her rich Hispanic culture. Kyle Giacomo’s paintings are a narrative of fragmentary
On December 13th and 14th, 2019 GlogauAIR opens its doors to art lovers and enthusiasts from all over Berlin, inviting them to visit 13 studios of contemporary artworks by GlogauAIR’s resident artists from nine countries across the world and selected videos from LOOP Discover Award in our project space. The works seen here are the result of three or six months of intensive creation and production right here at GlogauAIR and offer an immediate connection and direct engagement with creation at the source.
Entering the first floor, visitors encounter Nicole Dyer’s work, focusing on the dichotomy of eating and sharing—how a plate of food can be both nourishing and dangerous; or how someone alone can feel connected through social media. Alejandro Urrutia uses the medium of sculpture to play with how architectural rules can be reinterpreted and transgressed. Folded steel sheets become pieces positioned in space that challenge forces in equilibrium. At the intersection of math, engineering and visual arts, Ian Jehle’s large-scale installation includes wall drawing, lecture notes, and LEGO blocks, outlining Jehle’s thinking about infinities, selfreference and the mathematical impossibility of mathematical perfection.In her painting practice, Daniela Schwabe questions the complexity of the real in an age of manufactured copies, using artificial intelligence and deep learning to imitate her own work process. Astrid Lloyd’s Spinnmaschine takes the spinning wheel as a point of departure for reflection on prominent philosophical, literary and political ideas in the German context, and the significant role played by textile traditions and industry in German nation-building.
About Open Studios
Thank you all for coming to this edition of our open studios where you get to see art as it happens, full of chance encounters and direct contact with the artists responsible for these amazing contemporary works of art.
Laura Palau’s Las bañistas documents what happens in the women’s changing rooms of different swimming pools with the aim of showing and preserving one of the few women-only spaces that remain in today’s society. In Children of Agape, Alexandra Slava explores the idea of the highest form of love as an equilibrium of forces giving birth to new life with the embodiments of Mother, Male and Female as abstract elements of nature rather than literal depictions. Ismael Iglesias blends the traditional pictorial avant-gardism with computer screens’ opaque luminescence by means of systematic fragmentation, giving rise to complex volumetric surfaces where the classic and the futuristic coexist.
11 cartoon-like overlapping figures that form a kind of unconscious play, like images emerging and stuttering into existence before fully forming.
Continuing to the third-floor studios, Charmaine Poh’s The Lesson, made in collaboration with dancer Isabel Phua, looks at the manifestations and consequences of intergenerational trauma as embodied in everyday life, with a particular attention on motherdaughter relationships. Heloisa Pomfret’s installation of collages made with industrial materials employs a symbolic and referential language of science to evoke mnemonic letters used to enhance memory or subliminally indoctrinate different ideologies. Both in his studio and throughout the building, Néstor García has been recording different ways of circulating the space that could potentially be decoded back into movement based on his intensive research into Labanotation, a system for recording and analysing human movement that was derived from the work of Rudolf Laban.
1st FLOOR Nicole Dyer (studio 11) www.nicoledyerart.com Alejandro Urrutia (studio 12) www.alejandrourrutia.art Ian Jehle (studio 13) www.ianjehle.com Daniela Schwabe (studio 14) www.danielaschwabe.nl Astrid Lloyd (studio15) www.astridlloyd.ca 2nd FLOOR Dani Toral (studio 21) www.danitoral.com Kyle Giacomo (studio 22) www.kylegiacomo.com Laura Palau Barreda (studio 23) www.laurapalau.com Alexandra Slava (studio 24) www.asevostianova.com Ismael Iglesias (studio 25) www.ismaeliglesias.com 3rd FLOOR Charmaine Poh (studio 31) www.charmainepoh.com Heloisa Pomfret (studio 32) www.heloisapomfret.com Néstor García (studio 33) ngdcontact.wixsite.com/nestorgd ArtistsResident 13
Nicolelogo Dyer USA
www.nicoledyerart.com@steakbagel
Nicole Dyer is an artist based in Baltimore, MD. She received her BFA in Drawing from the Maryland Institute College of Art in 2013.
Over the past two years, Dyer has attended residencies at Wassaic Project in Wassaic, NY, Vermont Studio Center in Johnson, VT, and Lighthouse Works in Fischer’s Island, NY. Recent solo shows include “Its Okay Maybe” at Current Space, and “It’s Kind of Pretty” at Stevenson University, in Baltimore, MD. She is a recipient of an Individual Artist Award in Painting from the Maryland State Arts Council and an Elizabeth Greenshields Grant.
Dyer’s works examine a need for excess in the wake of restriction. She is interested in an over-consumption of information through social media, podcasts, books, and Google. Her fascinations include diet culture, Instagram, Youtube, advertising, and “hip” consumer products. Dyer’s work focuses on the dichotomy of eating and sharing—how a plate of food can be both nourishing and dangerous; or how someone alone can feel connected through social media.
While at GlogauAIR, Dyer has explored the variety of markets and grocery shops available in Berlin. She has been collecting, tasting, hoarding, and documenting the abundance of treats, packages, ads, and signage that decorate the city. She is inspired by the seeming lack of restriction in European culture as it compares to the cycle of over-indulgence and restraint found in America. The work is indulgent and obsessive; creating a voyeuristic view of her own personal news feed.
studio11
15 Mario Kondo (2019) acrylic, polymer clay, mixed media on canvas, paper maché, cardboard 203 x 137 cm
Originally from Chile and now residing in Copenhagen, Alejandro Urrutia plays with the synergies between architectural and sculptural principles. Urrutia has a BA degree in Architecture (2006) from Pontificia Universidad Católica de Chile. He is the co-founder of ‘UNarquitectura Studio’ (CL), an architecture office focused on the relationship between structural forms and their landscape. He has recently been awarded by the YICCA and published in the latest issue of Relief Magazine (Italy), as well as in Art Maze Magazine (London) and Latinoamerica Circuitos del Arte. His recent exhibitions include the solo show “Balance”, Nac Gallery in 2018 Chile, YICCA HDLU museum, Zagreb, 2019, “Form/ Function be one” at Sirin gallery and “Chart” at Den Frie Udstilling, Copenhagen, Denmark, 2019.
Alejandrologo Urrutia
Chile www.alejandrourrutia.art
studio12 @alejandro_urrutia_lorenzini
Urrutia uses the medium of sculpture to play with how architectural rules can be reinterpreted and transgressed. He draws on the rich relationship between his two disciplines to generate new perspectives within the forms he creates and to consider how a piece relates to its physical and social context. Folded steel sheets become pieces positioned in space that challenge forces in equilibrium. His work explores and questions how balance emerges. For GlogauAIR’s open studios, Urrutia has created a whole new series of metal pieces using the curve as a means to explore the principles of balance. He presents for the first time his geometrical wooden pieces suspended in space.
Sol 60polished(2019)brassx60x60cm 17
is a Canadian artist and teacher based in Berlin and Washington DC. He is currently on the faculty at American University in Washington DC and previously was head of engineering at the construction firm P&J Arcomet. Jehle studied computer science, mathematics, philosophy and visual arts at American University, Kansas City Art Institute, Brandeis University and Columbia University.
logoIan Jehle
IanCanadaJehle
Jehle’s work focuses on the intersection of math, engineering and visual arts. His large-scale, math-based installation projects are often participatory in nature, using games, puzzles and live events to invite participants to create works of art by following a simple set of mathematical rules. Jehle considers his teaching an important part of his art process and often includes groups of students in the design and implementation of his project-based works. Jehle is currently working on two projects: one, a collaboration with artist and architect Edwina Chen, involves the mapping of music into a precise three-dimensional geometric structure. The other is a collaboration with a group of young robotics students in Washington, DC. In addition to these ongoing projects, Jehle has been working on a drawing installation at GlogauAIR which focuses on the work of cognitive scientist Douglas Hofstadter and his 1979 book Gödel Escher Bach. The yet-to-be-titled installation includes wall drawing, lecture notes, and LEGO blocks and lays out Jehle’s thinking about infinities, self-reference and the mathematical impossibility of mathematical perfection.
www.ianjehle.com@ianjehle studio13
Ruimteverdeling van een Kubus (2019) LEGO dimentionsbricksvariable 19
Danielalogo Schwabe
Daniela Schwabe is a painter based in Amsterdam. She finished her BA in Fine Art at ArtEZ, Arnhem in the Netherlands in 2009. In her painting practice, Schwabe investigates the impact of history and remembrance on an individual level. She uses the medium of painting to build a new structure for the reflection of memory and the impact of images on the way memory is conceived. In her images, human figures are cut out brutally from their surroundings, portraits are formed of collected images, and the surface of a painting becomes a façade. Working with these different layers Schwabe questions the complexity of the real in an age of manufactured copies. She draws parallels and creates juxtapositions, between historical facts about war and the notion of (her own) family history, historical traumas and contemporary problems of the trustworthiness and value of Duringimages.the residency at GlogauAIR, Schwabe has deepened her research into the historical background of the Cold War with her project FUTURE MEMORY. Based on a single image: a painted nuclear reactor container from 1950 in the USA, this one image is copied, cut up in fragments and reused in a series of paintings to transform it conceptually and formally. In her latest series, Schwabe uses Artificial Intelligence and deep learning to imitate her own work process. The AI will generate a new image from an archive of iconic war photography and learn her style of painting through the FUTURE MEMORY series.
www.danielaschwabe.nl@danielaschwabe
Netherlands
studio14
FUTURE MEMORY (2018) oil paint on canvas 170 x 140 cm 21
logoAstrid Lloyd Canada www.astridlloyd.ca
studio15
The use of fibres inevitably involves consideration of structures, craft, gender, and labour, but Lloyd’s work is focussed more broadly on metaphysical interactions and contemporary emancipation strategies.
The work-in-progress, Spinnmaschine, takes the spinning wheel as a point of departure for reflection on prominent philosophical, literary and political ideas in the German context, and the significant role played by textile traditions and industry in German nation building. The action of hand twisting and spinning steel wire is elaborated to make a machine whose primary function is only the reproduction of these very actions.
At the 30th anniversary of the fall of the Berlin Wall, in the midst of a global ecological crisis that threatens all forms of life, what are we doing? What will remain? Spinnmaschine, offers a grizzly prognostication of elemental regeneration. At the very least, there will be spinning and twisting.
Curiosity about the patterns and activities that blend material bodies with space and time is the conceptual foundation for more prescient political concerns. What are the structures and systems that operate inside, outside and through us? And how do we negotiate them in our efforts to find freedom?
Astrid Lloyd is a fibres-based artist from Canada working across visual, performing and architectural fields. An embodied research creation process results in costumes, performing objects, multidisciplinary performances, and sculptural installations.
Hammock (2015) cat 5 cable, zip ties 101.6 x 8.89 x 33.02 cm 23
studio21
Dani Toral is a Mexican artist who has grown up in Mexico City and San Antonio, Texas. She recently earned her BFA from the Maryland Institute College of Art in 2018. Since most of her education was in the US, this past year after graduation, Toral made it her mission to educate herself about Mexican history and culture through a lens of memory, comfort, and tradition. Through bold mark-making and vibrant color palettes that reflect her rich Hispanic culture, Toral creates immersive spaces, paintings, ceramic and paper-mache objects. She is interested in the feeling of comfort, externally and internally, literal and emotional a sense of fulfillment, like a bowl of soup or the embrace of a mother. She finds these moments of fulfillment through painting symbols and making objects that stem from her mother-culture and her memory, such as a traditional dish, or a memorable landscape.
At GlogauAIR, Toral created a traditional altar for the Mexican celebration of Dia de Los Muertos as a way to honor her deceased grandfather. The event was shared with the public and the GlogauAIR community, by inviting them to add to the altar with objects or photographs as the public would in Mexico. Toral seeks to balance her appreciation and desire to reconnect with Mesoamerican history, Post- Spanish Colonization, and Mexican Folk Art, as she educates herself on these topics and creates immersive spaces.
logoDani Toral Mexico
www.danitoral.com@dani.toral
Querido Tito (2019) mixed media 3.5 x 3.3 m 25
Kylelogo Giacomo USA
www.kylegiacomo.com@moonlacuna
Giacomo’s current projects at GlogauAIR are new multi-panel paintings. Loosely based on the works of Hieronymus Bosch, these paintings reflect on meaning making amidst an image saturated culture and the collapsing ecosystems that strain to uphold them.
Giacomo’s paintings are a narrative of fragmentary cartoon-like overlapping figures that form a kind of unconscious play, like images emerging and stuttering into existence before fully forming. A limited pop-color palette evokes the uncanny familiarity of comic strips or advertisements. There is a language operating, but it is one with an unclear lexicon. One might spot a broken bone, a bird, a window or a face in profile. Crude semi-figures move as a strained graffiti of the unconscious. It is a world in freefall, a culture and climate in breakdown, a machine that’s thrown its pistons into uncertain configurations. In practice, Giacomo uses a process of indeterminism, random numbers and time restrictions create boundaries on the initial sketches. Colors are filled in as a secondary process of image making. These limits create new avenues for freedom and experimentation.
studio22
Kyle Giacomo is a U.S. based artist working in painting and photography. He grew up in the sun-blasted suburbs of the Sonoran Desert in Arizona. He holds a Master’s Degree in English from San Francisco State University. He primarily works in oil and acrylic on wood panels and in conceptual digital photography.
Garden Of Plastic Delights (2019) acrylic on wood panel 120 x 120 cm 27
The documentation will be carried out with small pinhole cameras and mini video cameras that mimic swimming objects. In this way, the intention is to document these situations in the most natural way. Another aspect that makes it unique is the lack of distinction, the ambiguity between equals—we all become bathers from the moment we enter until the moment we leave and behave together as such in this small submerged city, which acts as a microcosm of Berlin.
studio23
Las bañistas tries to document what happens in the women’s changing rooms of different swimming pools. The changing room is a singular and neutral space, where a calm and trusting atmosphere is generated, which arises from sharing it with people of the same sex. The purpose of the project is to observe and document what happens there with the aim of showing and preserving one of the few women-only spaces that remain in today’s society.
Lauralogo Palau Barreda
Laura Palau graduated in Fine Arts from the Universitat Politècnica de València in 2015 and since then her work has been directed towards installation and photography, making this binomial her means of expression. Her work reflects on, questions, and also aims to expose, the excessive credibility that we place in an image.
Spain www.laurapalau.com@palaupalaura
Chang as a swimmer (2019) photohahnemühleRagBaryta84x64cm 29
Alexandra Slava is a contemporary figurative sculptor and art educator. She graduated from the Florence Academy of Art in Italy and is currently running an independent artistic practice in Germany. Slava’s work focuses on an expressive potential of human form, which she uses as a vehicle for conveying the different aspects of the human condition. As an academically trained sculptor, she is deeply committed to the careful observation required to translate nature into a more universal and transcendent form. Understanding the human figure grants her the voice to succinctly express all that is of great personal importance in a language eminently accessible to the Throughviewer.theparticipation in GlogauAIR program and with exposure to the dynamic culture of Berlin, Slava has set an objective to expand the boundaries of her aesthetic and conceptual perceptions. The project carried out during her residency is titled Children of Agape. In this piece, Slava attempts to explore an idea of the highest form of love as an equilibrium of forces giving birth to new life. The sculpture represents a multi-figure composition comprised of the embodiments of Mother, Male and Female, as abstract elements of nature rather than literal depictions. This balance is neither idyllic nor permanent; it requires a constant effort to be maintained and the slightest disparity becomes life-threatening. However, it is in the fruitful synergy between these forces that vitality finds its provenance and thrives.
Alexandralogo Slava Ukraine
www.alexandraslava.com@alexandraslava
studio24
The Coronation (2018) clay 110 x 45 x 30 cm 31
Ismael Iglesias studio25 IsmaelSpain
Iglesias lives and works between Bilbao and Berlin. Iglesias participated in the Espacio Abisal project and resided in the Delfina Foundation in London. His proposals, halfway between painting and installation, highly effective on a visual level, derive from the systematic search within the newest technology. The intention is not so much to capture images in order to canvas them, but to comprehend and accept their articulation speed.
www.ismaeliglesias.com@ismael_iglesias_
This paradigmatic search for the essentials and for the memento in its various stages, allows Iglesias to blend the achievements of traditional pictorial avant-gardism with the computer screens opaque luminescence by means of systematic fragmentation. Fascinated by the plastic values of the cloths of the dresses, curtains, fundamental elements both by the shape and by the color of the compositions of numerous paintings and ancient sculptures–from the folds and minimize bendings bathed by a spectral light of the monumental colorful robes of El Greco to the meticulous pleats, folds and retracements of the garments of the saints of Zurbarán through the furrows, nooks and marble roughness of the Roman or baroque sculptures, such as the Holy Teresa in Bernini’s ecstasy–Iglesias tries to transmit, through the practice of zoom, a self-autonomy giving rise to complex volumetric surfaces of multiple evocations where the classic and the futuristic coexist–the cybernetic, the theatrical, or the enigmatic micro and macro worlds.
GateholeBerlin (2019) acrilyc on canvas 210 x 320 cm 33
The Lesson marks a new exploration in the mediums of moving image and performance. Made in collaboration with dancer Isabel Phua, the piece looks at the manifestations and consequences of intergenerational trauma as embodied in everyday life, with a particular attention on mother-daughter relationships. Through an intimate autobiographical account and with attention to gesture, the piece makes visible the violence of memory. Drawing from child psychology, trauma studies, and performance pedagogy, The Lesson considers the unresolved, fragmented nature of childhood experiences and the ways they continue to leave a mark on adult life.
www.charmainepoh.com@psxcharmaine
Singapore
Charmaine Poh is a Chinese-Singaporean artist and writer based between Singapore and Berlin. Her image-making practice employs ethnographic methods, focusing on issues of memory, gender, youth, and solitude in the Asian context. Often working with portraiture, she considers the performance of self and the layers of identity we build. Her work has been supported by the International Center of Photography, Photoville, The New York Times, the Taipei Arts Festival, the M1 Singapore International Fringe Festival, and the Singapore International Photography Festival, among others. She recently graduated with an M.A. in Visual and Media Anthropology from the Freie Universität Berlin.
studio31
Charmaine Poh
The Lesson (2019) multi-channel installation dimensions variable 35
Pomfret was born in São Paulo, Brazil and currently lives and works in Detroit, Michigan USA. She is an interdisciplinary visual artist whose art practice encompasses collage, painting and Thedrawing.philosophy of her work is about the energy, chaos and memory that happens during physical or psychological stress. The memory of trauma and its subsequent representations and connections formed through time, space and language also offer a theoretical support to the overarching exploration within her art practice. In the installation of collages made with industrial materials, the following are depicted: slices of the elements of the brain along with its scientific charting, diagrams, iconographic imagery of popular culture, such as road signs, propaganda and rituals. These images inform the work within an abstract format, and evoke mnemonic letters used to enhance memory or subliminally indoctrinate different ideologies.
Heloisalogo Pomfret
The paintings on burlap, stitched with twine, involve the palimpsest process, where layers of paint are scratched to reveal further paint beneath as an analogy to memory, where experience occurs and is transformed. The cut, stitched and painted material creates an abstract piece on the margins of painting, drawing and sculpture. The drawings in Indian ink on paper are inspired by the negative spaces that were cut from the positive shapes of the collages. These negative shapes when stretched linearly suggest a new language–one of the negative space or absence, within a visual format of a reinterpreted recurrent narrative.
HeloisaBrazil
www.heloisapomfret.com@heloisandlorastudio32
Maps II (2018) rubber inner tubes (from truck tires) Tondo, 58.42 cm in diameter 37
studio32
Néstor García
Spain ngdcontact.wixsite.com/nestorgd@nestorgd_
At GlogauAIR García has been working on a site-specific installation based on Labanotation, a system for recording and analysing human movement that was derived from the work of Rudolf Laban. The installation is the result of recording different ways of circulating the space, and therefore, could potentially be decoded back into movement. A material trace that like performance itself, cannot be reduced to its sheer materiality. An installation that possesses a latent performativity in it.
Néstor García is an artist and independent curator from Spain. He studied theatre at the Institut del Teatre in Barcelona and later choreography at P.A.R.T.S in Brussels. After his graduation, he gained insight into how to operate inside the white cube throughout his collaborations as a performer in the works of Tino Sehgal and Dora García. In recent years his production concentrates almost exclusively within the museum context. His practice is intersected by two lines of production. One is more object-oriented, informed by concepts such as social choreography and vital materialism, in which he questions how matter influences our choreographies of daily life and serve as a blueprint for shaping modern social organisation. And another more performance-based where he tries to call into question the exhibition as a material entity–expanding the notion of the archive and claiming embodiment and orality as a legitimate platform for the conservation of history.
Ornament and Crime (2019) site-specific instalation variable dimensions 39
LOOP Discover Award Project Space Sotiris Tsiganos & Ionian Bisai (Greece/Albania) Benjamin & Stefan Ramírez Pérez (Germany) Diogo da Cruz (Portugal) Eugenia Lim (Australia) Florencia Levy (Argentina) Jeamin Cha (Korea) YoungEun Kim (Korea) Leonhard Müllner & Robin Klengel (Austria) Marion Balac (France) 41
The LOOP Discover Award was created in 2015 to support and recognize the recent video production by international artists through a free open call. This initiative is supported by Estrella Damm Beer Factory, in line with its longtime commitment with the cultural sector.
This year, we address one of the hottest topics at present: the city. These days, cities play a fundamental role in the global geopolitical map. For that reason, Making the City presents videos that reflect on the city and those who live, work and play in it.
Making the City videos ask: What place will cities have in global transformation processes? What balance should we find between macro-cities, large cities and small urban centers? And between center and periphery? What space should the rural areas occupy? How should we transform them to achieve more egalitarian, accessible and sustainable cities? How can the inhabitants coexist with passengers (tourists, refugees, transit workers)? Should we look back? What role will citizens have in these transformation processes? How can we take advantage of new technologies? In short, what kind of cities do we want? www.loop-barcelona.com/discover @loopdiscoveraward Spain supported by Nome Gallery 43 logo
LOOP Discover Award
The main objectives of the LOOP Discover Award are: to promote and to disseminate videos and films by international artists; to introduce the selected works in professional exhibition circuits; to encourage experimentation and innovation in the field of audiovisual creation; and to bring video art closer to the general public.
www.radiobandalarga.it
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RBL Berlin is the Berliner shade of the online radio “Radio Banda Larga”, broadcasting every Saturday from GlaugAIR. But RBL Berlin is much more than just an online radio: involving more than 60 members, promoting social activities and workshops and throwing a variety of parties all year long, the non-profit organization works as a community with the main goal to connect people and foster their self-development.
RBL Berlin Italy / Germany
RBL Berlin is a discovery space where individuals can get together and exchange their knowledge and skills, while expressing themselves freely and embracing each others’ identity. In this community, human connection comes first, fostering everyone’s personal growth through entertainment, experimentation and Ineducation.2019,RBL successfully pursued a crowdfunding with the goal to build a professional DJ and radiophonic studio at GlogauAIR. Into the summer of this year the organization is stepping up and broadening its horizons, also with the coming of a new multimedia website and an increased number of events and initiatives promoted throughout Berlin. logo
GlogauAIR | Artist in Residence Program Nicole Dyer www.nicoledyerart.com Alejandro Urrutia www.alejandrourrutia.art Ian Jehle www.ianjehle.com Daniela Schwabe www.danielaschwabe.nl Astrid Lloyd www.astridlloyd.ca Dani Toral www.danitoral.com Kyle Giacomo www.kylegiacomo.com Laura Palau Barreda www.laurapalau.com Alexandra Slava www.asevostianova.com Ismael Iglesias www.ismaeliglesias.com Charmaine Poh www.charmainepoh.com Heloisa Pomfret www.heloisapomfret.com Néstor García ngdcontact.wixsite.com/nestorgd p. 15 p. 17 p. 19 p. 21 p. 23 p. 25 p. 27 p. 29 p. 31 p. 33 p. 35 p. 37 p. 39
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Memoria Artística Chema Alvargonzalez Pablo MarionaColumnaAlvargonzálezAlvargonzálezBenaigesPecanins GlogauAIR Project Coordinator Justin Ross Visual Communication and Graphic Design Júlia Doñate Martorell Graphic Design Assistant Natalia Jakoniuk Technical Support Sergei Kurek Project Assistants: Gabi FedericoMeghanGaujeanPughCarfagno GlogauAIR + 49 (0) 30 61 222 75 Glogauer Sttr. 16, 10999 Berlin, Germany www.glogauair.netinfo@glogauair.net Memoria Artística Chema Alvargonzalez +34 (93) 415 12 93 C/Martínez de la Rosa, 48 Bajos Barcelona 08012, www.chemaalvargonzalez.comSpain
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