GLAM WEEK MUSIC EDITION 2023

LONDON | MUSIC EDITION 2023

ICONIC MOMENTS

THE

‘80S

in the Spotlight:

REIMAGINED:

‘THIS Is ICON’

A Vibrant and Bold Fashion Journey

EVENT CAPTURED

a l o c i N : Tolula r e n e s o Adeyemi: P

“You should be yourself and show your personality”

I’M very GRATEFUL for the OPPORTUNITIES I’VE HAD ALONG the WAY”

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Instagram: tessamorgandesigns Email: tessakmorgan@yahoo.co.uk TikTok: tessamorgandesigns Tel: 07828127848

INSPIRATION

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EDITOR

O

Dear

GLAMWeek READERS,

ur Music Edition for 2023 is here! This issue boasts not one, but two incredible covers.

Crystal Waters, the legendary music icon, graces our main cover, symbolizing the trailblazing spirit that defines this edition. Known for her unforgettable hits and profound influence, Crystal Waters embodies the essence of our celebration of music.

On our second cover, we showcase the remarkable model Tolula Adeyemi, celebrated for her elegance and versatility in the fashion world. The debate on whether she stands out in a sea of models or seamlessly blends into the crowd adds an extra layer of intrigue to her captivating presence.

This edition also offers an exclusive interview with avant-garde fashion designer Pam Hogg, exploring her world of creativity, bold designs, and fearless self-expression. The fabulous «This is ICON» event, a star-studded celebration of fashion, music, and entertainment, takes center stage in our coverage, capturing the glitz, glamour, and unforgettable moments that made it a night to remember.

We delve into the unique perspective of Laura Joplin, sister of the legendary Janis Joplin, whose insights and personal stories provide a touching glimpse into her sister’s enduring legacy.

Our heartfelt thanks go to the incredible team behind this Music Edition. Steve Vyse, our Fashion Editor, curated the most stylish trends, while Jo Sugar, our Beauty Editor, brought out the inner beauty of our cover stars. Naomi Isted, our Lifestyle Editor, ensured that GLAM Week captures the essence of the modern, glamorous lifestyle.

This edition is a celebration of music, fashion, and the iconic figures shaping our world. We hope you enjoy every page, interview, and image as much as we enjoyed creating it for you.

Thank you for your continued support. Dive into the world of GLAM Week’s Music Edition for 2023.

With immense appreciation to the fantastic GLAM Week team: Fashion Editor: Steve Vyse @stevevyse Beauty Editor: Jo Sugar @jo_shugar Lifestyle Editor: Naomi Isted @naomikisted Warm regards, Maryna Arekhova Editor-in-Chief GLAM Week Magazine maryna_arekhova

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TEAM

Beauty Editor Jo Sugar International celebrity makeup artist and designer @jo_sugar

Fashion Editor Steve Vyse Celebrity Fashion Stylist/Designer for Mad Love London @stevevyse @madlovelondonofficial

Photography: Alma Rosaz @almarosaz Post Production & Retouching: Lauren Cremer @lozfolio Hair: Tim Furssedonn @timothyfurssedonn using #lorealpro MUA: Jo Sugar @jo_sugar using @oneskinforlife and @beautybyad Styling: Steve Vyse @stevevyse Photography assistant: Katya Ilina @katya_ilina Studio: @joe_giacomet

Lifestyle Editor Naomi Isted @naomikisted @istedproperty

Photography & Post Production: Lauren Cremer @lozfolio @laurencremer Hair: Tim Furssedonn @timothyfurssedonn using @lorealpro MUA: Jo Sugar @jo_sugar using @oneskinforlife and @beautybyad Styling: Steve Vyse @stevevyse Designer: Hector Maclean @hectormacleanlondon

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WINTER 2023- 2024 COVER STORY

26 MUSIC ICON CRYSTAL WATERS ABOUT NEW SINGLE DANCE DANCE DANCE”

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CONTENTS 50

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Y ON RSOR PEST RN VEIO COSH FA

Tolula Adeyemi

“Youshould be YOURSELF andshowyour PERSONALITY” Welcome to an exclusive interview with Tolula Adeyemi, a multifaceted talent who has made her mark in the worlds of modelling, acting, and DJing. Tolula shares the story of her journey in the fashion industry, from her very first modelling job to walking prestigious runways for iconic designers. She offers valuable advice to aspiring models looking to break into the competitive industry and delves into how her experiences as a model have influenced her ventures in acting and DJing. Join us as we explore the remarkable career and the exciting future of this creative powerhouse. tolulaadeyemi Photography & Post Production: Lauren Cremer @lozfolio @laurencremer Hair: Tim Furssedonn @timothyfurssedonn using @lorealpro MUA: Jo Sugar @jo_sugar using @oneskinforlife and @beautybyad Styling: Steve Vyse @stevevyse Stylist assistant: Tanya Thakore @tanyathakore__ Designer: Hector Maclean @hectormacleanlondon Jewellery: @jantijewel

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ONY RSOR PEST RN VEIO CO FASH

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COVER PERSON

T

olula, could you share with us the story of your very first modelling job?

What was it like stepping into the world of fashion for the first time, and how did it shape your career?

One of my first significant modelling jobs was with Rankin shooting for Arena magazine; I was completely naked in fake snow in his studio in Old Street. He used to shoot there every day for Dazed and Confused magazine and whatever projects he had. I was really in awe of his work ethic. He told me he shoots every day, even if he’s not booked for anything. I was only 19, but I felt safe and powerful. We had ice cubes to put on my nipples to make them stand out, ha-ha, he played music and I felt like Grace Jones. He was very encouraging; I went on to work with Rankin shooting for Harper’s beauty editorial, French Playboy, and other projects. I ended up in his retrospective for his favourite 25 photos of all time, which was such an honour. I went on to shoot with David Bailey for GQ and Juergen Teller for Vivienne Westwood campaigns.

Walking for iconic designers like Vivienne Westwood is a dream for many models, Can you take us back to the moment you received the phone call informing you that you would be walking for Vivienne Westwood?

I was signed with Next Models special division run by Sarah Leon, and I got a call to go for a fitting with Vivienne herself and Andreas for one of their fashion week shows in London. Then I was called for the iconic Vivienne Westwood campaign photographed by Juergen Teller.

I’m so grateful for all the opportunities and people who have supported me throughout the years. I’ve built lasting true friendships

COVER PERSON

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COVER PERSON

COVER PERSON

COVER PERSON

Your modelling career has taken you down many prestigious runways, including for designers like Pam Hogg. Can you tell us about your experiences and memorable moments while working with renowned designers throughout your career?

One of the most memorable experiences was walking for Naomi Campbell’s show ‘Fashion for Haiti’. One of the pairs of shoes I wore was too big and I almost fell on the catwalk! Nearly doing a ‘Naomi’ when she fell in Vivienne Westwood shoes on the catwalk in the ‘90s.

Also, shooting for French Playboy, shot by

Rankin and edited by Jefferson Hack. I posed with Jodie Harsh, Gareth Pugh, and Jefferson.

The fashion industry can be highly competitive and demanding. What advice do you have for aspiring models that are looking to break into the industry and follow in your footsteps?

I think to break into the industry and stand out; you should be yourself and show your personality. Being healthy is the most important thing. Create a close relationship with your agent or agents and be honest and

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COVER PERSON transparent with them about your goals. But also make relationships with as many people as you can in the industry.

In addition to your successful modelling career, you have also ventured into other creative fields.

Can you share with us how your experiences in modelling have influenced your work in other areas, such as acting or DJing?

I think modelling has opened doors for me in acting and DJing. I was part of the era of ‘slashers’, models doing other things such as DJing and acting. People such as Alexa Chung and Cara Delevingne, who were also managed by Sarah Leon at Next Models did other things such as acting and presenting. I felt like it was the perfect time to do the things I’m passionate about. I don’t think I would have been able to do all those things without starting out as a model, meeting all the people that I did, and having all the opportunities that I had when I was modelling full time.

The people I met and built lasting relationships with, helped me progress in other areas. But then those opportunities such as DJing and acting jobs, also helped with modelling. For example, I had a weekly party at Bungalow 8 London ‘Tolula Tuesdays’ and from just performing there, I got an article and an editorial photo shoot in British Vogue, which was amazing and helped me enormously, it’s all connected. I’m so grateful for all the opportunities and people who have supported me throughout the years; I’ve built lasting true friendships. My current projects are: I have a role in a film called ‘The Gun On Second Street’ directed by Rohit Karn Batra. It stars Poppy Delevingne and F. Murray Abraham among others. Unfortunately, the strikes have halted all productions, but we are hopeful the ‘SAG actors strike’ will end soon. I am also working on new music to be released soon; I recently worked on one song with Los Angeles-based producer and artist ‘Quiet Son’. I have a few other new projects I’m working on, through my new company that I just set up, the future is bright.

My current projects are: I have a role in a film called «The Gun on Second Street,» directed by Rohit Karen Bates.

It stars Poppy Delevingne and F. Murray Abraham, among others.

PERSONALITY

ADA ZANDITON “Explore, develop and nourish who you are” 18 / www.glamweek.net

A

PERSONALITY

da, you have had a successful career in fashion for over a decade, dressing celebrities for the red carpet. Could you share your feelings and experiences when you made the transition from couture to designing fetish-inspired fashion?

Hi Glam Week! I have been designing and creating my own brand since 2009 having graduated from the London College of Fashion in 2007. My London Fashion Week debut was the Fashion Scout ‘Ones to Watch show,’ winning the British Fashion Council’s ‘Estethica Award’ and exhibiting my collections at LFW. I did various brand collaborations (Philips, Nike, Courvoisier, Ecover etc.) and also had a menswear label with artist NEO10Y called Ada + Nik. By 2015 I really felt that I had achieved many of the goals I had wished to achieve in ready to wear wholesale fashion, including Nik and I collaborating with Will.i.am and Coca Cola on techwear that sold out in Harrods however creatively I felt frustratingly unfulfilled. The pace of wholesale ready to wear is relentless and I wanted to explore a way of working that would be more fulfilling creatively and give me some work life balance. I’m now the mother of a beautiful boy who I get to spend quality time with whilst also running my own business and creating pieces I love. Another big deal breaker for me was that continuing in wholesale ready to wear took me further away from directly creating unique made to measure pieces for individual customers and that this was a key part of my passion and wish to be a designer in the first place. When you create bespoke occasion wear you can create for all genders and sizes, fulfilling someone’s wildest dreams, you create something beautiful that empowers that unique individual.

That is why I stopped doing ready to wear and spent time nurturing a new way of creating couture pieces using modular shapes. My aim is to create armour like pieces for the warrior deity within each person, and to create ostentatious, opulent armour with a divine feminine geometry. The more of these looks I created the more I was embraced by the fetish community and my work began looking at fetish through the queer gaze rather than a hetereonormative or patriarchal one. I found I could bring a different perspective to a niche area of fashion. Since moving into this area of fashion my work has been in feature films, TV, in the Obi Wan Star Wars series and so many opportunities I never expected, as well as being embraced by the fetish scene and showing regularly at clubs like Torture Garden.

Introducing Ada, a renowned fashion designer with over a decade of experience in the industry, known for dressing celebrities for the red carpet. In this exclusive interview, she shares her remarkable journey from the world of couture to the realm of fetish-inspired fashion. Discover the creative evolution, inspiration and passion that have driven her to explore new horizons in the dynamic world of fashion. Join us as we delve into Ada’s unique perspective, creative process and the valuable insights she offers to aspiring designers seeking to leave their mark in the ever-changing landscape of the fashion industry.

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PERSONALITY You have known celebrity stylist Steve Vyse for a long time, and you have collaborated on various projects. Can you describe the creative process behind designing a unique choker for Crystal Waters, especially for her front cover appearance? What was the inspiration behind this piece?

I have had the pleasure to know Steve for a long time and he has always been such a kind and encouraging person in the industry. It’s always a pleasure to work with Steve, so I was thrilled when he messaged me about creating for Crystal Waters who is a true Goddess, an absolute icon of American house music! The collar is in the same style as my best selling Goddess collar. The collar is mostly worn as a symbol of being submissive. Often collars with words on them feature a submissive word. I liked the idea of playing with this trope and flipping it and also have collars that are symbols of an empowered identity.

Crystal looks regal and empowered with her iconic name emblazoned across her neck in gold letters and it perfectly complements the Pam Hogg catsuit as an accessory for the look, which Steve also adorned with one of my Goddess belts.

Famous clients, including Isobelle Molloy, who starred in ‘Maleficent’, have worn your work. Can you tell us about the creative journey and inspiration that led to designing a memorable outfit for her?

I am very grateful for all the amazing opportunities I have had to dress incredibly talented people in my fetish inspired pieces including Ariana Grande, Mariah Carey and Lil’ Kim, to name a few. I never imagined when I stopped doing ready to wear and started doing only bespoke work that this is where the journey would take me! As I was finishing my ready to wear journey and at the very start of returning to work on bespoke pieces, I was working on the Selfridges Christmas

I am very grateful for all the amazing opportunities I have had to dress incredibly talented people in my fetish inspired pieces including Ariana Grande, Mariah Carey and Lil’ Kim to name a few window called Ladies of the Lake, which consisted of 3 laser cut mermaid tails each one constructed from hundreds of 3D scales embellished with preciosa crystals. Around the same time Steve asked me to create a dress for Isobelle for her red carpet appearance at the Ant Man premiere in London. As Isobelle was very young at the time, of course the dress was not fetish inspired at all but very modest, joyful and age appropriate, inspired by the mermaid tails I was creating for the Selfridges Christmas window. A beautiful pale pink Mary Quant inspired 60’s cut shift dress embellished with mermaid scales and Preciosa crystals. It was really fun to have the freedom to work on all different made to measure projects again. Isobelle and her mum were really lovely to work with and she looked fabulous on the red carpet.

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PERSONALITY Fashion is a highly dynamic industry, and everyone has a unique story of what inspired them to get into it. What was the pivotal moment or source of inspiration that led you to pursue a career in fashion design?

I was six years old and having a strop in the supermarket so, my mum let me have a look at Vogue magazine and quickly went to grab a few groceries - when it was time to go I refused to leave the store without the magazine. That was the pivotal moment! I then started watching Caryn Franklin on The Clothes Show and from then on, I knew that I wanted to be a designer. It was really amazing to meet Caryn at Fashion Week when I was first exhibiting my work, and a very proud day indeed when she accepted her MBE wearing a coat that I designed and made for her.

The fashion world has been through a seismic shift since I turned my focus to fetish, costume and made to measure and it’s a very different landscape to the industry I worked in

With your extensive experience and diverse portfolio, can you share any advice or insights for aspiring designers looking to make their mark in the fashion world? What lessons have you learned that you think would be valuable for them to know?

The fashion world has been through a seismic shift since I turned my focus to fetish, costume and made to measure. It’s a very different landscape from the industry I worked in. Social media changed everything!

The greatest lesson for me was discovering that you can have an idea of what goals lead to success, with tremendous hard work, you can achieve it but you might be surprised to not be fulfilled by it when you get there.

Ultimately what will sustain you is how much you enjoy what you will wake up to and do everyday. You have to enjoy the journey because the destination moments are fleeting and there is always the next horizon. Rather than starting with an idea of what success looks like, explore, develop and nourish who you are, your creative vision, your skills and discover yourself. Find out what it is that you can wake up and do day in day out and still love. Find joy in everyday, if it no longer brings you joy don’t be afraid to pivot and reinvent.

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INTERVIEW

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Harmony inMUSIC:

INTERVIEW

Conversation with the Talented MOTHER and Daughter Trio In the world of music, talent often runs in the family, and the Skeete family are no exception. Beverley Skeete and her daughters Sara Jane and Marizia, known for their extraordinary vocal prowess and captivating stage presence, have each made remarkable contributions to the music industry. From sharing the spotlight with music legends to performing on the grandest stages around the world, their journey is as inspiring as it is harmonious.

In this exclusive interview, we delve into their early experiences in the industry, discuss their collaborations with iconic artists, and learn about the challenges they have overcome. From

the soulful sounds of jazz to electrifying performances in pop and rock, these women have left an indelible mark on the world of music.

Join us as we explore their careers, hear about their most memorable moments, and gain insights into their future endeavours. Together, they share their passion for music, the thrill of live performances, and how their family’s musical legacy has shaped their remarkable journey. It’s a conversation filled with warmth, humour, and the boundless love of music, as we get to know them further.

Photographer: Stefan Sieler @stefansielerphotography Stylist: Daria Chez @chez_style Hair: Tim Furssedonn @timothyfurssedonn using @lorealpro Makeup: Jo Sugar @jo_sugar using @oneskinforlife @armanibeauty Studio: @motionpstudio

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INTERVIEW

«

Beverley Skeete

Passion’ was a significant hit for you. Can you share the story behind the song and its impact on your career?

‘Passion’ came about when I was asked by Jazz Summers, who was the head of ‘Big Life’ records, to record a vocal on a track that had been released by a band called ‘Gat Decor.’ The song was originally an instrumental and was doing well underground, but Jazz’s idea was to marry ‘Passion’ with a Degrees of Motion song called ‘Do You Want It Right Now.’ Having never met the band, I recorded Jazz’s idea, and it became an instant hit, reaching number 5 on the national charts.

I actually met the guys when we did TOTP. I still travel the country doing festivals and PA’s where serious House music fanatics know every lyric.

Your extensive career includes backing vocals for legends like Elton John and Tina Turner. What is one standout memory from those collaborations?

Both icons stand out for different reasons.

I met Bill Wyman while recording on an Elton album produced by a fabulous producer called Stewart Epps. In the case of Miss Tina Turner, I was asked to record on one of her albums while rehearsing with the Eurythmics. Leaving the studio a lot later than expected, I found myself two hours late for my idol’s session due to bad traffic. I arrived frazzled and embarrassed, a wreck.

Miss Turner was lovely, and to this day, it is one of the most humbling but wonderful experiences of my career.

Joining Bill Wyman’s ‘super band’ must have been an incredible opportunity. Can you tell us more about that experience and your role in the band?

I toured with Bill Wyman as the main female lead vocalist for 19 years in his Super Group ‘The Rhythm Kings.’ The line-up varied from Peter Frampton in the beginning to Gary Brooker, Georgie Fame, Albert Lee, Dennis Locorriere (Doctor Hook and the Medicine

Bill changed my life in many ways. He referred to me as his greatest discovery and would treat me with the same respect as he did the many greats who graced the stage Show), Andy Fairweather Low, Eddie Floyd, Solomon Burke, Mary Wilson, and Maria Muldaur (Midnight at the Oasis). Bill changed my life in many ways. He referred to me as his greatest discovery and would treat me with the same respect as he did the many greats who graced the stage. I found myself

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star-struck, knowing that people like Chris Rea and the late, great George Harrison were playing on songs on which I had sung the lead vocals, like ‘Love Letters,’ of which I am extremely proud. I have the greatest respect for him also, and to him, I owe my Blues style which he encouraged and championed.

INTERVIEW

Turban and Jumpsuit by Julia Clancey Jewellery: Beverley’s own Shoes by ASOS

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INTERVIEW

Necklace by Michelle Lowe-Holder Dress by Tuncer Tonun Shoes by ASOS

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Y

Marizia (Maz) Pyzer-Skeete

ou have worked with a wide range of artists across different genres. How do you adapt your vocal style to suit various musical styles and

artists?

I remember when I was young, Heather Small had not long released the song ‘Proud,’ I think my mum might have been working with her around that time, because I recall hearing it around the house a lot.

Anyway, I really liked how she sang it with all these inflections on certain words; it was really unique. So I would impersonate her riff for riff, bar for bar until I had memorized every nuance. Mum heard me singing it one day, and eight-year-old Maz will tell you, she was thoroughly impressed by my rendition! Maz today might feel more like Mum was perhaps humouring her youngest, but either way, it spurred me on to see how many other artists I could try to impersonate. So, that is what I did; I tried my hand at various voices, experimenting with sounds until I comfortably had a few under my belt to show off at family functions. Now, all that might seem like a silly story, but it genuinely has helped me in my career. I find it all so fascinating how singers all have slightly different perspectives on melodies and vocalizations. I really listen to how an artist performs a song and try to get as close to that as possible.

Can you share your experiences contributing to movies like The Hitman’s, Bodyguard, Black Widow and the Netflix film Eurovision? How does performing for films differ from live performances?

Recording for films or TV is different from live shows.

Firstly, you have to be there early, like, early. The studio sets are always a lot smaller than you think they are going to be because everything looks so grand on TV! I remember when I filmed for ‘Eurovision,’ the movie; I was floored by this beautiful

elaborate set, all packed into a modest studio room at Warner Brothers. It was so interesting to see how it all happens.

The main difference from a performance aspect, I suppose, is the number of takes you have to do. Live gigs, you get one take, so you have to be in the moment and just take every show as it comes. However, with recordings, you have a lot more time to think about the performance and make adjustments.

You have had the opportunity to collaborate with a wide range of artists, from Ricky Martin to Leona Lewis. Can you share a particularly memorable or inspiring moment from one of these collaborations?

All of the artists I have worked with have been brilliant in their own way, and I feel so privileged that I have had so many amazing experiences. I remember I did this MTV performance with Mr. Hudson while I was still technically in college. I did not have a particularly wonderful time at college; I was quite shy and encountered a few students who were not very kind to me. None of that mattered that day though, because I was about to go live on MTV with one of the biggest artists at the time. I sat in the makeup chair for hours while this lovely American makeup artist painted me like a doll, and then they put me in a denim outfit that I thought I looked really cool in. As I was eating my fancy salad that the runners had brought up for the band, in walked Ricky and Melvin, who were the hosts of the show at the time, and I was star-struck! I watched them all the time on TV, and now I was having a normal conversation about whether pomegranate seeds belong in a salad.

It is finally performance time, but it’s a pre-recorded show to a small audience, so we are setting up the shot for a while.

Mr. Hudson comes over to me while they are messing with the cameras and puts his

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INTERVIEW

arm around my shoulder. He says, ‘You’ll be great!’ as he knows this is one of my first TV performances ever. It was such a lovely gesture, and I’m really grateful even to this day for that level of kindness he showed me. However, unbelievably, my performance was about to get even better.

I looked into the small crowd of about twenty for the first time, and I locked eyes with someone from my class at college who happened to be one of the people who had not treated me with the most kindness. It was like something out of a movie; there I was in all my MTV debut glory, and there she was forced to watch me. I have never forgotten that moment because that was when I knew I wanted to perform on stage for the rest of my life.

As a family of singers, with your mother and sisters also being involved in the music industry, how has that influenced and shaped your musical journey? Are there any family musical traditions or influences that you all share?

Being in a family of not just singers but musicians is a little crazy! Every ‘Happy Birthday’ song I have ever had has been at least three-part harmony. It is a unique gift that has been so beneficial to me in my career because I have an endless well of experience and knowledge to draw from whenever I’m stuck. I remember my first ‘tour bus’ tour was coming up, and everyone was giving me the run-down on the dos and don’ts for keeping tour bus etiquette. I was always able to act like I was a pro even when I was still very green!

I think both Sara and I have taken a lot of inspiration from Mum. She is such a dynamic performer and so confidant.

Mum also never treated us differently on a gig because we are her children. She has always held us to a super high standard; it has made us so much stronger in our craft.

I am very lucky to be surrounded by such talented musicians all the time.

INTERVIEW

C

Sara Jane Skeete

an you tell us more about your early experiences in the music industry, starting at the age of 15?

It’s crazy to say it now, but I did not always want to sing.

I wanted to be an athlete when I was in school. I loved athletics and won many medals running for my school and borough.

I think because my mum was such an amazing singer, and I was around the top musicians all the time, it wasn’t as exciting to me. My mum would teach me harmonies so I could sing with her while she rehearsed at home, and it just became something I could do.

What was it like working on the soundtrack for the movie ‘What’s The Worst That Can Happen’ at just 18 years old?

When I was 15, I met a producer, and we began writing and recording songs. I really enjoyed writing the most, as I loved the storytelling side of it. He released a song, a radio station picked it up, to my surprise, and that was the beginning of my musical journey. Back then; it was all about big record companies (now it’s more about social media). Interscope chose one of our songs for the soundtrack of the film ‘What’s The Worst That Can Happen.’ Also, back then; everything was done in huge studios, not like how you can do it in your bedroom now.

They flew me out to America to record some more songs. I don’t really remember exactly how it came about, but one of the producers for the soundtrack said we need someone to sing a chorus for Queen Latifah, and the next thing I knew, I was in the studio recording it.

I think I was a little shell-shocked because it feels more like a dream now.

Share with us your memorable moments from touring with artists like Kylie Minogue, Ellie Goulding, and Michael Jackson.

Once I was back in the UK, a friend of my mum mentioned to her that they were holding auditions for Kylie Minogue and suggested I go for it. My mum helped me

How did your collaboration with Michael Jackson on the 2006 charity single come about, and what was that experience like?

A moment I will never forget is being in a studio with the great Michael Jackson. I was not told who the session was going to be for that day, and I can only describe the moment I found out as a mixture of absolute joy combined with nervous excitement. It was like singing while wanting to scream the entire time like a crazy person, a very strange feeling. I have never whispered to myself “keep it together” more than that day.

I have been so fortunate to work with so many amazing and kind people.

prepare for it, and off I went on the Friday to a rehearsal studio to audition. That evening, I got a call to say I got it, and the next week I was off to Australia to begin her tour. Nothing on earth (not even my mum) could prepare me for the jet lag and work schedule that is tour life. After surviving that, weirdly I was hooked on this as a career.

I have been so grateful to work with so many amazing artists in the world. It is so hard to choose just a few artists because there have been so many amazing times with all of them.

Mika’s tours were always such fun. He is such a creative genius with such a warm heart. To this day, I am still in awe to share a stage with Robbie Williams. He still makes me laugh at every show, even after all these years. Annie Lennox also had such a huge impact on my life and will always have a place in my heart.

The wonderful Sir Cliff Richard was amazing to work with. I remember running from the train station to his audition and arriving a panting mess. Fortunately, he was not there, but the MD recorded the audition on an oldschool tape machine while I sang to the piano.

My first take sounded like an asthma attack.

The MD kindly let me catch my breath before the second song. Thankfully, Sir Cliff must have liked what he heard.

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Tell us about your book “No Place Like Crohn’s.” How did your journey in the industry intersect with managing Crohn’s disease?

Deciding to write a book about myself and my journey with Crohn’s disease was difficult but also therapeutic. For over 20 years, I had struggled with it, hiding it for most of those years because I did not want people to think I could not do my job. I also think doing a job I loved helped me get through the toughest days with the illness. Adrenaline is a weird and wonderful thing.

One of the best things about writing the book was discovering how many people suddenly started to talk to me about their struggle with the illness. People I had been working with for years, not knowing we were all going through the same thing and hiding it.

Everyone thinks that touring is just a constant party, but honestly its not. The travelling and show schedules are hectic. We miss so many significant moments at home and sacrifice time with our families and loved ones.

This, in itself, can cause so much stress on the body. If my book has even helped one person to feel better, then I’m happy, and it was totally worth it. I recently had my first child, something I once thought wouldn’t be possible, so who knows, maybe I’ll write about my new chapter of pregnancy with Crohn’s for anyone interested. LOL.

INTERVIEW

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Neckpiece by Michelle LoweHolder Belted Sequin Dress by Gomez Gracia London Over the Knee Boots by ASOS

by ASOS

FASHION STORY

‘80S THE

REIMAGINED: A V i b r ant and B ol d F a s h i on J ourney

The Class of ‘83’ It’s Prom Night for the class of ‘83’ the high point of their life!

Underneath the smiles lies a web of drama, will they still be friends after tonight?

Abiola at W Management

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FASHION STORY

Richard Foster-King at Sharry Clark, Bryony Miller at 42.

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Photography / Directing: Joe Giacomet Fashion / Styling: Celia Arias DOP: Daniel Lillie Set Build: Sullivan Cayless Hair: David McNeill & Nicholas Alexander Willis Makeup: Jenny Glynn Retoucher: Gonzalo Ponce

FASHION STORY

The shoot features brands: Louis Vuitton, Celine Men, Versace, Charles Jeffry ‘Loverboy’ Emporio Armani and Michael Kors.

Abiola at W Management

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FASHION STORY

Photography / Directing: Joe Giacomet Fashion / Styling: Celia Arias DOP: Daniel Lillie Set Build: Sullivan Cayless Hair: David McNeill Makeup: Jenny Glynn Retoucher: Gonzalo Ponce

Thea Mayeux at AHA

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FASHION STORY

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Richard Foster-King at Sharry Clark

FASHION STORY

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Maisie Brooker at Heather Allen Gustas at Anti-Agency

FASHION STORY

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Khadija Hunter International Actors London Thea Mayeux at AHA

FASHION STORY

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Khadija Hunter International Actors London

PERSON

P

Nicola OSENER:

“I’m very grateful for the opportunities I’ve had along the way” Photographer: Zuzu Valla @zuzu.valla Dress: Any Old Iron by Andrew Clancey @anyoldiron HMUA: Victoria Li @victorialimua using @charlottetilbury Stylist: Steve Vyse @stevevyse Stylist assistant: Tanya Thakore @tanyathakore__

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PERSON Step into the spotlight as we sit down with Nicola Posener, the talented actress who has captured our hearts on both the Disney Channel and in captivating roles on TV shows like ‘The Bold and the Beautiful’ and ‘NCIS.’ In this candid conversation, we delve into Nicola’s career journey and her remarkable experiences, both in Hollywood and beyond. nicolaposener

H

ow did you feel when Fashion editor Steve, your friend of over a decade, approached you to feature in a magazine? What was

the experience like?

I was extremely flattered. We had reconnected a few times over the past couple of years about potentially collaborating or working on a shoot together. So, when this extended visit to London happened the timing aligned to perfection! It’s so lovely to have been asked. It feels like we’ve come full circle from working together years ago, having our separate paths in fashion and acting to reuniting and working together on this latest shoot. I can’t speak highly enough of Steve; I’m super proud of him and feel very lucky we could reconnect and a pleasure to chat to GLAM with this interview.

Starting your career on the Disney Channel, can you share the highlight of your career so far? In addition, how has your life and career changed since your Disney days, especially now that you’ve ventured into movies and TV shows like ‘The Bold and the Beautiful and NCIS’?

I love this question; it’s been quite the journey and the highlights along the way spanned years to achieve. Each success led to another but not instantaneously, which in turn makes every achievement sweeter. It’s never a given, and I’m very grateful for the opportunities I’ve had along the way. The highlight has to be the fantasy film series ‘Mythica’. It’s a 5 part film series that was shot back to back on location in Utah, USA. It’s in the same vein as Dungeons and Dragons/Game of Thrones. I’ve always been drawn to fantasy/other worldly projects so when I was offered a lead role in all five instalments, I was absolutely thrilled. I think this particular project changed my career the most as it was

this booking that brought me over from the UK to the US where my career has been based ever since.

You have made the move to permanently live in Hollywood, Los Angeles. Do you miss living in Britain? Have you ever considered relocating back to the UK and pursuing your career there?

I’ve certainly missed Britain; in fact being here on an extended stay while the industry is on strike in the US has allowed me to reconnect with not only my friends and family but also the city. I truly forgot how amazing London is. I feel like a bit of a tourist here these days, in awe of how much it has changed in recent years and how incredible it is with its history, amazing architecture and stunning views. I’ve not considered relocating back but I am certainly interested in finding more of a balance returning more frequently. I would love to be involved in more British based productions.

Could you tell us about your recent visit to London Fashion Week and your experiences at Fright Night with Steve and Beauty editor Jo? What were the highlights of these events for you?

I had the best time! The first experience was at Tulleys Frightfest, I had never been before. The atmosphere was amazing. The entire area was Halloween themed, walking through fog, haunted tractors rides, scare mazes. I actually broke my heels while trying to run from the undead. Steve bless him had his gorgeous jacket stretched, courtesy of me clinging on to him for dear life.

I scare easily. Spooky stuff aside, the food was amazing too, churros and candy floss, just a brilliant night out all round! The highlight was at the Thorpe Park fright night with Steve and Jo; we were able to ride a rollercoaster in the dark. This thrill seeker loved it! That was thanks to Steve for convincing the staff to allow for one more ride after closing hours so we were very lucky!

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INSPIRATION

EMPOWERING CONFIDENCE:

The Story of

DEBBIE-LYN APPAREL debbielynapparel www.debbielynapparel.com

In a world that often dictates beauty standards, Debbie-Lyn Apparel stands as a beacon of empowerment. DebbieLyn, the force behind the brand, shares her inspiring journey of overcoming industry prejudice and challenging norms to create a fashion and beauty haven that embraces diversity and confidence.

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Model: Debbie-Lyn MUA: Glammed By Paige Wearing: Debbie-Lyn Apparel Brand

«

I empower people who lack confidence, to believe in themselves again and strive for their dreams by sharing my story and changing standards in the fashion and beauty industry, so that they can feel represented, beautiful and more confident, Debbie-Lyn declares.

Debbie-Lyn’s foray into the fashion world began five years ago, a time when her confidence was at a low.

Modelling professionally, she found solace and empowerment in the chaotic energy backstage. Being of Caribbean descent, her curvy physique became a source of pride, but she soon noticed the lack of size inclusion in the industry.

Despite being chosen as a semifinalist for the ‘Ms Curvaceous’ UK competition, her journey took an unexpected turn when she was diagnosed with a neurological condition called ‘FND’ in June 2022.

Instead of succumbing to despair, she saw an opportunity to amplify the underrepresented voices in the fashion world, particularly those with disabilities.

Disabled people make up 24% of the population in Britain. If I wanted to help increase representation in the fashion world, it was even more important than ever not to give up, she reflects. Despite her initial fears, she became a finalist, defying the odds and paving the way for inclusivity.

Now, with her extensive industry knowledge, Debbie-Lyn has founded her own inclusive clothing brand ‘Debbie-Lyn Apparel’ catering to sizes 8-28 UK. From online success to a recent boutique opening in The Wayfarers Shopping Arcade in Southport, her collections are bold, flattering, and vibrant—made for anyone who wants to celebrate their body, regardless of size.

INSPIRATION

Model: Gemma Anderson MUA: Glammed By Paige Photographer: Michelle Wearing: Debbie-Lyn Apparel Brand

Models: Jade Brooks and Tracy Maddock MUA: Miss Slay Photographer: Steve Lowery Wearing: Debbie-Lyn Apparel Brand Models: Catherine Cox, Michelle Thomas MUA: Miss Slay Photographer: Steve Lowery Wearing: Debbie-Lyn Apparel Brand

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Debbie-Lyn’s commitment to inclusivity goes beyond her brand.

She organizes inclusive fashion events, providing a platform for those who have faced discrimination or adversity. These events not only showcase her brand but also raise funds for charities supporting mental health and people living with disabilities. The models she chooses are a testament to the diversity she champions.

The impact of Debbie-Lyn’s work has not gone unnoticed. Debbie-Lyn Apparel received the ‘Pride Of Sefton Award’ for ‘Diversity and Inclusion’ earlier this year and was a finalist in the ‘National BSN Awards’ for ‘Against All Odds’. Recently announced as a finalist in the ‘Female Business Awards’ for ‘Community Champion’, Debbie-Lyn continues to inspire and push for representation within the fashion industry.

The feedback from the diverse models she collaborates with fuels her passion. Witnessing their growth in confidence and validation motivates her to persist, even on challenging days, toward her ultimate goal of representation for everyone in fashion.

In the ever-evolving narrative of fashion, Debbie-Lyn Apparel emerges as a force reshaping standards and inspiring individuals to embrace their unique beauty. Through her story, Debbie-Lyn invites us all to stand tall, celebrate diversity, and redefine the meaning of beauty in the world of fashion.

FASHION STORY

DAVID’S ROAD FW23

davidsroad www.davidsroad.com Female model: Tamta Shedina @tamtashedina Male model: Perry Ope @perry_ope Photographer: David Gevorkov @davidgevorkov MUA: Stella Oganesian @oganesyan_stella

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INSPIRATION

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INSPIRATION

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BEAUTY

POPPY BENNETT

REDEFINES Timeless Beauty at SKINTELLECT AESTHETICS

1, 123 Kentish Town Road, London. NW1 8PB. Experience the epitome of aesthetic excellence by Poppy at Skintellect.

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BEAUTY

I Poppy Hamlet, the driving force behind this sanctuary of beauty, is not just a cosmetologist – she is a maestro in the art of advanced aesthetics.

Impressively exceeding expectations, Poppy’s commitment to delivering natural-looking enhancements sets her apart in an era dominated by exaggerated results.

Located in the heart of Camden Town, Skintillect Aesthetics is an oasis of tranquillity where bespoke treatments cater to individual needs.

n a world where beauty standards are ever evolving, Poppy Hamlet’s approach to cosmetic injectables breathes fresh air into the industry.

Precision and care are her allies, ensuring that results are subtle and harmonize with one’s natural beauty.

Renowned Beauty Editor Jo Sugar, with over two decades of influence, explores the transformative power of beautiful skin.

This review delves into Poppy’s classic approach to cosmetic injectables and Jo’s personal experience with Botox, aiming to preserve natural movement while tackling frown lines.

Poppy’s commitment to timeless beauty shines through, offering a 20% discount on all treatments with the promo code GLAM20, a generous incentive for those on the journey to radiant skin.

The clinic’s range of services, from antiwrinkle injections to dermal fillers, skin boosters, microneedling and vitamin injections, addresses every skin concern.

Opting for Botox for the first time, Jo says, “I had my reservations about getting Botox as I did not like the exaggerated results so often seen. My experience with Poppy was transformative; I was suffering from deep frown lines as I started to age, now I wear reading glasses but found I was constantly squinting to be able to read small text. I told Poppy I wanted natural movement without the frown lines, the results were perfect. I don’t

feel different, I still have expression and the frown lines have all but disappeared. People have commented on how well I look, but no one has guessed that I have had a treatment done. I would definitely recommend this treatment with Poppy, the key is not to over do it”.

Poppy’s expertise, evident in the subtle yet effective results, is complemented by the clinic’s transparency and dedication to personalized care.

Skintellect is undeniably a destination for advanced aesthetics, where enhancing natural beauty with precision, subtlety, and care is not just a service but also an art.

Discover the radiant solutions Skintellect offers for your skin, a testament to their unwavering commitment to the well being of their clients.

Jo Sugar, Beauty Editor for GLAM week magazine

skinbypoppy The information provided is for promotional purposes only.

Please consult with our specialist for personalized treatment recommendations.

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STAR

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STAR

J OPLIN

L aura

LAURA AND MICHAEL JOPLIN UNVEIL PLAQUE on

CAMDEN WALK of FAME for JANIS JOPLIN

Today, we have the privilege of speaking with Laura, the sister of the legendary Janis Joplin, a true icon in the world of rock music. The discussion centres around the recent honour bestowed upon Janis with a plaque on Camden’s Music Walk of Fame, a tribute that carries immense significance that was attended by Laura, Michael and Margret Joplin.

The presence of Janis Joplin’s plaque on this iconic walkway evokes a sense of joy and pride for her family, reminding us of the profound impact she had on the public. This international recognition in the heart of Camden, with its rich musical history and dynamic energy, speaks to the enduring power of Janis’s work.

Our beauty editor, Jo Sugar had the opportunity to catch up with Laura whilst doing her hair and makeup for this significant event. As they prepared for the celebration, a conversation unfolded, providing insights into Janis’s legacy and the emotions surrounding this memorable occasion.

Photographer: Normski Photography HMUA: Jo Sugar using @oneskinforlife and @dinairofficial www.normskiphotography.com @mistanormski

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STAR

L

aura, Janis Joplin’s contribution to rock music is truly legendary. Can you share with us what it means to you and your family to see her honoured with a plaque on Camden’s Music Walk of Fame?

It brings back all the joy I have from knowing how much she gave to members of the public. It is nice to see her name and work be respected internationally and visually in such a public place as Camden where people will see it regularly, Camden has such an incredible energy and history.

experiment and share that style of singing. I think Janis’s legacy fits into the music Scene of Camden Town because she was herself a strong, successful performer and that is really, what Camden Town is about.

Janis Joplin’s music resonates with people of all generations. Can you reflect on the timeless quality of her work and how it continues to inspire new audiences today?

Well, I think first and foremost, Janis was an honest singer who expressed herself personally. It wasn’t a matter of copying; it was a matter of what she wanted to get across in the sound of her voice and the backup singers. The fact she was different

that she was important to them.

I think the UK was her first big out of country performing experience. She called home out of excitement that she was going to London, because that was just way out of the ordinary for our family and for her, even. You know, she didn’t grow up being recognized in our hometown; so going to London and to play the Royal Albert Hall was such a big deal to her.

Janis Joplin’s influence extends far beyond her music; she was also an icon of counterculture and self-expression. How do you hope her plaque on the ‘Walk of Fame’ will inspire future generations of

I think the UK was her first big out of country performing experience. She called home out of excitement that she was going to London, because that was just way out of the ordinary for our family and for her, even Camden High Street is known for its rich musical history. How do you think Janis Joplin’s legacy fits into the vibrant music scene of Camden Town, and what impact do you believe her presence on the Walk of Fame will have?

The Music Walk of Fame celebrates different styles of performing; Janis is an incredible choice to include in their breadth of performers. She is someone who clearly had her own style, and it is really an honour for her that her uniqueness should be celebrated in Camden.

Camden High Street is known for its rich musical history, Janis is certainly one of those people. She is someone who had an individual style that erupted almost spontaneously in her life and she maintained that style throughout her career. Her presence in the Music Walk of Fame will give other musicians the ability to hear someone who was strongly personal in the way she sang, and perhaps they will get to

from people today and even different from people in her own era, is what allows people to consider that maybe they too could try to sing differently, using different harmonies, that difference is important. Of course, I think most musicians do a lot of that. There is a timeless quality to Janis’s work, I think when you have really good strong music, a good voice and good instrumentation, it has the ability to convey emotion and that is the essence of being worthy of a long history.

Immortalising Janis Joplin on the Music Walk of Fame is a significant tribute.

Can you share any personal anecdotes or memories that highlight her connection to Camden and the UK music scene?

In terms of anecdotes or memories, when we were in Camden, some of the people made a point of, you know, touching my hand and saying things like “we loved Janis” and “she actually has an effect on me” they wanted to connect with me and let me know

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artists and fans to embrace her spirit of individuality and authenticity?

I think the last question is really wonderful because I do think that Janis wasn’t really interested in having people copy her. She was interested in people finding their own voice, their own individuality and authenticity. I think that is what her music says and how she behaved. The Camden Walk of Fame lets people move between different artists and, different styles of music. I do think that is important to Janis, not just that she be recognized for doing something great but that musicians be recognized and should be recognized along with her. That would probably be the best feeling, I would think, for her. It is to be applauded, along with those people that she applauded.

We hope that people will encounter the stone intentionally or unintentionally and have a moment with her. She still has a lot to give.

STAR

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FILM REVIEW

The

MARVEL’S PREMIERE MOVIE LONDON Get ready for an electrifying adventure in ‘Marvel’s Triple Threat’! This movie cranks up the fun with a wild ride through space and superpowers that will leave you on the edge of your seat. It is all about the girl power trio - Captain Marvel, Ms. Marvel, and Captain Rambeau - teaming up to save the universe, and boy, do they pack a punch!

With fashion editor and stylist Steve Vyse, singer-songwriter TayTay, and actor Richard Wisker.

A special thanks to Charlotte Peters, from Walt Disney UK

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FILM REVIEW

Steve Vyse TayTay Richard Wisker Photographer: Alan West @alan_d_west

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FILM REVIEW

Steve Vyse @stevevyse Steve is wearing: Vidi.Blak @vidi.blak Neck Scarf: PhixClothing @phixclothing Bag: Serran @serran_official Shoes: Dr. Martens @drmartensofficial Hair: Adam Carvin @adamcarvin

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FILM REVIEW

her own struggles while kicking some serious alien butt. The chemistry between these ladies is top-notch, making their battles and banter totally entertaining.

Director Nia DaCosta deserves a round of applause for delivering some mind-blowing cosmic scenes and those super-cool powers that light up the screen. From epic battles to heartfelt moments, this movie has it all - it’s a cosmic cocktail of action, emotion, and superhero sisterhood. ‘Marvel’s Triple Threat’ is a non-stop joy ride that is a must-see for anyone who loves their superheroes with a side of heart and humour.

Richard Wisker @richardwisker Represented by: Sue at Opaque Artists Richard is wearing: Any Old Iron

by Andrew Clancey @anyoldiron Trainers: Nike @nike Stylist: Steve Vyse @stevevyse Stylist assistant: Tanya Thakore @tanyathakore__

W

hat makes this flick a blast, is the way it mixes the tough superhero action with some seriously heart warming moments. Brie Larson rocks it as Captain Marvel, showing powerful side while revealing a more relatable, down-to-earth vibe. Iman Vellani as Ms. Marvel brings that fangirl energy and her infectious enthusiasm - you can’t help but cheer for her!

And let’s not forget Teyonah Parris as Captain Rambeau she adds a whole new dynamic to the team, juggling

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TayTay @taytaystarhz Represented by: Sue at Opaque Artists Tay Tay is wearing: Vidi.Blak @vidi.black Jewellery: Anna Gambel - Moody Tom @moodytomjewels Trainers: Nike @nike Stylist: Steve Vyse @stevevyse Stylist assistant: Tanya Thakore @tanyathakore__

THIS IS ICON

Malan’s Breton Final Show at This Is ICON event

THIS IS ICON

THIS IS ICON ICON events, under the visionary leadership of Helen Giorgio, the CEO and founder, have become a steadfast presence within London Fashion Week. On the 15th of September, a star-studded gala and awards ceremony, organized by Helen Giorgio’s team, took place at the Connaught Rooms within the De Vere Grand Hotel in London.

This event was organized to support the noble cause of prost8.org.uk, a charity dedicated to fighting prostate cancer.

Elton ILIRJANI

Max MCGEE

THIS IS ICON

H

elen Giorgio’s brainchild, ‘This is Icon’ gala, has always been a radiant symbol of both elegance and purpose. This year’s rendition held a unique significance as it seamlessly integrated an awards presentation, captivating performances, and a series of breath taking runway displays.

Under the leadership of Helen Giorgio, the event’s primary focus remained on the admirable charitable organization, ‘Prost8,’ underlining their steadfast dedication to meaningful philanthropic causes.

The atmosphere of the enchanting ‘Grand Connaught Rooms,’ provided the ideal backdrop for an evening filled with merriment. The melding of opulence and sophistication in this historic location perfectly complemented the high fashion that graced the runway, imbuing the atmosphere with a refined sense of grandeur.

Throughout the night, guests were treated to a sensorial delight, with every runway stride and performance deeply infused with a sense of purpose. Under the guidance of Helen Giorgio, the juxtaposition of high fashion with an underlying charitable mission imbued each moment with a profound resonance that touched the hearts of everyone in attendance.

Crystal Waters

Gaia Wise

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Basil Eidenbenz, Gaia Wise, Emma Thompson

Fashion Editor Steve Vyse and actress Nicola Posener

Helen Georgio and Tara Hetherston

Prof.

Jimmy Choo Naomi Isted

Tolula Adeyemi

Julia Haart

THIS IS ICON

As the evening reached its zenith with the unveiling of Malan Breton’s final collection, the room erupted in thunderous applause and a palpable wave of gratitude.

A staggering 70,000 expressions of appreciation flooded in from all corners of social media and beyond, serving as a testament to the profound impact of Helen Giorgio and her team’s creative vision.

In every facet, from the exquisite attire to it’s initiatives, ‘This is Icon’ gala, led by Helen Giorgio, epitomized the transformative potential of fashion, a force capable of inspiring, uplifting, and effecting meaningful change in the world. It was an evening where style converged with substance, leaving an enduring impression on all those fortunate enough to partake in this remarkable event.

The entirety of the proceeds generated will contribute to Prost8’s campaign aimed at procuring cutting-edge equipment for the NHS, facilitating ground breaking treatments for prostate cancer that are significantly less invasive and life-altering than traditional methods.

GLAM Week magazine is honoured to have been a media partner for this extraordinary event, celebrating fashion with a purpose.

Photos provided courtesy of This Is ICON

Malan’s Breton Final Show

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COLUMN

Naomi Isted

CELEBRITY INTERIOR DESIGNER AND TV BROADCASTER Introducing a recurring masterpiece in every new issue, this column by Naomi Isted, a celebrated fashion and lifestyle authority, is a journey into the extraordinary.

Naomi’s unique insights and experiences illuminate the dazzling world of London Fashion Week and the mesmerizing fusion of fashion with music-inspired interiors. Join us as she unveils a stylish odyssey, from the glitz of fashion runways to the opulent rock ‘n’ roll vibes of luxury hotels and chic celebrity restaurants. Prepare to be captivated by the vibrant interplay of fashion, design, and creativity that only Naomi Isted can deliver.

S

o, from London Fashion Week to rock ‘n’ rollinspired interiors! This past fashion season, I chose to stay at a centrally located luxury musicinspired hotel, ‘The Cumberland Hotel,’ which aptly falls into the category of this rock and roll-inspired issue, full of legendary music artists, exquisite art and design with a homage to guitars and vinyl, not to mention the fact it has its own VIP backstage lounge and live music acts in its stunning restaurant/ bar. When you think of rock music and interior design, you are led to the interior style more commonly known as Eclectic, with bold prints, luxurious velvet fabrics, color clashes, and more often than not, pop art. If you need some inspiration, think of artwork by an artist I love, Dan Pearce.

Obviously, in true rock style, I donned a sequined jumpsuit with large shoulder pads for day 1, which was very Bowie-esque by the talented Josh Birch Jones, one of the youngest designers recognized by the British Fashion Council.

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This hotel is adorned with music memorabilia but in a very pop art, on-trend way. The walls are adorned with varying tones of red and blue microphones and guitars, which also give a real British Rock and Roll feel to the interiors.

You could easily replicate this concept by upcycling an old musical instrument or microphone in bright and bold paint tones and making it a statement feature in a room. My current go-to brand for upcycling is Yes Colours; their range of paints is bold and beautiful, with an amazing finish. From electric red or blue to make a real statement to more subtle color clashes like Passionate Pink and Electric Red! In keeping with the rock and roll interior inspiration, we headed for a mid-fashion week refuel at one of the most on-trend celebrity restaurants. And when I say pink marble bathroom, I mean, wow! Teamed with champagne, oysters, and the best food and service, Brasserie of Light is also not to be missed for interior design enthusiasts and foodies!

COLUMN

Naomi Isted at “This Is ICON” event

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Hair: Phillipe at Haug London Haus Makeup: Annette Bragas MUA Jumpsuit: Josh Birch Jones Shoes: Terry De Havilland Bag: Chanel

FASHION DESIGNER

PHogg: am

An ARTIST, aVisionary, and an ICON inFashion Photo: thegentlewoman.co.uk Photographs by Ki Price / House Photo: www.pamhogg.com

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Photo by: Jake Walters

FASHION DESIGNER Pam Hogg, the iconic designer whose imagination knows no bounds, has carved a name for herself in the world of fashion that gleams as brilliantly as her creations. With a vision that transcends traditional boundaries, Hogg’s work is a tapestry of fearless innovation and bold artistic expression. Her latest collection, «Apocalypse,» is nothing short of a masterpiece that continues to push the envelope of creativity and challenges the norms of design. Renowned for dressing music legends and fashion luminaries such as Lady Gaga, Kylie Minogue, Taylor Swift, Debbie Harry, and Siouxsie Sioux, Pam Hogg is a true icon who has redefined the fashion landscape. In this interview, we delve into the depths of her creative mind to uncover the inspirations behind her work, her remarkable journey as a designer, and the unforgettable moments she has shared with some of the biggest names in the industry. Pam Hogg is an artist, a visionary, and an inspiration to us all.

C

an you tell us about the inspiration behind your latest collection, and how it differs from your previous work?

“Apocalypse» is actually a continuation of the last collection, «They Burn Witches, Don’t They?»

It was inspired by a vision I had of Sinéad O’Connor being burned at the stake like Joan of Arc. She bravely stood defiant and continued to fight against the injustices of the world and tell the truth about the Catholic Church. Upon her untimely death not long after, her version of the song «Troubles of the World» resonated with my theme of destruction, chaos, war between religions, and greed. I saw her as a saint, the return of the goddess putting the world to rights.

As the star is the symbol of an award, my next reaction was to place 2 black stars on her breasts. It was so simple but felt complete

Designing the actual Brit Awards trophy was quite an achievement. Could you share your experience working on this project and how it felt to see your design on such a prominent stage?

I was staggered to discover that only 4 or 5 artists had designed one before me, so it was quite a big deal to be asked. My ideas are rarely drawn on paper; they arrive as I visualize and physically start to work. So, I explained this and asked for a blank white

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FASHION DESIGNER trophy to work on in 3D. I had imagined it with legs, so I was thinking of giving her my catsuit one-garter trademark, but it didn’t have any. As the star is the symbol of an award, my next reaction was to place 2 black stars on her breasts. It was so simple but felt complete. By now, I was seeing it as an evolving collection, so I called for more physical statues to express all my ideas before making the final decision. Within a couple of days, I had designed and painted 10, and awaited the organizers to arrive at my studio to make their selection. They were staggered and unable to decide, so I asked how many awards would be given.

When the answer was 13, I asked for 3 more to do deluxe versions in glitter. The Brits ceremony was due to take place the following February. Before this, in December, the announcement of the death of David Bowie shocked the world. His last album, made in secret, was called «Black Star.» My first white statue with 2 simple black stars felt like an unimaginable premonition.

I simply touched her, saying, «Hi, I’m Pam.» She spun round and with the hugest smile said, «Pam Hogg! How wonderful, you are my biggest inspiration.»

She took my hand and wouldn’t let go. She held tight, and still in full audience with cameras flashing in all directions said, «Please call me; I’d love to borrow a dress for tomorrow night

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FASHION DESIGNER

Hogg

show with this outfit in reaction to and in respect of Bowie’s tragic passing. She had worn many pieces before, but I had never met her. I was ready to leave a party at Tate Modern thrown by Elton John for his AIDS Foundation trust when, in walked the likeness of Marilyn Monroe. My friend asked who she was, and it took a moment, but I quickly realized it was Gaga with a brand new look. She urged me to go and speak to her, but I was too shy. She then pushed me in her direction before the crowds started to recognize that it was actually Lady Gaga herself.

You’ve dressed some of the biggest names in the music industry, including Lady Gaga, Kylie Minogue, Taylor Swift, Debbie Harry, and Siouxsie Sioux. Can you share a memorable moment or a favourite collaboration with one of these artists that stands out to you?

Following on from the last question, Lady Gaga requested my «Black Star» dress. Just before the Brits, I opened my fashion week

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I simply touched her, saying, «Hi, I’m Pam.» She spun round and with the hugest smile said, «Pam Hogg! How wonderful, you are my biggest inspiration.» She took my hand and wouldn’t let go. She held tight, and still in full audience with cameras flashing in all directions said, «Please call me; I’d love to borrow a dress for tomorrow night.» When I explained I didn’t have her number, she took my phone and typed in hers, saying, «Meet me in my hotel tomorrow.» The next day she wore the dress and posted it on Instagram with my credit. The following day she called to say it was on its way back to me and to please remember to invoice me for the loan. When I adamantly thanked her but refused, she said, «I demand to reimburse you. All artists should be repaid for their work.» Lady Gaga, that’s what you call class.

INTERVIEW

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INTERVIEW

MAX MCGEE A MULTIFACETED JOURNEY IN FILMMAKING, CREATIVITY AND COLLABORATION

M

ax, you have had a successful career as an actor and filmmaker, winning m u l t i p l e awards and cofounding McGee Films. Could you tell us about your journey into the world of filmmaking and what inspired you to become both an actor and a filmmaker?

I always enjoyed drama at school and loved cinema. I vividly remember staying up late in front of the TV to watch Tim Burton’s Batman at the age of five... nothing’s changed! In my teenage years, I aimed to watch a film per night and thus began to develop my encyclopaedic knowledge of movies. After completing a business degree from 2013-2017, I found myself at a crossroads. I subsequently took a leap of faith and decided to pursue acting, finding myself at drama school in New York City from 2018-2019. Following this amazing experience, I returned to London and wrote

In the world of cinema, where dreams are woven into stories and brought to life on the silver screen, Max McGee stands as a versatile force to be reckoned with.

From his early fascination with cinema to co-founding McGee Films and earning accolades as an actor, filmmaker, and writer, Max’s artistic journey is a tapestry of passion and dedication. This article delves into the remarkable career of Max McGee, exploring his inspirations, challenges, and creative processes. It also takes a closer look at his recent successes, including the globally acclaimed ‘London Trilogy’ and the impactful ‘Our Fathers.’ Furthermore, we uncover the influence of Max’s father, Tony McGee, a renowned photographer, in their collaborative endeavours. Get ready to be immersed in the world of Max McGee, a dynamic artist whose dedication to storytelling knows no bounds.

my first short film, ‘Shattered.’ I also played the lead in the film and co-produced it with my father, Tony McGee, who also directed the film. ‘Shattered’ won an award at the Rhode Island International Film Festival 2020. Following this, I made two other short films in 2020 and 2021, set and filmed in London: ‘Auto’ and ‘Thames.’ These two short films (and my debut film ‘Shattered’) collectively make the ‘London Trilogy.’ From this point onwards, McGee Films was born.

Your ‘London Trilogy’ on Amazon Prime Video received numerous international film festival awards and Best Actor nominations for you. What challenges did you face while working on this trilogy, and can you share some memorable moments from the production?

My second and third short films, ‘Auto’ and ‘Thames,’ were made during the coronavirus pandemic, with ‘Auto’ being the first film to be released on Amazon Prime during the pandemic. The lockdown, of course, created a few logistical obstacles,

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but we were able to use this unfortunate situation to our advantage. For example, ‘Auto’ was set during a fictional postapocalyptic global pandemic, largely influenced by the real-life situation in 2020. We took advantage of the empty London streets, which provided us with incredible cinematography. It also helped create a deep sense of isolation that the lead character of the film ‘Gun’ played by myself, was experiencing. ‘Thames,’ the third film in the trilogy, explores an extreme form of Brexit, which consequently leads to World War Three. The entire trilogy was very cathartic for me and gave me a creative platform to express my opinions and feelings of anxiety surrounding Covid and Brexit. Being able to create films while most people were stuck at home was a great privilege. I also felt a level of responsibility to speak on behalf of my generation concerning the Brexit vote and provide entertainment to those who had bingewatched the entire catalogue of Netflix and Amazon Prime in a matter of months!

INTERVIEW You have also ventured into writing and directing with films like ‘Karma’ and ‘Our Fathers.’ How do you approach the creative process when you are wearing multiple hats as a writer, director and actor in your own projects?

Sometimes I do feel a little like the character of Dennis Waterman in Little Britain… sing the theme tune, write the theme tune, etc!

All jokes aside, I absolutely love the process of filmmaking and have learned by doing, the only way to learn anything in my opinion.

From an acting perspective, writing is a great help. Before the camera begins rolling, I have a deep understanding of exactly who the character is, his intention, and his story as a whole. When I’m directing a scene that

‘Our Fathers’ tackles the complicated subject of knife crime, which seems to increase on an annual basis in the great city of London. I knew that venturing into this subject matter required a lot of research and due diligence before I even attempted to articulate my thoughts on the situation.

My film witnesses knife crime through the perspective of two undercover police officers who are called to a crime that matches the description of one of the officers’ sons. I wanted to understand how a 16-year-old could take another boy’s life and the causes and effects of such a heart breaking circumstance. ‘Our Fathers’ received global acclaim, and it is obviously a great feeling to be recognized for your

a feature film. David Fincher is another hero of mine, and he made his name with music videos too! I very recently directed the music video for Crystal Waters’ new single ‘Dance Dance Dance.’ First, I am a massive fan of Crystal Waters, and her artistry and accomplishments speak for themselves. We agreed on a black and white, high fashion concept for the video. I presented her with visual mood boards and other music video references, and she approved my vision.

She was a pleasure to work with, and I am forever grateful for the trust she placed in me.

Your Father is one of the most respected photographers in the industry, working

The combination of classic and modern creates something very special. Overall, it is a situation that I never take for granted, and we have big plans moving forward!

I am in, Tony will take the directing reins and assist in that way. That way, I’m not constantly checking the monitor in between takes! Also, a little preparation goes a long, long way in filmmaking. So, we always make sure we have every shot drawn out before we attempt to capture it. This saves a lot of time and money! Overall, I love acting but at times it can feel somewhat isolated, and the time between auditioning and actually being on set performing can be vast.

I love directing and find great pleasure in sitting in the edit suite until sometimes 3 in the morning!

‘Our Fathers’ has been making waves on the film festival circuit, receiving Official Selections at prestigious venues like Pinewood Studios, London, Amsterdam, and Tokyo. What does it mean to you to see your work recognized and appreciated on a global scale?

craft. However, the positive impact it has had on some viewers’ lives has been most important to me. I often receive messages on social media from individuals with similar tragic tales, which reminds me of my responsibility as a filmmaker.

In addition to your film career, you have directed television commercials and music videos. Could you share some insights into your experiences working on music videos, specifically the behind-the-scenes of Crystal’s new music video? What was it like collaborating with her and capturing those moments on set?

Commercials and music videos are a great platform to experiment, allowing me to introduce new editing styles and techniques before bringing them to the bigger screen.

Tony Scott is a director whose work I admire, and he often talked about the fun he would have making commercials prior to

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with countless icons. How does it feel to collaborate with him in McGee films, and what influence has he had on you?

I’m fortunate enough to have my business partner, confidante and father, Tony, in my corner. He has supported my creative ideas from day one, and I like to think that I have repaid his trust! He made his name photographing the world’s biggest stars, shooting covers for Vogue, and winning Gold at Cannes for his commercials that he directed. So he is, without a doubt, my biggest source of inspiration. He gives me priceless advice on visual aesthetic but also on how to navigate and make a mark in the creative industry. One of the biggest benefits of working together is our shared vision and our different pools of reference.

The combination of classic and modern creates something very special. Overall, it is a situation that I never take for granted and we have big plans moving forward!

INTERVIEW

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COVER PERSON

C rystal Waters “I’malways INSPIRED by the MUSIC MUSIC””

Welcome to this exclusive interview with a music legend whose journey began in the heart of a musical family, propelled into stardom by the unforgettable hit song ‘Gypsy Woman’. Today our guest is not only known for her musical prowess but also as an accomplished entrepreneur.

With a background in computer science and business management, she has always understood the importance of multiple income streams and financial security.

Recently, she graced the stage in London, where the energy and enthusiasm of the crowd left a lasting impression.

Crystal Waters vibrant presence and undeniable talent have left an indelible mark

on the music industry.

We invite you to delve deeper into her remarkable journey and artistic endeavours as we explore her world in this special interview.

During our conversation, Crystal Waters shared exciting news about her latest musical venture. She revealed that she has recently presented and released a track titled ‘Dance Dance’ This new addition to her discography showcases her continued innovation and dedication to bringing fresh beats to her audience.

As an artist who has consistently pushed boundaries and evolved with the times, Crystal Waters continues to be a trailblazer in the music industry.

crystalwaters

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P

COVER PERSON

lease give us a brief historical outline of where your journey began, what hit song propelled you into stardom and where is your career heading today?

I come form a musical family; it was not until I got a job as a background studio singer that I decided I wanted a career in music. I formed a group called ‘Modern Art’ and began to write songs. To make a long story short, House music producers ‘The Basement Boys’ heard are demo asked me to write songs to some of their House tracks. The first two songs I wrote were ‘Gypsy Woman’ and ‘Makin Happy’. Gypsy Woman propelled me into stardom and still to this day is the song I am most known for.

You are known as an entrepreneur, can you give us some background as to why?

Well, I studied at Howard University in Computer Science and Business Management; we were taught that financial security requires multiple income streams, with passive income being preferred.

The concept was always something I was passionate about and something I enjoy maintaining.

It is also a way that I find can help others.

You recently performed in London. What was your experience like?

Oh, I had the best time in London! Everyone was wonderful to me, backstage and in the front.

It’s been a while since I have performed in London, and it was very nice to see the happy, smiling faces.

How does the energy of the London crowd compare to other cities you have performed in?

I’m blessed that I am received very well wherever I go but because I haven’t performed in London in a few years, I was quite excited to see the love and enthusiasm from the audience.

Everyone sang along to every song.

Please give us a brief historical outline of where your journey began, what hit song propelled you into stardom, and where is your career heading today?

I come from a musical family. It wasn’t until I got a job as a background studio singer that I decided I wanted a career in music. I formed a group called Modern Art and began to write songs. To make a long story short, House music producers

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The Basement Boys heard our demo and asked me to write songs to some of their House tracks.

The first two songs I wrote were ‘Gypsy Woman’ and ‘Makin Happy.’ ‘Gypsy Woman’ propelled me into stardom and still, to this day, is the song I am most known for.

Your live shows in London have been highly anticipated.

Can you share some highlights or memorable moments from those performances?

One of the highlights was when I asked if anyone wanted to dance with me on stage.

Some audiences are a bit shy, but London was ready to go!

Everyone wanted to dance... you got some good dancers too!

Your latest release has been making waves in the music industry.

Can you tell us more about the inspiration behind the track and the creative process involved in producing it?

I’m almost finished writing the album, we felt this was a good time to release a single.

I picked this particular song because I felt it was uplifting.

I wrote it just after the lockdown, and it was all about getting out and having fun.

Let us talk about your collaborations. Who have you recently worked with in the studio, and how did those

partnerships come about?

What did you learn from those experiences?

For this album, I have gone back to the beginning. I am working with some of the producers that worked with me on my first two albums, mainly DJ Spen & DJ Thommy Davis.

It’s almost like we speak the same language, everything is flowing so easily. It’s nice to see we have all grown, and we know how to make it work.

You are known for your dynamic stage presence.

How do you prepare for your live performances, and what advice would you give to aspiring artists looking to command the stage like you do?

I actually do a lot to prepare for the stage. I pick and nurture my dancers purposely; we are like a family, we move as one.

Our intention is to make sure everyone is having a good time.

Before I hit the stage, I send love, light, and appreciation out to everyone in the audience.

My advice to artists is this: your job and your gift is to entertain.

It’s not about everyone looking at you telling you, you are fabulous.

It’s not about you; it’s about them. It’s about you using your gift to bring joy to everyone in the audience.

My advice to artists is this: your job and your gift, is to entertain. It’s not about everyone looking at you telling you, you are fabulous

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COVER PERSON

Your songwriting is often praised for its depth and relatability. Can you shed some light on your songwriting process?

Do you draw from personal experiences, or do you find inspiration from other sources?

I am always inspired by the music. I get the music from the producers, then listen to what it’s telling me.

I do like to write with the intention of inspiring others; I like to put it in a way to make you think.

I do draw from personal experiences but I also like to draw from what I’m witnessing around me.

Your latest releases have a distinct production style.

Can you share some insights into your collaboration with the producers and engineers behind these tracks? How do they help bring your vision to life?

What I like about the producers that I’m working with now is that there is a lot of communication, a lot of back and forth of ideas.

That is one of the most enjoyable parts of creating a song.

Producers can push you to make the song better than what you thought it could be.

The engineer is of the utmost importance as well. If the engineer doesn’t know how to capture the best vocal from you, the song may not work no matter how hard you try.

I cannot emphasize how important it is to have a good engineer.

Looking ahead, what can fans expect from you in terms of new music, collaborations, or upcoming projects?

As I said before, I am working on an album, which I’m very excited about.

It’s going very well. I do have some interesting collaborations planned but can’t talk about them at the moment.

Obviously, in today’s music scene, videos play a prominent role.

Tell us about who currently directs your music videos and what we should expect visually.

Yes, I have a new video in the works for my new single ‘Dance Dance Dance.’

It is directed by Max McGee.

What I like about the producers that I’m working with now is that there is a lot of communication, a lot of back and forth of ideas. That’s one of the most enjoyable parts of creating a song. Producers can push you to make the song better than what you thought it could be Photography: Alma Rosaz @almarosaz Post Production & Retouching: Lauren Cremer @lozfolio Hair: Tim Furssedonn @timothyfurssedonn using #lorealpro Makeup: Jo Sugar @jo_sugar using @oneskinforlife and @beautybyad Styling: Steve Vyse @stevevyse Stylist assistant: Tanya Thakore @tanyathakore__ Photography Assistant: Katya Ilina @katya_ilina Studio: @joe_giacomet

Black Pokey 2 piece: Chet Lo Gold Padlock: Eddie Forgo Black Catsuit: Pam Hogg Choker, belt and cuffs: Ada Zanditon Glasses: Dylan Joel Boots: ASOS Gold Cape: Gomez Gracia Leather top: Crystal’s own Black Velvet Jumpsuit: WooWoo Boutique Neck Harnessed: Ada Zanditon Boots: Crystal’s own Jacket: Colin Horgan

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INSPIRATION

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INSPIRATION

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LONDON | MUSIC EDITION 2023

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