The Rushing Camel

Gilad Cohen

The Rushing Camel for classical guitar solo

(2012)

2

The Rushing Camel Performance Notes: The guitar should be tuned (from bottom to top): D-A-D-G-Bb-E. - All mordents and trills are half-step, unless otherwise indicated. p. mute - Palm mute with the right hand. l.h. mute - Gently touch the open string with the left hand, as close as possible to the nut. l.r. - Let ring sl. - Slide h. - Hammer-on harm. h. - Harmonic hammer-on - after plucking the previous chord, hammer with gentle touch, stopping the sound of the fundimental note and leaving the indicated harmonic to ring. b. - Bend b. 1/2 ^ - before plucking bend the notated note up half a step, then pluck and release slowly - Pluck loudly with the index finger and let it hit the guitar's body. stop

/

- Stop all strings loudly with left hand's palm

giladcohen@giladcohen.com www.giladcohen.com Š ACUM 2012, all rights reserved.

3

The Rushing Camel Updated June 26th 2012

Allegro Mysterioso (q=120)

Gilad Cohen 2012

Apply "harmonic pressure" throughout this section, alternating between percussive, non-pitched sounds and harmonics when occur.

Slide L.H. slowly, capturing as many harmonics as possible when those occur and slow the gliss down accordingly.

1 Add/omit repetitions ad lib. slide

Guitar

            

  n

3

3

3

3

  pp

slide             

p

3

3

3

3

2                                              3 3 3 slide

4

slide

slide

slide

4

(mute sound)

slide

slide

slide

                                                                                             l.h. mute

7

                              (p)

9

mp cantabile

12

   

espress.

4

                                                     3

            

bend

as before gliss. gliss.   0  0                                       1

3

3

subp

© ACUM 2012, all rights reserved.

4

gliss.

12

gliss.

gliss.

(mute sound)

gliss.

gliss.

                                                                              

13

l.h. mute

    

                                           

15



mp cantabile

sl.

                                                                     

16

bend

poco rit.

pp ord.                                           gliss.              sul ponticello p

18

mf

mf

A Molto Allergo Groovy (q=180), keep a consistent beat but allow occasional rubato ad lib. p  20     h.    simile                          p                     3  vib. (mf)  3 3 3 espress.  3  3 p

  0 0                                                 3 3 3  3

22

5

0                                                                       vib. 3  3 3 3 3 3 3 3 3  (mf)

24

                                                       3 3 3 3 3 3 3

27

                        0 3 3

30

0

 0          0 sl.

0 3

33

rubato 3  sl.

    

            sl.

0  3  0

sl.

              sl.

mf giusto 0

                     

3

3

0

0 sfz

3

mf giusto

3

3

 0                         3 3 3 

0

sfz

0   0                                                  3    3 3 3  3 3

35

3

                                                      3   3 3 3 3 3 f 

37

p. mute       sl. 0 0 B accel.                                             sfz mf           f p 

39

stop

6

Presto Giusto, Energico (q=200)

                                                  strum chord   p fp fp fp fp with thumb sffz 43

00

fp

0                                           p             simile p f

47

sffz

sffz

51

                                                    fp fp 0 0

fp

fp

fp

rit.                                                         sffz mp sfz

54

C Molto Allergo Groovy (q=180), as before p  57      h.    simile                  vib. mp                         3 3 3 3 3 f espress.   3 f cantabile (don't slow down)

   (p)                                  59                   (mp)                 3  3 3 3  pp gently 3   3 l.r.

3 espress.

3

3

p. mute  

                            0                                 3           3 3 3

63

3

3

p

f

7

                                            0 3 3 3 3 sl.    f giusto  0 0

66

                                   3 0 sl.

0 3 3 3 f giusto

69

0

0

rubato 3  sl.

    

sl.

     

3

3

0

sfz

            sl.

0  3  0

sfz

 0   0 0 0                                                  3 3   3 3 3 3

71

3

                                                             3 3 3 3 3 f 

73

p. mute stop                                               3 sfz mf 3

75

3

3

b 0 sl.

0 sl.

77 3 3   sl.

0      3 3                                                     sffz sl.  ff      strum

harm. h.

espress.

Andante (h=40) p rubato, espress.

rit.

  

 

D Andante rubato (h=40)

l.r. sempre      0 0 0 30 0 3 0 0 80                                          l.r.    p espress.

  0             0  cantabile

8

bend up,to Gb, then pluck and release

rit.

 00 0 0 1/2 0 0 0 0  84 3 3 b.     0 0                                                                3        0

0

0 0

0 0

A tempo

0 0  00   0 0                                                               3  3   0 0

 espress.   3      3                                   0 0   mp 

                  0

0

0

0

E Moderato con moto (q=100)

rit.

                         00 0 0

97

0

0



94

p

0

0



89

mf

Rubato

h.  

espress.

         

 h.        sl.                   

0 h.  

h.  

0

A tempo

l.r.

0  simile    3                   sl.                                                               0 0 0  legato espress.

102



106

  

A tempo Rubato       0 sl.       sl.  l.r.                                                             3          0 0 0 0

simile 0   

f cantabile

9



 A tempo Rubato                                                                       

111

f cantabile



    115 0       0                                                                

118



         

rit.

   



         

   

         

Andante rubato (q=80) p rubato, espress.

                   

        

121



mf

l.r.

      

   

 pp

F accel.

Allegro, Brillante (q=110) 3  pp   3   3   3   3   3   3   3   3   3  126                     0 p dolce

l.r. sempre

 3   3   3   3   3   3   3   3   3                     ( )

127

 

10

3

3

3

3

                                              3

3

3

3

3

3

128

3

3

3

3

3

3

                                                    0 0 3

3

3

129

mf

3 3 3 3 3 3 3 3 3 3           130                                       submp 3 

 3   3   3   3   3   3   3   3   3                          0

131

                    30 0  3  3  3 132                       poco a poco cresc.

3

3

3

3

3

3

3

3

p m i p m i simile

0 00                       3 3       3 3 3 3 3 3 3 3                               ( ) 3

3

3

3

3

3

3

3

133

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                

135

mf

subp

11

rall.

 3  3  3  3  3  3  3  3  3  3                                                    mf  sfz

137

 

G Molto Allergo Groovy (q=180), as before mp  139     h.    simile                       vib. mp                       3 3 3  3 3 3 f espress.   mf  141                                                             3 3 3  pp gently 3  3 3 3 espress.

3

3

(don't slow down)

p. mute                      144    0                              3      3  3 3 p

                                          3 3 3 3 3

147

rubato

      sl.        0   0 

150

3 

3

3

sl.

0

sfz

f giusto 0

mf

     0                          3 3 sl.   0

0  0                              3 0 sl.

3 3  3 0 sl.

0  3  f giusto sfz

 0   0 0 0                                                  3   3 3 3 3 3

153

3

12

                                                            3 3 3 3 3 f 

155

stop                                             3 3 p. mute

157

3

3

bend widely

  0 3                       sl.

160

sffz

sfz mf

molto rit.

0  sl. 3 0 sl. 3                          ff     strum

 

sl.

espress.

3

H Presto Subito (q=210)   0 0                        3  3 3 i ff

  163                                                              3 3 3  3 3 3   3  rall.

A tempo

 0 0                                                          3 3 3 3 3  3  3

165

   sul pont.                                                                  3      3 3 3 3  3         rall.

A tempo

167

ffp

 ord.                                                       0 0

170

ppp

p

13

173



      harm. ff

  



simile

h.



     

 

    

  

  

stop

   

 

l.h. mute sffz

  