Gilad Cohen - Quintet for Bass Guitar and Strings (full score)

Page 1

Full Score

Gilad Cohen

Quintet for Bass Guitar and Strings (2008)

Š 2008 ACUM, all rights reserved.


Quintet for Bass Guitar and Strings I Andante - Allegro II Largo Sostenuto - Andante - Largo Sostenuto III Scherzo IV Finale

Instrumentation 2 violins viola cello electric bass guitar

Performance notes * The bass guitar should be amplified with a bass amplifier, positioned on stage next to the player. * Bass' L.H. mute - lightly touch the strings with the left hand's fingers next to the neck's left end. * Bass' R.H. mute - lighlty touch the strings with the right hand's palm.

Quintet for Bass Guitar and Strings is a winner of the 2008 Israel's Music and Literary Rights Society (ACUM) Prize

www.giladcohen.com gilad@giladcohen.com


3

Quintet for Bass Guitar and Strings I Andante - Allegro Andante (q=60) Violin I

  





pp

 

Viola

Violoncello

  

Bass Guitar













pp

 p      

Violin II



     p

  

 













  

pp



 





niente

pp

arco

L.V.

   

mp p

 mp p

pizz. p



mp p

p

  

Gilad Cohen 2008 Last update: December 2011







gradually to sul ponticello

sul pont.



mf

        pp sul pont.

 



ord. p

10

Vln. I

Vln. II

Vla.

Vc.

Bass

      





 

  

 

 





 

         

   













R.H. mute

 

pp



 

ord.

pp











 mp 



pp





pp

























     ord.

Copyright © ACUM 2008. www.giladcohen.com, gilad@giladcohen.com

p



        p pp

R.H.


4

20

Vln. I

Vln. II

Vla.

Vc.

Bass

    



 

A Presto (q=160)            

 

            f

fpp

  

  

    

 

  

  

  

  

 

niente



niente



 

 

niente



f

niente

niente         niente

         f

        

fpp

  

  

 

  

 

fpp

fmp

fmp

fmp

f

           

pizz.

  mf

                                            p R.H. mute



f

    

      

           pizz.          27

Vln. I

           pizz.                   f

f

Vln. II

f

f

Vla.

Vc.

Bass

       

                      f

        pizz.

 (pizz.)   

f



f

 

 

gliss.          slow



                     

          f ord.

 

          

 

  

arco

 8



          sul G sul D

arco

fp

fp

 

 gliss.

 gliss.

arco sul D

slow gliss.

fp

  

sul G

fp

  

sul D



arco

sul A

slow

slow

fp slow



sul A gliss. gliss.

  p


B Allegro (q=130)  SOLO      33

Vln. I

  

sul G

 3             

f espress.

Vln. II

 Vln. I

espress.

                                               5

                                               cresc. poco a poco

5

   mf

 

   

cresc. poco a poco

38

  

             

    

p

  

3

ord.

p

mf

 3 

 

   

      sfz

sfz

Vc.

sfz



 

sfz

                    8

Bass

             

(ff)

3

3

f

sfz

 

Più mosso (q=160)

 

                  f                            Vla.     3 mf f   détaché                                Vc.      3 mf f f               Bass       f f  42                              Vln. I          ff sfz sfz sfz sfz sfz                       Vln. II         sfz ff 

  

Vln. II

Vla.



espress.

cresc. poco a poco

mf espress.  sul tasto 

Bass



 

3                                                

mf espress.

Vc.

 

cresc. poco a poco

mf espress.

Vla.

5

3

3

sfz

                   

                      sfz ff sfz  détaché  sfz                         8



                 f

  

 



 

 

   

 

ff

ff


6 Vln. I

46 C   

 

Vln. II

f

pizz.

   

f

              

Vla.

pizz.

     

f

sfz sfz

sfz

Vc.

     

pizz.

           

pizz.

  

f

sfz sfz sfz L.H. mute

Bass

arco

 

glis

s.

f

s. glis

     

f

arco

sfz

f

      

arco

sfz

f

 

       

sffz

 

arco

 

 

sffz glis

s.

sffz

s. glis

 

détaché

mf

            

       

détaché

mf

sffz

                              subp (no overlap between notes)

   52

Vln. I

 8   8

ff

niento

ff

niento

  

Vln. II

Vla.

Vc.

Bass

 Vln. I

Vln. II

Vla.

Vc.

Bass

                     

         

58    

 

  

  

                 f                f                                                  ord.             

    gliss.   gliss .

  

  

gliss  .             

cantabile



f cantabile



        

  

 

 

        

f

fp

    fp

       fp            

      

  

 

f

        

   

  

f

       

  

f

ff



f

 

                           

pizz.               ff

ff

 gliss. 

cantabile

             pizz.

f pizz.

            

         pizz.                                             f

      

      

arco

arco

 

fp arco

  

   fp

 

fp

     

arco

p

    

p


63

Vln. I

  

 

Vln. II

    

Vla.

   

Vc.

Bass

                                  Presto (q=180)

accel.

f

                               f                               

                     f

f

  

               

R.H. mute

   

 Vln. I

Vln. II

Vla.

Vc.

 

 

Vln. II Vla.

Vc.

Bass

3

      

3

            3

3

3

3

            3

3

3

           

    

f

 D 

   

  



f







   

 



       f energico

bend G§

    



   



    



      



ff

   



   

sfz

pp



sfz

      

sfz

 

ff

3

 

ff

3

sfz

Giusto (q=140)

                                      f ff f pp

73

Vln. I

f

f

L.H. mute

Bass

3

q=e



           

sfz

K

  

  

 

         

sfz

sfz

sfz

f

68

 

7



   



 

  

p





   



L.H. mute    molto vibrato   3                                           sul no overlap

ponticello


bend 8 79

Vln. I

Vln. II

Vla.

  

   

  



        

f energico

 

f energico

 

     

  

           

      

  

           

b       

   

b

3

F#

b

3

bend

      

          

bend

       

G#

G#

  

f energico

3

3                            Vc.                         p f espress. p f mute L.H. slap ord.     ord.                             Bass                       p  subp f f espress.  84 dolce                                                    Vln. I       

Vln. II

Vla.

     

            

               

Vc.

Bass

 



           



         











    

dolce

 sul G

p leggiero

Vla.

 

 dolce                                                

                                 Vc.                                          Bass        IV  91    ,                Vln. I                  Vln. II



   

,

  

,

   

,

   

,

                             p leggiero

  

  

pizz.

pizz.

 

p leggiero

 

p leggiero II

   

pp

 I

 

 

 



 

  

   

 

o f intensivo pizz.

f

  



o

                f arco                   arco

 

f

              f R.H. mute


9 sul D

96

Vln. I

             

0

   

Vln. II

Vla.

Vc.

 arco    f

molto espress.

 3               o

    pp

leggiero                             f mf leggiero                             

                                  f

 

     

   

 

    

 

     

pizz.

arco

f

sfz

pizz.

arco f

sfz

  

 pizz.           

arco

f

sfz

  

                 

mf

f

Bass

  

 

sul ponticello

    

mf

  

  ord.                     

pizz.

  sfz

 

sfz

            102

Vln. I

          

Vln. II

         

Vla.

Vc.

 

Bass

p pizz.

    p

pizz.

    

subp

  

pizz.

  p

  

          

subp

  

    

  

   

   

   ff 

     ff          

  

    

f

arco

ff

         

        

arco

f

         

  

   



             f arco                arco

f

       f 

      

   


10

Vln. I

 

subpp

Vla.

Vc.

 

 



Vln. II

pizz.

mf

     

subpp

  

  

 

Bass

      p

 

p

poco a poco cresc.

        

subpp

  

               

poco a poco cresc.

SOLO espress.



    

   

    

  

poco a poco cresc.

 poco a poco cresc.

      

      



E    108

arco sul tasto

  p

         

   

     p

     

   

   

   

 

 

p

        

  

 

 

  

 

115

Vln. I

Vln. II

                                                       f p

 

ord.

                            p

Vla.

 

Vc.

  

Bass

  

 

        f

   

                                             p f                                                                    p

f


11

Vln. II

Vla.

subpp pizz.

   



 

  



  

  

mf

   

subpp



Vc.

      

subpp

Bass

  

SOLO espress.

ord.

     

p

           p

poco a poco cresc.

 



Vln. I



  

poco a poco cresc.



  

poco a poco cresc.

 

poco a poco cresc.

 



  

   

  



119

  



 

arco sul tasto

  p

         

   p

   

  

   p

  

 



                      

 

poco a poco cresc.



  



  

126

Vln. I

Vln. II

  

dolce

f

   

            f

Vla.

                  f

Vc.

            f (ord.)

Bass

             f

      3

 

     

3       



 

sfz

                                    

                               

                  



       



      

                                        


F           ff

12 131

Vln. I

    

mf

            ff sffz

ff

Vc.

sffz fmf driven

 

         

 

fmf driven

 

        

 

                       sffz ff

Bass

 Vln. I

    

  

ff

Vln. II

Vc.

Bass

 Vln. I

             

Vc.

Bass

        sfz          sfz 

      

       

      

       

        

           sfz  SOLI             

    



legato

  

sfz

      

     

        sfz 

p mellow

139

Vla.

      pp

            8 pp sul G   sul D      f

     

f

  

leggiero

    pp

   p

  

      

     

      

leggiero

pizz.



3

                                          pp 

               sfz

            mp

mf

         

Vln. II

             mp

sffz

135             

leggiero

Vla.

      

pp

10

f

                    

Vla.

3

            

sffz

   

Vln. II

               SOLI

pizz.

f

arco              

 

f

                                                       mp 

 

 

       

 

 

                     

 


13

      144

Vln. I

 

  0

pizz.

f

 

o                                       o

subp

0

                                        f subp f sul C - - - - - - - - - - - - - - - - - - -     espress.  A                              p mf

Vln. II

Vla.

arco

 

pizz.

sfz

Vc.

         sfz

Bass

  



      

 A          

sul C

   

ff

p

 sul G   sul D       

mf espress.

sul G sul D

          

subp

149

Vln. I

 

                 

     

arco

3

ff maestoso

Bass

    



 

 0                3

           

                          

            

maestoso

ff maestoso

Vc.

                 

mf

3

3

Vla.

    

              ff arco

Vln. II

                      

 

3 0

3

ff maestoso

mf

3

3

3

 

mf

mf

 3                               3  3  ff maestoso f

(slides)  

3

ff

ff

    

 

ff

 

    

sul G gl

ff

ff

  

 

iss .

 


14

Vln. I

153 G   

Vln. II

Vla.

Vc.

 

knocking

 

         

               

       

                

f

      

f

 

                      



f con forza

Bass

     p f

                        

f

                           

f con forza

 

 

simile

p

ff

submp

     p f

         

                      

      

              

158

Vln. I

 

f

 

Vln. II

 

    

        

Vla.

f

Vc.

Bass

        



    

   

 

p

  

   

Ab

f

                   ord.      f submp ff                    p    f 



ff

       



    

 

     

                             

     mf

 

 

ff

       slap                            ff


15

   

 

H Calmer sul tasto  

   

 



163

Vln. I

Vln. II

p

p

sul tasto

p

Vla.

   

sul tasto 0 0

Vc.

Bass



 

p

    

0

     ord.

 

 

 

3

subp

 SOLO

   

arco

      

   

  



  



sul tasto

 p

mf espress.



       0    



3

espress.

 

pp

pizz.

     

     

    

 

     

  

168

Vln. I

         

   IV III 0 0 0 0

Vln. II

     0 0       

 

  

pp

Vla.

Vc.

Bass



     

            sul G sul D

   

    

         leggiero

p

 

          

 

3

   

     



      espress.

espress.

          

3 piùf espress.

         sul G

3

 

  

        


16

173

Vln. II

  



  

sfz



Vc.

Bass



  

f mellow

sfz

Vla.

      

ord. SOLO

            

               

    

          

               

     

     

ord.

    p

ord. p

ENSEMBLE

   

     

        

p

sul tasto

sul tasto

ppp

f

         

 pp

0

f

pizz.

arco

f

 

    

sul tasto

pizz.

f

ppp

f

 



Vln. I

   

ppp

mp

    

subp

mf

sul ponticello

(D) (F#)

p

mp

3 3 3                                                3 

177

Vln. I

          

Vln. II

Vla.

Vc.

Bass

3

  

  

 

     mp

         p

      

mp

mf

     

   

   

             

     

  

ord.           

  

         mp

         p

mp

mf

   

ord. pp

L.V. - - - - - - - - - - - -

pp (pizz.)

   

   

 

p


17

Vln. I

        

3                                cresc. poco a poco

       

3                                               

            

 

3

f

3

Vln. II

f

Vla.

cresc. poco a poco

Vc.

   

 ord. 

  



3

f

    

cresc. poco a poco

Bass

(poco rall.)

3                              p

182

b 



p dolce

  

  pp

glis s.









ff

 

arco sfz

        

 

                          sfz

Vln. I

I (A tempo)  G#    187                   ff energico

Vln. II

G#

       

 3   

 (>)                  

        

G#

        

      

 (>)                      

        

G#

ff energico

Vc.

ff energico

Bass

3

        ff energico

Vla.

          (>)               

   (>)          (b )                     

III  G#    IV                  ff energico

3

3

   

  sfz

 

           

(>)


18 Vln. I

 192                        subp

Vln. II

     

      molto cresc.     

subp

Vla.

     

subp

Vc.

molto cresc.

   

     

molto cresc.

subp

Bass

   

     

molto cresc.

subp

    

198

Vln. I

Vln. II

Vla.

3

  

3

 Vln. I

Vln. II

Vla.

         ff

          

   ff

  

  

   

(3+4)

   3  



ff

             

  

    

           

                      203

                            

  

      Vc.            slap        Bass            f 

         



§         

 G§

  

 

 f

3    



cresc. poco a poco

 

  

3



    

 

3

        ff

        fff

            fff   ff   L.H. mute                          

       

ff

      

      

     

cresc. poco a poco

    

o     

f

 

 

3

      

f

     

cresc. poco a poco

ff

 

            ff



f espress.

    

cresc. poco a poco

Bass

  

3                  ff f cresc. poco a poco  3                        

 

sul D

Vc.

ff

molto cresc.



                      

             

      

     

      

    

     

                   

f

 fff

 

f

fff

f

fff

                fff f

ord. slap           f


19

II Largo Sostenuto - Andante - Largo Sostenuto harm.      

Largo Sostenuto (q.=40) 1

Violin I

  

Violin II

 

              



           p

p

non vib.

niente

 

Viola

 

SOLO espress.

    

mp

                

 





      5             



pizz.

Violoncello

p

Bass Guitar

     

 



p



           



     



 



 



 





 11

Vln. I

 

 

J

ord.

 mf

       

   

4

fp

sul ponticello

Vln. II



ord. vib.



  

 

ord.

p

fp

sul pont.

   ord.               mf fp 4

Vla.

3

Vc.

Bass

  

   

arco sul ponticello

  

  

    

     



p

ord.

fp

gradually to molto sul ponticello, allow random harm.



,



 



gradually to molto sul ponticello, allow random harm.



,









gradually to molto sul ponticello, allow random harm.



,



  



      



ord.

mp espress.



   

ord. SOLO

mp espress.

 ,     p 

pizz.

 

,

  p

knock p

p p p                                           simile p

sul D

    sul A

 

simile

   

 


20 20

Vln. I

Vln. II

Vla.

Vc.

Bass

  



ord.



pp

  

 let vibrate     

ff



  

 

sul A



 









p

   

sfz



      p

       

  

 

 



 

   

 

fp

(no dim.)

  

 



    

p

p

      

 p

       

    



5

   

   

p

   

Vln. II

Vla.

  

  

  

    

 

 

 

fpp

Vc.

Bass

mp

   

fpp

        

p

       

    

   

4

  

              

        mp

 

  

      f

4            f

mp

p



 

 

 

 

f

4

 



Vln. I

  

 

f

    

25

f

   

2

vibrating as possible

  

   

secco

f

2

sul G sul D

2

  

submp



8

  

 

 


31

Vln. I

  

 

Vln. II

 

    

 

K Andante (q=50-54)     

       

Vla.

mf

Vc.

 Vln. I

 Vln. I

Vln. II



non vib.



           

pizz. molto vib.

 

p



 p

         

R.H. mute

p

   

 

36

 simile  



 



sul pont.





g b            gliss.       liss.                               fp         sfz 

Vla.

Bass

vib. disappears

  cantabile              p

Vln. II

Vc.



0

b             mp

non vib.

gradually - - - - -                      mf

Bass

 

sul G SOLO

con sord.

slow gliss.



p

niente

arco cantabile

non vib.

con sord.

 

cantabile

21

 

 

   

39

 

 



        knock

p

  





 

           

ord.

   



 

SOLO vib. ord.

senza sord.







 

       

       fp

mf

p

3



p

    

p



           

b         Vla.                         p         Vc.             Bass  §

gliss.



poco a poco cresc.

sfz sul pont.

  

sfz

  ord.    gliss. 




22

Vln. I

Vln. II

senza sord.

    

     

     mf

   

    

 

pizz.

 f

         port.           



 

 

 

ff

  

sul tasto

mf

f

     

    

  



0  

p

 

  

       

s. glis

Bass



arco



Vc.

    

Vla.

      

ENSEMBLE

  



 

  



42

 

L Com Moto 44

pizz.

Vc.

Bass

  

mf

gliss.

   

          

f

    

f

    

   

      

arco

 



Vla.



Vln. II

    f

 

      

 

   

 



Vln. I

    

     

  

sul A

     



p

sul G

   

quazi con legno

      

6      



................  ricochet  

f

 

   

b               

arco SOLO

ff



ord.



f espress., vibrato








23

Vln. I

3

Vln. II

Vla.

           

46        

      ricochet           ..............

Bass

            b

  

 

 

tenuto (Walking Bass)

  

   

 

mf

 

        

f

subp

  ricochet ................              gliss.  gliss.  p f 3                                                          

sfz

Vc.

3

3

f





 



 

        



sul pont.

   

sfz

ord.

 gliss. 

 

   



 poco accel.

sul ponticello 48

Vln. I

Vln. II



  

Bass

ff

                  

f



mp

   

 

 

f

f

      

          

     

 

             mp poco a poco cresc.

   sul D   I II   III              III     sulA     f

 

      



fp

fp



   

              poco a poco cresc.

                         mp poco a poco cresc.

       ord.               

  

 

  

 

                  

Vc.

niente

p

Vla.

ord.




24

q=h

q=60 Vln. I

Vln. II

Vla.

Vc.

51          

     

  

      

   

  

   

        

       

  

  

      

    

             f                       ff

Bass

molto vib.

molto III vib.

      



  

 

sfz

f

  

            



 

 

  

 

 

 

3

ff espress.

 

      

III

IV

      

sfz

      

ff espress.3

                       ff

                         

  

IV



M  

intensivo

    

b 3       

                  

54

Vln. I

Vln. II

  

 

(4+4+3) fp

     

fp

Vla.

     fp

s. glis

    f

            

  

ff

3

3          

ff

     ord.               sul ponticello

f

 

  

         6

  

   

 

sul ponticello

subp

gliss.

  

ff

                                 Vc.                                                            Bass            p







 


25

57

Vln. I

Vln. II

  

3

ff



     f





   

   

3

ff

Bass

 

   

   

3

ff



   

 

3

ord.

Vc.

    

            ff

Vla.

 

 



             molto vib.

arco

 

gradually stop vibrato



pizz.

ff

f

3

sffz

             molto vib.

   

ff

 

gradually stop vibrato



sffz

3

 

            

           

 

 

    

       

         

 

 

    

8                         

 

 



sffz

III

II 8

mf

N Tempo primo (q.=40) 

non vib.

62

Vln. I

  



               

p

9

ff

  

non vib.

Vln. II

gradually to molto vib. sul ponticello





Vc.

Bass

 

  

 

gradually to molto vib.

ff

                p

      sulponticello    

p

Vla.

             

9

              

harm. gliss.

 

sul A

8

    

 


26

Vln. I

con sord.

con sord.

Vla.

Vc.

Bass

con sord.

 

Vln. II

         ppp  f sul ponticello

68

   



 





   



   



 

   

p

SOLI

   

SOLI

ord.



     

p

   

pp

 

   2



   



pp

  0  2

      

8

 

pp

   

Vln. I





 







 

      

p pp      

p pp       

p pp      

   

 

   

 

     









  

   



 



 

rit.

random harm. sul A, sul ponticello

 

Vla.

Bass

 



Vln. II

Vc.





74

p



 knock p pp







ppp



   

 


27

III Scherzo Allegro giusto (q=150) senza

1

Violin I

Violin II

 sord.  

 

Viola

p

p



              § sul ponticello

pizz.

mf

senza sord. pizz.

Violoncello

Bass Guitar

  

mp

  

f

p

pizz.

arco             p

senza sord.

 

                                               p pizz.



  

    

p



                 f



p

 

pizz.                            p

   

pizz.             p arco b



mp

 

p

f

mf

 

legato vibrato

  

SOLO

p

 

 

 arco détaché

7

Vln. I

Vln. II

                                                     mf          



               

    

arco détaché

          mf

arco

Vla.

Vc.

Bass

détaché                                                 mf arco     détaché                                              f

  

  

        

    

bending

            

       

mf

3


28

13

Vln. I

  

Vln. II

Vc.

pizz.

     

   

Vla.

                                      f

 

Bass

f

            f pizz.

               

§ sul ponticello                       f mf arco

           

pizz.

f

               f

(ff)

 

  

f

pizz.

sul G sul D

  

pizz.

         f

    



 

              pp

   





    f

sul ponticello

    

     





   

 

0

ord.



    

pp

20

Vln. I

                              f

Vln. II

Vla.

Vc.



0        

   

              SOLI

mf

bending

f

         

    

      

        

  

f

 

sul ponticello    

f



f

                                          f f  0 pizz. arco SOLI                                  mf

f

Bass

              

 


29

 

26

Vln. I

  

Vc.

Bass

 



pizz.     , O        

,      

                 ,     



       

    

Vla.

  

p

 

Vln. II

       arco

   



sffz

sffz

0

sffz

  arco                                         ,

   

mf

R.H. mute          ,                                           

      

p

           mf  subp    33

Vln. I

arco

             mf  arco

Vln. II

      

 

III

II

        

arco   



 

fp



 

pizz.  arco              

subp

fp

f

f

            

ff

ff

II

      arco

Vla.

mf

Vc.

  sul G sul D

Bass

    ord.

 

f



  

subp

  



 

               pizz.

f

fp

f

           arco

*   ord.             s.              glis  3 sfz f

* strongly mute all strings with right hand.

arco   

ff

  



 



  



pizz.       f

 gliss.             f


30

    39

Vln. I

Vln. II

Vla.

Vc.

Bass

  

  

   

  

   

  

 







 



  

 

  

     

   

    

 

    



   



 arco           f

 

sul A

ff 0

    ff     ff     

ff

     

  

0



     

   



    

  





            3

                                                    3 3 ff

            

sul A 44

Vln. I

Vln. II

   

 sul D                0

0

Vla.

0

                      

   

sul D - - - - - -

    f     f

   

fp intensivo

Vc.

Bass

          

   

    



sul tasto

 

pp

   

  

      sul tasto

subp

 

 

f

con forza

                           gliss. ord.                     f p         sffz  (IV)

ord. sul ponticello                                                                        

  


31

    50

Vln. I

 

poco rit. P A tempo

 

                      p pizz.

Vln. II

pizz.                         

,

 

,

 

,

 

sul tasto

Vla.

p

subp

Vc.

     p

Bass

      



  

   

   

   

pizz.



   

giusto

                       p

,

 

3

57

Vln. I

 

pizz.



p

Vln. II

Vla.

Vc.

  

    

              p 

(pizz.)

 

arco guisto

    

                     



              mp 

                         piu f

                    



    

       

                         mf   

      

3

      3

arco

             mf

L.V.

Bass

 

8



p

8



8

 


32 63

Vln. I

                 

Vln. II

 

SOLO arco

  

                           

f intensivo



    

                   f mp

  

                                                 f

  

arco

3

Vla.

Vc.

Bass

                                                      f p 

   



 8



3

8  

 







f

mf

  





 non vib.

 7       /4 0    3

69

Vln. I

Vla.

Vc.

Bass







2

ff

fp

      poco a poco cresc.

    

     

   

 

 

     

            

          

     

poco a poco cresc.

              

    

      

          

poco a poco cresc.

  

Vln. II

3

slow gliss.

slow gliss.

ff

                                              poco a poco cresc. ff

R.H. mute                                           * poco a poco cresc.

* - change pitch by touching with L.H. without plucking again.

ff

    pizz.

sffz

 

sffz

 

ff

off the string

 

,    pizz.

mp

 


33

Vln. I

Vln. II

Q 76    

pizz.

 

p

  



p



    

Bass

arco

 



arco                           f      

arco pizz.                                                         p

Vc.

                                 f p

arco § sul ponticello

pizz.

Vla.

 

 

p

mf

  



 

f

  

  

              

p



 pizz.           





arco §

pp

 

mf

R.H. mute

  





SOLI 81

Vln. I

     8

,

 

pp

Vln. II

Vla.

Vc.

  

, pizz. f

      



Bass

    

    p





 

                

 f

,

             

                    p    (pizz.)             p

,

ff but gently

 

8

8

   

8 

8

 

   

            



, pizz.

SOLI

8

  

                             

 L.V.

 



    

               

 8 8 8

         

  

  



8



 8 


34 87

Vln. I

 

Vln. II

Vla.

     



  

   

    

  

         

       mf

Vc.

            8

Bass

8

                                      subpp f p

arco

                               arco

p

f

subpp

                    f mf

  

 

                                f subpp p



8

 

mf

  

 

 

sul D

SOLO gently

 

bending



f no overlap



 

    



(meno f)

                                         92

Vln. I

Vla.

                                        mp p

Bass

pizz.

   

f

          f

p

mf

            

 

    

 

    

 

 

    

 

       

    



f

   arco     



mp

arco            

  

        pizz.                              p

Vc.

f

mp

p

Vln. II

    pizz.

pizz.

f

sul ponticello

f

  



         


35

      

   

98

Vln. I

 

Vln. II

 

Vla.

Vc.

 

   

 



    

R  

    

 

p

    

                     pizz.

p



p

arco

pizz.

p

p

   arco                 

pizz.

p

p

         

b          sul ponticello

           

  

mp

 8   



 



         pp

ord.

Bass

            

pizz.

 

p

(ord.)

p

  



    



p

sul D

 accel.

103

Vln. I

Vln. II

Vla.

Vc.

Bass

    

 

         

  

         

  

     

        

 



arco



arco

ff

  ff

harm. gliss. sul A

            p

7

           harm. gliss. sul A

7

p

 

arco

   

p

 

f

     f

    

 

pizz.



   

f

pizz.

   

mf

p

f



 

       

arco

p

f


36

IV Finale con sord.

Violin I

  

 

pp con sord. pizz.



   

Violin II

p

     

con sord.

Viola

pp

  

Violoncello

  

 

  

    



 

pp SOLO

Bass Guitar

   

     

p

 



sul A





1

 

rit.

           poco a poco accel. trill.

    

 

  

  

            





Allegro (q=126)

niente



  

   

   

  

 

            

 

niente

niente

   

espress.

3





ord.



ord.

 Meno Mosso Rubato (q=100) 7

Vln. I

  

sul ponticello   

Vla.

 

 

 

 

 

    

     pp

 

 

 

 

 

 

   



sul ponticello       

 

 

 

 

 

 

   



 

 

 

 

 

 

 

 

    

pp

pp

Vc.

Bass

A tempo

 

arco sul ponticello

Vln. II

poco rit.

  

sul ponticello

   pp

   

      

bending

 



3

          

pp

ord.

ord.

 

 

 


37

15

Vln. I

  

  

 

Vln. II



 

 



Vc.

Bass

   

   

       

p

3

 

 

,

   

         

,

rubato, espress.  

mf

  ,  sul tasto    

 

pp

  

   

      

sul tasto

 

arco

subp

  

     



     



pp mesto

pizz.

   

,

,



subp





  

 

pp mesto

senza sord.

subp

Vla.

senza sord.

subp

 

S Più mosso (q=64)

Slow blues (Largo q.=40)

poco rit.

pp

sul tasto

p

p

 

senza sord.

 

   

  

               p sadly

22

Vln. I

Vln. II

        

       

sul tasto

Vla.



pp mesto

Vc.

Bass

   

    

    p

 

  

          

 

   

  

  

  

      

 pizz.           

p

p

mp

      



   

ord.     

3

mp espress.

 

 ord.    p

  ord.

  

            4

   

       

SOLI

  

mf espress.

arco (ord.)

 

mf

  mf

 



       


38

Vln. I

        3

Vln. II

Vla.

Vc.

Bass

          

poco rall.

    

    fp

   

  

 

    

      



 

mf

      

  

   

4

espress.

fp espress.

ENSEMBLE

fp

 

  

espress.

mf

mf

  



fp



 

cresc. poco a poco



 

cresc. poco a poco



 

cresc. poco a poco

 

f

                          

4          

     

 

   

     

    

A tempo

  

mp espress.

     

     

  

   

26

5

f

Vln. I

Vln. II

Vla.

Vc.

Bass

31        

               

    

  

   

 

   

   

   

 

   

   

f

f

     f

  

 q. = h                  

 

   

      

           f

espress.

4

cresc. poco a poco

           

espress.

          

f

4

                          

  

f

 

 4

espress.

     

espress.

 



   

    

b        f

  

ENSEMBLE

mf

       

sfz


T Allegro Giusto (q=130)            mp intensivo ,            

38

Vln. I

   

Vln. II

Vla.

Vc.

Bass

 Vln. I

Vln. II

Vla.

Vc.

Bass

  

   

47

  

   

Vln. II

Vla.

,

,

 

,



 

 

              

           

55

Vln. I

,

    

       

mp intensivo

f

                     

submp

f heavy

submp

                     

                  mf sfz f                 sfz        mf f                     mf f  sfz                            mf

                           mf

fp

f

fp

f

fp

   

               

  

                     

   

      

                       

 

 



sfz

   sfz

     sfz

  

    



   

     

 



sfz

    

 

sfz

  

b

 

sfz

                                

  

fp

 

  

 

   

  

  

 

(4+4+3)

fp

  fp

 

 

                 f                                         f          3



                            

 3                    f espress.                f intensivo

 

      

f espress. 3

                



                               

              

            

    

                           



  

  

  

  

                 

U            

 

   

 

                   

f heavy

    

 Vc.              Bass         



 

                       heavy       submp intensivo

   

f

39

 

    


40

Vln. I

 

   

3          f

  

.  gliss.   s  s i l g 

             

 glis    gli s.     s s. 

f

Vln. II

Vla.

Vc.

       60

3

s. glis

ff

ff

ff

(3+4+3)   sul            ponticello ord.               3 3 f  sul ponticello                         ord.           3

                

f

3

                       

       

subp

                       gliss.                              ff      ff

subp

Bass

III     III  IV                                                          f

        

III

p

ff

subp

Vln. I

Vln. II

Vla.

65                                                       f ff f ff

 

     

B§          

f

Vc.

Bass

                                 f ff

               ff

           

      

 

 

   

                  f

   

   IV   



f

§

                

  

     

      sffz

     

sffz

 

pizz.

ff

     

   

 

  

 

 


41

poco accel.

     3

                 71

Vln. I

Vln. II

3



Allegro (q=140)

  

 

3

Vla.

 

    



arco                           ff  

   

   

 

      sffz



  

  

           

sffz

sffz



        pizz.

f

pizz. SOLO

     

sffz

Bass

ff

ff

Vc.



ff

3                             

  

   

                             f 

ff

V                                        

78

Vln. I

     

f

pp

Vln. II

 

    

arco

pp

  

knocking

p



                                                             f

Vla.

sfz

sfz

f

                                                        f

                           f            Bass            Vc.

f

sfz f

                          sfz f

                                  sfz f


42 Vln. I

Vln. II

Vla.

Vc.

Bass

                             mf dolce SOLO

85

    

niente

                          

                                                 p

  

   

p

  

           



92

Vln. II

Vla.

Vc.

     

 Vln. I

Vln. II

Vla.

Vc.

Bass

  

 

      

3

3

   

SOLI arco

     

mf

                    

III p

                           

     f

submf

  

      

  

   

       

f



f      ENSEMBLE                    

 

f

f

99    

        

         3            3          3

                3

   



3

 

 

    

 

    

                              f submf                                                          

    

SOLO slap

Bass

   



 

3

   

 



                               p

 Vln. I

   

    

      ff

     

 

ff

      ff



         mf

         mf

    

   

   

 

    

   

   

 

    



     

 

    

   

  

  

submf

 

ord.

espress.

  



  



f

    

    



  

f



3

 

sfz

sfz

                         f b                        f

sfz

f


105

Vln. I

                

Vln. II

Vla.

Vc.

Bass

              

 



   

rit.

   

 

  

 

  

 

fp

fp

fp

W Sostenuto (h=45)                  

43

     

f molto espress., pronounced

                        molto espress., pronounced                    

  

       

 

 

  



 



  

  

    

   

molto espress., pronounced

          



  

 

molto espress., pronounced

vibrato sempre               

molto espress., pronounced



molto accel.

                    110

Vln. I

Vln. II

Vla.

      

                  

          

Vc.

   



Bass

   



     

     

       

        

  



   

   

     

 



     

   



  

 

 

         

     

 

  

    

f

      

    

   

molto vibrato

    3



             

slap

f

 

 


44

Vln. I

Bass' Cadenza

115                3 3 3  ff

 

sffz

Bass' Cadenza

 

3               3 3 ff

Vln. II

sffz

      

Vla.

Vc.

      ff

 

sffz

 

ff

Bass

Bass' Cadenza

     

ff

Bass' Cadenza

 

   

                 

        simile                               

R.H. mute (all strings)

sffz

 

X Allegro (q=138)

Improvised CADENZA

sffz

(ord.)

p

119

Vln. I

 

sul ponticello

Vln. II

Vla.

Bass

3

pp

             mf

      3

3

 pizz.

Vc.

     

    3

3

  3

                pizz.

mf



simile



     





     





     

                                                                     


Y 123

Vln. I

Vln. II

  

45

CODA

SOLO leggiero ma cantabile

 





3

 

mf

  

3



3

        

 

3

3



    

    



ord.

3

                                              arco

Vla.

p

mf

     Vc.        f                         Bass    126       3                  Vln. I     

Vln. II



   

3

  

  

  

espress.



mf







mf espress.

Vla.



mf

Vla.

Vc.

  

  

 



R.H. mute

p

 130                                              f espress.                                              mp                  3 f                  mf

3

SOLI

Bass

             SOLI              

                   

mp

Vln. II

     

arco

f arco

             p      ord.               Bass  

Vln. I

                  pizz.

Vc.

                                 

         

  

f







 

  3



       

 

3

f espress.



   

    

mf



mf SOLI

    

mf

            

 

gliss.

          f pizz.

3

sfz

           sfz

pizz.

f

              f subp

           3

subp

         

R.H. mute (all strings)

subp


46

135

Vln. I

Vln. II

Vla.

  

        



 

        



arco

SOLO leggiero ma cantabile

 

3

ff

         

    

 arco                               mf

                                                     mf

0                                

II - - - - - - -

Vc.

f

          ord.                      R.H. mute

Bass

f

  0

 0              

simile

  ord.        

               

       139

Vln. I

Vln. II

  

  

  



3

3

 

f espress.

Vla.

                  

      

f espress.

           Vc.     mf                      Bass   p

         

   

  

  



  



  



 

 

               R.H. mute

   SOLI

 

   

f

SOLI

     

f

           

p

 f

 


Vln. I

  143                                              

           

                                                  3

          

3 ff espress.

mf

Vln. II

mf

 

Vla.

Vc.

f

  







  

 



 

 

f



  

  

3

f

3

             mf

               mf   

f

3

ff espress.

3

SOLI Bass

47

   

mf

            f           f

   

         f

3

Vln. I

                     

                                         

 

Vln. II

                

                           

 

Vla.

         

                                   



                      ff



  

 

ff



  

148

Vc.

Bass

                        

    slap                          3

    

            


48

             TUTTI                                 

      



Vln. II

TUTTI                                       fff

          fp

 

Vla.

TUTTI                                        fff

       

 

    

        

 

153

Vln. I

fff

Vc.

 

 

 

  

 





(improv. slap ad lib.)

Bass

 





   

   

TUTTI

fff

fp

fp

fp

 

  



ord. f

pizz.

accel. 158

Vln. I

Vln. II

  



 

                    ff

   

fff

f

fff

pizz.                                        f

magnivissimo

magnivissimo

f

pizz.

Vla.

                                             f

fff

                                           f

Bass

fff

f

pizz.

Vc.

magnivissimo

magnivissimo

f

magnivissimo                                  f            fff

p

New York January 2008

 


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.