Nocturne in Black and Gold - Gibson Mahnke

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NocturneinBlackandGold

ForBassClarinetandMarimba

GibsonMahnke(b.2004)

NocturneinBlackandGoldisbasedonthepaintingNocturneinBlackandGold: TheFallingRocketbyJamesAbbottMcNeillWhistler.Theoilpaintingwascompleted in1875andcurrentlyresidesintheDetroitInstituteofArts.Thispaintingisveryinteresting andinfluentialforavarietyofreasons.Whenfirstdisplayed,itwaswidelycriticizedby artcriticsandgalleryvisitorsalike.ArtcriticJohnRuskinwentasfarastosaythepainting waslike,"flingingapotofpaintinthepublic'sface."Asaresult,WhistlersuedRuskin forlibelandendedupwinning.ThetrialwashighlypublicizedandgaveWhistlera chancetodefendhisartworkas"artisticarrangementswhoseworthlaynotinany imitativeaspectsbutintheirbasisintranscendentidealsofharmonyandbeauty."His artismeanttobeinterpreteddifferentlybyeachviewer,givingitasenseofvariability. Whistleralsosawhispaintingsasmusicalcompositionsillustratedvisually.Ithoughtit wouldbeintriguingtodothereverseofthis,andusehisartworkasinspirationformusic.

NocturneinBlackandGoldisanauditoryrepresentationofWhistler'spainting.Just likethepainting,themusicissupposedtobeinterpreteddifferentlybyindividualaudience members,aswellasperformers.Thepiecestartsbypaintingabackgrounduponwhich therestofthemusiccansettleupon.Ornamentsarethenslowlyplaceduponthis background.Eventually,wearriveatachaoticclimax,representingthefireworksonthat Whistleroriginallybasedhispainting.Finally,weslowlyreturntotheoriginaltextureasthe harmonicmaterialgetssimplerandsimpler.Weendwithasinglebowed 'E',asparklefloatingonanemptycanvas.

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"Naturecontainstheelements, incolourandform,ofallpictures, asthekeyboardcontainsthenotes ofallmusic.Buttheartistisbornto pickandchoose...thattheresult maybebeautiful–asthemusician gathershisnotes,andformshis chords,untilhebringsforthfrom chaosgloriousharmony.”
-JamesAbbottMcNeillWhistler

PerformanceNotes:

A) Timeandtemposhouldberelativetothedurationgivenforeachbar (exceptinthecaseofmeasures4and6wherethetempoisgiven). Performersareatlibertytofillthedurationinthewaytheyfeelisbestto utilizethematerialgiven.Additionally,thesedurationsareapproximations. Feelfreetotakemoreorlesstimeduringbarsifyoufeelitbestexpresses themusicalideaswritten.

B) Accidentalsdonotcarrythroughthemeasure.

C)Foreachcell(I-VIII)followthedirectionswrittenabove.

D)Thisistransposedscore,meaningtheBassClarinetiswrittenatwrittenpitch.

E)Allmultiphonicshavefingeringswrittenabove.Ifanyofthemultiphonics donotworkonyourinstrument,pleasereachouttomeandIwouldbe happytoprovidesomealternatives.

F) Ifyouhaveanyquestions,feelfreetoemailmeat gibson.mahnke@gmail.com!

NocturneinBlackandGoldwaswritten forTransientCanvasaspartoftheir residencyattheAlbaMusicFestival

Duration:7'

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Coverartwork:"NocturneinBlackandGold:TheFallingRocket"JamesAbbottMcNeillWhistler,1875
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Nocturne in Black and Gold - Gibson Mahnke by Gibson Mahnke - Issuu