GibsonMahnke

Ifwearetrees forSoloViolin
GibsonMahnke
Ifwearetrees forSoloViolin
GibsonMahnke(b.2004)
I.Radicis………..1
InterludeI………3
II.Truncus……..3
III.Rami………..5
InterludeII…….6
IV.Frondis……..7
Instrumentation
SoloViolin
Duration ca.13’
PerformanceNotes
1 LightBowPressure-I.Radicisbeginswithlightbowpressure Thisinvolvesbowing withverylightpressureinordertobringoutthenaturalharmonicsoftheopenstring. Thee ectshouldbelight,airy,andfocusontheresultantharmonicshimmers.Akey forbowpressurecanbeseenbelow:
l.b.pr.-LightBowPressure
ord.b.pr.-OrdinaryBowPressure
2 BowPlacementChanges-Someofthemostimportantaspectsofthispiecearethe timbraldi erencescreatedwhenmovingbowplacementwhileplaying.Special attentionshouldbegiventothisaspectofthemusic.Akeyforbowplacementscanbe seenbelow:
m.s.t.-MoltoSulTasto
s.t.-SulTasto
ord.-Ordinary
s.p.-SulPonticello
m.s.p.-MoltoSulPonticello
3 FingerPressure-InI Radicis,therearemomentswhereagradualchangefrom ordinary ngerpressuretoharmonicpressureiscalledfor.Thischangeshouldbe
gradual,anditis neifsomeofthenotesdonotspeakwhilethe ngerpressureisat half-harmonicpressure.Thistechniqueisnotatedasfollowing:
4. HarmonicGlissando-BothInterludesIandInterludesIIexploretheideaofthe harmonicglissando.Thise ectiscreatedbyperformingaglissandowithharmonic pressureandshouldfocusontheharmonicshimmerresultingfromthetechnique. Boththesemovementsshouldbeplayedentirelyonasingularstring(withexceptionto thedoublestopinmeasure6ofInterludeI).
5. MoltoSulTasto,MoltoFlautando-II.Truncuscallsforatechniquenotatedas“molto sultasto,molto autando”.Whenplayingfurtherandfurtheroverthe ngerboard, therebecomesapointwherethesoundhollowsoutandthetimbreoftheinstrument drasticallychanges.Doyourbesttomaintainthebowplacementandspeedto consistentlyworkwithinthistimbreintheportionsofthismovementmarked“molto sultasto,molto autando”.
Formoreinformation,see: http://www.shakennotstuttered.com/benedetto
“well,anoldstumpisgood forsittingandresting. Come,Boy,sitdown. Sitdownandrest.” Andtheboydid. Andthetreewashappy.
- TheGivingTree,ShelSilverstein
p the quietest volume that still allows harmonics to speak L i k e d e w d r i p p i n g f r o m l e a ve s ( q = 9 0 )