Georgina Rose Portfolio - July 2020

GEORGINA ROSE Part 1 BSc Architecture

email: rose_georgina@outlook.com mobile: 07833 325876

GEORGINA ROSE Part 1 Graduate

email: rose_georgina@outlook.com mobile: 07833 325876 Currently seeking 6-month placement from Aug/Sept 2020 until Jan 2021, before commencing Part 2 MArch studies at the University of Bath on 1st February 2021.

Post graduating, I have been using my time productively to complete the Passivhaus training course, begin self-teaching Revit and improve my hand-drawing.

ArchiCAD - since 2018 Sketchup - since 2015 AutoCAD - since 2016 Adobe CC (Ps, Id) - since 2016

2016

Year 1 University

2017

Year 2 University 2018 Vivid Architects Architectural Assistant, 7 mo.

05

Year 3 University

03 2019

Coombes Everitt Architects Architectural Assistant, 5 mo.

04 02

Year 4 University

2020

01

01

INCARCERATION - THESIS January 2020 - June 2020

The brief is for a Young Offender Institution for males aged under 21, focusing on rehabilitation rather than punishment.

The aim is that fair treatment, education and skill building will help vulnerable young people break free from cycles of habitual reoffending.

In the heart of Bristol, the proposed YOI on Spike Island is bound on two sides by bodies of water. Prisons are often located at a considerable distance from the urban realm, exaggerating their negative prejudice and inmate isolation.

The YOI presents a local, smaller scale prison for youths, providing access to support networks and also the wider community.

Blocks are zoned into public and private - with institutional spaces represented in timber and living spaces in red brick. Residents are grouped into small house blocks at a familiar dwelling scale and utilising vernacular domestic construction, such as brickwork and pitched roofs.

1. The building is the boundary wall

2. Break up to mimic everyday commute

3. Orientate views towards Harbour

4. Create views out of institution

Left: Scheme in context, between the River Avon and the Floating Harbour Card and 3d printing Above: Building functions are separated, mimicking the everyday commute between spaces in the ‘real world’ Pen on paper

River Avon

Floating Harbour

Left: Detailed section through house block ArchiCAD, with Photoshop additions Above: North-South section through house block, central kitchen garden and education block Pen on paper, with Photoshop additions

Below: South elevation ArchiCAD, with Photoshop additions Right: View along Cumberland Road ArchiCAD (rendered in CineRend), with Photoshop additions

Left: Library window seat detail ArchiCAD, with Photoshop additions Above: Library with views out to Floating Harbour and window seats Pen on paper, with Photoshop additions

02

BASIL SPENCE October 2019 - December 2019

In this multi-disciplinary group project, we set out to provide Filton not just an icon, but a beacon: a true flagship to draw visitors to the new Brabazon development from miles around.

The tower is a timber hyperboloid lattice, and provides office and ‘expo’ space for local start-up technology companies. A central 40m exhibition void can suspend artwork, including a model of the new development and an exploded Chinook Helicopter. The top of the tower houses a luxury bar and viewing platform with exclusive views over Filton, Bristol and beyond.

At the foot of the tower, a concrete building holds a range of facilities to serve the new Brabazon community, including a small music venue and lecture hall.

Left: The two buildings are united by a plaza Card, balsa and plaster Above: The plaza provides a marketplace and vibrant community space for the newly established neighbourhood Pen on paper

Above: The top of the tower is open air, providing a ramped viewing platform SketchUp model (rendered by teammate) Right: Detailed tower structure SketchUp model

03

A PROTEST IN VENICE November 2018 - January 2019

Venice is struggling with mass tourism and the subsequent expulsion of local people, who feel forgotten in the current climate. The building would act as a hub for locals comprising a multi-purpose activism space, library, boat workshop, medical facilities and shared co-housing flats.

The aim was for the building itself to become a protest.

Through the use of an interactive facade facing the campo, building occupants are given full control, choosing whether it is open or closed. The result was a low-tech approach in which low cost materials, uncommon to Venice, create a “blank canvas” for residents to make their own. Through the facade and function, the building will empower the local community and reclaim the campo (or ‘square’), responding against tourism in the overwhelmed Venice of the 21st century.

Above: On the East elevation, facing the campo, sliding/folding/rotating panels can be customised by locals with posters, banners, graffiti and the like ArchiCAD, with Photoshop additions (context modelled in SketchUp) Right: The scheme was developed into a concrete frame as a base, which could be infilled with various adaptable and moveable panels Card and balsa

Above: Original “Theatre of Anatomy” in Campo San Giacomo da l’Orio Pen on paper Right: New multi-use ‘activism’ building after original building has ‘burnt down’ ArchiCAD (rendered in CineRend), with Photoshop additions

Left: West-East detailed section through activism space ArchiCAD, with Photoshop additions Above: View of the proposal over the West canal: a “billboard� for protest ArchiCAD (rendered in CineRend), with Photoshop additions

line of existing patio

New patio

Glazed Curve and Stone

Scale bar 1:50 0

N

Sketch view of Proposed

t u f f , 4 P r o m e n a d e n h a m

1

2

3

Drawing title:

Proposed Ground Floor Plan - Option 1

Project:

Client:

Mrs Cullen Jones

Scale:

1:50 @ A1

Date:

June 2019

Drawn by: Project No:

GR

Checked:

19.10.010

JB

4

5

111 Charlton Lane, Cheltenham, Gloucestershire, GL53 9EE

Project / Drawing No:

SK011

coombes : everitt architects

ON THE PROMENADE

ON THE PROMENADE

1

E l e v a t i o n 100 Promenade

White Stuff (102-104 Promenade)

Gap (106 Promenade)

Imperial Lane

04

COOMBES EVERITT ARCHITECTS March 2019 - September 2019

During my time at Coombes Everitt in Cheltenham, I was involved in both commercial and residential projects, ranging from bespoke single dwellings to larger masterplans.

With projects around the Cotswolds and the South-West, I gained experience of design within conservation areas and historic listing requirements.

Modelling in SketchUp and in 2D and 3D in ArchiCAD, I worked in various stages, from Preparation to Construction, and preparing drawing sets which the I submitted in planning applications. I also experienced working with BIM in collaboration with others in shared ArchiCAD files and attended meetings on site. I also created promotional marketing material for the company using Adobe CC Suite for events and online.

05

VIVID ARCHITECTS February 2018 - September 2018

During my 7 months at Vivid Architects Ltd in Worcester, I was mainly involved in residential projects, in particular a housing scheme for four 3-bed units. This was inspired by the vernacular ‘barn’ style, utilising a local material palette. I modelled the site and buildings in ArchiCAD and produced a full set of planning drawings for submission, meeting the clients throughout the process. This included several 3D visuals and diagrams for the Design and Access statement.

06

HOBBIES & INTERESTS

In my spare time, I enjoy exploring my creativity through painting. I have spent lockdown, improving my handsketching and have a keen interest in music, playing the saxophone, clarinet and am currently learning the ukulele.

Through my role of Media and Marketing Representative on the University of Bath ACE (Architecture and Civil Engineering Society) Committee, I designed advertisements for both educational and social events and managed the society social media and website.

In the past few weeks I have completed the Passivhaus training course and hope to work for a practice that shares my passion for sustainability.

Above: Brushwork inspired by Kurt Jackson and use of colour by the Fauvism movement Acrylic on canvas

GEORGINA ROSE rose_georgina@outlook.com