Musical Instruments - 13th June 2025

Page 1


Friday 13th June 2025 at 11am

VIEWING

Friday 6th June 2025 - 9:15am - 5pm

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Friday 13th June 2025 - 9:15am-11am

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CONDITION GUIDANCE

Comments on condition and originality in descriptions are our opinion only and not necessarily fact. Buyers that cannot view in person are encouraged to ask for a condition report and/or images before placing any kind of bid.

ENQUIRIES

01225 812912 or email: auctions@gardinerhoulgate.co.uk

10th, 11th, 12th, 13th & 16th June 2025

Friday 13th June 2025 at 10am

Antique & Classical Guitars

1601.

Asturias John Mills Model classical guitar, made in Japan; Back and sides: rosewood, hairline crack to centre back lower bout and another to the back edge near to bass side waist, some lacquer clouding; Top: cedar, hairline crack to lower bout; Neck: mahogany with ebony reinforcement; Fretboard: ebony; Frets: good; Overall condition: fair

£120-180

1602.

Manuel Rodriguez Model C electro-acoustic classical guitar, made in Spain; Back and sides: Indian rosewood; Top: cedar, a few light dings to treble side; Neck: cedar, two dings behind first fret position; Fretboard: ebony; Frets: light tarnishing, otherwise good; Case: hard case; Overall condition: very good

£200-300

1603.

1981 Cuenca 110 classical guitar, made in Spain; Back and sides: Indian rosewood; Top: cedar, half inch knock mark to the upper left bout, a few other minor dings; Neck: cedar; Fretboard: ebony; Case: Esteve hard case; Scale length: 650mm; Nut width: 52mm; Overall condition: good

£400-600

1604.

Manuel Contreras classical guitar, made in Spain; Back and sides: light scratches and dings throughout; Top: cedar, plectrum and other wear to treble side, various other dings; Neck: cedar, scratches and other marks; Fretboard: ebony; Frets: generally good, some oxidisation to upper frets; Case: soft bag; Scale length: 650mm; Nut width: 54mm; Overall condition: good for age

£250-350

1605.

1981 Alhambra 8C classical guitar, hand made in Spain; Back and sides: Indian rosewood; Top: solid red cedar, no scratches, and only three minor dings to top only; Neck: ebony reinforced cedar; Fretboard: ebony; Frets: good; Case: fitted hard case; Overall condition: Excellent

*Singleoneownerfromnew

£400-600

1606.

1967 Rokkomann N-8 classical guitar, made in Japan; Back and sides: laminated rosewood; Top: natural spruce, various minor dings; Neck: cedar, small infill repair to centre; Fretboard: rosewood; Frets: good; Case: period hard case; Overall condition: fair £50-100

1607.

1984 R.E. Spain classical guitar, made in Poole, England; Back and sides: Indian rosewood, light surface scratches, small 2" hairline to right hand side of upper bout; Top: natural spruce, light play wear to treble side, a few further dings; Neck: cedar, light dings; Fretboard: ebony; Frets: light tarnishing; Case: fitted hard case; Scale length: 665mm; Nut width: 54mm; Overall condition: good for age £150-250

1608.

2012 Edward Hall Torres Model classical guitar, made in England; Back and sides: Indian rosewood, lacquer checking throughout, surface scratches and other marks; Top: natural spruce, lacquer cracking; Neck: cedar, lacquer checking throughout; Fretboard: ebony; Frets: good; Hardware: good; Scale length: 650mm; Nut width: 54mm; Overall condition: good £150-250

1603
1605
1609 (See page 5) 1612 (See page 5) 1615 (See page 5)

1609.

2011 Yulong Guo chamber concert guitar, made in China; Back and sides: Indian rosewood with central figured maple stripe; Top: double top cedar, a few light dings; Neck: mahogany with ebony reinforcement; Fretboard: ebony; Frets: good; Case: original hard case with original spec documents; Scale length: 650mm; Nut width: 52mm; Overall condition: good £1200-1800

1610.

1989 Manuel Rodriguez Model C classical guitar, made in Madrid, Spain; Back and sides: Indian rosewood; Top: Canadian cedar; Neck: cedar with ebony reinforcement; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case; Overall condition: very good £200-400

1611.

Interesting nylon string guitar with bowl rosewood back and sides and spruce top (hairline crack to lower bout), with 650mm scale and 52mm nut width, within Ritter gig bag £150-250

1612.

Milestones of Music La Espagna classical guitar, made in China; Back and sides: Indian rosewood; Top: aged cedar; Neck: cedar; Fretboard: ebony; Frets: good; Case: original hard case; Scale length: 650mm; Nut width: 52mm; Overall condition: good £1200-1500

1613.

1997 Francisco Vico Molina classical guitar, made in Malaga, Spain; Back and sides: Indian rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Case: hard case; Scale length: 645mm; Nut width: 52mm; Overall condition: very good

£300-500

1614.

El Castillo M-3 classical guitar, made in Madrid, Spain; Back and sides: Indian rosewood; Top: natural cedar, a few minor dings; Neck: cedar; Fretboard: ebony; Frets: good; Case: fitted hard case; Scale length: 655mm; Nut width: 54mm; Overall condition: good £300-500

1615.

Armin Hanika Flamenco KF guitar, made in Germany; Back and sides: European cherry; Top: solid spruce; Neck: alder with ebony reinforcement; Fretboard: Grenadilla; Frets: good; Case: gig bag; Scale length: 650mm; Nut width: 50mm; Overall condition: good

£600-800

1616.

Armin Hanika 58PF classical guitar, made in Germany; Back and sides: Indian rosewood; Top: natural spruce; Neck: cedro with ebony reinforcement; Fretboard: African blackwood; Frets: good; Scale length: 650mm; Nut width: 52mm; Case: padded gig bag; Overall condition: very good

£700-900

1617.

Paulino Bernabe E-8 classic guitar, made in Spain; Back and sides: Indian rosewood, surface scratching to centre back, various minor dings to sides; Top: cedar, various minor dings, refinished; Neck; cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: Just In Case hard case; Overall condition: good £400-600

1616
1624 (See page 6)
1625 (See page 6)
1626 (See page 6)

1618.

1970s Giannini GN50 nylon string guitar, made in Brazil; Back and sides: mahogany, surface scratches and dings but generally acceptable for age; Neck: mahogany, later strap button installed to neck heel side; Fretboard: Brazilian rosewood; Frets: good; Hardware: good; Case: soft bag; Overall condition: good for age

*SoldwithUKnon-transferrableCITESA10certificateno.

25GBA105T59Y2(domesticuseonly)

£200-300

1619.

Epiphone by Gibson C50 classical guitar, made in Korea, laminate rosewood back and sides and spruce top, various imperfections; together with a Peavey Composer AC nylon string guitar (2)

£50-100

1620.

1964 Levin LFL-7 nylon string classical guitar, made in Sweden; Back and sides: figured maple, light checking throughout; Top: natural spruce, checking, lifting to belly around bridge area; Neck: mahogany, checking and scuffs; Fretboard: ebony; Frets: good; Case: period semirigid fibreboard case; Overall condition: fair

£200-400

1621.

Admira Virtuoso EC electro-acoustic classical guitar, with Kinsman gig bag

£80-120

1622.

Raimundo Model 128 classical guitar; Back and sides: rosewood, light clouding to upper back, a few surface scratches otherwise generally good; Top: natural spruce; Neck: mahogany, minor dings; Fretboard: ebony; Frets: light wear, oxidisation to upper frets; Case: Chord hard case; Overall condition: good

£80-120

1623.

1968 Taurus classical guitar, made in Spain; Back and sides: Indian rosewood, light marks; Top: cedar, many dings and scratches throughout; Neck: cedar; Fretboard: ebony; Frets: mild wear; Hardware: good; Case: Hiscox hard case; Overall condition: fair £50-100

1624.

1988 Andrew Dickinson classical guitar, made in Chichester, England; Back and sides: three piece Indian rosewood back, light surface marks and dings, a few light dings to sides; Top: spruce, light play wear; Neck: cedar, light wear; Fretboard: ebony; Frets: good; Case: Hiscox hard case; Nut width: 52mm; Sound length: 650mm; Overall condition: good £500-800

1625.

1993 David Whiteman classical guitar, made in Brighton, England; Back and sides: Brazilian rosewood, repaired crack to bass side waist, further repaired crack to body end, various surface marks; Top: spruce, light play wear to treble side; Neck: cedar, light marks and wear; Fretboard: ebony; Frets: good; Hardware: good quality gold plated tuning strips; Scale length: 650mm; Nut width: 52mm; Case: compressed foam case; Overall condition: good for age

*SoldwithUKnon-transferrableCITESA10certificateno. 25GBA10MVG7GG(domesticuseonly)

£800-1200

1626.

2002 Amalio Burguet Negra classical guitar, made in Spain; Back and sides: Indian rosewood, light marks and dings; Top: natural spruce with clear golpeador plate, light scratches; Neck: cedar; Fretboard: ebony; Frets: light wear; Case: soft bag; Overall condition: good

£500-800

1627.

Cordoba Fusion Series 12 Maple electro-acoustic nylon string guitar; Back and sides: maple; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Overall condition: very good

£250-350

1628.

Hofner small bodied classical guitar in need of some attention; together with a Ricardo Quiles Ballester classical guitar (2)

£50-100

1629.

1960s Manuel Contreras classical guitar, made in Spain; Body: natural spruce top upon stained back, scratches and general play wear throughout; Neck: cedar, light wear; Fretboard: rosewood; Frets: good; Hardware: missing D tuner button; Case: original soft bag; Scale length: 660mm; Nut width: 52mm; Overall condition: fair

£200-300

1630.

Admira F4 Flamenco guitar, within Manson Guitars gig bag

£80-120

1631.

1976 José Ramirez Tomas Model 2C classical guitar, made in Spain; Back and sides: laminated mahogany, small repair to lower back towards edge; Top: cedar, slight lifting behind bridge, a few minor dings; Neck: cedar; Fretboard: rosewood; Frets: light wear; Case: Hiscox hard case; Overall condition: fair

£200-300

1632.

Ryoji Matsuoka M20 classical guitar, made in Japan; Back and sides: laminated rosewood; Top: natural cedar, minor dings and scratches; Neck: cedar; Fretboard: rosewood; Frets: tarnishing throughout; Case: fitted hard case; Overall condition: good

£100-200

1633.

2007 David Rouse classical guitar; Back and sides: Amazon rosewood and cypress laminate; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good, Rogers tuning strips; Case: Hiscox hard case; Scale length: 650mm; Nut width: 54mm; Overall condition: very good

£2000-3000

1634.

Ibanez Andorra Classic Recital GAF50 Flamenco guitar, made in Japan, with original hard case

£80-120

1635.

1980 Michael Vanden classical guitar, made in England; Back and sides: Indian rosewood, a few light scratches otherwise very good; Top: Swiss pine, light marks; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good, Schaller machine heads; Case: Ibanez hard case; Scale length: 650mm; Nut width: 52mm; Overall condition: very good

*ArareearlyconcertguitarmadebyrenownedBritishluthier MichaelVanden

£800-1200

1636.

Sierra Model 600 classical guitar, made in Japan; Back and sides: mahogany, light scratches and dings throughout; Top: natural spruce, many dings and scratches; Neck: mahogany, dings and marks; Fretboard: rosewood; Frets: light wear; Hardware: good; Overall condition: fair

£50-80

1998 Rohan Lowe classical guitar, made in Lewes, England; Back and sides: Indian rosewood, light patch of rubbing to treble side lower bout, further minor marks; Top: natural spruce, light play wear, small surface hairline to treble side of sound hole, further minor dings and scratches; Neck: cedar; Fretboard: ebony; Frets: light wear; Scale length: 650mm; Nut width: 52mm; Overall condition: good

£1000-2000

1638.

2004 Luthier L-66 electro-acoustic classical guitar, made in Spain; Back and sides: Indian rosewood, various surface scratches and dings throughout; Top: natural cedar, hairline cracking to bass side of lower bout; Neck: cedar; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Overall condition: fair

£100-200

1639.

Early 19th century classical guitar, labelled D. Julian Gomez Ramirez...Paris...1919; Back and sides: walnut, repaired hairline cracks to back; Top: spruce, repaired cracks and general wear; Neck: cedar, neck reset; Fretboard: ebony, groove wear to first position; Frets: good, refret, brass frets; Scale length: 625mm; Nut width: 46mm; Overall condition: fair

£2500-3500

1640.

Levin for Martin LG-8 nylon string guitar, made in Japan; Back and sides: laminate mahogany, various scratches and other marks; Top: natural spruce; Neck: mahogany, minor dings; Fretboard: rosewood; Frets: good; Overall condition: good; together with an old nylon string guitar branded Benigno Diaz Diaz to the inner back (2) £100-200

1637.
1633 1637 1639 1643 (See page 8) 1645 (See page 8)

1641.

1991 David Oddy classical guitar, made in Exeter, England; Back and sides: walnut, crack opening to bass side of centre - upper bout, further minor dings; Top: natural spruce, light checking and other minor marks; Neck: cedar; Fretboard: ebony; Frets: good; Scale length: 650mm; Nut width: 52mm; Overall condition: fair £500-800

1642.

B&M Classical Guitar, made in Spain £20-40

1643.

1981 Bill Dinsdale classical guitar, made in England; Back and sides: Indian rosewood, hairline to centre seam; Top: natural spruce, small ding behind bridge; Neck: mahogany, slight V profile; Fretboard: ebony; Frets: good; Scale length: 650mm; Nut width: 52mm; Case: fitted hard case; Overall condition: very good £600-1000

1644.

Antique Pedro Alvarez 'Pineapple' guitar in need of restoration; Back and sides: rosewood, hairline crack to back, many scratches and marks; Top: natural spruce, checking and general play wear; Neck: ebonised, slight bow and leaning forward/action high and requires investigation; Hardware: generally good; Overall condition: in need of attention £80-120

1645.

The Granary Collection - 1967 Manuel Contreras classical guitar, made in Madrid, Spain; Back and sides: Indian rosewood; Top: spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Hardware: engraved brass tuners with pearloid buttons; Nut width: 55mm; Scale length: 657mm; Case: original hard case

*FromTheGranaryCollection.Thisguitarfeaturesontracksixteenof GranaryGuitars''TheSoundofSpain'album,playedbyDavidMerrin. ListentoTheSoundofSpaintrackhere:https://tinyurl.com/ manuelcontreras.ThisguitarisoftheerawhenContreraswasbuilding intheSpanishstylewithstandardconstruction.Thisguitarhasan exceptionaltreblewithgoodresponse.Conditionnotes:generallyin goodconditionwitharepairedcrackinthetablethatwascarriedoutby Contrerashimself.Otherwise,theguitarhasminorsurfacemarksand dingsastobeexpectedforausedguitarofthisage £1800-2200 1646.

The Granary Collection - 1956 Domingo Esteso classical guitar, labelled VDa y Sobrinos De Domingo Esteso, Construccion de Guitarras, Gravina 7. Madrid, (signed and dated); Back and sides: Indian rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Hardware: engraved plated tuners with oval buttons; Nut width: 52mm; Scale length: 650mm; Case: original hard case

*FromTheGranaryCollection

TheworkshopofthefamousguitarmakerDomingoEstesowascarriedonbyhiswidowandnephewsafterhediedin1937.Theyproclaimedthis continuationonthelabelandworkedoutofthesameworkshop,thisafineearlyexampleofaclassicalguitar.Conditionnotes:minorripplingtothe topbehindbridge.Smallhairlinestoeithersideofthefretboardwouldsuggestapossibleneckresetatsomestage.Evidenceofrefinishing.Somelight marksanddingsaround,asexpectedforausedguitarofthisage.Otherwise,appearingingoodcondition £3000-5000

1646
1647
1650 (See page 9)
1652 (See page 9)

1647.

The Granary Collection - 1926 Julian Gomez Ramirez child's guitar, label hand signed with 'Alla Graziosa Bambina, Celestina Arlotti, in Ormaggio e Ricorda, Julian Gomez Rodriguez, anno 1926, Luthier, Paris, 33 Rue Rodiez, 38'; (‘To the pretty little girl, Celestina Arlotti, a gift to remember’, Julian Gomez Ramirez); Back and sides: cypress; Top: spruce; Neck: cedar; Fretboard: rosewood; Frets: nickel; Tuners: brass tuners inscribed 'Rance'; Nut width: 46mm; Scale length: 465mm; Case: soft bag

*FromTheGranaryCollection.SoldwithanimageofCelestinaArlotti holdingtheguitarandthoughttobefromthetimeshewaspresented withit.Conditionnotes:varioushairlinecrackspresenttobody, althoughappearsfreeofanythingmajor.Twohairlinecracksvisibleto lowerboutbackandanothertotheupperboutacrossfromthecentre. Thesidesappearcrack-free.Thetophasahairlinecrackbetweenthe bridgeandsoundholejustofffromthecentreseamandalsohas hairlinecrackseithersideandthelengthofthefingerboard.The fretboardshowingsignsofuseandthefretsareingoodcondition althoughappeartobealaterrefret.Scratchesandothermarksare presentastobeexpectedfortheage

£1500-2500

1648.

The Granary Collection - Interesting 19th century small bodied guitar labelled José Linares...; Back and sides: mahogany, large cracks to back, some hairlines and restored, one larger opening crack; Top: natural spruce with ebony scroll inlay, repaired hairlines, evidence of bridge adaptions; Neck: ebonised with shaped long head and friction pegs (one peg missing); Fretboard: rosewood, light wear; Frets: brass, worn; Nut width: 45mm; Scale length: 560mm

*FromTheGranaryCollection

£500-800

1649.

19th century Haynes Excelsior acoustic guitar with internal William B. Tilton's Improvement Design, made in Boston, Massachusetts, USA; Back and sides: rosewood, various surface scratches and marks, small hairline to treble waist beside table, small hairline split to shoulder by neck heel; Top: natural spruce, hairline to centre top, other light wear; Neck: mahogany with V profile, reset, minor blemishes; Fretboard: rosewood; Frets: good, refret; Hardware: engraved brass tuners with bone buttons; Scale length: 620mm; Nut width: 45mm; Overall condition: fair

£200-400

1650.

Fine French boat shaped guitar labelled J.P. Michelot...Paris, 1767, six strings converted from possibly four or five double courseswith adapted head, circa 1800; Back and sides: figured maple with tapering sides, in good condition aside from general wear and two small visible hairlines; Top: natural spruce, various repaired cracks and showing signs of general wear, centre bridge section replaced with six course ebony bridge block, sound hole with architectural rosette; Neck: ebonised, repairs to length of neck, reshaped and re-grafted head with friction tuners; Fretboard: ebony; Frets: twelve brass frets running into the table; Case: contemporary Boston hard case; Scale length: 590mm; Nut width: 48mm; Overall condition: good for age

*IvoryexemptionsubmissionreferenceTGGD75SY Bearingarestorationlabeltotheinnerbackinscribed'Restored byPeterC.Kilhams,Holybourne,Hampshire,1980'.Foundinan Aberdeenshirefarmsteadatticaroundthelate1970sandwas restoredbyPeterKilhamsshortlyafter.ThereisknownFrench immigrationwithinAberdeenshireduringtheFrenchRevolution, makingitpossiblethatthisguitartraveledtoScotlandwitha FrenchFamilyduringthistime. Jacques-PierreMichelotworked circa.1760-1800inParis,France.Heestablishedhisworkshopat thesign‘AlaMélodie’,rueSt-Honoré.Hewaschieflyaguitarand lutemakerbutalsomadeinstrumentsoftheviolinfamily.Theboat shapedbodyistypicalofthemakeranditisthoughtthatthestring conversioncouldhavebeencarriedoutbythemakercirca1800. Anotherguitarbythemaker,circa1775,thatwasgiftedtoMarieAntoinettebyKingLuisXVIsoldatauctionfor€78,000in2022. £1500-2500

1651.

19th century Dutch small bodied guitar; Back and sides: ebonised, repaired crack running diagonally through the length of back; Top: spruce, repaired hairlines between bridge and body end; Neck: ebonised; Fretboard: stained maple, wear throughout; Frets: wear throughout, refret; Scale length: 620mm; Nut width: 42mm; Case: compressed foam case; Overall condition: fair

£40-60

1652.

Interesting French guitar, circa 1830, with indecipherable brand to the inner back; Back and sides: maple some separation at edge binding; Top: fine grained spruce, hairline parting to centre, one other minor hairline, some raising and loss to mastic edging, shrinkage/ageing to sound-hole fretwork; Neck: ebonised; Fretboard: ebonised; Frets: worn, frets tapering onto table (last fret missing); Hardware: missing bridge pins, friction tuning pegs; Case: period ebonised wooden case; Scale Length: 650mm; Nut width: 46mm; Overall condition: good for age

*Inheritedbythevendorthroughfamilydescent.Soldwitha Stainerreceiptlisting'oneoldFrenchguitar,woodencase',date 17thDecember1917

£1000-2000 END OF SALE

The Musical Instrument Auction

Friday 13th June 2025 at 11am

Musical Instruments

2501.

For restoration/spares: three various Lachenal concertinas and another unnamed concertina, cased (4)

£60-100

2502.

Two Wheatstone Tutor system treble concertinas, each with fortyeight bone buttons on pierced rosewood ends and four-fold bellows (2)

£150-250

2503.

George Jones Anglo concertina in C/G pitch, with thirty-four metal buttons on pierced rosewood ends, six-fold bellows, case; also a German twenty button concertina with pierced rosewood ends and five-fold bellows, case (2)

£200-400

2504.

Wheatstone Mayfair English concertina, with thirty-six bone buttons on pierced mahogany ends, five-fold bellows and accordion reeds, case; also another unnamed concertina with thirty-five metal buttons on foliate pierced ends, six-fold bellows, case (2)

£150-250

2505.

Lachenal & Co Tutor system model concertina, with forty-eight bone buttons on pierced rosewood ends, no. 42705, five-fold bellows, case; also another George Case Tutor system model concertina with fortyeight bone buttons on foliate pierced dark wooden ends, four-fold bellows, within an inlaid walnut case (2)

£150-250

2506.

Lachenal & Co Crane Duet concertina, with thirty-five bone buttons on foliate pierced rosewood ends, five-fold bellows

£100-150

2507.

Lachenal & Co MacCann Duet concertina, with forty-six bone buttons on foliate pierced rosewood ends, six-fold bellows, case

£150-250

2508.

Lachenal & Co Excelsior concertina, with forty-eight metal buttons on foliate pierced rosewood ends, also inlaid with foliate motifs and fitted with a handbar, five-fold bellows, case

£300-500

2509.

Rock Chidley Tutor system model concertina, with forty-eight ivory buttons on foliate pierced rosewood ends, four-fold bellows

**IvorysubmissionreferenceTCAC662Z

£100-150

2508
2510 (See page 13)

2510.

English treble concertina probably by Scates, with forty-eight metal buttons on foliate pierced rosewood ends, five-fold bellows

£200-300

2511.

Rock Chidley baritone concertina, with forty-eight glass buttons on foliate pierced rosewood ends, five-fold bellows, case

**Thisconcertinaismissingthebaffles

£200-400

2512.

Good Lachenal & Co double reeded concertina in C/G, with riveted action and thirty metal buttons on foliate pierced metal ends, eightfold bellows, case

£600-800

2513.

George Case baritone concertina, with military style brass bound ends and forty-eight ivory buttons on foliate pierced rosewood ends, six-fold bellows, case

**IvorysubmissionreferenceJC59D9MK

£300-500

2514.

Good Wheatstone concertina possibly with a Jeffries Duet system, with sixty-six metal buttons on foliate pierced metal ends, bearing the C. Wheatstone & Co plaque inscribed Inventors, Patentees & Manfcts, Concertinas & Aeolas, London, no. 29612, eight-fold bellows, original leather case

**ThisconcertinaissoldwiththeoriginalpurchasereceiptfromC. Wheatstone&CoofLondondated30thJan1923for35pounds

£600-1000

2515.

Wheatstone baritone concertina, with forty-eight metal buttons on foliate pierced ebonised ends, ser. no. 26467, with seven-fold bellows

£600-800

2516.

Shakespeare Anglo concertina in B flat and F sharp pitch, with thirtyone metal buttons on later foliate pierced aluminium ends, steel reeds and six-fold bellows, case

£300-500

2517.

Lachenal & Co McCann system Duet concertina, with fifty-five metal buttons on foliate pierced metal ends, seven-fold bellows, case

£300-500

2518.

Lachenal & Co Anglo concertina in C/G pitch, with thirty-two bone buttons on foliate pierced metal ends, steel reeds and six-fold bellows, case

£600-900

2513
2514

2518 (See page 13)

2519.

Interesting and rare early Wheatstone concertina (circa 1840), with thirty-two ivory buttons on mahogany ends fitted with brass thumb plates, bearing the Wheatstone oval plaque inscribed By His Majesty's Latters Patent, C. Wheatstone, Inventor, 20, Conduit St, Regent St, London, no. 875, with four-fold bellows, case **Ivorysubmissionreference24RVHCWQ £400-800

2520.

Baby Tanzbar mechanical concertina bearing the manufacturer's trademark triangular transfer printed label, with twelve-fold bellows and black & white plastic veneered ends; also with eleven various tune rolls

**ThisinstrumentissoldwithapurchasereceiptfromA.C.Norman& Codated14th/10/24andsomeplayinginstructions

£200-400

2521.

Banjo mandolin, unnamed, with Dallas style birds eye maple resonator, 8" skin, case

£80-120

2531 (See page 15) 2532 (See page 15)

2522.

Rare Barnes & Mullins eight string mandolin banjo, with 12" skin, mother of pearl dot markers to the fingerboard and open peg box surmounted by a lozenge with circular inset plaque inscribed Barnes & Mullins, London W., case

£100-150

2523.

Barnes & Mullins ukulele banjo, with pearloid resonator and sides, scalloped rim, 11" skin, stamped Barnes & Mullins, London to the side of the heel, case

£100-150

2524.

Good banjo mandolin, unnamed, the rosewood resonator inlaid with a large star within chevron and green line banding, with 11" skin, geometric mother of pearl inlay to the fretboard and head, case

£200-300

2525.

Abbot five string open back Weaver type banjo, with 10.5" skin, stamped W.G. Davis, 6 Felbrigge Rd, 7 Kings to the heel, case; also a J.G. Winder five string open back fretless banjo in need of restoration stamped J.G. Winder, no. 668 on the perch pole, with 12" skin, case (2)

£100-150

2526.

John Alvey Turner seven string open back banjo, with 11" skin, stamped on the heel John Alvey Turner, 35 Bishopsgate St, London, case; also another five string open back banjo in need of restoration, stamped Manufactured by Lyon & Healy, Chicago, U.S.A. on the perch pole, with 11" skin, case (2)

£80-140

2519

2528.

S.S. Stewart five string open back banjo, bearing the maker's plaque and stamped no. 16760 on the perch pole, with 10.5" skin, foliate carved heel and mother of pearl star and crescent inlay to the fretboard and shaped head, case

£60-100

2529.

Clifford Essex & Son 'Popular' four string banjo, bearing the maker's plate screwed to the perch pole and stamped no. 0868, with mahogany banded resonator, 11" skin and geometric mother of pearl inlay to the fretboard, case

£120-180

2530.

Windsor no. 4 zither banjo in need of restoration, with rosewood veneered body, oval trade metal plate screwed to the back of the heel, stylised mother of pearl inlay to the fretboard and stamped no. 4 to the open peg box, case

£40-80

2531.

Clifford Essex Paravox four string banjo, the birds eye maple resonator inlaid to the back with a star, with chevron banded sides, 11" skin and geometric mother of pearl foliate inlay to the fretboard and shaped head, bearing the manufacturer's plate screwed to the back of the headstock, case

£400-600

2532.

Bacon & Day 'Silver Bell' four string banjo, with mahogany boxwood banded resonator, 11" skin and geometric mother of pearl inlay to the fretboard, the shaped head inlaid with the maker's monogram and inscribed 'Silver Bell', case

£400-600

2533.

A. Weaver five string open back banjo stamped A. Weaver, Maker, London, W.C. on the perch pole, with 11" skin, mother of pearl dot inlay to the fretboard and inset silvered shield to the shaped head, case

£120-180

2534.

Five string banjo, unnamed, with mahogany faux ivory banded resonator, 11" skin, geometric floral mother of pearl inlay to the fretboard and head, case

£150-250

2535.

2527.

S.S. Stewart Thoroughbred five string open back banjo, bearing the maker's plaque and stamped with the maker's name and no. 16090 on the perch pole, with 11.5" skin, foliate carved heel and mother of pearl inlaid shaped head, case (restored)

£50-80

Clifford Essex Boudoir Grand C.E. Special five string open back banjo, bearing the Clifford Essex & Co trademark plate fitted to the perch pole, with 11" skin, geometric mother of pearl floral inlay to the fretboard and inset with a silvered shield to the shaped headstock, case

£250-350

2533
2536 (See page 16)
2537 (See page 16) 2538 (See page 16)

2536.

Good Paramount William Lange Style B four string banjo, bearing the maker's trademark plaque fixed to the inside pot wall and stamped no. 8518 on the perch pole, with 11.25" skin, mother of pearl geometric inlay to the fretboard and shaped head inscribed Paramount, Wil. Lange Style B, case

£300-500

2537.

Good Clifford Essex Paragon four string plectrum banjo, bearing the maker's trademark silver plate fixed to the perch pole stamped no. 1472, with birds eye maple banded resonator, 11" skin, fine engraved stylised mother of pearl inlay to the fretboard and head, inlaid with a silvered shield inscribed Paragon to the centre of the headstock, case

£600-900

2538.

Good Clifford Essex Paragon five string banjo, bearing the maker's trademark silvered plaque fixed to the perch pole and stamped Paragon, 195, with maple banded resonator, 11" skin and fine engraved stylised mother of pearl inlay to the fretboard and head, inlaid with a silvered shield inscribed Paragon, case

£600-900

2538A.

Clifford Essex Regal four string banjo, with rosewood and mahogany inlaid banded resonator, 11" skin, stylised geometric mother of pearl foliate inlay to the fretboard and inscribed Regal on the shaped head, hard case

£150-250

2539.

Four various banjos: Gibson Kalamazoo tenor banjo, Dallas tenor banjo and two five string banjos by John Grey & Sons of London Dallas (4)

£60-100

2540.

Interesting old seven string zither banjo with nickel banded rosewood resonator, the back inserted with a disc inscribed S. Rose & Co, Bombay, with 9" skin, inset screw heads and open peg box

£50-80

2541.

W.F. Wilbert fretless five string banjo, stamped twice on the perch pole, Maker W.F. Wilbert, with 12" skin and mother of pearl dot and star inlay to the fretboard, associated case

£70-100

2542.

Modern Ashbury banjolin with 11" skin; also a tenor open back banjo stamped Hawkes & Son, London to the heel, with 10.5" skin, open peg box and pronounced lozenge head finial (2)

£60-100

2551 (See page 17)

2543.

2552 (See page 17)

Modern Troubadour labelled bouzouki; also a Keech long scale ukulele bearing a paper label inscribed Model A no. 1202, Sole Distributors, John E. Dallas & Sons, Ltd... and signed on the label, case (at fault) (2)

£60-100

2544.

Contemporary mandola, unlabelled, with satinwood back and sides, spruce table and an open peg box; also a Romanian mandolin with pear shaped body and banded spruce table (2)

£40-80

2545.

Modern Ashbury pear shaped mandolin labelled Ashbury, Model no. GP-31238..., case; also an old Broadway silver plated trumpet with mouthpiece and two mutes, case (2)

£60-100

2546.

Three Wheatstone English concertinas, each with forty-eight buttons on pierced rosewood ends, five-fold bellows and wooden cases (3) (all at fault)

£300-500

2564 (See page 18)

2547.

Modern Fender tenor ukulele, ser. no. 0115017075, soft case; also a modern Reiner Guitars tenor ukulele labelled Hand Crafted Instruments by Albert Deakin, no. 34, soft case, an Ozark balalaika, soft case and a Kronenzither with instruction books (4)

£60-100

2548.

Modern Spanish bandura labelled Constructor de Guitarras, Joan Castti Mira...Mod. 5 Serie 0708 and signed on the label, with rosewood back and sides, spruce table and open rosewood head

£80-140

2549.

Pilgrim Celtic Dawn octave 100 Mandola, with dark wood faux ivory banded back and sides, chevron banded spruce table, original soft case

£80-140

2550.

Portuguese Fado twelve string guitar, labelled Guitarras Artis, Concerto Artesanal, Modelo Luxo and signed on the label, with faux ivory banded rosewood back and sides and chevron banded spruce table, hard case

£100-150

2574 (See page 18)

2551.

Good Victorian rosewood duet music stand, the twin ledges with rectangular solid centres enclosed by pierced stylised geometric foliate fretwork, supported upon a fluted and turned column to the circular base raised on four lion paw feet

£150-250

2552.

Good Victorian mahogany adjustable duet music stand, the twin lyre ledges supported upon a turned and fluted column and three curving foliate carved legs

£300-500

2553.

Good soprani ukulele tweed case, a baritone ukulele case, KOKI concert ukulele hard case (as new); also a Brunswick concert ukulele with Welsh flag body and a Melody Maker Auto-chord children's banjo, both in original boxes (5)

£60-100

2554.

Four Barnes & Mullins different size ukuleles, with spalted maple back and sides and solid spruce tops, including a baritone, tenor (unbadged manufacturer's sample), concert and soprano, all cased (4)

£100-200

2555.

Lanikai tenor ukulele with koa wood body, Model no. CK-T, case; also a Lanikai concert ukulele with koa wood body, Model no. CK-C, both cased (2)

£40-80

2556.

Barnes & Mullins 'The Bowley' soprano ukulele, hard case; also a LAG Thinline soprano ukulele with solid koa wood body, soft case (2)

£30-50

2557.

Samick baritone ukulele, with solid cedar top and rosewood back and sides, labelled, Model no. UK-70B, ser. no. SI40604029, hard case

£50-80

2558.

Custom built electric cigar box ukulele, with 1950s cigar box body inscribed Robina, no. 10, De Luxe with later neck and head, soft case

£30-50

2559.

1950s banjolele, with faux ivory banded resonator, 8" skin and stylised mother of pearl geometric inlay to the fretboard and head, soft case

£50-80

2560.

Vintage banjolele, with faux ivory mahogany banded resonator, 8" skin, geometric mother of pearl inlay to the fretboard and shaped head, semi-rigid case

£40-70

2561.

The Epiphone F-Style mandolin labelled Epiphone, Model MM-50VS, Serial DW06070119, with sunburst body, scrolled table shoulder and headstock, semi-rigid case

£100-150

2562.

Fender mandolin labelled Fender FM-52E, CD11050115..., sunburst finish, hard case

£100-150

2563.

Neapolitan twelve string mandolin labelled Carlo Ricordo, Napoli, N.1000/8..., with rosewood bowl back, spruce table and faux tortoiseshell scratchplate, case; also an old flatback pear shaped mandolin, unnamed, associated case (2)

£80-140

2564.

Rare Gibson F2 mandolin circa 1908 bearing the Standard Gibson Guarantee label inscribed Gibson Mandolin Style F-2, number 10136..., with faux ivory banded walnut back and sides, stained spruce table, scrolling shaped body, mother of pearl dot inlay to the fretboard, bearing 'The Gibson' inlaid headstock logo, with original mother of pearl foliate inlaid pegs and original hard case

£2000-3000

2565.

Harley Benton five string banjo, with mahogany banded resonator, 11" skin, soft case; also a Martin Smith classical guitar, model no. W-400SB-PE, soft case and a Settimio Soprani one hundred and twenty bass piano accordion with four switches, black finish, case (3)

£60-100

2566.

Modern Neapolitan mandolin labelled Matsikas, Handmade Musical Instrument, Model no. 1, Made in Greece..., hard case; also an unnamed four string banjo with 10.5" skin, case (2)

£50-80

2567.

Gremlin mandola, with mahogany back and sides, spruce table and foliate decorated scratchplate, soft case; also an Ashbury mandolin, model no. AM110, soft case (2)

£50-80

2568.

Two modern guitar ukuleles by: Kmise, Model: M10639 and Lani Model LB50CEQ (2)

£30-60

2569.

Remo five string banjo with mahogany banded resonator and 11" skin, soft case; also a Gear4Music pear shaped mandolin with sunburst finish, Model: MA10VS (2)

£30-60

2570.

Cordoba Model 25TK ukulele, within a plush lined Duke stitched case

£40-60

2571.

Tenor open back banjo, unnamed, with 11" skin and mother of pearl inlay to the fretboard, case; also a banjolin with foliate inlaid back and chevron banded sides (2)

£50-80

2572.

Good Fylde modern bouzouki, bearing the maker's label and inscribed Octavius no. 3265, soft case (crack on the table running below the bridge to the edge)

£300-400

2573.

Small modern walnut twenty-two string harp, 33" high, 19.25" wide (max), tuning key and soft cover

£200-300

2574.

Good Professional Model Hohner Morino VI M piano accordion, circa mid 1960s, double cassotto, with one hundred and eighty-five bass buttons, normal and and extra three rows of chromatic buttons (free-bass), three bass registers and eleven treble registers, black finish and within the original case adapted with wheels and handle to facilitate transportation

**Thisinstrumenthashadoneownerfromnewandwasusedfor advancedcompetitiveworkintheearlyyears

£800-1200

2575.

Mahogany adjustable music stand, with folding ledge supported upon triple fluted curving legs united by a circular dished undertier; also a Maelzel walnut pyramid metronome (2)

£60-100

2576.

2580.

B & H Ajax three piece drum kit, with black colour spot finish; also a quantity of various size cymbals and a large quantity of hardware

£100-200

2577.

Pearl Export Series four piece drum kit, red finish £200-300

2578.

Good Sebastian Erard Grecian Model forty-three string harp, stamped to one side with the Royal Coat of Arms and inscribed 'Sebastian Erard's Patent no. 2282, 18, Great Marlborough Street, London' and to the other side 'Maker to H.R.H. The Princess Charlotte of Wales, Most Christian Majesty the King of France, J.M. The Emperor of All the Rufsias', the circular capital gilded in relief with a band of angels and lyres over three standing angels clasping wreaths, with ebonised and gilded fluted column to the base fitted with eight pedals, the ebonised frame decorated with gilded lines, 67" high overall (tuning key and soft cover)

*Thevendorhasownedandplayedthisharpforoverthirtyyears anditwaspreviouslyplayedbythefamousharpistSavourna Stevenson.ThisharptakesBritishgaugelightstrings £2000-3000

2579.

Keith, Prowse & Co English concertina, with forty-eight bone buttons on pierced mahogany ends, four-fold bellows, case

£150-200

2589 (See page 20)

Early Music Shop 8-course lute, within a fitted hard case with combination locks

£150-250

2581.

Enya electro-acoustic ukulele, within a rigid case

£300-400

2582.

Modern Portuguese guitar labelled Antonio Pinto de Carvalho Mod MDL305L no. 708026, semi-rigid case; also an ebonised and rosewood table zither (2)

£50-80

2583.

Two modern ukuleles labelled Kala model no. KA-S and Mahalo no. U50G; also an old Greek dulcimer with violin scroll head and decorated to the back with an eagle's head in relief and an unnamed mid 20th century four string open back banjo with 11" skin and faux mother of pearl fretboard, hard case (in need of restoration) (4)

£60-100

2584.

Turtle Hill five string open back banjo with Tony Pass tone ring, 11" skin and geometric mother of pearl inlay to the fretboard, hard case

**Thisbanjoissoldwithapurchasereceiptdatedthe8th December2004

£300-500

2578

2585.

Kasuga five string banjo, the rosewood back with faux ivory and abalone banding, 11" skin and geometric mother of pearl inlay to the fretboard, hard case

£250-350

2586.

Good and rare Guarnierius Receveur four string tenor banjo circa 1930, the wooden back inlaid with a geometric mother of pearl circular design, with 8.5" skin and geometric mother of pearl inlay to the fretboard and open peg box inscribed Guarnierius Luthier, case

£750-950

2587.

John Grey & Sons of London Benares Model banjo-mandolin, with decorative coloured metalwork to the back and sides, 11" skin, mother of pearl dot inlay to the fretboard and bearing the maker's trademark circular plaque screwed to the headstock, case; also another unnamed banjolin with walnut back and sides, 5.5" skin, case (2)

£80-140

2588.

Old Neapolitan mandolin, unlabelled, within the original wooden case; also a Carlo Ricordo labelled mandolin, with rosewood back and sides and chevron banded spruce table, case, (both in need of restoration) (2)

£40-80

2589.

Good Czechoslovakian ebonised baby grand piano by Petrof, stamped on the frame P IV 610/620, Made in Czech Republic, raised upon three turned and octagonal tapering legs terminating in brass castors, 59" wide, 70" long; also with a matching box seat duet stool, 34.5" wide and a single adjustable piano stool, 25" wide

2590.

Istanbul Mehmet 19" custom dry ride cymbal, soft case; also a pair of Empire Series 13" hi-hats (3)

£60-100

2591.

Avedis Zildjian 20" cymbal, soft case

£70-100

2592.

Meinl Byzance 20" dry ride cymbal; also three Pearl 14" hi-hats (4)

£80-120

2593.

K Zildjian three piece cymbal set; custom 20" medium ride, 18" dark crash and a pair of 14" hi-hats (4)

£100-150

2594.

Good K Zildjian Bill Stewart 24" Custom Dry Complex Ride II cymbal

£150-200

2595.

Three old Avedis Zildjian 18" cymbals (3)

£60-100

2596.

K Zildjian 18" heavy ride cymbal; also a Zildjian 17" paper thin crash cymbal (2)

£60-100

2597.

Super Zyn 20" ride cymbal and a pair of Super Zyn 14" hi-hats (3)

£80-120

2598.

Old Zildjian (possibly 1940s) 13" cymbal; also another old 13" cymbal (2)

£50-80

£400-600

2586

2599.

Pair of Zildjian 14" crash cymbals with leather handles; also a Super Zyn 16" crash cymbal with leather handle (3)

£60-100

2600.

Paiste 16" 2002 crash cymbal (855793); also a Paiste 18" crash cymbal (809270) and a pair of UFIP 14" hi-hats (4)

£80-120

2601.

Carlton bouzouki case, blue finish

£50-80

2602.

Pickard Acoustics Irish bouzouki labelled Pickard Acoustics, Binbrook, Lincolnshire, England, no. 5-Bz, 11-87, signed on the label, hard case

£200-300

2603.

Clifford Essex five string open back banjo, bearing the Clifford Essex Co. name plate fixed to the perch pole, with 11" skin and geometric mother of pearl inlay to the fretboard and head, hard case

£80-140

2604.

Gibson Mastertone five string banjo, bearing the Gibson guarantee label fixed to the inside pot wall, with faux ivory banded mahogany resonator, 11" skin and geometric mother of pearl inlay to the fretboard and head, stamped ser. no. 109538 to the reverse of the headstock, hard case

£200-400

2605.

Four different hand drums; metal Dumbek with 10" skin, 15.25" high, African djembe with 12" skin, 23.5" high, Indian Murdangham of barrel shape form, 22" high and an Irish bodhran, 13.5" diameter (4)

£50-100

2606.

Three snare drums: one Pearl, one brass and another vintage circa 1930s (3)

£60-100

2607.

1930s/1940s vintage drum kit, with Frank Woze bass drum and Ludwig/Gretsch tom toms; also a quantity of various new and old drum heads etc

£50-100

2608.

PDP Daru Jones of New York yellow/black sparkle four piece drum kit, with stands and cases

£200-300

2609.

Three various tom toms; 14" Gretsch blue pearl, 14" Gretsch white pearl and a 10" Yamaha black (3)

£50-100

2610.

Small ethnic string banded drum, 9.5" high; also a single string ethic instrument with 6.5" reptile skin and an old tambourine (3)

£25-45

LOTS 2611-2800 NO LOTS

Brass & Woodwind

2801.

Selmer Reference 54 Tenor tenor saxophone, gold lacquered finish, ser. no. 625063, gig bag style case

£2500-3500

2802.

Selmer cigar cutter alto saxophone, silver plate, ser. no 17087, circa 1932, with Selmer Soloist D mouthpiece with cap and ligature, case

£1200-1800

2803.

Good Selmer Radio Improved silver plated alto saxophone, ser. no. 19952, with crook and two mouthpieces, original case

**ThissaxophoneissoldwiththeHaynesSaxophoneManual,The OttoLangleySeriesPracticalTutorforSaxophoneandvarious manuscriptmusicbooksetc

£1500-2000

(See page 21)

2804.

Buffet Crampon & Cie of Paris silver plated baritone saxophone inscribed Evette & Schaeffer, 18 & 20 Passage du Gd Cerf, Paris, no. 24019, with crook and Rico mouthpiece, case £500-800

2805.

Leblanc of Paris ebonite clarinet, ser. no. 62017, with two spare barrel joints and two mouthpieces, case £200-400

2806.

Pair of Leblanc of Paris ebonite clarinets, ser. nos. 14160 and 14162, with mouthpieces and two spare barrel joints, case £300-500

2807.

Henri Selmer of Paris alto clarinet, ser. no. U877, crook, mouthpiece, case £400-600

2808.

Boosey & Hawkes Ltd Imperial bass clarinet, ser. no. 458247, crook, mouthpiece and spare reeds, case £500-800

2809.

Selmer bass clarinet, ser. no. 58288, crook and mouthpiece, case £500-800

(See page 23)

2810.

J.H. Ebblewhite rosewood flute with six salt spoon nickel keys on wooden blocks, stamped J.H. Ebblewhite Maker, 4 & 5 High Street, Aldgate, London, mahogany box; also a Westminster Besson of London silver plated flute, case (2) £50-80

2811.

D. Deschamps of Paris silver flute, within a fitted case stamped A. Robert, 14, Rue d'Hautavills, Paris £300-400

2803
2804
2805 2806
2808
2813

2809 (See page 22) 2821 2822 2812.

Moritz Max Monnig of Leipzig ebonite flute, stamped on every joint, case

£200-300

2813.

The chanter, three drones and stocks of a set of Northumbrian small-pipes, anonymous, circa 1835, of ebony with ivory mounts, the chanter and drone stock mounts with elaborate spiralling ornamental turnery in the Holtzapffel manner, the drone slides without lapping, the chanter with seven silver salt-spoon cup keys, the blowpipe, its stock and the bag all a modern replacement, bellows absent.

**IvorysubmissionreferenceQ5VB1G6U

£1200-1800

2814.

T. Prowse boxwood and ivory clarinet with eight brass keys on wooden blocks, stamped T. Prowse, Hanway Street, London (key of B)

**IvorysubmissionreferenceISRTS1S9QDE

£150-200

2815.

Whitaker of London boxwood and ivory flute, with four silver keys on wooden blocks

**Ivorysubmissionreference-Z2B4SBMP

£100-150

2816.

Jupiter brass pocket cornet inscribed K.H.S. Musical Instruments Co. Limited, mouthpiece, case

£30-50

2817.

Interesting early brass B-flat trumpet, with three rotary valves, case

£200-300

2818.

Heckel bassoon crook stamped Heckel Biebrich, Made in Germany, CD2

£150-200

2819.

Very large pine Alpenhorn, with fine foliate carved bell and dated 1953, with ribbed sectional tapering pipe, 135" long overall

£300-500

2821.

Good solid silver William Haynes French System flute with open holed keys stamped The Haynes Flute, Mfd by Wm.S. Haynes & Co, Boston Mass, no. 5587, Patented, case

£1000-1500

2822.

19th century stained boxwood and ivory flute, unnamed, with six square silver keys on wooden blocks, case

**IvorysubmissionreferenceMCCNY884

£100-200

2823.

Vincent Bach Stradivarius Model silver plated trumpet, ser. no. 180439, mouthpiece and mute, case

£50-80

2828 (See page 24)
2829 (See page 24)

2824.

Brass trumpet inscribed Musica, Steyr-Austria, ser. no. 757543, mouthpiece, case

£30-50

2825.

Yamaha YAS-23 brass alto saxophone with nickel plated keys, ser. no. 125923, mouthpiece and crook, case

£250-350

2826.

Gear4Music nickel plated alto saxophone, crook but no mouthpiece, hard case

£50-80

2827.

The Buescher True-Tone original silver plated low pitch alto saxophone, circa 1927, ser. no. 228813, crook and vintage H. Selmer & Co fluted metal mouthpiece, Berklee shaped case

£80-120

2828.

Yamaha YAS-62 'purple logo' gold lacquered alto saxophone, ser. no. 005584, crook but no mouthpiece, hard case

£400-600

2829.

Buescher Aristocrat 400 gold lacquered tenor saxophone circa 1956, ser. no. 356708, crook but no mouthpiece, hard case

£200-400

2830.

Selmer Super Action Serie II gold lacquered tenor saxophone, circa 1986, ser. no. N.387197, crook but no mouthpiece, Berklee shaped case

£600-1000

2831.

Interesting G.H. Huller silver plated straight saxophone stamped G.H. Huller, Saxophon Fabrik, Schoneck, 1/Vogtl; also stamped F1. Sch. Brg. and again with an eagle and swastika over the date 1939, ser. no. 37606 F, mouthpiece, case

£500-800

2832.

Good Henri Selmer gold lacquered alto saxophone stamped Brevete France & Etranger, Henri Selmer Paris, Sole Agents, British Empire, Ex. Canada, Selmer, London, Made in France, ser. no. 43563, with crook and mouthpiece, case

£1000-1500

2833.

Good Selmer Mark VI gold lacquered alto saxophone, ser. no. M 141290, crook and mouthpiece, case

£2500-3500

2834.

Good Henri Selmer B-flat blackwood clarinet, ser. no. D 1711, two barrel joints, mouthpiece, case

£400-600

2835.

Pair of Henri Selmer Series 9 clarinets, ser. nos. S 1720 and T 0561, two mouthpieces, case

£400-800

2836.

Good Yamaha 622 bass clarinet, ser. no. 05385, with crook and mouthpiece, case

£1000-1500

2837.

Over twenty brass and silver plated instrument mouthpieces

£40-80

2838.

Over twenty various silver plated brass instrument mouthpieces

£40-80

2839.

Over twenty various silver plated brass instrument mouthpieces

£40-80

2840.

Thirty various mouthpieces for brass instruments; including Dennis Wick, Vincent Bach, Conn, Olds etc

£80-120

2841.

Sixteen various vintage and modern saxophone mouthpieces for baritone, tenor and alto; including Claude Lakey Jazz and Selmer S80 C* etc

£80-110

2842.

Yamaha YSL651 Professional tenor trombone, with rose brass bell, case

£150-300

2843.

Good Prestini wooden oboe with Conservatoire covered hole system, suitable for the more advanced player, stamped CP, 71964, case

£300-500

2844.

Five various vintage silver plated cornets, comprising Boosey & Co, Acme Model, B & H Imperial, Triumphonic, The Congress and a heavily engraved Higham Clearbore Contesting Model (5)

£50-100

2845.

King Professional double brass French horn, case

£200-400

2846.

Various mutes and stands for brass instruments; including boxed Dennis Wick trombone mutes and Yamaha silent brass mutes etc

£40-80

2847.

Hawkes & Sons Excelsior Sonorous Model silver plated Bb tuba

£60-100

2848.

Good Amati Krasclice wooden alto clarinet, with Vandoren B40 mouthpiece and fitted spike

£450-650

2849.

Good blackwood and silver mounted flute by and stamped Wylde From Rudall & Rose, 25 Villiers Street, London, with eight silver keys on wooden blocks and engine turned ferrules with matching head cap, sounding length 23", overall length 26.5"

£800-1200

2850.

Rosewood flute, unstamped, with eight nickel keys, sounding length 22.5", overall length 25.75"

£200-300

2851.

Rosewood flute by and stamped J. Prowse, Great Bell Alley, London, with eight silver keys on wooden blocks, sounding length 23", overall length 26"

£100-150

2852.

£100-150 2834 (See page 24)

Boxwood and ivory flute by and stamped Preston, London, with four silver keys on wooden blocks, sounding length 20.75", overall length 24.5"

**Ivorysubmissionreference7FDNE17B

2853.

Boxwood flute by and stamped Hastrick, London, with four nickel keys on wooden blocks, sounding length 21", overall length 23.75"

£60-100

2854.

Boxwood and ivory flute by and stamped Willm. Heny, Potter, Johnson's Court, Fleet, Street, London, with four silver keys on wooden blocks, sounding length 20.5", overall length 23.75"

**Ivorysubmissionreference6UQ5L3NJ

£200-300

2855.

Boxwood and ivory flute by and stamped T. Welsh, London, with four silver keys on wooden blocks, sounding length 20.75", overall length 24"

**Ivorysubmissionreference2WFPJH57

£250-350

2856.

Boxwood and ivory flute by and stamped D'almaine & Co, Late Goulding & D'almaine, Soho Square, London, with four silver keys on wooden blocks (one missing), sounding length 21", overall length 23.75"

**IvorysubmissionreferenceUH5J6PVA

£150-250

2857.

Blackwood and ivory flute by and stamped Key, London, with four silver keys on wooden blocks, sounding length 20.75", overall length 23.25"

**IvorysubmissionreferenceB86KFDAK

£300-500

2858.

Unusual boxwood and ivory flute by and stamped Cahusac, Strand, London, with six silver keys on wooden blocks (at fault)

**IvorysalesubmissionreferenceRBDE1QUB

£250-350

2859.

Good English 18th century stained boxwood oboe by and stamped Power, London, with two brass keys on wooden blocks, 23" long overall

£800-1200

LOTS 2860-3000 NO LOTS

Part I Violins & Violas

3001.

Late 19th century violin bearing the retail label of Thomas Craig, 369, George St, Aberdeen, 13 7/8", 35.20cm; also a three-quarter size Stradivarius copy violin, 13 3/8", 34cm and another German three-quarter size violin circa 1930, 14 1/8", 35.90cm (3)

£100-150

3002.

Early 20th century Maggini copy violin in need of restoration, 14 1/4", 36.20cm; also another violin, unlabelled, 14 1/8", 35.90cm (2)

£120-180

3003.

Early 20th century violin, 14 5/16", 36.40cm; also another violin circa 1920, 14 1/8", 35.90cm (2)

£80-120

3004.

Late 19th century German violin, 14 1/8", 35.90cm; also another violin circa 1920, 14 3/16", 36cm (2)

£120-180

3005.

Modern Czechoslovakian Stradivari copy viola, 16 5/8", 41.40cm; also another modern viola labelled Parrot..., 15 5/8", 39.70cm (2)

£80-140

3006.

Late 19th century Scottish violin in need of restoration by and labelled William Elliot, Hawick, 1912, also bearing a Dutch repairer's label, 14 1/4", 36.20cm

£100-200

3007.

Violin circa 1900 bearing a repairer's label dated 1982, also branded Conservatory Violin to the reverse of the peg box, 14", 35.60cm, two bows

£150-250

3008.

Bridge electric violin with dark blue aventurine coloured body, within a burgundy and dark red plush lined fitted case with hydrometer, bow

£100-150

3009.

Box containing a small quantity of violin making wood, also forms, depthing gauge and a few other tools etc

£40-80

3010.

Interesting 19th century violin in need of restoration, 14 1/8", 35.90cm, case; also another violin, unlabelled, 14 1/8", 35.90cm, two bows and a three-quarter Czechoslovakian Stradivari copy violin, 13 5/16", 33.80cm (3)

£80-140

3011.

Late 19th century violin, unlabelled, 14 1/8", 35.90cm; also another violin labelled Chr. Erasti, Phillippople 1946, 14 1/4", 36.20cm (2)

£200-300

3012.

Interesting early 19th century violin in need of restoration, 13 7/8", 35.20cm

£100-200

3013.

French Medio Fino child's violin, 11 15/16", 30.30cm, bow

£60-100

3014.

Early 20th century German three-quarter size violin, 13 1/4", 33.70cm, bow, case

£50-80

3015.

Interesting 19th century violin, unlabelled, in need of further restoration, 14 1/8", 35.90cm, case

£100-200

3016.

Early 20th century violin stamped Duke, London, below the button with wax seal, 14 1/8", 35.90cm

£60-100

3017.

Late 19th century violin labelled David Tecchler...; also stamped A/ S in a circle below the button, 14 1/8", 35.90cm

£120-180

3018.

Gewa Concorde Etui plush lined fitted double violin case

£40-60

3019.

Late 19th century three-quarter size violin labelled Farrow Gramam, 13 1/8", 33.30cm, case

£30-50

3020.

Late 19th century violin of the Vosges School labelled Ludovicus Ricozali..., 14 1/8", 35.90cm, bow

£100-150

3021.

19th century violin in need of restoration, 14", 35.60cm, case

£40-80

3022.

French trade violin circa 1920, branded Conservatory Violin below the button on the back, 14 1/16", 35.70cm case

£60-100

3023.

French half size violin circa 1910, with scratched purfling, 11 7/8", 30.20cm; also a French Medio Fino half size violin, 11 13/16", 30cm and another modern Sie Lam Espressivo one-eighth size violin, 10 1/2", 26.60cm (3)

£40-60

3024.

Violin labelled The Ruggeri Model Violin, 14 1/4", 36.20cm

£100-150

3025.

German violin circa 1920, 14 1/8", 35.90cm

£60-100

3026.

Viola case and twelve other various violin cases (13)

£40-80

3027.

Five German children's student violins, one half size, two quarter size and two eighth size (5)

£60-100

3028.

Two full size and two three-quarter size violins, all in need of restoration (4)

£40-80

3029.

Modern German three-quarter size violin circa 1980, 13 1/8", 33.30cm; also another modern German half size violin circa 2000, 12 1/2", 31.80cm (2)

£60-100

3030.

German half size violin by and labelled Made by E.R. Schmidt & Co, Violin Makers...and signed on the label, 12 5/8", 32cm; also another mid 20th century German half size violin, 12 3/16", 31cm (2)

£80-120

3031.

Mid 20th century German three-quarter size violin, 13 3/16", 33.50cm; also another mid 20th century three-quarter size violin, 13 3/16", 33.50cm (2)

£50-80

3032.

French J.T.-L. three-quarter size violin labelled Dulcis & Fortis..., 13 1/8", 33.30cm

£100-150

3033.

19th century violin in need of restoration labelled San Serafin..., 14 1/16", 35.70cm

£80-140

3034.

Late 19th century Mittenwald violin, 14 1/8", 35.90cm

**Thetopofthisviolinneedstobere-gluedtotheribs

£150-250

3035.

German viola labelled Modele Joseph Bassiot, Luthier, Lyon, Anno 1928, 15 3/4", 40cm, case

£150-250

3020
3024

3036.

Maidstone three-quarter size violin, 13 5/16", 33.80cm, bow, case

£40-60

3037.

Mirecourt violin, unlabelled, 14 1/16", 35.70cm, nickel bow stamped Tourte, case

£80-120

3038.

Modern German viola by and labelled Michael Poller, Geigenmacher in Mittenwald..., 15 11/16", 42.40cm, bow, case

£60-100

3039.

Four old full size violins and two three-quarter size violins all in need of restoration (6)

£100-200

3040.

Early 20th century painted wooden tapered and panelled violin case, 13 1/4" long

£25-50

3041.

Large quantity of various old chin rests

£30-60

3042.

Late 19th century German half size violin, 12 3/8", 31.40cm, case

£40-70

3043.

English viola by and labelled Norman E. Hannan, Romford, 'Harry Hotspur' 1977, 16 1/2", 41.90cm, case

£80-140

3044.

Two good oblong violin/viola double cases with outer zipper covers (2)

£80-140

3045.

Three oblong double violin cases (3)

£60-100

3046.

Four viola cases and seven various violin cases (11)

£60-100

3047.

German three-quarter size violin circa 1930, 13 3/8", 34cm; also an English half size violin by and labelled S.G. Lowe, Hale, 1972 and signed on the label, 12", 30.50cm, bow (2)

£40-80

3037

3055 (See page 30)

3048.

Maidstone violin, 14", 35.60cm

£40-60

3049.

Modern German violin labelled Franz Sandner, Rauheim anno 1984, 14", 35.60cm

£50-80

3050.

English violin by and labelled Harold C. Parkins, Liverpool.AD. 1950, To Mary Elizabeth, 14", 35.60cm

**Thisviolinisinneedofsomerestorationwiththetableloose

£100-200

3051. NO LOT

3052.

19th century Mittenwald violin, 14 1/8", 35.90cm; also a late 19th century German violin, 14 1/4", 36.20cm (2)

£150-200

3053.

Early 20th century violin stamped Stainer below the button, 14", 35.60cm; also a late 19th century German violin labelled Nicolaus Amatus..., 14", 35.60cm, three bows

£150-200

3054.

3062.

Twenty-two violin/viola neck grafts (22)

£80-140

3063.

Ten violin/viola neck scroll blocks (10)

£60-100

3064.

Andreas Zeller Romanian viola, 15 11/16", 39.80cm; also two old German violins and three bows

£30-60

3055.

French violin of the Caussin School circa 1890, 14 1/8", 35.90cm

£200-300

3056.

French violin labelled J. Thibouville-Lamy & Co, London & Paris, 14 1/8", 35.90cm, bow, case

£100-150

3057.

Maggini copy violin, early 20th century Stradivari copy full size violin, three-quarter size Maggini copy violin and a small bundle of bows

£100-150

3058.

Three old full size violins (3)

£120-180

3059.

Three interesting old full size violins in need of restoration (3)

£100-200

3060.

Late 19th century German seven-eighth size violin labelled Ferdinandus Gagliano..., 13 13/16", 35.10cm

£80-120

3061.

Six violin/viola neck graft blocks (6)

£30-60

Twenty-two matching bundles of violin/viola ribs; also one bundle of odds

£60-100

3065.

Four violoncello neck grafts; also a cello neck block (5)

£60-100

3066.

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched-cut glamourous (maple backs), two straight-grained spruce fronts, one neck-and-head-block and three strips of wood sufficient for the ribs

£300-500

3067.

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched-cut glamourous (maple backs), two straight-grained spruce fronts, one neck-and-head-block and three strips of wood sufficient for the ribs

£300-500

3068.

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched-cut glamourous (maple backs), two straight-grained spruce fronts, one neck-and-head-block and three strips of wood sufficient for the ribs

£300-500

3069.

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched-cut glamourous (maple backs), two straight-grained spruce fronts, one neck-and-head-block and three strips of wood sufficient for the ribs

£300-500

3063
3067

3079

3080

3070.

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched-cut glamourous (maple backs), two straight-grained spruce fronts, one neck-and-head-block and three strips of wood sufficient for the ribs

£300-500

3071.

Two long blocks of raw ebony, both over 40" long

£50-100

3072.

Spruce and maple wood sufficient for making the front and back of a violoncello

£80-140

3073.

Good contemporary three-quarter size violin, 13 3/8", 34cm, two bows, case

£80-120

3074.

Late 19th century viola with adapted extended neck, 15 3/4", 40cm; also two other full size violins and a small bundle of bows

£100-200

3075.

Two old home model Stroviols, both with aluminium horns and the maker's trademark plaque (2)

£100-200

3076.

Four rectangular full size violin cases (4)

£100-150

3077.

Six various old full size violin cases (6)

£30-60

3078.

German violin circa 1900, 14 1/16", 35.70cm

£200-250

3079.

German violin by and labelled Wolff Bros, Violin Manufacturers, Class 1, no. 2473, 1896, 13 13/16", 35.10cm

£200-250

3080.

Early 19th century violin, unlabelled, 14 1/8", 35.90cm

£150-250

3081.

Late 19th century violin in need of restoration, 14 1/16", 35.70cm

£40-80

3082.

Quantity of violin accessories, including tailpieces, bridges, chin rests and pegs etc

£20-40

LOTS 3083-3100 NO LOTS

Books

3101.

Sotheby's - The Sam and Rie Bloomfield Foundation, London Wednesday 23rd November 1988 hardback auction catalogue; another Sotheby's - Musical Instruments, London, Thursday 14th November 1985 hardback auction catalogue and a large quantity of London musical instrument auction catalogues, mainly Sotheby's £20-40

3102.

Dr Alexander Buchner - Musical Instruments Through the Ages; also a small quantity of other miscellaneous books and pamphlets relating to various musical instruments

£15-30

3103.

Large quantity of hardback books relating to various musical instruments and the music industry

£20-40

3104.

William Henley - Universal Dictionary of Violin & Bow Makers, 1973 edition; also various other standard reference books relating to stringed musical instruments

£30-60

3105.

William Henley - Universal Dictionary of Violin & Bow Makers, 1973 edition; also a quantity of various other standard books relating to stringed instruments

£25-45

3106.

Large quantity of old books and pamphlets principally relating to stringed musical instruments

£60-100

3107.

Richard Sadler - Arthur Bultitude and the Hill Tradition, limited edition 451/2000; also a quantity of various other musical instrument hardback books principally relating to stringed instruments

£40-80

3108.

Jorgé Pozas - The Golden Age of Violin Making in Spain, copy no. 444-R/1000

£120-180

3109.

Hans Weisshaar and Margaret Shipman - Violin Restoration, a Manual for Violin Makers, second printing of 2000 copies in 1999

£100-140

3110.

William Henley - Universal Dictionary of Violin & Bow Makers, reprinted 1997 edition

£70-100

3111.

John Basford - Index of Mirecourt Luthiers, 1886, 1896 and 1901, three booklets

£40-80

3112.

Samuel Zhang - Picture Dictionary of Fine Antique Stringed Instruments, volumes 1 & 2

£50-100

3113.

Carlo Chiesa & Duane Rosengard - The Stradivari Legacy, deluxe edition in marbled boards, published 1998 (as new)

£90-120

3114.

John Basford & Tim Toft - W.E. Hill & Sons, Violin Makers 1880-1936, library edition

£60-80

3115.

John Dilworth, Andrew Fairfax and John Milnes - The Voller Brothers, Victorian Violin Makers, published 2006 by The BVMA; also Albert W. Cooper - Benjamin Banks, The Salisbury Violin Maker, 1727-1795, limited library edition 358/1000, signed by the author, and Les Violons, Venetian Instruments, Paintings and Drawings in the Hotel de Ville de Paris/Salle Saint-Jean (3)

£50-80

3116.

Roger Millant - J.B. Vuillaume, His Life and Work; also Arnaldo Baruzzi - La Casa Nuziale, The Home of Antonio Stradivari, 1667-1680 (2)

£30-50

3117.

Arnaldo Baruzzi - La Casa Nuziali, The Home of Antonio Stradivari, 1667-1680; also Nicholas Sackman - The Messiah Violin: A Reliable History?, Arnoldo Mondadori - Capolavori di Antonio Stradivari and Dirk J. Balfoort - Antonio Stradivarius (4)

£30-60

3109
3123 (See page 33)
3124 (See page 33)

3118.

Hill - The Tuscan and Le Messie, limited edition 1476/2000; also Margaret L. Huggins - Gio: Polo Maggini, His Life and Work, limited edition of 2000 and Roger Millant - J.B. Vuillaume, His Life and Work (3)

£60-90

3119.

Karel Jalovec - Italian Violin Makers; also Karel Jalovec - German & Austrian Violin Makers (2)

£60-100

3120.

William Henry Hill, Arthur F. Hill, F.S.A. and Alfred Ebsworth HillThe Violin-Makers of the Guarneri Family (1626-1762), Their Life and Work; also Karel Jalovec - Italian Violin-Makers (2)

£20-40

3121.

Alte Meistergeigen, Band I: Venezianer Schule and Band II: Die Schulen von Mailand.Florenz.Genua, two vols; also Carlo VettoriThe Classic Lines of Italian Violin Making (3)

£60-100

3122.

Karel Jalovec - Italian Violin Makers; also Willibald Leo Frh.v.Lutgendorff - Die Geigen-und Lautenmacher, Bands I & II (3)

£30-60

3123.

Walter Hamma - Italian Violin Makers, published 1965

£30-50

3124.

Simone F. Sacconi - I 'Segreti' di Stradivari, published Cremona 1972

£40-60

3125.

Karel Jalovec - Italian Violin Makers, revised edition 1964

£50-80

3126.

Karel Jalovec - Encyclopaedia of Violin-Makers volume 1 (A-K) and volume 2 (L-Z)

£80-120

3127.

William Henley - Universal Dictionary of Violin & Bow Makers, reprinted 1997 edition

£70-100

LOTS 3128-3200 NO LOTS

Bows

*PleasecheckCITESregulationsregardingexportofbows containingelephantivorypriortopurchasing

3201.

Very large quantity of various size bows

£100-200

3202.

Small bundle of bows

£20-40

3203.

Small bundle of bows

£20-40

3204.

Five various nickel mounted Finkel Workshop children's bows comprising; one violoncello bow, three three-quarter size violin bows and a half size violin bow (5)

£200-400

3125
3126

3205.

Four various Finkel and Swiss made children's bows comprising; one half size violoncello bow and three quarter size violin bows (4)

£100-150

3206.

Five various modern violin bows comprising; Luma Coda carbon fibre bow, baroque viol bow branded Maku, German viola bow, another violin bow and a bow with broken head (5)

£150-250

3207.

German violin bow by and branded Penzel; also an old silver mounted violin bow, unstamped (2)

£100-150

3208.

Seven various nickel mounted violin bows, some stamped (7)

£100-150

3209.

Two nickel mounted violoncello bows, unstamped; also a violin bow stamped Corelli (3)

£150-250

3210.

Three old nickel mounted double bass bows (3)

£150-200

3211.

Three old nickel mounted double bass bows (3)

£100-150

3212.

Silver mounted violin bow, indistinctly stamped; also an old double bass bow in need of restoration (2)

*IvorysubmissionreferencefortheviolinbowEECZZJ23

£100-150

3213.

German nickel mounted double bass bow by and stamped Conrad Gotz*, the stick round, the ebony frog inlaid with nickel rings enclosing pearl eyes and the ebony adjuster with two nickel bands, 130gm

£450-650

3214.

German nickel mounted double bass bow by and stamped W. Seiffert, the stick round, the ebony frog inlaid with nickel rings enclosing pearl eyes and the ebony adjuster with two nickel bands, 132gm

£450-650

3215.

German nickel mounted violoncello bow by and stamped Dorfler, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 85gm

£100-150

3221

(See page 35)

3216.

French nickel mounted violin bow from the workshop of Louis Bazin, indistinctly stamped, the stick round, the ebony frog inlaid with nickel rings enclosing pearl eyes and with a nickel overlaid ebony adjuster, 60gm

£200-300

3217.

French silver mounted violin bow, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 61gm

*IvorysubmissionreferenceQQCBP5MV

£250-350

3218.

German nickel mounted violin bow, unstamped, the stick round, the ebony frog inlaid with nickel rings enclosing pearl eyes and with a nickel overlaid ebony adjuster, 58gm

£60-100

3219.

German silver and ivory mounted violin bow in need of restoration, the stick round, the ivory and silver banded frog with pearl eyes, with later nickel adjuster, 52gm (without hair and missing ferrule)

*IvorysubmissionreferencePCNFZQ8K

£40-80

3220.

Good French nickel mounted violin bow probably by Marc Laberte, unstamped, the stick round, the ebony frog inlaid with pearl eyes and with a nickel overlaid ebony adjuster, 56gm

*IvorysubmissionreferenceEATX5VA7

£400-600

3220

3221.

French silver mounted violin bow by Louis Morizot circa 1950 and stamped P Beuscher Paris, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 61gm

**ThisbowissoldwithacertificateofauthenticityfromP. Guillaumedated27thOctober2024no.24876

£1200-1600

3222.

French Maillechort mounted violin bow by Louis Morizot Freres, circa 1945, the stick round, the ebony frog inlaid with rings enclosing pearl eyes and with an overlaid ebony adjuster, 58gm

**ThisbowissoldwithacertificateofauthenticityfromP. Guillaumedated27thOctober2024,no.24875

£800-1200

3223.

French nickel mounted violin bow by Francois Xavier Bazin, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 62gm

**ThisbowissoldwithacertificateofauthenticityfromFranck Daguindated14thJanuary2021

£700-1000

3224.

French silver mounted violin bow stamped Louis Bazin, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 53gm (without hair)

£1000-1400

3225.

Good French silver mounted violin bow stamped A. Vigneron (Pere) á Paris, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 58.5gm

**IvorysubmissionreferenceXM6W31X5

£4000-6000

3226.

Good French silver mounted violin bow stamped C. Thomassin á Paris, the stick round, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 56.5gm

£3000-4000

3227.

French nickel mounted violoncello bow stamped Emile Ouchard, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 79gm

£1000-1400

3222
3223
3224
3225
3226
3227

3228.

French silver mounted violoncello bow stamped Francois Lotte, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 70.50gm (without hair)

£1400-1800

3229.

English silver mounted violin bow by and stamped John.W.Stagg, the stick octagonal, the ebony frog inlaid with interlacing circles and the ebony adjuster with two silver bands, 60gm

£600-800

3230.

German silver mounted violin bow faintly stamped Otto Hoyer***, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 65gm

£200-400

3231.

German nickel mounted violoncello bow by and stamped R. Paesold, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 79gm

£50-80

3232.

German silver mounted violoncello bow by and stamped Otto Durrschmidt, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 70gm

**IvorysubmissionreferenceKLL8HE1R

£150-250

3233.

Good German silver mounted violin bow by and stamped C.A. Hoyer, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 56gm

£300-500

3234.

German nickel mounted violin bow, unstamped, 48gm (without hair and lapping)

£60-90

3235.

German nickel mounted viola bow stamped A.P. Poller, 71gm

£60-90

3236.

Good English silver mounted violin bow by and stamped John Clutterbuck to both sides of the handle, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 58gm

**Thisviolinbowissoldwiththeoriginalpurchasereceiptdated 12thSeptember1983for£300

£500-800

3237.

Nickel mounted violin bow stamped P.C. (Prosper Colas), the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 60gm

**IvorysubmissionreferenceNGTQT64F

£200-300

3238.

Nickel mounted violin bow, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 61gm

£150-250

3239.

French nickel mounted violin bow of the Bazin Workshop stamped Amati Mangenot, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 57gm

£350-550

3240.

Silver mounted violin bow by and stamped Arnold Voigt, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 55gm

£400-600

3241.

English silver mounted violin bow by W.E. Hill & Sons stamped H & S, the stick round, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 60.50gm

£1000-1500

3242.

English silver mounted violin bow by W.E. Hill & Sons and stamped W.E.H. & S, the stick round, the ebony frog plain and with a silver overlaid ebony adjuster, 52gm (without hair)

£1000-1500

3228
3229

3243.

French silver mounted violin bow by and stamped Cuniot-Hury, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 59gm

£500-750

3244.

English silver mounted violin bow by and stamped J. Tubbs(with pinned head), the stick round, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 58gm (without lapping)

£200-400

3245.

NO LOT

3246.

Silver mounted violin bow by and stamped Arnold Voigt (with pinned head), 55gm

£80-120

3247.

Good English silver mounted violoncello bow by and stamped Michael J. Taylor on the audience side;also stamped Ealing Strings on the player's side, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 72gm

£1000-1500

3248.

German nickel mounted violoncello bow by and stamped R. Paesold, the stick octagonal, the ebony frog inlaid with nickel rings enclosing pearl eyes and the ebony adjuster with two nickel bands, 84gm

£300-500

3249.

Interesting silver mounted violin bow stamped Lupot, the stick round, the ebony frog plain and with a silver overlaid ebony adjuster, 57gm

£500-750

3250.

Silver mounted violin bow stamped Dodd; also another silver mounted bow and three nickel mounted bows (5)

£200-300

LOTS3251-3273formpartofaprivatecollection fromadeceasedestate

3251.

Seven nickel mounted violin bows (7)

£60-80

3252.

Old English silver mounted double bass bow stamped Ferrand Millers, Liverpool, the stick octagonal, the ebony frog with pearl eyes and the ebony adjuster with two nickel bands, 145gm, with case

£100-200

3253.

Three nickel mounted violin bows, two stamped Lupot, one Leblanc; also a nickel mounted violin bow, unstamped (4)

£100-200

3254.

Two interesting early violin bows with bone adjusters (2)

£100-200

3255.

Silver mounted violin bow stamped Tourte; also a nickel mounted violin bow stamped Vuillaume á Paris (2)

£80-140

3256.

Three old silver mounted violin bows, all unstamped (3)

£200-400

3243
3247
3241 (See page 36)
3242 (See page 36)

3257.

Two silver mounted violoncello bows, both unstamped (2)

£250-450

3258.

Silver mounted violin bow stamped Tourte; also a nickel mounted violin bow faintly stamped Vuillaume á Paris (2)

£200-300

3259.

Silver mounted violin bow stamped P. Hoyer, 65gm

£100-150

3260.

German silver mounted violin bow by and stamped E.L. Herrmann, the stick octagonal, the ebony frog inlaid with pearl eyes and stamped with a Coat of Arms, with a silver overlaid ebony adjuster, 68gm

**IvorysubmissionreferenceXEXPFSQG

£250-350

3261.

German nickel mounted violin bow stamped Schindler, the stick round, the ebony frog plain and with a nickel overlaid ebony adjuster

£200-300

3262.

Silver mounted violin bow stamped A Prell*, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with a wide silver band, 62gm

£300-500

3263.

Silver mounted violoncello bow stamped Rushworth & Dreaper, Liverpool, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 82gm

£400-600

3264.

German viola bow by and stamped H.R. Pfretzschner, the stick round, the ebony frog plain and the ebony adjuster with two silver bands, 73gm

£500-700

3265.

English silver mounted viola bow by and stamped Andrew Bellis, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 74gm

£300-500

3266.

English silver and ivory mounted violin bow by and stamped W.E. Hill & Sons, in need of restoration, the stick round, the ivory frog plain and the ivory adjuster with two silver bands, 55gm (at fault)

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

**Ivorysubmissionreference2K67QUPH

£400-600

3264
3266
3268 (See page 39)
3267

3267.

Silver mounted violin bow stamped F.N. Voirin á Paris, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 63gm

£300-500

3268.

English silver and tortoiseshell mounted violin by and faintly stamped W.E. Hill & Sons, the stick octagonal, the tortoiseshell frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 55gm

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£1200-1800

3269.

English violin bow by W.E. Hill & Sons and stamped Hill, the stick octagonal, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 61gm

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£1500-2000

3270.

English silver mounted violin bow by W.E. Hill & Sons and stamped Hill, the stick round, the ebony frog plain and with a silver overlaid ebony adjuster, 58gm

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£1500-2000

3271.

English silver mounted violin bow by W.E. Hill & Sons and stamped Hill, the stick octagonal, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 58gm

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£1500-2000

3272.

Good English silver mounted violin bow by and stamped Jas Tubbs, the stick round, the ebony frog plain and the later ebony adjuster with two nickel bands, 63.50gm (later adjuster)

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£4000-6000

3271
3272
3269
3270

3273.

Very fine French silver mounted violoncello bow by and stamped E. Sartory á Paris, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 76gm

**Thisbowisinaveryfinestateofpreservation,retainsitsoriginallappingandhasbeeninthesamefamilyforover50years

£20,000-30,000

LOTS 3274-3400 NO LOTS

Part II Violins & Violas

3401.

Early 20th century French violin labelled Copie de Antonius Stradivarius..., 14 1/8", 35.90cm

£250-350

3402.

Scottish violin by and labelled Robert..., no. 1, 1947, 14 1/8", 35.90cm

£200-400

3403.

Good English viola by William Piper and labelled Completely Handmade in England Especially for Cremona House Violin Shop 1995..., the one piece back of irregular curl with broad curl to the sides and plainish wood to the head, the table of a fine width grain slightly widening to the flanks and the varnish of a golden-brown colour, 15 3/8", 39.10cm

**ThisviolaissoldwithaninsurancecertificatefromCremonaHouse ViolinShopdated20thOctober2021for£4500

£800-1200

3404.

French violin by and labelled Chipot-Vuillaume, Gendre de J.-B. Vuillaume á Paris, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm

£1200-1600

3405.

German violin by and labelled C.G. Schuster jun., Markneukirchen, 1927, the two piece back of faint medium/broad curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

£900-1200

3406.

German violin by and labelled Schuster & Co, Markneukirchen in Sachsen, Erbaut 1912, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a chestnut brown colour on a golden ground, 14 1/16", 35.70cm

£700-900

3403
3404
3406
3405

3407.

Good French violin labelled Gustave Bazin, Eleve de Darte-Vuillaume, Ex-Ouvrier de Ch.-J.-B. Collin-Mezin, de Paris, the two piece back of medium/broad curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish colour on a golden ground, 14 1/8", 35.90cm

£1500-2000

3408.

French violin labelled Ateliers de Lutherie D'art, J. Lavest, Montlucon, Annee 1945, no. 83, Exposition Internationale Paris 1937, Medaille D'or, the one piece back of medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£1500-2000

3409.

Interesting 18th century German violin labelled and possibly by Martin Smiller...Anno 17*7, the two piece back of very faint medium curl with plainish wood to the sides and head, the table of a fine width grain and the varnish of a yellow-brown colour, 14 1/8", 35.90cm, case

£400-800

3410.

Good modern English viola by and labelled Made by Derek Graham White, Bristol, 1983 and signed on the label, the two piece back of fine curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light orange-brown colour, 16 1/4", 41.30cm, case

£500-800

3411.

English violin by and labelled William Robinson, Plumstead, London, A.D. 1926 no. 920154 and bearing the maker's initials inscribed on the label, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of an orange-brown colour, 14", 35.60cm, case

£300-500

3412.

English violin by and labelled Michael Kearns, Oxford 1982, 13 15/16", 35.40cm

£300-500

3413.

Early 20th century French Stradivari copy violin, 14 1/16", 35.70cm

£350-550

3414.

Modern English violin by and labelled Glen A. Collins, Luthier, Newark 1977, bearing the name 'Jubilee' inscribed on the label, the one piece back of medium/broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddishbrown colour on a golden ground, 13 7/8", 35.20cm

**Acertificateisavailabletopurchaseonthislotfrom BasfordDenyerToftfollowingthesale

£4000-6000

3414

3415.

Modern German violin by and labelled Martin Tauscher, Geigenbauer, Erlbach I. Vogtl. 1970, the two piece back of irregular medium/broad curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddishbrown colour on a golden ground, 13 15/16", 35.40cm

£1000-1400

3416.

Good mid 19th century English violin by Thomas Kennedy and signed on the bottom rib, unlabelled, the one piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/8", 35.90cm

**Acertificateisavailabletopurchaseonthislotfrom BasfordDenyerToftfollowingthesale

£5000-7000

3417.

French violin by and labelled Joseph Hel, Luthier á Lille 1897; also inscribed Exposition Universelle Paris..., the two piece back of faint broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm

**Acertificateisavailabletopurchaseonthislotfrom BasfordDenyerToftfollowingthesale

£10,000-14,000

3418.

French violin by and labelled Buthod, Luthier, Eleve du Sr Vuillaume, á Paris, 14 3/16", 36cm, case

3421 (See page 44)

**ThisviolinissoldwithaGermannickelmountedviolinbowstamped Bausch

£300-500 3419.

Late 19th century Mittenwald viola, the one piece back of faint medium curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a plum red colour on a golden ground, 15 1/2", 39.40cm, bow, case

**ThisviolaissoldwithaninsurancevaluationfromHill&Company,5 HighStreet,Welwyn,Hertsdated20thJanuary1989

£650-850

3420.

Late 19th century German violin with chevron banded table and geometric floral purfled back, 14 1/16", 35.70cm, two bows, case

£300-400

3421.

Good viola by and labelled Neu-Cremona, KunstinstrumentebauGesellchaft m.b.h., Berlin, Neu-Cremona Berlin; also inscribed in pencil on the label and below Made A.L. Kirchheimm 1915, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 15 3/8", 39.10cm, case

£1200-1600

3422.

Large Scottish viola by and labelled Tertis Model M, Made by Alexander Strachan & Son, Aberdeen 1955, the two piece back of faint/ fine curl with medium curl to the head, the table of a fine width grain slightly widening to the flanks and the varnish of a golden-brown colour, 16 7/8", 42.80cm, within a good plush lined J & A Beare Ltd case with canvas cover

£500-750

3423.

Early 20th century French Mirecourt viola, unlabelled, the two piece back of fine curl with similar wood to the sides, the head of medium curl, the table of a fine/medium width grain and the varnish of a goldenbrown colour, 15 13/16", 40.10cm

£500-750

3424.

English violin by and labelled H. Oldlane, 1928, the two piece back of faint medium/fine curl with similar wood to the sides, the head of faint broad curl, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm

£180-240

3425.

Good French violin by and labelled Chenantais & Le Lyonais, Nantes, 1938, the two piece back of fine curl with medium curl to the sides, the head of plainish wood, the table of a fine width grain and the varnish of an orange-brown colour on a golden ground, 14", 35.60cm

£800-1200

3426.

Good American violin by and labelled Grant W. Bliss Syracuse N.I. Faciebat anno 1916, 14", 35.60cm, two bows, case

£550-750

3427.

Early 20th century French violin labelled Copie de Jacobus Stainer..., 14 1/8", 35.90cm

£150-250

3429

3428.

Mid 19th century violin labelled Jo: Bap.. Rogerius Bon: Nicolai Amarti de Cremona.., the two piece back of faint broad curl with plainish wood to the sides and head, the table of a medium width grain slightly widening to the flanks and the varnish of a chocolate brown colour on a golden ground, 14 1/16", 35.70cm

£150-250

3429.

Interesting viola circa 1840, probably English, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 15 1/4", 38.70cm

£700-1000

3430.

Modern English viola by and labelled J.D. Nicholson, Belington 1980, 16 5/16", 41.40cm, within a fitted oblong case

£300-500

3431.

Violin labelled Emile Boulangeot, Luthier á Lyon, L'an 1925..., the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm £2000-2500

3432.

French violin labelled Charles Resuche, Eleve de Gand et Bernardel, Lyon, no. 27, 1893, the two piece back of faint medium/broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm

£2000-2500

3433.

French violin labelled Joseph Vautrin fecit, Chaumont anno 1934, the two piece back of strongly figured medium curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm £1500-2000

3434.

Violin labelled Aux Amateurs; Renaudin... Paris 1775, the one piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium/fine width grain and the varnish of a plum red colour on a golden ground, 14 1/8", 35.90cm £1200-1600

3435.

18th century violin labelled Benoist Fleury..., Paris 1771, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a golden-brown colour, 14 1/4", 36.20cm

£2000-2500

3435 (See page 45) 3436

3436.

English violin circa 1890 labelled Charles Boullangier, London, 1888, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour, 14", 35.60cm

£1200-1600

3437.

French violin by and labelled Georges Cone et fils á Lyon l'An 1932, no. 147, the two piece back of medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain slightly widening to the flanks and the varnish of a golden-brown colour, 13 15/16", 35.40cm

£1200-1800

3438.

French violin labelled Concerto.Hercul, Victor Joseph Charotte, fecit Mircurtice Anno 1926, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium wavy grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm

£1600-2000

3439.

French violin labelled Ch.J.B. Collin-Mezin Fils, Luthier..., Paris 1924, also signed in pencil to the inside lower back on the treble side, the two piece back of medium/broad curl with similar wood to the sides, the head of medium curl, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

£1500-1800

3440.

French violin ascribed by Philippe Ferrand to Ch.J.B. Colin-Mezin Pere and labelled Ch.J.B. Colin-Mezin, Luthier á Paris, Rue du Faub g. Poissonniere, no. 10 1895; also signed in pencil to the inner back of the lower bouts on the treble side, the two piece back of medium/ broad curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 3/16", 36cm

**ThisviolinissoldwithacertificateofauthenticityfromPhilippeFerrandandvaluingtheinstrumentat13,000Euros,dated7/11/2024

£2200-2800

3437
3438

(See page 46)

3441.

French violin labelled Gustave Villaume, Nancy, Annee 1943, no. 41; also stamped Gustave Villaume beneath the button, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£1800-2400

3442.

German violin by and labelled Neuner & Hornsteiner, Mittenwald (Oberbayern) 1923, Nach Modell Anton Jais Mittenwald, Germany, 14 3/16", 36cm

£400-600

3443.

German violin labelled Andrea Fiorini, fecit-Anno 1926, 14 3/16", 36cm

£400-600

3444.

Interesting violin, unlabelled, the two piece back of faint broad curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm, bow

**Thisviolinissoldwithsomepaperworkascribingtheinstrumentas ItalianandmadebyH.Calace,Naples1886

£800-1400

3445.

Interesting violin circa 1850, unlabelled, the two piece back of plainish wood with similar wood to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm

**ThisviolinissoldwithasilvermountedFrenchbowinneedofsome restoration

£600-900

(See page 46)

3441

3446.

Good Spanish violin by and labelled Fernando Solar Gonzalez...Madrid, Ano 1971, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a golden-brown colour, 14 1/8", 35.90cm (table sound post crack)

**Acertificateisavailabletopurchaseonthislotfrom BasfordDenyerToftfollowingthesale

£2000-2500

3447.

Early 20th century French violin labelled Antonio Torelli..., 14 3/16", 36cm, case

£300-400

3448.

Modern German violin by and labelled Walter Muller, 13 15/16", 35.40cm, case

**ThisviolinissoldwithtwonickelmountedviolinbowsstampedGotz andJoh.Schneider

£250-350

3439
3440

3444 (See page 47)

3449.

Good violin labelled Richard Peat, Manufacturer and Importer of Every Description of Musical Instruments, Tibshelf, Alfreton, Derbyshire, the one piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm, bow, case

£500-750

3450.

Violin of the Mittenwald School circa 1880, the two piece back of very faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 14 3/16", 36cm

£500-700

LOTS3451–3466formpartofaprivatecollectionfrom adeceasedestate

3451.

English violin by and labelled William Walton, Maker Longton, Preston, no. 2..., 13 7/8", 35.20cm

£250-350

3452.

English violin by and labelled William Walton, Maker, Longton, Preston, A.D., 1913, no. 44, 14 1/8", 35.90cm

£300-500

3453.

English violin by and labelled James Randell Foster, Made in Chorley 1983, 13 15/16", 35.40cm

£250-350

3454.

English violin by and labelled James Randell Foster, Made in Chorley 1965, 13 15/16", 35.40cm

£250-350

3455.

English violin by and labelled James Randell Foster, Made in Chorley 1958, 14 1/8", 35.90cm

£250-350

3445 (See page 47)

3446 (See page 47)

3456.

English viola by and labelled James Randell Foster, Made in Chorley 1982, 16 1/16", 40.80cm

£300-500

3457.

Interesting mid 19th century violin, unlabelled, 14 1/16", 35.70cm

£400-600

3458.

Interesting 18th century English baroque violin labelled Made and Sold by David Rutherford, St Martins Court..., London, the one piece back of very faint fine curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 13 15/16", 35.40cm

£500-800

3459.

Interesting French violin bearing a handwritten label faintly inscribed Piqué, rue de Grenelle..., Paris, 1809, the one piece back of faint medium/broad curl with similar wood to the sides, the head of medium curl, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm

£2000-4000

page 48)

3460.

Good violin labelled Made for Hart & Son, 28, Wardour Street, London.W., the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a golden-brown colour, 14 3/16", 36cm

£1000-1500

3461.

English violin labelled Thomas Earle Hesketh, Manchester, fecit 1903, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a light reddish-brown colour on a golden ground, 13 15/16", 35.40cm

£2000-4000

3462.

Interesting 18th century German violin labelled and possibly by Andreas Kempter Lauten und Geigenmacher in Dillingen, 1769, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm

**Acertificateisavailabletopurchaseonthislotfrom BasfordDenyerToftfollowingthesale

£1000-1500

3463.

German viola labelled Mathias Neuner, Geigenmacher in Mittenwald, 1809, Nro. 94., the one piece back of very faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 15 1/2", 39.40cm

£800-1400

3458
(See
3459
(See page 48)
3460
3461
3462

(See page 49)

3464.

19th century German viola labelled Durfer..., 16 1/16", 40.80cm

£300-500

3465.

Good English Tertis Model viola by and labelled Made by Arthur Richardson, Tertis Model, Crediton, Devon 1942, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 16 13/16", 42.70cm, case

**Thisviolaissoldwithasmallbooklettitled'TheHand-madeViolinof ArthurRichardson'

£1500-2500

3466.

English viola by Rushworth & Dreaper and labelled The 'Ardeton' Viola, Made Entirely in the Workshops of Rushworth & Dreaper, 11-17

Islington, Liverpool, no. 306, Anno 1934, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a golden-brown colour, 16 9/16", 42cm

£1000-1500

3467.

Interesting violin bearing a handwritten label inscribed Fagnola Annibale...1937; also bearing the signature of H. Fagnola 1926 inscribed on the inside upper rib, the two piece back of medium curl carved with a foliate design to the middle of the lower bouts, the sides and head of similar curl, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm

£2500-3500

3468.

French violin circa 1930 labelled Copie de Jofredus Cappa..., the two piece back of medium/fine curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 13 15/16" 35.40cm

£800-1200

3469.

Interesting violin, probably Italian and branded Giusseppe Bargelli Firenze to the inner back near the bottom block, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of an orange-brown colour, 14 3/16", 36cm

£3000-5000

3468 (See page 50)

3470.

French violin circa 1900, 14", 35.60cm

£400-600

3471.

French seven-eighth size violin labelled Copie de Nicolaus Amatius...,; also labelled Violin Ecole Grandini, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 13 11/16", 34.80cm

£700-1000

3472.

French violin labelled Gustav Bazin...no. 135, 1894, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£1000-1400

3473.

English violin bearing a partially illegible label dated 1884, the two piece back of faint medium/broad curl with similar wood to the head, the table of a fine width grain and the varnish of a golden brown colour, 14 1/8", 35.90cm

£700-900

3474.

Mid 20th century Guarneri copy violin, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm

£800-1200

3475.

3469 (See page 50)

3471

3472

Interesting violin, probably Italian and labelled Enrico Marchetti, Premiato con 12 Medaglie e Diploma d'Onore alle Primario Esposizioni fece in Cuorgne, nell'anno 1888, the two piece back of fine curl with medium curl to the sides and plainish wood to the head (reinforced with metal cheeks), the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£3000-5000

(See page 51)

3476.

Violin circa 1930 labelled Franz Angerer, Geigenmacher in Wien, anno 1930, the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm

£2000-2500

3477.

French violin circa 1925 and labelled Gustav Bazin, Eleve de DarteVuillaume, Ex-Ouvrier de Ch.-J.-B.Collin-Mezin de Paris, the two piece back of broad curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddishbrown colour on a golden ground, 14 1/16", 35.70cm

£1000-1400

3478.

Violin circa 1900, probably English, the one piece back of faint broad curl with plainish wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£700-900

(See page 51)

3479.

Interesting 18th century violin in need of restoration, the two piece back of faint broad curl with geometric purfled inlay below the button and faint medium curl to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a golden-brown colour, 14", 35.60cm

£2000-3000

3474
3475
3476
3477
3479

3480.

French violin of the Derazey School circa 1860, the one piece back of very faint medium curl with similar wood to the sides and head, the table of a fine width grain broadening to the flanks and the varnish of a plum red colour on a golden ground, 14 1/8", 35.90cm

£700-900

3481.

Violin labelled Gebaut von E. Tenucci, im Geigenbau Atelier, Hug & Co., Zurich, 1938, 14", 35.60cm

£1000-1500

LOTS 3482-3500 NO LOTS

Violoncellos & Double Basses

3501.

Two semi-rigid full size violoncello cases; also a soft violoncello case (3)

£30-60

3502.

19th century Hill style three-quarter size violoncello case, with flame mahogany and plush lined fitted interior

£20-40

3503.

Modern German child's violoncello, unlabelled, 23", 58.40cm, soft case; also another German child's violoncello labelled Karl Herrmann, Bubenreuth, anno 1990, 20 1/8", 51.10cm, soft case (2)

£40-80

3504.

Modern German half size violoncello labelled Hans Wagner, mod. nr. 420, 1974, 25 3/4", 65.40cm, soft case; also another modern German half size violoncello, 25 3/4", 35.40cm, soft case (2)

£60-100

3505.

Mittenwald three-quarter size violoncello, 27 1/2", 69.90cm, with Finkel Workshop bow, soft case

£250-450

3506.

Mittenwald three-quarter size violoncello, 25 1/4", 64.10cm, with Finkel Workshop bow, hard case

£200-400

3507.

Modern violoncello, 30", 76.20cm

**Thisvioloncelloissoldwithanickelmountedvioloncellobowby andstampedR.Paesoldandanothernickelmountedvioloncellobow, unstamped

£100-200

3508.

Modern violoncello labelled Strausberg, Made With Pride in China, anno 2005, Model VC-7..., 29 3/4", 75.60cm

£500-700

3509.

Late 19th century German violoncello, 29 1/4", 74.30cm, hard case

£200-300

3510.

19th century German violoncello, unlabelled, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a broad width grain and the varnish of a goldenbrown colour, 30 1/4", 76.90cm

£900-1200

3511.

French violoncello circa 1900, the two piece back of very faint medium/fine curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 29 7/8", 75.90cm

£800-1200 3510

3508

(See page 53)

3512.

Good modern English violoncello by and labelled Made by Derek Graham White, Bristol, 1976 and signed by the maker on the label, the two piece back of faint medium/fine curl with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a reddish-brown colour on a golden ground, 29 7/8", 75.90cm, hard case

£1000-1500

3513.

Interesting and rare late 19th century German cornerless violoncello, unlabelled, the two piece back of plainish wood with similar wood to the sides and head, the table of a medium width grain and the varnish of a light brown colour on a golden ground, 30 5/8", 77.80cm, bow, soft case

£600-1000

3514.

Late 19th century German violoncello, the two piece back of very faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 30", 76.20cm, bow

£800-1200

3515.

Interesting English 18th century violoncello probably by and labelled T. Dodd Violin, Violoncello and Bow Maker, New Street, Covent Garden, the two piece back of plainish wood with similar wood to the sides and head, the table of a broad width grain and the varnish of a plum red colour on a golden ground, 28 5/8", 72.70cm, two bows, hard case

**Thisvioloncellowasownedforoverfiftyyearsbyamemberof TheStWoolosSinfoniaandhasnowbeenbequeathedtothe orchestra

£2000-4000

3511
3512
3513
3514

3516.

(See page 54)

Interesting violoncello labelled Claude Victor Rambaux, Brevete á Paris, 1847 C.V.R., the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 29 3/4", 75.60cm

£7000-10000

3517.

English violoncello labelled Ld. Edw'd S. Churchill, Dec 1869, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddishbrown colour on a golden ground, 29 3/8", 74.60cm

£5000-8000

3518.

19th century Bavarian violoncello with carved lion's head scroll, unlabelled, the two piece back of medium/fine curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 29 1/8", 74cm

£6000-8000

3519.

Interesting violoncello, probably Italian circa 1900, indistinctly labelled, also branded MM above the label, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 29 3/4", 75.60cm

£3500-5000

3520.

Good French violoncello by and labelled Marc Laberte, Maitre Luthier, Mirecourt (Vosges), France, no. 1106; also labelled on the treble side Grand Prix, Paris 1931 Exposition Coloniale, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 29 1/2", 74.90cm

£5000-7500 3515

(See page 55)

(See page 55)

3521.

Modern double bass, back length 43 1/2", stop length 24 1/2", vibrating string length 42"

£80-140

3522.

Mid 20th century double bass, back length 43", stop length 23", vibrating string length 41 1/4", soft case

**ThisdoublebassissoldwithamodernDragonettistyledoublebassbowandanothernickelmounteddoublebassbow;thebassisalso accompaniedwithaleatherquiverandmetalstand

£100-200

3523.

Good old French double bass by and faintly stamped Claudot to the upper back, total back length 45 1/2", stop length 25 3/4", vibrating string length 43 1/4"

£2000-3000

3519
3520
3523

3524.

Good modern Jay Haide Italian (Panormo) Model double bass bearing the manufacturer's label dated 2007, length of back 43 3/8", stop length 24", vibrating string length 41"

**ThisinstrumentissoldwithapurchasereceiptfromTheContrabassShoppedated22ndNovember2013for£5000 £1200-1800

END OF SALE

Next sale date - Friday 12th September 2025

Entry deadline - 15Th August 2025

3524

CONDITIONS OF SALE

The Auctioneer acts only as agent for the Seller (unless otherwise specifically declared). Lots sold are likely to have been subject to wear and tear caused by user or the effects of age and may therefore have faults and imperfections. Buyers are given ample opportunity at viewing times to examine lots to be sold and will be assumed to have done so. They must rely solely on their own skill or judgement as to whether lots are fit for any particular purpose.

1. Bids

All bids made shall be treated as offers made upon these Conditions of Sale and all persons present and approved to bid are admitted to a sale on the basis that they have notice of these Conditions.

1A. Internet Bidding

There are no additional surcharges when bidding via our own bidding platform 'GH Live'

We also use two other online bidding platforms via the-saleroom.com and Easylive which will be subject to additional fees. Please see their respective websites for further details and terms.

‘Pre-Bidding Autobids’

'Pre-Bidding' is a new feature to our own platform and allows bidders to bid against each other prior to the start of a live auction. During the live auction the bidding will start at the current bid reached during the 'Pre-Bidding' and continues until your maximum bid is reached. All bids are anonymous, and your maximum bids are confidential. If you have been outbid, during the ‘Pre-Bidding’ then you will receive an email notifying you that you are no longer the leading bidder, however once the sale is live you will not receive any further notifications. Once bids are placed, they cannot be removed, but can be reduced, if above the current bid.

2. Ascertainment of the Buyer

The Buyer shall be the person making the highest bid which is acceptable to the Auctioneer as signified by the fall of the hammer. No bid may be retracted. In the case of a dispute the Auctioneer may either declare the purchaser or put the lot up again.

3. Auctioneer’s discretion

The Auctioneer has sole discretion, (a) to refuse any bid, (b) to advance the bidding as he may decide, (c) to withdraw or divide any lot or combine one lot with another or others, (d) to exclude any person from the auction rooms, and (e) to require pre-payment in full.

4. Reserves and Seller’s right to bid

Lots put up for sale are subject, (a) to any reserve price imposed by the Seller, (b) the right of the Auctioneer to bid on behalf of the Seller, and (c) where no reserve has been imposed (but in no other case) for the Seller to bid personally or through any one agent. It is the responsibility of the Seller to ensure any reserves are received by the Auctioneer.

5. Buyer’s Duties

The Buyer shall forthwith or as soon as possible after the sale, (a) supply his name and address, (b) supply, if so required, bank or other suitable references, (c) pay the full purchase price in a way acceptable to the Auctioneer, notwithstanding any prior arrangement for advance payment required by the Auctioneer, and (d) on proof of payment clear the lots purchased by the times specified. Lots may not be cleared during the sale except by permission of the Auctioneer.

6. Payments ALL LOTS ARE TO BE PAID & CLEARED WITHIN 7 DAYS OF THE AUCTION

Methods of payment include direct bank transfer, debit card, credit card, cash to a maximum of £8,500, Cheque payments are no longer accepted. For fraud protection we no longer accept payments by credit or debit cards for ‘Customer not Present’ transactions. Card payments at the saleroom will be accepted but must be supported by Chip and PIN. Card payments for live internet bidding will only be accepted if they have been AVS and 3D Secure authorised via our online platform with a maximum transaction limit of £1000 for Watch & Jewellery auctions; £2000 limit for all other auctions unless previous authorisation has been agreed. Deposit payments made direct at the bank or via telephone banking will need to be confirmed as 'cleared funds' before any goods are released.

6A. Anti-Money Laundering Policy

New clients spending over £5000 on an individual transaction must be verified, by supplying a current form of ID confirming their name and address to match the invoice. This must be supplied to complete the transaction before the release of goods

7. Liability of the Auctioneer and Sellers

Subject to Condition 8: (a) faults and imperfections (if any) are not stated in the catalogue and neither the Seller nor the Auctioneer is responsible for any defects whatsoever, (b) no warranty is given or authorised to be given by the Seller or the Auctioneer with regard to any lot other than the Seller’s right to sell it, (c) any express or implied conditions or warranties relating to description or quality, are hereby excluded.

8. Catalogue Descriptions

Descriptive statements contained in the advertisements or catalogues or made up by the Auctioneer or any member of his staff should be taken as matters of opinion only and shall not be taken as statement of fact.

i) Items in the catalogue are sold as seen. Where possible significant damage is mentioned, but this does not include all faults and imperfections. The absence of such reference does not imply that the lot is in good condition or free from restoration or repair. Condition reports are available upon request

ii) ’Inscribed’ or ‘Signed’ does not imply that the lot is wholly or partly by that maker

9. Forgeries

Notwithstanding Conditions 6 and 7, if the Auctioneer receives notice in writing from the Buyer WITHIN 7 DAYS OF THE SALE that in his opinion a lot is a forgery (as defined in Condition 12) and on giving such notification the lot in question is returned to the Auctioneer at his working premises in the same condition as when bought, then if on considering such evidence as the Buyer supplies to prove his assertion, the Auctioneer decides that the lot is a forgery the sale of the lot will be rescinded and the purchase price repaid to the Buyer.

10. Property in lots and risk

The Buyer shall not become the owner of any lot, and the Auctioneer shall have a lien thereon, until the Buyer has discharged the purchase price in full together with any other charges due, but after the fall of the hammer the risk of damage or loss shall nevertheless be the Buyer’s.

11. The Premium

The Buyer shall pay to the Auctioneer a premium of 22% of the hammer price together with VAT. (26.4% inclusive of VAT)

12. Default by Buyer If the Buyer fails to make payment in a way acceptable to the Auctioneer or to remove any lot or lots bought by him within 7 days of the auction or in any other material respect fail to comply with these conditions, the Auctioneer shall have the right, (a) to resell the lot or lots by public auction or otherwise without notice to the Buyer, and if any deficiency arises on such resale, after deducting the Auctioneer’s full costs and expenses, the Buyer shall be responsible to the Auctioneer therefore (but any net surplus to be the Seller’s) or, alternatively, (b) to store the lot at the Auctioneer’s premises or elsewhere and to release the lot to the Buyer only after payment in full of the purchase price together with any other charges due. The Auctioneer reserves the right to charge storage of 50p per lot per day on any lot or lots uncleared by the time specified together with any removal expenses. In addition, interest will be charged at 2.5% per month or part thereof (34.4% APR) on any accounts that remain unpaid in part or full 1 week after the sale. Interest and storage will be charged from the date of sale. In addition, the Buyer shall be liable for all legal and court costs incurred by the Auctioneers in pursuit of payment from the Buyer. The Auctioneer reserves the right to refuse any cheques and will not release lots purchased until evidence has been received that any cheque accepted has been cleared.

13. Release of Goods

Payment and clearance should be made within seven days after the sale. Goods will not be released until full payment has been cleared and a paid invoice produced. For clients arranging courier or third-party collection: written instruction must be received by the purchaser; identification will be requested from the courier and their vehicle’s registration number taken. For security purposes our premises are monitored by 24-hour CCTV

14. Definitions and interpretation

In these conditions: (a) Reference to the ‘the Auctioneer’ shall be taken to mean the firm of Gardiner Houlgate or any director, partner or employee thereof at the time of sale; (b) Buyers shall be deemed to be the principals unless to the prior knowledge of the Auctioneer they are acting as agent on behalf of a named principal; (c) ‘Forgery’ means a lot (i) which is so constituted as deliberately to deceive when considered in the light of its catalogue description, and (ii) whose value as such is materially less that if it had complied with the catalogue description; (d) The Interpretation Act 1978 shall apply to the general construction of terms and expressions used in these Conditions as if contained in a statute.

15. Law and Jurisdiction

These Conditions of sale are subject to English law, which shall apply to their construction as well as their effect. The Seller and Buyer agree to submit to the exclusive jurisdiction of the English courts.

16. What is Temporary Importation?

Temporary Importation is a system that applies to lots which have been imported for sale from outside the EU. It allows the point of importation to be delayed until after the sale at auction. These lots are indicated in catalogues by the use of the following symbol * Only the Hammer Price will be treated as the import price and the Buyer’s Premium will be subject to UK domestic VAT at 20%. So whilst the Hammer Price will continue to be charged with Import VAT at 5% or 20” as appropriate, the Buyer’s Premium will always be charged with domestic VAT at 20% Lots subject to Temporary Importation will be offered under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5% or 20% on the buyer’s Premium. Anyone who wishes to buy outside the Margin Scheme should notify us immediately. An invoice under the normal VAT rules and charging VAT at 20% on both Hammer and Premium will then be issued

Temporary Importation should affect only private individual buyers who are resident within the EU. Anyone who is registered for VAT in the EU should be able to recover the VAT on the Buyer’s Premium either on their VAT returns or through the 8th Directive Refund Scheme. Any non-EU buyer who exports the lots from the EU will be able to have the VAT refunded provided the appropriate export regulations are complied with

17. Property sold with a * Symbol These items have been imported from outside the EU to be sold at auction under temporary importation. When Gardiner Houlgate releases such property to buyers in the UK, the buyer will become the importer and must pay Gardiner Houlgate import VAT at 5% on the Hammer Price These lots will be invoiced under the Auctioneer’s Margin Scheme. Gardiner Houlgate must bear VAT on the Buyer’s Premium and hence charge an amount in lieu of VAT at 20% on this Premium. This amount will form part of the Buyer’s Premium on our invoice and will not be separately identified VAT registered buyers from the EU should note that the import VAT charged on property released in the UK cannot be cancelled or refunded by Gardiner Houlgate VAT registered buyers from the UK should note that the invoice issued by Gardiner Houlgate for these items is not suitable evidence in respect of import VAT VAT registered buyers from the EU countries may be able to seek repayment of the import VAT paid by applying to HM Revenue and Customs. On request, immediately after the sale, the office can either ask HM Revenue and Customs to generate a C79 certificate (for UK buyers), or obtain a copy of the import C88 (for other EU VAT registered buyers), which may be used to claim recovery of the VAT. Otherwise Gardiner Houlgate may re-invoice the lot and charge VAT at 20% on both the Hammer Price and the Premium and provide a tax invoice to the buyer

18. CITES Restrictions

Any lots containing any amount of Brazilian rosewood and endangered species may be subject to restrictions when exporting outside of the EU. It will be the buyer’s responsibility to make sure that the relevant paperwork is in place before shipping. Some lots are sold with CITES article 10 certificates, allowing the commercial use of an item containing an endangered species. Lots subject to this are marked in the catalogue

Import/Export

It is the buyer’s responsibility to obtain the correct import/export licenses and CITES licenses for items which they have purchased. Gardiner Houlgate take no responsibility for the export of goods.

19. Gemstones

Many gemstones have been treated in various ways to enhance their appearance. For example, sapphires and rubies are routinely heat treated and emerald treated with oils and resins. Some stones may require re-treating or oiling periodically. Enhancement affects market value, and all Gardiner Houlgate estimates assume that gemstones may have been enhanced.

20.Artists Resale Rights (or Droit de Suite)

On certain lots marked in the catalogues and which are sold for a hammer price of £1000 or greater (converted into the currency of the sale using The Design and Artists Copyright Society threshold calculator on the date of the Sale) the Additional Premium will be the percentage of the amount of the Hammer Price calculated as follows:

£0-£50,000 4%

£50,000.01 to £200,000 3%

£200,000.01 to £350,000 1%

£350,000.01 to £500,000 0.5%

Exceeding £500,000 0.25%

* Gardiner Houlgate is a trading name of Bath Auction Rooms Limited, registered in England and Wales No. 5228635.

G ARDINER H OULG ATE

THE SPECIALIST AUCTIONEERS

DIRECTIONS TO OUR CORSHAM HEADQUARTERS

On the A4 from Bath or Chippenham turn off at the mini roundabout by the Hare & Hounds Pub towards Corsham town centre, turn immediately right at the next mini roundabout into Valley Road. After one mile cross narrow railway bridge and round right angle bend. Turn left after 600 yards into Leafield Industrial Estate.

Go straight through the estate and take the last turning on the right beforemeeting the public road again, just past Linpac and opposite Corsham Print. The Bath Auction Rooms are at the end of the road facing you.

Total time from Junction 17 - 10-15 minutes

Total time from central Bath - 15 minutes

Travelling by Train - we recommend Chippenham Station

Gardiner Houlgate, 9 Leafield Way, Corsham, Nr Bath SN13 9SW

Telephone: 01225 812912

Fax: 01225 811777

E-mail: auctions@gardinerhoulgate.co.uk

www.gardinerhoulgate.co.uk

G ARDINER H OULGATE

THE SPECIALIST AUCTIONEERS

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