Fine Stringed Musical Instruments Timed Online Auction - ending 27th October 2025

Page 1


15. Fine English silver mounted violin bow by John Dodd and faintly stamped J. Dodd
16. Good English intermediate violoncello bow by William Tubbs, unstamped
52. Silver mounted violoncello bow stamped Vtor Fetique á Paris
Front Cover - LOT 158 - Fine French violin by and labelled Jean Baptiste Vuillaume á Paris, Rue Croix des Petits Champs

VIEWING IN CORSHAMBY PRIVATE APPOINTMENT

Monday 20th October 2025 - 9am-5pm

Tuesday 21st October 2025 - 9am-5pm

Wednesday 22nd October 2025 - 9am-5pm

Thursday 23rd October 2025 - 9am-5pm

Friday 24th October 2025 - 9am-5pm

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VIEWING IN LONDON

We are at the Royal Overseas League (ROSL), Brabourne Room, 6 Park Place, St James's, London SW1A 1LR, as follows: Saturday 25th October 2025 10am-5pm

Sunday 26th October 2025 10am-5pm

Monday 27th October 2025 10am-4pm

BUYER’S PREMIUM

22% + VAT (26.4% inclusive of VAT @ 20%)

PAYMENT DETAILS

All lots must be paid for and cleared within seven days after the sale. Goods will not be released until full payment is received and cleared. We are pleased to accept payment by the following methods: direct bank payment, debit card, credit cards (chip and pin only, see below), cash to a maximum of £8500. Deposit payments made direct at the bank or via telephone banking will need to be confirmed as 'cleared funds' before any goods are released.

CONDITION GUIDANCE

Comments on condition and originality in descriptions are our opinion only and not necessarily fact. Buyers that cannot view in person are encouraged to ask for a condition report and/or images before placing any kind of bid.

ENQUIRIES

01225 812912 or email: auctions@gardinerhoulgate.co.uk

The Jaqueline du Pré

Collection

To be sold on 5th December 2025

To be sold on 5th December 2025 (by instruction from Jaqueline's brother Piers du Pré and sister Hilary Finzi) to include 100 lots of personal effects and rare recordings etc.

Jackie's turquoise dress was worn at a number of her concerts, yet possibly the most important was the Tribute Concert to the Brave people of Czechoslovakia, held at the Royal Albert Hall on 2nd September 1968, days after the Soviet and Warsaw Pact invasion of the country.

Organised in just five days by Daniel Barenboim and the London Symphony Orchestra, the concert aimed to raise relief funds for the Czech people. The event featured Jacqueline du Pré performing Dvorak's Cello Concerto, with Barenboim conducting. This performance was significant not only for its musical excellence but also for its political context, as it was a powerful act of solidarity with the oppressed population. The concert took place during the day to accommodate the BBC Proms scheduled that night.

Both Jacqueline and Daniel received death threats where they performed, shortly before going on stage. They took no notice of them.

They will also be selling the disc given to them by the BBC which, unlike the recently discovered film of the concert, includes the engineer's and commentator's sound checks, the national anthems, and Daniel reading the many tributes sent by world leaders. No other complete recording of this concert is known to exist.

Gardiner Houlgate are honoured to be able to bring this fantastic piece of history to auction. For further details please contact Jamie South.

Fine Stringed Musical Instruments and Bows

LOT 147 - Fine French violin by and labelled Honore Derazey Pere á Mirecourt

Bows

1.

Unusual silver mounted violin bow with small swan shaped head, the stick round, the ebony frog plain with a silver overlaid ebony adjuster, 54gm

£300-500

2.

German nickel mounted violin bow of the Knopf School, unstamped, the stick octagonal, the handle and frog inlaid with mother of pearl and the ebony adjuster with two nickel bands enclosing mother of pearl inlaid facets, 61gm

£500-750

3.

French silver mounted viola bow stamped Roger Lotte, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 73gm

£800-1200

4.

Good silver mounted violin bow, unstamped, the stick round, the ebony frog inlaid with pearl eyes and with an engraved silver ferrule, the ebony adjuster with two silver engraved bands, 60gm

£300-500

5.

English silver mounted viola bow by W.E. Hill & Sons and stamped H & S, the stick octagonal, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 69gm

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£800-1200

6.

English silver and aluminium mounted violin bow by W.E. Hill & Sons and stamped Hill, the stick round, the ebony frog plain, with silver ferrule and aluminium adjuster, 57gm

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£700-1000

7.

Good English silver mounted violin bow by W.E. Hill & Sons and stamped W.E. Hill & Sons, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 59gm

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£1500-2000

8.

English silver mounted violoncello bow by W.E. Hill & Sons and stamped W.E.H. & S, the stick round, the ebony frog plain and with a silver overlaid ebony adjuster, 79gm (repair)

**Repairtoendofthesticknearthehead

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£1000-1500

9.

English silver mounted violin bow by and faintly stamped J. Dodd, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 54gm

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£500-800

10.

English silver mounted violin bow stamped Dodd, the stick octagonal, the ebony frog inlaid with pearl eyes and also stamped Dodd, the ebony adjuster with two silver bands, 58gm

£1200-1800

11.

Interesting silver mounted violoncello bow, unstamped, the stick round, the ebony frog plain and fitted with a star adjustment device to the back, the ebony frog with two silver bands, 75gm

£600-1000

12.

Silver and nickel mounted violin bow stamped J. Dodd, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and also stamped J. Dodd, the later ebony adjuster inlaid with two nickel bands, 56gm

£800-1200

13.

English silver and nickel mounted violin bow stamped T. Tubbs under the stick by the frog mortise, the stick round, the ebony frog inlaid with pearl eyes and with a nickel ferrule, the ebony adjuster with two silver bands, 60gm

£800-1200

14.

Good English violin bow by and stamped Jas Tubbs, the stick round, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 60gm

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£1500-2000

15.

Fine English silver mounted violin bow by John Dodd and faintly stamped J. Dodd, the stick octagonal, the ebony frog plain also stamped Dodd on the audience side and the ebony adjuster with two silver bands, 55gm

**ThisbowissoldwithacertificateofauthenticityfromP.Guillaumedated2ndMay2018no.18335

£10,000-14,000

16.

Good English intermediate violoncello bow by William Tubbs, unstamped, the stick octagonal, the ebony frog inlaid with large pearl eyes and with no slide, ebony adjuster, 86gm

**Ivorysubmissionreference4T4A3DY3

£5000-7000

17.

French silver mounted violin bow by Jerome Thibouville-Lamy, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 61gm

**ThisbowissoldwithacertificateofauthenticityfromTheCabinetJean-FrancoisRaffindated15thSeptember2025,no.EAXIBZN-4896-C250910

£1000-1500

18.

French silver mounted violoncello bow by Charles Nicolas Bazin, unstamped, circa 1900, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 72gm

**Ivorysubmissionreference4BYNBQS4

£1200-1600

19.

German silver mounted violin bow by H.R. Pfretzschner stamped Lupot, circa 1965, the stick round, the ebony frog inlaid with pearl eyes and stamped with the makers trademark crest, the ebony adjuster with two silver bands, 59gm

**Ivorysubmissionreference6FQ21K6X

£1000-1500

20.

French silver mounted violoncello bow stamped A. Lamy á Paris, the stick made to the Vigneron model and section, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 82gm

**Ivorysubmissionreference54ABXQCU

£1000-1200

21.

Interesting nickel mounted Mirecourt violin bow stamped V.J. Ferelli, the stick round, the ebony frog inlaid with pearl eyes (one missing) and the ebony adjuster with two nickel bands, 50gm (without hair)

£800-1200

22.

German silver mounted violin bow stamped Wilhelm Muhl, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 53gm (without hair and with partial lapping)

**IvorysubmissionreferenceGWAPL3S4

£1000-1400

23.

Silver mounted violin bow stamped E. Sartory á Paris, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 52gm (without hair)

**IvorysubmissionreferenceRVHR75CC

£1000-1400

24.

Silver mounted violin bow stamped Lupot, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 57gm (without hair)

**IvorysubmissionreferenceMD2LMSF1

£1000-1400

25.

Interesting silver mounted violin bow, faintly stamped, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 56gm (without hair)

£1000-1400

26.

French silver mounted viola bow by Jerome Thibouville-Lamy stamped Sarasate Maitre, circa 1920, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 72gm

£800-1200

27.

Silver and nickel mounted composite presentation violin bow, probably German, unstamped, inscribed 'Ethel.F.Leatherland' on the ferrule and 'College of Violinists Ltd' on the back of the frog, the stick round, the ebony frog inlaid with pearl eyes and with a nickel composite overlaid ebony adjuster, 61.5gm

**ThisbowispartoftheprivatecollectionfromtheestateofthelatePeterVoigt

£700-1000

28.

German silver mounted violin bow by and stamped C.A. Hoyer, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 54.5gm

**ThisbowispartoftheprivatecollectionfromtheestateofthelatePeterVoigt

£400-600

29.

French ivory mounted violin bow by and stamped Poirson á Paris on both sides of the handle, the stick round, the ivory frog plain and with a turned ivory adjuster, 50gm

**IvorysubmissionreferenceM4VAWR4T

**ThisbowispartoftheprivatecollectionfromtheestateofthelatePeterVoigt

£2000-3000

30.

French silver mounted violin bow by and stamped J.Voirin á Paris, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 53.5gm

**ThisbowispartoftheprivatecollectionfromtheestateofthelatePeterVoigt

£2000-3000

31.

French silver mounted violin bow stamped Diens, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 60gm

£1200-1600

32.

Nickel mounted violoncello bow stamped Francois Lotte, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 82gm

£1000-1400

33.

Silver mounted violoncello bow stamped Simon, Paris, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 79gm

**IvorysubmissionreferenceJ6WRHU3P

£1200-1600

34.

German silver mounted violin bow by Albert Nurnberger stamped Ferron & Kroeplin, Markneukirchen, circa 1935, the stick octagonal, the ebony frog plain and the ebony adjuster with two wide silver bands, 62gm

**Ferron&KroeplinweretheAmericanagentsappointedtosellAlbertNurnberger'sbows

£1000-1200

35.

German silver mounted violin bow by a member of the Penzel family stamped Penzel, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 62gm

**IvorysubmissionreferenceG9NL8H28

£700-1000

36.

Silver mounted violin bow stamped Dodd, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 62gm

£1000-1400

37.

Silver mounted violin bow faintly stamped, the stick octagonal, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 50gm (without hair and lapping)

**Ivorysubmissionreference44NKVLVG

£800-1200

38.

German silver mounted violin bow stamped Aug. Edwin Prager, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 51gm (without hair and lapping)

**IvorysubmissionreferenceDCXJ5MDC

£1000-1400

39.

German silver mounted violin bow stamped E. Herrmann, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 51gm (without hair)

**IvorysubmissionreferenceDHYLUHUS

£600-800

40.

German silver mounted violin bow stamped Aug. Edwin Prager, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes, 51gm (without hair and lapping)

**IvorysubmissionreferenceB48Q1MFC

£1000-1400

41.

Silver mounted violin bow stamped Fleury, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 53gm

£1500-2000

42.

Silver mounted violin bow stamped Emile Miquel, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 57gm

**IvorysubmissionreferenceVJY7FRPD

£1500-2000

43.

Silver mounted violin bow faintly stamped Adam, the stick octagonal, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 59gm

**Ivorysubmissionreference8UWQY52D

£1000-1400

44.

Silver mounted violin bow stamped J. Tubbs, the stick round, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 65gm

£1000-1400

45.

Good English violin bow by and stamped Howard Green (London), the stick round, the ebony frog inlaid with pearl eyes enclosed by gold dots and the ebony adjuster with two gold bands enclosing alternating gold dots on the ebony facets, 58gm (without hair)

£500-800

46.

French silver mounted violin bow by André Vigneron Fils and faintly stamped, circa 1910, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 59gm (repair)

**IvorysubmissionreferenceADBHKQPY

**Theheadhasbeenwellrepairedwithareplacementlowersectionseeimagesforguidance,personalviewingadvised

£1200-1500

47.

French silver mounted three-quarter size violin bow, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 57gm

**ThisbowhashistoricallybeenattributedtoVoirin

£700-1000

48.

French silver mounted violin bow stamped J. Tournier Paris, but possibly by Louis Bazin, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 60gm

£800-1200

49.

Good gold mounted violin bow by The Bowspeed Workshop of Bristol, the stick round, the ebony frog inlaid with gold rings enclosing pearl eyes and the ebony adjuster with two gold bands, 62gm

£800-1200

50.

English silver mounted violin bow stamped W. Fletcher, the stick octagonal, the ebony frog plain and the ebony adjuster with two silver bands, 61gm

£600-900

51.

Silver mounted violin bow indistinctly stamped ...á Paris, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 61gm

**IvorysubmissionreferenceBBHB6DAU

£800-1200

52.

Silver mounted violoncello bow stamped Vtor Fetique á Paris, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 79gm

£2000-2500

53.

Interesting early 19th century French violin bow, unstamped, the stick round, the ebony frog plain and with a bone adjuster, 60gm

£1000-1500

54.

English silver mounted violin bow by W.E. Hill & Sons and stamped H & S, the stick octagonal, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 63gm

£1500-2000

55.

Rare 18th century French short violin bow probably made for a half size violin, with fluted stick and head, plain frog and turned bone adjuster, 50.70cm long

£500-750

56.

English silver mounted violoncello bow stamped W. Fletcher, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 80gm

£600-900

57.

Mirecourt silver mounted violin bow stamped J. Thibouville Ly, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands (one missing), 51gm (without hair and lapping)

**IvorysubmissionreferenceKGAV5UJJ

£600-900

58.

Mirecourt gold mounted violin bow stamped Hawkes & Son on the audience side and indistinctly stamped on the player side, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two gold bands, 57gm (without hair)

**IvorysubmissionreferenceC1MM6E22

£600-900

59.

Silver mounted violin bow stamped V. Arnold á Paris, the stick octagonal, the ebony frog plain and with a silver overlaid ebony adjuster, 59gm

**IvorysubmissionreferenceS88R8S6K

£800-1200

60.

Good French silver mounted violin bow faintly stamped Mangenot to both sides of the handle, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 60gm

**Ivorysubmissionreference3TASJY7Q

£1500-2000

61.

Interesting English silver mounted viola bow of the Dodd School, unstamped, the stick round, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 64gm (without hair and lapping)

£1200-1600

62.

German silver mounted violin bow stamped R. Weichold, Dresden, the stick round, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 59gm

**IvorysubmissionreferenceETJT3965

£1000-1400

63.

German silver mounted violin bow by and stamped Roderich Paesold*, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes, 64gm

**IvorysubmissionreferenceBJ4UAK7F

£800-1200

64.

French silver mounted violin bow stamped E. Sartory á Paris and probably by L. Morizot, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 64gm

**IvorysubmissionreferenceCM2AUJAD

£1200-1600

65.

Silver mounted violin bow, unstamped, the stick round, the ebony frog inlaid with large pearl eyes and the ebony adjuster with two silver bands, 61gm

£300-500

66.

Silver mounted violin bow, unstamped, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two wide silver bands, 63gm

**IvorysubmissionreferenceXVD2GWLZ

£300-500

67.

Nickel mounted violin bow, unstamped, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 59gm

**Ivorysubmissionreference2AS86UBT

£250-350

68.

Silver mounted violin bow, unstamped, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands

**IvorysubmissionreferenceT1UXYVKJ

£350-450

69.

Interesting gold mounted violin bow, unstamped, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two gold bands, 57gm

**IvorysubmissionreferenceTZXEQV78

£600-900

70.

Silver mounted violoncello bow, unstamped, the stick octagonal, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 82gm

**IvorysubmissionreferenceMNKVX5MU

£400-600

71.

Silver mounted violoncello bow, unstamped, the stick octagonal, the ebony frog inlaid with large pearl eyes and with a silver overlaid ebony adjuster, 80gm

**IvorysubmissionreferenceTAPVCEWP

£400-600

72.

Silver mounted violoncello bow, unstamped, the stick round, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 78gm

£400-600

73.

French violin bow circa 1850, the stick round, the ebony frog plain and with a bone adjuster, 58gm (without hair and lapping)

**IvorysubmissionreferenceYSVH72RH

£600-800

74.

French violin bow stick circa 1820, the stick round, 45gm

**Ivorysubmissionreference41GJ4X16

£300-400

75.

French violin bow stick circa 1850, the stick round, 45gm

£300-400

76.

Interesting silver mounted violin bow, unstamped, the ebony frog plain and the ebony adjuster with two silver bands, 50gm (without hair and with partial lapping)

**Ivorysubmissionreference324WYCVL

£600-800

77.

Silver mounted violin bow stamped A. Vigneron á Paris, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 53gm (without hair and lapping) (repair to the head)

£500-700

78.

French violin bow of the Maire School circa 1850, unstamped, the stick round, the ebony frog plain and with a bone adjuster, 56gm (without hair and with partial lapping)

£900-1200

79.

Good French silver mounted violin bow from J.T.L. circa 1910, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 58gm

£1100-1400

80.

Interesting French silver mounted violin bow stamped *Lagarde, the stick round, the ebony frog inlaid with pearl eyes (one missing and no ferrule) and with a silver overlaid ebony adjuster, 65gm

£700-900

81.

Silver mounted violin bow, probably French and branded F.N. Voirin á Paris, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 59gm

**IvorysubmissionreferenceUEGZ5ZBN

£1000-1400

82.

Good French silver mounted violin bow probably by JJ Martin, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 53gm (without lapping)

**IvorysubmissionreferenceP53GS74F

£1500-2000

83.

Gold mounted violin bow by and stamped F. Chalupetzy, the stick round, the ebony frog inlaid with gold rings enclosing pearl eyes and the ebony adjuster with two gold bands, 66gm

£900-1200

84.

Good French Maillechort mounted violoncello bow, by Cuniot Eugene and Cuniot-Hury, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two Maillechort bands, 70gm

**ThisbowissoldwithacertificateofauthenticityfromTheCabinetD'ArchetiersExpertsJean-FrancoisRaffindated22ndAugust 2014no.4060-D6EB

£700-1000

LOTS 85-100 NO LOTS

Violins & Violas

101.

18th century violin labelled Benoist Fleury..., Paris 1771, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a golden-brown colour, 14 1/4", 36.20cm £1500-2000

Violin bearing a handwritten label inscribed Fagnola Annibale...1937; also bearing the signature of H. Fagnola 1926 inscribed on the inside upper rib, the two piece back of medium curl carved with a foliate design to the middle of the lower bouts, the sides and head of similar curl, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm £2000-3000

Interesting violin, probably Italian and branded Giusseppe Bargelli Firenze to the inner back near the bottom block, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of an orange-brown colour, 14 3/16", 36cm

£2500-3500

French violin labelled Gustav Bazin...no. 135, 1894, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£800-1200

Hawkes & Son's Tyrolese violin, labelled, the two piece back of faint medium fine curl with similar wood to the sides, the head of medium curl, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm £350-450

Interesting violin bearing a handwritten label inscribed John Furber Maker, 13 St. John's Row Old Street, St Luke, London 1825, also branded Furber, London below the top button, and indistinctly branded below the end button on the bottom rib, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 13 15/16", 35.40cm £800-1400

106.

Scottish violin probably by David Stirrat, unlabelled, the two piece back of plainish wood with medium curl to the sides, the head of plainish wood, the table of a medium width grain narrowing to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 40.80cm

£1500-2000

108
108.
English violin by Walter Mayson and labelled 'Deus Adsit Obsit Mundus', Guaiterus Maysonus, Fecit Manrunii A.D. 1879 and signed on the label, 13 15/16", 35.40cm £400-600

Interesting early composite violin bearing an old Amati label, the two piece back of very faint medium fine curl with plainish wood to the sides and head, the later table of medium width grain and the varnish of a plum red colour on a golden ground, 13 15/16", 35.40cm

£500-800

Early 20th century German violin, unlabelled, 14 1/8", 35.90cm

£300-500

110
110.

English violin of the Furber School circa 1840, unlabelled, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 13 15/16", 35.40cm

£1000-1500

111.

19th century violin labelled Nichola Amatus..., the two piece back of very faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light brown colour on a golden ground, 14", 35.60cm £1000-1500

112
112.

113.

French violin by and labelled Ch.J.B. Collin-Mezin Fils, Luthier, Medaille d'or-Exposition Universelle 1900, Paris; also bearing another label above inscribed Lutherie Artistique Garantie..., and signed Collin-Mezin on the inner back lower bouts of the treble side, the two piece back of medium/narrow curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£2000-3000

113

French violin by and labelled Paul Kaul, Nantes. An. 1927 and stamped Paul Kaul to the inner back above the label, the two piece back of faint medium curl with similar wood to the sides, the head of narrow curl, the table of a medium width grain narrowing to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm £2500-3500

114
114.

German violin of the Klotz School circa 1780, unlabelled, the two piece back of medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 14", 35.60cm

£2500-3500

115.

German violin by and labelled Willy Berndt, fecit Belaino, anno 1926, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm £1800-2400

116
116.

Good Italian violin by and labelled Gianotti Alfredo opus fecit A.D. 1980 Milano and signed by the maker on the label no. 119; also bearing the maker's monogram on the button, the one piece back of wild flame with faint medium curl to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£4000-6000

French violin by and labelled Lutherie Artistique, Jean-Baptiste Colin, annee 1895, no. 2, the two piece back of faint medium/fine curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 14 1/8", 35.90cm

£1000-1400

118
118.

Violin by and labelled Siegfried Petzold, Luthier, 1930..., the one piece back of faint medium/fine curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a reddish colour on a golden ground, 14 3/16", 36cm £1600-2000

119.

Violin by and labelled J.L.T. MacCarthy, Cambridge, England, no. 4, 1923, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 14 1/8", 35.90cm £1500-1800

120.

121.

Interesting violin, possibly Italian and labelled Enrico Marchetti, Premiato con 12 Medaglie e Diploma d'Onore alle Primario Esposizioni fece in Cuorgne, nell'anno 1888, the two piece back of fine curl with medium curl to the sides and plainish wood to the head (reinforced with metal cheeks), the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm £1500-2000

Violin circa 1930 labelled Franz Angerer, Geigenmacher in Wien, anno 1930, the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm £1500-2000

122.

123.

French violin circa 1925 and labelled Gustav Bazin, Eleve de Darte-Vuillaume, Ex-Ouvrier de Ch.-J.-B.Collin-Mezin de Paris, the two piece back of broad curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm £1000-1500

Interesting 18th century violin in need of restoration, the two piece back of faint broad curl with geometric purfled inlay below the button and faint medium curl to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a goldenbrown colour, 14", 35.60cm £2000-3000

124
124.

Early 20th century miniature violin bearing an indecipherable label inscribed in pencil, 6.25" long overall, within a bespoke fitted rosewood case

£200-300

125
125.

Fine quality late 19th century miniature violin, unlabelled, 13" long overall £500-700

126
126.

rare

£4000-6000

127
127.
Fine and
Flemish 17th century pochette made by and labelled Matthijs Hofmans, tot Antwerpen 1653, with ebony neck, peg box and carved head finial, 40cm long

English viola of the Betts School circa 1810, unlabelled, the one piece back of fine irregular medium curl with similar faint curl to the sides and head, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 15 3/8", 39.10cm £1500-2000

128
128.

129.

English viola probably by Simon Andrew Forster and labelled David Tecchler Fecit Rome Anno..., the one piece back of wild flame with very faint medium curl to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 15 3/8", 39.10cm

**ThisviolaispartoftheprivatecollectionfromtheestateofthelatePeterVoigt

£3000-5000

English viola by William Forster and labelled Forster Maker, London, the two piece back of faint medium/fine curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 15 1/16", 38.30cm

**ThisviolaispartoftheprivatecollectionfromtheestateofthelatePeterVoigt

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale £5000-8000

130
130.

French violin by and labelled J. Bailly á Paris and signed Jenny Bailly, no. 553 in ink on the label and again in ink to the inner back left of the label, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 14 1/8", 35.90cm £2500-3500

Good French violin attributed to Jules Grandjon circa 1870, labelled Antonius Stradivarius..., the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

**ThisviolinissoldwithacertificateofauthenticityfromBernardSabatierdated7thNovember2024

£2500-3500

132
132.

English violin by Richard Duke circa 1780, stamped Duke below the button on the back and again beneath the button on the middle lower rib, the two piece back of faint medium/fine curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light brown colour on a golden ground, 13 7/8", 35.20cm

£2500-3500

133 133.

French violin by Justin Derazey bearing the maker's brand and initials stamped to the inside back, the two piece back of faint broad curl with similar wood to the sides, the head of plainish wood, the table of medium width grain and the varnish of a plum red colour on a golden ground, 14", 35.60cm

**ThisviolinissoldwithacertificateofauthenticityfromSergeetFlorentBoyerdated9thMay2025 £3000-4000

134
134.

135.

French violin by and labelled Ch.J.B. Collin-Mezin, Luthier, Grand Prix-Exposition Universelle 1900, Paris, 1942; also signed to the inner back of the lower bouts on the treble side, the two piece back of medium/fine curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of an orange-brown colour on a golden ground, 13 15/16", 35.40cm

£2000-3000

Good Scottish violin bearing an illegible label, the two piece back of faint medium/fine curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm £2000-3000

136
136.

Violin, probably French, after and labelled Giovanni Pistucci, Napoli 1896; the two piece back of faint medium broad curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm

**ThisviolinisalsostampedonthebassbarJ.Lavest

£2000-3000

Interesting violin labelled Enricus Ceruti..., the two piece back of faint medium/broad curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a deep red colour on a golden ground, 13 15/16", 35.40cm £2000-3000

138
138.

139.

Interesting Italian violin, in need of restoration, labelled Io:Bapt:RogeriusBon:Nicolai Amati de Cremo..., also bearing an indistinct handwritten inscription on the label ...l'an 1791, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm

**DendrochronologyreportfromPeterRatcliffe £2000-3000

140.

Interesting Italian violin in need of restoration, of the Tononi School labelled Carclus Tononi fecit Bononiae Anno 17**, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm

** ThisinstrumentisalsosoldwithanotefromW.E.Hill&Sons aboutthemaker

**DendrochronologyreportfromPeteRatcliffeavailableupon request

£2000-3000

French violin labelled Leon Mougenot Gauche, ex-ouvrier des les Maisons de Bruxelles, Lyon, Paris, Londres, 1925, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddishbrown colour on a golden ground, 14 1/8", 35.90cm £1800-2400

141
141.

Late 19th century violin, unlabelled, 14 1/8", 35.90cm

£800-1200

142
142.

19th century English violin stamped Thompsons, London, with inked purfling, 13 15/16", 35.40cm £800-1200

143
143.

Violin labelled Georges Cunault, Luthier, C. Paris-An 1898, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

£2000-3000

Mid 19th century violin labelled Antonius Stradivarius..., the one piece back of very faint medium curl with faint fine curl to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 14 3/16", 36cm £2500-3500

145
145.

146.

Good French violin by and labelled Ch.J.B. Collin-Mezin, Luthier, Grand Prix-Exposition Universelle 1900, Paris, 1937, no. 24; also signed to the inner back of the lower bouts on the treble side, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm £4000-6000

147.

Fine French violin by and labelled Honore Derazey Pere á Mirecourt; also stamped H. Derazey to the inner back and separately monogrammed H.D. in a separate stamp enclosed by an oval, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

**AcertificateisavailabletopurchaseonthislotfromBasfordDenyerToftfollowingthesale

£15,000-20,000

148.

Fine French violin by and labelled Ch.J.B. Collin-Mezin, Luthier, Grand Prix-Exposition Universelle 1900, Paris, 1905; also signed on the inside lower bouts of the treble side, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm £10,000-12,000

German violin by and labelled Wilhelm Nurnberger, Geigenmacher in Mittenwald an der Isar, no. 136, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£3000-4000

Violin labelled Carolus Maurizi, Fece in Bologna, anno 1955, the one piece back of fine curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a golden-brown colour, 14 1/8", 35.90cm £3000-4000

150 150.

VIOLINS FROM THE COLLECTION OF PETER VOIGT (LOTS 151-158)

German violin by and labelled Copy of Nicolas Amati, Made by Ernst Heinrich Roth, Germany, also stamped Ernst Heinrich Roth, Markneukirchen, C.1300 to the inner back above the label, the one piece back of very faint irregular medium curl with similar wood to the sides, the head of faint medium curl, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddishbrown colour on a golden ground, 14 3/16", 36cm £800-1200

English violin by a member of the Furber family, early 19th century, unlabelled, the two piece back of very faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 13 7/8", 35.20cm

£1200-1800

153.

French violin by and inscribed on the label Marc Laberte, Copie Exacte de Mon Stradivarius 1702, 1922, no. 105, the two piece back of medium/fine curl with similar wood to the sides, the head of faint medium curl, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm £1200-1800

French violin labelled Fait par Paul Blanchard á Lyon en 1909, no. 157; also bearing an inked monogram PB below the end button, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm £1200-1800

155.

French violin by and labelled Caressa & Francais, Luthiers du Conversatoire de Musique, no. 366, Paris 1911, the one piece back of broad curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a light reddish-brown colour, 14 1/8", 35.90cm

**Thisviolinisinscribedingoldletteringontheupperboutsoftheback'PremierPrixdecerne,parleConservatoireNationalde Musique,NoelaCousin,l'an1912',enclosedbyribbonedfoliage.ThisviolinissoldwithacertificateofauthenticityfromBernard Millantdated15thJanuary1990;theinstrumentisalsosoldwithabillofsalefromG.N.Chapmandated18thOctober2012 £8000-12,000

156.

Good French violin labelled Leon Bernardel, Luthier, 40 bis Faubg Poissonniere, Annee 1910, Paris, no. 64; also stamped Leon Bernardel á Paris above the end button, the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 14 3/16", 36cm £1200-1800

Fine and interesting early 19th century violin attributed by William E. Hill & Sons to be the work of Joseph Ceruti and labelled Joseph Ceruti filius Joannis Baptiste Cremonensis fecit anno 18**, the two piece back of wild flame with similar wood to the head, the sides of a medium curl, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

**ThisviolinissoldwithacertificateofauthenticityfromWilliamE.Hill&Sonsdated5thJanuary1959

£15,000-25,000

157.

Fine French violin by and labelled Jean Baptiste Vuillaume á Paris, Rue Croix des Petits Champs, the one piece back of faint medium irregular curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm

*Thisviolinissoldwithseveralcertificatesofauthenticityfrom:WilliamE.Hill&SonsdatedJune17th1943;L.P.Balmforth&Son dated14thOctober1955;A.DavidDollin&NormanDainesdated27thAugust1970;PeterVoigtLtddated10thAugust1989;and LaurenceNaisby&Sondated15thNovember1972

£80,000-120,000

158 158.

German violin by and labelled Arnold Voigt, Geigenmacher, Markneukirchen, Sachsen, the two piece back of medium/broad curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

£3000-4000

160.

Good French violin labelled Modele de Nicolas Aldric, Pere, Luthier á Nantes, Rue de la Gare, no. 71, an 1928, the two piece back of very faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£3000-4000

LOTS 161-170 NO LOTS

Violoncellos

Interesting violoncello, probably Italian circa 1900, indistinctly labelled, also branded MM above the label, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 29 3/4", 75.60cm £2000-3000

Violoncello circa 1900, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 30 1/4", 76.90cm £2500-3500

172
172.

Mid 19th century violoncello, unlabelled, 29 1/4", 74.20cm

£1000-1500

173
173.

174.

German violoncello circa 1930 by and labelled Copy of Nicolas Amati Made by Ernst Heinrich Roth, the one piece back of irregular faint medium curl with similar wood to the sides, the head of faint medium curl, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 29 3/4", 75.60cm

**ThisvioloncelloispartoftheprivatecollectionfromtheestateofthelatePeterVoigt £5000-8000

174

175.

Good English violoncello probably by Lockey Hill circa 1785, unlabelled, stamped below the button on the back Longman & Broderip, no. 26 Cheapside & no. 13 Hay-market, London, the two piece back of faint medium/fine curl with plainish wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 29 1/2", 74.90cm

£20,000-25,000

175

176.

Good modern violoncello by and labelled Giacomo Gabbai, London 1997, the two piece back fine curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a golden-brown colour, 29 3/4", 75.60cm

£12,000-16,000

176

Good French violoncello labelled H. Emile Blondelet, Luthier á Paris...no. C.40, Annee 1924, the two piece back of irregular fine curl with similar wood to the sides and head, the table of a broad width grain slightly narrowing to the flanks and the varnish of a light reddish-brown colour on a golden ground, 30 1/8", 76.50cm, hard case £12,000-16,000

End of Sale

177
177.

- Fine and interesting early 19th

LOT 157
century violin attributed by William E. Hill & Sons to be the work of Joseph Ceruti and labelled Joseph Ceruti filius Joannis Baptiste Cremonensis fecit anno 18**

The Jaqueline du Pré Collection

To be sold on 5th December 2025

CONDITIONS OF SALE

The Auctioneer acts only as agent for the Seller (unless otherwise specifically declared). Lots sold are likely to have been subject to wear and tear caused by user or the effects of age and may therefore have faults and imperfections. Buyers are given ample opportunity at viewing times to examine lots to be sold and will be assumed to have done so. They must rely solely on their own skill or judgement as to whether lots are fit for any particular purpose.

1. Bids

All bids made shall be treated as offers made upon these Conditions of Sale and all persons present and approved to bid are admitted to a sale on the basis that they have notice of these Conditions.

1A. Internet Bidding

There are no additional surcharges when bidding via our own bidding platform 'GH Live'

We also use two other online bidding platforms via the-saleroom.com and Easylive which will be subject to additional fees. Please see their respective websites for further details and terms.

‘Pre-Bidding Autobids’

'Pre-Bidding' is a new feature to our own platform and allows bidders to bid against each other prior to the start of a live auction. During the live auction the bidding will start at the current bid reached during the 'Pre-Bidding' and continues until your maximum bid is reached. All bids are anonymous, and your maximum bids are confidential. If you have been outbid, during the ‘Pre-Bidding’ then you will receive an email notifying you that you are no longer the leading bidder, however once the sale is live you will not receive any further notifications. Once bids are placed, they cannot be removed, but can be reduced, if above the current bid.

2. Ascertainment of the Buyer

The Buyer shall be the person making the highest bid which is acceptable to the Auctioneer as signified by the fall of the hammer. No bid may be retracted. In the case of a dispute the Auctioneer may either declare the purchaser or put the lot up again.

3. Auctioneer’s discretion

The Auctioneer has sole discretion, (a) to refuse any bid, (b) to advance the bidding as he may decide, (c) to withdraw or divide any lot or combine one lot with another or others, (d) to exclude any person from the auction rooms, and (e) to require pre-payment in full.

4. Reserves and Seller’s right to bid

Lots put up for sale are subject, (a) to any reserve price imposed by the Seller, (b) the right of the Auctioneer to bid on behalf of the Seller, and (c) where no reserve has been imposed (but in no other case) for the Seller to bid personally or through any one agent. It is the responsibility of the Seller to ensure any reserves are received by the Auctioneer.

5. Buyer’s Duties

The Buyer shall forthwith or as soon as possible after the sale, (a) supply his name and address, (b) supply, if so required, bank or other suitable references, (c) pay the full purchase price in a way acceptable to the Auctioneer, notwithstanding any prior arrangement for advance payment required by the Auctioneer, and (d) on proof of payment clear the lots purchased by the times specified. Lots may not be cleared during the sale except by permission of the Auctioneer.

6. Payments ALL LOTS ARE TO BE PAID & CLEARED WITHIN 7 DAYS OF THE AUCTION

Methods of payment include direct bank transfer, debit card, credit card, cash to a maximum of £8,500, Cheque payments are no longer accepted. For fraud protection we no longer accept payments by credit or debit cards for ‘Customer not Present’ transactions. Card payments at the saleroom will be accepted but must be supported by Chip and PIN. Card payments for live internet bidding will only be accepted if they have been AVS and 3D Secure authorised via our online platform with a maximum transaction limit of £1000 for Watch & Jewellery auctions; £2000 limit for all other auctions unless previous authorisation has been agreed. Deposit payments made direct at the bank or via telephone banking will need to be confirmed as 'cleared funds' before any goods are released.

6A. Anti-Money Laundering Policy

New clients spending over £5000 on an individual transaction must be verified, by supplying a current form of ID confirming their name and address to match the invoice. This must be supplied to complete the transaction before the release of goods

7. Liability of the Auctioneer and Sellers

Subject to Condition 8: (a) faults and imperfections (if any) are not stated in the catalogue and neither the Seller nor the Auctioneer is responsible for any defects whatsoever, (b) no warranty is given or authorised to be given by the Seller or the Auctioneer with regard to any lot other than the Seller’s right to sell it, (c) any express or implied conditions or warranties relating to description or quality, are hereby excluded.

8. Catalogue Descriptions

Descriptive statements contained in the advertisements or catalogues or made up by the Auctioneer or any member of his staff should be taken as matters of opinion only and shall not be taken as statement of fact.

i) Items in the catalogue are sold as seen. Where possible significant damage is mentioned, but this does not include all faults and imperfections. The absence of such reference does not imply that the lot is in good condition or free from restoration or repair. Condition reports are available upon request

ii) ’Inscribed’ or ‘Signed’ does not imply that the lot is wholly or partly by that maker

9. Forgeries

Notwithstanding Conditions 6 and 7, if the Auctioneer receives notice in writing from the Buyer WITHIN 7 DAYS OF THE SALE that in his opinion a lot is a forgery (as defined in Condition 12) and on giving such notification the lot in question is returned to the Auctioneer at his working premises in the same condition as when bought, then if on considering such evidence as the Buyer supplies to prove his assertion, the Auctioneer decides that the lot is a forgery the sale of the lot will be rescinded and the purchase price repaid to the Buyer.

10. Property in lots and risk

The Buyer shall not become the owner of any lot, and the Auctioneer shall have a lien thereon, until the Buyer has discharged the purchase price in full together with any other charges due, but after the fall of the hammer the risk of damage or loss shall nevertheless be the Buyer’s.

11. The Premium

The Buyer shall pay to the Auctioneer a premium of 22% of the hammer price together with VAT. (26.4% inclusive of VAT)

12. Default by Buyer If the Buyer fails to make payment in a way acceptable to the Auctioneer or to remove any lot or lots bought by him within 7 days of the auction or in any other material respect fail to comply with these conditions, the Auctioneer shall have the right, (a) to resell the lot or lots by public auction or otherwise without notice to the Buyer, and if any deficiency arises on such resale, after deducting the Auctioneer’s full costs and expenses, the Buyer shall be responsible to the Auctioneer therefore (but any net surplus to be the Seller’s) or, alternatively, (b) to store the lot at the Auctioneer’s premises or elsewhere and to release the lot to the Buyer only after payment in full of the purchase price together with any other charges due. The Auctioneer reserves the right to charge storage of 50p per lot per day on any lot or lots uncleared by the time specified together with any removal expenses. In addition, interest will be charged at 2.5% per month or part thereof (34.4% APR) on any accounts that remain unpaid in part or full 1 week after the sale. Interest and storage will be charged from the date of sale. In addition, the Buyer shall be liable for all legal and court costs incurred by the Auctioneers in pursuit of payment from the Buyer. The Auctioneer reserves the right to refuse any cheques and will not release lots purchased until evidence has been received that any cheque accepted has been cleared.

13. Release of Goods

Payment and clearance should be made within seven days after the sale. Goods will not be released until full payment has been cleared and a paid invoice produced. For clients arranging courier or third-party collection: written instruction must be received by the purchaser; identification will be requested from the courier and their vehicle’s registration number taken. For security purposes our premises are monitored by 24-hour CCTV

14. Definitions and interpretation

In these conditions: (a) Reference to the ‘the Auctioneer’ shall be taken to mean the firm of Gardiner Houlgate or any director, partner or employee thereof at the time of sale; (b) Buyers shall be deemed to be the principals unless to the prior knowledge of the Auctioneer they are acting as agent on behalf of a named principal; (c) ‘Forgery’ means a lot (i) which is so constituted as deliberately to deceive when considered in the light of its catalogue description, and (ii) whose value as such is materially less that if it had complied with the catalogue description; (d) The Interpretation Act 1978 shall apply to the general construction of terms and expressions used in these Conditions as if contained in a statute.

15. Law and Jurisdiction

These Conditions of sale are subject to English law, which shall apply to their construction as well as their effect. The Seller and Buyer agree to submit to the exclusive jurisdiction of the English courts.

16. What is Temporary Importation?

Temporary Importation is a system that applies to lots which have been imported for sale from outside the EU. It allows the point of importation to be delayed until after the sale at auction. These lots are indicated in catalogues by the use of the following symbol * Only the Hammer Price will be treated as the import price and the Buyer’s Premium will be subject to UK domestic VAT at 20%. So whilst the Hammer Price will continue to be charged with Import VAT at 5% or 20” as appropriate, the Buyer’s Premium will always be charged with domestic VAT at 20% Lots subject to Temporary Importation will be offered under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5% or 20% on the buyer’s Premium. Anyone who wishes to buy outside the Margin Scheme should notify us immediately. An invoice under the normal VAT rules and charging VAT at 20% on both Hammer and Premium will then be issued Temporary Importation should affect only private individual buyers who are resident within the EU. Anyone who is registered for VAT in the EU should be able to recover the VAT on the Buyer’s Premium either on their VAT returns or through the 8th Directive Refund Scheme. Any non-EU buyer who exports the lots from the EU will be able to have the VAT refunded provided the appropriate export regulations are complied with

17.Property sold with a * Symbol These items have been imported from outside the EU to be sold at auction under temporary importation. When Gardiner Houlgate releases such property to buyers in the UK, the buyer will become the importer and must pay Gardiner Houlgate import VAT at 5% on the Hammer Price These lots will be invoiced under the Auctioneer’s Margin Scheme. Gardiner Houlgate must bear VAT on the Buyer’s Premium and hence charge an amount in lieu of VAT at 20% on this Premium. This amount will form part of the Buyer’s Premium on our invoice and will not be separately identified VAT registered buyers from the EU should note that the import VAT charged on property released in the UK cannot be cancelled or refunded by Gardiner Houlgate VAT registered buyers from the UK should note that the invoice issued by Gardiner Houlgate for these items is not suitable evidence in respect of import VAT VAT registered buyers from the EU countries may be able to seek repayment of the import VAT paid by applying to HM Revenue and Customs. On request, immediately after the sale, the office can either ask HM Revenue and Customs to generate a C79 certificate (for UK buyers), or obtain a copy of the import C88 (for other EU VAT registered buyers), which may be used to claim recovery of the VAT. Otherwise Gardiner Houlgate may re-invoice the lot and charge VAT at 20% on both the Hammer Price and the Premium and provide a tax invoice to the buyer

18. CITES Restrictions

Any lots containing any amount of Brazilian rosewood and endangered species may be subject to restrictions when exporting outside of the EU. It will be the buyer’s responsibility to make sure that the relevant paperwork is in place before shipping. Some lots are sold with CITES article 10 certificates, allowing the commercial use of an item containing an endangered species. Lots subject to this are marked in the catalogue

Import/Export

It is the buyer’s responsibility to obtain the correct import/export licenses and CITES licenses for items which they have purchased. Gardiner Houlgate take no responsibility for the export of goods.

19. Gemstones

Many gemstones have been treated in various ways to enhance their appearance. For example, sapphires and rubies are routinely heat treated and emerald treated with oils and resins. Some stones may require re-treating or oiling periodically. Enhancement affects market value, and all Gardiner Houlgate estimates assume that gemstones may have been enhanced.

20. Artists Resale Rights (or Droit de Suite)

On certain lots marked in the catalogues and which are sold for a hammer price of £1000 or greater (converted into the currency of the sale using The Design and Artists Copyright Society threshold calculator on the date of the Sale) the Additional Premium will be the percentage of the amount of the Hammer Price calculated as follows:

£0-£50,000 4%

£50,000.01 to £200,000 3%

£200,000.01 to £350,000 1%

£350,000.01 to £500,000 0.5%

Exceeding £500,000 0.25%

* Gardiner Houlgate is a trading name of Bath Auction Rooms Limited, registered in England and Wales No. 5228635.

G ARDINER H OULG ATE

THE SPECIALIST AUCTIONEERS

DIRECTIONS TO OUR CORSHAM HEADQUARTERS

OntheA4fromBath or Chippenhamturn offat themini roundaboutbythe Hare &HoundsPubtowards Corsham towncentre,turn immediately right at thenext mini roundaboutintoValleyRoad.After onemile cross narrow railwaybridge androundright anglebend.Turn leftafter 600 yards intoLeafieldIndustrial Estate. Gostraight throughtheestate and takethelast turning ontheright beforemeetingthepublic road again,just pastLinpacandopposite Corsham Print. TheBath AuctionRooms are at theendoftheroad facingyou.

Total time from Junction 17 - 10-15 minutes

Total time from central Bath - 15 minutes Travelling by Train - we recommend Chippenham Station

G ARDINER

H OULGATE THE SPECIALIST AUCTIONEERS

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