ABOUT DIGITAL PROGRAMS
The Gallo Center has adopted the use of digital programs meant to be viewed on cell phones or other computer devices. This change has important public health, environmental and economic benefits: reducing close contacts between patrons and ushers, cutting our use of paper, and eliminating substantial printing costs. View the program only before shows begin or during intermissions. Please be considerate of other patrons and artists on stage by not viewing it during performances. Patrons who do not observe this courtesy and create distractions may be asked to leave. Thank you!
WHY YOUR SUPPORT MATTERS
The Gallo Center for the Arts is a non-profit performing arts center with a deep commitment to enriching the people and communities of California’s vast San Joaquin Valley. From the scintillating performances of its wonderful resident companies, to the great variety of world-class entertainment presented by the Center each season, to robust arts education programs for the region’s youth, this is where the magic happens.
From the beginning, the Center’s mission has been clearly defined: to provide an inspirational civic gathering place where regional, national, and international cultural activities illuminate, educate, and entertain. Since revenue from ticket sales and facility rentals only covers a portion of the costs associated with fulfilling this mission, the Center is dependent on the generous annual financial support from donors and program sponsors within our community.
LEARN MORE AT GALLOARTS.ORG/SUPPORTUS.
ABOUT THE CENTER
HOW TO BUY TICKETS
In Person: 1000 I Street, downtown Modesto
Online: 24/7/365 at GalloArts.org
By Phone: (209) 338-2100
TICKET OFFICE HOURS
Monday – Friday: 10 am – 6 pm, Saturday: Noon – 6 pm Closed Sundays
Ticket Office opens two hours prior to all events
EMAIL LIST
Sign up at GalloArts.org and receive e-news about events, added performances, and special offers!
GENERAL INFORMATION
The mission of the Gallo Center for the Arts is to enrich the quality of life in the San Joaquin Valley by providing an inspirational civic gathering place where regional, national and international cultural activities illuminate, educate and entertain. The Gallo Center for the Arts celebrates the diversity of the San Joaquin Valley by offering an array of affordable cultural opportunities designed to appeal, and be accessible, to all.
The Center opened in September, 2007 and consists of the 440-seat Foster Family Theater, the 1,248-seat Mary Stuart Rogers Theater, the Marie Damrell Gallo Grand Lobby and a plaza serving both theaters, and the Modesto Rotary Music Garden.
As a regional non-profit performing arts center, the Gallo Center for the Arts presents internationally recognized touring artists in all disciplines, and also is home to four resident companies: Central West Ballet, Modesto Performing Arts, Modesto Symphony Orchestra and Opera Modesto. The Gallo Center for the Arts is a unique public/private partnership. Construction was funded jointly by the County of Stanislaus, which owns the facility, and contributions from more than 4,000 individuals and businesses given to a non-profit 501(c)(3) organization which today operates the Center.
PATRON EVENT INFORMATION
• Emergency exits are indicated by green exit signs located above each exit. For your safety, please check for the location of the exit nearest to your seat.
• The Gallo Center for the Arts is accessible to disabled patrons. Wheelchair seating is available in both theaters. Portable wireless listening devices are available at the Coat Check room at no charge. Please inform the Ticket Office of any special needs when ordering tickets.
• Food and beverages are not allowed in the theaters. (with the exception of bottled water and beverages served in theater cups.)
• Smoking is prohibited inside the building and within 20 feet of all entrances.
• Latecomers will be seated at the discretion of the Gallo Center for the Arts’ house managers.
• The use of recording equipment and the taking of photographs in Gallo Center for the Arts theaters is strictly forbidden. The Gallo Center for the Arts reserves the right to confiscate any such equipment and/or require offending customers to exit the premises.
• As a courtesy to artists and to your fellow patrons,
please turn off or silence any mobile device on your person. No texting, please!
• Restrooms are located on all three levels of the Center.
• Lost items will be held in the Coat Check room on the main level until the end of the performance. Thereafter, please contact Ticket Office at (209) 338-2100.
• All patrons MUST have a ticket to enter a performance regardless of age.
• Out of courtesy to other patrons, the Gallo Center for the Arts requests that no infants or toddlers attend any performance.
Groups qualify for discounts up to 15% on ticket prices to the many exciting performances offered by the Gallo Center for the Arts and its resident companies.
Secure your group reservation today for just 10% down of your total price!
EMPLOYEE PARTIES/REWARDS CHURCH OUTINGS CLUBS AND ORGANIZATIONS
BUS TOURS
CORPORATE ENTERTAINMENT
SENIOR CENTER OUTINGS
HOLIDAY, ANNIVERSARY & BIRTHDAY PARTIES
…AND MORE!
ONE CALL DOES IT ALL!
Our group sales manager, Jesica Sanchez, is at your service. Call her at (209) 338-5064, or send an email to jsanchez@galloarts.org.
BANDA MACHOS
Banda Machos is a Mexican band originally from Villa Corona, in the state of Jalisco. The band sings a combination of Banda music, Quebradita, and Ranchera. Banda Machos has performed songs composed by Joan Sebastian, Jose Guadalupe Esparza, José Alfredo Jiménez, Ivan Diaz, Horacio Ortíz and Marco Antonio Solís. The band has been together for over 26 years and has recorded over 22 albums.
ORIGINS
In 1990, 13 young men from Villa Corona came together to form a musical group. They recorded and released their first album, Serian Las Dos, on cassette that same year. Composed primarily of cumbias, rancheras and corridos, the band’s debut achieved moderate success. In 1991, Banda Machos issued Casimira, with the title track, Lena De Pirul, La Culebra, Un Indio Quiere Llorar, No Soy Monedita De Oro, La Cosita andTraficantes Michoacanos becoming major hits. They also interpreted El Viejo Joven and Un Cariño Como Tu, both well known songs by Joan Sebastian. The band began using their phrase Arre Machos! on many of their songs. The band’s breakthrough came with 1992’s Sangre De Indio, which spawned Al Gato Y Al Raton, their biggest hit at the time. Other hits on the album are La Secretaria, Y La Quiere Paco, Escuadras Del Sur,Sangre De Indio, Volvere, Mi Tesoro and Chaparra De Mi Amor. In 1993, they released their fourth album, Los Machos Tambien Lloran. The album featured Guerita, Motivos, Mi Luna, Mi Estrella, Las Nachas, La Carga Del Diablo, Las Mañanitas and Tu Abandono, all of which were popular songs in Mexico and the United States. The album cover was the first to display the band’s unique costumes that they gained recognition for. This production included the essential touch of their name by what many call “El Macho” consisting of a figure with a hat and suit. It is usually black, although it has changed color. Gracias Mujer was released in 1994. Hits on the album include Las Habas, La Más Bonita De Todas, El Puchoncito,Mi Otra Mitad, Esclavo y Amo and an interpretation of Bésame Mucho.
At the time, the band’s lead singer was Raúl Ortega, who after this release attempted a solo career with his own band known as Banda Arre. Raul had little success with his solo adventure, so he decided to return to the band in 2001. Machos released two albums, La Reunion and A Prueba De Balas that year. His return was short-lived, and soon after he left for good.
Their success came early on in the Quebradita wave, a style popularized in Los Angeles’ Latin circuit in the early ‘90s. In particular, their third album, Sangre De Indio (Blood of an Indian), which had their hit “Al Gato Y Al Raton” made them radio staples during the early 1990s.
MUSICAL CONTRIBUTIONS
Along with Banda el Recodo, among other bands, they were responsible for constructing a more danceable style of traditional Banda music. This was the Quebradita style which essentially combined cumbia with banda.
1990S AND BEYOND
The band became known early on as “La Reina de las Bandas” (Queen of the Bands), both because of their unique costumes and their early contributions to the Quebradita genre.[2]
In 1993, Banda Machos was awarded by Univisión’s Lo Nuestro for Revelation of the Year in the Mexican/ Regional category, achieving a Furia Musical award for Best Mexican Band. Banda Machos’ “Zappa Mambo” was featured in the movie My Family, produced by Francis Ford Coppola in 1995. After 1994’s Gracias Mujer, lead singer Raul Ortega left Banda Machos and formed his own band. During his absence, Raul was replaced by José (Pepe) Elpidio Morfin as lead vocalist. Mi Chica Ideal, released in 1995, had the singles Mi Chica Ideal, Usted, Te Lo Debo A Ti and Si La Miro Mañana, that dominated the charts. The album proved to be a big seller. In 1996, they followed up with Palabra De Machos. The majority of the album’s success came from the singles Morenaza, Se Lo Dejo A Dios, Mala, Chiquilla Bonita and Entre Perico Y Perico. The album’s cover dubbed Banda Machos La Reina De Las Bandas (Queen of the Bands), a name that
was given to the band. In 1997, their album Historia Sin Finwas released with great anticipation. The title track, Ya Lo Pagaras, Muevete, Tres Minutos, Me Canse De Ti and Sentimiento Navideño were the most popular songs on the album. The band continued steadily releasing new material well into the late ‘90’s, such as 1998’s Vivir Sin Ella (which included Besame y Abrazame, Las Mafias del Norte and Sierras Milagrosas) and 1999’s Rancheras De Oro. Rancheras De Oro featured En Toda La Chapa, No Compró Amores and Recuérdame Y Ven, the latter two having a music video. In 2000, Me Llamo Raquel, from their 11th studio album, Mi Guitarra Y Yo, took over radio waves in the United States and Latin America. Other songs include Fracase, Si Los Caminos Hablaran, A Capa y Espada, Los Dos Zacatecanos, A Mover El Bote and Ya No Me Dejo. After Mi Guitarra Y Yo, lead vocalist José Morfin, Mauricio Bueno & Bernando Lomeli opted to leave the band and formed Banda BM3. In 2001, with the return of Raul Ortega, Banda Machos released La Reunionand A Prueba De Balas. The majority of La Reunion featured duets with Mexican singers and two previously unreleased tracks (Muriendo de Amorand Fuera De Mi). A Prueba De Balas scored big with the title track, La Ruquita and Esa Chiche Vieja. This album was the most controversial because Banda Machos would be without their two star vocalists, as this was the final departure of Raul Ortega. In 2002, the band had not lost its essence, newcomers Eric Perez and Julio César Guerrero sharing lead vocals, Banda Machos released their self-titled album, which featured the hit, La Suegra In 2003, Banda Machos released El Cantante Del Siglo Y La Reina De Las Bandas in honor of Pedro Infante. In 2004, the band released Pura Pasion, which featured Te Vas, La Manguera and La Noche Que Murio Chicago. Time after, Alejandro Díaz joined Banda Machos and shared lead vocals with Julio César and in 2005, Banda Machos released Alma De Fuego. La Negra Le Pone was the lead single of the album. They celebrated their 15th year as band by performing for a live audience in Morelia. The entire performance was presented and is available onDVD. In early 2006, 20 Mil Heridas was released and nominated for a Grammy for Best Banda Album. Hits include 20 Mil Heridas, Regalenme Aire, Sueños Compartidos and Chivas Del Corazón. A Pesar
De Todo was released in the spring of 2007. Songs on the album include the title track, Cuatro Meses, El Chubasco, Copa Tras Copa, El Día Que Me Muera and Entre Copa y Copa. In 2008, El Proximo Tonto, the band’s 20th studio album in eighteen years, was released with the title track, La Novia Coja and No Hay Problema becoming hits. Banda Machos released Estas Seleccionada in 2009 with Arremangala Arrempujala as the lead single. Other songs that generated album sales are La Petacona and Te Lavaste La Cara, El Mono No. Currently, the lead vocalists are Alejandro Díaz and Julio César Guerrero. The back up singers are Rubén de Landa and Agustín Mariscal. Their songs are often satirical, filled with sexual innuendos and of double entendres. Among these we could include, for example “Las Nachas”, “Me Llamo Raquel”, “El Profesor” and “La Manguera”.
SOCIAL IMPACT
One of the songs recorded by the band was “La Culebra” (The Snake), a cover of a Cuban song. This song was played during the campaign stop, in which the PRI candidate to the Mexican Presidency in 1994, Luis Donaldo Colosio, was murdered. It is said that “La Culebra” was supposed to act as the signal to go ahead with the murder. The key stanza was where the song says “Ay, si me muerde los pies!, Yo la quiero acurruñar si me muerde los pies, Yo la tengo que matar”. (If it bites my feet, I have to grab it, If it bites my feet, I have to kill it).
In the only video recording of the event, one can hear the song in the background as the gun approaches the candidate’s temple.
Thanks to its album Sangre De Indio, Banda Machos was considered the creator of “The Ravine”, a distinctive dance of the techno-band, as Jorge Luis Berdeja cited in an article in the Cultural section newspaper “El Universal” from Mexico in 1997, which refers to the band as an element of identity especially among Mexicans living in the United States.
BANDA MAGUEY
Banda Maguey “La estrella de los bailes” is a musical group from Jalisco, Mexico. They originated in Villa Corona, also the home of Banda Machos, who along with Banda Maguey have been called the two most successful exponents of the “technobanda” sound. Banda Maguey was led by their singer Ernesto Solano who has also composed a number of their songs, including Pero Te Amo, a hit from their fourth album, El Mundo Gira. In 1998, Banda Maguey signed a record deal with BMG U.S. Latin and recorded Lágrimas De Sangre.
A favorite during the 1990s banda craze, Banda Maguey took over the radio waves with their debut album Tumbando Caña in 1994, which contained a number of hits including “El Alacran” a cover originally sung by La Sonora Matancera. Signed to Fonovisa a year earlier, Banda Maguey took over their native town with their onda grupera style. In May 1994, the band performed live for the first time in the United States. In 1995, Banda Maguey released La Estrella De Los Bailes, which featured the singles Como La Luna, Si Tú No Estás, Que Sacrificio, and Eva Maria that climbed local charts.
In 2012–13, Ernesto Solano spent several months in jail on charges that he had been misusing the name of the band in connection with his solo career.
• Tumbando caña (1993) (First album and only on MCM,today Warner)
• La Estrella De Los Bailes (1995) (First album on Fonovisa)
• Tu Eterno Enamorado (1996)
• El Mundo Gira (1997)
• Lágrimas De Sangre (1998) (First album on BMG)
• Exitos En Vivo (1998) (Live album)
• Mil Gracias (1999)
• Escorpión (2000)
• Canciones de mi pueblo (2001)
• Me Recordarás (2002)
• Metamorfosis (2003) (Last album on Fonovisa)
• XV+2 (2006) (Only album in Viva Music)
• Como México no hay dos (2007) (First album on Three Sound Records)
• Para que no me olvides (2009)
• Pa’ que veas lo que se siente (2009)
• Lo que son las cosas (2012)
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CENTER CIRCLES
As
As of February 25, 2025
As
Body Shop
Sodhi Law Group
Winton-Ireland, Strom & Green
Insurance Agency
Wille Electric Supply Company, Inc.
Mistlin Honda
Arts Education
As of February 25, 2025
$25,000+
Alfred Matthews
California Arts Council
Education Foundation of Stanislaus County U.S. Bank
$10,000+
Kaiser Permanente
Make Dreams Real Foundation
Modesto Subaru Porges Family Foundation Fund
Silva Injury Law, Inc.
$5,000+
Ella Webb & Shelley Dameron
$2,500+
Beard Land & Investment Co.
Enterprise Mobility Foundation
Jeff Gaudio & Karen Freeborn
In Memory of Caleb Hurst
Jason, Beki, & Stephen Rush
$1,000+
Carl A and Margaret A Johnson Family Foundation
Modesto Rotary Club Foundation
Modesto Sunrise Rotary
The Save Mart Companies CARES Foundation
$500+ USS Balthasar
Cortney Hurst
Modesto Sunrise Rotary
Anonymous (1)
$150+
Debra Brady & Stephen Veglia
Grace Lutheran Church
Jerry & Diane Hougland
Alice Renfroe
FOUNDATION GIVING
Bob and Marie Gallo Foundation
California Arts Council
Costa Family Foundation
National Endowment for the Arts
Stanislaus Community Foundation
The Ernest Gallo Foundation
The Julio R. Gallo Foundation
Porges Family Foundation Fund
Raymus Foundation
U.S. Bank Foundation
Creative West
Gallo Center for the a r t s
BOARD OF DIRECTORS
Christina Gomez, ChairoftheBoard
Marie D. Gallo, PresidentEmerita† June Rogers, Director Emerita
Alex Mari, M.D., ImmediatePastChair
Ginger Johnson, ChairElect
Mel Bradley Fallon Ferris
Sarah Grover
Chad Hilligus
Michael Krausnick
Jay Krishnaswamy
Michelle Lewis
Katy Menges
Todd Aaronson
Angelica Anguiano
Victor Barraza
John C. Bellizzi
Jennifer Coehlo
Kathryn Davis
Daniel Del Real
Paul Michael Eger
Robert Fantazia
Stacey Filippi
Robert Fores Julian Gallo
Irene Angelo†
Lilly Banisadre
Carl Boyett†
Joan Cardoza
Sheila Carroll
Suzanne Casazza
Paul Draper
Ron Emerzian
Ann Endsley
Kenni Friedman
Juan Sánchez Muñoz, Ph.D.
Duncan Reno
Tina Rocha
Michael Joe Silva
Stephanie Gallo Tyler
Ann M. Veneman
Geoff Wong
BOARD OF TRUSTEES
Ryan Roth Gallo
Virginia Madueno
Roberto Martinez
Ivey Mayol
Yolanda Meraz
Sharilyn Nelson
Linda Hischier Ronald Hoffmann
Jose Ibarra
Jaime Jimenez
Brian Kline
Kevin Luttenegger
Ogle, Ph.D.
Johann Ramirez
Rose Marie Reavill Jeffrey Reed
FOUNDING TRUSTEES
Louis Friedman
Dianne Gagos
Barry Highiet† Randy Jalli
Roy Levin, M.D.
Alexandra Loew
Bill Mattos
Tony Mistlin† Kate Nyegaard Ruthann Olsen
Jeanne Perry
John C. Pfeffer, M.D.
Norm Porges
Chris Reed James Reed
Ellen Ritchey Delsie Schrimp
Catherine Rhee
Christine Roberts
Rosalee Rush
John Schneider
Kate Trompetter
Philip Trompetter, Ph.D.
Aaron Valencia
Colleen F. Van Egmond
Doug Vilas
Sue Zwahlen
Fred A. Silva
Ray Simon
Delmar R. Tonge, M.D.†
Tom Van Groningen, Ph.D.
Carol Whiteside†
Jeremiah Williams
Alice Yip
†In Memoriam