

The Gallo Center has adopted the use of digital programs meant to be viewed on cell phones or other computer devices. This change has important public health, environmental and economic benefits: reducing close contacts between patrons and ushers, cutting our use of paper, and eliminating substantial printing costs. View the program only before shows begin or during intermissions. Please be considerate of other patrons and artists on stage by not viewing it during performances. Patrons who do not observe this courtesy and create distractions may be asked to leave. Thank you.
The Gallo Center for the Arts is a non-profit performing arts center with a deep commitment to enriching the people and communities of California’s vast San Joaquin Valley. From the scintillating performances of its wonderful resident companies, to the great variety of world-class entertainment presented by the Center each season, to robust arts education programs for the region’s youth, this is where the magic happens.
From the beginning, the Center’s mission has been clearly defined: to provide an inspirational civic gathering place where regional, national, and international cultural activities illuminate, educate, and entertain. Since revenue from ticket sales and facility rentals only covers a portion of the costs associated with fulfilling this mission, the Center is dependent on the generous annual financial support from donors and program sponsors within our community.
LEARN MORE AT GALLOARTS.ORG/SUPPORTUS.
In Person: 1000 I Street, downtown Modesto
Online: 24/7/365 at GalloArts.org
By Phone: (209) 338-2100
Monday – Friday: 10 am – 6 pm, Saturday: Noon – 6 pm
Closed Sundays
Ticket Office opens two hours prior to all events
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The mission of the Gallo Center for the Arts is to enrich the quality of life in the San Joaquin Valley by providing an inspirational civic gathering place where regional, national and international cultural activities illuminate, educate and entertain. The Gallo Center for the Arts celebrates the diversity of the San Joaquin Valley by offering an array of affordable cultural opportunities designed to appeal, and be accessible, to all.
Photo: Gallo Center for the Arts, Circa 2007The Center opened in September, 2007 and consists of the 440-seat Foster Family Theater, the 1,248-seat Mary Stuart Rogers Theater, the Marie Damrell Gallo Grand Lobby and a plaza serving both theaters, and the Modesto Rotary Music Garden.
As a regional non-profit performing arts center, the Gallo Center for the Arts presents internationally recognized touring artists in all disciplines, and also is home to four resident companies: Central West Ballet, Modesto Performing Arts, Modesto Symphony Orchestra and Opera Modesto.
The Gallo Center for the Arts is a unique public/private partnership. Construction was funded jointly by the County of Stanislaus, which owns the facility, and contributions from more than 4,000 individuals and businesses given to a non-profit 501(c)(3) organization which today operates the Center.
• Ample and secure parking for Center events is located in the garage at 12th Street between H and I Streets. Parking passes are $5 cash and may be purchased when ordering tickets or at the entrance to the garage prior to performances. See GalloArts.org for a map and directions to the garage.
• Emergency exits are indicated by green exit signs located above each exit. For your safety, please check for the location of the exit nearest to your seat.
• The Gallo Center for the Arts is accessible to disabled patrons. Wheelchair seating is available in both theaters. Portable wireless listening devices are available at the “ Coat Check room at no charge. Please inform the Ticket Office of any special needs when ordering tickets.
• Food and beverages are not allowed in the theaters. (with the exception of bottled water and beverages served in theater cups.)
• Smoking is prohibited inside the building and within 20 feet of all entrances.
• Latecomers will be seated at the discretion of the Gallo Center for the Arts’ house managers.
• The use of recording equipment and the taking of photographs in Gallo Center for the Arts theaters is strictly forbidden. The Gallo Center for the Arts reserves the right to confiscate any such equipment and/or require offending customers to exit the premises.
• As a courtesy to artists and to your fellow patrons, please turn off or silence any mobile device on your person. No texting, please!
• Restrooms are located on all three levels of the Center.
• Lost items will be held in the Coat Check room on the main level until the end of the performance. Thereafter, please contact Ticket Office at (209) 338-2100.
• All patrons MUST have a ticket to enter a performance regardless of age.
• Out of courtesy to other patrons, the Gallo Center for the Arts requests that no infants or toddlers attend any performance.
Groups qualify for discounts up to 15% on ticket prices to the many exciting performances offered by the Gallo Center for the Arts and its resident companies.
Secure your group reservation today for just 10% down of your total price!
EMPLOYEE PARTIES/REWARDS
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ONE CALL DOES IT ALL!
Our group sales manager, Jesica Sanchez, is at your service. Call her at (209) 338-5064, or send an email to jsanchez@galloarts.org.
Tuesday, March 21, 2023
BODYTRAFFIC Presents: An exploration of identity through dance
A Million Voices
CHOREOGRAPHY: Matthew Neenan
MUSIC: Performed by Peggy Lee; composed by Robert Sour & Una Mae Carlisle, Johnny Mercer & Harold Arlen, C. Farrow, Irving Berlin, Mike Stoller & Jerry Leiber, Adrian Zing & Benny Goodman, Arthur Hamilton
LIGHTING DESIGN: Burke Wilmore
COSTUMES: BODYTRAFFIC
PERFORMERS: Katie Garcia, Pedro Garcia, Alana Jones, Tiare Keeno, Ty Morrison, Joan Rodriguez, Guzmán
Rosado, Jordyn Santiago
PREMIERE: The Wallis Annenberg Center for the Performing Arts, Beverly Hills, CA, 2018
A Million Voices is inspired by the inimitable Peggy Lee, who was a pioneer in the art of “persona.” Her legendary music, which was created in response to the political climate of her time, spurs us to embrace the passion of living even in the darkest of times.
This work was made possible in part by the Made in Wickenburg Residency Program at Del E. Webb Center for the Performing Arts with funding from the RH Johnson Foundation, the National Endowment for the Arts, the Wellik Foundation, WESTAF, and Benner-Nawman.
–PAUSE–Recurrence
CHOREOGRAPHY: Ethan Colangelo
MUSIC: Vincent Royer
ORIGINAL MUSIC and SOUND EDITING: Travis Lake
TEXT : Written and spoken by Jayme Lawson
LIGHTING DESIGN: Michael Jarett
COSTUMES: Kristina Marie Garnett - KAART KAART
GALLERY
PERFORMERS: Pedro Garcia, Tiare Keeno
VIRTUAL PREMIERE: Copenhagen International Choreography Competition, July 2021
Recurrence deals with the inner workings of how humans treat the ones closest to them, in comparison to how they interact with strangers in daily life. It specifically begs the question of why humans sometimes do the worst things to the people they love most.
Recurrence won three prizes at the Copenhagen International Choreography Competition including the Audience Choice Award. BODYTRAFFIC is presenting a shortened version of the original work.
--INTERMISSION–
SNAP CHOREOGRAPHY: Micaela Taylor
LIGHTING DESIGN: Burke Wilmore
COSTUME DESIGN: Kristina Marie Garnett - KAART
KAART GALLERY
MUSIC: James Brown
ORIGINAL MUSIC and SOUND EDITING: SHOCKEY
PERFORMERS: Katie Garcia, Pedro Garcia, Alana Jones, Tiare Keeno, Ty Morrsion, Joan Rodriguez, Jordyn Santiago
PREMIERE: The Wallis Annenberg Center for the Performing Arts, Beverly Hills, CA, 2019
SNAP is inspired by the ethnically diverse, yet isolating crowds of Los Angeles. It urges audiences to “snap out of” social pressures to conform, and to connect with their individuality as well as with people around them.
SNAP was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The
Andrew W. Mellon Foundation.
General Operating Support was made possible by the New England Foundation for the Arts’ National Dance Project with funding from the Doris Duke Charitable Foundation
SNAP was made possible with lead support by: Renae Williams Niles & Greg Niles, Allen and Anita Kohl Charitable Foundation, The Norris and Debra Bishton Foundation, Pat & Carol Kinsella, and Catharine & Jeffrey Soros.
SNAP’s costumes were generously underwritten by Harold I. Huttas & Scott A. McPhail in honor of Renae Williams Niles’ birthday.
--PAUSE-
PACOPEPEPLUTO
CHOREOGRAPHY: Alejandro Cerrudo
MUSIC: Memories Are Made of This by Joe Scalisi, In The Chapel In The Moonlight by Dean Martin, That’s Amore by Dean Martin
LIGHTING DESIGN: Matthew Miller
PERFORMERS:
First solo: Joan Rodriguez
Second solo: Pedro Garcia
Third solo: Guzmàn Rosado
PREMIERE: Inside/Out Choreographic Workshop, UIC Theatre, University of Illinois by Hubbard Street Dance Chicago, 2011.
BODYTRAFFIC PREMIERE: The Wallis Annenberg Center for the Performing Arts, Beverly Hills, CA, 2021
Three solos for male dancers set to songs popularized by “the king of cool,” Dean Martin. PACOPEPEPLUTO shows
Alejandro Cerrudo’s skill at balancing aesthetic austerity and sharp wit. This work dares viewers to nakedly and joyfully embrace their true self-expression. It is performed in dim lighting and contains partial nudity with male dancers in dance belts.
BODYTRAFFIC is an internationally-renowned dance company proudly hailing from Los Angeles. Since its founding in 2007 by Artistic Director Tina Finkelman Berkett, the company has held fast to its mission of championing contemporary dance, educating audiences, and inciting positive change. Its goal is simple: get the world moving.
Movement, conceptual and physical, is humankind’s only common language, and as a 21st-century dance company, BODYTRAFFIC is honored to share the responsibility of making dance accessible to everyone, regardless of their circumstances, within the national and international cultural ecosystem.
A forward-thinking company, BODYTRAFFIC is not one driven by a single choreographic voice. It aims to endorse established and new voices and be a home for an eclectic range of styles and perspectives that tell vital stories. By commissioning renowned choreographers, including Kyle Abraham, Ohad Naharin, Hofesh Shechter, Victor Quijada, Arthur Pita, Fernando Magadan, and Micaela Taylor, it cultivates opportunities for artists to fully embody their creative practice and conceive new, contemporary pieces. Connecting individuals of vastly different life experiences through dance, BODYTRAFFIC has toured the world and continues to deepen its investment in its home city of Los Angeles.
In 2015, the company entered the international scene when the Obama administration selected BODYTRAFFIC
as its cultural ambassadors to Israel and Jordan through DanceMotion USA, a program of the Bureau of Educational and Cultural Affairs and the US State Department. This opportunity expanded and deepened the company’s commitment to cross-cultural exchange while simultaneously honing BODYTRAFFIC artists’ abilities to create safe spaces for creativity and cultural exchange worldwide. Mirroring the global reputation of its home Los Angeles, BODYTRAFFIC also served as cultural ambassadors to South Korea (2016), Algeria (2017-2018), and Indonesia (2018). During the 2017-2018 season, BODYTRAFFIC celebrated its 10th anniversary with an extensive tour, including Moscow and St. Petersburg, for the CONTEXT Diana Vishneva Festival and The Hague for The Holland Dance Festival.
BODYTRAFFIC inspires and uplifts its community and beyond through its education and outreach programs. Focusing on supporting the whole dancer, it provides programs ranging from youth-focused intensive training and master classes to professional development for established artists that encourage their growth by nurturing their unique identities. Every year, it mentors more than 500 students from diverse backgrounds.
Challenge, passion, empathy, inclusion, and growth are at the heart of everything BODYTRAFFIC does. It seeks to elevate dance beyond an art form to a mode of exploration and celebration of ideas and spirit through movement. Because, after all, without movement, nothing changes.
www.BODYTRAFFIC.com
TINA FINKELMAN BERKETT , Artistic Director and a Founder of BODYTRAFFIC, is an influential dance leader and community builder, producing original, compelling repertoire and sharing a new vision of dance across the U.S. and around the world. Tina grew up in New York City attending Stuyvesant High School of Math and Science and graduating summa cum laude from Barnard College, Columbia University with a double major in Mathematics and Economics. Her love of dance was ignited by her teacher and mentor, Michele Cuccaro Cain.
Tina’s professional dance career began at Aszure Barton & Artists, a distinguished contemporary dance company where she quickly became a featured dancer and then Barton’s assistant, teaching both in the U.S. and abroad. A true highlight of Tina’s career was being a founding member of Mikhail Baryshnikov’s Hell’s Kitchen Dance and touring internationally alongside Mr. Baryshnikov himself. Tina began her interest in arts administration when she served as the company’s dancer liaison.
In 2007, Tina relocated to Los Angeles and launched BODYTRAFFIC with Lillian Barbeito. Now serving as the company’s sole Artistic Director, Tina is focusing on reenvisioning and revitalizing BODYTRAFFIC. With her deep commitment to taking the company to new heights, she is curating and discovering exciting choreographers and programming challenging programs that audiences enjoy, seeing incredible dancers doing their best work. “BODYTRAFFIC is a home for dancers, choreographers, and dance-lovers of all ages. We’re excited about the future and touring again!”
GUZMÁN ROSADO ( Associate Artistic Director ) started dancing at the International School of Dance of Carmen
Roche Scaena in Madrid on a scholarship sponsored by the Ministerio de Cultura de Madrid. Guzmán danced with Ballet Joven de Carmen Roche until 1999, when he was offered a scholarship to attend the School of American Ballet (SAB). After his time at SAB, Edward Villella invited him to dance with Miami City Ballet. From 2002 to 2007, Guzmán danced with Companhia Portuguesa de Bailado Contemporaneo. In 2007, with André Mesquita and Teresa Alves da Silva, Guzmán co-founded Tok’Art, a cultural platform. He has performed extensively as a guest artist throughout Europe. He teaches ballet, yoga, and movement workshops. Guzmán is also currently BODYTRAFFIC’s resident filmmaker and has won awards for his film work. Guzmán joined BODYTRAFFIC in 2012.
Choreographers
ALEJANDRO CERRUDO is a Chicago based choreographer born in Madrid, Spain. His professional career includes work with Victor Ullate Ballet, Stuttgart Ballet, Nederlands Dans Theater 2 and Hubbard Street Dance Chicago (HSDC). Cerrudo became HSDCʼs firstever Resident Choreographer in 2008 and held that position until 2018.
Cerrudo’s body of work has been performed by over 20 professional dance companies around the world. In March 2012, Pacific Northwest Ballet invited Cerrudo to choreograph, upon receiving the Joyce Theater Foundationʼs second Rudolf Nureyev Prize for New Dance, his first work for the company, ” Memory Glow”. Additional honors include an award from the Boomerang Fund for Artists (2011) and the Prince Prize for Commissioning Original Work from the Prince Charitable Trusts (2012) for his acclaimed, first evening-length work, “One Thousand Pieces”. In 2014 he was awarded the USA Donnelley Fellowship by United States Artists. Also, Mr. Cerrudo was one of four choreographers invited by New York City Balletʼs Wendy Whelan to create and perform
original duets for “Restless Creature. In 2017 Cerrudo was invited by Daniil Simkin to choreograph a site- specific performance for the Guggenheim Rotunda, a Works & Process Rotunda Project commission, featuring Daniil Simkin and original costumes by Dior. Cerrudoʼs “Sleeping Beauty”, created with Ballet Theater Basel in 2016, was nominated as “Production of the Year” in Switzerland in the “Tanz, Jahrbuch 2016” by the Neue Zürcher Zeitung.
In 2020 Cerrudo was appointed Pacific Northwest Ballet’s Resident Choreographer, with that, he became the first artist in the company’s history to have the honor of holding that title.
ETHAN COLANGELO was born and raised in Toronto, Canada where he began his initial training at Canada’s National Ballet School and Elite Danceworx. He is now an alumni of the Juilliard School where he received the Hector Zaraspe Prize for Choreographic Promise. As a choreographer he has presented his work at the Baryshnikov Arts Center, Festival des Arts de SaintSauveur, Juilliard’s Choreographic Honours Showcases, APAP 2018, Alice Tully Hall in Lincoln Center and the Brooklyn Academy of Music. Colangelo was also one of nine choreographers selected internationally for the Copenhagen International Choreography Competition. Recently he has created work for the BODYTRAFFIC summer intensive, was selected as an Emerging Choreographer for Springboard Danse Montreal 2020, had a choreographic partnership with the 92Y in New York, created a new work for Arts Umbrella Dance Company in Vancouver, Canada and crafted a dance film consisting of 70 dancers from around the world. Furthermore he self-produced and choreographed an original work featuring Rae Srivastava and Stefanie Noll who are current emerging artists with Ballet BC. Colangelo is looking forward to a new creation with Whim W’Him Contemporary Dance in Seattle and MOVE NYC coming up this fall.
MATTHEW NEENAN began his dance training at the Boston Ballet School. He later attended the LaGuardia High School of Performing Arts and the School of American Ballet in New York. From 1994-2007, Matthew danced with the Pennsylvania Ballet where he was also named Choreographer in Residence. Matthew’s choreography has been featured and performed by the Pennsylvania Ballet, BalletX, The Washington Ballet, Colorado Ballet, Ballet West, Ballet Memphis, Milwaukee Ballet, Oregon Ballet Theatre, Tulsa Ballet, Ballet Met, Oklahoma City Ballet, Juilliard Dance, New York City Ballet’s Choreographic Institute, Sacramento Ballet, Nevada Ballet Theatre, Indiana University, Opera Philadelphia, and LaGuardia High School of Performing Arts (NYC), among others. He has received numerous awards and grants for his choreography from the National Endowment of the Arts, Dance Advance funded by the Pew Charitable Trusts, the Choo San Goh Foundation, and the Independence Foundation. Matthew has been honored to receive the New York City Ballet’s Choreographic Institute’s Fellowship Initiative Award and fellowships from the Pennsylvania Council on the Arts. In 2005, Matthew co-founded BalletX with fellow dancer Christine Cox and is now the resident dance company at the prestigious Wilma Theatre.
MICAELA TAYLOR is a professional dancer/teacher/ choreographer from Los Angeles, CA, where she trained at Marat Daukayev School of Ballet and Los Angeles County High School of the Arts. She graduated from Cornish College of the Arts and earned a Bachelor of Fine Arts degree in dance, 2014. She has worked and performed with BODYTRAFFIC, Ate9 Dance Company, Zoe Scofield, Camille A. Brown, and Kate Wallich. Her choreographic passion led her to found Los Angeles based contemporary dance company, The TL Collective in 2016. Her individual movement style of Hip Hop combined with contemporary technique has led her to find a
new way for people to move which is best described as Contemporary/Pop. Alongside the launch of The TL Collective, Taylor has been commissioned to choreograph and teach for LA Contemporary Dance Company, AMDA College, Springboard Danse Montreal, MoveNYC, Cal State Long Beach, and Heidi Duckler Dance Theatre. Her work has been presented at Gelsey Kirkland Performing Arts Center, ACE Hotel, Raymond Kabaaz Theatre, Grand Performances, and Odyssey Theatre Ensemble. She is the recipient of the Inaugural EMERGE Choreographic Award and has choreographed for Gibney Dance Company. Micaela’s commission for BODYTRAFFIC has been awarded a New England Foundation for the Arts’ National Dance Project grant, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation.
KATIE GARCIA is originally from Miami, Florida,and graduated from The Juilliard School in 2017. She also trained at New World School of the Arts, Dance Town Studios Miami, San Francisco Conservatory of Dance, and Springboard Danse Montréal. After graduation from Juilliard, she was a member of Parsons Dance for two and a half years and performed in her own collaborative works. Katie has taught master classes at such institutions as Yale University, New York University, Akron University, Florida State University, and Hunter College. In pursuing her passion for community outreach, she participated in GLUCK and TAP for Life, programs allowing her to perform in NYC and Miami hospitals and wellness centers. In 2016, she orchestrated a project in Botswana, where she taught dance and special education movement therapy classes for children. She has also presented her co-produced dance films with Joan Rodriguez at the Blacktinx Dance Festival, Solo Due Dance Festival, Dumbo Dance Festival, and at a NYC art gallery with mixed media artist, Anna Khachatryan.
PEDRO GARCIA began his studies at the National Conservatory of Lisbon, working with teachers including Mikahall Zavialova, Irina Zavialova, Catarina Moreira, and José Luís Vieira, among others. In 2014, he won the 3° prize at Tanzolymp Competition in Berlin. He received his diploma in 2015 and continued on to earn a degree from School Superieure de Danse de Cannes Rosella Hightower. Pedro joined the junior ballet Rosella Hightower DNSP3 for one year and then went on to join the Ballet Nacional de Marseille, where he worked with Emio Greco and Pieter C. Scholten until 2018. In 2019, he joined Companhia Portuguesa de Bailado Contemporaneo, under the direction of Vasco Wellenkamp. Most recently, Pedro has worked with choreographers Nelia Pinheiro and André Mesquita, and joined Quórum Ballet for one season where he worked with Daniel Cardoso and Lior Tavori.
ALANA JONES is a Houston native. She is a founding member of Vitacca Dance Project under the direction of Kelly Ann Vitacca and trained under Ballet Master Phillip Broomhead while attending the High School of Performing and Visual Arts. In 2014, Alana was accepted on scholarship and trained with American Ballet Theatre and Dance Theatre of Harlem. Thereafter, Alana was accepted on scholarship to SUNY Purchase Conservatory of Dance, where she received her BFA. While at Purchase, she was invited into the ballet concentration where she performed and studied works by George Balanchine, Norbert De la Cruz, Michelle Ulerich, and Colby Damon. She has also trained with Ballet X, Complexions Contemporary Ballet, Hubbard Street Dance, and Arts Umbrella. Alana earned her BFA and began her professional career with Visceral Dance Chicago.
TIARE KEENO received her BFA from The Juilliard School in 2016. While at Juilliard, she worked with choreographers Camille A. Brown, Kyle Abraham, Kate Weare, and Brian Brooks. She also performed repertoire by Jíri Kylián and Twyla Tharp, as well as lead roles in Martha Graham’s Dark Meadow and José Limón’s Missa Brevis . After graduation, Tiare was a company member of Nevada Ballet Theatre and worked in collaboration with Cirque du Soleil. She attended Springboard Danse Montreal, where she performed works by Aszure Barton, Spenser Theberge, RUBBERBAND Dance Group, and Kidd Pivot. She has been a faculty member of FRESH Dance Intensive in Canada and is currently a member of Share the Movement, an organization aiming to increase diversity in the professional dance community through educational and financial support to young BIPOC artists. In 2017, Tiare moved to Macau, China to appear in a cirque show with MGM’s ScenoPlus Productions. Upon returning to the US, she performed in Al Blackstone’s Freddie Falls in Lov e at The Joyce Theater. Tiare joined BODYTRAFFIC in 2019.
TY MORRISON is from the greater Boston area, and dedicated 13 years of his life to versatile dance training at The Gold School Dance Art under the direction of Rennie Gold. Ty received a BFA in Contemporary Dance from The Boston Conservatory at Berklee on full scholarship. During his time at The Boston Conservatory, he worked with and performed works by such acclaimed choreographers as Darrell Moultrie, Catherine Coury, Bradley Shelver, Adrianne Hawkins and Martha Nichols. Immediately after graduation, he was featured in on-site dance film productions with choreographers Roderick George, Ashley Lindsay, and Antonio Brown. He has had the honor of being a guest artist with The Limón Dance Company and an active artist with a little house dance company.
JOAN RODRIGUEZ was born in La Habana, Cuba where he graduated from the Escuela Nacional de Arte with the “Best Graduate of the Year” award. His professional career began with DanzAbierta, and he went on to join Malpaso Dance Company. He became a political refugee in 2017 and relocated to Arizona, where he focused on creating, teaching, and producing multimedia projects. He has also served as a Guest Artist in Residency for universities and arts centers throughout the U.S. and has received awards in several dance competitions. In 2019, he joined Parsons Dance and choreographed an original work for the company as part of the 2019 GenerationNow fellowship program. Throughout 2020 and 2021, Joan has focused on freelancing in dance, teaching and videography. Joan has also showcased his own collaborative works at the Blacktinx Dance Festival, the Solo/Duo Dance Festival, and at NYC art galleries as part of mixed media performances. He has taught guest classes at The Juilliard School, New York University, Gibney Dance, Yale University, Hunter College, Akron University, and RWU. He was recently commissioned as a choreographer by Connecticut Ballet for their “Ballet Under the Stars” 2021 summer program.
JORDYN SANTIAGO is from North Carolina and is a Los Angeles-based dancer and choreographer who studied at The Dance Theatre of Jacksonville before continuing to train throughout the U.S and in Israel and Europe. She has danced for Ate9, Freemove Dance, tedted Performance Group and Mg+artists. In 2021, Jordyn performed at the Kennedy Center for the Performing Arts in a production of the opera Prism , under the direction of Beth Morrison Projects. She has toured as a backup dancer with the Los Angeles band Half Alive in a piece choreographed by The JA Collective and has created new works with Bryan Arias for the Arias Company. Along with choreographers Dana Wilson, Ebony Williams, and Christopher Scott, she appeared in the recent film production of In The Heights . Jordyn has taught at highly respected institutions and collectives like Peridance Capezio Center, Brickhouse,
and The University of the Arts. Most recently, she was a guest artist with Ate9 in its premiere of Joy at the Wallis Annenberg Center for the Performing Arts.
Rod & Freda Motto Anonymous (1)
$300+
Cortney Hurst
$150+ City Ministry Network
David Falzone
Jerry & Diane Hougland
Trent & Ivey Mayol
Dr. Robert & Katie McGrew
Philanthropic Education Organization
Gerald & Rebecca Rector
Mike & Carol Solario
FOUNDATION GIVING
Bob and Marie Gallo Foundation
California Arts Council
Costa Family Foundation
National Endowment for the Arts
Stanislaus Community Foundation
The Ernest Gallo Foundation
The Julio R. Gallo Foundation
Porges Family Foundation Fund
US Bank Foundation
TRIBUTES
As of February 15, 2023
IN HONOR OF:
Physicians of Family Health Care
Medical Group of Modesto
Jim & Peggy Shiovitz
Stephen Rush, in recognition for a great “We Are Monsters” performance!
Armando & Amber Flores
IN MEMORY OF:
Richard Beal
Matthew & Kathleen Gallo
Linda Raffo
Waqar H. Bhatti, PhD
Martha Carter-Bhatti, Ph.D.
Ryan Hunter Dickerson
Dave & Kathy Halsey
Josephine Dunbar-Snow
Elvera Rollins
Dennis Hoskins
Miriam Bermann
Ron & Lynn Dickerson
Michael Foley & Marie Marsigli-Foley
Carol Hannen
Art Hill & Marjorie Cook
Susan Larson
David P. Linhares
Henry & Mary Navarrete
Jerry Passanisi
Victoria Patlan
Marsha Waggoner Anonymous (1)
Leroy “Ted” Nagel
Ninette Latronica
Brittany Rodriguez
Nancy Gonzalez
Donald DeForest “Bud” Sanford
Robert A. Saunders
Phyllis Walden
Marion & Viola Zoodsma
Jim & Julia Stone
Wendell and Penny White
Memorial Fund
Ken White & Robin Johnson
Eleanor Zeff
John & Suzanne Casazza
Gallo Center for the a r t s
BOARD OF DIRECTORS
Alex Mari, M.D. Chair of the Board
Marie D. Gallo President Emerita (In Memoriam)
Evan Porges
Immediate Past Chair
June Rogers
Vice President
Christina Gomez
Treasurer & Chair Elect
Ginger Johnson Secretary
Joe Swain Member at Large
Angelica Anguiano
Victor Barraza
Elliot Begoun
Lorraine Cardoza
Clifford Cooper
Ismael Covarrubias
Daniel Del Real
Paul Michael Eger
Robert Fantazia
Robert Fores
Britta Foster
Julian Gallo
Ryan Roth Gallo
Annie Benisch
Jill Bower
Mel Bradley
Clarke Filippi, D.D.S.
Sarah Grover
Chad Hilligus
Michael Krausnick
Nicole Larson*
Michelle Lewis
Katy Menges
Juan Sánchez Muñoz, Ph.D.
Duncan Reno
Tina Rocha
Stephanie Gallo Tyler
BOARD OF TRUSTEES
Diane Gilbert
Emma Grover
Xelah Herrera
Sabrina High
Doug Highiet
Linda Hischier
Ronald Hoffmann
Jose Ibarra
John Jacinto
Jaime Jimenez
Kimberly Clauss Jorritsma
Brian Kline
Danielle Lau
Virginia Madueno
Roberto Martinez
Trent Mayol
Yolanda Meraz
Chris Murphy
Norik Naraghi
Sharilyn Nelson
Richard Ogle, Ph.D.
Rose Marie Reavill
Jeffrey Reed
Catherine Rhee
Susan Rich
Christine Roberts
Janet Rogers
Michael Roland
John Schneider
Brant Scott
KT Staack
Kate Trompetter
Philip Trompetter, Ph.D.
Ann M. Veneman
Doug Vilas
Irene Angelo†
Lilly Banisadre
Carl Boyett†
Joan Cardoza
Sheila Carroll
Suzanne Casazza
Paul Draper
Ron Emerzian
Ann Endsley
Kenni Friedman
Louis Friedman
Dianne Gagos
Barry Highiet†
Randy Jalli
Chris Johnson
Grace Lieberman†
Roy Levin, M.D.
Alexandra Loew
Bill Mattos
Tony Mistlin†
Kate Nyegaard
Ruthann Olsen
Jeanne Perry
John C. Pfeffer, M.D.
Norm Porges
Chris Reed
James Reed
Sue Ellen Ritchey
Delsie Schrimp
Fred A. Silva
Ray Simon
Delmar R. Tonge, M.D.†
Tom Van Groningen, Ph.D.
Carol Whiteside†
Jeremiah Williams
Alice Yip
†In Memoriam