ABOUT DIGITAL PROGRAMS
The Gallo Center has adopted the use of digital programs meant to be viewed on cell phones or other computer devices. This change has important public health, environmental and economic benefits: reducing close contacts between patrons and ushers, cutting our use of paper, and eliminating substantial printing costs. View the program only before shows begin or during intermissions. Please be considerate of other patrons and artists on stage by not viewing it during performances. Patrons who do not observe this courtesy and create distractions may be asked to leave. Thank you!
WHY YOUR SUPPORT MATTERS
The Gallo Center for the Arts is a non-profit performing arts center with a deep commitment to enriching the people and communities of California’s vast San Joaquin Valley. From the scintillating performances of its wonderful resident companies, to the great variety of world-class entertainment presented by the Center each season, to robust arts education programs for the region’s youth, this is where the magic happens.
From the beginning, the Center’s mission has been clearly defined: to provide an inspirational civic gathering place where regional, national, and international cultural activities illuminate, educate, and entertain. Since revenue from ticket sales and facility rentals only covers a portion of the costs associated with fulfilling this mission, the Center is dependent on the generous annual financial support from donors and program sponsors within our community.
LEARN MORE AT GALLOARTS.ORG/SUPPORTUS.
ABOUT THE CENTER
HOW TO BUY TICKETS
In Person: 1000 I Street, downtown Modesto
Online: 24/7/365 at GalloArts.org
By Phone: (209) 338-2100
TICKET OFFICE HOURS
Monday – Friday: 10 am – 6 pm, Saturday: Noon – 6 pm Closed Sundays
Ticket Office opens two hours prior to all events
EMAIL LIST
Sign up at GalloArts.org and receive e-news about events, added performances, and special offers!
GENERAL INFORMATION
The mission of the Gallo Center for the Arts is to enrich the quality of life in the San Joaquin Valley by providing an inspirational civic gathering place where regional, national and international cultural activities illuminate, educate and entertain. The Gallo Center for the Arts celebrates the diversity of the San Joaquin Valley by offering an array of affordable cultural opportunities designed to appeal, and be accessible, to all.
The Center opened in September, 2007 and consists of the 440-seat Foster Family Theater, the 1,248-seat Mary Stuart Rogers Theater, the Marie Damrell Gallo Grand Lobby and a plaza serving both theaters, and the Modesto Rotary Music Garden.
As a regional non-profit performing arts center, the Gallo Center for the Arts presents internationally recognized touring artists in all disciplines, and also is home to four resident companies: Central West Ballet, Modesto Performing Arts, Modesto Symphony Orchestra and Opera Modesto. The Gallo Center for the Arts is a unique public/private partnership. Construction was funded jointly by the County of Stanislaus, which owns the facility, and contributions from more than 4,000 individuals and businesses given to a non-profit 501(c)(3) organization which today operates the Center.
PATRON EVENT INFORMATION
• Emergency exits are indicated by green exit signs located above each exit. For your safety, please check for the location of the exit nearest to your seat.
• The Gallo Center for the Arts is accessible to disabled patrons. Wheelchair seating is available in both theaters. Portable wireless listening devices are available at the Coat Check room at no charge. Please inform the Ticket Office of any special needs when ordering tickets.
• Food and beverages are not allowed in the theaters. (with the exception of bottled water and beverages served in theater cups.)
• Smoking is prohibited inside the building and within 20 feet of all entrances.
• Latecomers will be seated at the discretion of the Gallo Center for the Arts’ house managers.
• The use of recording equipment and the taking of photographs in Gallo Center for the Arts theaters is strictly forbidden. The Gallo Center for the Arts reserves the right to confiscate any such equipment and/or require offending customers to exit the premises.
• As a courtesy to artists and to your fellow patrons,
please turn off or silence any mobile device on your person. No texting, please!
• Restrooms are located on all three levels of the Center.
• Lost items will be held in the Coat Check room on the main level until the end of the performance. Thereafter, please contact Ticket Office at (209) 338-2100.
• All patrons MUST have a ticket to enter a performance regardless of age.
• Out of courtesy to other patrons, the Gallo Center for the Arts requests that no infants or toddlers attend any performance.
Groups qualify for discounts up to 15% on ticket prices to the many exciting performances offered by the Gallo Center for the Arts and its resident companies.
Secure your group reservation today for just 10% down of your total price!
EMPLOYEE PARTIES/REWARDS CHURCH OUTINGS CLUBS AND ORGANIZATIONS
BUS TOURS
CORPORATE ENTERTAINMENT
SENIOR CENTER OUTINGS
HOLIDAY, ANNIVERSARY & BIRTHDAY PARTIES
…AND MORE!
ONE CALL DOES IT ALL!
Our group sales manager, Jesica Sanchez, is at your service. Call her at (209) 338-5064, or send an email to jsanchez@galloarts.org.
October 16, 2025
DAVID COOK
David Cook (and yes, the same David Cook who launched into stardom following his American Idol Season Seven win – breaking several Billboard chart records when 14 of his songs debuted on the Hot Digital Songs chart and 11 of his songs debuted on the Hot 100) certainly knows his way around a good song. His first album, Analog Heart, came out preIdol, and his last album, Digital Vein, nicely book-ended that chapter of Cook’s career, a chapter during which he sold more than 2 million albums (including his platinum-certified eponymous album) and, collectively, more than 5 million tracks (including two platinumcertified singles) worldwide.
David continues to find success, not only for himself, but also as a writer for other artists and touring throughout the world. 2018 brought an exciting new EP from Cook – Chromance. “I was a ‘rock’ guy, but the further away I’ve gotten from that, the more I’ve opened up and found inspiration in the peripherals. I wouldn’t have had the courage earlier in my career, but now I have the confidence to go after the sound I want.” A fan of both Massive Attack and Nine Inch Nails, Cook always admired how they pushed the envelope and brought pop
elements into rock music. “I used them as a bedrock for Chromance and how I wanted the record to feel.”
If putting out his 2018 EP wasn’t enough to keep Cook busy, that same year he headed to the Great White Way for his Broadway debut as Charlie Price in KINKY BOOTS. “I’ve had conversations about finding creative outlets outside of being a musician, but the timing was never right.” While Cook was excited about his first starring role, he was also aware the message behind KINKY BOOTS was timely and relevant. “I was honored to be part of the show and get to work with so many amazing people. I love the collaborative aspect of theatre too, the idea of being part of a creative team and working it out in front of an audience each night.”
Another passion of Cook’s is his work in behalf of organizations such as the National Brain Tumor Society, a Washington DC-based nonprofit that drives cutting-edge research and treatments for brain cancer and brain tumors. “I’ve been very involved with this cause and am very grateful that my career has allowed me to do that. I lost my brother Adam to a brain tumor in 2009; every year I am part of the Race for Hope-DC and, together with my fans, have raised over $1.5 million for brain cancer and brain tumor research through this and other fundraising projects. Far and away, that is the proudest of all my achievements.”
Cook is well aware, and grateful, for the breaks
American Idol has brought his way, and for the opportunities he continues to have. He has no plans to slow it down. “I love creative endeavors. I like starting with nothing and then finishing with something that didn’t exist before. That’s my favorite thing about creating new music. I love being able to put something artistic out in the world for people to enjoy.”
In 2020, David released two new singles. The first, Reds Turn Blue, is a nod to the manic highs (reds) and lows (blues) of anxiety, something David has struggled to overcome since his season seven win on American Idol. As David told People.com: “This song became a therapeutic process for me, as a way to personify my anxiety and make it something other than me — which, in an odd way, has helped me navigate my relationship with it.” To capture that struggle, David worked with artist Justin A. Nixon to create a visual that was, “sci-fi and sinister” but left open-ended to represent “that constant battle between anxiety and myself.” And the second, Strange World, is “my homage to this year,” said David. “Staring out of windows at the world outside, feeling disconnected from it, and trying to find those moments that would normally exist outside, inside. “Both singles, along with the driving Fire are from his EP The Looking Glass, released in April 2021.
In April 2022, David released his latest single, “TABOS” (This’ll All Be Over Soon). The single’s release coincided with his return to the American Idol® stage to perform for their special 20th-anniversary reunion show.
MADDIE POPPE
Unless you’ve experienced it firsthand, there’s no way to understand just how dramatically instant famecan mess with your head. In winning American Idol in 2018, Maddie Poppe experienced all types ofemotions — from elation to self-doubt. In these last four years, Maddie has grown tremendously, as botha person and an artist. The Iowa native has evolved from folksy singer-songwriter into a multi-faceted powerhouse artist and musician. Maddie, now 25, can still very much bowl over a crowd with only her honeyed voice and acoustic guitar. But she’s upped her game by tapping into a modern sound that blends R&B, pop, and Americana, and by committing herself to writing her own songs.
In Spring 2019, following Maddie’s coronation on American Idol, her debut album Whirlwind released. By summer, the record hit #2 on the charts. Whirlwind featured four radio singles, including two top-25s – “Made You Miss” and “Not Losing You”. The year saw Maddie win a People’s Choice Award, guest-star on The Kelly Clarkson Show, Jimmy Kimmel Live!, Live With Kelly & Ryan and Good Morning America, and tour in support of Ingrid Michaelson. During the height of the pandemic, Maddie released a
holiday EP titled Christmas From Home. In Fall 2021, Maddie hit the road for her first headline tourdates. This year, Maddie has been constantly creating, both lyrically and musically. She is joined by an all-star team, including Nashville’s Adam Sickler, and hit songwriters like Willie Morrison, Fraser Churchill, and Thomas Finchum.
This Spring, Maddie released her irresistible new single “One That Got Away”. The song focuses on thedissolution of a friend’s longtime relationship, predicting that the guy who foolishly dumped her will realize he threw away something great. But the track — a soulful jam with shades of Bruno Mars and Maroon 5 — can also be seen as a commentary on Maddie’s own experience in the music industry.
Unlike the tracks selected for Maddie on her debut record, each new song on Maddie’s upcoming EP will be rich in her own voice. “I’m very proud of Whirlwind, but I feel like this new project speaks truer to me and my story,” she says. “When you’re just starting out like I was then, it can feel like 100 different people are trying to tell your story. Now, I’m finally telling it in my own voice.”
For 2023, Maddie is gearing up for a national tour featuring her new music and biggest hits. She’s excitedto introduce her fans to the special sound she’s created, shaped by the diversity of her favorite artists (Lily Allen, Sheryl Crow, and Corinne Bailey Rae are all in rotation on Maddie’s Spotify).
“I’m thrilled to release new music, but even more
excited to play these songs live,” Maddie says.
“Almosteverything I’m writing is upbeat and will be so much fun to perform with the energy of a live audience. For a long time, I simply thought of myself as the singer-songwriter, hometown girl from Iowa. Along the way I learned to spread my wings and branch out. I truly feel I’ve become the artist I was meant to be.”
Maddie’s US tour kicks off in Spring 2023. Visit MaddiePoppe.com for details.
NOAH THOMPSON
Hailing from the hollers of Eastern Kentucky, Noah Thompson learned early on that while life is tough, survival is even tougher.
Growing up in a house where addiction was prevalent meant when it came to necessities, sometimes the ends didn’t always meet. Thompson spent his childhood learning survival and life skills while most others his age were more focused on the books. He did things with his parents that kids probably shouldn’t be doing but all of those experiences built the grit and resilience that is the cornerstone of who he is today. Life was precious, but life was a struggle. It wasn’t about learning the Golden Rule, it was about learning how to survive.
It wasn’t the easiest situation or way of life to break free from but, with a combination of Godgiven talent and a little bit of luck, Thompson’s road is much brighter today than it was just a few short years ago.
As tumultuous as his childhood home may have been, it was a house flush with music ranging from Ryan Adams to Zakk Wylde to Three Doors Down to David Gray. His love for music came from his father who bought Noah a guitar when he was just 13 years old.
People may be familiar with Thompson as the winner of American Idol Season 20 (2022) and his hit song “One Day Tonight,” but the version of Noah people have seen and heard is incomplete. Now that Thompson has become comfortable with showing all the cards in his hand, he’s determined to introduce everyone to who he was, who he is and who he is becoming.
Driven by his determination to be a great father as well as a great artist, he’s not just content with whatever he can get his hands on. He’s intent on making his own breaks.
These days, Thompson has made a lot of changes in his life, personal and professional. Personally, he’s Dad to 3-year-old son named Walker who is the catalyst for every decision he makes. Professionally, he has taken complete control of his musical career and with two hands on the wheel has started to steer it in a much more honest and vulnerable direction.
If you loved him before, just wait, because his talent and his artistry runs so much deeper than what anyone has been allowed to see…until now.
As a songwriter, Thompson has exploded from not knowing how to write a song just two years ago to not only writing his own songs, he wrote
the Luke Combs song “Front Door Famous” that appears on Luke’s 2024 album Fathers & Sons.
As a songwriter, Thompson has found a voice he never knew he had and as a result, his sound has become that much more authentic. Case in point is his debut single “Upbringing,” and the subsequent releases including “Demons In My Whiskey,” “American Dream,” and here lately.
One day in early 2024, he went to his first ever writing session with Josh Dorr and Lalo Guzman and was not feeling all that great about himself. He was in a dark place and was working to pull himself out.
The result of the self-proclaimed therapy session is “Upbringing,” a verbal, hauntingly honest autobiographical account of Noah’s life. Serving as his debut song as an independent artist, it’s making a big statement both musically as well as personally.
“Demons In Whiskey,” was his follow up single that paid tribute to late friend that battled those demons every day. The somber and profoundly evocative song features the kind of truthful storytelling that country music has always been about.
His third independent single “American Dream,” penned by hit songwriters Chris Gelbudda, Steven Lee Olson and Daniel Tashian, is a another story of struggle that is more relatable today than when it was written over a decade ago.
His latest release is the encouraging and uplifting “Here Lately,” that reminds the listeners there’s always bright days to come.
Fully intent on singing songs and cultivating an audience that can relate to his stories, it’s a rebirth. Now a new man with a new beginning and fully in control of his creative path, Thompson is excited about his future.
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As
As of July 23, 2025
Mistlin Honda
Arts Education
As of July 23, 2025
$25,000+
Education Foundation of Stanislaus County
U.S. Bank
$10,000+
Jean-Charles Boisset & Gina Gallo
Kaiser Permanente
Make Dreams Real Foundation
Modesto Subaru
New Bridge ManagementAdrian Harrell
Silva Injury Law, Inc.
$5,000+
Ella Webb & Shelley Dameron
Robert & Cheryl Fantazia
$2,500+
Beard Land & Investment Co.
Enterprise Mobility Foundation
Jeff Gaudio & Karen Freeborn grantLOVE project
In Memory of Caleb Hurst
Star One Credit Union
Chris & Stephanie Tyler
$1,000+
Mr. & Mrs. William Gagon
Dennis & Kathy Hoskins
Ginger & Kent Johnson
Michael & Claudia Krausnick
Dr. Alex Mari
Katy & Ken Menges
Modesto Rotary Club Foundation
Freda Motto
Shirley Schmidt
$500+ Cindy & John Alba
Melvin & Barbara Bradley Ed & Jodi Felt
Christina & Victor Gomez Cortney Hurst
Modesto Sunrise Rotary
Judith Simms
USS Balthasar
Ann M. Veneman
$300+ Corie Coleman
Grace Lutheran Church, Lutheran Women’s Missionary League
Jerry & Diane Hougland
Pam, Dave, & Jill Robert
$150+
Debra Brady & Stephen Veglia
Grace Lutheran Church
Jerry & Diane Hougland
Alice Renfroe
Bob
National
Stanislaus
The
Creative
CHECK
OUT THE BENEFITS FOR BEING A CORPORATE
SPONSOR
Each season the Gallo Center partners with some of the region’s most prestigious companies, businesses that recognize the remarkable marketing value of associating with the Center.
Below are some of the ways* we connect corporate sponsors to Gallo Center patrons. Imagine how these might impact your marketing goals.
• Six lobby monitors with rotating slides
•
• Promotional table/displays
• Verbal pre-show recognition from the stage
•
•
• Logo/ID light projection inside theater
•
• ID on front of tickets
• Lobby kiosk poster
Gallo Center
for the a r t s
BOARD OF DIRECTORS
Ginger Johnson, Chair of the Board
Marie D. Gallo, President Emerita† June Rogers, Director Emerita
Christina Gomez, Immediate Past Chair
Mel Bradley, Chair Elect
Sarah Grover
Juan Sánchez Muñoz, Ph.D. Jeff
Todd Aaronson
Angelica Anguiano
Rebeca Baeza
Victor Barraza
John C. Bellizzi
Jennifer Coehlo
Stacey Filippi
Robert Fores
Lou Friedman
Julian Gallo
Diane
Stephanie
Ann M. Veneman
Geoff Wong
BOARD OF TRUSTEES
Mani Grewal Emma Grover
Irene Angelo†
Lilly Banisadre
Carl Boyett†
Joan Cardoza
Sheila Carroll
Suzanne Casazza
Paul Draper
Ron Emerzian
Ann Endsley
Kenni Friedman
Jaime Jimenez
Brian Kline
Kevin Luttenegger
Johann Ramirez
Catherine Rhee
Rosalee Rush
Robert Soria
John Schneider
Kate Trompetter
Philip Trompetter, Ph.D. Aaron Valencia
Colleen F. Van Egmond
Julie Vander Wall
Sue Zwahlen
FOUNDING TRUSTEES
Kate
Barry Highiet†
Jeanne
M.D.
Tony Mistlin†
M.D.
Schrimp
Fred A. Silva
Ray Simon
Delmar R. Tonge, M.D.†
Tom Van Groningen, Ph.D.
Doug Vilas
Carol Whiteside†
Jeremiah Williams
Alice Yip
Memoriam