2022 Revealed Exhibition Catalogue: New & Emerging WA Aboriginal Artists

sat 7 may – sun 24 july 2022 | fremantle arts centre | catalogue

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Fremantle Arts Centre is situated at Walyalup on Whadjuk Nyoongar Boodjar. We acknowledge the Whadjuk people as the Traditional Owners and custodians of these lands and waterways and extend our respect to their Elders, past and present.

We offer our heartfelt gratitude to the Whadjuk community and to all Aboriginal and Torres Strait Islander people who continue to care for Country and share their knowledge – this generosity and wisdom helps us to understand and navigate Country safely and respectfully.

Cover image: Dora Parker, Pukara (detail), 2021, acrylic on canvas, 110 x 85cm. Image courtesy the artist and Spinifex Arts Project.

Fremantle Arts Centre 1 Finnerty Street, Fremantle, WA 9432 9555 | fac.org.au All details are correct at the time of printing.

sat 7 may – sun 24 july 2022 | fremantle arts centre | catalogue

Revealed is presented by FAC with the support of the WA State Government through the Department of Local Government, Sport and Cultural Industries; and the Australian Government through the Indigenous Visual Arts Industry Support Program.

CONTENTS

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Exhibiting Artists

192

Waringarri Aboriginal Arts

8

Ardi'ol Arts Centre

202

Warlayirti Artists

14

DADAA

214

Warmun Art Centre

20

Juluwarlu Art Group

224

Wirnda Barna Art Centre

34

Ku'arlu Mangga (Good Nest)

228

Yamaji Art

42

Mangkaja Arts Resource Agency

256

Yarliyil Arts Centre

50

Martumili Artists

266

Independent Artists

70

Minyma Kutjara Arts Project

292

Acknowledgments

82

owanjum Aboriginal Art and M Culture Centre

293

Sales Information

88

Nagula Jarndu Designs

98

Ninuku Arts

110

apulankutja Artists Aboriginal P Corporation

120

Spinifex Arts Project

128

Spinifex Arts Project – Milpa Space

136

Spinifex Hill Studio

144

Tjanpi Desert Weavers

164

Tjarlirli Art Indigenous Corporation

178

Tjukurba Art Gallery (Shire of Wiluna)

184

Walkatjurra Cultural Centre — Ngalia Art

188

Warakurna Artists

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Revealed EXHIBITION 2022

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INTRODUCTION

Presented by Fremantle Arts Centre, Revealed showcases the creative works of emerging Aboriginal artists from across Western Australia at varying stages of their lives. Revealed provides a unique glimpse into Western Australian Aboriginal arts practice from young people exploring photography and film to older people who have recently started painting their Country.

In 2022, the program includes this exhibition, an arts market, public programs and important professional development for Aboriginal artists and arts workers.

The 2022 Revealed Exhibition showcases the works of over 100 emerging Aboriginal artists from 25 Western Australian remote and regional art centres, as well as independent Aboriginal artists from across WA, including Boorloo | Perth and the South West.

Open to all Aboriginal artists living in WA, artists are selected by a panel of industry experts. This year’s selection panel comprised of Carly Lane (curator), Glenn Iseger-Pilkington (Curator Fremantle Arts Centre) & Sharyn Egan (independent artist).

Exhibiting artists have created exciting new works that span a breadth of styles and mediums including painting, textiles, lens-based practices, carving and sculpture.

All works of art in the exhibition are for sale to the public, with sales supporting the continuation of dynamic creative practices across our vast state, many of which have been severely impacted by COVID-19, and who rely on the income of artwork sales to support their communities.

Revealed is an initiative of the WA State Government through the Department of Local Government, Sport and Cultural Industries; and the Australian Government through the Indigenous Visual Arts Industry Support program.

Revealed is a celebration of First Peoples – of Country, culture and community, but importantly, it is an invitation to learn more about the recent, ancient and enduring stories of the places we call home.

Fremantle Arts Centre is situated at Walyalup on Whadjuk Noongar Boodjar. We acknowledge the Whadjuk people as the Traditional Owners and Custodians of these lands and waterways and extend our respect to their Elders, past and present.

We offer our heartfelt gratitude to the Whadjuk community and to all Aboriginal and Torres Strait Islander people who continue to care for Country and share their knowledge – this generosity and wisdom helps us to understand and navigate Country safely and respectfully.

Curated by Jane Chambers & Glenn Iseger-Pilkington

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EXHIBITING ARTISTS 2022 1 ARDI’OL ARTS CENTRE Ardyaloon Community Russell (Wossy) Davey Ashley Hunter 2 DADAA Whadjuk Noongar Boodjar | Fremantle and Midland Michael Miller 3 JULUWARLU ARTS GROUP Ieramagadu | Roebourne Jadzia Abraham Banyji (Pansy) Cheedy Jane Cheedy Lyn Cheedy Judith Coppin Bigali Ngawurradarn Hanlon Wendy Hubert Courtney McKay Margaret Read Deanha Robinson Mary Watson 4 KU’ARLU MANGGA (GOOD NEST) Yamatji Country | Northampton and Kalbarri Mauretta Drage Marika Gilla

5 MANGKAJA ARTS RESOURCE AGENCY Bunuba Country | Fitzroy Crossing Francine Steele Renal Hostel Arts Group; Pauline Wurdoon Chiguna Jennifer Dickens Elizabeth Wobby Ford Junjun Jill Jack 6 MARTUMILI ARTISTS Nyiyaparli Country | Newman Cecilia Brolga Yvonne Mandijalu Roxanne Newberry Beverley Rogers Mary Rowlands Sylvia Wilson 7 MINYMA KUTJARA ARTS PROJECT Wingellina Community, Ngaanyatjarra Lands Eva Anyupa Baker Russell Tjuwintjara Bryant Jennifer Mintaya Connelly Ward Diane Dawson Linda Eddy Sally Ann Wipana Foster Maureen Tjalumi Nelson 8 MOWANJUM ABORIGINAL ART AND CULTURE CENTRE Mowanjum Community | Derby Shontae Charles

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Revealed EXHIBITION 2022

9 NAGULA JARNDU DESIGNS Yawuru Country | Broome Gabriella Baxter Marie Cecilia Manado 10 NINUKU ARTS Kalka Community, APY Lands Angkaliya Nelson Angela Watson 11 PAPULANKUTJA ARTISTS ABORIGINAL CORPORATION Papulankutja Community, Ngaanyatjarra Lands | Blackstone Nora Nyutjanka Davidson Joy Nginana Lyons Mildred Nyunkiya Lyons Marcia Mitchell 12 SPINIFEX ARTS PROJECT Tjuntjuntjara Community Dora Parker 13 SPINIFEX ARTS PROJECT MILPA - MARA WANGKAPAI PROJECT Tjuntjuntjara Community Michelle Anderson Sophia Brown Maureen Donegan Timo Hogan 14 SPINIFEX HILL STUDIO Kariyarra Country | South Hedland Sophia Alone Beryl Ponce Lena Willalang

15 TJANPI DESERT WEAVERS Warakurna, Mantamaru, Papulankutja Communities, Ngaanyatjarra Lands Ruth Bates Charlotte Golding Narelle Holland Joyce James Nikisha Mitchell Lucy Nelson Polly Jackson Butler Pawuya Winifred Reid Dorothy Richards Corrina Shepherd Dolores Simms Jennifer Ward Antoinette Williamson Roshanna Williamson 16 TJARLIRLI ART INDIGENOUS CORPORATION Tjukurla Community, Ngaanyatjarra Lands Bernard Bell Beryl Bell Leonie Bennett Julieanne Walingkura Farmer Winsome Newberry Dianne Wamantjangu 17 TJUKURBA ART GALLERY SHIRE OF WILUNA Wiluna Annette Williams 18 CENTRE - NGALIA ARTS Manta Rirrtinya Country and Tjiwarl Country | Northern Goldfields Ammbi Ngangila Muir

19 WARAKURNA ARTISTS Warakurna Community, Ngaanyatjarra Lands Rosanna (Winifred) Reid 20 WARINGARRI ABORIGINAL ARTS Miriwoong Country | Kununurra David Brown Desma Mengil Richie Wilson 21 WARLAYIRTI ARTISTS Wirrimanu Community | Balgo Shannon Gibson Genevieve James Alexandria Loomoo Judith Loomoo Alicia Maggie Latoya Moody Lydia Mudji Rikisha Nannup Serena Nowee Gina Sunfly 22 WARMUN ART CENTRE Warmun Community, Gija Country April Nulgit Tatum Rivers-Purdie 23 WIRNDA BARNA ART CENTRE Badimia Country | Mt Magnet Ashleigh Walsh

24 YAMAJI ART Yamatji Country | Geraldton Nicole Dickerson Joshua Gellatly Charmaine Green Kyra Johnson Lily-mae Kerley Roni Kerley Barbara Merritt Jesse Pickett Andrea Ugle-Green Margaret Whitehurst 25 YARLIYIL ART CENTRE Halls Creek Vicki Long Shirley Yoomarie 26 INDEPENDENT ARTISTS Wyndham Bianca Long 27 INDEPENDENT ARTISTS Lombadina Community Darrell-Jade Kyle (DJ) 28 INDEPENDENT ARTISTS Whadjuk Noongar Boodjar | Perth Darryl Dempster Carleen Eades Jason Haji-Ali Kahlie Lockyer Rebecca Reid Se’Anna Winmar

We acknowledge that the spelling and interpretation of Indigenous language can vary greatly from community to community.

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Ashley Hunter restoring ilma ready for cultural performances

by Bardi Dancers. Image courtesy of Ardi'ol Arts

We are saltwater people. Our Ardi’ol Arts Centre strengthens and shares Bardi Culture from the Dampier Peninsula. Newly established by Bardi people living in Ardyaloon, the artists and their families are the traditional custodians of Ardi'ol Booroo and welcome all Bardi Jawi artists to share their unique art from our region.

ARDYALOON COMMUNITY BARDI JAWI / SALTWATER PEOPLE

ARDI’OL ARDI'OL ARTS CENTRE

ARTISTS Russell Davey (Wossy) Davey Ashley Hunter

We provide provide a a one one stop stop shop shop for for Bardi Bardi Art, Art, Culture, Culture, We education and and experiences; experiences; For For us, us, by by us. us. Ardi’ol Ardi’ol education is building building a a future, future, providing providing employment employment and and is maintaining a a culture culture by by sharing sharing traditional traditional maintaining storytelling, song, song, dance, dance, authentic authentic art art and and more. more. storytelling,

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RUSSELL (WOSSY) DAVEY BORN Derby LIVES AND WORKS Ardyaloon Community LANGUAGE GROUP / PEOPLE Bardi Jawi

Russell is a proud Bardi man, with many connections, but only identifies himself as a Traditional Custodian of the Ardi’ol clan group. He lives in Ardyaloon Community on the Dampier Peninsula. Wossy’s art is inspired by his Bardi culture, creating designs that incorporate Dreamtime stories of his saltwater people, continuing to tell these stories through many art forms, using colours, animals and shapes that depict his natural environment.

He also carves pearl shells, boab nuts, and traditional artefacts, whilst advocating that young people are taught the old ways, keeping law, language and culture alive, so the knowledge is not lost forever.

Russell (Wossy) Davey Garralgoon Garralgoon, 2021 Boab nut carving 20 x 11 x 11 cm $1,000 REV22-1

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Revealed EXHIBITION 2022

Russell (Wossy) Davey Garrabal Niimidgoon, 2021 Boab nut carving 15 x 20 x 10 cm $1,700 REV22-2

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ASHLEY HUNTER BORN Derby LIVES AND WORKS Ardyaloon Community LANGUAGE GROUP / PEOPLE Bardi Jawi

Ashley is a proud Bardi man, with many connections, but only identifies himself as a traditional custodian of the Ardi’ol clan group. He lives in Ardyaloon Community on the Dampier Peninsula. Ashley was inspired by his grandmother's art. Growing up listening to traditional stories and making artefacts with his father and uncles, he discovered he was a naturally gifted artist. Being self-taught he began sketching and painting about his Bardi culture, animals, and dreamtime stories. Ashley has always held the vision of having his artwork on clothing in the global market.

Milimilonjoon is the story of when Dreamtime started, a long-time ago

Ashley Hunter Milimilonjoon, 2021 Acrylic on canvas 91 x 61 cm $3,000 REV22-3

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Revealed EXHIBITION 2022

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Michael Miller painting at his MJAC residency 2022. Image courtesy DADAA

DADAA is a leading arts and health organisation that creates access to cultural activities for people with disability or a mental illness. DADAA offers targeted programs that include a broad range of traditional and new media projects in Western Australian communities. Our programs range from entry-level workshops for those with no arts experience to professional mentorships for advanced artists.

WHADJUK NOONGAR BOODJAR / WALYALUP | FREMANTLE AND MIDLAND

DADAA

ARTISTS Michael Miller

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MICHAEL MILLER LIVES AND WORKS Midland LANGUAGE GROUP / PEOPLE Noongar

Michael is a Noongar artist living in Midland, Western Australia. His mother is from Narrogin. Michael utilises bright colours in his paintings, and says he finds inspiration for his art from his culture. He explains that it is the hardships in his life that motivate him to make art; it is something he enjoys doing and makes him happy. The meaning behind his work is spontaneous, based on what he is feeling while painting, and often includes impressions of friends as well as personal stories.

Michael Miller Bush Garden 1, 2022 Acrylic on canvas 91 x 152 cm $1,500 REV22-4

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Revealed EXHIBITION 2022

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Michael Miller Bush Garden 2, 2022 Acrylic on canvas 91 x 152 cm $1,500 REV22-5

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Revealed EXHIBITION 2022

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Juluwarlu group photo, Courtesy: Juluwarlu Art Group.

Photographer: Claire Martin

Juluwarlu Art Group is a collective of Yindjibarndi artists who celebrate Yindjibarndi Country, culture and language through a diverse range of artistic practices. The collective is based in Ieramagadu (Roebourne), a town of approximately 900 people located in the remote North-Western Pilbara region, while the ancestral homeland of the artists, Yindjibarndi Country, surrounds the nearby Millstream Tablelands and Fortescue River. The art group is part of Juluwarlu Group Aboriginal Corporation (JGAC), an Aboriginal owned and governed organisation that is dedicated to preserving, recording and promoting the culture of Yindjibarndi people.

JGAC’s work spans multiple platforms, and includes an archive that is nationally-recognised, broadcast media, language preservation, cultural mapping, documentary production, on-Country trips and art-making.

IERAMAGADU / ROEBOURNE YINDJIBARNDI PEOPLE

JULUWARLU ART GROUP

ARTISTS Bigali Ngawurradarn Hanlon Mary Watson Jadzia Abraham Banyji (Pansy) Cheedy Jane Cheedy Lyn Cheedy Judith Coppin Wendy Hubert Courtney McKay Margaret Read Deanha Robinson

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BIGALI NGAWURRADARN HANLON BORN Mulga Downs Station LIVES AND WORKS Iremagadu | Roebourne LANGUAGE GROUP / PEOPLE Yindjibarndi SKIN GROUP Garimarra

Bigali is a Yindjibarndi Elder born on Mulga Downs Station near Wittenoom.

At only five, she was forcibly removed by the Government. As a young woman, Bigali moved to Wittenoom. While exploring the creek beds, she came across a bush cucumber which smelled familiar. She knew she’d been there before! The family was reunited but the loss of culture has never been reconciled. Today, after a lifetime of nurturing her love for native plants, Bigali spends her days gathering seeds, painstakingly turning them into unique jewellery that connect her to the stories of her old people. At 80, Bigali remains inspired by the beauty of her Country.

Bigali Ngawurradarn Hanlon Bajila, 2022 Acrylic on canvas 50 x 50 cm $800 REV22-6

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Revealed EXHIBITION 2022

Bigali Ngawurradarn Hanlon Yarringandayin, 2022 Acrylic on canvas 75 x 75 cm $1,500 REV22-7

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MARY WATSON BORN Iremagadu | Roebourne LIVES AND WORKS Iremagadu | Roebourne LANGUAGE GROUP / PEOPLE Yindjibarndi SKIN GROUP Burungu

Mary is a Yindjibarndi woman living in Roebourne. She is the daughter of famed artist Alice Guinness. Mary is an emerging artist who has been quietly painting her deeply thoughtful, beautifully patterned artworks for only two years. Mary's works are bold and colourful and are often depictions of the Yurra (Sun) and explore her connection to Ngurra (home).

Mary Watson Gumawaynii Muthu-gayu (Meeting place), 2022 Acrylic on canvas 100 x 80 cm $1,440 REV22-8

Mary Watson Gumawaynii Muthu-gayu (Meeting place), 2022 Acrylic on canvas 100 x 80 cm $1,440 REV22-9

Mary Watson Gumawaynii Muthu-gayu (Meeting place), 2022 Acrylic on canvas 100 x 80 cm $1,440 REV22-10

Mary Watson Gumawaynii Muthu-gayu (Meeting place), 2022 Acrylic on canvas 100 x 80 cm $1,440 REV22-11

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Revealed EXHIBITION 2022

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COLLABORATIVE PORTRAIT WORKS JULUWARLU ART GROUP

“This group of Yindjibarndi portraits show the different generations, it is a celebration of our people, our Elders.

We survived because they survived the hardships, they worked hard on stations with no pay, only rations. Our next generation are here because of our Elders, we speak a lot about the next generation because they are our future. We painted them because we wanted to see them all together, all the generations. We go out on Ngurra, on our Country they learn from us, our story, our paintings we follow in the footsteps of our Yindjibarndi old people”.

These portraits were created during creative workshops held at the Juluwarlu Art Group, as part of the 2022 Revealed Creative Development program, facilitated by Andy Quilty.

Revealed EXHIBITION 2022

JADZIA ABRAHAM

BANYJI (PANSY) CHEEDY

JANE CHEEDY

BORN Boorloo | Perth LIVES AND WORKS Ieramugadu | Roebourne

LIVES AND WORKS Iremagadu | Roebourne LANGUAGE GROUP / PEOPLE Yindjibarndi SKIN GROUP Banaga

LIVES AND WORKS Iremagadu | Roebourne LANGUAGE GROUP / PEOPLE Yindjibarndi SKIN GROUP Banaga

Jadzia is a Balardong and Whadjuk Noongar yorga (woman) from Boorloo.

She is the granddaughter of wellrespected Elder Ted Wilkes. She is an activist for Indigenous rights and has been heavily involved in this from a young age. She is currently studying a Diploma of Aboriginal and Torres Strait Islander Legal Advocacy. Dancing from a young age with her family’s cultural dance group, she shares her culture through performing. Since moving to Ieramugadu (Roebourne) with her two kids and partner she has been painting with Juluwarlu Art Group. She loves watching the Elders paint and hearing their stories of the old times and Country.

Banyji (Pansy) Cheedy is a Yindjibarndi Elder. A renowned painter, Banyji works with acrylic on canvas, stitched acrylic paintings, woven fibre works, and Yarranga Marni works on carved boards. Her art celebrates the plants, animals, water and creation stories of Yindjibarndi Country and culture.

“I paint memories of the things that I grew up with and it gives me a sense of satisfaction in my spirit”, Banyji says.

"Not being able to go back to homeland … it’s about having that on canvas”.

A Yindjibarndi Elder, Jane began working with Juluwarlu Art Group in 2017 and has become known for her carved Yarranga Marni boards and scratchboards, as well as for her acrylic paintings on canvas and embroidered works. Jane’s artworks often feature written Yindjibarndi text, oral recordings of songs, and depictions of Yindjibarndi plants, animals and important sites. “I have a painting about the Yindjibarndi ngurra: the animals that come from the land”, Jane says. “They come from the ngurra (home) and they are yinya (given) to us”.

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LYN CHEEDY

JUDITH COPPIN

WENDY HUBERT

LIVES AND WORKS Iremagadu | Roebourne LANGUAGE GROUP / PEOPLE Yindjibarndi SKIN GROUP Banaga

LIVES AND WORKS Iremagadu | Roebourne LANGUAGE GROUP / PEOPLE Yindjibarndi SKIN GROUP Banaga

BORN Red Hill Station on Guruma Country LIVES AND WORKS Iremagadu | Roebourne LANGUAGE GROUP / PEOPLE Yindjibarndi SKIN GROUP Burungu

Lyn is a Yindjibarndi Custodian, Yindjibarndi Aboriginal Corporation Chair, and passionate artist. She is a daughter of renowned Yindjibarndi Cultural Custodian, teacher and Elder, Ned Mayurabingu Cheedy. Lyn is a highly skilled painter and craftswoman who creates traditional fishing nets and baskets from yalhirri grass, and spun hair ceremonial belts. Despite only three years ago starting her creative practice – which involves acrylic works on canvas, weaving and making yarranga marni carved boards – her artworks are highly valued and have been selected for major Perth-based exhibitions. Lyn’s artworks are intricately constructed, deeply cultural, evolving from her passionate love of her Country.

Judith is a Yindjibarndi Elder, cultural custodian, and respected artist. Since 2010, Judith has been creating beautiful acrylic paintings on canvas. Over the last three years, she has extended her practice to incorporate her beautiful yarranga marni (carved boards). Many of her artworks have been selected for major Perth-based exhibitions. Judith’s artworks are intricately constructed, deeply cultural, evolving from her passionate love of her Country and creation stories. Judith’s Yarranga Marni artworks have sold to the WA Department of Arts and Culture Collection, and her work featured on the cover of the 2019 Rio Tinto Colours of our Country Catalogue.

Wendy Hubert is a respected Yindjibarndi Elder, artist and linguist.

Born at Red Hill Station on Guruma Country, Wendy now lives and works in Roebourne. She recently began painting with Juluwarlu Art Group and has become known for her landscape paintings depicting scenes from her childhood and featuring important places on Yindjibarndi and Guruma Country. “I know my Ngurra”, Wendy says. “I know its Laws. I am a Yindjibarndi Custodian, old now, but strong in my thinking and my life”.

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Revealed EXHIBITION 2022

COURTNEY MCKAY

MARGARET READ

DEANHA ROBINSON

LIVES AND WORKS Iremagadu | Roebourne LANGUAGE GROUP / PEOPLE Yindjibarndi and Kurruma

LIVES AND WORKS Iremagadu | Roebourne LANGUAGE GROUP / PEOPLE Yindjibarndi SKIN GROUP Burungu

BORN Carnarvon LIVES AND WORKS Iremagadu | Roebourne

Courtney is a Yindjibarndi and Kurruma woman living in Roebourne who has been painting from an early age.

Working with Juluwarlu Art Group as a young adult, Courtney has participated in workshops such as the Water Corporation animation project where she contributed a painting about Barrimirndi creating the Fortescue River during Ngurra Nujugamu (when the world was soft). The work was exhibited at the Art Gallery of Western Australia.

A Yindjibarndi Elder, Margaret began painting in 2017. She says her Ngurra (country) and Culture are essential to Yindjibarndi wellbeing. “When I paint, I think of my Ngurra (Yindjibarndi Country) and how it is so deep in me.

Everything that is important comes from the Ngurra Nyujunggamu – the Creation Times that we call the time when the world was soft. There are so many spiritual connections between all living things and the world of Yindjibarndi people. This is what I put in my paintings”.

Deanha was born in Carnarvon, from there she moved to South Hedland and attended school in both places.

Deanha currently resides in Ieramugadu (Roebourne) and is doing an Arts and Administration traineeship with Juluwarlu. Deanha loved art at high school and has started painting again since working with Juluwarlu, she enjoys the company and stories from the elders and other artists, it is the meaning behind the painting itself that is really important to her and her art.

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1 1 Jadzia Abraham Harry Mills, 2022 Pencil on watercolour paper 51 x 39 cm (framed) $500 REV22-27 2 Banyji (Pansy) Cheedy Ricky Smith, 2022 Gouache on watercolour paper 51 x 39 cm (framed) $500 REV22-14 3 Banyji (Pansy) Cheedy Michael Woodley, 2022 Gouache and pencil on watercolour paper 51 x 39 cm (framed) $500 REV22-24 4 B anyji (Pansy) Cheedy Frank Smith, 2022 Gouache on watercolour paper 51 x 39 cm (framed) $500 REV22-28 5 Banyji (Pansy) Cheedy Wimiya Woodley, 2022 Gouache on watercolour paper 51 x 39 cm (framed) $500 REV22-31

6 Bigali Ngawurradarn Hanlon Alice Guiness, 2022 Gouache on watercolour paper 51 x 39 cm (framed) $500 REV22-15 7 Jane Cheedy Bunyjaa Cheedy, 2022 Gouache on watercolour paper 51 x 39 cm $500 REV22-19 8 Jane Cheedy Wimiya Woodley, 2022 Gouache on watercolour paper 51 x 39 cm $500 REV22-25 9 Lyn Cheedy Harry Mills, 2022 Gouache on watercolour paper 51 x 39 cm $500 REV22-16 10 Lyn Cheedy Wendy Hubert, 2022 Gouache on watercolour paper 51 x 39 cm $500 REV22-21

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1 1 Judith Coppin Landon Punch, 2022 Gouache and chalk pastel on watercolur paper 51 x 39 cm $500 REV22-13

6 Wendy Hubert Tootsie Daniel, 2022 Pencil on watercolour paper 51 x 39 cm $500 REV22-30

2 Judith Coppin Anisha Larry, 2022 Gouache on watercolour paper 51 x 39 cm $500 REV22-20

7 Courtney McKay Wimiya Woodley, 2022 Gouache on watercolour paper 51 x 39 cm $500 REV22-12

3 Wendy Hubert Yindjibarndi Portrait, 2022 Gouache on watercolour paper 51 x 39 cm $500 REV22-18

8 Courtney McKay Wimiya Woodley, 2022 Gouache and chalk pastel on watercolour paper 51 x 39 cm $500 REV22-17

4 Wendy Hubert Yindjibarndi Portrait, 2022 Gouache and pencil on watercolour paper 51 x 39 cm $500 REV22-23

9 Margaret Read Wimiya Woodley, 2022 Gouache on watercolour paper 51 x 39 cm $500 REV22-22

5 Wendy Hubert Yindjibarndi Portrait, 2022 Gouache and pencil on watercolour paper 51 x 39 cm $500 REV22-29

10 Deanha Robinson Bunyjaa Cheedy, 2022 Gouache on watercolour paper 51 x 39 cm $500 REV22-26

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Colleen Drage and Granddaughter Marissa , Intergenerational goanna print project. Image courtesy Ku’arlu Mangga

A small but innovative art centre on Yamatji Country (Geraldton and Shark Bay), Ku’arlu Mangga is best known for intergenerational, community art projects, sharing Nhanda culture, such as Message Sticks and Kaju Yatka (Kalbarri Skywalk) public art installations. It has also launched a range of textiles, opened a gallery and developed artist print making skills. Ku’arlu Mangga was badly damaged by Cyclone Seroja in April 2021. It has been a challenging year for exhibition artists unable to reliably access their studio spaces since the cyclone. Ku’arlu Mangga is Nhanda for ‘Good Nest’, reflecting its focus on youth well-being. Ku’arlu Mangga gallery will reopen after repairs in May 2022.

YAMATJI COUNTRY / NORTHAMPTON KALBARRI LNANDHA AND NAAGUJA PEOPLE, WITH ALL ABORIGINAL RESIDENTS IN NORTHAMPTON WELCOMED

KU'ARLU MANGGA (GOOD NEST)

ARTISTS Mauretta Drage Marika Gilla

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MAURETTA DRAGE BORN Mooniemia | Northampton LIVES AND WORKS Nileribanjen | Broome and Mooniemia | Northampton LANGUAGE GROUP / PEOPLE Nhanda, Wadjarri

Mauretta is a proud Nhanda-Wadjarri woman, working in a wide range of mediums, making work which celebrates family, culture, and connection.

Mauretta was taught to paint by Nanna Olive Boddington (dec). Her prints are inspired by her time spent along the Murchison River in Kalbarri.

Mauretta works in collaboration with her mother Colleen Drage and son Kane Clifton on innovative public art installations that promote positive cultural visibility in the local landscape. Most recently, this included Kaju Yatka (Kalbarri Skywalk). Mauretta also teaches wood burning, painting, and printmaking and helps to run cultural camps.

Mauretta Drage Woody Pears, Colours of Country, 2022 Print, lino cut relief, colour Multipoint registration

auretta Drage M Woody Pears, River and Rockholes, 2022 Print, lino cut relief, 3 passes, Multipoint registration

6 8 x 49 cm (framed) edition 1/10 $490 REV22-34

6 3 x 63 cm (framed) edition 1/10 $580 REV22-35

56 x 38 cm (unframed) editions 2-10/10 $270 REV22-245

58 x 58 cm (unframed) editions 2-10/10 $335 REV22-246

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Mauretta Drage Banksias, red over burnt umber, 2022 Print, lino cut, multi pass, dual templates 3 8 x 36 cm (framed) edition 1/10 $320 REV22-36 27 x 27 cm (unframed) editions 2-10/10 $175 REV22-247 Mauretta Drage Banksias, burnt orange over red, 2022 Print, lino cut, multi pass, dual templates 3 8 x 36 cm (framed) edition 1/10 $320 REV22-37 2 7 x 27 cm (unframed) editions 2-10/10 $175 REV22-248 auretta Drage M Banksias, ochre over red, 2022 Print, lino cut, multi pass, dual templates 3 8 x 36 cm (framed) edition 1/10 $320 REV22-38 2 7 x 27 cm (unframed) editions 2-10/10 $175 REV22-249

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MARIKA GILLA BORN Jambinu | Geraldton LIVES AND WORKS Mooniemia | Northampton and Boorloo | Perth LANGUAGE GROUP / PEOPLE Nhanda, Wadjarri

Marika is a proud Nhanda-Wadjarri woman developing an art practice that celebrates family stories and cultural heritage. She lives and works on Noongar Country returning to Ku’arlu Mangga for creative workshops and learning on Country with extended family. Marika’s artworks are depictions of her experiences on Country with family Elders and are made by pressing watercolour painting on polyethylene sheets into wet paper in a printmakers press. In 2021, Marika took on the role of Youth Coordinator, working on a project with her aunty and grandmother that shared her Revealed experience with young people.

Marika Gilla Goannas Fighting (yellow), 2022 Print, ethylene plate water colour pressed into wet paper 50 x 123 cm (framed) $1,500 REV22-32 Marika Gilla Goannas Fighting (orange), 2022 Print, ethylene plate water colour pressed into wet paper 50 x 123 cm (framed) $1,500 REV22-33

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Mervyn Street talking about artefacts from the Mangkaja Collection. Image courtesy of Bo Wong.

Mangkaja Arts Resource Agency is a vibrant Aboriginal owned Art Centre representing the five language groups of the Fitzroy Valley in the West Kimberley region. Mangkaja Artists are renowned for their uninhibited style, innovation and lively use of colour, painting images of Country that share stories of culture and identity.

BUNUBA COUNTRY / FITZROY CROSSING WALMAJARRI, WANGKATJUNGKA, GOONYANDI, BUNUBA AND NYIKINA PEOPLE

MANGKAJA ARTS RESOURCE AGENCY

ARTISTS Francine Steele Pauline Wurdoon Chiguna Jennifer Dickens Elizabeth Wobby Ford Junjun Jill Jack

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FRANCINE STEELE LIVES AND WORKS Ngumpan Community, near Fitzroy Crossing

Francine Steele lives in a small community about 100 kilometres east of Fitzroy Crossing and has been painting at Mangkaja Arts since 2018.

Francine’s works are rendered slowly with a steady hand and great precision. Each dot a mediation on the Great Sandy Desert Country her grandfather and family migrated from, when they moved to the Kimberley region in the ‘60s. Desert Flowers shows a new style by Francine which she has been developing to depict the flora of the Great Sandy Desert.

Francine Steele Desert Flowers, 2021 Acrylic on canvas 120 x 120 cm $2,700 REV22-49

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PAULINE WURDOON CHUGANA JENNIFER DICKENS JUNJUN JILL JACK ELIZABETH FORD WOBBY RENAL HOSTEL ART GROUP MANGKAJA ARTS RESOURCE AGENCY Late last year an art group was formed for residents of the Renal Hostel in Fitzroy Crossing to offer a safe space and creative outlet and alleviate the stressful changes brought about COVID-19. Supported by Mangkaja Arts and led by Jennifer Dickens, the art group is made up of new and existing members of Mangkaja Arts including Elizabeth Ford Wobby, Pauline Wurdoon Chuguna, Junjun Jill Jack and Jennifer Dickens. The artists support and encourage each other to tell stories of Country, including growing up in Fitzroy crossing, their families’ Country in the desert, and sharing knowledge of hunting and gathering.

1 Pauline Wurdoon Chiguna Untitled, 2021 Acrylic on canvas 30 x 30 cm $260 REV22-39

2 Pauline Wurdoon Chiguna Untitled, 2021 Acrylic on canvas 30 x 30 cm $260 REV22-40

3 Pauline Wurdoon Chiguna Untitled, 2021 Acrylic on canvas 30 x 30 cm $260 REV22-41

4 Jennifer Dickens Little Mona, 2021 Acrylic on canvas 30 x 30 cm $260 REV22-45

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1 1 Elizabeth Wobby Ford Untitled, 2021 Acrylic on canvas 30 x 30 cm $260 REV22-42 2 Elizabeth Wobby Ford Untitled, 2021 Acrylic on canvas 30 x 30 cm $260 REV22-43 3 Elizabeth Wobby Ford Bush Food, 2021 Acrylic on canvas 30 x 30 cm $260 REV22-44

4 Junjun Jill Jack My Father Country, 2021 Acrylic on canvas 30 x 30 cm $260 REV22-46 5 Junjun Jill Jack My Father Country, 2021 Acrylic on canvas 30 x 30 cm $260 REV22-47 6 Junjun Jill Jack My Father Country, 2021 Acrylic on canvas 30 x 30 cm $260 REV22-48

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Beverly Rogers on Country with her Revealed artwork. Image courtesy Martumili Artists

Martumili Artists was established by Martu people living in the Communities of Parnpajinya (Newman), Jigalong, Parnngurr, Punmu, Kunawarritji, Irrungadji and Warralong. The artists and their families are the traditional custodians of vast stretches of the Great Sandy, Little Sandy and Gibson Deserts as well as the Karlamilyi (Rudall River) area. Martumili draws on the strong influence of Aboriginal art history and artists practice across a range of styles and mediums.

NYIYAPARLI COUNTRY / NEWMAN MARTU PEOPLE

MARTUMILI ARTISTS

ARTISTS Cecilia Brolga Yvonne Mandijalu Roxanne Newberry Beverley Rogers Mary Rowlands Sylvia Wilson

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BEVERLEY ROGERS

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BORN Port Hedland LIVES AND WORKS Punmu Community LANGUAGE GROUP / PEOPLE Karimarra

Beverley lives and paints in Punmu Community, where she was taught to paint by her mother and fellow Martumili Artist Reena Rogers. Beverley’s aesthetic is psychedelic and colourful, depicting tuwa (sandhills) and kapi (waterholes) of Punmu and the surrounding Country. In Punmu, Beverley’s painting style has migrated off the canvas, sprawling across her possessions and ngurra (house). Originally intended to imprint her belongings with her unmistakable style to discourage unwarranted ‘borrowing’, Beverley has transformed her everyday objects into 3D 2 sculptures, maintaining their functionality, but adding that Beverley flair.

Beverley’s colourful paintings transform everyday domestic objects such as walls, cleaning utensils, kitchenware, rugs into something psychedelic.

1 Beverley Rogers Untitled, 2022 Acrylic on canvas 76 x 46 cm $490 REV22-50

2 Beverley Rogers Untitled, 2022 Acrylic on canvas 61 x 46 cm $395 REV22-51

3 Beverley Rogers Untitled, 2022 Acrylic on canvas 61 x 46 cm $395 REV22-52

4 Beverley Rogers Kurturarra, 2021 Acrylic on canvas 46 x 36 cm $230 REV22-53

5 Beverley Rogers Kurturarra, 2021 Acrylic on canvas 36 x 76 cm $385 REV22-54

6 Beverley Rogers Kurturarra, 2021 Acrylic on canvas 36 x 76 cm $385 REV22-250

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Beverley Rogers Cuppatea, 2021 Acrylic on enamel cup 12 x 17 x 13 cm $157 REV22-55

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Beverley Rogers Untitled, 2022 Acrylic on broom 156 x 60 x 8 cm $100 REV22-56

Beverley Rogers Untitled, 2022 Acrylic on broom 140 x 28 x 5 cm $100 REV22-57

Beverle Untitle Acrylic 126 x 30 $100 REV22-5

ey Rogers ed, 2022 on rake 0 x 2 cm

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Beverley Rogers Untitled, 2022 Acrylic on shovel 140 x 14 x 7 cm $100 REV22-59

Beverley Rogers Untitled, 2022 Acrylic on crowbar 150 x 4 x 2 cm $100 REV22-60

Beverley Rogers Untitled, 2022 Acrylic on shovel 110 x 25 x 10 cm $100 REV22-61

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Beverley Rogers Untitled, 2022 Acrylic on chair 80 x 50 x 47 cm $100 REV22-62

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Beverley Rogers Untitled, 2022 Acrylic on trestle 74 x 122 x 60 cm $200 REV22-63

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CECILIA BROLGA LIVES AND WORKS Karratha LANGUAGE GROUP / PEOPLE Yulparrija SKIN GROUP Purungu

Cecilia Brolga started painting with Martumili Artists after moving down to Karratha in 2013. She loves to paint her home: the Country, the bushfoods, the vegetation, the trees and the landscape. This year she has been focusing on taking photos of family and friends on Country.

ecilia Brolga C Smokey Skies, 2021 Photographic print on paper edition of 3 42 x 58 cm $230 REV22-73

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ecilia Brolga C Gold Nugget, 2021 Photographic print on paper edition of 3 42 x 30 cm $160 REV22-72

Cecilia Brolga Strong Woman Legacy, 2021 Photographic print on paper edition of 3 42 x 30 cm $160 REV22-74

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YVONNE MANDIJALU BORN Broome LIVES AND WORKS Bidyadanga

An emerging photographer born in Broome, Yvonne has developed a series of photographs taken out in Parnngurr, 370 km from Newman. Captured during the school holidays, the images feature children playing in the mechanics shed, documenting a moment of playful fun in the community.

“I like living in Bidyadanga because I like going fishing and camping there.

I moved to Perth when I was eighteen and went to Central Tafe to study New Opportunities for Women, and now I’m in Newman to be close to my grandparents”.

vonne Mandijalu Y Parnngurr, 2021 Photographic print on paper Edition of 3 42 x 58 cm $230 REV22-75

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Yvonne Mandijalu Parnngurr, 2021 Photographic print on paper edition of 3 42 x 58 cm $230 REV22-76

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Yvonne Mandijalu Parnngurr, 2021 Photographic print on paper edition of 3 42 x 58 cm $230 REV22-77

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ROXANNE NEWBERRY LIVES AND WORKS Punmu Community SKIN GROUP Purungu

Roxanne is from Warakuna and has been painting for some years now, alongside her sister Cynthia and mother Jorna. She loves doing aerial landscapes of her father’s Country Yirriya, both painting and weaving the landscape. Roxanne has been working on a series of pieces, a bus, house and various animals drinking from the waterholes, weavings that reflect her memories of her father's Country. They are detailed, bright and bring stories of countries into 3D form. “When I'm painting or weaving I forget about everything and everyone, forget about my worries, it makes me feel like me”, she says.

Roxanne Newberry Family Bus, 2022 metal, fibre and cardboard 34 x 34 x 100 cm $1,083 REV22-71

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MARY ROWLANDS BORN Hillside Station near Marble Bar LIVES AND WORKS Warralong Community LANGUAGE GROUP / PEOPLE Manyjilyjarra SKIN GROUP Purungu

Mary was born on Hillside Station near Marble Bar, and spent some of her early life in Port Hedland. After Mary lost her mother she travelled with her brothers, sisters and cousins to Nullagine, and then on to Warralong Community where she currently resides with her family.

“I like to paint bush foods and flowers, but I just started painting my grandfather’s Country, I only saw that place when I was grown up. My mother grew up in Jigalong. I’ve been living there for many years in Warralong”.

Mary Rowlands My Grandmother's Country, 2021 Acrylic on canvas 91 x 61 cm $1,000 REV22-64

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Mary Rowlands My Brother's Country, 2021 Acrylic on canvas 91 x 61 cm $1,000 REV22-65

Mary Rowlands My Mother's Country, 2021 Acrylic on canvas 91 x 61 cm $1,000 REV22-66

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SYLVIA WILSON LIVES AND WORKS Newman and Jigalong SKIN GROUP Karimarra

Sylvia lives in Newman and Jigalong, returning to reconnect with family after her upbringing in Perth. Sylvia explores different mediums in her practice, dabbling in charcoal, photography and ink. She aims to develop skills while experimenting with themes and ideas.

1 Sylvia Wilson Wandering Wantis, 2022 Ink and charcoal on paper 102 x 65 cm $742 REV22-67

2 Sylvia Wilson Wandering Wantis, 2022 Ink and charcoal on paper 18 x 27 cm $54 REV22-68

3 Sylvia Wilson Wandering Wantis, 2022 Ink and charcoal on paper 18 x 27 cm $54 REV22-69

4 Sylvia Wilson Wandering Wantis, 2022 Ink and charcoal on paper 18 x 15 cm $30 REV22-70

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Eva Anyupa Baker at work at Minyma Kutjara. Image courtesy Minyma Kutjara

The Minyma Kutjara Arts Project was initiated by the people and artists of Irrunytu. Irrunytju, or Wingellina Community is a small, very remote Community located 10 kilometres from the tristate border of Western Australia, Northern Territory and South Australia. Established in 1975, Irrunytju is part of the Ngaanyatjarra Lands and is home to over 150 Anangu (people) who primarily speak Pitjantjatjara language.

The Minyma Kutjara Arts Project is a centre for dynamic and culturally important artwork which brings together contemporary painting techniques and media with ancient visual language and Tjukurpa (Dreaming).

INGELLINA | WINGELLA COMMUNITY, NGAANYATJARRA LANDS PITANTJATJARA PEOPLE

MINYMA KUTJARA ARTS PROJECT

ARTISTS Russell Tjuwintjara Bryant Sally Ann Wipana Foster Maureen Tjalumi Nelson Jennifer Mintaya Connelly Ward Eva Anyupa Baker

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EVA ANYUPA BAKER LIVES AND WORKS Irrunytju Community LANGUAGE GROUP / PEOPLE Pitjantjatjara

Eva was born in Amata Community on the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands of South Australia and belongs to the Pitjantjatjara language and cultural group.

Eva has strong connections to Minyma Kutjara tjukurpa (Two Sisters creation story) depicting many aspects of the sisters' journey through her paintings. These stories were passed down to her by her aunt, Mrs Kunytjil Cooper, one of the original Irrunytju Artists and a highly regarded minyma pampa (senior woman), respected for her extensive knowledge of women's tjukurpa.

va Anyupa Baker E Minyma Kutjara Bush picnic, 2021 Acrylic on found metal oil sump, recycled pram wheels and tent poles 26 x 28 x 72 cm $1,330 REV22-83

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Eva Anyupa Baker Bush Trip, 2021 Acrylic on found metal oil sump, recycled pram wheels and tent poles 33 x 34 x 72 cm $1,330 REV22-84

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RUSSELL TJUWINTJARA BRYANT BORN Yalata, South Australia LIVES AND WORKS Irrunytju Community LANGUAGE GROUP / PEOPLE Pitantjatjara

Russell is a Pitantjatjara man who was born in Yalata. Russell’s parents met in Ooldea before being moved to Yalata by the government to make way for the atomic testing program at Maralinga.

“There were lots of people being moved”, Russell says. “We were still living in the bush, there were no houses, then the government put in a water tank to keep people in one place and this is how the Community of Yalata grew”. When Russell was young, he would sit and watch the old people carve wood and paint, “that’s how I learnt to do my art, by watching the oldies”.

Russell Tjuwintjara Bryant Ngangkari Taraka, 2021 Acrylic on found metal oil sump, recycled pram wheels and tent poles 33 x 34 x 72 cm $1,500 REV22-78

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DIANE DAWSON LIVES AND WORKS Irrunytju Community LANGUAGE GROUP / PEOPLE Pitantjatjara

Born in Amata on the Anangu Pitjantjatjara Yankunytjatjara (APY) lands of South Australia, Diane belongs to the Pitantjatjara language group and comes from a family of well-known Irrunytju artists. Her mother, Alkawari Dawson painted Kalaya Wati Tjukurpa (Emu Man creation story) which relates to the country of her birth and her father, Nyakul Dawson was a highly regarded artist and ngangkari (traditional healer). Diane is a passionate artist who explores a variety of styles including traditional tjukurpa (ancestral creation stories). Diane has recently been exploring landscapes in her own contemporary style, capturing the country around Irruntju Community through acrylic, watercolour and sculpture.

Diane Dawson Bush Bus, 2021 Acrylic on found metal oil sump, recycled pram wheels and tent poles 25 x 30 x 70 cm $1,500 REV22-82

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JENNIFER MINTAYA CONNELLY WARD LIVES AND WORKS Irrunytju Community LANGUAGE GROUP / PEOPLE Pitantjatjara

Jennifer was born at Mulga Park cattle station in the Northern Territory where her parents were working. She has travelled extensively throughout both the Anangu Pitjantjatjara Yankunytjatjara (APY) and Ngaanyatjarra Lands of South and Western Australia. The Kungkarangkalpa tjukurrpa (Seven Sister creation story) is a strong theme in Jennifer's work, captured through her fluid and colourful painting application. Jennifer also works at NG (Ngaanyatjarra) Media as a skilled camera person and editor. She has exceptional bush skills creating tartu (gum nut) jewellery, punu (wood) carving and tjanpi (grass) weaving.

J ennifer Mintaya Connelly Ward Ladies Picnic, 2021 Acrylic on found metal oil sump, recycled pram wheels and tent poles 26 x 30 x 70 cm $1,330 REV22-81

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Jennifer Mintaya Connelly Ward Bush Tucker Trip, 2021 Acrylic on found metal oil sump, recycled pram wheels and tent poles 20 x 27 x 70 cm $1,330 REV22-85

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LINDA EDDY LIVES AND WORKS Irrunytju Community LANGUAGE GROUP / PEOPLE Pitantjatjara

Linda was born in the bush near Warakurna Community. She was married to Lance Eddy who was the son of Mr Eddie who in 1977 accompanied Robyn Davidson (author of Tracks) across desert through the Blackstone Rangers.

Linda is a strong advocate for the Ngaanyatjarra Lands and has worked for the Ngaanyatjarra Pitjantjatjara Yankunytjatjara Womens' Council for many years. Linda is a senior artist of the Minyma Kutjara Arts Project where she enjoys painting with the other artists and sharing tjukurpa (stories).

Linda Eddy Family out bush ride, 2021 Acrylic on found metal oil sump, recycled pram wheels and tent poles 26 x 39 x 70 cm $1,330 REV22-86

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SALLY ANN WIPANA FOSTER LIVES AND WORKS Irrunytju Community LANGUAGE GROUP / PEOPLE Pitantjatjara

Sally belongs to the Pitjantjatjara language and cultural group. Her mother was a highly respected Elder from the Ngaanyatjarra Lands and her father, Wilitjiri Wilton Foster was instrumental in the Pitantjatjara Land Rights Movement in the 1970s. Sally is a dynamic artist who works across a variety of mediums including painting and sculpture. She has exceptional bush skills creating innovative works in punu (wood) carving, tjanpi (grass) sculpture and painted tartu (seed) work. Her canvas work depicts narratives of everyday life and the Country around Irrunytju Community.

Sally Ann Wipana Foster Irmangka Irmangka, 2020 Acrylic on found metal oil sump, recycled pram wheels and tent poles 24 x 30 x 73 cm $1,330 REV22-79

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MAUREEN TJALUMI NELSON LIVES AND WORKS Irrunytju Community LANGUAGE GROUP / PEOPLE Pitantjatjara

Maureen was born in Amata Community hospital on the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands of South Australia and is the eldest daughter of Pitantjatjara artist Rene Nelson.

Working in sculpture and on canvas, Maureen uses a strong, vibrant colour pallet to paint the landscapes of Pukurra, the Tali (sand hill) Country of her father and grandfather. Developing her own distinct painting style, Maureen's work is bold and colourful, depicting significant landmarks including rock holes and puli (hills).

Maureen Tjalumi Nelson Joy Rider II, 2021 Acrylic on found metal oil sump, recycled pram wheels and tent poles 30 x 33 x 69 cm $1,500 REV22-80

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Senior Mowanjum artist Donny Woolagoodja and Shontae Charles at Yaloon traditional Country for the Woddordda people. Image courtesy Mowanjum

Mowanjum Aboriginal Art and Culture Centre represents the Wandjina-Unguud people of the Woddordda, Ngarinyin and Wunumbal language groups. They are united by their belief in the Wandjina as a sacred spiritual force and creators of their traditional lands. The centre hosts exhibitions and workshops, incorporates a commercial gallery and state of the art museum and holds the annual Mowanjum Festival celebrating Junba (traditional song and dance).

MOWANJUM COMMUNITY / DERBY WODDORDDA, NGARINYIN AND WUNUMBAL PEOPLE

MOWANJUM ABORIGINAL ART AND CULTURE CENTRE

ARTISTS Shontae Charles

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SHONTAE CHARLES BORN Mowanjum Community, Derby LIVES AND WORKS Mowanjum Community LANGUAGE GROUP/PEOPLE Woddordda and Nyikina SKIN GROUP Jungun

Shontae is a proud young Woddordda and Nyikina woman. Shontae was raised by her grandfather, senior Elder and Lawman Yorna Donny Woolagoodja and Mildred Mungulu, who are both renowned artists. “I first started painting animals on boab nuts when I was a young girl”, Shontae says. Her main themes are the Wandjina, Dumbi (sacred owl) and Gyorn Gyorn. Shontae juggles painting, working at the Mowanjum Art and Culture Centre as an arts worker and raising her one-year-old daughter, Lena.

“Mostly I like to paint on Country like at Yaloon, it relaxes me and connects me to my culture”.

hontae Charles S Gyorn Gyorn, 2022 Woodblock print and earth ochre edition 13/50 83 x 44 cm (framed) $600 REV22-90

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Shontae Charles Gyorn Gyorn, 2022 Linocut print edition 6/20 43 x 51 cm (framed) $400 REV22-91

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Shontae Charles Wandjina the Rainmaker, 2022 Acrylic on canvas 60 x 60 cm $630 REV22-89

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Shontae Charles Namarrali and Dumbi, 2021 Acrylic on canvas 45 x 45 cm $350 REV22-87

Shontae Charles Wandjina and Dumbi, 2022 Acrylic on canvas 60 x 60 cm $630 REV22-88

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Yawuru-Karajarri artist Martha Lee block printing in the Nagula Jarndu studio.

Nagula Jarndu (Saltwater woman) is an Indigenous governed and directed not-for-profit organisation that has been running for over 30 years. It is a culturally safe space for Aboriginal and Torres Strait Islander women to come together to create contemporary art, textiles and products inspired by liyan (feeling) and imagery from Country and Dreaming. It enables women to earn income from art whilst maintaining a connection to culture and sharing this knowledge with a wider audience.

The workshop space has a strong focus on handprinted textiles and paper prints.

YAWURU COUNTRY / BROOME YAWURU PEOPLE

NAGULA JARNDU DESIGNS

ARTISTS Gabriella Baxter Marie Cecilia Manado

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GABRIELLA BAXTER BORN Derby LIVES AND WORKS Yawuru Country | Broome LANGUAGE GROUP / PEOPLE Walmajarri-Nyikina

Gabriella is a Walmajarri-Nykina woman based in Broome. She has strong connections to her Country and the stories of the old people, and her artwork reflects these connections.

Jila (waterholes) have strong physical, sacred and spiritual importance to Aboriginal people. They are not only a principal source of life in the desert, but are also sacred sites where people meet for physical and spiritual sustenance. The boab tree is an integral part of Kimberley Country and is a tree that provides sustenance and medicine (from the nuts) as well as being important for shelter.

Gabriella Baxter Desert Country-cold time, 2022 Block printed silk stretched over wood frame 95 x 125 cm $380 REV22-98

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Gabriella Baxter Jila (waterhole), 2022 Block printed cotton stretched over wood frame 95 x 103 cm $350 REV22-100

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Gabriella Baxter Nykina Country, 2022 Block printed silk stretched over wood frame 125 x 95 cm $380 REV22-102

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MARIE CECILIA MANADO BORN Yawuru Country | Broome LIVES AND WORKS Yawuru Country | Broome LANGUAGE GROUP / PEOPLE Yawuru, Nimunburr and Jabir-jabir

Marie is a Yawuru, Nimunburr, Jabir-jabir woman. She has a great understanding of her people's Country, particularly bush foods and plants that provide sustenance and medicines. The eucalyptus trees are an important plant for Aboriginal people; the leaves can be brewed in water to treat ‘cold-sick’ and rubbed into the skin as a disinfectant. Traditionally, the bark from some of the species was burnt down and the grey ash used as a type of chewing tobacco. She also reveres the artesian water systems that lie beneath her Country. This water source is vital in providing water to all elements of the landscape, keeping Country sustained and vibrant.

Marie Cecilia Manado Eucalyptus walara (gumnut), 2022 Block printed silk stretched over wood frame 128 x 95 cm $380 REV22-92

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Marie Cecilia Manado Mangal (clamshells), 2022 Block printed silk stretched over wood frame 125 x 90 cm $380 REV22-94

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Marie Cecilia Manado Water trails, 2022 Block printed cotton stretched over wood frame 125 x 90 cm $380 REV22-96

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This group of artists represents the main family groups working at Ninuku Arts. Mr. Jimmy Donegan stands second from the left, in front of renowned painter Mr. Yatjitja David Miller & his brother Samuel. The Watsons, Nelsons, and Thompson's are also represented and Carol

Young stands at the rear. This image was taken on a bush trip to complete the Aralya Project in 2018. With Covid, few such trips have taken place, so we all hope 2022 will see a renewed opportunity for more of them. Image courtesy of Ninuku Arts.

Ninuku Arts is the most remote of theAnangu Pitjantjatjara Yankunytjatjara (APY Lands) art centres, located on the tri-state border of Western Australia, South Australia, and Northern Territory but its artists share ties that go across and beyond these modern borders. Ninuku Arts has grown in strength over the decades through the tenacious work of several families who remain living and working between Kalka and Pipalyatjara, the sister Communities that share Ninuku Arts. This makes it a very close-knit Community, full of energy, humour, and distinctive artists who each have their own way of telling the Tjukurpa (Dreaming) of their lands in paint.

KALKA COMMUNITY, APY LANDS ANUNGU PEOPLE, PITJANTATJARRA MAIN LANGUAGE GROUP

NINUKU ARTS

ARTISTS Angkaliya Nelson Angela Watson

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ANGKALIYA NELSON BORN Amata LIVES AND WORKS Kalka Community LANGUAGE GROUP/PEOPLE Pitjantjatjarra

Angkaliya Nelson was born in 1960 and grew up in Amata in the Western Anangu Pitjantjatjara Yankunytjatjara (APY) Lands where she met her husband and had two children. During the late 1970s and the “Homeland Movement”, Angkaliya and her family made the move west to Pipalyatjara to be closer to her traditional homelands. She continues to live in Pipalyatjara today.

Angkaliya is a highly skilled craftswoman and artist. Like many other Anangu women, she has learnt the craft of punu (wood carving and burning) and tjanpi (grass weaving). In all her crafts, including her paintings, Angkaliya draws influence from Minyma Kutjara (Two Women) and Kungkarangkalpa Tjukurpa (Seven Sisters) stories.

Angkaliya Nelson Kungarankalpa, 2021 Acrylic polymer on canvas 91 x 91 cm $850 REV22-107

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Angkaliya Nelson Kungarankalpa, 2021 Acrylic polymer on canvas 92 x 61 cm $580 REV22-108

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Angkaliya Nelson Kungarankalpa, 2021 Acrylic polymer on canvas 91 x 91 cm $860 REV22-109

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Angkaliya Nelson Kungarankalpa, 2021 Acrylic polymer on can 91 x 122 cm $1,160 REV22-110

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ANGELA WATSON BORN Warburton LIVES AND WORKS Kalka LANGUAGE GROUP/PEOPLE Pitjantjatjarra

Angela Watson was born in 1966 in the remote WA community of Warburton. Angela and her family later relocated to Pipalyatjara where she continues to live today. In the early 2000s, the first Aboriginal art studios were set up in the western region of the APY Lands. It was during this time that Angela started her art practice. Her artworks draw influence from the tjukurpa (traditional stories), particularly the Minyma Kutjara (Two Women) story. This is an important story from her father’s country, Irrunytju (also known as Wingellina) which lies just over the border from Pipalyatjara in Western Australia.

Angela Watson Minyma Kutjara, 2022 Acrylic polymer on canvas 122 x 122 cm $2,000 REV22-106

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Angela Watson Minyma Kutjara, 2021 Acrylic polymer on canvas 76 x 76 cm $650 REV22-104

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Angela Watson Minyma Kutjara, 2021 Acrylic polymer on canvas 122 x 81 cm $2,000 REV22-103

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Angela Watson Minyma Kutjara, 2021 Acrylic polymer on canvas 121 x 91 cm $2,000 REV22-105

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Mildred Lyons with her niece Misha. Mildred paints the seven sisters story. Courtesy Papulankutja Artists

Papulankutja Artists was officially established in 2003 to support Ngaanyatjarra and other Anangu artists from Papulankutja and Mantamaru Communities in their cultural and creative expressions. Papulankutja sits beneath the Blackstone ranges, the same ranges that the magical ancestral beings, Wati Kutjarra (Two Goanna Men) travelled around, transforming into lizards along the way. Papulankutja's name is a direct translation from this story – 'to stare without recognising each other'. As the goanna men reached the end of the ranges, they had forgotten what the other looked like.

ARTISTS Marcia Mitchell Nora Nyutjanka Davidson Joy Nginana Lyons Mildred Nyunkiya Lyons

PAPULANKUTJA / BLACKSTONE COMMUNITY, NGAANYATJARRA LANDS PREDOMINANTLY NGAANYATJARRA AND SOME PITJANTJATJARA PEOPLE

PAPULANKUTJA ARTISTS

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MARCIA MITCHELL BORN Kalgoorlie LIVES AND WORKS Papulankutja | Blackstone LANGUAGE GROUP / PEOPLE Ngaanyatjarra SKIN GROUP Yiparrka

Marcia is the daughter of Anawari Inpiti Mitchell and Winston Mitchell, two senior Community members in Papulankutja. Marcia comes from a big family of artists and began painting when the new Art Centre was built in Blackstone. Marcia has been involved in Ngaanyatjarra Pitjantjatjara Yankunytjatjara (NPY) Women’s Council and has been active with NG Media, a Yarnangu Corporation supporting cultural performance and broadcast throughout Ngaanyatjara Lands. When Marcia paints, she is often influenced by the style of her uncle Tommy Mitchell's (deceased) work; he painted the Walu Tjukurrpa, a story of two men and one boy camping at Walu Rockhole.

Marcia Mitchell Kungkarrangkalpa (Seven Sisters), 2022 Acrylic on cotton canvas 76 x 61 cm $800 REV22-114

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Marcia Mitchell Kungkarrangkalpa (Seven Sisters), 2022 Acrylic on cotton canvas 56 x 40 cm $450 REV22-115

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NORA NYUTJANKA DAVIDSON BORN Multju LIVES AND WORKS Papulankutja | Blackstone LANGUAGE GROUP / PEOPLE Ngaanyatjarra SKIN GROUP Purungu

Nora is an artist who was born in the bush near Mantamaru (Jameson), and later moved to a mission in Warburton with her mother and father. “We would go out bush… to Snake Well to have picnic lunch, every Saturday, then we would walk from Snake Well to the Mission”, Nora says. “There was a drum of water halfway if we got thirsty”. Now, she enjoys painting her Country where she was born. She started making tjanpi sculptures (weaving with spinifex grass) about ten years ago and has participated in various tjanpi workshops resulting in collaborative group sculptures.

Nora Nyutjanka Davidson Kapi Tjukurla (Tjukurla Rock Holes), 2022 Acrylic on cotton canvas 92 x 92 cm $1,850 REV22-112

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JOY NGINANA LYONS BORN Pipalytjara LIVES AND WORKS Papulankutja | Blackstone LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Born in Pipalytiara, Joy is one of seven siblings. During her childhood, her family travelled on foot ‘up and down this Country’ throughout the Ngaanyatjara and Anangu Pitjantjatjarra, Yankunytjatjara (APY) Lands visiting relatives, sourcing their food from the bush and maintaining cultural obligations. Her mother Edith Lyons is a highly regarded painter, and taught Joy and her siblings Ngaanyatjarra heritage, law and culture.

Joy still lives in Blackstone today with her daughter Milliane. She loves going out bush with the ranger and travelling her Country. Joy and her sisters are often found painting together at the art centre.

Joy Nginana Lyons Kungkarrangkalpa (Seven Sisters), 2022 Acrylic on cotton canvas 61 x 61 cm $680 REV22-113

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MILDRED NYUNKIYA LYONS BORN Warburton LIVES AND WORKS Papulankutja LANGUAGE GROUP / PEOPLE Ngaanyatjarra SKIN GROUP Tjarurru

Mildred was born in Warburton and moved around the Ngaanyatjarra lands growing up. She went to school in Warburton and Jameson before moving to Blackstone. When Mildred was young, she would go walking with the other girls out bush, looking for honey ants and yellow berries. She loved being out bush, just walking around her Country from Kaltukatjara (Docker River) to Blackstone. Mildred began painting after spending time in the Papulankutja Arts Centre as an arts worker, helping to take photos of paintings and keep the art centre clean when she was younger.

Mildred Nyunkiya Lyons Kungkarrangkalpa (Seven Sisters), 2021 Acrylic on cotton canvas 76 x 123 cm $1,500 REV22-111

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Dora Parker working in the studio at Tjuntjuntjara. Image courtesy Spinifex Arts Project

The Spinifex Arts Project is a vibrant Indigenousowned and managed not for profit arts project located in the traditional lands of the Pila Nguru (Spinifex People), in the Great Victoria Desert region of Western Australia. It was established in 1997 to help document the Country within the Spinifex Native Title claim area. Pila Nguru translates as ‘people from the area between the sand hills’. Their 'common' name comes from the abundance of spinifex bushes, which are a feature of this desert region.

TJUNTJUNTJARA COMMUNITY PITJANTJATJARA PEOPLE

SPINIFEX ARTS PROJECT

ARTISTS Dora Parker

The Spinifex Arts Project primarily produces collectable fine art that is exhibited through wellknown galleries. Their works are revered for their integrity and creativity and are held in major private collections and institutions globally.

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DORA PARKER BORN Kaltjiti | Fregon Community in the APY Lands LIVES AND WORKS Tjuntjuntjara LANGUAGE GROUP / PEOPLE Pitjantjatjara

Living and working in Tjuntjuntjara, 650 km northeast of Kalgoorlie, Dora is known for her paintings of the traditional Spinifex Lands – a spiritual landscape steeped in tjukurpa (Dreamtime stories) that define and permeate her work. Working with a newfound freedom and expression she once thought unattainable, due to an accident that left her with a disability, Dora depicts such stories as Wati Kutjara Tjukurpa (Two Men Creation Line).

This epic narrative, which unfolds in the significant site of Pukura, follows father and son wanampi (water serpent) as they move across the continent, leaving indelible reminders of their power and presence.

ora Parker D Pukara, 2021 Acrylic on belgium linen 90 x 137 cm $1,900 REV22-118

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ora Parker D Pukara, 2021 Acrylic on belgium linen 90 x 137 cm $1,900 REV22-116

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ora Parker D Pukara, 2021 Acrylic on canvas 110 x 85 cm $1,500 REV22-119

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ora Parker D Pukara, 2021 Acrylic on canvas 110 x 85 cm $1,500 REV22-117

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Janine Adelle.

Juluwarlu group Photography photo, Courtesy: Louise Allerton.

Juluwarlu Courtesy Art Group.

Photographer: Spinifex Arts Project Claire Martin

Milpa is an arts project run by the Spinifex Arts Project from Tjuntjuntjara Community in the Great Victoria Desert, Western Australia.

The Milpa Project employs local artists and Community members on a project session basis to produce new artworks and gain professional skills in using multimedia to tell stories and share culture in local dialects using both Pitjantjatjara and sign language. Milpa or ‘telling story with wire’, is a metaphor for an arts-based media project that provides a space for a new generation of artists using new technologies to tell their stories, transmit culture and ideas in contemporary ways.

TJUNTJUNTJARA COMMUNITY PITJANTJATJARA PEOPLE

SPINIFEX ARTS PROJECT — MILPA SPACE

ARTISTS Maureen Donegan Sophia Brown Michelle Anderson Timo Hogan Facilitating Artist: Louise Allerton

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MARA WANGKAPAI: TALKING WITH THE HANDS

Mara Wangkapai is a creative sign language project by next generation Spinifex artists.

Artists have been experimenting with video to create new signing stories using Pitjantjatjara sign language, a way of talking with the hands.

Some people can fully communicate without using words but most people use sign everyday as an addition to speech. These experimental videos represent the colourful way people use their hands, bodies and faces to communicate with others.

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SOPHIA BROWN

MICHELLE ANDERSON

LIVES AND WORKS Tjuntjuntjarra

BORN Tjuntjuntjara LIVES AND WORKS Tjuntjuntjarra LANGUAGE GROUP / PEOPLE Pitjantjtjara

Sophia Brown is an artist and arts worker at Spinifex Arts Project. Sophia is in the early stages of a painting career and showing great promise, following on from her grandparents.

She is currently working on the Mara WangkapaiPitjantjtjara hand signs project.

Michelle Anderson descends from a long line of successful Spinifex artists, crafts people, and traditional owners. She grew up at Connana and Tjuntjuntjara communities, playing an active role in cultural life and caring for Elders. She has recently been working at the Milpa Space and the Spinifex Arts Project engaging with photo media sign language stories. She is a fluent speaker of Pitjantjatjara.

Sophia Brown / Michelle Anderson Tjapu-Tjapu, 2021 Single channel video 0m 32sec edition of 5 $2,500 REV22-122

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MAUREEN DONEGAN BORN Spinifex Country LIVES AND WORKS Tjuntjuntjarra LANGUAGE GROUP / PEOPLE Pitjantjtjara Maureen grew up on Spinifex Country, in the far east of WA. She has been painting and making craft objects for many years with the Women’s Centre at Tjuntjuntjara. She now works as an arts worker and painter at the Spinifex Arts Project Centre. She has recently worked at the Milpa Space on sign language video works. Maureen is a fluent Pitjantjtjara speaker, her first language.

LOUISE ALLERTON – FACILITATING ARTIST LIVES AND WORKS Sydney Louise facilitated the first community Arts project at Tjuntjuntjara in 1997 which later became the acclaimed Spinifex Arts Project. She worked as facilitator/manager from 1997–2012, helping artists to produce artworks on Country at important cultural sites. Louise currently lives and works as an artist in Sydney but continues a strong connection to the Spinifex people and Country, facilitating Photomedia projects such as Mara Wangkapai, funded by an Australia Council grant.

Maureen Donegan / Louise Allerton Tjitji Tjuta ankukula, 2021 Single channel video 0m 39sec edition of 5 $2,500 REV22-121

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TIMO HOGAN BORN Spinifex Country LIVES AND WORKS Tjuntjuntjarra Timo grew up in and around Spinifex Country, from Mt Margaret, Warburton to Tjuntjuntjara. He is a fluent speaker of three desert languages and is a leader amongst the younger generation of artists.

After a break from painting due to cultural obligations Timo made a successful return with his 2019 work Lake Baker which was selected for the 2019 Telstra National Aboriginal and Torres Straight Islander Awards and won the 2021 award. He recently had a hugely acclaimed solo show at Outstation Gallery. Timo now paints full time with the Spinifex Arts Project and works with Milpa as a side project.

LOUISE ALLERTON – FACILITATING ARTIST LIVES AND WORKS Sydney Louise facilitated the first community Arts project at Tjuntjuntjara in 1997 which later became the acclaimed Spinifex Arts Project. She worked as facilitator/manager from 1997–2012, helping artists to produce artworks on Country at important cultural sites. Louise currently lives and works as an artist in Sydney but continues a strong connection to the Spinifex people and Country, facilitating Photomedia projects such as Mara Wangkapai, funded by an Australia Council grant.

Timo Hogan / Louise Allerton Nyura Pitjanyi, 2021 Single channel video 0m 43sec edition of 5 $2,500 REV22-120

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Juluwarlu Lena Willalang groupat photo, work. Image Courtesy:Spinifex courtesy Juluwarlu HillArt Studio Group.

Photographer: Claire Martin

Spinifex Hill Studio is located in South Hedland on Kariyarra Country in the Pilbara region.

Established in 2008, naming themselves the Spinifex Hill Artists. Spinifex Hill Studio works with artists from many different language groups and is renowned for showcasing contemporary works across a breadth of styles. In 2021, Spinifex Hill Project Space was built for the local Community to connect with the Pilbara’s dynamic creative practice, and to promote the local culture, heritage, and traditions.

SOUTH HEDLAND

SPINIFEX HILL STUDIO

ARTISTS Sophia Alone Beryl Ponce Lena Willalang

LANGUAGE GROUPS Kariyarra, Njamal, Ngarluma, Nyangumarta, Mangala, Walmajarri, Martu, Banjima, Karajarri, Kurama, Ngarluma, Nyiyaparli, Noongar, Innawongka, Yindjibarndi, Yamatji, Manyjilyjarra, Warnman, Kariyarra people.

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SOPHIA ALONE

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BORN Port Hedland LIVES AND WORKS South Hedland LANGUAGE GROUP / PEOPLE Ngarla / Nyangumarta SKIN GROUP Panaka

A proud Ngarla woman from the De-Grey area in the northwest of Western Australia, Sophia’s paintings are vivid depictions of her family, her ancestors — the Makanykarra People — and her upbringing in Port Hedland. According to Sophia, “People who are present and who have left us are well known [to] our people [and are] special in my heart and if I could, I would love to give a glimpse [of that]". Employing a rich colour palette and an expressive, gestural style, Sophia’s paintings are often portraits of her Elders, including Aunty Lena, a Kariyarra Elder and fellow Spinifex Hill artist.

1 Sophia Alone Kariyarra Elder, Aunty Lena Alone, 2021 Acrylic on Canvas 30.5 x 30.5 cm $155 REV22-127

2 Sophia Alone Martu Elder, Mulyatingki Marney, 2021 Acrylic on Canvas 30.5 x 30.5 cm $155 REV22-128

3 Sophia Alone Kariyarra Elder, Mum Sally Mack, 2021 Acrylic on Canvas 30.5 x 30.5 cm $155 REV22-129

4 Sophia Alone Karimarra Woman, Gladys Bidu, 2021 Acrylic on Canvas 30.5 x 30.5 cm $155 REV22-130 3

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BERYL PONCE BORN Port Hedland LIVES AND WORKS South Hedland LANGUAGE GROUP / PEOPLE Nyangumarta SKIN GROUP Purungu

Beryl grew up in Strelley, living there for a long time with her family. After school she became a teacher of English, language, and mathematics. She moved to Hedland in 2003 and then her mum, grandmother, brother and sister all passed away.

“It's good to be out here painting”, Beryl says, “To sit with the people and make friends and be happy. Painting is like telling stories about history, life, talking about myself, my parents and the past. I want to make a story for the young ones, my story. So, my grandkids and great grandkids might carry it on in the future”.

Beryl Ponce Untitled, 2021 Acrylic on Canvas 91.5 x 61 cm $815 REV22-131

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Beryl Ponce Untitled, 2021 Acrylic on Canvas 76 x 45.5 cm $540 REV22-132

Beryl Ponce Untitled, 2021 Acrylic on Canvas 101.5 x 51 cm $740 REV22-133

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LENA WILLALANG BORN Port Hedland LIVES AND WORKS South Hedland LANGUAGE GROUP / PEOPLE Manjilyajarra

Born in Port Hedland, Lena went to school in Strelley, and moved to Warralong where she stayed for a long time. “I was never really interested in painting before I started in 2010”, she says. “They asked me in Warralong if I wanted to paint and I said, ‘yeah, I’ll give it a try’. I used to travel between South Hedland and Warralong and then moved to Hedland in 2010”. Lena started painting with Spinifex Hill Artists in 2010. “I enjoy painting here”, she says.

Lena Willalang Untitled, 2021 Acrylic on Canvas 76 x 35.5 cm $500 REV22-123

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Lena Willalang Untitled, 2021 Acrylic on Canvas 76 x 40.5 cm $560 REV22-124

Lena Willalang Untitled, 2021 Acrylic on Canvas 91.5 x 40.5 cm $610 REV22-125

Lena Willalang Untitled, 2021 Acrylic on Canvas 76 x 30.5 cm $445 REV22-126

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Corinna Shepherd making Tjanpi papa (dog) for Revealed 22. 2021. Image

by Jade Brockley. Image courtesy of Tjanpi Desert Weavers.

Tjanpi Desert Weavers is a social enterprise of the Ngaanyatjarra Pitjantjatjara Yankunytjatjara (NPY) Women’s Council that enables women living in the remote Central and Western desert regions to earn an income from fibre art. Emerging artists from Western Australian Communities Warakurna, Mantamaru (Jameson) and Papulankutja (Blackstone) are participating in Revealed 2022, representing the larger Tjanpi Community of over 400 women. The artists’ work showcases the abundant diversity and innovation in the arts from some of the most isolated parts of Western Australia. The woven fibre art created in Western Australia, has its own distinctive flourish, unique to the Ngaanyatjarra Lands.

ARTISTS Ruth Bates Charlotte Golding Narelle Holland Joyce James Nikisha Mitchell Lucy Nelson Polly Jackson Butler Pawuya Winifred Reid Dorothy Richards Corrina Shepherd Dolores Simms Jennifer Ward Roshanna Williamson Antoinette Williamson

PARTICIPATING WESTERN AUSTRALIAN COMMUNITIES WARAKURNA, MANTAMARU / JAMESON AND PAPULANKUTJA / BLACKSTONE NGAANYATJARRA, PITJANTJATJARA, YANKUNYTJATJARA PEOPLE

TJANPI DESERT WEAVERS

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RUTH BATES LIVES AND WORKS Warakurna LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Ruth is an artist belonging to the Ngaanyatjarra language and cultural group and lives in Warakurna. Ruth was born in the bush in between Patjarr and Wanarn in Western Australia. She grew up near Wiluna then moved to Warburton where she attended school. Ruth then went to high school in Perth before returning to the Ngaanyatjarra Lands. Ruth now lives in Warakurna Community in WA with her family and makes lovely large baskets and wonderful character-filled sculptures. Ruth enjoys making Tjanpi because “it is a nice thing to do for relaxing”.

Ruth Bates Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 19 x 68 x 38 cm $330 REV22-149

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Ruth Bates Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 22 x 64 x 38 cm $200 REV22-150

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CHARLOTTE GOLDING LIVES AND WORKS Warakurna LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Charlotte is an emerging artist belonging to the Ngaanyatjarra cultural group and is from the remote community of Warakurna. Charlotte is the daughter of Joyce James and granddaughter of Dianne Ungukalpi Golding, both of whom are strong Tjanpi artists. Charlotte took part in an artwork created for Tension[s] 2020, an exhibition held at the Tamworth Triennial Regional Gallery.

Pitja Nyawa Kulila Pampula (Come, Look, Listen, Touch) was an interactive artwork made by three generations of women in Charlotte's family, which has been touring nationally for over 3 years. In 2021, Charlotte relocated to Perth to complete her high school studies.

Charlotte Golding Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 26 x 44 x 36 cm $330 REV22-145

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NARELLE HOLLAND LIVES AND WORKS Mantamaru | Jameson

Narelle is a long standing Ngaanyatjarra Pitjantjatjara Yankunytjatjara (NPY) Women's Council member and has been a director in past years representing the communities in the Ngaanyatjarra lands. She is a generous and gentle woman who is an important cultural leader in her community. Narelle lives in Blackstone Community with her family. She is a strong weaver and sculptor whose creations incorporate a lot of colour and texture.

Narelle Holland Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 22 x 64 x 34 cm $280 REV22-142

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JOYCE JAMES LIVES AND WORKS Warakurna LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Joyce is an artist belonging to the Ngaanyatjarra language group and lives in the community of Warakurna. Joyce grew up watching her grandmothers, Tjuakpati James and Mrs Newberry, making Tjanpi. She is now married to the son of senior Tjanpi artist Dianne Golding and has been making Tjanpi sculptures since 2018.

Joyce has a natural talent for sculptural works and she loves making Tjanpi artworks because when she is busy creating, she feels calm and relaxed. Joyce is teaching her daughter Charlotte to make sculptural works, continuing the family tradition.

Joyce James Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 20 x 60 x 40 cm $380 REV22-135

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Joyce James Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 20 x 80 x 20 cm $330 REV22-136

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Joyce James Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 15 x 75 x 15 cm $380 REV22-138

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Joyce James Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 41 x 48 x 20 cm $295 REV22-143

Joyce James Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 48 x 12 x 40 cm $295 REV22-144

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NIKISHA MITCHELL LIVES AND WORKS Mantamaru | Jameson LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Nikisha is an artist belonging to the Ngaanyatjarra language and cultural group and lives in the remote community of Mantamaru (Jameson). Nikisha started making Tjanpi in 2019, after attending a skills development workshop in Mantamaru. Nikisha is a young artist whose expressive use of colour has marked her as a budding Tjanpi superstar.

Nikisha Mitchell Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 21 x 67 x 37 cm $280 REV22-141

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LUCY NELSON LIVES AND WORKS Warakurna LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Lucy is an artist belonging to the Ngaanyatjarra language and cultural groups and lives in the remote Community of Warakurna. Lucy started weaving in late 2015 at a Warakurna Tjanpi Desert Weavers skills workshop, learning different techniques from senior Warakurna artists. Since then, Lucy has focused upon making small central desert animals such as ninus (bilbies).

Lucy Nelson Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 11 x 62 x 29 cm $230 REV22-146

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POLLY JACKSON BUTLER PAWUYA LIVES AND WORKS Warakurna LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Polly lives and works in the remote Warakurna Community. Her fibre artwork is characterised by tight wrapping of brightly coloured wool and fine, embroidery-like stitching. She has exhibited her work at exhibitions across Australia, including the Ellenbrook Gallery in Perth, Nomad Gallery in Darwin and Araluen Arts Centre in Alice Springs.

In addition to her fibre artwork, Polly is a wellrespected painter, represented by Warakurna Artists and has exhibited numerous times in this medium. Polly has two paintings held in the national collection at the National Museum of Australia, Making Culture Strong and Tjanpi.

Polly Jackson Butler Pawuya Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 20 x 70 x 30 cm $280 REV22-134

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WINIFRED REID LIVES AND WORKS Warakurna LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Winifred is an artist belonging to the Ngaanyatjarra cultural group and lives in the remote community of Warakurna. Primarily working with traditional Tjanpi materials, including wool, raffia and Minarri grass, Winifred’s works focus on depicting local desert animals and traditional artefact shapes. Winifred has developed a distinctive aesthetic with her sculptural works – grassy and strong with fluid shapes. One of her favourite things about making Tjanpi is being able to go out onto Country for grass collecting, hunting and other bush trips. Winifred is also an accomplished painter represented by Warakurna Artists and punu artist (wood carver) represented by Maruku Arts.

Winifred Reid Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 25 x 60 x 30 cm $280 REV22-137

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DOROTHY RICHARDS LIVES AND WORKS Mantamaru | Jameson

Dorothy grew up in the Warburton Mission and now lives in Jameson. Dorothy makes fantastical and wild sculptural work, notably colourful and character-filled tjilkamarta (echidna).

Dorothy was elected as an Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara lands (NYP) Women's Council Director in 2019 and is a warm, caring, strong leader for women across the Ngaanyatjarra Lands.

Dorothy Richards Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 15 x 36 x 18 cm $200 REV22-151

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CORRINA SHEPHERD LIVES AND WORKS Warakurna LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Corrina is an artist belonging to the Ngaanyatjarra language and cultural group and lives in the remote Community of Warakurna.

Corrina incorporates minarri (grass), wool and raffia to create both baskets and sculptures. Her baskets are characterised by tight raffia stitching over minarri coils, whilst her sculptures are often embellished with variegate-coloured wool.

Corrina Shepherd Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 30 x 70 x 30 cm $295 REV22-148

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DOLORES SIMMS LIVES AND WORKS Mantamaru | Jameson

Dolores lives in Western Australia, travelling between the Warburton and Mantamaru Communities in the Ngaanyatjarra Lands. She attended her first Tjanpi weaving workshop in Mantamaru in 2019. She used to watch her sister Ingrid weaving Tjanpi and is excited to be learning herself now. Dolores says she likes making Tjanpi because it makes her feel happy, she enjoys learning new things, and she likes having something creative to do when she is by herself.

Dolores Simms Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 43 x 63 x 31 cm $295 REV22-139

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JENNIFER MINTAYA WARD CONNELLY LIVES AND WORKS Papulankutja | Blackstone

Jennifer was born at Mulga Park, near Amata in South Australia. She has studied in Alice Springs, and lived throughout Communities in the Anangu Pitjantjatjara Yankunytjatjara (APY) and Ngaanyatjarra Lands, working for media and making artwork. Jennifer now lives in Kalka, South Australia and has attended numerous Tjanpi workshops in Kalka and Wingellina, neighboring communities on either side of South and Western Australia.

Jennifer Ward Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 11 x 61 x 32 cm $410 REV22-152

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ROSHANNA ELIZABETH YINGA WILLIAMSON LIVES AND WORKS Warakurna LANGUAGE GROUP / PEOPLE Ngaanyatjarra and Pitjantjatjara

Roshanna is an artist belonging to the Ngaanyatjarra and Pitjantjatjara language and cultural groups and lives in the remote community of Warakurna. Roshanna started Tjanpi in 2010, and taught herself by watching other Tjanpi Artists. Roshanna's repertoire includes both baskets and sculptures, and she particularly enjoys making Tjitji (children) sculptures and papas (dogs).

Roshanna Williamson Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 25 x 60 x 30 cm $280 REV22-147

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ANTOINETTE WILLIAMSON LIVES AND WORKS Mantamaru | Jameson

Antoinette is an emerging artist who recently joined the Young Women Weaving Project and proudly produced her first artwork using a recycled powdered milk tin lid, which — as few people have a fridge — is the way milk keeps in communities. Antoinette is a talented emerging artist who shows a natural skill in sculptural work, evident in the artworks she produced while attending skills development workshops in Mantamaru throughout 2021. Antoinette is a quiet and studious artist and has developed a sculptural style of her own using incredibly neat stitching. Antoinette has Tjanpi artists within her family including those from the McLean and Simms families.

Antoinette Williamson Papa Pirni! (Many Dogs!), 2021 Tjanpi (grass) acrylic wool, raffia 18 x 60 x 32 cm $215 REV22-140

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Bernard Bell sitting with his paintings at the cave of the honey ants near Kunapula, February 2022. Image courtesy of Tjarlirli Art.

Tjarlirli Art represents the artists of Tjukurla Community in the Ngaanyatjarra lands. This Country is in the remote far East of Western Australia and is characterised by vast desert plains, undulating sand dunes, spectacular salt lakes and dramatic ranges. Ngaanyatjarra art holds close ties to the Papunya Tula movement yet has a distinctive character. Tjarlirli Art also operates a second art centre, Kaltukatjara Art, in Kaltukatjara (Docker River), Northern Territory. There are close ties and family links between these communities.

Artists often travel between centres.

TJUKURLA COMMUNITY, NGAANYATJARRA LANDS NGAANYATJARRA AND PITJANTJATJARA PEOPLE

TJARLIRLI ART INDIGENOUS CORPORATION

ARTISTS Bernard Bell Beryl Bell Leonie Bennett Julieanne Walingkura Farmer Winsome Newberry Dianne Wamantjangu

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BERNARD BELL BORN Mparntwe | Alice Springs LIVES AND WORKS Tjukurla, Ngaanyatjarra Lands/Kaltukatjara, Pitjantjatjara Lands LANGUAGE GROUP / PEOPLE Pitjantjatjara People, Ngaanyatjarra People

Bernard was born in Mparntwe (Alice Springs). He grew up at Kunapula outstation in the Northern Territory and fondly remembers hunting and swimming in rockholes. He now lives between Tjukurla, Western Austrailia and Kaltukatjara, Northern Territory, but returns to Kunapula regularly with his family. He recently started painting with Tjarlirli Art, following in the steps of his uncle, the celebrated painter and respected pastor Ronnie Allen. Bernard was elected as a Director of Tjarlirli Art for 2022 and has taken to his role with great relish. Bernard paints Tjala Tjukurrpa (Honey Ant Dreaming) at their home near Kunapula outstation.

ernard Bell B Tjala at Kunapula, 2022 Acrylic on canvas 76 x 41 cm $350 REV22-155

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ernard Bell B Tjala at Kunapula, 2022 Acrylic on canvas 76 x 41 cm $350 REV22-157

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Bernard Bell Tjala at Kunapula, 2022 Acrylic on canvas 92 x 56 cm $450 REV22-153 Bernard Bell Tjala at Kunapula, 2022 Acrylic on canvas 92 x 56 cm $450 REV22-154 Bernard Bell Tjala at Kunapula, 2022 Acrylic on canvas 92 x 56 cm $450 REV22-156

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BERYL BELL

DIANNE WAMANTJANGU

LIVES AND WORKS Tjukurla, Ngaanyatjarra Lands/Kaltukatjara, Pitjantjatjara Lands LANGUAGE GROUP / PEOPLE Pitjantjatjara and Ngaanyatjarra

LIVES AND WORKS Tjukurla, Ngaanyatjarra Lands/Kaltukatjara, Pitjantjatjara Lands LANGUAGE GROUP / PEOPLE Pitjantjatjara and Ngaanyatjarra

Beryl is an emerging artist and one of Tjarlirli's hardworking arts workers. Her family, including her mother, brother and uncles, have been involved with Tjarlirli Art for many years, and Beryl herself has been painting consistently at the Centre since 2017, however Revealed 2022 is her first exhibition. She has both Ngaanyatjarra and Pitjantjatjara heritage. Beryl usually paints women’s Tjukurrpa (Dreaming) such as Kungkarangkalpa (Seven Sisters) and Kungka Kutjara, which are strong stories in the Western Desert region. Beryl participated in the 2021 animation workshop at Tjarlirli, experimenting with iPad and sand animation for the first time.

Dianne is a young artist with strong family ties to Tjukurla. Dianne paints important Tjukurrpa (Dreaming) from around the Western Desert region, including Kungkarangkalpa (Seven Sisters) and Kunga Kutjara (Two Ladies) Dreaming. Dianne is an arts worker in the Art Centre studio and, in 2021, she took part in the arts worker development program at Revealed Fremantle, where she learned lots of new skills and ideas to help improve the Art Centre. Dianne also began experimenting with new creative mediums in 2021, and enjoyed participating in animation workshops run at Tjarlirli Art through the Revealed Creative Development program.

LEONIE BENNETT LIVES AND WORKS Tjukurla, Ngaanyatjarra Lands | Warakurna LANGUAGE GROUP / PEOPLE Ngaanyatjarra and Pitjantjatjara Leonie has strong roots in both the Ngaanyatjarra and Anangu Pitjantjatjara Yankunytjatjara (APY) Lands, and currently lives in Warakurna. Leonie primarily paints Kungkarangkalpa (Seven Sisters) story. In 2021, Leonie took part in the Arts Worker development program at Revealed Fremantle, further developing her strong skills as an arts worker and giving her new ideas for helping to make the Art Centre strong. Also in 2021, she began learning animation techniques as part of a workshop run by Tjarlirli Art to help artists explore new mediums of creative expression.

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Dianne Wamantjangu, Beryl Bell, Leonie Bennett Kutjuwara (One day), 2021 Animation video 2m 16sec POA REV22-164

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JULIEANNE WALINGKURA FARMER BORN Mparntwe | Alice Springs LIVES AND WORKS Tjukurla, Ngaanyatjarra Lands/Kaltukatjara and Pitjantjatjara lands LANGUAGE GROUP / PEOPLE Ngaanyatjarra and Pitjantjatjara SKIN GROUP Nangala

Julieanne is a young artist and respected community member from Tjukurla Community. She is a senior arts worker at the Art Centre helping artists around the studio, as well as being an accomplished painter in her own right. She primarily paints the Ngaanyatjarra Country of her father which is near Tjukurla and Warakurna. Recently, Julieanne has been learning photography, film and animation skills to expand her practice into new mediums. She enjoys recording the Art Centre's bush trips and travels, and has assisted with the creation of the Art Centre's digital archive.

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Julieanne Walingkura Farmer (narrated by senior custodian Tjawina Porter) Boomerang Story at Kuruyultu, 2021 Animation video 0m 46secs POA REV22-163

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WINSOME NEWBERRY LIVES AND WORKS Tjukurla, Warakurna, Kaltukatjara, Pitjantjatjara Lands LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Winsome is a Ngaanyatjarra artist who paints Tjukurrpa (Dreaming) sites, primarily her grandfather's Country of Lake Christopher. Winsome favours pale colour applied in a thick impasto which are evocative of the organic, salt-crusted surfaces of the desert lake. These pale areas are punctuated by irregular shapes denoting the rockholes of the lake area. Winsome first lays out the composition of her works by tracing the amoeba-like rockholes, then adds darker colours to the centre and outlines of these holes before filling the remainder of the canvas with paint using punu (wood).

Winsome Newberry Kapi Tjukurrpa, 2021 Acrylic on canvas 102 x 76 cm $750 REV22-159

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Winsome Newberry Kapi Tjukurrpa, 2021 Acrylic on canvas 102 x 76 cm $750 REV22-162

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insome Newberry W Kapi Tjukurrpa, 2021 Acrylic on canvas 76 x 41 cm $350 REV22-158

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Winsome Newberry Kapi Tjukurrpa, 2021 Acrylic on canvas 76 x 41 cm $350 REV22-160

Winsome Newberry Kapi Tjukurrpa, 2021 Acrylic on canvas 92 x 56 cm $450 REV22-161

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Annette Williams working on her Revealed painting. Courtesy Tjurkurba Art

Located in Wiluna at the start of the Canning Stock Route, the Tjukurba Art Gallery is an initiative of the Wiluna Shire Council providing a venue for local Martu cultural expression by ensuring the ethical production and sale of Indigenous art.

WILUNA MARTU PEOPLE

TJURKURBA ART GALLERY — WILUNA SHIRE

ARTISTS Annette Williams

Birriliburu Artist paint in a variety of styles and palettes, depicting stories which embody a rich culture of Country, history and lifestyle. Image of the Canning Stock Route and the Rabbitproof fence are often central to the works.

The Birriliburu artists are gaining recognition for paintings and works on paper through representation in the National Museum of Australia's Canning Stock Route Collection.

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ANNETTE WILLIAMS LIVES AND WORKS Bondini Reserve | Wiluna LANGUAGE GROUP / PEOPLE Martu

Annette is a well-established Wiluna artist and known for her precise painting style usually reflecting Dreamtime stories and bush tucker images.

She was born in the old Wiluna Hospital, (now the Shire offices), and lives in Bondini. A number of her works are held in collections including the Water Corporation, the Aboriginal Medical Service and BHP Billiton. One of her paintings was presented to the retired Governor General Michael Jeffrey on his visit to Wiluna in 2007.

Annette Williams Lunki Dreaming, 2022 Acrylic on canvas 60 x 110 cm $1500 REV22-167 Annette Williams The Seven Sisters – A Dreamtime Story, 2022 Acrylic on canvas 91 x 61 cm $1800 REV22-165

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Annette Williams Dingo Dreaming, 2022 Acrylic on canvas 89 x 192 cm $8,900 REV22-166

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Ammbi Ngangila Muir on Country.

Ngalia Arts is part of the Ngalia Foundation (Ngalia Heritage Research Council Aboriginal Corporation) whose mission is to develop opportunities for Aboriginal people in country, culture and community through engagement in Research, Arts and Education.

ARTISTS Ammbi Ngangila Muir

MANTA RIRRTINYA AND TJIWARL COUNTRY | NORTHERN GOLDFIELDS NGALIA AND TJUPAN PEOPLE

WALKATJURRA CULTURAL CENTRE – NGALIA ARTS

Walkatjurra Cultural Centre is a related entity that undertakes arts-based projects with Ngalia and Tjupan artists and is a foundation member of the Aboriginal Art Centre Hub of WA (AACHWA).

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AMMBI NGANGILA MUIR BORN Canberra LIVES AND WORKS Perth LANGUAGE GROUP / PEOPLE Ngalia language / Southern Mantjiltjarra People SKIN GROUP Purungu

Ammbi’s art practice explores her Country and culture, building on stories and artworks from her late Grandmother. “When I was little Nanna would take me out bush and teach me about Country”, Ammbi says. “Sadly, she passed away when I was still young, however as a great cultural leader she left behind a legacy of arts and stories”. Inspired by her Grandmother’s painting about the Seven Sisters, Ammbi created a series of seven raku fired bowls which were first exhibited in Revealed, and are now part of the WA Museum collection. She continues to explore her heritage through her Grandmother’s legacy, guided by her father Kado Muir.

Ammbi Ngangila Muir Darda (Ngirriki Dreaming), 2022 Acrylic on canvas 77 x 77 cm $1,550 REV22-168

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Ammbi Ngangila Muir Ngurra Ngayuku (My Country), 2022 Acrylic on canvas 77 x 77 cm $1,550 REV22-169

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Image of the Warakurna Art Centre. Credit Claire Martin Photography

Warakurna is a remote community situated on the Great Central Road in the Ngaanyatjarra Lands of Western Australia. The Art Centre is fully owned and governed by Aboriginal people and provides services to artists living in and visiting Warakurna, and the neighbouring Communities of Wanarn through the Painting Therapy Program run once a week out of Wanarn Aged Care, and an outreach painting program to the Kayili Artists of Patjarr. Warakurna has a long history of artistic expression. Warakurna Artists is an energetic and dynamic space, where artists within the Community paint and share Tjukurrpa and contemporary stories

WARAKURNA NGAANYATJARRA LANDS

WARAKURNA ARTISTS

ARTISTS Rosanna (Winifred) Reid

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ROSANNA (WINIFRED) REID BORN Warakurna LIVES AND WORKS Warakurna LANGUAGE GROUP / PEOPLE Ngaanyatjarra

Rosanna is an artist from Warakurna Community. She paints the Minyma Lungkata (mother blue tongue lizard) Tjukurrpa site, which resides close to Warakurna Community. The Tjukurrpa site is her mother's Country.

Rosanna (Winifred) Reid Minyma Lungkata Tjukurrpa, 2021 Acrylic on canvas 50 x 110 cm $485 REV22-170

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Artist David Brown with his work at Waringarri Aboriginal Arts.

Image courtesy of: Waringarri Aboriginal Arts

Waringarri Aboriginal Arts was established in the early 1980s by senior cultural leaders of the East Kimberley as a place of art and culture that would also support economic aspirations for artists and their community. Situated in the heart of Miriwoong Country, the Art Centre is owned and operated by the Miriwoong Community. it is the first Indigenous owned Art Centre established in Western Australia and one of the oldest continuously operating Art Centres in Australia.

MIRIWOONG COUNTRY | KUNUNURRA MIRIWOONG AND KWINI PEOPLE

WARINGARRI ABORIGINAL ARTS

ARTISTS David Brown Desma Mengil Richie Wilson

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DAVID BROWN

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BORN Boorloo | Perth LIVES AND WORKS Miriwoong Country | Kununurra LANGUAGE GROUP / PEOPLE Walmajarri SKIN GROUP Jangala

David Brown was born in Perth but grew up in Mullan and went to school there before returning to Perth for boarding high school. His mother, Ivy Robertson, was an artist at the Art Centre in Balgo. “After school I went West of Alice Springs to spend time with my Dad and his family at Kiwirrkurra Community”, David says. “I watched the old people paint there. I was a good drawer at school and have always worked on improving my skills. I can do both styles, desert style and realism style".

1 David Brown Wala-Wala, 2022 Natural ochre and pigment on canvas 60 x 80 cm $640 REV22-180

2 David Brown Wallakurri, 2022 Natural ochre and pigment on canvas 60 x 80 cm $640 REV22-181

3 David Brown Wala-Wala, 2022 Natural ochre and pigment on canvas 60 x 80 cm $640 REV22-182

4 David Brown Ngurravalugu, 2022 Natural ochre and pigment on canvas 60 x 60 cm $485 REV22-179 3

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DESMA MENGIL

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BORN Goonnoonoorrang | Kununurra LIVES AND WORKS Goonnoonoorrang | Kununurra LANGUAGE GROUP / PEOPLE Miriwoong SKIN GROUP Nangala

Desma started painting when she was young after watching her grandmother and her uncle from Kalumburu paint. "He showed me how to do boab carving and that's how I started”, Desma said. “I also learnt from the Elders, Paddy Carlton and Peter Newry. I first began painting Dreaming animals but now I am painting Country – Bucket Springs and Revolver Springs mainly, as well as bush tucker. Now that my kids have grown up, I am getting back into making art. I enjoy painting, it helps with the stress. I have started making bush jewellery too".

3 1 Desma Mengil Nyinggiwoogeng – Bush Peanut, 2022 Natural ochre and pigment on canvas 76 x 76 cm $880 REV22-171

2 Desma Mengil Binjin, 2022 Natural ochre and pigment on canvas 76 x 76 cm $880 REV22-172

3 Desma Mengil Revolver Springs, 2022 Natural ochre and pigment on canvas 45 x 45 cm $420 REV22-173

4 Desma Mengil Binjin, 2021 Natural ochre and pigment on canvas 45 x 45 cm $420 REV22-174

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RICHIE WILSON BORN Derby LIVES AND WORKS Miriwoong Country | Kununurra LANGUAGE GROUP / PEOPLE Yawaroo

Richie was born Derby and loves to paint. When Richie got older, he moved to Kununurra to live with his cousin (sister in Aboriginal Law) and started to go to Kununurra TAFE. In 2020, Richie joined Waringarri Arts as a volunteer artist. Since then, he paints at Waringarri Arts every day. Richie draws on his experience of growing up and living in Kununurra, combining traditional subjects with the everyday. Richie is also a massive West Coast Eagle fan and always wears his footy cap.

ichard Wilson R Boat Cruise on Lake Argyle, 2022 Natural ochre and pigment on canvas 45 x 45 cm $280 REV22-175

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Richard Wilson Bush Turkey, 2022 Natural ochre and pigment on paper, framed 35 x 57 cm $595 REV22-178

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ichard Wilson R Going toward RB Junction, 2022 Natural ochre and pigment on canvas 60 x 80 cm $530 REV22-176 Richard Wilson The Boab Tree, 2022 Natural ochre and pigment on paper, framed 57 x 35 cm $595 REV22-177

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Miriam Baadjo painting 'Nyinmi' collaborative on Return to Country camp. Photo credit: Lucinda White. Image courtesy of Warlayirti Artists

Situated in the South East Kimberley, on the edge of the Great Sandy and Tanami Deserts, Warlayirti Artists (est. 1987) represents artists from the three communities in the Kutjungka region – Kururrungka (Billiluna), Mulan and Wirramanu (Balgo). There are eight different language groups – Kukatja, Ngardi, Djaru, Warlpiri, Walmajarri, Wangkajunga, Pintupi and Manyjiljarra – each with their own history and stories to tell. For this multicultural and diverse artistic group, art is part of everyday life and cultural continuity.

WIRRIMANU | BALGO KUTJUNGKA PEOPLE

WARLAYIRTI ARTISTS

ARTISTS Shannon Gibson Genevieve James Alexandria Loomoo Judith Loomoo Alicia Maggie Latoya Moody Lydia Mudji Rikisha Nannup Serena Nowee Gina Sunfly

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Forty years ago, the original Balgo boards – which started the brightest of desert art movements – went missing. In 2019 the boards were found in a Wyndham shipping container with considerable water damage. South Australia Museum acquired and conserved these works, which culminated into the Balgo Beginnings exhibition through Tarnanthi Festival. The old boards were hung with the most current Balgo works. Discovering these boards, as well as a series of return to Country trips throughout 2021, have led to a rejuvenation of painting practice in Balgo across the generations. To pay tribute to these original boards, young and emerging artists have been painting on plywood board. These boards make up a series of work by the newest Balgo talent, while honouring the old people who have paved the way for Balgo art.

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SHANNON GIBSON LIVES AND WORKS Balgo LANGUAGE GROUP / PEOPLE Kukatja SKIN GROUP Tjupurrula

Shannon is an emerging artist who comes from a strong painting family.

His mother Frances Nowee, aunties Theresa Nowee and Geraldine Nowee, and his cousin-sister Serena Nowee, are all successful painters. Shannon started painting with Warlayirti in 2004, when he was 14 years old. As he reached his late teens he painted with regularity and in 2010 was involved in the New Media program to nurture his keen interest in photography. Shannon had a break from painting for 5 years and has been affected by substance misuse.

In 2022, Shannon returned to the Art Centre to draw and paint, resulting in a marked increase in his confidence and engagement with his community.

Painting makes him feel good.

Shannon Gibson Moon Egg, 2021 Acrylic on plywood board 90 x 60 cm $950 REV22-185

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GENEVIEVE JAMES BORN Derby LIVES AND WORKS Balgo LANGUAGE GROUP / PEOPLE Kukatju

Genevieve was born in Derby in 1984.

She grew up in Balgo and has lived there ever since. She is the grandaughter of famous Balgo artist Eubena Nampitjin (dec), and the niece to Jane Gimme who currently paints at the Arts Centre and is on their board of directors. Genevieve paints the Country and story for this line of women. She paints the Country all around Kunnawarritji. She is one of Warlayirti Artist's younger painters, and her style portrays her patience and dedication.

Genevieve James Desert Animals, 2021 Acrylic on plywood board 90 x 60 cm $950 REV22-190

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ALEXANDRIA LOOMOO BORN Derby LIVES AND WORKS Balgo LANGUAGE GROUP / PEOPLE Nangala

Alexandria Loomoo is a young Balgo painter who completed her first Warlayirti board this year. Alexandria is the granddaughter of the late Lucy Loomoo, who painted for Warlayirti and Papunya Tula. Alexandria has taken her grandmother’s loose dotting style and bold composition and turned her story into a youthful, bright depiction of Country, playing with geometric space.

Alexandria Loomoo Yirangarri, 2021 Acrylic on plywood board 90 x 60 cm $950 REV22-184

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JUDITH LOOMOO LIVES AND WORKS Balgo

Judith is the late Lucy Loomoo’s eldest granddaughter. After the old lady passed away at the end of 2020, both herself and sister Alexandria keenly took up their grandmother’s painted story. Like her sister, Judith creates youthful depictions of her grandmother’s Country. Refined dotting and structured lines, which convey careful consideration of landscape and iconography features. Judith is learning her Country through the act of painting.

Judith Loomoo Patijarra, 2021 Acrylic on plywood board 90 x 60 cm $950 REV22-186

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ALICIA MAGGIE LIVES AND WORKS Balgo

Before Alicia started painting this year, she had completed only one painting for Warlayirti over 20 years ago. Alicia’s father Larry Gundora (dec). passed away this year, and to honour him and keep his Country alive she has started painting his story. Alicia paints in the same green and ochre hues as her father and has started experimenting with his washes of colour with dotted highlights.

Alicia Maggie Wirrimanu, 2021 Acrylic on plywood board 90 x 60 cm $950 REV22-183

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LATOYA MOODY LIVES AND WORKS Balgo

Latoya has painted her Grandfathers' Country. Jupiter Well is near Nyinmi, south of Balgo. "There is a story of an old woman who went digging in a rockhole near Nyinmi, and she poked that (ancestral spirit) snake in the head.

That snake that lived there. That old lady Nungurrayi”.

Latoya Moody Jupiter Well, 2021 Acrylic on plywood board 90 x 60 cm $950 REV22-189

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LYDIA MUDJI & RIKISHA NANNUP LIVES AND WORKS Balgo

Lydia (mother) and Rikisha (daughter) are the nieces of senior Warlayirti Artist, Jane Gimme and granddaughters to the master Eubena Nampitjin. Lydia and Rikisha have been painting sporadically over the past few years, since the Fremantle Art Centre supported the silk workshop program at the end of last year. Both women have been a strong presence in the Art Centre, helping their auntie complete works and producing their own silk scarves.

Lydia Mudji & Rikisha Nannup Tjintalpa, 2021 Acrylic on plywood board 90 x 60 cm $950 REV22-191

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SERENA NOWEE LIVES AND WORKS Balgo LANGUAGE GROUP / PEOPLE Kukatju SKIN GROUP Napurrula

Serena is a young progressive artist who comes from a long lineage of well-known artists. The works of her grandfather Brandy Tjungurrayi are found in numerous collections including the National Museum of Australia.

Through the guidance of her parents and extended family she continues to keep tradition and culture strong. While her artworks reference her mother’s Country and the traditions of walking and foraging off the land, her colour palette suggests her own sense of modernity.

Within each beautifully executed artwork we see a mixing of past and present, tradition and contemporary that create and tell her story.

Serena Nowee Minyurrpa, 2021 Acrylic on plywood board 90 x 60 cm $950 REV22-187

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GINA SUNFLY LIVES AND WORKS Balgo

Gina Sunfly is the youngest daughter of the late Bai Bai Napangarti and Sunfly Tjampitjin. She has painted sporadically over the past 20 years, however, has not had significant momentum in her painting career. Throughout 2021, Gina has been keenly painting and diversifying the stories she is documenting.

Gina Sunfly Karnti Tjukurrpa, 2021 Acrylic on plywood board 90 x 60 cm $950 REV22-188

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Artist April Nulgit representing Warmun Art Centre at Revealed.

Warmun Art Centre is located in a small community of the same name in the Kimberley region of Northern Western Australia. Warmun is owned and governed by the Gija people.

The Centre was established in 1998 by the late founding members of the contemporary painting movement in Warmun, such as Rover Thomas, Queenie McKenzie, Madigan Thomas and Hector Jandany, so they could support, maintain and promote Gija art, language and culture.

WARMUN COMMUNITY GIJA, NGARRANGGARNI AND JOONBA

WARMUN ART CENTRE

ARTISTS April Nulgit Tatum Rivers-Purdie

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APRIL NULGIT BORN Kununurra LIVES AND WORKS Warmun Community LANGUAGE GROUP / PEOPLE Gija

April did her first ever painting at the age of 10 years old and comes from a family of artists. Her mother, Charlene Carrington is an established Warmun artist; her great-grandmother is Betty Carrington, a senior artist in Warmun, and her grandfather Churchill Cann (dec) influences her current practice. April often visits her maternal ancestral Ngargooroon (Texas Downs) Country with her family, and is told many Ngarrangkarni (Dreamtime) stories associated with these places. She explores themes of dual tribal identity and, more recently, looking at ochres through the microscope and responding to the generated imagery, giving rise to unique canvases that delight and surprise at the same time.

April Nulgit Texas waterholes, 2022 Ochre on canvas 60 x 60 cm $500 REV22-192

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April Nulgit Texas Country, 2022 Ochre on canvas 60 x 60 cm $500 REV22-193

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pril Nulgit A Flat Rocks (Texas), 2022 Ochre on canvas 80 x 80 cm $760 REV22-194

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April Nulgit Badal (Red Ochre), 2022 Ochre on canvas 80 x 80 cm $760 REV22-195

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TATUM RIVERS-PURDIE BORN Kununurra LIVES AND WORKS Warmun LANGUAGE GROUP / PEOPLE Gija

Tatum grew up with her parents Madeline Purdie and Morris Morgan, a Balangara leader from Oombulgurri area. Tatum is the granddaughter of Warmun artist Shirley Purdie and great granddaughter of the late Madigan Thomas. Tatum first started painting in 2021 and likes to paint the stories that she has learnt from her grandmother and mother. These are stories from Guda Guda Country and they depict the Country, the history and the Ngarranggarni (Dreaming) from that place.

Tatum Rivers-Purdie Kangaroo Rock, 2022 Ochre on canvas 90 x 100 cm $890 REV22-198

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Tatum Rivers-Purdie Barramundi Ngarranggarni – ADM, 2022 Ochre on canvas 45 x 45 cm $370 REV22-196

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Tatum Rivers-Purdie Kangaroo Rock, 2022 Ochre on canvas 45 x 45 cm $370 REV22-197

Tatum Rivers-Purdie Kangaroo Rock, 2022 Ochre on canvas 60 x 60 cm $500 REV22-199

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Wirnda Barna Art Centre – Artist Ashleigh Walsh Painting

The Wirnda Barna Art Centre is located in Mount Magnet and managed by the Badimia Land Aboriginal Corporation. The Wirnda Barna Art Centre supports and represents Aboriginal Artists from Badimia and Wajarri Country based in Mount Magnet and Yalgoo. Wirnda Barna offers a creative environment in which artists can meet and work together to share skills and knowledge, connect with their language and culture and generate income through the sale of their visual art.

BADIMIA COUNTRY / MT MAGNET BADIMIA AND WAJARRI PEOPLE

WIRNDA BARNA ART CENTRE

ARTISTS Ashleigh Walsh

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ASHLEIGH WALSH BORN Meekatharra LIVES AND WORKS Badimia Country | Mount Magnet LANGUAGE GROUP / PEOPLE Badimaya

Ashleigh was born in Meekatharra and now lives in Mount Magnet with her family. Both of Ashleigh’s parents are artists and they encouraged her to try it. She started painting in 2021 and enjoys painting her Country around Mount Magnet and Cue. Ashleigh finds painting fun and hopes to continue to develop her style into the future.

Ashleigh Walsh My Family, 2022 Acrylic on canvas 77 x 92 cm $975 REV22-200

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Artist Joshua Gellatly at work.

Image courtesy Yamaji Art

Yamaji Art is an emerging Aboriginal Art Centre in Western Australia. The centre provides professional services for artists with a focus on sustaining cultural maintenance and arts practice in a variety of mediums including painting, textiles, weaving, print-making, design and performance.

Yamaji Art represents artists from more than five broad cultural groups from the region: Amangu, Nhanagardi, Naaguja, Badimaya, Wajarri, Wilunyu and as a contemporary urban based Art Centre, represents others currently residing in Geraldton or the region, including Nyoongar, Yinggarda and Ngaanyatjarra artists.

YAMAJI COUNTRY WAJARRI, BADIMAYA, WILUNYU, AMANGU, NAAGUJA, NHANDA, NHANAGARDI PEOPLE

YAMAJI ART

ARTISTS Nicole Dickerson Joshua Gellatly Andrea Ugle-Green Charmaine Green Kyra Johnson Roni Kerley Lily-mae Kerley Barbara Merritt Jesse Pickett Margaret Whitehurst

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JOSHUA GELLATLY LIVES AND WORKS Yamaji Country | Geraldton LANGUAGE GROUP / PEOPLE Badimaya, Yamaji People

Joshua is a Badimaya man living on Yamaji Country. He mainly uses acrylic on canvas, with an overlaying line design created using a handmade thin paint brush in bold colours. “I like doing the line work”, he says. “Because they used to do it in the old days”. Joshua has won eight first prizes and one second prize in the Perenjori show and his works are exhibited at the Kalbarri and Margaret River Hospitals. “I use my artwork as a release and healing for my mental health. When I create it gives me a feeling of calmness”.

J oshua Gellatly Spirit Man Traveling, 2022 Acrylic on canvas 128 x 60 cm $1,920 REV22-202

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J oshua Gellatly Self Portrait: Josh, 2022 Acrylic on canvas 54 x 46 cm $800 REV22-201

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J oshua Gellatly Bird Secret Sacred/Magic Acrylic on skateboard, 2022 Acrylic on canvas 79 x 21 x 3 cm $450 REV22-204

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Joshua Gellatly Inside a Rainbow, 2022 Acrylic on canvas 63 x 63 cm $800 REV22-203

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NICOLE DICKERSON BORN Yamaji Country | Geraldton LIVES AND WORKS Yamaji Country | Geraldton LANGUAGE GROUP / PEOPLE Naaguja, Wilunyu, Amangu, Ngarluma & Yamaji People

Born in Geraldton, Nicole is a Naaguja, Amangu, Yamaji woman, with connections to Ngarluma Country on her mother’s side. She has had an interest in being creative since she was young. As she grew up, she became more interested in painting. She gets a lot of her creativity from her dad and has also studied numerous art courses at TAFE. Nicole’s style is incredibly unique and she has a keen interest in textiles, lino and screen printing, and is represented by Yamaji Art.

Nicole Dickerson Kangaroo Pelt Bag, 2021 Kangaroo pelt, synthetic sinew, wool 62 x 50 x 20 cm $1,120 REV22-214

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ANDREA UGLE-GREEN BORN Port Hedland LIVES AND WORKS Yamaji Country | Geraldton LANGUAGE GROUP / PEOPLE Badimaya

Andrea is a young Badimaya woman from the Yamaji Region. She grew up in the northwest of Port Hedland, but moved back to the Yamaji country in 2009, the same year she joined Yamaji Art. In her time with Yamaji Art, Andrea has travelled to Carnarvon for governance training. Andrea hopes to develop more skills to become a high-profile artist. She is very family orientated and loves going out bush camping and fishing. Andrea is an amazing weaving artist and has been creating woven bracelets.

ndrea Ugle-Green A Seven Sisters, 2022 Raffia, emu feathers 120 x 110 x 2 cm $950 REV22-205

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CHARMAINE GREEN BORN Yamaji Country | Mullewa LIVES AND WORKS Yamaji Country | Geraldton LANGUAGE GROUP / PEOPLE Wajarri/Badimaya, Yamaji People

Charmaine is a self-taught visual artist and published poet who writes and paints about her Country and culture. Charmaine has developed a contemporary style giving special importance to line work which she believes represents the style of work done by her ancestors in the Murchison and Midwest Region. Charmaine has a powerful sense of place linking her to Country and likes to reflect this in her artwork.

Charmaine Green Kangaroo Pelt Bag, 2022 Kangaroo pelt, synthetic sinew, bush nuts, wool 50 x 40 x 4 cm $950 REV22-206

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Charmaine Green Kangaroo Pelt Bag, 2021 Kangaroo pelt, synthetic sinew, bush nuts, wool 110 x 42 x 20 cm $1,120 REV22-207

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KYRA JOHNSON BORN Yamaji Country | Geraldton LIVES AND WORKS Geradlton LANGUAGE GROUP / PEOPLE Badimaya, Yamaji & Mirriwoong

Kyra is a Yamaji Mirrawoong Nyarlu woman who spent most of her childhood in Kununurra. Her family then moved back to Geraldton and she started painting and hasn’t stopped since. “I find peace in my art, telling a story getting a message across, or just to relax my mind”, she says.

“Painting is the best and most fun way of doing it”.

Kyra Johnson Kangaroo Pelt Drawstring Bag, 2021 Kangaroo pelt, synthetic sinew, wool 60 x 30 x 20 cm $950 REV22-213

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RONI KERLEY BORN Wyndham LIVES AND WORKS Geradlton LANGUAGE GROUP / PEOPLE Menang Ngadju, Noongar People

Roni is an emerging artist, having worked primarily in various government roles full time, as well as raising a family, she is only now finding the time to explore her arts passion since becoming immersed in the arts world.

Roni favours 3D work such as weaving, installations, acrylic on canvas and public art, specifically street art. Roni draws on her love of her family and current issues impacting Aboriginal people in Australia as her inspiration for her work.

Roni Kerley Kangaroo Pelt Bag, 2022 Kangaroo pelt, synthetic sinew, wool 50 x 40 x 3 cm $1,120 REV22-210

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Roni Kerley Kangaroo Pelt Bag, 2021 Kangaroo pelt, synthetic sinew, wool 35 x 25 x 20 cm $950 REV22-211

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LILY-MAE KERLEY BORN Yamaji Country | Geraldton LIVES AND WORKS Yamaji Country | Geraldton LANGUAGE GROUP / PEOPLE Noongar/Badimaya

Lily is a Menang Ngadju Noongar/Badimaya Yamaji woman born and raised in Geraldton. Lily’s work reflects her time with her family and being out on Country. As an emerging artist Lily’s preferred medium was initially silk, where she would use different dying techniques to dye silk scarves. She then began moving her designs onto lino which she would use to create prints for the scarves. Lily has recently taken up painting, which is her current practice. She uses the colours of Country, from ochres and earthy browns to the bright pinks of wildflowers, to the deep blues the ocean.

Lily-mae Kerley Kangaroo Pelt Bag, 2021 Kangaroo pelt, synthetic sinew, wool 35 x 25 x 20 cm $600 REV22-212

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BARBARA MERRITT BORN Yamaji Country | Carnavon LIVES AND WORKS Yamaji Country | Geraldton LANGUAGE GROUP / PEOPLE Badimaya, Yamaji

Barbara grew up in Mullewa in a close family of ten. She has fond memories of weekends hunting out bush together. Barbara had always wanted to be an artist, but being a mother of seven, her children came first. Now that her children are grown, Barbara has become an active artist in the Community.

Barbara has been involved in NAIDOC celebrations at local schools as well as public art projects including murals at Lake Indoon and Geraldton PCYC. Always with more than one painting on the go, Barbara paints about knowledge and traditional stories passed down by her Elders, and the Country where she came from.

Barbara Merritt Kangaroo Pelt Tote Bag, 2021 Kangaroo pelt, synthetic sinew, wool, feathers 50 x 39 x 20 cm $950 REV22-209

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MARGARET WHITEHURST BORN Billabong Station LIVES AND WORKS Yamaji Country | Geraldton LANGUAGE GROUP / PEOPLE Wajarri, Yamaji

Margaret was born on Billabong Station in the Murchison and is a Wajarri woman. She is the second of seven children. Her childhood was spent swimming and fishing in the Murchison River and she went to school at Tardun Mission School. Her inspiration comes from the works of other Aboriginal artists and her Aunty Olive Boddington. She came to painting later in her life.

Margaret is the mother of seven children herself and is an industrious and prolific artist. Her current works are reflections of Yamaji Country.

Margaret Whitehurst Kangaroo Pelt Backpack, 2021 Kangaroo pelt, synthetic sinew, wool 38 x 44 x 20 cm $1,120 REV22-208

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JESSE PICKETT BORN Quairading LIVES AND WORKS Jambinu | Geraldton LANGUAGE GROUP / PEOPLE Noongar/Wadjarri

Jesse is a Noongar/Wadjarri man, who is now living on Yamaji Country.

Jesse likes to paint using acrylic on canvas, but most recently has taken up photography. He photographs Country, the night sky and landscapes of his Country. “Dad taught me how to draw for as long as I can remember… started painting in Year 10". Both sides of my family paint and draw. Art is a way to express culture… it’s why I create”.

J esse Pickett Nightsky Man made, 2021 Digital print (unframed) 61 x 105 cm $330 REV22-216

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J esse Pickett Nightsky Freedom, 2021 Digital print (unframed) 61 x 90 cm $310 REV22-215

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J esse Pickett Nightsky Campfire, 2021 Digital print (unframed) 61 x 90 cm $310 REV22-217

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Juluwarlu group photo, Courtesy: Juluwarlu Art Group.

Photographer: Claire Martin

Yarliyil Arts is based in Halls Creek and is an Aboriginal-owned enterprise and has more than 100 artist members that practice art in a wide range of styles and mediums. Artists attend the centre daily to paint and express stories of history, people, the Country and cultural connection. The name Yarliyil is the Jaru word for small paperbark tree, a tree that was used for shelter when people lived a traditional lifestyle.

The prominent language groups of artists working at the Art Centre are Jaru, Gija and Walmajarri.

HALLS CREEK

YARLIYIL ARTS CENTRE

ARTISTS Vicki Long Shirley Yoomarie

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VICKI LONG BORN Wyndham LIVES AND WORKS Yaruman | Ringer Soak, Halls Creek LANGUAGE GROUP / PEOPLE Jaru & Nyapurru

Vicki is a local Jaru woman from Halls Creek. She has lived here all her life and enjoys doing dot work, drawing on her experiences and memories in the Kimberley. “I would sit down and watch and listen to the Elders of my Community as they would pass their stories down to me”, she says. “I like painting in the bush. I try to portray all the patterns, themes and seasons through my colours and shapes. I also like to paint about hunting and gathering. The style I like to use is dot work and earthly colours”.

Vicki Long Kimberley Life Style, 2021 Acrylic on canvas 90 x 120 cm $2,200 REV22-223

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Vicki Long Jaru Seasons, 2021 Acrylic on canvas 90 x 120 cm $2,200 REV22-224

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Vicki Long Two Way Learning, 2021 Acrylic on canvas 60 x 90 cm $950 REV22-221

Vicki Long Dry Creek Beds, 2021 Acrylic on canvas 60 x 90 cm $1,300 REV22-222

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SHIRLEY YOOMARIE BORN Sturt Creek Station LIVES AND WORKS Wirrimanu | Balgo LANGUAGE GROUP / PEOPLE Jaru, Nangala

Shirley grew up at Sturt Creek then was taken away to old Balgo Mission, and has lived all of her life in Balgo, Mulan, and Billiluna. Shirley has been painting from an early age at the Art Centre in Balgo and Mulan. Shirley depicts stories of Country and describes themes about bush foods (bush potatoes and bush tomatoes). Shirley uses a style of vivid colours and thick dots.

Shirley Yoomarie Sturt Creek Station, 2021 Acrylic on canvas 60 x 90 cm $950 REV22-218

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Shirley Yoomarie Sturt Creek Station, 2021 Acrylic on canvas 60 x 90 cm $950 REV22-219

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Shirley Yoomarie Sturt Creek Station, 2021 Acrylic on canvas 60 x 90 cm $950 REV22-220

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Jason Haji-Ali. Image courtesy of Nina Rape

INDEPENDENT ARTISTS

ARTISTS WYNDHAM Bianca Long LOMBADINA COMMUNITY Darrell-Jade Kyle (DJ) WHADJUK NYOONGAR BOODJA | PERTH Darryl Dempster Carleen Eades Jason Haji-Ali Kahlie Lockyer Rebecca Reid Se'Anna Winmar

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BIANCA LONG BORN Halls Creek LIVES AND WORKS Wyndham LANGUAGE GROUP / PEOPLE Djaru, Nugalua

Bianca Long (nee Crake) was born in the small town of Halls Creek in the Kimberley, growing up with her family on a small property. She went to primary school in Halls Creek and then high school in Perth. “As a Djaru woman born in the outback town of Halls Creek in the Kimberley Region of West Australia, I had the creativity and red dust in my veins from a young age”, Bianca says. “My family connection with Country is where my artistic journey began”.

Bianca Long Bush Banana, 2022 Acrylic on canvas 60 x 97 cm $2,440 REV22-225

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Bianca Long River lined with Gum Tree winding through country, 2022 Acrylic and sand on canvas 84 x 101 cm $2,440 REV22-226

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DARRELL-JADE KYLE (DJ) BORN Lombadina LIVES AND WORKS Lombadina LANGUAGE GROUP / PEOPLE Bard

Darrell is the nephew of established artists Darrell and Garry Sibosado.

The Sibosado family are Bard people from Lombadina on the Dampier Peninsula. Darrell is a promising young artist in his own right with a desire to continue the traditional Bard practice of pearl shell carving. This did not go unnoticed by uncles Darrell and Garry Sibosado, both of whom Darrell now works closely with to learn the traditional skills and the stories and knowledge that go with it.

Darrell-Jade Kyle (DJ) Fish trap (Ion), 2022 Pearl shells, turtle shells, tracus shells and ebony woods on routed aluminium 100 x 100 cm $8500 REV22-233

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DARRYL DEMPSTER BORN Esperance LIVES AND WORKS Boorloo | Perth

Darryl is a proud Indigenous man. Born in Esperance, he lived there for most of his early life, later moving to Perth. Darryl has limited spoken word and has only recently uncovered his creative flair, using art to express his thoughts. This sometimes can look a little confusing on the canvas, but also shows the pure rawness of his artwork. You will often find Darryl pointing to his favourite super hero, then transferring them onto canvas, taking them on journey through his artwork. From stop signs to fast cars, there is an entire world going on in Darryl’s mind when it comes to art.

Darryl Dempster Speeding, 2022 Acrylic, paint pens on canvas 40 x 61 cm $350 REV22-235

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Darryl Dempster I'm looking, 2022 Acrylic on woodboard 34 x 19 cm $180 REV22-234

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Darryl Dempster Big Mussels, 2022 Acrylic, paint pens, pencil on canvas 51 x 51 cm $350 REV22-236

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Darryl Dempster The Hulk, 2022 Acrylic, paint pens, pencil, markers on canvas 63 x 63 cm $600 REV22-237

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JASON HAJI-ALI BORN Whadjuk | Perth LIVES AND WORKS Whadjuk Country | Perth LANGUAGE GROUP / PEOPLE Yawuru

Jason is a Yawuru man. He is an aspiring cinematographer and filmmaker based on Whadjuk Boodjar. Jason has recently completed his Bachelor of Arts (Honours), where he explored the relationship between identity and documentary filmmaking. His work utilises experimental film techniques in order to present complex autobiographical concepts.

Jason Haji-Ali Through Her Eyes, 2022 Dual channel video 2m 45sec | 8m 56sec edition of 5 $550 REV22-238

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KAHLIE LOCKYER BORN Wardandi Country | Bunbury LIVES AND WORKS Boorloo | Perth LANGUAGE GROUPS Ngarluma, Karriyarra, Nyul Nyul, Yawuru & Jaru peoples

Kahlie Lockyer is an emerging artist of Aboriginal descent, a member of the Ngarluma and Karriyarra peoples of the Pilbara region and Nyul Nyul, Yawuru and Jaru peoples of the Kimberley region. Kahlie has been painting and drawing most of her life and has recently found her voice through the artwork she creates. Kahlie’s art portrays the Aboriginal voice from her own standpoint, particularly Aboriginal health and wellbeing, healing, and her connection to Country. Using natural ochres or charcoal, she creates realist portraitures referencing personal and historical narratives, such as the Stolen Generation and domestic violence.

1 Kahlie Lockyer Trapped, 2022 Charcoal on arches paper 90 x 70 cm $1,600 REV22-239

2 Kahlie Lockyer The Darkness That Stole My Spirit, 2022 Charcoal on arches paper 70 x 90 cm $1,600 REV22-240

3 Kahlie Lockyer I Shall Not Exist, 2022 Charcoal on arches paper 90 x 70 cm $1,600 REV22-241

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ahlie Lockyer K Wanyibarrigu (Listen) Hear Our Cry, 2022 Ochre on arches paper 77 x 58 cm $1,500 REV22-242

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REBECCA REID BORN Dubbo, NSW LIVES AND WORKS Yanchep | Perth PEOPLE / LANGUAGE GROUP Wiradjuri

Rebecca is a proud Wiradjuri woman who shares the knowledge and beauty of her Aboriginal heritage through paint, brush and canvas. “I've always loved Australian native wildlife, especially our birds”, Rebecca says. She has developed a realistic style fused with the bright colours synonymous with Aboriginal art in hopes to bring a fresh, new and modern take on a proud history. “Art is a way I get to share my history and culture with the world. I have the ability to grow with each painting and that journey is one I hope you enjoy as much as I do”.

Rebecca Reid Colours of country "Birrany-dyang", 2022 Acrylic on canvas 76 x 61 cm $2,970 REV22-244

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Rebecca Reid Colours of country "Malangun", 2022 Acrylic on canvas 76 x 61 cm $2,970 REV22-243

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CARLEEN EADES AND SE'ANNA WINMAR LIVES AND WORKS Boorloo | Perth LANGUAGE GROUP / PEOPLE Ballardong & Koreng

Carleen is a Ballardong/Koreng artist and together with her grand daughter, 13-year-old Ballardong/Koreng Se'anna they create collaborative paintings. Se’anna works under the guidance of her grandmother, to paint Aboriginal contemporary paintings of stories passed down from her family.

Carleen has encouraged Se'anna to use her artistic skills in a joint effort to speak about culture and traditions in the form of beautiful artworks.

“We decided to paint about our Boodjar, our Country”, Se’anna and Carleen said. “We painted the landforms and have symbolised water in most of our paintings because it's so important to our land, the animals and our survival”.

Carleen Eades & Se'Anna Winmar Boodjar, 2022 Acrylic and mixed media on canvas 90 x 90 cm $2,000 REV22-227

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Carleen Eades & Se'Anna Winmar Billabong, 2022 Acrylic and mixed media on canvas 60 x 60 cm $1,200 REV22-228 Carleen Eades & Se'Anna Winmar Gnon Boodjar, 2022 Acrylic and mixed media on canvas 75 x 60 cm $850 REV22-229

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Carleen Eades & Se'Anna Winmar Weitj Dreaming , 2022 Acrylic and mixed media on canvas 50 x 40 cm $600 REV22-230 Carleen Eades & Se'Anna Winmar Yorga & Weitj Dreaming, 2022 Acrylic and mixed media on canvas 40 x 30 cm $300 REV22-231 Carleen Eades & Se'Anna Winmar Derbarl Yerrigan , 2022 Acrylic and mixed media on canvas 50 x 40 cm $600 REV22-232

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REVEALED

FREMANTLE ARTS CENTRE STAFF

REVEALED Advisory Group Clothilde Bullen (Wardandi & Badimaya Peoples) Chad Creighton (Bardi & Nyul Nyul Peoples) S haryn Egan (Whadjuk Nyoongar Peoples)

Director Anna Reece

REVEALED Selection Committee Carly Lane (Murri People) Sharyn Egan (Whadjuk Nyoongar Peoples) REVEALED Artsworker Work Placement Courtney McKay (Juluwarlu Arts Group) Katelyn Whitehurst (Bunbury Regional Art Gallery) Sylvia Wilson (Martumili Artists) REVEALED Artsworkers Hosts Phoebe Tran Natalie Scholtz Catia Dolzadella REVEALED Install Staff Holly O'Meehan Minaxi May Catia Dolzadella Claire Bailey Zev Weinstein Rob Kettels Emilie Monty Hansdieter Zeh Hugh Thomson Phoebe Tran James Cooper Amy Perejuan Capone Nicole Kelly Photography Pixel Poetry Graphic Design Exhibition Graphics: Susie Blatchford Catalogue Design: Celeste Njoo

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General Manager Caris Harper VISUAL ARTS Visual Arts Curator Glenn Iseger-Pilkington Exhibitions Manager Caitlin Pijpers Revealed Exhibition Coordinator Jane Chambers Exhibitions Install Coordinator Tom Freeman Exhibitions & Engagement Coordinator Emma Buswell Residencies & Studio Coordinator Bevan Honey

CITY OF FREMANTLE ART COLLECTION Curator Andre Lipscombe Design Associate India Mehta CREATIVE LEARNING Creative Learning Associate Shannon Lyons Creative Learning & Education Coordinator Jefferson Burrow Creative Learning Studio Coordinator Sarah Nelson Creative Learning Assistant Linda Iriza

MARKETING Senior Marketing & Communications Advisor Andrea Woods Communications & Content Officer Rosamund Brennan Graphic Designer Joe Scerri FINANCE Finance Officer Christine Lofthouse Finance Assistant Danielle King EVENTS Events Coordinator Kailyn Crabbe

Studio Technician – Ceramics Finn Anderson

OPERATIONS Precinct Coordinator George Gregson

FOUND Found Manager Pia Chomley

Facilities & Production Assistant Aaron Lyons

Retail Assistants Jenny Dawson Rose Megirian India Mehta Betty Poulsen Ruby Talbot-Dunn

Administrator & Reception Kate Gregory Customer Service Assistants Joanne Brown Phoebe Clark Amy Perejuan-Capone Huge thanks to all our casual staff!

PURCHASING ARTWORKS To purchase an artwork please visit our online shop: shop.fac.org.au Payment is required in full and a receipt and confirmation of sale will be issued once payment is received. There are no holds or deposit options available.

Almost all works in the Revealed Exhibition are for sale, some works are POA (Price on Application).

Organisations and collections may purchase works by invoice. Please request this option by emailing revealed@fremantle.wa.gov.au, phone 08 9432 9726 or visit us at FAC reception. Please include the following information:

WHEN WILL I RECEIVE MY ARTWORK? The exhibition is open from Saturday 7 May – Sunday 24 July and no artworks may be collected or freighted until the exhibition closes.

Collection of artworks will be from Fremantle Arts Centre on either Sunday 24 July, 5:30–7:30pm or the week from Thursday 11 August – Thursday 18 August, 10am–4:30pm.

If you are unable to make collection on these dates, please contact Revealed Exhibition Coordinator Jane Chambers at revealed@fremantle.wa.gov.au

• Your full name, email address and phone number • The artist’s name, art centre, title and REV code number of the artwork(s) you would like to purchase

FREIGHT CHARGES If you live in the Perth metropolitan area, we encourage you to collect your artwork from FAC at no charge on the dates and times listed.

If you are unable to collect your Revealed artwork purchase in person, you are responsible for covering any additional packaging and freight costs incurred and agree to this at the time of purchase. The cost of freighting artwork is additional to the prices listed in the catalogue and you will be contacted to arrange this payment prior to the work being sent.

Artworks will be sent with a courier or Australia Post, depending on the size and location of recipient. Tracking details will be sent to the buyer.

Artworks will be packed and posted within 4 weeks of the closure of the Revealed Exhibition, subject to payment completion. Postage times will vary depending on service and location.

• The organisation or collection you represent, if applicable FAC accepts MasterCard and VISA payments only.

Revealed is presented by FAC with the support of the WA State Government through the Department of Local Government, Sport and Cultural Industries; and the Australian Government through the Indigenous Visual Arts Industry Support Program.

Fremantle Arts Centre | 1 Finnerty Street, Fremantle, Western Australia | fac.org.au

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