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In these works, Grantham translates Bach’s contrapuntal structures into layered forms and harmonies of color. While not strictly synesthetic, her compositions evoke a vivid intersection of sound and image, where music transforms into line, shape, and hue.
Executed entirely in pastel on paper, the works in An Eye Made Quiet achieve a depth and saturation that defy the expectations of the medium. From a distance, it’s difficult to believe such intensity of color and form could come from pastel alone—yet it is precisely this choice that gives the works their resonance.
The influence of Orphism and Synchromism—movements adjacent to Cubism— is evident throughout, with Synchromism playing a particularly prominent role. Grantham’s work also echoes the pioneering abstraction of artists like Wassily Kandinsky, adding a historical dimension to her contemporary practice.
Originally from Tallahassee, Florida, Grantham is now based in New York City. She has worked across diverse mediums, including acrylic, gouache, watercolor, collage and photography. Her photographic self-portrait is a part of the permanent collection of the National Portrait Gallery of London.
Resonant, 2025 pastel on paper
41 x 36 in.
FG© 141860
A Sensitive Seeing | pastel on paper | 33 x 18 in. | FG© 141870
Tenderness, 2022 | pastel on paper | 30 x 44 in. | FG© 141855
64 1/2 x 43 in. FG© 141852
77
FG© 141861
, 2021 | pastel on paper | 13 x 28 in. | FG© 141856
Untitled (from muted group) pastel on paper
24 x 60 in.
FG© 141869
Untitled (#69) | pastel on paper 22 1/2 x 17 in. | FG© 141863
Untitled, 2025 | pastel on paper | 30 x 22 1/2 in. | FG© 141859
Interlude | pastel on paper | 18 x 33 in. | FG© 141865