Portfolio 2024

Page 1

Fernanda Gómez Seoane

PORTFOLIO
2024

FERNANDA G. SEOANE

+52 55 75634798

ferseoane13@gmail.com

HARD SKILLS

AutoCad

Revit

Inventor

3dsMax

Rhino

Sketchup

Lumion

Adobe Suite

Motion Graphics

QGIS

CNC Milling

SOFT SKILLS

Public Speaking

Critical Thinking

Leadership

Adaptability

Problem-solving

Teamwork

LANGUAGES

EXPERIENCE

CONSTRUCTION DESIGN AND EXISTING SPACE SURVEY LEADER

2022 - current - APRDELESP

- Building surveying

- Planning, conceptualization and detailing of projects

- Coordinate and optimize processes.

- Coordinate work team.

JR. ARCHITECT

2021 -2022 - ÁLVAREZ TELLO ARQUITECTOS

- Conceptualization

- Working Drawings

- Project presentation design

- Technical Drawings

Creation of working and presentation models

PROJECT MANAGEMENT

2020 - GRUPO CRC

- Budget administratrion

ARCHITECTURAL DRAFTSMAN

2019-2020 - D.I. Andrea Salamanca M.

- Furniture design

- Drafting furniture details

INTERNSHIP - INTERIOR DESIGNER

2017 - MOCK Deco

- Furniture design

- Drawing technical specifications

- Rendering production

INTERNSHIP- ARCHITECTURAL DRAFTSMAN

2016 - Engineering Faculty, UNAM

- Building surveying

- Building blueprint drafting

AWARDS

8TH INTERNATIONAL ARCHITECTURE EXHIBITION LA BIENNALE DI VENEZIA 2023 2023 APRDELESP

Winning proposal to represent Mexico at the Biennale di Venzia 2023: Utopian Infrastructure: The Campesino Basketball Court

HONOURS THESIS

2022 Architecture Faculty, UNAM

Bachelor’s Thesis: “New Soccer Stadium for Tigres FC”

Native Spanish English German IELTS 8.0 DSH B1

EDUCATION

NATIONAL AUTONOMOUS UNIVERSITY OF MEXICO

Architecture Faculty - Architecture B.A (2016-2021) Mexico City, Mexico

TECHNICAL UNIVERSITY OF BERLIN Exchange Program - Architecture Faculty (2018-2019) Berlin, Germany

ENP NO.5 JOSÉ VASCONSELOS

Technical Draftsman (2015-2016) Mexico City, Mexico

ADDITIONAL COURSES AND SEMINARS

WORKSHOP FOR THE FORMATION OF THE ASSEMBLY FOR WATER DEFENSE IN MEXICO CITY

Front for the Defense of the Rights of the Peoples and Neighborhoods of Anáhuac (September, 2023)

LABORATORY: MILITANT MEMORIES

La Escuela (April-May, 2023)

COUNTER FORENSIC AUTONOMIES

National Autonomous University of Mexico (April-May, 2023)

MOTION GRAPHICS: FROM CONCEPT TO ANIMATION Crehana (May-July, 2020)

ARCHITECTURAL ANIMATION IN AFTER EFFECTS

Dinámica Arquitectónica (June-August,2020)

TECHNICAL DESIGN AND PRODUCTION Vatru Entertainment Academy (July-August,2020)

THEATER PRODUCTION COURSE

Vatru Entertainment Academy (April-May, 2021)

PRODUCTION DESIGN, ART DIRECTION AND CINEMATROGRAPHIC SCENOGRAPHY COURSE

Bad Bad Bad Architecture (October, 2021)

Born in Mexico City, 1997

During my last two years in university, my perspective significantly expanded, revealing how architecture, through spatial analysis and interdisciplinary approaches, engages with intricate societal challenges. This experience propelled a new sense of purpose, steering my pursuit of architecture towards intersections with diverse disciplines for cultural, societal, and political transformations.

In my professional endeavors, I’ve come to realize the profound influence of architecture, extending beyond the physical structures and encompassing various facets, showcasing its impactful presence in diverse ways. My journey in architecture transitioned from an initial fascination with aesthetics to a deeper recognition of its potential as a catalyst for change.

Blending architectural principles with societal concerns, my aspiration is to craft innovative solutions that surpass traditional design boundaries. I aim to make a substantial impact on society, culture, and politics.

CONTENT PROFESSIONAL EXPERIENCE RESEARCH Utopian Infrastructure: The Campesino Basketball Court Estación Material, Vol. 2 Lightway The Guide to Nuclear Japan ACADEMIC WORK Bachelor’s Thesis: Tigres UANL, Soccer stadium 06 12 18 24 30

MEXICO PAVILION 18TH INTERNATIONAL ARCHITECTURE EXHIBITION LA BIENNALE DI VENEZIA UTOPIAN INFRASTRUCTURE: THE CAMPESINO BASKETBALL COURT

Venecia, Italy 2023

As part of the design and construction team of APRDELESP, I participated in the creation and instalation of the Mexican pavilion for the Venice Biennale 2023.

The pavilion is an immersive space based on a 1:1 scale fragment of the expanded model of the campesino basketball court, an infrastructure that has become repurposed as a privileged space for poly- and plurivalent processes of decolonization in Mexico’s indigenous communities.

APRDELESP ⌂⌂
Selected Project
PROFESSIONAL EXPERIENCE
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Exploring the Pavilion’s Versatility: Above, a concert by the Philharmonic Band of the Center for Musical Training and Development of Mixe Culture (CECAM). Below, a vibrant basketball game within the pavilion space.

Our case study on these basketball courts functions as a laboratory for investigation of the adaptations and transformations that have allowed these spaces to transcend their original purpose, dedicated entirely to recreation and the promotion of sport, and to become instead focal points for the construction of political, social and cultural processes.

The accompanying research for the project delves into how the campesino basketball court, repurposed, is much more than the deconstruction of a Western sporting facility: It is the foundational unit of construction upon which indigenous utopias build cultures of resistance.

It is composed of a fragment of a basketball court, a drop ceiling of perforated paper, a propaganda kiosk, an audiovisual installation, a decolonial jukebox, and an opening activation.

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Propaganda
Kiosk
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Pavilion’s elements, clockwise: 1. Pavilion logo on the Propaganda Kiosk. 2. Basketball Dispenser at the Propaganda Kiosk. 3. Stands surrounding the Basketball Court. 4. Basketball hoop adorned with artwork by Mexican artist Dr. Lakra.
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Discovering the Pavilion’s Diversity: Above, attendees try out a few shots on the basket. Below, opening activation of the pavilion with the dance of the catrines from Tlaxcala.

ESTACION MATERIAL VOL. 2

ART FAIR

Guadalajara, Jalisco, Mexico 2023

For the second edition of Estación Material hosted at Cerámica Suro, a renowned Guadalajara-based factory, our responsibility was to transform the space into an ideal venue for the art fair. Acknowledging the event’s temporary nature, we prioritized an eco-conscious approach, devising a system that could be easily assembled and disassembled. This unique system not only offered flexibility to exhibitors but also enabled them to personalize their exhibition spaces as their individual galleries within the fair.

APRDELESP ⌂⌂
PROFESSIONAL EXPERIENCE
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Axonometric drawing of the art fair booths distribution

The gallery module system utilizes a scaffolding structure for easy assembly and disassembly, incorporating drywall panels fixed onto a wooden plywood framework.

We believe this system, combined with each booth having a surrounding aisle, allows visitors to view multiple galleries simultaneously, blurring the distinction between where one gallery starts and another ends. Moreover, a deliberate effort was made during disassembly to salvage the maximum number of used plywood panels for upcoming editions of the fair.

These plywood panels undergo sanding for reusability, while damaged pieces are repurposed for other applications. Any damaged drywall, while unsuitable for gallery panels, finds use in other wall constructions.

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Left: Smallest module Right: Biggest module
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Gallery arrangements: Above, the largest gallery module positioned in front of the factory’s machines. Below: Various configurations of artworks within a gallery.
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Gallery arrangements: Above, sculptures could also be displayed within gallery booths. Below: Basic module area designated for emerging galleries.

BACHELOR THESIS: TIGRES UANL SOCCER STADIUM

Monterrey, México 2020

Team: Fernanda Gómez, Brenda Franco, Mauricio Báez

Adviser: Juan Giral, Chisel Cruz, Fernando Solís

School: National Autonomous University of Mexico (UNAM)

With the aim of taking on a a creative urban planning challenge, while also engaging on a demanding architectural project, designing the new soccer stadium for rising mexican club: Tigres UANL, became the focus for my Bachelor Thesis desertation.

The focus of the design was to understand global trends shaping fan experience, while also taking into account how the impact of this type of infrastructure can shape an area and it’s community.

ACADEMIC WORK
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Project’s presentation video, which was produced with project drawings, Illustrator and Premiere Pro.

The concept for the project stems from the interaction of cultures that inhabit the surrounding areas of the site. Having to the North and South an area of industrial use, to the West a cluster of neighbourhoods composed of self-built houses, and in the East , the university campus that has the current stadium of the team to whom this new venue would belong.

For the urban aspect of the overall project, we proposed a plan connecting self-built housing, the Autonomous University of Nuevo León and equipment sectors via circulation paths. It prioritizes pedestrian and non-motorized traffic, incorporates vegetation suited for Nuevo León’s climate, and features infrastructure for water management, energy, and waste.

The stadium design comes from the abstraction of lines that represent the communication between these different cultures with the city, in the manner of solids and voids, so that the leading element (the stadium) symbolizes the meeting point of all these mixtures in one place, free but safe.

West facade
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South facade
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Interior render
PORTFOLIO 23

LIGHTWAY

URBAN FURNITURE PROTOTYPE

Berlin, Germany 2019

Team: Fernanda Gómez, Louai Mesharrafa

Adviser: Liss C. Werner, Raoul Bunschoten

School: Technische Universität Berlin (Tu Berlin)

The objective of the lab was to devise urban lighting furniture designs that adapt to their environment and function. Additionally, the aim was to create prototypes for testing across the campus, evaluating their impact on the day-to-day experiences of pedestrians.

“ Lightway” as a concept is an adaptable skin that can be adhered into any type of surface, without disrupting the existing environment.

RESEARCH
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From top to bottom: 1. Conceptual appearance of the invention 2-4. Time-lapse of the lightning function when triggered by detecting someone walking by.

The skin reacts to the presence of the user via sound or by connecting itself to the GPS app on the user’s phone, the reaction consists on the skin lighting up and moving itself in the direction it perceived the user, alas, lighting up the way for the passerby in question.

The skin is made of a thermoplastic elastomer film (TPE). Thermoplastic elastomers combine the mechanical properties of rubber-based materials (e.g. high elasticity, abrasion resistance, and friction) with the good processability and recyclability of thermoplastics.

For the prototype, we constructed a frame resembling an abstract arrow. The frame housed a railway mechanism that, when activated, propelled a cart along the rail. This movement pushed a mass through the Thermoplastic Elastomer (TPE), creating the illusion that the “skin” was emerging from a surface.

8MM HEX HEAD SCREW 3 MM MDF WOOD .25 MM TPE FILM 3 MM MDF WOOD 10 2.5
POLYPROPILENE MULTI-WALL SHEET MICROLIGHTS
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Techincal drawing for prototype Prototype

PASSERBY

Sound sensor is triggered

Position sensor is triggered

Sound Sensor

The sensor is calibrated for antrophony sources only.

WiFi Sensor

The sensor connects itself to the user’s phone and starts collecting data. If a GPS App is being used, it also collects information from that source.

SOUND SOUND
SIGNAL MOTHERBOARD COLLECTION PERCEPTION DATA PROCESSOR PASSERBY/CARS/ ORGANISMS
SENSOR
"LIGHT UP"
DAY
PASSERBY PRODUCTION
NIGHT PRODUCTION PHONE GPS APP Passerby
Trigger Sound
Trigger GPS App
1 2
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diagrams for prototype.
Function

Arduino

ILUMINATION

Data Collection

# of passerby per day, direction of passerby, age group, gender, etc.

Collects the data from both sensors and translates them into a command to the mechanical parts of the installation.

The signal sent from the Arduino activates the LED sheet in order for it to light up.

The signal sent from the Arduino activates the motor in order fo rit to start moving.

PORTFOLIO 29 MOTHERBOARD # OF ASSERBY/CARS/ ORGANISMS DATA BANK ON CITY MOBILITY  SKIN
LED CLUSTER SIGNAL "MOVE" COMMAND
Micro-Controller Output LED Light Up Output Activate Motor 6 7
5 8

THE GUIDE TO NUCLEAR JAPAN

Germany 2019
Berlin

Team: Fernanda Gómez, Carla Rojas, Chiara Sanguin, Vivian Siqueiros

Adviser: David Bauer

School: Technische Universität Berlin (Tu Berlin)

The goal of this research is to present the situation of nuclear energy in Japan, within its urban, technological, political and social context. Japan is a poor fossil fuel country. This is the main reason for which the government had put a great emphasis on the development of the nuclear energy.

The research focused itself into two different power plants, built in between the 60’s and 70’s on different areas in Japan, because they each show the different approaches the government took towards developing “atomic urbanism” and how some of them succeeded more than the others.

RESEARCH
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Above: Tokai Village Below: Shimane Village We utilize red to denote nuclear facilities, orange for worker facilities such as housing or recreational buildings, and yellow for the rest of the housing developments

The research focused on the Tokai-Mura village, where the Japan Atomic Energy Research Institute was established in 1956, and the village of Shimane. These locations were chosen based on three primary criteria considered essential for the construction of a nuclear plant: being a coastal town, having a population of fewer than 200,000 inhabitants, and having a geographic advantage, namely, the absence of geological faults.

Through this research, we identified a pattern related to the peak of nuclear plant construction during the 1970s, commonly known as the “nuclear boom” that Japan experienced during that period. Moreover, we examined the significant impact of the Fukushima meltdown on Japan’s nuclear policies and its overall development

The research has the name guide, in hopes that in the future more people can contribute more chapters that go into different power plants in Japan, so perhaps someday, the guide will be the result of a collective effort to map and research the past and present of nuclear Japan, and perhaps get a hint of what the future will be.

Genkai Sendai

Shimane

Tomari

Kashiwazaki-Kariwa

Shika

Tsuruga

Mihama

Takahama

Higashidori

Onagawa

Fukushima

Daini

Tokai

Daini

Hamaoka

Ikata

33 PORTFOLIO
Propaganda Kiosk

TOKAI POWER PLANT

1961 CONSTRUCTION OF FIRST unit

1973 CONSTRUCTION OF SECOND unit

mihama POWER PLANT

1970 CONSTRUCTION OF FIRST unit

1972 CONSTRUCTION OF SECOND unit

1976 CONSTRUCTION of THIRD unit

fukushima POWER PLANT

1971 CONSTRUCTION OF FIRST unit

1974 CONSTRUCTION of second unit

1976 CONSTRUCTION of third unit

1978 CONSTRUCTION of fourth and fifth unit

1979 CONSTRUCTION of sixth unit

GENKAI POWER PLANT

1971 CONSTRUCTION OF FIRST unit

1976 CONSTRUCTION of second unit

1988 CONSTRUCTION of THIRD unit

FUGEN POWER PLANT

1972 CONSTRUCTION OF FIRST unit

IKATA POWER PLANT

1973 CONSTRUCTION OF FIRST unit

takahama POWER PLANT

1974 CONSTRUCTION OF FIRST unit

1975 CONSTRUCTION of second unit

1982CONSTRUCTION of second unit

1985 CONSTRUCTION of third and fourth unit

1997

sMALL EXPLOSION IN FIRST UNIT

1998 unit one shutdown

1999

cRITICAL ACCIDENT IN second UNIT

1991 failure of tube in generator

2011 unit two shutdown

2004

hOT WATER AND STEAM LEAK IN THE THIRD REACTOR

2009 failure in bypass valves

2011 nuclear meltdowns in 4/6 units

2011

2015

units

The entire plant is shutdown

1993 CONSTRUCTION of fourth unit

1997 tritium leakage

1994 CONSTRUCTION of THIRD unit

2002

Defective pipe causes steam leakage

2002

The entire plant is shutdown

2011 units 1 and 2 are suspended for maintenance

2011

The entire plant is shutdown

2018 UNITS 3 AND 4 ARE RESTARTED AFTER 7 YEARS OUT OF PRODUCTION

2001

COOLANT LEAK IN UNIT 3

2011

2017 UNIT 3 IS RESTARTED

The entire plant is shutdown 2018 UNIT 3 IS SUSPENDED AGAIN.

2012

The entire plant is shutdown

2017

Third and fourth unit are restarted

The chart shows all the nuclear power plants that have been built in Japan in chronological order. All previous accidents that the plants have had are shown too, in order to get a more rounded look of Japan‘s progress and history with nuclear energy.

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one and two are shutdown

shimane POWER PLANT

1974 CONSTRUCTION OF FIRST unit

hamaoka POWER PLANT

1974 CONSTRUCTION OF FIRST AND SECOND unit

SENDAI POWER PLANT

1979 CONSTRUCTION OF FIRST unit

1982 CONSTRUCTION ofSECOND u nit

1987 CONSTRUCTION of third unit

1989 CONSTRUCTION of second unit

1993 CONSTRUCTION of fourth unit

Kashiwazaki POWER PLANT

1980 CONSTRUCTION OF FIRST unit

1986 CONSTRUCTION ofSECOND u nit

1989 CONSTRUCTION ofthird u nit

1990 CONSTRUCTION of fourth u nit

1993 CONSTRUCTION of sixth and seventh u nit

1997 steam leakage in unit 7

1999 unit 1 is shutdown

2000 CONSTRUCTION of fifth unit

2001

valve rupture in unit one

2005 steam turbine problems

2010 COmissioning for third unit

2011

Construction for third unit suspended. first unit to be decomissioned

2012 restart of construction for third unit is approved

2011

ONOGAMA POWER PLANT

1980 CONSTRUCTION OF FIRST unit tomari POWER PLANT

1985 CONSTRUCTION OF FIRST unit

1991 CONSTRUCTION ofSECOND u nit

1991 CONSTRUCTION ofSECOND u nit

1998 CONSTRUCTION of THIRD u nit

2000 worker falls in a tank

2007 fires caused by construction of new unit

2009 CONSTRUCTION of third u nit

shika

POWER PLANT

1989 CONSTRUCTION OF FIRST unit

1999

the reactor was in critical state due to error in a procedure

2003 CONSTRUCTION ofSECOND u nit

HigashidOri POWER PLANT

2000 CONSTRUCTION OF FIRST unit

2005 CONSTRUCTION of first unit is finished

2011 third u nit restarts

2013 unit 3 is shut down

35 PORTFOLIO
The entire plant is shutdown 2011 The entire plant is shutdown 2011 The entire plant is shutdown 2011 The entire plant is shutdown 2011 The entire plant is shutdown 2011 The entire plant is shutdown 2011 The entire plant is shutdown 2020 THE PLANT IS PLANED TO RESTART 2015 THE ENTIRE PLANT RESTARTS

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Portfolio 2024 by Fernanda Seoane - Issuu