Fashion and Travel Sonbahar 2014 by Mediasa A.Ş.

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FAST FOOD’DAN SONRA

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RÖPORTAJLAR: Karl Lagerfeld, Anouska Hempel, Chris Pine, Barbara Bui, Jeremy Hackett, Ahmet Günestekin GEZI: Duvardan 25 YÖO 6RQUD %HUOLQ $IULND·GD 6DIDUL LoLQ (Q L\L Yer

F A S H I ON

FiYAT: 20 TL. SONBAHAR/FALL 2014

WITH ENGLISH SUMMARY

f&t table of contents

ç ndek ler 18

Editörden Mektup

Ú ǣ

Kapak Hikayesi

100 ǣ Ç

Ajanda

132 ò ǣ ò Ç Ç

Y Y o ǣ ò Ç

138

Ú ǣ

142 Ú ǣ

Ú ǣ

146 ǣ ǯ ǯ G ͙

Ú ǣ

FASHION&TRAVEL MAGAZINE / SONBAHAR

Çǡ Ç

Adresi

152 ǣ Ç Ç Ç ÇçÇ ͖͙ Ç

f&t table of contents

168 ǣ Çç Ç Ç 170 ǣ f

178 ò ò Ú Çǣ G 184 ò ò Ú Çǣ

ò ç

190 ò ò Ú Çǣ f

ò ç Ç

192

FASHION&TRAVEL IN ENGLISH 195-226 20

FASHION&TRAVEL MAGAZINE / SONBAHAR

f&t editor’s letter

ed törden Sonbahar 2014

Ƭ Ç Ç ºÇ Ç Ç òçò òºò ò Ú Ǥ ò Ú Çç ÇºÇ Ç ǡ ò Ç Ç ǯ Ç Ç Ç ǡ º Ǥ º ò Ç Ç çÇ Ç Ç ò ò ò Ç Ǥ ǯ Ú ǲ ò ǡ ÇǤǳ ǡ ǲ Ç Ç Ç Ǥǳ G Ú Ç Ç Ç ò Ç Ç Ǥ Ç Ç Ç Ǥ f ǯ Ç Ç Ç Ç Ç Ǥ ÇçÇ Ç Ç Ç Ǥ ͖͔͕͘ Ç Ç Ú ǡ Ç ͖͘ǯ ò Ǥ º Ǥ Ç Ç Ç ǡ ǡ ò ç ǡ ç ò ç Ç ǡ ç G º Ú Ç Ç Ǥ ç Ç Ç º ò Ç Ǥ Ç Ç Ç Ç Ç Ç Ǥ Ú ò ò Ç Ç Ç ÇçÇ ͖͙ Ç ǯ ò ò çÇ Ç Ǥ ǯ Ç Ç ò º ç ç Ǥ f Ƭ ǯÇ Ç ò Çǥ ǡ Ç Ú òç ò ǥ

f&t celebrit y intervie w

CHRIS PI

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FASHION&TRAVEL G ǯ º Ç Ǥ Ç ǫ G ǯ ǯ ò ò Ç Ç Ǥ Ú ç Ǥ ç Ç Ç ç º º ǡ º Ǥ ǯ ǡ G ǯ ò Ç Ǥ F&T ò Ç Ç Ç ÇçÇ Ç Ç ǫ ò Ç Ç Ç ò ò ÇçÇ º òçò ò Ǥ Ç Ç Ú Ç Ǥ F&T ò ǯ Ç Ç Ç Ç Ç Ç ǲ Ç Çǳ º Ç ǫ ò ǯ ǡ Ú G ǯ ǡ º Ç Ú Ç Ç Ç Ç ÇǤ º Ç Ç Ç Ç Ç Ǥ F&T Ç Ç ǡ Ç Ç Ç Ç ǫ

FASHION&TRAVEL MAGAZINE / SONBAHAR

Ç Ç Ç Ç Ç Ç ǡ Ç º Ú Ǥ ò ò Ú ò Ç Ç ò ò Ǥ F&T º º ǫ Ú Ç ǫ º º Ç Ç Ç Ç Ç Ç Ǥ ò Ç Ǥ ǲ Ǧ ǳ ò ò Ú Ǣ ò ò Ú Ǥ ò çÇ ò òǤ

Ǥ ͚͜

F&T Ȁ Ç º Ǥ ò Ç ǫ º ǡ Ç Ç º Ç Ǥ ǡ G Ç Ç º Ú ò Ǥ ÇǤ Ç º Ç

f&t masthead

G G G G Ç Ç Ç ǤfǤ Ç Ú ç Çǣ . G ; ò ò ǣ o . o Ç Çç Çǣ .G .G ̷ Ǥ Ç ǣ .G ̷ Ǥ Çç Ú òǣ Y o Ǥ ̷ Ǥ Ǥ Çç ǣ G G f ǣ o Ú òǣ . G ò ò òǣ o Y Ç ǣ f G f f ǡ G Y o o o ǡ G ; o ǡ Y ǡ Çǣ Ç ǡ ǡ ǡ Ç Ç ǡ ǣ͕͗ǡ Ȁ ºÇ ȀG ǡ ǣ ȋ͔ ͖͕͖Ȍ ͖͘͝ ͙͔ ͖͔ǡ Ǥ Ǥ Ǥ G ç ǣ Ƭ ǡ ò Ǥ G Ǥ Ǥ ǣ ͖ǡ Ç Ȁ ȀG ǡ ǣ ͔͖͕͚ ͙͚͕ ͖͜ ͔͚ ǣ ͔͖͕͚ ͙͚͕ ͖͜ ͔͚ǡ ̷ Ǥ Ǥ Ç ò òǣ ò Ç Ç ǣ ò ͖͔͕͘

&ASHION 4RAVEL -AGAZINE $ERGISI 4 # YASALAR NA UYGUN OLARAK -EDIASA 9AY NC L K ! ê TARAF NDAN YAY NLANMAKTAD R $ERGIDE YAY NLANAN YAZ HABER VE FOTOèRAmAR N HER TàRLà HAKK -EDIASA 9AY NC L K ! ê YE AITTIR éZIN AL NMADAN KAYNAK GÚSTERILEREK BILE YAY NLANAMAZ $ERGIDE YAY NLANAN REKLAMLAR N HER TàRLà SORUMLULUèU REKLAMVEREN lRMALARA AITTIR

FASHION&TRAVEL MAGAZINE / SONBAHAR

f&t cover story

Kapak Hikayesi ǯ f ǤǤǤ Ç Ç Ç ò Ç ǲ Ǧ ǳ Ç Ǥ Ç º Ç Ç Ç Ç Ǥ ç çÇ Ç Ç Ç Ç º çÇ ò Ú òºò ò ǡ ç Ǥ Ú Ç Ç Ǥ Ç Ç ò ǡ Ç ò ò ò Ç ò ò ò ǡ Ç Ǥ Ç Ç ǤǤǤ . Ú Ǣ Ç Ç ǡ Ç ǡ ºÇ Ç Ç Ç Ç Ǥ Ç Çç ò Ç Ç ç Ǧ ǡ Ǧ ǡ Ç Ç ç ÇǤ o ò Ç Ç Ç Çǡ Ç º Ç ǡ º Ç Ǥ Ȁ Çç ͖͔͕͘ ǯ Ǥ ǯ ǯ ǡ ǯ ǯ ǯ Ç Ç Ú Ǥ ǯ Ç Ç Ç Ç Ç Ç ò Ǥ ò Ú ç ç º Çǯ ǡ ò Ç Ǥ Ç ò Ú òç ò ò òǤ º Ǥ Ç Ç Ç Ǧ ǡ . Ǧ ǯ º Ç Ç Ç ǡ Ç çÇ Ç Ç ÇǤ Ç Çǡ Ç Ç Ç òçò ç Ǥ

ǡ ǡ ǡ ǡ ǡ ǡ ǡ

FASHION&TRAVEL MAGAZINE / SONBAHAR

AJANDA eylül

f&t agenda DÜNYADAN SERGİ

SİNEMA

ò Ç º ç Ç ǯ Ç Ç ǲ ǣ ǳ Ç Ç Ç Ǥ ͞͝ ò ǯ ò ǯ Ç ò Ǥ

GRACE OF MONACO ͟͞ ò Ǧ͠ Ç ǯ ǲ ǳ Ç ǯ Ç ǡ Ç ǡ ò ǡ Ç º ƪ Ç ç ç ç ͟͜͜ Ç Ǥ ǯ Ç Ǥ

Ç Ç Ç ǡ ç º Ú çÇ ͟Ǥ ǡ º º Ç Ǥ Ú Ç ÇºÇ ò ò Ç ç Ǥ Ú º ò ç çÇ Ǥ

Ǥ Ú ò Ç ǯ ç ç ǡ Ç Ç Ç Ç ǡ Ç Ç Ç Ǥ Ç º Ç ò ò Ç çÇ çÇ Ǥ ǯ Ç Ú º ǲ ǳ Ç ǡ ´ ǡ ǡ Ǥ

º ͢ ò Ǧ͠ Ç ͜͞Ǥ ò Ç ǯÇ Ú º Ç Ç Ǥ ǯ Çç Ç ç Ƭ ò ǯ Ú ò Ǥ ǯ Ç Ç Ú ò Ç ǡ ǡ ǡ Ǧ Ǥ

FASHION&TRAVEL MAGAZINE / SONBAHAR

G Ç ǯ ç ǡ ò Ç Ǥ Ç ò Ç Ç Ç Ǥ Ç Ǥ ǡ ǡ ơ ǡ ç Ǥ

SERGİ KONSER

ò ò ǯ ͡ Ú ò ǲ Ç ǳ Ç ǡ Ç Ç ò ò ơ Ç Ǥ ò ơ ǡ ò çÇ Ú Ç Ç Ç Çç ç Ǥ

ǡ ò Ç G ǯ Ǩ ͠ ò ǡ ǡ ͢͝ ò ǯ G o ǯ G ç Ǥ Ç Ç Ç Ǥ

. º ç . º ç Ç ǡ ͢͞Ǧͤ͞ ò Ç ǯ ç Ǥ ǯ . ǯ ǡ ǯ ǯ ǡ ͞͠ ò ͤ͜ Ǥ ç Ç ò ç Ǥ

FUAR

Ç Ç Ç . º ò ÇºÇ Ç ç Ç Ç ç Ç f

Ú ºǡ Ú Ú ò ǡ ò ç Ç Ǥ º ͜͜͝ ç Ú ºǯÇ ǡ Ç Ç ͣ͜ ç ç º ǲ ǳ ͢ ǯ Ǥ

G º ǡ ǯ ͜͜͟͞Ǧ͜͟͞͝ ç º çÇ ǲ ǳ ò ǯ Ç ç Ç Ǥ ͥ Ç ǲ ǳ Ú Ç Ç Ǥ

MODA SERGİSİ

ò òç Ç çÇ Ç ͟͝ ǯ Ú ò ǲ ͥ͢͜͝ǳ Ç ǡ ò òç Ç Ç Ç Ç Ç Ç Ǥ ǡ ǡ ǡ

ơ ǡ ǡ Ç Ç Ç ò òç ÇçÇ Ç Ç çǡ Ççǡ Ç ÇºÇ Ç Ú Ǥ

f&t agenda

SİNEMA

AJANDA ek m MODA SERGİSİ

Ç ò òǡ ò òǡ Ç Ç ǯ Ç ò ò ò ǯ ͝͝ Ǧͤ͝ Ç ǲ ǳ ò Ç Ç Ç Ç Ç Ç Ǥ Ƭ ǡ ò . º Ç ǡ ç Ç Ç Ç Ǥ

ǡ ç ò º Ç Ç ÇçÇ Ǥ Ç º Çº ǯ ç Ç Ç Ç Ç ÇºÇ Ç Ç Ǥ ǯ Ç Ǥ ǯ Ú º ò º ǡ ç Ǥ

ǡ Ç º ò ò òºò ç Ǥ º Úº Ǥ Gç Ç ò ò Ç ç Ç Ú Ç ǯ Çǡ Ç ǯÇ ç Ǥ ǯ Ú º ç ò Ǥ Ǥ

͝͡ Ç ǯ Ú ò ǲ ǣ ǲ Ç ǡ Ç çÇ Ç Ç º Ç Ǥ ͣͣ͜͝ǯ ͥ͢͜͝ǯ Ç çÇ Ç ç ǡ ç Ǥ

ǯ º

Ç ç ǡ Ç Ç ÇǦ Ç ÇºÇ Ú Ú Ç Ǥ Ú º òçǦ Ç Ú Ǥ Ú º ǯÇ ò º ǡ ͜͡ ǡ ǡ Ç Ǥ

FASHION&TRAVEL MAGAZINE / SONBAHAR

ǯ Ǥ ǯ ͡ ò ǲ ǳ Ç ò ò Ç Ç Ç ͜͡ Ç Ç ò ǡ Ç ç Ç Ç Ç Ç Ç Ç Ǥ

SERGİ

FESTİVAL

ç ò º ºÇ ǡ Ç ͟͞ Ǧ͞ Ç Ç ç Ç Ç Ǥ ͞͠Ǥ ǡ ºÇ ÇºÇ ò Ç Ç Ç Ç º ÇºÇ ò ǯ º ǡ Ç Ǥ Ç Ç Ç ǡ Ƭ Ç Ǥ

º Ç Ç òò ò Ç Ƭ ͤ͝ ò Ǧ͞͡ Ç ç Çǯ Ç ǲ Ç Ç Ç Çç ǳ ç Y ǯÇ ǲ ǦÇ ǳ Ç Ǥ ǡ Ú Çç Ǥ

ç ò ò

ǯ Ç Ǩ G ò ò Ç Ç ͟͝Ǥ ò ǡ ͝͝Ǧͣ͝ ͜͞͝͠ Ç ç Ǥ ǯ ǡ Ú ǡ ǡ ǡ ǡ ǡ Ç Ç Ç Ç º Ǥ Ç ǡ G ǡ ǡ Ç ǡ ǯ º Ǥ

ǡ Ç ò ò ò çÇ Ç Ç Ç º ǡ ò Çç Ç Ç Ç Ǥ ǲ ò ǳ ͞͡ ò Ǧ ͟͝ ͜͞͝͠ Ç ǯ Ú Ǥ

DÜNYADAN SERGİ

ò ± Ç Ç Ç ò ò ǯ ̼͞͝͞͝ ò ǡ ͡ ò ǡ ò ò ò Ç Ç Ç ÇºÇ Ç ç ǲ Ǧ ǳ ò ò ǡ Ç Ç Ç ÇºÇ Ç Ç Ǥ ± ° ǡ Ú Ç Ǥ ͥͣ͜͝ǯ Ç Çǡ Ç Çǡ Ç Ç º ƪ Ç Ç ò ò Ǧ Ú º Ǥ

ͣ͝ ò Ǧ͝͡ Ç G ͣ͠ǯ ò ǲ Ç Y ǣ ǯ Ç ǳ ǲ Ç ǳ Ç G ° ǯ Ú Ç ç Ú ç Ç º ƪ Ç Ú ò Ǥ

AJANDA kasım

f&t agenda SİNEMA

Ǥ ǯÇ Ú º ǡ Ç ò Ç Ç Ç Ǥ ǡ Ç ç ò ò Ç ǡ Ç Ç ò Ç Ǥ

MODA SERGİSİ

G ò çÇǯ Ç ò ǡ ç Ç ç ç òò ǡ Ç Ç Ç Ç Ç Ç º Ǥ Ú ǯ ǯ Ç Ç Ç Ç Ç º ç Ú ǡ ç Ç Ç Ú º Ç Ǥ ͜͞Ǥ ò Ç Ç Ç ͥ͝͠͡ Ç Ç ç Ç Ç Ú Ǥ ç ǡ çÇ Ǥ

Ç Çǯ Ç

Ú ǯÇ Ç Ú º ǲ Ç Ç Çǳ Ç ǡ ǡ Ǥ º º Ç ò Ç Ǥ

KONSER

͟͞ Ç ͝͡Ǥ ò º Ç Çǯ Ç ǡ . Ç ò Ú ò f ò ç Ç Ú Ç Ǥ ò ǡ Ç Ç Ç Çǡ G ç ǡ Ǯǯ ò ò ǯǯ Ç Ç Ç Ǥ

G ǯ

͜͝ ò Ǧ͝͡ f Ç ò ǯ ç ǲ ǣ ǳ ò Ç Ç Çç Ç Ç Ç Çǡ Ç Ç Ç Ç Ǥ ǡ ǡ ǡ ǡ ǡ Ç Ç Ç ç ç Ç Ç Ú ò Ǥ

ò º ǯ Ç ± ǡ Ç ò Ç ͥ͞ Ç ǯ o ǯ Ǥ ò Ç ò ò ò Ç Ç Ú ò ± ǡ º ò ò Ç ò ò Ç Ç G ǯ Ǥ

FASHION&TRAVEL MAGAZINE / SONBAHAR

MODA SERGİSİ

ǣ ơ ç ò ò Ççǡ Ç Ç Ç ơ ǡ ò Ç ͜͡Ǥ Ç Ç Ç G ǯ ò ǯ ǲ ơ ǳ Ç Ǥ ͞ Ç ǯ ǡ ơ ǯ ÇºÇ ǡ Çç ǡ ç ǡ ǡ ç Ç Ç Ç ò Ç Ç Ú Ú ò Ǥ ò ò Ç Ç Ç Ç Ú ç Ç Ç Ç Ú Ç Ú ò Ǥ

Ç ǯ Çǡ ǲ ǳ Ç ǡ ǯ Ú ç ç ç º Ç Ǥ ͜͡ǯ ǡ ͢͜ǯ Çǡ ͣ͜ǯ Ç Ç Ç Ç ÇçÇ Ç Ç Ǥ ǯ ͜͡ǯ Ç ǡ ǯ ͢͜ǯ Ç Ç ǡ ǯ Ç ͣ͜ǯ Ç ͞͝ Ǥǡo; Ú ç Ç Ç Ç º Ç Ç Ǥ

ç G Ç ò ò Ç Ç Ç Ç Çǡ ÇçÇ Ç Ç º Ǥ ͣ Ç ǯ Ú ò ǲ ǣ ǳ Ç ò ǡ Ç ÇçÇ Ç Ç Ç ǡ º ƪ Ǥ

SERGİ

Ç G ǣ ͟͝ ò Ǧ͟ Ç ǯ ǲ Ƭ ǳ Ç ͥ͝Ǥ ǯ ǡ ò ǡ Ú Ç Ú ͜͜͝ Ç ç Ǥ ǡ ǡ ǡ ǡ

ǡ ǯ Ç Ç Ç Ç Ǥ

͝͠ Ç ǲ ǳ Ç ǯ Ú ò Ǥ SFMOMA Ç ǯ Ú Ç ǡ ǡ ǡ Ú º ç Ç Ç Ç Ǥ

Ú ò G ǯ ͣ͞ Ç ǲ. ǳ Ç ǡ Ú ç Ç òçò Ç Ç Ú Çç Ç Ç Ǥ ò º ò ò ǡ Ç ò ǯ º Ǥ

en moda haberler

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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FALL

WINTER RUNWAY REPORT 2014-15

f&t runway report

ALICE DELLAL

ANNA DEL RUSSOMARPESSA HENNINKULYANA SERGEENKO

JENNIFER LOPEZ

DAVID GANDY

ECE SÜKAN

OLIVIA PALERMO

ANNA WINTOUR-BRADLEY COOPER

PARIS HILTON NICKY HILTON

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GERARD BUTLER ADELE EXARCHOPOULOS

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MATTHEW WILLIAMSON

f&t runway report

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HUGO BOSS

PETER PILOTTO

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BALMAIN, CELINE, GIVENCHY, PETER SOM, TOM FORD

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ACNE, CHANEL, CHLOE, GIORGIOARMANI, ZIMMERMAN

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CHANEL, CHLOE, JUST CAVALLI, OSTWALD HELGASON, PRADA

TREND 1= 60’LAR

GUCCI, LOUIS VUITTON, MIU MIU, SAINT LAURENT, VALENTINO

f&t runway report

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RICHARD NICOLL, ULYANA SERGEENKO, VERSACE, ACNE, ALTUZARRA

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JEREMY SCOTT, LOUIS VUITTON, MIU MIU, MONCLER GAMME ROUGE, T BY ALEXANDER WANG

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ANTHONY VACCARELLO, BURBERRY PRORSUM, EMILIO PUCCI, PRADA, TOMMY HILFIGER

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BLUMARINE, DSQUARED2, ELIE SAAB, GARETH PUGH, VALENTINO

TREND 11= PANÇO

ALEXIS MABILLE, BARBARA-BUI, BURBERRY PRORSUM, ETRO, GIORGIO ARMANI PRIVE

f&t runway report

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ACNE STUDIOS, ALEXANDER WANG, DAMIR DOMA, GIVENCHY, ISSEY MIYAKE

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3.1 PHILIP LIM, ANTONIO MARRAS, BURBERRY PRORSUM, KENZO, MISSONI

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AGI AND SAM, ALEXANDER MCQUEEN, BALENCIAGA, NEIL BARRETT, Y-3

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3.1 PHILLIP LIM, ACNE STUDIOS, AMI, CHRISTOPHER RAEBURN, FENDI

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f&t runway report

YOHJI YAMAMOTO

EMILIO PUCCI

ZAC POSEN

DRIES VAN NOTEN

XXX VACCARELLO

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f&t runway report

ALEXANDRE HERCHCOVITCH

3.1 PHILLIP LIM

AF VANDEVORST

ALBERTA FERRETTI

ALEXANDER MCQUEEN

ALEXANDER WANG

BADGLEY MISCHKA

BALMAIN

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BOTTEGA VENETA

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DEREK LAM

DIANE VON FURSTENBERG

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MARY KATRANTZOU

GUCCI

JOHN GALLIANO

JUST CAVALLI

MARC JACOBS

MICHAEL KORS

MISSONI

MOSCHINO

PRADA

STELLA MCCARTNEY

TOM FORD

f&t celebrity interview fash on&travel

Özel Haber

ANOUSKA HEMPEL 4ASARÏMæ$~NYASÏNÏNæ+RALIlESI !NOUSKAæ(EMPELæDOâUåTANæGELENæBIRæYETENEâEæSAHIP æ$AHAæ æYAåÏNDAYKENæTASARÏMCÏæOLMAYAæKARARæVERMIå æ :ENGINæMALZEMEæVEæRENKLERDENæOLUåANæEGZOTIKæHAZINELERIæBIRæARAYAæGETIRENæ5ZAKDOâUæETKILERIæTAåÏYANæBIRæSTILIæVAR æ +URDUâUæ!NOUSHKAæ(EMPELæ$ESIGNæILEæOTELLER æEVLER æBAHlELER æMOBILYALARæVEæCANÏæBAåKAæNEæISTERSEæONUæTASARLÏYOR æ ,ONDRAæVEæ!MSTERDAM²DAKIæ"LAKESæ(OTELæVEæ ²LERDEæAlÏLANæD~NYANÏNæILKæBUTIKæOTELIæDIYEBILECEâIMIZæ4HEæ(EMPEL æ 6ANæ#LEEFæANDæ!RPELSæBUTIâIæVEæ0ARIS²TEKIæ,OUISæ6UITTONæMAâAZASÏENæBILINENæIåLERINDEN æ4ASARÏMæD~NYASÏNÏNæKRALIlESIæ åUæANDAæãSTANBUL²DAKIæ0ERAæ0ALACEæ(OTELæ*UMEIRAH²ÏNæBAZÏæByL~MLERINIæYENIDENæYORUMLUYOR Leyla Melek

FASHION&TRAVEL MAGAZINE / SONBAHAR

FASHION&TRAVEL G ǯ ǯÇ Ç Ú ò Ǥ Çç Ç Ú ǫ ò ǡ Ç ò ò ç Ǥ ǡ ò ò Ç Ǥ Ú º ǡ ò ç ǡ ç Ç Ǥ f Ú ǡ º ò Ǥ F&T ÇºÇ Ç ç Ú ò ǡ ò ǤǤǤ AH Ç ǡ ò ǥ º Ç ç Ǥ ǡ ç G ǯ Ú º Ǥ Ç Ç Ǥ ǡ Çç ò ò º Ç çǤ º Ǥ Ç Ç ò ò ò Ç Ç Ç Ç º ç Ǥ ò ç Ú ò º ºÇ Ǥ F&T Ç ÇǤ ÇºÇ Ç º ǡ Ú º ǫ AH Ç º Ǥ Ú Çç Ç ǣ ǯ ǯ Ǥ ͕͔͗͝ǯ ͕͖͔ Ú º ç Ǥ Ç Ú ò òǡ ò ò º Ç ǯ Çç Ç ǡ º ò Ç Ǥ ò Ǥ ç Çç ǡ Ǥ F&T G ǯ Ǥ Ú ò ǯ ǫ AH Ǩ ò ǯ Ç Ç Ǥ G ͕͙ Ç Ú ç ò ǯ Ǥ Ǥ . º ǯ Ǥ ò ç ºÇ ÇǤ Y º Ç Çǯ Ú ç Ǥ ç ò Ǥ

f&t celebrity interview

F&T ò ǤǤǤ AH ǡ º Ǥ ç ç ͕͖ Ç Ú Ç Ǥ Ç Ç ͕ Ǥ Ç Ç ò Ǥ Çç Ú ò ò ò ò Ç ǯ ǡ G Ç Ç ç ò ǯ Ç Ç Ç Ǥ F&T ò ǯ ç Ǥ º Ç Ç G ǯ ÇºÇ Ç ç Ǥ f ç ò òç Çǫ AH Ç ǡ ò ǯ ç òç ǡ Ç Ǥ ò ǯ Ǥ F&T ÇçÇ ç ò ò òºò ò º ǫ AH ǡ ò Ç Ú Úç ç Ǥ ǯ ǡ ǯ ǡ ǯ ǡ ǯ ǯ ò ÇçÇ Ǥ Ç ǯ ǯ Ç Ǥ Ç G ǯ ò %õ5 õ.õ $< õ¢õ1'( ò ÇçÇ Ǥ F&T ǯ ǯ º Ç Ç ç º ǥ AH Ǥ ǡ ǯ ç Ǥ º º Ç Ç Ú ò ò ò ç ò Ç Ǥ . Ǥ Ú ǡ ò Ç Ç ò ç Ǥ ò Ǥ F&T Ç Ç Ç Ç Ǣ ǡ ǡ ǡ ǡ Ú Ç Ç ǤǤǤ Ç Ç Ç Ç ǫ AH ç Ç ç ç Ǥ ç Ç Ç Ǥ ò Ǥ òò ç ƪ Ç Ǥ

FASHION&TRAVEL MAGAZINE / SONBAHAR

õ÷õ %õ7õ50(. õ¢õ1 õ67$1%8/o$ *(5õ '±1(&(óõ0 $*$7+$ &+5õ67õ( 5(6725$1,1, <(1õ/(0(0 *(5(.õ<25 %õ/õ<256818= $*$7+$ &+5,67,( 27(/'( .$/0,÷ 2/$1 ·1/·/(5'(1 %õ5õ 2/'8ó81'$1 5(6725$1$ $', 9(5õ/0õ÷ 5(6725$1/$ õ/*õ/õ ¢2. (ó/(1&(/õ )õ.õ5/(5õ0 9$5

f&t celebrity interview

F&T ǡ ǡ ǡ òç ò ò Ç Ç Ç Ǥ Ç Ç Ç ǫ AH Ç Ç Ç Ǥ º ò Ç Ǥ ç Ç Ç Ç Ǥ ò ç Ç º Ú Ǥ ò ǡ Çç Ú ò ò ò ç Ç Ú ò ǡ ÇºÇ ò º Ú ò Ǥ G Ç Ú Ǥ

+(5 <(5'( '·1<$1,1 '±57 %õ5 .±÷(6õ1'( õ÷/(5õ0 9$5 %(<587o7$ $%8 '$%õo'( '8%$õo'( 6$17õ$*2o'$ 9( 6õ1*$385o'$ 27(/ 352-(/(5õ ·=(5õ1'( ¢$/,÷,<258= $<5,&$ )$6o7$ '$ %$&&$5$7o$ $õ7 %õ5 27(/ 7$6$5/,<258= $<5,&$ õ1*õ/7(5(o'( '( ·¢ (9 9( õ.õ +$5õ.$ %$+¢( ·=(5õ1'( ¢$/,÷,<2580

F&T Ç Ç Ç Ç Ç Ç Ç Ç ǫ AH Ǥ ÇºÇ ç Ç Çç ÇºÇ º Ç º ç Ǥ òç º ÇçÇ ǡ Ç Ǥ Gç º º º º çÇ Ç Ǥ ò Çç ÇºÇ ǡ º ç ǡ Ǥ

F&T ò Çç º Ç Ç Ç Ǥ Ç ò Çç ÇºÇ Ç Çç Ç Ç ǫ AH ò ò ò Ç Çç ÇǤ ǡ Ç òò ç Ǥ Ç ǲ ǳ Ç Ç Ǥ Ç Ç Ç Ç çÇ Ç çÇ Ǥ Ç Ǥ ò ò Ǥ Ç Ç º Ǥ ǯ Ǣ º Ǥ

FASHION&TRAVEL MAGAZINE / SONBAHAR

F&T ò Ǥ Ç ç Ç Ç Ǥ ç Ç Ç Ç ǫ

ç ͗ ç ǣ ǡ Ǥ Ç ç Ç Ç Ǥ Ç ç ò Ǥ F&T Ç Ǥ Ú ǫ AH Ç Ç Ǥ ͕͙ ǯ Ç Ǥ Ƭ Ç Ç Ç Ç Ǥ Ç Ç ǡ Ç Ç ÇǤ Ç º ƪ Ç Ç Çǡ Ú º Ç Ç º ç Ǥ Ç ǡ ç ǥ F&T Ú ç Ç º º Ǥ º ǫ AH ǯ ǯ Ǥ º º ç Ç Ǥ

f&t fashion interview

FASHION&TRAVEL MAGAZINE / SONBAHAR

KARL LAGERFELD 4AMæBIRæPARF~MæTUTKUNUæOLANæMODAæGURUSU æBIZEæIKIæYENIæPARF~M~N~æANLATÏYOR

FASHION&TRAVEL Uzun bir aradan sonra yeni parfümlerinizin lans Ç Ǥ ǫ Y ò ò Ç Ú ǫ KARL LAGERFELD Ben parfümleri seviyorum, daha önce de bunu yap Çç Ç Ǥ f ç ç ÇºÇ Ǥ Ç çÇ Ç Ç Ç Ç ǡ Ç ǥ ò ò ͚ ͕ Ç Ǥ Ç ò ò ò Ǥ ò Ç Ç ò Ú Ǥ ò ò ò Ǥ F&T Ç ç Ǥ ò ò Ç Ç Ç ǫ KL º Ç Ú ç Ç Ç ò ò Ç ò ç ç Ç Ǥ ò ò º Ç Ç Ç Ç Ǥ .ò ò ò Ǥ

F&T ò Ç Ç º Ç ǫ ò ò ò ǫ KL ò ò ò Ç º Ǥ Çǡ ò ç Ú òºò ò º Ǥ ò ò ò Ǥ ò ò Ú Ç Ç ò ò ÇǤ Ç ò Ú ò ò Ǥ Ç Ú ò ò ò ò Ú ǡ ò Ú çÇ Ǥ F&T ò ç ç Ç Ç ǫ KL ò º ç Ǥ ò ǡ ò ç ç ò ç Ǥ

F&T ò ò Ç Ç ò ò ǫ KL Ç Ç ò ò òçò Ǥ ò Ç Ç ò ò ò ò Ç ç Ǥ ò ò ò ò Ǥ ò º Ç Ç Ç Ç Ǥ Ç ǡ ò ǡ *·1·0·='( 02'$ 6$'(&( .,<$)(7 '(0(. '(óõ/ Ç ò ǡ ò 6$'(&( (/ ¢$17$6, *·1(÷ *±=/·ó· <$ '$ ò Ç Ç Çǡ ç 3$5)·0'(1 õ%$5(7 '(óõ/ 02'$ %õ5 ò ç º òçò ò Ǥ ò ǡ Ç Ç Ǥ %·7·1· .$36$5 '·1<$'$.õ 7·0 ±1(0/õ

0$5.$/$5,1 $57,. %õ5 3$5)·0· 2/0$/, %(1&( .,<$)(7/(5 .$'$5 3$5)·0/(5õ1 '( ±1(0õ %·<·. 6218¢7$ <(1õ %õ5 .,<$)(7 *±5·1·0·1·= õ¢õ1 1( .$'$5 ±1(0/õ<6( 3$5)·0 '( 7(1õ1õ= õ¢õ1 %õ5 2 .$'$5 ±1(0 7$÷,<25

F&T ò ò ǫ KL ò ò Ç Ǥ Ç Ç Ç ÇºÇ ò Ç Ç Ǥ Ú ò º ǡ Ú º ǥ . ò ǡ Ǥ

f&t fashion interview Ç ÇºÇ Ǥ .ò ò ç ò Ç Ç ò Ç Ç Ǥ º ǡ Ú ǡ Çç ºÇ Ç ǡ Ç ǥ Ç Çǡ Ç Ǥ ò ò ò Ç ò Ç Ç Ǥ ç Ç Ç Ǥ o ò Ú ò Ǥ ǡ Ǩ F&T ò ǫ KL º Ç Ç ò ò º ǥ Ç ǡ Ú ò Ç Ç Ǥ F&T ǫ KL G ǯ Ǥ Ç Ç ç Ç Ç Ǥ ÇºÇ ǡ ò ò ò Ǥ Ç Ç ÇçÇ Ç Ç Ç Ǥ Ç ç Ç Ç Ǥ ò ç ò ò Ç Ǥ ò ò Ç º Ǥ ò çÇ ç Ç Ǥ ò ò ò Ǥ ò ò ò Ç Ǥ F&T ò Ç Ç Ç Ç Ç Ç Çǫ KL Ç Ç Ç Ç Ǥ Ç Ç Ǩ F&T Ç Ç Ç Çǫ º ç Ç Ç Çǫ KL Ǯǯ Ç Ç ǯǯ Ç Ç Ç Ç Ǥ Ú Ǥ Ú º ç Ǥ Ú Ç Ç ÇºÇ Ç Ç Ç Ǩ F&T ò Ç Ç ǫ KL Ǥ Ç Ç Ç ÇǤ G ǡ ò Ç Ç òçò ò Ǥ ǡ Ç

3$5)·0· 6$'(&( '$+$ õ<õ .2.0$. õ¢õ1 '(óõ/ $<5,&$ 6(.6õ +õ66(7õ50(6õ õ¢õ1 '( .8//$1,56,1,= ¢·1.· *·=(/ .2.0$. õ67(56õ1õ=

CHANEL HA SÜPERMARKETTE! TE! Ç Ç çÇ Ç Ǯ çÇ ǯ ÇºÇ Ç Ú ò ò Çǡ Ç Ç Ç Ç Ç ç º Ç Ç çǤ Ǧ Çç ͖͔͕͘ ǡ ò Ç ç Ǥ ǡ ò º Ǥ

FASHION&TRAVEL MAGAZINE / SONBAHAR

*Â·1Â·0Â·='( 3$5)Â·0 .8//$10$. %Ãµ5 =2581/8/8. %(1&( *Â·=(/ .2.0$0$. 'ÃµÃ³(5 Ãµ16$1/$5$ <$3,/$1 %Ãµ5 6$<*,6,=/,. %(1 .2.8/$5, 6(9Ãµ<2580 3$5)Â·0/(5Ãµ 6(9Ãµ<2580 .$',1 3$5)Â·0/(5Ãµ1Ãµ 6(9Ãµ<2580 (5.(. 3$5)Â·0/(5Ãµ1Ãµ 6(9Ãµ<2580 9( %(1 3$5)Â·0/(5Ãµ1 +$<$7,0,=, %Ãµ5 Ã·(.Ãµ/'( *Â·=(//(Ã·7Ãµ5'ÃµÃ³Ãµ1Ãµ 'Â·Ã·Â·1Â·<2580 3$5)Â·0 %85181 02'$6,',5

XXX 77

f&t fashion interview

%(1 3$5)·0'( 02'(51 <$./$÷,0/$5'$1 +2÷/$1,<2580 *·1·0·= '( %818 *(5(.7õ5õ<25 ò òǤ Ǥ ç Ǥ ç Ç Ç ÇºÇ Ç òçò Ǥ F&T Ç Ç ǫ KL Ç Ç Ǥ ò Ç Ç Ǥ Ç Ú ǡ Ç ò ǡ Ç Ç ÇǤ Ǥ ò Ǥ G ǡ Ç Ç Ç Ç ç Ç Ǥ F&T ò Ç Ç Ç ǫ KL G Ç ǫ Ǥ Ç ǲ ǳ ò ç Çç Ç Ǥ F&T Ç Ç º Ç Ç ǫ KL Ú Ǣ ǯ ǡ ò Ǧ Ǥ Ǣ Ç ǡ ǡ ç ò Ç ǡ ǡ ǥ ò ò ò ç Ç ǣ ò Ú ǡ Ǧ ǡ ǡ ç Ç Ǥ F&T ç Ú ò ò ò ò Ç Çǫ KL Ç º Ç Ǥ ò Ç Ǥ o Ç ò º Ǥ Ç ò ò ò ǡ ç Ú ò ò º ò Ǥ

FASHION&TRAVEL MAGAZINE / SONBAHAR

3$5)·0· 6$'(&( '$+$ õ<õ .2.0$. õ¢õ1 '(óõ/ $<5,&$ 6(.6õ +õ66(7õ50(6õ õ¢õ1 '( .8//$1,56,1,= ¢·1.· *·=(/ .2.0$. õ67(56õ1õ=

f&t celebrity interview

FASHION&TRAVEL MAGAZINE / SONBAHAR

CHRIS PINE

2014, Onun Yılı... 'ERlEKTENæDEæ ²Ïæ#HRISæ0INEæ9ÏLÏæILANæEDEBILIRIZ æ"UæYÏLæPEKælOKæSINEMAæFILMINDEæKARåÏMÏZAælÏKANæYAKÏåÏKLÏæ #HRISæ0INE æYÏLÏNæ%NæãYIæ'IYINENæ%RKEâI æ9AåAYANæ%Næ3EKSIæ%RKEKæGIBIæyD~LLERIæDEæARDÏæARDÏNAæTOPLUYOR æ +ENDISI æ!RMANIæ#ODEæPARF~M~N~NæDEæYENIæY~Z~

FASHION&TRAVEL Ç Ç Ç Ç Ç Ç Ç Ǥ Ç Ú Ç Ç Çǫ CHRIS PINE ǯ Ç Ç Ç Ç çÇ Ç Ǥ ǡ ç Ǥ Ç Ç ç Ç ò Ǥ ǯ Ç ÇºÇ Ç ò ò Ú Ǥ ç º ò Ç Ú ò Ǥ Ç ç çÇ ͙͔ Ç çÇ Ǥ F&T ò ò º Ç ǫ CP ò ò òºò Ú º ǤǤǤ º Ç º ǡ ò Ç Ç ÇºÇ Ç Ç Ç Ǥ º Ç Ç Ǥ F&T Ú ǫ CP Ç Ç ç ç º ç ç Ǥ G Ç º ÇºÇ Ç ÇǤ º

çÇ º ǡ º ç Ǥ F&T Ç Ç ç Ç ºÇ Ç ç ǫ CP Ǥ Ç Ç Ç ç Ǥ Ǥ ÇçÇ Ç º ç Ç º Ú òçò ò Ǥ F&T Ç ç ǫ CP Y ò Ç ǡ ò Ç Ǥ ò Ç ò º ç Ǥ F&T ò º Ç Ç Ç Ç ǫ CP Ú ò òçò ÇçÇ ǡ Ç Ç Ç Ǥ Ú ò º ò ò Ǥ F&T ò º ç ǫ CP Ç Ç ò Ç º Ǥ Ç Ú ç ǯ Ç ǡ çǡ ò ò Ç ç Ççǡ çÇ çǡ ç ç çÇ ç ç Ǥ Ǯ Ç Ç Ǥ ò º Ú Ǥ F&T º ò ò Ç ǫ CP ǥ ǡ Ç Ç Ç Ç Ç ò º Ǥ ò Ç ò º Ǥ F&T Ú ǫ CP Y ò ǡ Ç Ç ǡ Ç ǥ ÇºÇ Ç ç ò Ç

f&t celebrity interview º Ç ç Ǥ ÇºÇ Ç ç Ç Ç ÇǤ ò º Ǥ º Ú Ǥ ò ǡ ǡ Ú º Ç Ç Ú ò ò Ǥ F&T ò ò ò ǫ CP Ú Çç Ǥ Ú Ú ò º Ç Ç º ÇǤ ǯ Ç Çç Ú ò ǡ Ç ç Ç Ǥ ǯ ÇºÇ Ç Ç ç º Ç Ǥ º Ú ò Ǥ ò Ç Ǥ F&T Ú Çç Ú Çǫ CP ò ǯ ç Ç Ǥ Ç Ç ç ò ò ç Ǥ ç Çǡ Ç Ú ò º ǡ ç ç Ǥ Ç çÇ Ç òò Ç ç Ç Ç ç Ç Ǥ F&T ǡ º ò ò Çǡ º Çǫ CP º Ç Ç Ç Ç Ç Ǥ º Ç Ç ǡ Ç Ǥ . çÇ Ç Ç ǡ Ç Ú º ò Ç Ç ç Ç Ǥ ǡ Ç Ç Ç Ú Ç Ç Ǥ Ú Ç ºÇ Ç ÇºÇ Ç Ç Ǥ º ç ǯ Ç ǡ ç çÇ Ç Ç ç ç º Ç Ú ç Ǥ F&T º Ú ç ǫ CP Ç Ç Ú ò Ú Ç Çç Ç Ç ç Ǥ òçò Ç ǡ Ç Ú ǡ Ç Ç Ç º Ç Ç ò ç Ç Ç Ǥ ç Ǥ F&T ÇºÇ Ç ǫ CP º ǡ Ç ÇºÇ Ç Ú Ç Ç Ǥ º ò ò º Ç º Ǥ Ú ò Ç Ú Ú º Ǥ Ǥ ò Ç ç Ú Ú Ǥ ç ǡ Ç Ú Ǥ º Ç Ç Ǥ Ç Ǥ Ç º ǯ Ç Ç ç Ǥ F&T . ÇºÇ Ç Ç ǡ ǫ

FASHION&TRAVEL MAGAZINE / SONBAHAR

CP ǡ ò òº Ç Ú º Çç Ǥ Ç ç Çǡ Çǡ ç º ç Ç ò Ú ò ò ò Ç Ç Ç º Ç Ǥ Ú ò Ç Ç ò ò ò º Ç Ç Ǥ F&T ò

Ç ǫ CP ò Ǥ ò Ç º Ç ͕ ͚ ò Ǥ ǯ ͖ ò ò ò ÇǤ ò Ç Ç Ç Ç Ç ç ç Ǥ Ú ò ò Ç ç Ǥ ͔͝ ò Ç ç Ç Ç Ǥ F&T ǯ Ǥ ǯ Ç Ç Ç Ç Ç ǫ CP f ǯÇ Ç Ç ÇºÇ Ç Ú ò òºò Ç Ǥ ò ò ò º ç º ç Ǥ ò Ç Ç Ç Ç ç ç Ç ç Ǥ Ú Ǥ

F&T ò çÇ Çç Ç Ç ǫ ç Ç Ç Ç Ç Ç Ç º ç ǫ ò ò Ç Ú Ú Çǫ CP Ç Ç Ç ò Ç Ç Ǥ G Ç ò Ç Ç Ç Ú Ǥ Ç ç º Ç Ç ç Ç º º Ç Ú Ú Ǥ Ú ò º Ú Ú Ǥ Ç Ç Ç ǡ Ç Ç º ç Ç Çç Ǥ ò ç ò ò Ú ò Ú ç Ç Ǥ

F&T ǯ ò ò ò ç Ǥ Ú Ç Ç Ç G Ç Ú Ç ç Ú Ǥ ò ò Ç Ç ò çÚ Ç ǫ CP º ÇçÇ Ǥ Ú º ç Ç %$1$ *±5( 0$6.·/(1/õ. .(1'õ +õ6/(5õ0 º Ç Ç ÇçÇ Ǥ 9( '·÷·1&(/(5õ0/( %$5,÷,. 2/0$. º Ç Ǥ Ç º º ò Ç Ç %81/$5,1 +(5 =$0$1 $5.$6,1'$ 2/0$. 9( Ǥ %81/$5, õ)$'( (70(.7(1 $6/$ ¢(.õ10(0(.

%81/$5 ¢2. %$6õ7 *õ%õ *±=·.6( '( %õ5 (5.(ó( (1 ¢2. *·&· 9(5(1 (7.(1/(5

F&T ǣ ǡ ǡ ǡ ͖͔͕͘ Ç Ç Ç Ú-

f&t celebrity interview ò ò Ǥ Ç ǫ CP Ç Ú Çç Ç Ç Ǥ ǯÇ Ç Ç º Ǥ Ç ǡ ǡ ǡ ǡ ǡ Ç çÇ Ç ǡ ç Ǥ Ú ò ç Ú ò ò Ç Ç Ǥ º Ǥ ǯÇ Ú º Ǥ Ç Ç ç ÇºÇ Ç Ǥ Ç Ç Ú òç Ú òç Ú Ç Ç ç Ç Ǥ ò ò òǤ ǡ ǡ ǡ ǡ ÇºÇ ͖ Ǥ f Ç Çç Ç Ç º ǡ ǯÇ Ú º Ç Ǥ Ç çÇ Ç Ç º ǡ Ç Ç Ǥ F&T ò Ǣ ǯ Ç ç çÇ ÇǤ ǫ CP ÇºÇ Ç Ç Ǥ º ǡ ǡ çÇ ÇºÇ Ç ÇºÇ Ǥ Ç Ç çÇ Ç ò Ǥ Ç Ú º Ǥ ÇºÇ ò Ǥ G º º ç Ǥ Ç ǡ Ç Ç Ç Ǥ F&T ǯ ò ò Ç ǫ CP o Ç Ǥ ç Ç Çç Ç Ǣ Ú ǡ º Çǡ ǯ Ç Ǥ . ò ò Ç Ǥ F&T Ç ǫ º G ò º Ú ǡ Ç Çç Ç Ç ǫ CP Ç Ç Ǥ ò ò Ç ÇºÇ ǡ Ç ç º ç º Ǥ ò Ç º ç Ǥ ǡ Ç Ç ò çÇ ÇçÇ Ç ÇºÇ Ç Ú Ǥ G º Ç Ǥ ò º Ç Ǥ ǡ Ç º º Çç Ç Ǥ ç ç º Ú º Ǥ F&T ò ͖͜ çÇ ǡ ǯ ç Ú Ǥ Ç Çç Ç Çǫ CP ç Ç Ç Ǥ ç Ç Ç ç Ç Ǥ Ç ç º ç Ç Ç Ǥ Ç ǡ Ç Ç çÇ Ǥ F&T º Ú Ǥ Ç ÇºÇ Ç ǡ ǯÇ Ǯ ǯ Ç ò Ú Ǥ Ç ç Ǯ ǯÇ ǯ ǤǤǤ CP Ǥ Ǯ ǯ òò ò ç ǡ Ǥ Ç Ç Ç Ǥ Ǯ ǯ º Ç ǡ Ç çÇ Ú Ǥ

FASHION&TRAVEL MAGAZINE / SONBAHAR

F&T º ç Ç ǫ CP . Ǥ ǯ Ç Ç Ǥ G ǯ Ú Ǥ Ç Ú º ç Ǥ ǯ Ç Ǥ F&T Ç Ç Ç ǯ Ç Ç Çǫ CP Ç Ǥ o ò ò ò Ǥ F&T Y ò ò Ç Ç Ú ǫ CP f Ǥ ò ç Ç Ç º Ǥ Çç Ǥ

$50$1Ãµ 6$'(/ÃµÃ³Ãµ =$5$)(7Ãµ Ã·,./,Ã³, 9( =$0$16,=/,Ã³, 7(06Ãµ/ ('Ãµ<25 %(1&( (//Ãµ <,/',5 Â¢2. Ã·,. 7$.,0/$5 Â·5(7Ãµ<25 02'$1,1 .Â±/(6Ãµ '(Ã³Ãµ/ %(1Ãµ0 2<1$',Ã³,0 5(./$0 )Ãµ/0Ãµ1'( '( *Â·=(/ %Ãµ5 +Ãµ.$<( $1/$70$. Ãµ67Ãµ<25 Ãµ=/('ÃµÃ³Ãµ0 'ÃµÃ³(5 5(./$0 )Ãµ/0/(5Ãµ1'(.Ãµ (635Ãµ/Ãµ 'Ãµ/Ãµ +2Ã·80$ *Ãµ77Ãµ .(1'Ãµ1Ãµ 0$5.$ 2/$5$. &Ãµ''Ãµ<( $/,<25 $0$ %818 Â¢2. '$ $%$57,/, %Ãµ5 %ÃµÂ¢Ãµ0'( <$30,<25 XXX 85

f&t fashion interview

FASHION&TRAVEL MAGAZINE / SONBAHAR

BARBARA BUI -ODANÏNæ4ATLÏæãSYANKARÏ +ÏSAæBIRæS~REæyNCEæ4~RKIYE²DEKIæILKæ"ARBARAæ"UIæMAâAZASÏæ.IåANTAåÏ²NDAæKAPÏLARÏNÏæ AlTÏ æ4ASARÏMCÏæBIZEæ¯CHICæROCK°æTARZÏNÏæVEæ3ONBAHAR +Ïåæ æ+OLEKSIYONU²NUæANLATTÏ æ Leyla Melek

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f&t fashion interview

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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F&T çÇ Ç Ç Ç ǫ Ƭ Y ǥ F&T Ç Ç º ǫ Ƭ Y Ç Ç º Ú ç Ç Ç ÇǤ ǯ Ç ç ÇºÇ Ç Ç º ǡ ç Ú òç ÇǤ F&T G Ç ç Ú ò ò Ç ǫ Ƭ Y . ç Ú ò ò ÇºÇ Ç Ú Ǥ ç ºÇ Ǥ F&T o ò Ç º Ç Ç Ç Ǥ Ƭ Y ç ǫ Ǥ ò Ç Ç Ç Ç ºÇǤ f ç çÇ ǯ Ç Ǥ . Ç ò ò º Ç Ç Ǥ

F&T Gç ç çÇ Ç Ç ǫ Ƭ Y ç çÇǡ ͔͝ǣ͔͗ Ȃ ͕͔ǣ͔͔ ÇǤ

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f&t fashion interview

FASHION&TRAVEL MAGAZINE / SONBAHAR

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FASHION&TRAVEL Ç ǡ Ç ǯ ò ò ò Ǥ ǯ ç ǫ JEREMY HACKETT ǯ ͕͝ çÇ Ǥ ǯ º Çç ºÇ Ç Ç Ǥ Ç Ç ǯ Ǥ Ç ƪ º Ú ǡ ǯ Ç Ǥ ǯ º Ǥ F&T ǯ ç ǫ JH ͕͔͛͝ǯ ǯ Ç º Ç ǲ

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Ç Ǥ Ç ǯ Ç ͖͔ Ú º Ç çÇ Ǥ Ç Ç º ǡ Ç Ç ò ò ç ò ò Ǥ F&T ǫ JH ͕͚ çÇ ò ǯ ò Ç ÇçÇ Ǥ Ç ò òǡ Ç ò Ç Ç Ç Ç ç ÇǤ ò Ç Ǥ G ç Ç ç Ç Ǥ ǯ Ç Ç ç Ç Ç Ç Ǥ ǯ Ç G Ç Ç Ç Çç ç Ç ǡ ǲ ǳ ò ò Ç Ç Ǥ Ç Ç Ç Ǥ ÇºÇ Ç Ǥ Ç ǫ ò ǯ òò ò ò Ç Ǥ G ç Çǡ Ç Ú ò ò Ç ǡ Ǥ ò ò Ú Ç ò º Ú Ç Çç Ǥ F&T Ç Ç ͕͛͝͝ǯ Ç Ç Ǥ Ç Ç Ç ç ǫ JH º ò ò ò ç Ç Ç Ǥ f ǡ º ǯ Ú ò ç Ç Ǥ

f&t fashion interview

G ͖͔͕͘ G G Y G G G ǫ Ȁ Çç ͖͔͕͘ çÇ Ú Ç Ǥ ò Ç ǲ º ǳ Ç º ç ǡ ǲ º ǳÇ Ç Ç Ç ò Ç çÇ ǡ ò òç ǡ ƪ ǡ ƪÇ ò çÇ Ú ò Ç Ǥ ǡ ç ǡ º Ç ÇǢ ǯÇ ǲ º ǳÇ Ç ò ò Ú Ǥ

F&T Ç Ç Ç ǲ ǳ Ç Ç Ǥ Ç Ç Ç ǫ Ç Ç Ç ǫ JH ǡ º Ú Ǥ Ç Ç Ç Ç Ǥ F&T ǫ º Ç ò ò Ú ç º Ǥ º Ç º ç Ǥ ÇçÇ ºÇ Ç Ǥ ͕͔ Çç Ç Ç Ǥ F&T ǫ JH ǡ ò ò Ç Ç ÇçÇ ÇǤ F&T ͖͔͕͘ Ç Ç ǫ JH ͖͔͕͘ Ç ͗ ç ǣ f Çǡ Çç ÇǤǤǤ f ǣ ç G ǯ º Ç ÇºÇ Ç Ǥ f ǡ ǡ ò ÇºÇ ç ƪ Ú ò Ç Ç ò ò ò Ǥ ò ç ò Ǥ Y Ç ǡ ò ç ƪ Ú ò ò Ǥ Çç ǡ ƪÇ Ȁ ò Ú Ç Ç Ǥ ò ÇçÇǯ Ç ò ò òǯ ò Çǡ Çç Ç ò ç º Ȁ Çç ͖͔͕͘ Ú ò ò Ç Ǥ ǣ G Ç Ç Ç ÇºÇ Çǡ Ç Ç Ç ÇºÇ Úº Ç º ç Ú ò ò ºÇ Ǥ ǡ ç Ç Ç Ç Ǥ

FASHION&TRAVEL MAGAZINE / SONBAHAR

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f&t fashion interview

Ç Ú G Ç ò ç ò ò ǡ Ç Ç Ç Ç Ǥ Ç Ç Ç Ç Çç ǡ Ç Ç ç ò ò ò Ç Ç Ç Ç ƪ Ú Ç Ǥ Ç Ç Ç ǡ Ƭ ǯ òº ǡ Ƭ Ç Ç Ǥ ǣ º G ǯ Ç Ç Ǥ Ç Ú ò ò Ç Ç Ç Ç Ç Ç Ç ǡ ƪ ç Ú º Ǥ Ç Ç Ç ǡ Ç Ç Ç ò ǡ ƪ Ú ò Ç Ǥ F&T Ç º ǫ Ç ǫ Ç Ç Ç ǫ JH ò ÇǤ f ǯ Çç Úº º ǲ ç Ç ǫǳ Ǥ Ú ç ÇºÇ Ç Ú º ǲ ǡ ͔͔͗ Ç ǳ Ǥ ò ͙ Ç Ú ò Ç Ú Ǥ Ç º Ç Ç Ç Ú Ç ÇǤ ç ºÇ ǲ ǳ Ç ò Ú òçò ò ǲ ǳ Ç ò Ç òçò ò òçò º

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f&t fashion interview

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FASHION&TRAVEL MAGAZINE / SONBAHAR

Gerçek konfor, gerçek rahatlık! Comfort Lounge Bodrum İster uçuşunuzu bekleyin ister alanda karşılayacağınız misaﬁrinizi. Comfort Lounge Bodrum, havalimanında geçireceğiniz her dakikaya ayrıcalık ve konfor katacak!

f &t haute couture

Gecen n Reng Sonbahar-Kış 2014 sezonunda gece elb seler ışıldıyor. Vücudu saran payetl , şlemel modeller n yanı sıra m mar kes ml çağdaş modeller de göz dolduruyor.

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FASHION&TRAVEL MAGAZINE ZINE / SONBAHAR SONBA AHARR

Chanel

Chanel Karl Lagerfeld bu sezon Chanel Haute Couture koleks yonunda altın ve gümüş ışıltılara yer ver yor. Altın ve gümüş dokunuşlar, s yah, beyaz, kırmızı, mav , gr tonlarla b rl kte kullanılmış.Mankenler n ayağında se lame ve dore dümdüz sandaletler vardı.

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f &t haute couture

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FASHION&TRAVEL MAGAZINE / SONBAHAR

Chanel

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f &t haute couture

Sch aparell Modaev ç n tasarımcı Marco Zan n ’n n hazırladığı k nc koleks yon bu. Son derece eklekt k, renkl ve hatta eğlend r c unsurlar taşıyan koleks yon, farklı olmayı sevenler ç n alternat fler sunuyor.

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FASHION&TRAVEL MAGAZINE / SONBAHAR

Sch aparell

105

f &t haute couture

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FASHION&TRAVEL MAGAZINE / SONBAHAR

Sch aparell

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f &t haute couture

D ce Kayek Par s Moda Haftası’nın resm programına lk kez bu sezon b r Türk markası dah l ed ld . D ce Kayek’ n koleks yonu, m mar kes ml parçalardan oluşuyor. Çarpıcı renklerdek , büyük formlu, m mar kes ml m n elb seler hayl d kkat çek c .

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FASHION&TRAVEL MAGAZINE / SONBAHAR

D ce Kayek

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f &t haute couture

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FASHION&TRAVEL MAGAZINE / SONBAHAR

D ce Kayek

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f&t trends

M chael Kors Ünlü Amer kalı tasarımcı, New York Moda Haftası’nda sunduğu kış koleks yonunda spor lüks tarzın en y örnekler n sundu.

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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f&t trends

Lou s Vu tton

Yen tasarımcısıyla markaya taze kan geld . Şeh rl kadına h tap eden son derece d nam k Sonbahar-Kış 2014/15 koleks yonu, çok beğen ld .

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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f&t trends

MaxMara

MaxMara kadını 2014 sonbaharında şık ve alımlı. Deve tüyü, gr , lac vert ve yeş l tonlarında takımlarda mat ve parlak kumaşlar b rl kte kullanılmış. Etek boyları se geçm ş yılları anımsatan b r uzunlukta.

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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f&t trends

Stella Jean

Kış ç n son derece çarpıcı b r koleks yon karşımızda.Canlı renkler, büyük geometr k desenler ve büyük formlar b r arada kullanılmış.

118

FASHION&TRAVEL MAGAZINE / SONBAHAR

Koleks yonda kullanılan desenler, çoğunlukla tr bal mot fler taşıyor.

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f&t trends

Carol na Herrera Mankenler n b rb r nden güzel elb selerle podyuma çıktığı def le, New York Moda Haftası’nın göz bebekler ndend .

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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f&t trends

BCBG Max Azr a

Marka bu yıl 25. yılını kutluyor. O yüzden koleks yon da hayl dd alı. Beyazlar, lüks kumaşlar, kürk detaylar koleks yonda d kkat çekt .

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FASHION&TRAVEL MAGAZINE / SONBAHAR

BCBG’n n kış 2014/15 koleks yonunda elb seler n kes mler son derece modern ç zg ler taşıyor.

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f&t man trends

Ermeneg ldo Zegna Stefano P lat ’n n tasarladığı koleks yonda erkek şıklığının kökler ne uzanan b r arayış var.

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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f&t man trends

Üm t Benan Türk tasarımcı Üm t Benan, İtalya’da sunduğu koleks yonunda tasarımcının kullandığı renkler öne çıkıcı. Kış ç n beyaz, ekru, gr g b açık tonlar ve kırmızı, mav g b canlı renkler d kkat çek c .

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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f&t man trends

Dr es Van Noten

İşte s ze son derece renkl b r kış koleks yonu. Morlar, mav ler, yeş ller d kkat çek yor. Floresana yakın tonlar çarpıcı.

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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Jo Malone, Pomegranate Body Oil

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Yves Saint Laurent, Rouge Pur Couture The Mats

LancĂ´me, Artliner 24H

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Dior, 5 Couleurs Palette

EstĂŠe Lauder, Pure Color GelĂŠe Powder

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Elizabeth Arden, Prevage Intensive Repair

Yves Saint Laurent, Touche Eclat Clinique, All About Eyes

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SkinCeuticals, Serum 10

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Gerçek Havyar Ǣ ò ò Ç Ç ç Ǥ Ç ǡ ò ò Ǥ º ǡ Ç Ç ò ò º Ǧ Ç Ǥ ò ò Ǧ Ç Ǥ ǡ ǯ ÇºÇǯ ç ç Ú ò ç Ç Ç Ç Ç Ǥ

Repere Felsefesi

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138

FASHION&TRAVEL MAGAZINE / SONBAHAR

f&t wellness ç Ç Ç Ú ò Ç Ç º Çç ò ǡ Ç Ǥ ͖͔͕͘ǯ ǯ òò ò ò ò Ç Ǥ Ç Ç ǯ Ç ò ǡ ò ò ò ò Ǥ F&T ǲ ǳ ǫ Ç ǫ ǡ Ç ǫ ç ǫ Ç Ç Ç çÇ ǫ BA ç Ç ͕ Ç Ǥ Ç Ç ò ò ò Ǥ ç º Ç Ǥ Ç Ç Ç ç Ǥ Ç Ú ò ò Úº Ç ºÇ Ç Ç Ǥ ò ò ǡ Ú ǯ Çç Ç Ç Ǥ Ç Ç Ǥ ò çÇ Ç Ç Ǥ Yº ç ºÇ Ç Ç Ǥ Úºò Ǧ ǡ ò ͗Ǧ͘ Ǥ ç ǡ ç ǡ Ç ǡ Ç ǡ ç ò Ǥ Ǥ ò Ǥ F&T ǲ ȀG ç ò òǳ ò ò Ç Ç Ǥ ç ǫ ç ò Ç ò ǫ BA ǯ ÇçÇ çÇ ò ò ò Ú Ǥ ͖͔͕͙ Ç Ç Ç Ú Çç Ç Ç ò ò ò ò ò Ǥ Ç Ú Ǯ º Çº Çç ò ǯ ǯ ò ǯ Ç ò ò ò Ǥ f ò Ç Ú Ç çÇ ͖͖ ò ͚͗ Ȁ ç Ǥ F&T çǯ Ç º ǫ BA º Ç Ú ò ò Ç Ç Ƭ Ç ͕͔Ǧ͕͖ ò ǯ çǡ ǯ ò Ǥ ò Ç ͖͙͔Ǧ͔͔͗ ò Ç ÇºÇ ǯ ǲ ǣ ǳ Ç Ç ǡ ǡ ǯò Ú º Ǥ ͖͔͕͙ Ç Ç ò ǯ Çç Ç Ç Ǥ F&T Ç ǲG ç ǳ Ú ǫ BA ç ò Ǥ ò Ú Ç Ç Ǥ º ÇºÇ Ç Ç Ú Ǥ ǡ ò ò ò Ú ç Ç Ç Ú ò ò Ç Ç Ç Ǥ F&T ÇçÇ Ǥ ǯ Ç

140

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THOMAS KAKAREKO

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Thomas Kakareko

142

FASHION&TRAVEL MAGAZINE / SONBAHAR

.DUV $Qö +DUDEHOHUL

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FASHION&TRAVEL Bize ComeSeeTurkey deneyiminizden biraz bahseder misiniz? Projeden önce ò ǯ ç ǫ THOMAS KAKAREKO Ú G ǯ Ç ç Ç Ç º ç ç ç Çç ÇǤ ò Ç ç Ǥ º ò º Ç Ç ç º Ǥ ò ǯ Ç ò ò Ç Ç ò º òçò ç Ǥ º Ç Ç ò Ç Ǥ çÇ ç ÇºÇ Ç ò Ç Ç Ç º ƪ Ǩ Ç Ç ç Ç ÇºÇ Ǥ F&T ÇºÇ Ç ǫ TK ò Ç Ç ò ò ç Ç Ç Çç Ç Ǥ º Ç Ú ÇºÇ ÇǤ Ú Ç Ç Ǥ F&T Ç º º ƪ ǫ TK Ç Ç º º ǡ º Ç Ç Ç Ú º Ǥ º º ò ç ǡ Ǥ Ç º ò ç Ǥ ºÇ Ǥ

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143

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FASHION&TRAVEL MAGAZINE / SONBAHAR

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Elephant Pepper Luxury Camp ǯ ǯ Ç ǡ Çǯ ǡ ͜͝ Ç Ç ç ǯ ç Ç Ç Ú ò ç Ǥ Y Ç ÇºÇ ǯ Ú ò ç Ç ò ò Ǥ ǯ Ç Ç ǡ ǯ Ú ò ò òǡ Ç Ú ÇºÇ ǡ ǡ ǡ Ç ç ò ò º Ç Ú Ç Ç Ǥ òò çÇ ǡ ͠ ͠ ǯÇ º ò Ǥ

147

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ò Ú ǯ ò ç ç Ç ç ò ÇçǤ ǡ º Ç ͟ º ͡ òò ç Ǥ ò ç Ç Ç Ǥ ǯ Ç º ǡ ƪ º ǡ ǡ ǡ Ç Ç Ú º ǡ ò ò Ç Ǥ º Ǥ

148

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ǯ Ú òǯò Ç ǡ Ç ç Ǥ Ç ǡ ǡ ºÇ Ǥ Ç ç ÇºÇ Ú ò ò º Ǥ Ú òǯ ò ò ò ç ÇºÇ Ç ç ò Ǥ Ç ò òç Ú Ǥ

ò ǯ ǡ Ú ò ò òºò ç Ǥ ǯ ǲ ò ò ç ç ǳ Ç ǡ Ç ÇçÇ ç òçò ò Ǥ Ú ò ç ǡ Ǥ ò ç Ç Ç Ǥ Ç Ç Ç ò ǡ ò Ç ç º Ç Ú ǡ çÇ Ç Ç Ç Çç Ç Ç Ç Ǥ ǡ ç Ǥ

149

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Ú ǯ ǯ ò ǡ ç ç Ç Ú ò ò º Çǯ Ç Ç Ç Ǥ ç Ç ò ò ò Ç Ǥ Ç ÇçÇ ç Ǥ ǯ Ç ò Ç ÇǤ ò Ç Ç ò º Ç Ç Ú ò ç Ç Ç º Ç Ǥ ǯ ò º ÇºÇ Ç Ç Ǥ

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Ú Ç Ú ò ò Ç Ǥ ǡ º Ç ç çÇ Ç Ǥ ç Ç çǡ Ú ò º Ç Çç Ç Ǥ

f f Ç Çç ǡ Çǯ Ç Çǯ Ç Ǥ ǯ ò Ú Ǥ Ç Ç º Ç Ç ò Ú ò Ǥ ç ò ò ò Ú ǡ Ç Çǯ ǯ ǯ Ç Ǥ Ç Ç Ç Ç ò Ç Ç Ǥ G ǯ Ç ç Ç Ç Ç Ç ÇçÇ Ç ͖͙Ǥ Ç Ú ò òǡ Ç Ǥ ͝ Ç ͖͔͕͘Ǥ ǡ ǯ ºÇ Ǥ Ç Ç ºÇ ǯ ò Ǥ ç ǡ ò Ç ç ç Çç º ç ç º Ú Ǥ Ç Ç Ç ÇçÇ Ç ͖͙Ǥ Ç Ç Ç Ç ǡ º º Ǥ ǡ ç Ú ò ǡ º ç ͕͜͝͝ Ç Ç ÇçÇ ç Ç ç ç Ǥ Ç Ú ò ò ò º Ç º Ç ͜ Ç ÇçÇ Ç Ç Ǥ Ú ǲ ò ǳ Ç Ç Ç Ǥ º ç Ú ç Ç Ú ò ò Ǥ ò Ç Ç Ç ǡ ǡ Ú

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f Ç º Ç ǯ Ç ç Ç ç Çǯ ò ǡ ò ç Ú Ǥ ò Ç ǯ Ç Ç ò Çç ç Ç Ç ò Çç ç Ú Ǥ Ç ǡ Çç Ç Ç ǣ ç Ú ǡ ͕͚͔͝ǯ Ç Ç Ç º ç ç Ǥ ǯ Ú ç ǡ ç ò Ç Ç Çǯ Ç Ǥ

. òò Ç Ç ò ç Ç ǲ Ç Ç Ǥǳ º Ç Ǥ º ͚͙͗ ò ò Ç Ú ÇçÇ Ǥ ǯ òò Ú Ç Çç ç ç Ǥ

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ò ò Ç Ç Ç ò Ç Ç Ç ò Ç Ç Ǥ ȋ Ȍ ǲ ǳ ç Ǥ ò ò ǡ òò Çǯ ǯ ç ÇçÇ Ǥ Ç Ç Ç Ǧ Ç Ǥ G Ç ǡ ç ǯ Ú ò Ç Ç Ç ç Ǥ Ç Ç Ç ÇçÇ Ú ò ǯ Ú Çǯ Ç ç ºÇ º Ǥ

ò ò ǯ ͕͔͜ ò çÇ ͔͘͘ ǡ º Ç ò Ç Ǥ ò Çǯ Ç ç ǡ ò Ç ò Ç ò ò ç Ç Ǥ ͕͝Ǥ ò Ç ç ò ò

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Ç ͔͘͘ Ç çÇ ͗ ǡ Ǥ ͙͛ Ç ò ÇçÇ ͚ Ç Ç Ç Ç Ǥ ͖͔͔ Ç ò Ç Ǥ ͖͔͕͖ Ç ç ǡ Ç ò ò ç ǯ Ç Ç ǡ

ç ͙͔ǯ ò Ç Ç Ç ǯ ò ò Ç ç Ǥ . Ç Ç ǡ ǯ Ç ç ÇçÇ Ç Ǥ ͖Ǥ͕͕͛ Ç ò çÇ ǯ Ú ò ò Ú Ç ǡ Ç Ç Ç Ç Ç Ǥ Ç Ç Ç ǯ ò Ú Ç Ç Ǥ ǯ Ú ò Çǡ ò ǯ Ç ò Ç òò ò ò Ú ò Ǥ G Ç Ç ͕Ǥ͘ ò ǡ º Ç Ç Ç Ç Ç ͕͔͜͝ǯ Ç Ç Ç Ç Ç Ç Ç Ǥ Ç Ç Ú ǡ Ú ò Ç Ç Ç Ǥ ǯ Ç Ç ç Ǥ Ç Ç Ç Çç ǯ ǡ Çǯ Ú Ç Ç Ç Ǥ ͕͕͚͗ ò Ç Ç Ǥ Ç Ç ǡ ͕͔͔ ò ǯ Ç ò òºò ò Ǥ ͙ Ç Ǥ

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a rhapsody... Bosphorus with all its magnificence. Aesthetic and design for new inspirations. Luxury, comfort and refinements to enjoy the pleasures of life completely. The best suite experience. Reward yourself with SwissĂ´tel Living... TĂźm gĂśrkemiyle BoÄ&#x;az. Ä°lham veren bir tasarÄąm ve estetik. YaĹ&#x;amÄąn tadÄąnÄą eksiksiz bir Ĺ&#x;ekilde Ă§Äąkarabilmeniz iĂ§in lĂźks, konfor ve incelik... Olabilecek en iyi sĂźit deneyimi. SwissĂ´tel Living ile kendinizi ĂśdĂźllendirin.

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Ç Ç Ǥ f çÇ ǡ ͖͔͜ Ç Ç ǡ ͖͜Ǧ͚͔ ; Ç º ç ǡ ò ÇçÇºÇ ͚ ǡ Ǧ ºÇ Ç ǡ ͖ Ç Ç Ç Ç ǡ º Ç Ǥ

SANA BERLIN HOTEL, Nürnberger Str. 33/34, 10777 Berlin, T +49 30 200 51 51 0, M info.berlin@sanahotels.com, www.sanahotels.com

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SANA RESIDENCES ย ย ย ย รฒย ย ย ย ย ย ย ย ย ย ย ย ย ย วก อ ย ร ย ย ร ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ร รงย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ยบร ย ย ย ย ย ย ย ย รงย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วค ย ย ย ย ย ย ย ย ย อ อ ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วค ย ย ย ย ย ย ย ย ย ยญย ย ย รงร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ร ย ร ย ย ย ย ย ย ย รงร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย วค รฒย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ร ย ย ย ย ย ย ย ย ย ย วก ย ย รงวก ย ย ย ย ย ย ย ย ร ย ย ย ย ยญ ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วค ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย รงย ย ย ย ย ย ย ย รงร ย ย ย ย ย ย ย ย ยบย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ยญย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ยบร ย ร ย ย ยบย ย ย ย ย ย ยญร ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย รฒย ย รฒย รฒ ย ย ย ย ย ย ย ย ย ย ย ย ย รงย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย รฒย ย ย ย ย ย ย ย ย ย รง ย ย ย ร ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ร ย วค

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161

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179

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hideawaybeachmaldives.com

Rediscover Paradise. Oct. 1 st, 2014

Hideaway Beach Resort & Spa Dhonakulhi Island Haa Alifu Atoll Maldives Tel: (+960) 650 1515 Fax: (+960) 650 1616 reservations@hideawaybeachmaldives.com www.hideawaybeachmaldives.com

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FASHION&TRAVEL MAGAZINE / SONBAHAR

TOMMY HILFIGER

STELLA MCCARTNEY

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FASHION&TRAVEL MAGAZINE / SONBAHAR

Ç Ç Ç ç Ç ò ò ç Ú º òçò ò Ǥ G Úº º º ǯ Ç Ǥ ò ò ò Ǥ º º ç Ǥ

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F&T ÇçÇ Ç Ç Ç Ç Ç Ç ǫ Çǡ Çǫ AG ç Ç Ç ç ò ò º çÇ Ç Ç Ç Ú òç ò ò Ǥ ò º ò º Ç ÇºÇ Ç Ú ò Ǥ Ç Ú Ú Ç Ç Ǥ Y Ç ǡ Ú Ç ǡ òçò ò ǡ Ú ǡ Ú º çÇ º òçò ò Ǥ ò ÇçÇ ò Ú òç ò ò ò ò ò ò Ú Ç Ǥ F&T ò ǯ ÇçÇ Ú ÇºÇ Ç Ç Çǫ AG Ç Ç ç Çç Ç Ǥ ç Ç Ç çÇ ç Ç Ǥ òçò Ú Ú ò ç Ǥ ͕͙ Ç Ç Ç Ú òçò Ç Ǧ º ç Ǥ ÇºÇ Ç Ú Çǡ ò º òçò ç Ǥ Ç Çç ÇºÇ Ç ç Ç Ç ò ç ç Ǥ G ò Ç Ú òç º Ç ºÇ ò º ç Ǥ º

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ò Ç Ç ÇçÇ Ç ç ç Ǥ Ç ò º ç Ǥ ç Ç ò Çǡ òçò Ç Ú ò ò Ǥ ò ç ÇºÇ Ç º Ç ò ç Ǥ ǯÇ Ç ò ǯ Ç Ç ÇºÇ Ç òçò ò Ǥ ò Ç Ç ǯ ÇºÇ Ú ò Ç Ç Ǥ ǯ º Ç Ú ǯ Ú Ǥ Ç Ç Ú ò

ǯ Ǥ G Ç º ǡ ò º º Ú ò çÇ Çç Ç Ç Ç Ç Ǥ ò Ç ǯ ç ǯ º òçò ò Ǥ Ç Çǯ Ç Ú Ç Ç ò Ç ç Ǥ F&T ͖͔͕͗ Ç Ç ǯ ÇçÇ ç ç Ǥ Ç ç Ç Ç ǫ AG ò ÇçÇ ç ǡ ͖͝ Ç Ǧ͖͙ º ͖͔͕͗ Ç ǡ ç Ç ǡ ǲ G ǳ ç ÇºÇ ǯ ç ç Ǥ Ç ǲ ò ç ǳ Ç Ç ǲ ǳǡ ǲG ǳǡ ǲ ò ò ǳ ǲ ǳ Ç ǲ ǳ Ç ç Çç ÇǤ G ǯ Ç Ú ç ç Çç Ç Ç Ç ò Çç º Ú ç Ǥ G º ÇºÇ ò º çÇ ƪ ǡ Ç Ç Ç Ç Ç çÇ Çǡ Ç ç Ú Çç ÇǤ ͙͙Ǥ ò ǯ ç ò ç Çç ç Ǥ F&T Ç ÇºÇ Ç ǫ AG G ǯ ò ç ÇºÇ ͖͔͔͚ Ç Ç Ç ç ò ÇºÇ ͕͗Ǥ G ǯ Ç Ç Ç Ǥ ͖͚ Ç ͖͔͕͗ Ǧ ͘ ͖͔͕͘ Ç Ç Ç ç ǯ ç Ǥ ͖͕ Ǧ ͕͜ Ç ǯ Ç Ç ǯ ç Ç Ǥ ǯ Ǥ ç ͘Ǧ͝ Ç ǯ ǯ ç Ǥ ç ÇçÇ ò º ç Ç Ç Ç Ç Ç Ǥ ǯ ǯ ç Ǥ Ç ǡ ǡ ǡ ǡ ǡ G Ǯ͕͘ Ç º ç Ç Ç Ç Ǥ

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f&t art interview

çÇ Ç Ç Ǥ ǡ ç çÇ Ç Ç ò º Ǥ º Ú òç ÇçÇ Ú Ú Ǥ ç ò ò ç Ǥ ÇçÇ Ç ç Ç Ǥ º ǡ ǯ Ç Ú º ç Ç Ç Ç Ǥ o º Ú ò Çç º Ç ç Ç ç Ú ò ò Ç ÇºÇ Ç òçò ò Ǥ

F&T ǯ Ç ǫ anla Ç Ç Ç Ç ǫ AG Ú ǯ Ǥ ͗ǯ ͔͚ Ç Ǧ ͔͗ Ç ͖͔͕͖ Ç ç º ǲ ò ç ǳ Ç ò ǡ ǯ Çç ÇǤ Ç ÇºÇ ò G ǯ G ǯ

Ú ç Ç Çç Ǥ ͜ Ç ͖͔͕͗ǯ ÇºÇ Ç Ú Ú Ç Ç Ç Ç Ç Çç Ǥ ͕͚͘͝ Ç Ç ǡ ǲ ǳ Ç ǯ ç ǡ Ç Ç ǡ ǡ ǡ ǡ

Ç çǤ ǯ Ç Ç ǡ ǡ ǡ ǯ Ǥ ͕͚͔͝ǯ Ç Ç ç ǡ ǡ ǡ ǡ ǡ ǡ ǡ ± Ú Ç Ç Ç ÇçǤ ò Ç Ç Ç Ç Ç ò Ç Ç Ǥ F&T Gç ǫ ÇçÇ Ç Ç Ç Ǥ ÇºÇ Ç Ç Ç Ç Ç ǫ AG ǡ Ç Ú Çç Ç Ǥ Ç Ç Ç ǡ Ç

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FASHION&TRAVEL MAGAZINE / SONBAHAR

F&T ò ç G ǫ AG ǲ ò ç G ǳ Ç ͖͔͔͙ Ç Ç ǡ ò ç ǡ Ç çǡ º Ç Çǡ ç ǡ ǡ ǡ Ú ç ǡ ç ÇºÇ Ç ͙͘ ǡ ò Ú ç Ç Ǥ Ç º ǲ ǳ Ú Ǥ ò ͕͔ ǡ Ç Ç º Ç Ç Ú ò Ǥ Ç Çç Ç Ǥ Ç ç Çç ǡ Çǡ ç Ç Ç Ǥ ò ç Ç Ç Ç Ç ç Ç Ú Çç Ç Ǥ ò ò Çç Ç Ú ò ò ò Ç Ç Ç Ǥ Ú ò ò Ç Ç Ú ò ò Ç Ç Ǥ F&T ÇçÇ ç º º Ç ǫ AG . º ç Ú ç ǡ ç çÇ Ç Ç ò Ç Ç Ǥ ± ç º Ç Ǥ F&T Y ò ò Ú ǫ AG ò Ç ǯ ç Ç Ç Ǥ Ç Ç ç ǡ G ǯ Ǥ f Ǥ

PLANLARINIZI G G G G G ǫ Ç Ç Ç ò º ǡ ò ͔͔͔͗ ͖ǯ ò ç ǯ ò Ç Ǥ Ç ç Ǥ ͖͔͕͙ǯ ç Ç Ç Ç Ǥ f ǡ ÇºÇ Ç ò ǯ ÇçÇ ç ò Ç Ç Ú ºÇ Ç Ǥ Ç ͖͔͕͙ Ç Ç ǯ ǯ ç ÇºÇ Ç ÇºÇ º ÇºÇ ò Ç Ǥ

Dining room. Living room. Bedroom. Legroom. Bir uçuŷ bu kadar kåsa sürebilir mi? Geleneksel ƨsviçre mutfaŝå, harika eŝlence sistemi ve tam bir yataŝa dönüŷen koltuklar ile SWISS Business Class uçuyorsanåz evet. ƨsviçre üzerinden yapabileceŝiniz çabuk ve kolay transferler ile 70 uçuŷ noktamåzdan birine keyiÐe seyahat edebilirsiniz. Ayråntålå bilgi ve rezervasyon için swiss.com’u ziyaret edebilir 0212 354 99 19’dan SWISS rezervasyon oÏsini veya acentenizi arayabilirsiniz.

Ödüllü SWISS Business : Tam yatar koltuklar

f&t music interview

%MINæ'~VENæ9AåLÏlAM aUKUROVAæ$EVLETæ3ENFONIæ/RKESTRASÏ²NÏNæ$AIMI æYURTæIlINDEæVEæDÏåÏNDAæPEKælOKæORKESTRANÏNæDAæMISAFIRæåEFIæOLANæ %MINæ'~VENæ9AåLÏlAMæILEæM~ZIKæ~ZERINEæKEYIFLIæBIRæSOHBETæGERlEKLEåTIRDIK æ Leyla Melek

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FASHION&TRAVEL MAGAZINE / SONBAHAR

FASHION&TRAVEL Bize biraz kendinizden bahseder misiniz? G o f . ÇǤ ǯ º Ǥ . º ǯ Ǥ G º ǡ ò º çÇ º ç Ǥ Ç ç ç Ç Ǥ Çǯ Ú ò ò ò ò Ç Ǥ º ç ƪ º Ǥ ò Ǯ ç ƪ º º ÇºÇ ǡ G ǯ Ǥ ǯ Ǥ Ç Ú ò ç ƪ º Ǥ F&T Ú ç ƪ º ǫ ç ƪ º ç º Ǥ ç Ç Ç Çǡ ǡ Ç Ç Ç ǡ ç ƪ º Ǥ çÇ Ç Ç Ǥ Ç Ú ǡ º Ú Ǥ G Ç ǡ Ç Ç ò º Ç Ǥ Gç ò ç ƪ º º òçò ò Ǥ F&T ÇçÇ ÇºÇ Ç ç ò Çǫ º Ç Ǥ ÇçÇ Ç Ǥ F&T . Ç ç Ǥ ǫ . Ç ͕͔͝͝ Ç Ç Ǥ Ç ǯ ç Ç Ǥ Ç ò ò Ç ò çÇ º ǡ Ǯ ò Ç G ǯ Ú Ǥ ǯ Ç ǯ Ǥ ͕͔͝͝ Ç Ç Ç ÇçÇ Ç Ç Ç Ǥ ò ǯ Ç Ç Ǥ Ç ǡ ǡ ò º ǤǤǤ Ç ǡ º ò ǯ Ç Ú Ǥ ÇǤ Ç Çǯ Ç ç Ç Ç º Ǥ

ǡ º Ç Ç ç Ǥ Ú º Ç Ç Ç Ç ç Ç Ǥ Ç ǡ ò ǡ ǫ ǫ G Ç Ç º ò ò Ǥ Ç Ç . º Ç ç ò òçò ò ò Ǥ Ç ò Ç ǡ Ç Çǯ Ç ç Y Ç Ç Ç Ç Ç Ǥ Ç Ǥ ͖͗ Ç ͖͔͕͘ǯ Ç Çǯ Ç ǯ G ǯ ǡ ç ǯ ç º Ǥ Ç Ç ç Ç Ç ǡ ò Ç Ǥ Ç Ú º Ǥ

. f G ; o . G ǫ ò ǯ ç ç º ǡ G ǡ ò ǡ ò ǡ Ç ǡ ǡ ǡ Ç Ç Ç Ǥ Çç Ç Ǥ

F&T Ç Ç º ǫ ǫ Ç º Ǥ ò ǯ ǡ ÇçÇ Ç Ç Ǥ G Ç ǡ ͖͔͕͚ Ç Ç ç ò Ç Ǥ ǡ ç o ǡ ò ç Ç Ç ò ǯ ò º ÇºÇ Çǯ Ç Ǥ . ò Ç Ǥ Ç Ǥ

F&T . Çǯ Ú ÇçÇ ÇçÇ Ç ç ƪ Ǥ Ú Ç Ç Ç Ç ǫ ò ǯ ò Ç ç ƪ F&T f ƪ º ǯ ò Ç Ç Ç Ç Ç Ç ǫ Ç Ǥ ç ÇºÇ Çǡ G Çǡ ǡ G G Ç ǡ ǡ ç Ç Ç Ǥ ÇçÇ Ç Ç Ǥ Ç G º ǥ Çç ò ò ò ò Ǥ Ç Ç Ç Ǥ fÚ ÇºÇ Ç Ç Ç ǡ ǡ G ǯ Ç º ç Ç ǡ ǡ ǡ ò ò Ǥ Çç Ç Ç ò ç Ç Ç Ç Ç Ǥ Ç Ç ǡ º ǤǤǤ G ǯ ò ç ƪ ç Ǥ G Ç ǡ ò ǯ Ç Ç Ǥ Ç çÇ ǡ ǡ ǡ Ç Ç ç ç ǡ ǤǤǤ Ç Ǥ Ç ç Ç Ç ç ƪ Ç Ú ǡ ò Ǯ ǯ F&T ò ÇçÇ ç Ç Ç Ǥ ò ò ç ǯ ǡ Ç Ç ǡ Çǫ BU SEZON 23 Çǯ ǡ ò º ǡ ǡ ò ç çÇ Çǡ Ú Ç Ç Ǥ Y ǡ ò ò ÇKASIM 2014’DE Ç Ǥ Ç Ǥ ç Ç Ç Ǥ ǡ HACI SABANCI’YI ǯ ǡ Ç Ǥ $10$ .216(5õo1õ F&T ò Ç ç ǫ Ç ǫ õ67$1%8/o'$ &(0$/ F&T ò ǯ ò Ç ç ò Ç Çǫ Ç Ú Ǩ ç 5(÷õ7 5(< .216(5 ç Ç ç Ç Ç Ç Ǥ ò ǯ ò ǡ 6$/218o1'$ ò ò ǡ ǡ ǡ ǡ Ç Ǥ ͖͔ Ç Çç Ǥ Ç *(5¢(./(÷7õ5(&(óõ= ǡ ç Ǥ ò ç º .216(5õ1 352*5$0,1, ÇºÇ ǡ Ç ǡ ò Ç ǡ ºÇ ò ǯ ò Ç ǡ ÷õ0'õ'(1 %85$'$ Ç Ç Ç Ǥ ǡ Ç ƪ Ǥ ǡ ç Ç Ú º Ǥ ò ǡ ǡ $¢,./$0$<$<,0 ÇǤ G ǡ ǡ ò ǯ Ç Ç õ67(56(1õ= 6·535õ=õ ò Ç Ǥ ǯ .$¢0$6,1 +(3 F&T Ç ç ò Ç Ç Ç Ç Ǥ %õ5/õ.7( =$0$1, ç Ǥ Ú ç Ǥ Ç Çǫ

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f&t technology

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1 Pal ǯ ò ǡ Ç Ç Ç ç Ç Ǥ

ò º Úº ǡ ÇºÇ Ç Çǡ ÇºÇ Ç Ç Ǥ

2 Calm ºÇ Ç Ç ç Ç Ç ǡ ç ò ç Ç ç Ç ç º Ç Ç ç Ǥ Ǩ Ú ò ǡ Ç Ç º ǣ Ǥ ò Ç Ǯ ͣ Ç ǯ ç Ç Ǥ

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FASHION&TRAVEL MAGAZINE / SONBAHAR

º Ç Ç Ç Ú Çº Ç Ǥ º Ç Ç ç ò Ç Ç ò ò Ç Ǥ ǡ Ǥ º Ç Ç ç Ǥ

4 ò ÇºÇ Ç Ç ÇºÇ Ç Ç Ǥ ò Ç Ǥ Ç Ç Ç ǡ Ç Ç Ç Ǥ Ç Ç Ç ò ò º Ǥ

ò òǤ çǤ Ǥ ºÇ Ç Ç Ç ÇºÇ Ç Ç Ç Ç Ǥ º ç Ç Ç ò òçò º òçò ò Ç ǡ º Ç Ç Ç ǲ ǳ Ç Ǥ ÇºÇ Ç Ç ÇºÇ Ç Ç Ç Ç Ǥ

6 ͜͞

Ç ǡ Ç ç Ǥ ǡ ͜͞ ò ò Çç Ç ǡ ò º ǡ ÇǤ Ç ǡ ȋÚ ǡ Ȍ Ǥ Ç Ç Ç ǡ ͜͞ º Ú ò Ǥ

Ç Çƪ Ç ÇºÇ Ç Ç ǡ Ç º º ǫ ͢͡ Ǥ ͝͡ǡ ͟͜ ͢͜ Ç Ç º ç ò Ǥ ǡ ÇºÇ Ç Ç Ú Ǥ

7 Ǩ

ò ò ƪ ç ƪ ç Ç Ç º Ç Ç Ǥ º ÇºÇ Ç ǡ ò ò ÇºÇ Ç ǡ Ç º Ç Ú ò ò Ǥ Ç º ç Ç Ç ǯ ç Ǥ

ǡ Ç Ç Ç Ǥ Ú Ç Çç Ç Ç Ç ç Ç º Ç Ç Ç Ç Ç Ǥ òçò Ç Ç Ǥ ǡ Úº Ǥ

ǡ ǲ ǳ ç ç Ǥ Ú ò ò Çƪ Ç Ç Ç ò ò Ǥ ò º º ƪ Ç Ç Ǯ ǯ Ç Ç Ǥ º Ç Ç Ç Ç ǲ ǳ Ú ò Ǥ

193

f&t trends

w w w. k k h o t e l s . c o m

K+K Hotel George LONDON

K+K Hotel Cayré PARIS

K+K Hotel Opera BUDAPEST

K+K Hotel Fenix PRAGUE

K+K Hotel Picasso BARCELONA

M chael Kors K+K Hotel Central PRAGUE

K+K Hotel am Harras MUNICH

K+K Hotel Elisabeta BUCHAREST

Ünlü Amer kalı tasarımcı, New York Moda Haftası’nda sunduğu kış koleks yonunda spor lüks tarzın en y örnekler n sundu.

K+K Restaurants SALZBURG

K+K Hotel Maria Theresia VIENNA

K+K Palais Hotel VIENNA

Welcome to the K+K Hotels. Elegant hotels in prime locations in Europe’s leading cities are the hallmark of our family run enterprise, and we are proud to offer a consistently high quality of service, with all the amenities to ensure our guests enjoy a relaxed and comfortable stay. Whether visiting for business or pleasure, we have sought to provide you with the latest services and facilities to make K+K Hotels an ideal and fondly remembered base for your city breaks and business trips.

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FASHION&TRAVEL MAGAZINE / SONBAHAR

L O N D O N PA R I S B A R C E L O N A M U N I C H S A L Z B U R G V I E N N A B U D A P E S T P R A G U E B U C H A R E S T

IN ENGLISH INTERVIEWS Q Karl Lagerfeld Q Anouska Hempel Q Barbara Bu Q Chr s P ne Q Jeremy Hackett TRAVEL Q Berl n: 25 Years After The Fall Of The Wall Q Safar : The Best Safar Hotels In Afr ca

f&t in english

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FASHION&TRAVEL MAGAZINE / SONBAHAR

KARL LAGERFELD “Perfume is Fashion for the Nose” He cannot smell perfume anymore, so he wears overdoses of it. He splashes it on… On his shirt, not on his skin. According to fashion guru Karl Lagerfeld, it is impolite not to smell nice…

FASHION&TRAVEL How do you feel launching new fragrances after so long? Especially a duo; how important was it to launch both at the same time? KARL LAGERFELD I love fragrances… For me it’s something very important. I did in the past and I’m happy to do it again in great conditions. I’m against too many at the same time, but one for men and one Ǣ ǯ ơ Ǥ ǯ for 6 months or a year to bring out another fragrance. The big mar ǯ Ǥ ǯ as women fragrances. The fragrance is the fragrance… The gender problem is something one can see later. F&T The advertising campaign is very sexy and sensual. How did this visual come to life? KL I wanted this photo to be sensual because in fact the fragrance should be something very sensual. You don’t use it only because you have a better smell. It’s because you want to smell beautiful. F&T What’s the connection between fashion and fragrance? The inspiration behind the new fragrances? KL Today fashion is not just clothes. It has to be everything. Not only handbags or sunglasses… And the perfume; it’s very important in the Ǥ Ǥ ǯ ǯ Ǥ F&T What was the inspiration behind the new bottles? KL At the same time they are both high-tech and classic. It’s a mix of

ǡ ǯ Ǥ high-tech touch and the very classical glass touch of the beautifuly shaped bottle. F&T What do fragrances represent for you, in your day to day life? KL I don’t even imagine that could be a daily life without all fragran ǡ ǯ Ǥ ǡ ǯ ǡ has to use a fragrance because it’s impolite not to have a beautiful smell. I love perfume, I love fragrances, I love them for women, I love ǡ ǡ Ǥ ǯ the fashion for the nose. F&T Do you have a fragrance ritual? KL ǯ Ǥ ǡ Ǥ ǯ ǡ Ǥ ǡ ǯ Ǩ ǡ on my shirt, on my sheets, on my towels, wherever... F&T On the skin? KL ǥ ǡ mostly on my shirt. F&T What scents do you like the most? KL I love Iris, I love touches of leather and fruit, and even tobacco. ǯ Ǥ ǯ

197

f&t in english

YOU DONâ&#x20AC;&#x2122;T USE Ăľ7 21/< %(&$86( <28 +$9( $ %(77(5 60(// ,7o6 %(&$86( <28 :$17 72 60(// %($87Ăľ)8/ Â&#x2013;Â&#x160;Â&#x192;Â&#x2013;ÇĄ Â&#x2122;Â&#x160;Â&#x192;Â&#x2013; Â&#x17D;Â&#x2039;Â?Â&#x2021;Ç¤ Â&#x17D;Â&#x2039;Â?Â&#x2021; Â&#x2013;Â&#x192;Â?Â&#x2030;Â&#x2021;Â&#x201D;Â&#x2039;Â?Â&#x2021; Â&#x192;Â&#x2022; Â&#x192; Â&#x2022;Â&#x2026;Â&#x2021;Â?Â&#x2013;ÇĄ Â&#x2013;Â&#x2018;Â&#x2018;Ç¤ Â&#x2020;Â&#x2018;Â?ÇŻÂ&#x2013; Â&#x17D;Â&#x2039;Â?Â&#x2021; Â&#x2013;Â&#x2018;Â&#x2018; Â?Â&#x2014;Â&#x2026;Â&#x160; Â&#x2122;Â&#x160;Â&#x2021;Â? Â&#x2039;Â&#x2013; Â&#x2022;Â?Â&#x2021;Â&#x17D;Â&#x17D;Â&#x2022; Â&#x17D;Â&#x2039;Â?Â&#x2021; Â&#x201D;Â&#x2018;Â&#x2022;Â&#x2021; Â&#x2018;Â&#x201D; Â&#x2022;Â&#x2018;Â?Â&#x2021;Â&#x2013;Â&#x160;Â&#x2039;Â?Â&#x2030; Â&#x17D;Â&#x2039;Â?Â&#x2021; Â&#x2013;Â&#x160;Â&#x2039;Â&#x2022;ÇĄ Â&#x2013;Â&#x160;Â&#x2021;Â&#x2022;Â&#x2021; Â&#x2DC;Â&#x2021;Â&#x201D;Â&#x203A; basic classic things. Thereâ&#x20AC;&#x2122;s Â&#x2021;Â?Â&#x2018;Â&#x2014;Â&#x2030;Â&#x160; Â&#x2019;Â&#x2021;Â&#x201D;Â&#x2C6;Â&#x2014;Â?Â&#x2021; Â&#x17D;Â&#x2039;Â?Â&#x2021; Â&#x2013;Â&#x160;Â&#x2039;Â&#x2022;ÇĄ Â&#x192;Â?Â&#x2020; Â&#x2013;Â&#x160;Â&#x192;Â&#x2013;ÇŻÂ&#x2022; Â?Â&#x2018;Â&#x2013; Â?Â&#x203A; Â&#x2013;Â&#x192;Â&#x2022;Â&#x2013;Â&#x2021;Ç¤ Â&#x17D;Â&#x2039;Â?Â&#x2021; Â&#x2013;Â&#x160;Â&#x2039;Â&#x2022; very modern approach to perfume, that is new and modern today. There are beautiful old classics Â&#x2018;Â&#x2C6; Â&#x2026;Â&#x2018;Â&#x2014;Â&#x201D;Â&#x2022;Â&#x2021; Â&#x201E;Â&#x2014;Â&#x2013; Â?Â&#x2018;Â&#x201E;Â&#x2018;Â&#x2020;Â&#x203A; Â&#x2039;Â&#x2022; Â&#x2122;Â&#x192;Â&#x2039;Â&#x2013;Â&#x2039;Â?Â&#x2030; Â&#x2C6;Â&#x2018;Â&#x201D; Â?Â&#x2021; Â&#x2013;Â&#x2018; Â?Â&#x192;Â?Â&#x2021; Â&#x192; Â&#x201E;Â&#x2021;Â&#x192;Â&#x2014;Â&#x2013;Â&#x2039;Â&#x2C6;Â&#x2014;Â&#x17D; Â&#x2018;Â&#x17D;Â&#x2020; Â&#x2026;Â&#x17D;Â&#x192;Â&#x2022;Â&#x2022;Â&#x2039;Â&#x2026;Ç¤

KL Ç˛ Â&#x160;Â&#x2021; Â&#x2022;Â?Â&#x2021;Â&#x17D;Â&#x17D; Â&#x2039;Â? Â&#x2013;Â&#x160;Â&#x2021; Â?Â&#x2039;Â?Â&#x2014;Â&#x2013;Â&#x2021;Çł Â&#x2022;Â&#x160;Â&#x2018;Â&#x2014;Â&#x17D;Â&#x2020; Â&#x201E;Â&#x2021; Â&#x160;Â&#x2021;Â&#x201D; Â&#x2022;Â&#x2039;Â&#x2030;Â?Â&#x192;Â&#x2013;Â&#x2014;Â&#x201D;Â&#x2021;Ç¤ Â&#x2013;Â&#x160;Â&#x2039;Â?Â? Â&#x2013;Â&#x160;Â&#x192;Â&#x2013;ÇŻÂ&#x2022; Â?Â&#x2018;Â&#x201D;Â&#x2021; Â&#x2039;Â?Â&#x2019;Â&#x2018;Â&#x201D;Â&#x2013;Â&#x192;Â?Â&#x2013;Ç¤ Â&#x160;Â&#x192;Â&#x2013;ÇŻÂ&#x2022; Â&#x2013;Â&#x160;Â&#x2021; Â&#x2022;Â&#x192;Â?Â&#x2021; Â&#x2019;Â&#x201D;Â&#x2018;Â&#x201E;Â&#x17D;Â&#x2021;Â? Â&#x2C6;Â&#x2018;Â&#x201D; Â?Â&#x2021;Â?ÇĄ Â&#x2020;Â&#x2018;Â?ÇŻÂ&#x2013; Â?Â?Â&#x2018;Â&#x2122; Â&#x2122;Â&#x160;Â&#x203A; Â&#x203A;Â&#x2018;Â&#x2014; Â&#x192;Â&#x2022;Â?Â&#x2021;Â&#x2020; Â&#x2013;Â&#x160;Â&#x192;Â&#x2013; Â&#x2022;Â&#x2021;Â&#x161;Â&#x2039;Â&#x2022;Â&#x2013; Â&#x201C;Â&#x2014;Â&#x2021;Â&#x2022;Â&#x2013;Â&#x2039;Â&#x2018;Â?Ç¤Ç¤Ç¤

F&T The best memories you have on a scent? KL The best memories I have on a scent, is the memories of my childÂ&#x160;Â&#x2018;Â&#x2018;Â&#x2020;ÇĄ Â&#x201E;Â&#x2014;Â&#x2013; Â&#x2013;Â&#x160;Â&#x2021;Â? Â&#x160;Â&#x192;Â&#x2DC;Â&#x2021; Â&#x2013;Â&#x2018; Â&#x2013;Â&#x192;Â&#x17D;Â? Â&#x192;Â&#x201E;Â&#x2018;Â&#x2014;Â&#x2013; Â&#x2018;Â&#x2013;Â&#x160;Â&#x2021;Â&#x201D; Â&#x201E;Â&#x201D;Â&#x192;Â?Â&#x2020;Â&#x2022;ÇĄ Â&#x192;Â?Â&#x2020; ÇŻÂ? Â?Â&#x2018;Â&#x2013; Â&#x192; Â&#x2019;Â&#x201D;Â&#x2018;moter of other brands.

F&T How did you choose the models for the fragrance campaign? KL Â&#x192;Â&#x2019;Â&#x2013;Â&#x2039;Â&#x2022;Â&#x2013;Â&#x2021; Â&#x192;Â?Â&#x2020; Â&#x192;Â&#x2013;Â&#x2039;Â&#x2021;ÇĽ Â&#x2021; Â?Â&#x2021;Â&#x2021;Â&#x2020;Â&#x2021;Â&#x2020; Â&#x192; Â&#x201E;Â&#x2018;Â&#x203A; Â&#x192;Â?Â&#x2020; Â&#x2122;Â&#x2021; Â?Â&#x2021;Â&#x2021;Â&#x2020;Â&#x2021;Â&#x2020; Â&#x192; Â&#x2030;Â&#x2039;Â&#x201D;Â&#x17D;Ç¤ Â&#x2013;Â&#x160;Â&#x2039;Â?Â? they are perfect for what I wanted to represent. He does the head Â&#x2C6;Â&#x2018;Â&#x201D; Â&#x192;Â&#x2030;Â&#x2021;Â&#x201D;Â&#x2C6;Â&#x2021;Â&#x17D;Â&#x2020;Ç˘ Â&#x2022;Â&#x160;Â&#x2021; Â&#x2122;Â&#x2039;Â&#x17D;Â&#x17D; Â&#x2020;Â&#x2018; Â&#x2013;Â&#x160;Â&#x2021; Â?Â&#x2021;Â&#x161;Â&#x2013; Â&#x2026;Â&#x192;Â?Â&#x2019;Â&#x192;Â&#x2039;Â&#x2030;Â?Ç¤ Â&#x2018; Â&#x2013;Â&#x160;Â&#x2039;Â?Â? Â&#x2013;Â&#x160;Â&#x2021;Â&#x203A; Â&#x2122;Â&#x2021;Â&#x201D;Â&#x2021; Â&#x2013;Â&#x160;Â&#x2021; perfect choices. There was no second option.

F&T Should every woman have a signature scent or should they mix it up?

F&T Can you define the Karl Lagerfeld brand? KL Yes I can. Finally with the most expensive clothes in the world, I

THE CHANEL SUPERMARKET Â&#x192;Â&#x201D;Â&#x17D; Â&#x192;Â&#x2030;Â&#x2021;Â&#x201D;Â&#x2C6;Â&#x2021;Â&#x17D;Â&#x2020; Â&#x2022;Â&#x192;Â&#x203A;Â&#x2022; Â&#x160;Â&#x2021; Â&#x192;Â&#x2039;Â?Â&#x2022; Â&#x2013;Â&#x2018; Â&#x2026;Â&#x201D;Â&#x2021;Â&#x192;Â&#x2013;Â&#x2021; Ç˛Â&#x192;ĆĄÂ&#x2018;Â&#x201D;Â&#x2020;Â&#x192;Â&#x201E;Â&#x17D;Â&#x2021; Â&#x2C6;Â&#x192;Â&#x2022;Â&#x160;Â&#x2039;Â&#x2018;Â?Çł Â&#x2122;Â&#x2039;Â&#x2013;Â&#x160; Â&#x160;Â&#x2039;Â&#x2022; Â&#x2018;Â&#x2122;Â? Â&#x2C6;Â&#x192;Â&#x2022;Â&#x160;Â&#x2039;Â&#x2018;Â? Â&#x201E;Â&#x201D;Â&#x192;Â?Â&#x2020; Â&#x2026;Â&#x192;Â&#x201D;Â&#x201D;Â&#x203A;Â&#x2039;Â?Â&#x2030; Â&#x160;Â&#x2039;Â&#x2022; Â&#x2018;Â&#x2122;Â? Â?Â&#x192;Â?Â&#x2021;Ç¤ Â&#x160;Â&#x2021; Â&#x160;Â&#x192;Â?Â&#x2021;Â&#x17D; Â&#x2022;Â&#x160;Â&#x2018;Â&#x2122; Â&#x2039;Â? Â&#x192;Â&#x201D;Â&#x2039;Â&#x2022; Â&#x192;Â&#x2022;Â&#x160;Â&#x2039;Â&#x2018;Â? Â&#x2021;Â&#x2021;Â? Â&#x2013;Â&#x160;Â&#x2039;Â&#x2022; Â&#x2022;Â&#x2021;Â&#x192;Â&#x2022;Â&#x2018;Â? Â&#x2122;Â&#x192;Â&#x2022; Â&#x2022;Â&#x2021;Â&#x2013; Â&#x2014;Â&#x2019; Â&#x2039;Â? Â&#x192; Â&#x2022;Â&#x2014;Â&#x2019;Â&#x2021;Â&#x201D;Â?Â&#x192;Â&#x201D;Â?Â&#x2021;Â&#x2013; Â&#x192;Â&#x2013;Â?Â&#x2018;Â&#x2022;Â&#x2019;Â&#x160;Â&#x2021;Â&#x201D;Â&#x2021;Ç¤ Â&#x160;Â&#x2039;Â&#x2022; Â&#x2122;Â&#x192;Â&#x2022; Â&#x192; Â&#x2022;Â&#x160;Â&#x2018;Â&#x2122; Â&#x2026;Â&#x201D;Â&#x2039;Â&#x2013;Â&#x2039;Â&#x2026;Â&#x2039;Â&#x2022;Â&#x2039;Â?Â&#x2030; Â&#x17D;Â&#x2014;Â&#x161;Â&#x2014;Â&#x201D;Â&#x203A; Â&#x2C6;Â&#x192;Â&#x2022;Â&#x160;Â&#x2039;Â&#x2018;Â?Ç¤

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ǯ Ǥ Ǥ ǯ Ǥ ǡ having a problem with the credit card.

Ǥ ǯ ǡ ǡ ǡ ǡ ǡ everybody… The basic is that today… A beautiful shirt, t-shirt, jean, ǯ ǡ ǯ Ǥ

F&T What are you constantly inspired by? KL You want me to remain pretentious? Myself. My, me, my taste and my way of seeing things.

F&T What KL fashion accessory finishes someone’s look? KL ǡ Ǥ ǡ ǥ They don’t have to be that expensive or high line. I’m very happy we ǡ ǡ ǡ Ǥ

F&T What’s the one clothing item every woman needs? KL ǯ ǣ ǡ

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ANOUSKA HEMPEL THE QUEEN OF DESIGN Anouska Hempel has a talent that one is born with, not learned. She decided she wanted to become a designer at the age of five. She mixes glamourous pieces with exotic treasures in rich materials and colors, influenced by the Far East. Through her company Anouska Hempel Design, she creates hotels, private homes, gardens, furniture, anything that pleases her. She is best known for her boutique hotels such as the Blakes Hotel in London and Amsterdam and The Hempel (her first minimalist experiment). She designed the Van Cleef and Arpels store in Paris and the concept for a flagship Louis Vuitton store, also in Paris. She is now redesigning parts of the Pera Palace Hotel Jumeirah in Istanbul. Leyla Melek

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FASHION&TRAVEL You have renovated the historical Pera Palace Hotel Jumeirah, in Istanbul. Can you tell us about the renovations? ANOUSKA HEMPEL It’s not finished yet. There is still more to do all over the place. We redesigned the lobby, the library and the Kubeli. But as I said it’s not finished at all, we have just finished the basic work. Now my duty is to make it as beautiful as it can be. F&T I have seen what you have done. It’s beautiful… AH No, it’s not finished yet. There is so much more I have to do. I will be back in 1 or 2 months to finish up. I still have to do the Agatha Christie Restaurant. You know she is one of the famous people who stayed at the hotel so one of the restaurants is named after her. I have a lot of fun ideas in mind for the restaurant. And I Ǥ Çǡ hotel and Pinar, the General Manager. I will also be bringing a lot of beautiful fabrics to the hotel, to make it look a little older. F&T The Pera Palace Hotel is now a member of the Jumeirah Hotels. This is not your first project for the group, is it? AH No, it is not. I have worked on another project with them: The Grosvenor House Apartments - they are beautiful apartments in Park Lane, London. We restructured the interior of the 120 apartments and 4 penthouses of this 1930 hotel. It looks like photographer Cecil Beaton’s works, a lot of grey on grey. The hotel is a real beauty. Working with the Jumeirah Group, the operators of the hotel, was a pleasure. They are wonderful people. F&T You have been coming to Istanbul for the Pera Palace project. Have you been to Turkey before? AH Of course I have. I love Turkey. I first came to Turkey with Princess Margaret, about 15 years ago. We had a great time. We were . º Simavi. All was so wonderful. F&T And your own boat is a Turkish Gulet… AH Yes, that’s correct. My husband and I bought our Turkish wooden sailboat, a Gulet, 12 years ago. We named her Beluga 1. The boat was built in Bodrum. She’s a real beauty. I redesigned her, now she looks more like a Riva, a wooden speedboat made in Italy. F&T It seems like you spent a lot of time in Turkey. The owner of Lokum, Zeynep Keyman once mentioned to me that you designed her house in Istanbul. Do you have any Turkish clients at the moment? AH No. I have no other clients in Turkey, just friends. The Pera Palace is the project I am working on in Turkey. F&T What are the projects you are working on now, other than the Pera Palace? AH I am everywhere, all around the world. We are working on hotel projects in Beirut, in Abu Dhabi, Dubai, Santiago and Singapore and another hotel we are designing for Baccarat in Morocco. I am also working on 3 houses and 2 beautiful gardens in England. F&T There is also Warapuru (minimal in style same as The Hempel), the hotel you are building in the rainforest in Itacare, Brazil… AH That is an ongoing project consisting of a hotel, villas and a spa. It will emerge majestically from the canopy of the rainforest with views across the ocean when it is finished. Quite impressive. The area

I RAN 3 HOTELS IN THE PAST; THE BLAKES, LA SUITE WEST AND THE HEMPEL… NOW I DESIGN HOTELS FOR OTHER PEOPLE. I DESIGN THE HOTEL AND THEN I GIVE IT TO THEM TO RUN IT.

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f&t in english has been declared a World Heritage Site so it is closed down for now, but we are restarting work. F&T ơ Ǣ ǡ ǡ dens, furniture, haute couture clothes… Don’t they require a separate expertise? AH If you can design one thing, then you can do other things, too. Building hotels takes 2 years. That’s a long time. Designing little things is a pleasure and it takes up much less of your time. F&T You have also designed haute couture clothes for many celebrities including Anya Hindmarch, Princess Diana, Helena Christensen, The Duchess of York and Princess Margaret. How was it to be a fashion designer? AH I really enjoyed designing clothes although now I don’t have the time. I am always travelling around the world for other projects. Well, you can’t do it all. But it was very fulfilling to create something wonderful for someone and see how happy you can make them. Someone would come to my studio not feeling good about herself, because of her weight or appearance in some other way, and a few weeks later, after I had made something beautiful for her, she would feel so much happier… It was a very special thing to be able to make people so happy. F&T How would you describe your design style? AH Eclectic. My work changes depending on who I work with. I try to do what my client wants and add a twist to it. When my work is finished, it usually says I’ve been here. Stylewise, it can be contemporary or classic. It doesn’t matter. F&T You have also designed some furniture that you sell on your web site. Did you design them for a project you were working on? AH All those products were designed for projects. They are small things, like chairs and lamps. They are quite “Japanesy” actually. They have that old Japanese look to them but they are contemporary and stylish. ơ Ǥ ǡ Ǥ am quite drawn to Japanese furniture. I am in one sense like the Japanese people; I am small like them. F&T You used to be a hotelier, too. You not only designed them but you managed them, too. Why did you stop doing this? AH I ran 3 hotels in the past; The Blakes, La Suite West and The Hempel… Now I design hotels for other people. I design the hotel and then I give it to them to run it. F&T There is a book about you that will be coming out this fall. Can you tell us about the book? AH The book is called Anouska Hempel. It will be coming out on October 15, this fall. It is being published by Thames § Hudson Publications. I didn’t write the book – it was done by Marcus Binney. If I had, I would have changed some of the pictures. But what can you do? F&T When I was researching for this interview, I read that you were born on a boat. Is it true? AH It was a boat travelling from New Guinea to New Zealand. That is true but you shouldn’t believe everything you read, you know.

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I AM EVERYWHERE, ALL AROUND THE WORLD. WE ARE WORKING ON HOTEL PROJECTS IN BEIRUT, IN ABU DHABI, DUBAI, SANTIAGO AND SINGAPORE AND ANOTHER HOTEL WE ARE DESIGNING FOR BACCARAT IN MOROCCO.

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BARBARA BUI

WHEN EAST MEETS WEST The famous fashion designer, tells us about herself and her 2014 fall collection. Leyla Melek

FASHION&TRAVEL You have a brand new shop in Istanbul. How did this happen? BARBARA BUI We were already distributed in Harvey Nichols and always had a special relationship with the Demsa Group. Quite naturally, we decided to carry on this successful partnership by opening a Barbara Bui boutique within the Macka Palas Hotel, in the most luxurious district of Istanbul. F&T What are your observations about the Turkish woman’s fashion sense? BB Turkish women have a strong fashion sense, both rock and feminine, which is very close to my stylistic approach.

THE BARBARA BUI ACCESSORY LINE WAS LAUNCHED IN 2000 AND IT MAINLY CONSISTS OF SHOES AND BAGS. THE SHOE LINE INCLUDES BOOTS, FLATS AND EASY-TO-WEAR OXFORDS, AS WELL AS ULTRA FEMININE SANDALS AND STILETTOS.

F&T Do you think there are many “Barbara Bui” women in Turkey, who will be buying your clothing? BB There is already a lot of turkish women who appreciate my designs, especially in Istanbul. F&T Who is the woman wearing Barbara Bui? BB I like to say that Barbara Bui’s woman is a sweet rebel, an independent woman with a strong character but also with a lot of emotion and sensitivity. F&T Which pieces from your collection are your favorites? Which do you think will be best-sellers? BB One of my favorite pieces of the fall collection is the perfecto jacket with removable collar which is perfect for an everyday outfit. It is always hard to predict what will be best-sellers but I would bet on the two-tone sleeveless satin and grain de poudre top because it is chic and modern. F&T You do not have a formal fashion education. What made you get into the fashion world? BB It is true, I have no formal education in fashion design as I studied English literature and drama. I have always been passionate for fashion and after several years of writing, I decided

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ONE OF MY FAVORITE PIECES OF THE FALL COLLECTION IS THE PERFECTO JACKET WITH REMOVABLE COLLAR WHICH IS PERFECT FOR AN EVERYDAY OUTFIT. IT IS ALWAYS HARD TO PREDICT WHAT WILL BE BEST-SELLERS BUT I WOULD BET ON THE TWO-TONE SLEEVELESS SATIN AND GRAIN DE POUDRE TOP BECAUSE IT IS CHIC AND MODERN.

that, instead of words, I would write with fashion.

F&T You started out with using a lot of leather and suede. Is leather still your favorite material? BB Yes, over the years, leather is a material that became the key element of my brandâ&#x20AC;&#x2122;s DNA. Â&#x2021;Â&#x192;Â&#x2013;Â&#x160;Â&#x2021;Â&#x201D; Â&#x2039;Â&#x2022; Â&#x2020;Â&#x2021;Â&#x2DC;Â&#x2021;Â&#x17D;Â&#x2018;Â&#x2019;Â&#x2021;Â&#x2020; Â&#x2018;Â? Â&#x2020;Â&#x2039;ĆĄÂ&#x2021;Â&#x201D;Â&#x2021;Â?Â&#x2013; Â&#x2022;Â&#x2014;Â&#x2019;Â&#x2019;Â&#x2018;Â&#x201D;Â&#x2013;Â&#x2022; Â&#x2022;Â&#x2014;Â&#x2026;Â&#x160; Â&#x192;Â&#x2022; Â&#x2021;Â&#x192;Â&#x2022;Â&#x203A;ÇŚÂ&#x2013;Â&#x2018;ÇŚÂ&#x2122;Â&#x2021;Â&#x192;Â&#x201D; biker jackets, leather slim trousers and remarkable fashion show pieces. F&T Your roots are both Western and Eastern. Do you think you incorporate the East and the West in your designs? BB Â&#x2021;Â&#x2022;ÇĄ Â?Â&#x203A; Â?Â&#x2039;Â&#x161;Â&#x2021;Â&#x2020; Â&#x160;Â&#x2021;Â&#x201D;Â&#x2039;Â&#x2013;Â&#x192;Â&#x2030;Â&#x2021; Â&#x192;Â?Â&#x2020; Â?Â&#x2014;Â&#x17D;Â&#x2013;Â&#x2039;Â&#x2026;Â&#x2014;Â&#x17D;Â&#x2013;Â&#x2014;Â&#x201D;Â&#x192;Â&#x17D;Â&#x2039;Â&#x2022;Â? Â&#x192;Â&#x201D;Â&#x2021; Â&#x2039;Â?ĆŞÂ&#x2014;Â&#x2021;Â?Â&#x2026;Â&#x2039;Â?Â&#x2030; Â?Â&#x203A; Â&#x2020;Â&#x2021;Â&#x2022;Â&#x2039;Â&#x2030;Â?Â&#x2022;ÇĄ Â&#x192;Â? Â&#x2DC;Â&#x2021;Â&#x201D;Â&#x203A; Â&#x2018;Â&#x2019;Â&#x2021;Â? Â&#x2013;Â&#x2018; Â&#x2020;Â&#x2039;ĆĄÂ&#x2021;Â&#x201D;Â&#x2021;Â?Â&#x2013; Â&#x2026;Â&#x2014;Â&#x17D;Â&#x2013;Â&#x2014;Â&#x201D;Â&#x2021;Â&#x2022; Â&#x192;Â?Â&#x2020; Â&#x2021;Â&#x2013;Â&#x160;Â?Â&#x2039;Â&#x2026; Â&#x2013;Â&#x2018;Â&#x2014;Â&#x2026;hes are recurrent in my collections, from winter to summer. Above all, I think my designs convey a vision of feminine and sophisticated seduction, which is always subtle and never ostentatious.

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WE WERE ALREADY DISTRIBUTED IN HARVEY NICHOLS AND ALWAYS HAD A SPECIAL RELATIONSHIP WITH THE DEMSA GROUP. QUITE NATURALLY, WE DECIDED TO CARRY ON THIS SUCCESSFUL PARTNERSHIP BY OPENING A BARBARA BUI BOUTIQUE WITHIN THE MACKA PALAS HOTEL, IN THE MOST LUXURIOUS DISTRICT OF ISTANBUL.

F&T How are your designs received in the far east? Do you have any shops there? BB There is no Barbara Bui boutique in the far east yet, but you ơ Ǧ shops. F&T Can you also tell us about your accessories collection? When did you launch it? What does the line include? And what can you tell us about the Barbara Bui fall 2014 accessories collection? BB The Barbara Bui accessory line was launched in 2000 and it mainly consists of shoes and bags. The shoe line includes boots, ƪ Ǧ Ǧ ǡ and stilettos. There is always a rock’n’roll touch with studs, leopard prints or python which is my favorite material when it comes to accessories. The bag collection is also in this spirit; a sporty chic touch with the “Air” side pack in python or a rock star touch with the “Madness” bag in suede ornemented with metal eyelets.

CAN YOU TELL US ABOUT YOUR FALL 2014 COLLECTION? I NOTICED A LOT OF WHITE IN THE COLLECTION.. My winter 2014 collection is a subtle combination of animal, organic and urban. Animal with the use of fine leathers and snakeskin marquetry, organic with the wild ecru shearlings and knits, and finally the fossil patternings that gives an urban touch to this collection.

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CHRIS PINE

Best Dressed, Best Looking and Now... Best Smelling Man On Earth! FASHION&TRAVEL You always prefer Giorgio Armani suits on the red carpet. Is there a reason why the Armani brand is so special for you? CHRIS PINE Mr Armani’s suits have a simple elegance. The cuts are traditional and the craftsmanship is incredible. Every detail has a story and the background of the brand reinforces these details. You feel that Armani never needs to follow seasonal trends because his vision is beyond all of it. You feel the sincere and modest confidence that this creates. I am sure his suits will be just as stylish 50 years from now as they are today. F&T What do you think are the codes of today’s man? CP The integrity of his soul and his generosity. Elegance is not only what you wear, it also has to do with where you position yourself in the world. If you are in the right place then you hold the codes of life in your hands. F&T What does attractiveness mean to you?

CP I feel this changes from person to person. It has to do with knowing what you wand and desire.. Attractiveness is not complicated for those who know what they want. It comes naturally. F&T What is the one thing that you would never do to seduce a woman? CP I would never try too hard to impress her. I think most women find this unattractive. I don’t feel like doing this anyway. I feel it is impor ƪ Ǥ F&T What do you find attractive and unattractive in women? CP Confidence and a sense of humor are definitely very attractive qualities in women, it’s really hard to top these. On the other hand, I find arrogance unbearable. F&T How do you define masculinity? CP I feel that masculinity is being comfortable with my feelings and thoughts, always standing by them and having no fear about expressing them. As simple as these may sound, they are the qualities that give a man the greatest strength. F&T What makes you feel masculine? CP There is this pair of boots that I have had almost all my life and that reminds me of my uncle. They have such a look that you imagine they have walked the dusty trails of Montana, walked through all kinds of hardship and been in all kinds of trouble and finally settled comfortably around the campfire at night. The iconic scent of Armani Code, also inspires similar feelings in me. It fully emphasizes masculinity in a very unique way. F&T What is a man’s most powerful weapon? CP This is a tough question. Intelligence, self awareness and I guess

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f&t in english the ability to laugh at oneself. If you are able to laugh at yourself, there is no hardship in life that you can not overcome. F&T What does elegance mean to you? CP Confidence, simplicity, mastery. Being appreciated by the masters with the work you do, and enriching your life with details. Your work should be elegant but at the same time must be simple. These will bring you the elegance you wish for. It is very important for a man to be elegant. Masculinity, Charisma… These are also important, but in the end it is the elegant man that steals a woman’s heart. F&T Can you tell us a little about the new Armani Code commercial? CP The new commercial turned out to be real special. Andrew and Darius reinterpreted their unique medieval sense and adapted it to modern times and the future. The architecture that looks like it sprang out of Bertolucci’s “The Conformist”, makes you fully feel this sense. The simple and clean lines of the garments designed by Mr. Armani are in great harmony with the big picture. When you watch the film you see the dominance and the effects of midnight blue. This adds a very suitable sense of mystery to the film. F&T Andrew Dominik is the director of the Armani Code commercial. Is there a special reason that you wanted to work with him? CP I have been admiring his work for a long time. What he and Jesse James have done together enchanted me and I have been after him ever since. He has a unique relationship with the camera, as if he has an invisible connection with it. He devinitely has great vision. He has an incredibly deep approach to every scene, and he achieves magnificent results with every little scene on screen with his unique interpretations. F&T In this commercial do we see Chris Pine as he is in everyday life or the Chris Pine that we watch on screen? CP As in every role, I think it contains aspects of both. When we got ƪ und and this one instantly captured our attention. A very stylish man leaves the hotel and that moment the real story begins between him and the most beautiful woman that he has ever seen. The camera captures every moment of the character and a magnificent story unfolds. Just as she feels she is out of his sight, he reappears. Brigitte Lacombre who did the portrait shoots also has a unique and quality style. She creates an athmosphere that makes you feel surprisingly at home and this is one of the most important things for an actor. F&T What is the most important thing you achieved through this commercial? CP The greatest part, undoubtedly, was that I had the chance to work with the most important people in the field. Think about it: I am wearing an Armani suit, I am being directed by Andrew Dominik, I am being filmed by Darius Khondji and talking to Brigitte Lacombre about photography. This was a dream job for me. F&T ơ ǫ CP Definitely the first scene, where we are exiting the hotel through Ǥ ơ for Andrew, because there was a specific moment that he wanted to capture, but it was a very fun scene for me. I’m talking about the first scene when our eyes meet with this stunning woman that I encounter. We can say it was a magical scene. These two people that see each other for the first time look into each other’s eyes for a brief moment, they are both aware that everything may end in seconds but they want to see each other again. I loved this concept instantly. I loved the feeling and the setup behind the scene. Moreover the architecture of the location and the depth that Andrew and Darius added

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to the scene are magnificent. F&T Among the Armani outfits that you used in the shoot, which ones did you want to keep and why? CP The tuxedo, the unbuttoned shirt and the untied bowtie are my favorites. The fabrics, the forms, the craftsmanship of detail and their uniqueness create a perfect look. Most importantly the fact that they

bring together a story makes the whole thing more precious.

I FEEL THAT MASCULINITY IS BEING COMFORTABLE WITH MY FEELINGS AND THOUGHTS, ALWAYS STANDING BY THEM AND HAVING NO FEAR ABOUT EXPRESSING THEM. AS SIMPLE AS THESE MAY SOUND, THEY ARE THE QUALITIES THAT GIVE A MAN THE GREATEST STRENGTH.

F&T Â&#x160;Â&#x192;Â&#x2013; Â&#x2039;Â&#x2022; Â&#x2013;Â&#x160;Â&#x2021; Â&#x2020;Â&#x2039;ĆĄÂ&#x2021;Â&#x201D;Â&#x2021;Â?Â&#x2026;Â&#x2021; between making a commercial for a perfume brand and making a movie? CP Â&#x160;Â&#x2021; Â?Â&#x2018;Â&#x2022;Â&#x2013; Â&#x2018;Â&#x201E;Â&#x2DC;Â&#x2039;Â&#x2018;Â&#x2014;Â&#x2022; Â&#x2020;Â&#x2039;ĆĄÂ&#x2021;Â&#x201D;Â&#x2021;Â?ce, of course, is the duration of the shoot. A feature film takes 1 to 6 months to shoot depending on the genre and the budget. We only had 2 days to shoot the Armani Code commercial, and because of this Andrew and his team came extremely organized and prepared. We shot the scenes they wanted to achieve in a very well planned manner. In a feature film you need to live inside the story in order to portray a character. F&T The commercial was shot in Los Angeles. Does shooting in LA Â&#x160;Â&#x2021;Â&#x17D;Â&#x2019; Â&#x203A;Â&#x2018;Â&#x2014; Â&#x2013;Â&#x2018; Â&#x2026;Â&#x201D;Â&#x2021;Â&#x192;Â&#x2013;Â&#x2021; Â&#x2020;Â&#x2039;ĆĄÂ&#x2021;Â&#x201D;Â&#x2021;Â?Â&#x2013; Â&#x2026;Â&#x160;Â&#x192;Â&#x201D;Â&#x192;Â&#x2026;Â&#x2013;Â&#x2021;Â&#x201D;Â&#x2022;ÇŤ CP Â&#x160;Â&#x192;Â&#x2013; Â&#x17D;Â&#x2018;Â&#x2DC;Â&#x2021; Â&#x192;Â&#x201E;Â&#x2018;Â&#x2014;Â&#x2013; Â&#x2013;Â&#x160;Â&#x2021; Â?Â&#x2018;Â&#x2022;Â&#x2013; Â&#x2039;Â&#x2022; Â&#x2013;Â&#x160;Â&#x2021; Â&#x2020;Â&#x2039;ĆĄÂ&#x2021;Â&#x201D;Â&#x2021;Â?Â&#x2013; Â&#x2026;Â&#x160;Â&#x192;Â&#x201D;Â&#x192;Â&#x2026;Â&#x2013;Â&#x2021;Â&#x201D;Â&#x2022; Â&#x2039;Â&#x2013; Â&#x192;Â&#x2026;Â&#x2026;Â&#x2018;-

modates and its diversity. We are talking about a city where many cultures live together in harmony. Aside from this it is a city that presents endless opportunities for a person to improve himself. You can see Â&#x2013;Â&#x160;Â&#x2021; Â&#x2021;ĆĄÂ&#x2021;Â&#x2026;Â&#x2013;Â&#x2022; Â&#x2018;Â&#x2C6; Â&#x2013;Â&#x160;Â&#x2021;Â&#x2022;Â&#x2021; Â&#x2039;Â? Â&#x2013;Â&#x160;Â&#x2021; Â&#x201D;mani Code commercial.

F&T What is your general view about perfume? Do you like to use it, do you change your scent often? Do you have a special way of putting on a scent? CP Just like clothing, scents also provide information about your personality. They have an important role in how you present yourself to the world. I am very sensitive about this subject, and when I have the Â&#x2026;Â&#x160;Â&#x192;Â?Â&#x2026;Â&#x2021; Â&#x2013;Â&#x2018; Â&#x2C6;Â&#x2039;Â?Â&#x2020; Â&#x192; Â&#x2022;Â&#x2026;Â&#x2021;Â?Â&#x2013; Â&#x2013;Â&#x160;Â&#x192;Â&#x2013; Â&#x201D;Â&#x2021;Â&#x192;Â&#x17D;Â&#x17D;Â&#x203A; Â&#x201D;Â&#x2021;ĆŞÂ&#x2021;Â&#x2026;Â&#x2013;Â&#x2022; Â?Â&#x203A; Â&#x2019;Â&#x2021;Â&#x201D;Â&#x2022;Â&#x2018;Â?Â&#x192;Â&#x17D;Â&#x2039;Â&#x2013;Â&#x203A;ÇĄ Â&#x2013;Â&#x201D;Â&#x203A; Â&#x2013;Â&#x2018; Â&#x2022;Â&#x2013;Â&#x2039;Â&#x2026;Â? with it. When it comes to perfume I believe less is more. You want it to be close to your skin, as if it were the natural scent of your skin, a part of it almost. A scent that complements your skin perfectly is like

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f&t in english a tailor made suit. F&T You are on the rise in the list of celebrities in Hollywood. For example you were chosen among the best dressed men by GQ magazine and you were named The Sexiest Man Alive by People Magazine. How do you adapt your rising fame to your daily life? CP I try to enjoy it as much as I can. More importantly I try to remind myself to appreciate the things that I have every chance I get. I have a great family and very precious friends. As long as I have these rocks to lean on I suppose I can always be happy. F&T With films like Jack Ryan: Shadow Recruit, Stretch, Into the Woods, Horrible Bosses, 2014 has been your year. Can you tell us a little about your future projects? CP I had a great year and I had the chance to work with the most talented people in the industry. Rob Marshall’s film “Into the Woods” will be released towards the end of this year. In this project I worked with Meryl Streep, Johnny Depp, Anna Kendrick, Emily Blunt, Tracy Ullman, James Cordon and many more incredibly powerful actors, and it was an amazing experience. In this movie I play a character that is dull in the beginning but develops into an important character as the plot unfolds. It is in a way a frog-prince story. Jack Ryan, directed by Kenneth Branagh was released in January of this year. There was a scene in which we appeared together in the movie. I also had the top moments of my career in this movie, such as kissinh Kera Knightley and fighting with Kevin Kostner. It was definitely a great time for me. We just finished shooting “Horrible Bosses 2” in which I worked with Jason Bateman, Jason Sudekis, Charlie Day, Jennifer Aniston, Jamie Foxx and Christophe Waltz. In February and March I had the chance to work with Ejiofor and Margot Robbie in “Z for Zachariah” directed by Craig Zobel. Finally “Stretch” which gave me the chance to be in the same profect with my good friend Joe Carnahan is one of the best comedies of this year. F&T Does being the new face of Armani bring any pressure along with it? CP I don’t feel any pressure. We worked very comfortably with the entire team; the director, the photographer, Giorgio Armani himself are all incredible people. They are a great team and they developed my role in the campaign very well. F&T How did you become an actor? Since you studied English, you probably didn’t plan on a career in acting... CP I didn’t plan on becoming an actor. Since I didn’t have my family around when I grew up, my career was nor a part of dinner conversation. I wanted to become an actor because my father was in this industry. I knew its ups and downs, so I can say that I had no romantic notions about the industry. I had my first acting experience in high school. Then I went to college and continued with acting. By the time I graduated I had realized that this was what wanted to do with my life. It sounds like it happened by chance but this is not the case. F&T When you were only 28, you became the youngest actor to play the lead role in Star Trek. Did this excite you? CP The auditions were terrible in the beginning, but after 6 months I was in the cast. Yes, I was very young at the time, but I had been a professional actor for five years. I was ver lucky to be chosen among many great actors. We all shared the same responsibilities and the same stress. F&T What are your favorite cities and travel destinations? CP There are many, but I love New York and Paris. I would love to see Istanbul. My choice of travel destinations depend on my mood. I love to escape to California. F&T Did you ever google your name?

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CP Of course I did. It was a terrifying experience. F&T Are we going to see you in commercials in the future? CP I can’t really say. But this kind of work gives you a taste of the short film genre, and this is why I enjoy it. I would love to work again with this incredibly talented group of people.

JUST LIKE CLOTHING, SCENTS ALSO PROVIDE INFORMATION ABOUT YOUR PERSONALITY. THEY HAVE AN IMPORTANT ROLE IN HOW YOU PRESENT YOURSELF TO THE WORLD. I AM VERY SENSITIVE ABOUT THIS SUBJECT, AND WHEN I HAVE THE CHANCE TO FIND A SCENT THAT REALLY REFLECTS MY PERSONALITY, I TRY TO STICK WITH IT. 213

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JEREMY HACKETT The founder of Hackett London, tells us about himself and his brand that has recently opened a store in Istanbul. Interview by Leyla Melek

FASHION&TRAVEL Your brand is Hackett London but you are actually from Bristol. When did you move to London? JEREMY HACKETT I came to London when I was 19. In the end, I realised I wasn’t really going to get anywhere working ina shop in Bristol and I was always going to London for the weekend. I didn’t have any serious ambitions, I just didn’t want to stay in Bristol, I wanted to go to London and have a bit of fun. F&T What was your first job in London? JH There was a group of shops called ‘The Village Gate’, really famous in the 70’s. They had shops all over London. I got an interview, in the Kings Road, and I was interviewed by Philip Start, he was the general manager at the time. I was earning £ 40 a week, I thought it was fantastic! I think I was earning £ 8 in Bristol, of course I came to London, in a bedsit which cost me £ 20 a week! ǡ ơǡ Ǥ

F&T When did you decide to have your own collection? JH When I was 16, I got a saturday job in a tailor’s shop in Bristol. I did that for about a year and then after failing all my exams at school, the tailor took me on full-time, so I fell into fashion really. Initaially I started to sell Second Hand Clothes. I used to go to the markets in London and buy things for myself and I’d buy a few things to sell onto friends. I started to sell to a guy in Paris who had a stall selling incredibly British clothes, anything British, ‘Style ǯ ơǤ ơ ǯ ơ and then I thought, why do that? Why not sell it ourselves? So, I opened a tiny little shop in the New Kings Road. The second hand business was fantastic, it was a great money spinner, but due ǡ ǯ ơ ǯ ơǤ ǡ some new clothes along the lines of the sort of demands people wanted. Thats how we started our first collection. F&T You started Hackett London in 1979. How has it evolved in the years? JH The company has grown bigger and better than I ever imagined it would. We are now a global brand trading in Europe, The Middle East and Asia. F&T Your designs are described as “classics”. Are you a classic man? What do you wear other than your own designs? JH Yes, I’m very classic in the way I dress. My wardrobe is all Hackett but I do wear bespoke hand made shoes.

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CAN YOU TELL US ABOUT YOUR FALL 2014 G ÇŤ Hackett London celebrates the age of stylish travel in Autumn/Winter. Picturing â&#x20AC;&#x2DC;The Leading Manâ&#x20AC;&#x2122; as global Â&#x2013;Â&#x201D;Â&#x192;Â&#x2DC;Â&#x2021;Â&#x17D;Â&#x17D;Â&#x2021;Â&#x201D;ÇĄ Â&#x2013;Â&#x160;Â&#x2021; Â&#x2026;Â&#x2018;Â&#x17D;Â&#x17D;Â&#x2021;Â&#x2026;Â&#x2013;Â&#x2039;Â&#x2018;Â? Â&#x2020;Â&#x201D;Â&#x2021;Â&#x2022;Â&#x2022;Â&#x2021;Â&#x2022; Â&#x2013;Â&#x160;Â&#x2021; Â&#x2020;Â&#x2039;ĆĄÂ&#x2021;Â&#x201D;Â&#x2021;Â?Â&#x2013; Â&#x2039;Â?Â&#x2026;Â&#x192;Â&#x201D;Â?Â&#x192;Â&#x2013;Â&#x2039;Â&#x2018;Â?Â&#x2022; and characters of â&#x20AC;&#x2DC;The Leading Manâ&#x20AC;&#x2122; on their travels around the globe, drawing heavily on the luxury Hackett Mayfair collection, including hooded shearlings, reversible padded suede jackets and luxury knits for Autumn/Winter 2014. CEO, Explorer, Travel Photographer and The Graduate; all of the facets of Hackettâ&#x20AC;&#x2122;s Leading Man are represented with transitional and functional pieces.

F&T Who are the best dressed men according to you? JH I often say David Hockney, because he doesnâ&#x20AC;&#x2122;t give a damn. He does, but looks like he doesnâ&#x20AC;&#x2122;t â&#x20AC;&#x201C; shambolic! We made ten Â&#x2019;Â&#x192;Â&#x2039;Â&#x201D;Â&#x2022; Â&#x2018;Â&#x2C6; Â&#x2026;Â&#x2018;Â&#x201D;Â&#x2020;Â&#x2014;Â&#x201D;Â&#x2018;Â&#x203A; Â&#x2022;Â&#x17D;Â&#x2039;Â&#x2019;Â&#x2019;Â&#x2021;Â&#x201D;Â&#x2022; Â&#x2C6;Â&#x2018;Â&#x201D; Â&#x160;Â&#x2039;Â? Â&#x2018;Â?Â&#x2026;Â&#x2021;ÇĄ Â&#x2039;Â? Â&#x2020;Â&#x2039;ĆĄÂ&#x2021;Â&#x201D;Â&#x2021;Â?Â&#x2013; Â&#x2026;Â&#x2018;Â&#x17D;Â&#x2018;Â&#x2014;Â&#x201D;Â&#x2022;Ç¤ F&T Who would you like to dress? JH I quite often say George Clooney because heâ&#x20AC;&#x2122;d look pretty good, I think. F&T What are the main trends/rules for menâ&#x20AC;&#x2122;s fashion in fall 2014? JH There are three main trends this season... Poet: A young poet, such as John Betjeman or Philip Larkin, is imagined on his travels around England writing about his romantic journey. The travel theme, be it by foot, bike, bus or motorbike, continues as we chart his exploration and discoveries. The university cities of Oxford and Cambridge provide plenty of inspiration in a collection rich in tweed yarns and autumnal coÂ&#x17D;Â&#x2018;Â&#x2014;Â&#x201D;Â&#x2022;Ç¤ Â&#x2013;Â&#x192;Â?Â&#x2020;Â&#x2018;Â&#x2014;Â&#x2013; Â&#x2019;Â&#x2039;Â&#x2021;Â&#x2026;Â&#x2021;Â&#x2022; Â&#x2039;Â?Â&#x2026;Â&#x17D;Â&#x2014;Â&#x2020;Â&#x2021; Â&#x2013;Â&#x160;Â&#x2021; Â&#x2026;Â&#x160;Â&#x2021;Â&#x2026;Â?ÇĄ Â&#x2013;Â&#x2122;Â&#x2021;Â&#x2021;Â&#x2020; Â&#x192;Â?Â&#x2020; Â&#x2022;Â&#x2018;Â&#x2C6;Â&#x2013; ĆŞÂ&#x192;Â?Â?Â&#x2021;Â&#x17D; trousers and cable sweaters. Â&#x2014;Â&#x2013;Â&#x2021;Â&#x201D;Â&#x2122;Â&#x2021;Â&#x192;Â&#x201D; Â&#x160;Â&#x2039;Â&#x2030;Â&#x160;Â&#x17D;Â&#x2039;Â&#x2030;Â&#x160;Â&#x2013;Â&#x2022; Â&#x2039;Â?Â&#x2026;Â&#x17D;Â&#x2014;Â&#x2020;Â&#x2021; Â&#x2020;Â&#x2014;ĆŤÂ&#x2021; Â&#x2026;Â&#x2018;Â&#x192;Â&#x2013;Â&#x2022;ÇĄ Â&#x2030;Â&#x2039;Â&#x17D;Â&#x2021;Â&#x2013;Â&#x2022; Â&#x192;Â?Â&#x2020; Â&#x201D;Â&#x2021;Â&#x2DC;Â&#x2021;Â&#x201D;Â&#x2022;Â&#x2039;Â&#x201E;Â&#x17D;Â&#x2021; nylon/tweed jackets. The sponsorship of the Oxford & Cambridge Boat Race, London Rowing Club, the continued collaboration with Cooper Bikes and winter and summer polo are all featured within this section of the Autumn/Winter 2014 collection. River Tweed: The River Tweed and its bountiful salmon fishing, running through the Borders of Scotland, provides the inspiration for a young manâ&#x20AC;&#x2122;s rite of passage where a father educates his son in Â&#x2013;Â&#x160;Â&#x2021; Â&#x192;Â&#x201D;Â&#x2013; Â&#x2018;Â&#x2C6; ĆŞÂ&#x203A;ÇŚÂ&#x2C6;Â&#x2039;Â&#x2022;Â&#x160;Â&#x2039;Â?Â&#x2030;Ç¤ Â&#x192;Â?Â&#x2039;Â?Â&#x2030; Â&#x2013;Â&#x160;Â&#x2021; Â&#x2018;Â&#x17D;Â&#x2020; Â?Â&#x2021;Â&#x2122;ÇŁ Â&#x2122;Â&#x192;Â&#x161;Â&#x2021;Â&#x2020; Â&#x152;Â&#x192;Â&#x2026;Â?Â&#x2021;Â&#x2013;Â&#x2022; Â&#x192;Â&#x201D;Â&#x2021; Â&#x2030;Â&#x2039;Â&#x2DC;Â&#x2021;Â?

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WHEN I WAS 16, I GOT A SATURDAY JOB IN A TAILORâ&#x20AC;&#x2122;S SHOP IN BRISTOL. I DID THAT FOR ABOUT A YEAR AND THEN AFTER FAILING ALL MY EXAMS AT SCHOOL, THE TAILOR TOOK ME ON FULL-TIME, SO I FELL INTO FASHION REALLY.

a more modern feel with nylon and exclusive Made-in-England tweeds and corduroys from Lovat and Robert Noble, in rich heather colours, are used throughout the collection. A tongue-incheek look at the traditional Hackett signature of Fair Isle knitwear is reinterpreted in printed and twisted yarns and neck-ties Â&#x192;Â&#x201D;Â&#x2021; Â&#x2020;Â&#x2021;Â&#x2026;Â&#x2018;Â&#x201D;Â&#x192;Â&#x2013;Â&#x2021;Â&#x2020; Â&#x2122;Â&#x2039;Â&#x2013;Â&#x160; Â&#x2C6;Â&#x2039;Â&#x2022;Â&#x160;Â&#x2039;Â?Â&#x2030; ĆŞÂ&#x203A; Â?Â&#x2018;Â&#x2013;Â&#x2039;Â&#x2C6;Â&#x2022;Ç¤ Â&#x2026;Â&#x2026;Â&#x2021;Â&#x2022;Â&#x2022;Â&#x2018;Â&#x201D;Â&#x2039;Â&#x2021;Â&#x2022; Â&#x2039;Â?Â&#x2026;Â&#x17D;Â&#x2014;Â&#x2020;Â&#x2021; Â&#x2022;Â&#x2026;Â&#x192;Â&#x201D;Â&#x2DC;Â&#x2021;Â&#x2022; Â&#x201E;Â&#x203A; Â&#x2018;Â&#x160;Â?Â&#x2022;Â&#x2013;Â&#x2018;Â?Â&#x2022; Â&#x2018;Â&#x2C6; Â&#x17D;Â&#x2030;Â&#x2039;Â?ÇĄ Â&#x2026;Â&#x2014;ĆĄÇŚÂ&#x17D;Â&#x2039;Â?Â?Â&#x2022; Â&#x2C6;Â&#x201D;Â&#x2018;Â? Â&#x2018;Â&#x203A;Â&#x2021;ÇĄ Â&#x2021;Â?Â?Â&#x2039;Â?Â&#x2030; ĆŹ Â&#x2019;Â&#x2021;Â?Â&#x2026;Â&#x2021;Â&#x201D;ÇĄ neck-ties by Stephen Walters & Sons and shoes by Sanders and Cheaney. Winter Harbour: â&#x20AC;&#x2DC;Winter Harbourâ&#x20AC;&#x2122; is a trip to the wilds of North East England. The dark brooding sky and grey choppy sea gives birth to a neutral collection of brown heather, cream Aran Â&#x192;Â?Â&#x2020; Â?Â&#x192;Â&#x2DC;Â&#x203A; Â&#x2014;Â&#x2021;Â&#x201D;Â?Â&#x2022;Â&#x2021;Â&#x203A;ÇŚÂ&#x2022;Â&#x2013;Â&#x203A;Â&#x17D;Â&#x2021; Â?Â?Â&#x2039;Â&#x2013;Â&#x2022;Ç¤ Â&#x17D;Â&#x2014;Â&#x201E; Â&#x203A;Â&#x192;Â&#x201D;Â?Â&#x2022;ÇĄ Â&#x2018;ĆĄÂ&#x2021;Â&#x201D; Â&#x17D;Â&#x192;Â&#x203A;Â&#x2021;Â&#x201D;Â&#x2039;Â?Â&#x2030; Â&#x2018;Â&#x2019;Â&#x2013;Â&#x2039;Â&#x2018;Â?Â&#x2022;ÇĄ and herringbone tweeds are mixed with intarsia chunky hand-knits and classic peacoats in this warming and timeless collection. F&T Can you tell us about your blog Mr Classic? How did you decide to do it? How often do you write for it? JH I necer had a desire to write a fashion column. I had lunch with Andrew Tuck, who is now at Monocle, and he said â&#x20AC;&#x153;Why donâ&#x20AC;&#x2122;t you write something for us?â&#x20AC;?, I said â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;d never written anything beforeâ&#x20AC;?. He said, â&#x20AC;&#x153;Write whatever you like, about 300 words.â&#x20AC;? So, I went home and over a few days I wrote 5 short stories and sent them into him. He said â&#x20AC;&#x153;Theyâ&#x20AC;&#x2122;re great, weâ&#x20AC;&#x2122;re going to print them all.â&#x20AC;? He gave me a double page spread in the magazine, and a month later he asked me if Iâ&#x20AC;&#x2122;d like to do a column called â&#x20AC;&#x2DC;Mr Classicâ&#x20AC;&#x2122; one week and some guy would do â&#x20AC;&#x2DC;Mr Coolâ&#x20AC;&#x2122; another week. I did that for about 3 years. Then my book Mr Classic was published and I created a blog to sit alongside it. Iâ&#x20AC;&#x2122;m afraid I donâ&#x20AC;&#x2122;t write as often as I should but I like to feature things that interest me. F&T They say that you answer every mail sent to you. Is that true? JH Yes I do. I enjoy talking to our customers all the time on line and in stores. F&T You also use twitter. So you are a â&#x20AC;&#x153;modernâ&#x20AC;? classic. Or is only your dressing style classic? Are you a modern man in otherways? JH No, not really.

HACKETT LONDON CELEBRATES THE AGE OF STYLISH TRAVEL IN AUTUMN/ WINTER.

F&T What are your future plans for your brand? You just entered the Turkish market. Are you growing internationally? JH Yes, we are continuosly expanding in Europe, the Middle East and Asia. F&T Do you think the Turkish men will appreciate the â&#x20AC;&#x153;classicâ&#x20AC;? style of your designs? JH Judging by the reception weâ&#x20AC;&#x2122;ve received in other European countries, it looks pretty positive. We get a number of Turkish men shopping in our stores in London and they really do seem to appreciate Hackett.

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BERLIN

25 Years Later

November 9 marks the 25th anniversary of the fall of the Berlin Wall. Berliners are expecting hundreds of thousands of visitors to their city this fall, due to this historic anniversary. 218

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OTHER EVENTS O “Mauer keine Dauer” (Wall with a Short Life) – artist Ben Wagin is

The 25th anniversary of the fall of the Berlin Wall is on November 9, 2014. This is a historic anniversary that once again puts Berlin in the international spotlight. The German capital is expecting hundreds of thousands of visitors from Germany and abroad to come this autumn. They will find Berlin to have become a cosmopolitan, creative city that has experienced an evolution in the past quarter century unlike almost anywhere else in the world. To mark the anniversary of the Fall of the Berlin Wall, the city will be hosting a series of special events and exhibitions. Themes include the division of the city, the Cold War and the events leading up to peaceful reunification in 1989. The highlight of the festivities on the anniversary weekend itself, is when a light installation made up of 8,000 helium-filled balloons will run for fifteen kilometres along the former course of the Wall. From the 7th to the 9th of November, this “light border” will make an impressive statement to Berliners and guests alike by reminding them once again of the serious impact the approximately three decades of division had on the city and it’s people. A 12 kilometer long human chain along the light border will be formed on the 9th of November, a symbolic installation created by thousands of people, Berliners and visitors together, to demonstrate the dimensions of the wall.

planning to reconstruct the Berlin Wall with file folders to mark the anniversary. Wagin seeks to point out that the Berlin Wall was once just a plan, a concept developed by bureaucrats (and stored in file folders). The finished project will be displayed in the Bundestag Library. It will also be on display at the European Commission headquarters in Brussels on November 11. O The Robert-Havemann-Gesellschaft, an organisation dedicated to preserving the history of East German resistance, will also be participating in the commemoration with its series “Room for Resistance: Peaceful Revolution”. Together with Berlin’s Zionskirche, the society invites guests to attend panel discussions, church services and exhibitions to be held on a regular basis from April to October this year. O The majority of the other activities and events will take place throughout autumn. In addition to the planned events and art projects, a series of new exhibitions will open in Berlin. On November 9, 2014, the permanent exhibition at the Berlin Wall Documentation Centre will reopen after a year’s renovation. A memorial service and opening ceremony will be held in the adjacent Chapel of Reconciliation. O The Spy Museum has opened this past summer. Rare exhibits will show the work of the intelligence agencies during the Cold War. In ǡ ơ ǲ ǳ Ǥ O Berlin visitors will also have the chance to gain some insight into the history of Berlin as a divided city and the significance of the Wall for the city’s residents. Events will include guided cycling tours along the Wall Trail, visits to the former watchtowers, the East Side Gallery and a tour of former East Berlin in a real East German Trabant car. O The Berliner Philharmoniker Orchestra will be giving a concert to mark the 25th anniversary of the fall of the Wall on November 9.

AUTUMN IN BERLIN As the season changes, Berlin changes its look, too, as the leaves on the city’s estimated 440,000 trees change colour to cranberry reds, pumpkin browns and honey yellows. The street cafes reposition their chairs to catch the waning rays of the sun while the green spaces in

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the city’s parks are covered with a carpet of the same red leaves that are dancing on the waters of the city’s canals and rivers. Apples and pears replace tomatoes and squash at the Winterfeld market while the Grunewald is full of aromas indicating mushroom-hunting season. All of these are signs that autumn has come to Germany’s capital and that it is the perfect time for a walk through the city. There is a lot to do in this season in Berlin. Three historical ensembles of Berlin are, according to the UNESCO, of extraordinary cultural importance and thus worthy of preservation. In the UNESCO World Heritage List were recorded the Museum Island, the landscape of palaces and gardens between Berlin and Potsdam, and six Berlin Modernist housing estates. They are examp ơ ǡ ƪ of their eras. The Museum Island in Berlin is the northern tip of the Spree Island - and it is also a magnificent work of art itself, involving five worldrenowned museums gathered in an extraordinary ensemble. Since 1999, the museum complex in the city centre of Berlin has been the only architectural and cultural ensemble that is considered part of UNESCO World Heritage. At the southern part of the island, near the Schlossbrücke bridge and the Berlin Cathedral, the Altes Museum (Old Museum) can be found, which is located nearby the Lustgarten. In the northern part, there is the New Museum as well as the Alte Nationalgalerie. On the Kupfergraben side of the island can be found the Pergamon Museum. And last but not least there is the Bode Museum. The Pergamon Museum has about one million visitors per year and thus is the most visited museum in Berlin. Since 2013, the Pergamon Museum has been undergoing renovations. During the current stage of renovations, the hall containing the Pergamon Altar will close at the end of September 2014 and will remain closed to the public for five years, due for reopening in 2019. The South Wing of the Pergamon Museum, featuring the Market Gate of Miletus, the Ishtar Gate and Processional Way from Babylon, and the Museum of Islamic Art, ơ Ǥ Apart from the museums, the gallery scene leads the way for contemporary art. Locations include the Halle am Wasser (close to the

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central train station), the City West in Charlottenburg, anywhere on and around Auguststrasse in Berlin’s Mitte district, or Potsdamer Strasse. While in Berlin, make sure to visit the capital city’s countless attractions: the planetarium, the aquarium and the wax work museum, amongst many others. It is guaranteed to be an unforgettable trip.

THE 25TH ANNIVERSARY OF THE FALL OF THE BERLIN WALL IS ON NOVEMBER 9, 2014. THIS IS A HISTORIC ANNIVERSARY THAT ONCE AGAIN PUTS BERLIN IN THE INTERNATIONAL SPOTLIGHT. THE GERMAN CAPITAL IS EXPECTING HUNDREDS OF THOUSANDS OF VISITORS FROM GERMANY AND ABROAD TO COME THIS AUTUMN. 221

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BEST AFRICAN SAFARI HOTELS Here are five of the best safari game reserves from different parts of Africa.

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Elephant Pepper Camp, Kenya Elephant Pepper Camp is an original safari camp situated in one of the world’s greatest wildlife reserves, the Maasai Mara. This fascinating eco-system is home to enormous herds of plains game, big cats and elephant as well as colorful birds, small game, riverine wildlife and stunning scenery. Located on the Koiyaki Community Group Ranch in the northern part of the Mara, this semi-permanent camp is nestled in the shade of a natural forest with all the comforts and none of the stress of the modern world. There are eight canvas tents with en-suite dressing rooms, ƪ Ǥ Ȁ ơ help-yourself bar. Activities include day and night game drives in 4-wheel drive Land Rovers, guided walks and bush picnics. The homely atmosphere of the camp is part of its ơ Ǥ

Delicious meals by the campfire or on a bush breakfast in the open plains are some of the lasting memories to take home. Sometime between July and October the Mara is host to the great wildebeest and zebra migration, when following the grazing, wildebeest and zebra converge on the lush Mara grasslands in their millions.... Guided walks, night game drives and bush breakfasts are just two of the surprises waiting for you!

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Lion Sands Game Reserve, South Africa Lion Sands is one of the private reserves within the greater Sabi Sand Game Reserve. Open borders with world-renowned Kruger National Park make it a prime wildlife viewing destination in an authentic wilderness ambiance. All of the Big Five and cheetah are present and sightings are common, including the normally secretive leopard. Lion Sands has been family owned and managed since the early 1930â&#x20AC;&#x2122;s. Two 5 star lodges display style and

Londolozi Game Reserve, South Africa A family-run private reserve set at the heart of the worldrenowned Sabi Sands, Londolozi Game Reserve is known for its exceptional Big 5 game viewing and is widely regarded

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sophistication while excellent food and service are part of the package. Â&#x2039;Â&#x2DC;Â&#x2021;Â&#x201D; Â&#x2018;Â&#x2020;Â&#x2030;Â&#x2021; Â&#x2018;ĆĄÂ&#x2021;Â&#x201D;Â&#x2022; Â&#x192; Â&#x2026;Â&#x2018;Â?Â&#x2DC;Â&#x2021;Â?Â&#x2013;Â&#x2039;Â&#x2018;Â?Â&#x192;Â&#x17D; bush experience while Ivory Lodge comprises of 6 ultra luxurious villas, awarded by Tatler magazine as Best Hotel in the World. Lion Sands owns a reasonable chunk of the Sabi Sands Â&#x2019;Â&#x201D;Â&#x2018;Â&#x2019;Â&#x2021;Â&#x201D;Â&#x2013;Â&#x203A; Â&#x192;Â?Â&#x2020; Â&#x2018;Â?Â&#x17D;Â&#x203A; Â&#x2018;ĆĄÂ&#x2021;Â&#x201D;Â&#x2022; Â&#x17D;Â&#x2039;Â?Â&#x2039;Â&#x2013;Â&#x2021;Â&#x2020; traversing rights, which prevents over-crowding at wildlife sightings. Â&#x2014;Â&#x192;Â&#x17D;Â&#x2039;Â&#x2013;Â&#x203A; Â&#x2030;Â&#x2014;Â&#x2039;Â&#x2020;Â&#x2021;Â&#x2022; Â&#x2018;ĆĄÂ&#x2021;Â&#x201D; Â&#x2DC;Â&#x192;Â&#x201D;Â&#x2039;Â&#x2021;Â&#x2020; Â&#x2122;Â&#x2039;Â&#x17D;Â&#x2020;Â&#x17D;Â&#x2039;Â&#x2C6;Â&#x2021; viewing activities, including night drives and walking safaris. Lion Sands is located in a less crowded part of Sabi Sands and the wildlife viewing here is excellent. All high profile safari animals are present and

Mombo and Little Mombo Camps ơ ǯ Delta. Mombo Island features two camps: Mombo Camp & Little Mombo Camp. Both ơ Ǧ ƪ Ǥ There are nine elegant safari suites at Mombo Camp and three at Little Mombo, which is next door. All game drives are on land; there are no canoe activities. There is ocassional rhino viewing in Botswana and legendary lion sightings at Mombo. You will love the remote African wilderness experience you will live here.

as the best place in Africa to see leopards. And as for accommodation, Londolozi was the first game reserve to become part of the elite Relais & Chateaux group- a testimony to its luxurious camps, fine cuisine and exceptional service. Over 85 years of Varty family history are tied to Londolozi and its legendary wildlife. Formerly a hunting concession for royalty and presidents, the owners underwent a fundamental shift of consciousness in the early 1970s. Renamed Londolozi, the Zulu word for ‘protector of all living things’, it became one of South Africa’s pioneering game reserves and through progressive conservation policies has placed itself firmly amongst the world’s leading safari destinations. But what really sets Londolozi apart from other top reserves within the Sabi Sands is the remarkable relationship it enjoys with leopards. Typically the most elusive of Africa’s large predators, leopards are more easily encountered at Londolozi than anywhere else on the continent. Guests staying at Londolozi have a choice of five exclusive camps spread out along the banks of the Sand River. The Private Granite Suites are the crème de la crème of the

Londolozi accommodation portfolio and can be hired on an exclusive-use basis; Pioneer Camp and the romantic Tree Camp are fantastic for couples and honeymooners while families should opt for the slightly larger Founders Camp or Varty Camp – Londolozi’s original accommodation.

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