Fashion and Travel İlkbahar 2014

Page 1

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WITH ENGLISH SUMMARY










f&t table of contents

รง ndek ler 14

Editรถrden Mektup

76

16

ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย

83

18

Kapak Hikayesi

ย ย ย ย ย ย ย ย ย ย วฃ อ อ อ อ Gย ย ย ย ย ย ย วฆ ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย Gย ย ย ย ย ย ย ย ย ย Gย ย ย ย ย ยบย ย ย ย ย ย รงย ย

20

Ajanda

100 ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร วก

26

ย ย ย ย ย ย ย ย ย ย ย

56

ร ย ย ย ย ย ย วฃ ย ย ย ย ย ย ย ร ย ย ร ย ร ย ย ย ย ย ย ย ย ย ย ย ย อ อ ย ย ย

ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย

128

ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร

132

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58

ร ย ย ย ย ย ย วฃ ย ย ย ย ย ย ย ย ย ย ย

ร ย ย ย ย ย ย วฃ ย ย ย ย ย ย ย ย ย ย

140 ย ย ย ย ย ย ย ย ย ย ย 64

ร ย ย ย ย ย ย วฃ ย ย ย ย ย ย ย ย ย

146 70 10

ร ย ย ย ย ย ย วฃ ย ย ย ย ย ย ย ย ย ย ย ย

FASHION&TRAVEL MAGAZINE / ฤฐLKBAHAR

ร ย ย ย ย ย ย วฃ ย ย ย ย ย รฒย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย



f&t table of contents

150 Ú ǣ o ò Dz dz 152

ò ǣ Ç

160 ǣ ͖͔͕͘ Ç Ç Ç ò

Ç

170

ǣ G ǯ Ú f

176 ǣ Ç 180 ǣ ò ǯ ò

Y

184 Ú ǣ . ­ 190 ǣ Ç Ç Ç

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FASHION&TRAVEL MAGAZINE / İLKBAHAR

o ò

FASHION&TRAVEL IN ENGLISH 195-226



f&t editor’s letter

ed törden İlkbahar 2014

ǡ Ç ò º ­ Ç Ç º ÇǤ o ò Ç Ç Ç Ç ǯ Ǧ Ç Ç Ç ­Ç ǡ ç Ç Ç º Ǥ Dz ǯ ò Çǣ Ç Ç dz Ç Ç çÇ ­ ò ǯ Ǥ ͕͔͛͝ǯ Ç ò ò ò ǡ ò ò ç Ç Ç Ç Ç Dz dz ò ­ Ç Ç Ç ͕͔͘ Ç Ç Ç Ú º ǡ ò Ç ­ ç Ǥ Ú ò ò ǥ G ǯ òç ǯ Ǥ º Ç Ú Ǥ Ç Ç Ç ǯ ǯ Dz dz º ò Ç ÇǤ ò ǯ ǯ Dz dz ç Ú Ǥ ò Ç ç ǡ Ç Ǥ ç ç ò ò Ç G Ǧ ǯ Dz dz Ç Ú ò ò ò ͕͔ Ǥ G Ǧ º ­ º ç Ç Ú ò ò Dz dzÇ Ç ͖͔͛ ç Ç ­ Ç ò ò Ƭ ò ǯ ͖͕ Ǥ ǯ Ú Ç G ǯ Ú ò ò ­Ç DzG dz Dz dzǡ Dz dz dz ò­ ǡ Ǥ ǡ Dz dz Ú ò ò ­ ò Ú Ç Ǥ Ç Çç Ç Ç Ç Ç º Ç Ç Ç Ǧ Ç Ç Ç Ç Ç Ç ç Ǥ òçò Ǣ ­ ò ǡ ­Ú Ǥ Gç Dz dz Ǥ Ç Ç Ç ­ Ç Ǥ ò ǯ ­ Çç Ç ­ º Ç º ǥ

A

Jean Paul Gaultier

Alexander McQueen

Jean Paul Gaultier

Punk Fashion

Dice Kayek

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FASHION&TRAVEL MAGAZINE / İLKBAHAR



f&t masthead

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İrem Özer

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FASHION&TRAVEL MAGAZINE / İLKBAHAR



f&t cover story

Kapak Hikayesi อ อ อ อ G วฒ f G วณ รฒย ย ย ยญย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วก อ อ อ อ ย ร ย ร ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ยญร ย ย ย ย ร วค ย ย ย ย ย ย ย ย ย ย ย ย ย ย รฒย ย ย ย ร ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย รฒย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย รงย ย ย ร ย ย ย ย วค ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ยญย ย ย ย ย ย ย ย ย วก ย รฒย ย ย ย ย ย ย ย ยญย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย รงย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ร วก ย ย ย รฒย ย ย ย ย ย ย ย ยญร ย ย ย ร วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย รงย ย ย ย ย ย ย ย ย ย ยบย ย ย ย ย ย ย วฆย ย ย ย ย ย ย ย ย ย รงย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ยบย อ อ อ อ ย ร ย ร ย ร ย ย ย ย ย ย ย ย วก ร รงร ย ย ร ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ยญร ย ย ย ย ร วค ย รงย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย รงย ย ฬบ อ อ วฆอ อ อ อ ร รงร ย ย ร ย ร ย ย ย ย ย ย ย ย ย ย วก ร ย ย รฒย ย ย ย ย ย ย ร ย ร ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วค ย ย ย ย ย รฒย รฒย รฒ ย ย ย รงย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ร ย ย ย ร วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย รงร ย ย รฒย ย ย อ อ ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ร วค Gย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ยญย ย ย ย ย ย ย ยญย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ร ย ย ย ย ยบย ย วค ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ยบย ย ย ย ย ย ย ย ย ย ย ย ร รง ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ร ยบร ย ร ย ย ย ย ย ย ย ย ย ย ย ย ยญย ย ย ร ย ย ย ย ยบย ย วค ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วก รงย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย รฒย ย ย ย ร ย ร ย ย ย ย ย ยญย ย ย ย ย ย ย ย รงย ย ย ร ยบร ย ร ย ร ย ย ย ย ย ย ย ย ย ย ย ย วค ย ย ย ย ย วก ย ย ย ย ย ย วก วก ย ย ย ย ย ย ย วค ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย วก ย ย ย ย วก ย ย ย ย ย ย วก ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย วก ย ย ย ย ย ย ย อ วก ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ยญย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย วค ย ย ย ย ย ย ย ย ย ร ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย รงร ย ร ย ย ยญร ย ย ร รงย ร วค ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร รงย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ยญย ย ย ย ย ย ย ย ย ย ย ยญย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ร ย ย ย ย ร ย ย ย ย ยบย ย วค ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย รฒย ย ย ย ย ย ย ย ย ย ย ย ยบย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วค ร ย ย ร ย ร ย ย ย ร ย ร ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย รงย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ยฑวก ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วค

วก วก วก วก วก วก วก วก วก วก วก วก วก วก

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FASHION&TRAVEL MAGAZINE / ฤฐLKBAHAR



AJANDA mart

f&t agenda FOTOĞRAF

Funda Şahinbaş Hoşkal

º ­Ç ǯ ǡ ­ º ò ò Ç Ç º ƪ Ç ç Dz dz Ç ͤ ǯ ǯ Ú ò Ǥ

SİNEMA

fundasahinbas@gmail.com

G G Ç ǡ ç Ç Ç º ç Ú º ò ò Ç Ǥ Ú ǡ Ç Ç Ç Ǥ ǡ ǡ Ç Ǥ

º Ç ͟͝ Ç Ç Ç ç Ç Dz º Ç dzǡ Ú Y ǯ ͜͝Ǥ Ǥ Ç Ç Ç ÇºÇ Dz ò ò dzÇ ­ Ç Ç Y ǯ Ǥ ­ ò Ç ǡ Ç Ç ç çÇ ǡ ­ G ǯ Ç ò ç ­ ç Ǥ

º Ç ǯ ͝ Ǧ͞͡ Ç Ç Dz ±dz Ç º Ǥ ͥͤ͝͝ǯ ò ò ò Ç ± ǯÇ ç ­ ǡ ǡ ͤ͜ ò ò º ­Ç Ç ǡ ͜͝͡ Ǥ

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FASHION&TRAVEL MAGAZINE / İLKBAHAR

G ǡ Dz dz Dz dz ò ò òºò Ç Ç DzG dz ȋ Ȍ Ǥ Ç ǯ ǡ ç º ͜͡ çÇ Ç ǡ Ú ò Ç Ǥ


MODA SERGİSİ

SERGİ

Ú ǡ ò ǯ ç ǡ Dz ͝dz ǡ ò ò º ǡ ǡ Ç Ç Ǥ Ç ͜͞ Ǧ͢͞ ǯ Ǥ

Dz ǡ dz Ç ǯ ç ǯ Çç ç Ç Ç ÇǤ ǯ ò Ç ç Ç Ç ­ ­ Ç Ç Ç Ç Ǥ

ǯ Ç Dz dz Ç ͝ ǯ Ç Ç Ǥ ͜͠Ǥ Ç Ç Ç ǯ ò ò Ç Çǡ ò ò º ­Ç ÇºÇ ­ Çç Ǥ

MODA HAFTASI

KİTAP Y Çǯ Ç Ç Ç

MÜCEVHER

ç Ç Ç Çǯ Ç ç Y Ç Ç Ç Ç ÇºÇ Dz Ç Ç ǫdz Ç Ç ͜͞ ǯ ç Ǥ ǡ Ç ǯ ò ò ǡ ò º Ç Ç Ç Çǡ ǡ Ç Çǡ ­ Ç Ç Ç Ç Ǥ ­

ò fÚ ǣ Ƭ ǯ Ƭ º Çǡ Çǡ Ç Ç ç­ º º º ºÇ Ç Ǥ ͜͝͡ ÇºÇ ǡ ͥ͜͢͝ Ç Ç Ø ǯ º Ç ÇçÇ Ǩ Ǥ ­Ç Ç Ǩ

G Ȁ Çç ͜͞͝͠Ǧ͜͞͝͡ Ç Ç ºÇ Ǧ G ͜͝Ǧ͝͠ Ç Ú ͟ǯ ­ ç Ǥ ç ò ò Ú ò ò Ǥ

21


f&t agenda

SİNEMA

AJANDA n san FOTOĞRAF

ͤ͜ǯ ͥ͜ǯ Ç Ç ­ ç ò ­ º ƪ Ç Ç Ç ǡ Ú Ç çÇ Ç ò ǡ ͜͞Ǥ ò Ç Ç Ú º ­Ç Ç Ç ǯ ͜͞​͜ ò ǯ ͤ Ú ò Ǥ

f G G Dz ǯ dz ç Dz dz ǡ ͜͠ çÇ Ç Ç ò çǡ çÇ ç Ǥ o­ Dz ç dz ȋ Ȍ Ú ± ç ǡ ± Ç Ǥ

ǯ o ò

G

DÜNYADAN SERGİ

ǡ Ú Ç Ç Ç Ú Ç ǯ ç ç ò ò ç Ú Ç Ç Ç Ç Ǥ Ú ç ò ò ÇçÇ ÇºÇ Ç Ǥ ǡ ç Ǥ

º ­Ç ÇºÇ Ç ǡ

ǯ Dz ǯ dz Ç ͜͞͡ǯ º Ç Ç Ç Ç ç Ǥ ǯ Ç ÇçÇ ò ò º ƪ Ç ͝ ǯ Ú ò Ǥ

G f ç Ç Ǥ Ç ÇǦ çÇ çÇ Ç ­ Dz Ç dz ç Ǥ Ú Ǥ G Ç ò Ǧ ç Ç Çç Ǥ ǯ Ç Ç ǡ À Ç Ǥ

22

FASHION&TRAVEL MAGAZINE / İLKBAHAR

ò ò ò ò ò ò ò ò º ç Ç ÇºÇ Dz dz Ç ǡ Ú ǡ ç ­Ç Ç ­ Ç Ǥ ͜͝​͜ǯ º ͟͝ Ú ò Ǥ


MODA SERGİSİ

KONSER

ǯÇ G Ç Ç Ç ò Ç Ç Ç Ç Ç ǯÇ Ç Ç Ç ò Çǡ Çǡ Ç Ç Dz ǡ

dz Ç ǡ ͝ Ǧ͟͝ º Ç ± ò ǯ Ú ò Ǥ

G ǯ Ç Ç Ç G ǯ Ç Ç Ç Ç çÇ ǡ ­ ǯ Ǥ ò ò Ç º ǡ ͡ ò ÇçÇ Ǥ ͟͜ ͟͝ Ç ºÇ ­Ç ò ǡ ò ò ò òǢ ç Ç Çǡ Ú ǡ ç Ç Ç Ǥ ͟ ǯ ǯ Ǩ

Dz ǣ dz Ç ǡ ǯ ͥ Ǧͣ͝ º Ç ǯ Ǥ ǡ ǯ ͜͝͠ Ç Ç Ç Ç Ç Ú Ú ò Ǥ

G ǯ ò ǯ º Ç Ǥ Ó ò Ú òºò ǡ ­Ç Ç ç Ç Ǥ Ç ò ǯ ò ǡ ͥ͟͝͞ ͥͥ͢͝ Ç Ç Ç ­Ç Ç ÇºÇ Ç Ç º Ú Ǥ ­Ç Ç ­ º ç ç Ǥ

HEYKEL

SERGİ

Ç

G Ç Ç

Ç Dz Ç dz Ç ǯ ͥ͝​ͥ​ͥ Ç Ç ò º ͟͜ǯ Ç Ç Ǥ ͣ͞ ǯ G ǯ Ú ò Ǥ

ǯ Ƭ ò ͡ Ǧͣ͞ Ç G Ç ÇçÇ Dzͣ͜

dz Ç º Ǥ G Ç Ç ç Ƭ ǡ ǡ ǡ ò ò G Ç Ç ͜͝​͜ Ç Ç Ǥ

23


f&t agenda SİNEMA

AJANDA mayıs Y Ç º º Ç ǡ ç ÇºÇ ò Ç ­ º ç ò­ ­ º Ǥ o­ò ò ç ç òç ǡ Ç Ç ÇçÇ Ç Ç ç Ç Ǥ ǡ ǡ Ǧ ç Ǩ

Ç Ú òç Ç ­ Ç ç ò Ç Ç ò Ç Ú º º ò ò Ú ò Ǥ ǯ Ú òç Ç Ç º Ç Ç ò­ò ç Ç Çç Ç Ǥ ǡ ­ ­ º ­Ç Ǥ ç ǡ Ç ­ º Ç Ç ç Ú ò ò Ç Ǥ

KİTAP

ò ò ò ò ͤ Ç Ǧ͜͝ º Ç Ç Ç Ç Dz ǣ dz ­ ­ Ǥ ò ò Ç Ç ͜͝​͜ǯ Ç Ç Ç Ǥ ò ò ò Ç Ç Ç Ú Ç ç ǡ º ǡ ǡ ç Ç Ǥ

Ç Ç Ç ò Ç Ǯ ǡ dz Ç Ç ǡ Ç Ç Ǥ Ç Ç Ç Ç ºÇ ǯ Ç Ç ­ Ç Ǥ Ç Ç Ç Ç çÇ ǡ ǡ ò ò Ç Ç Ǥ

24

FASHION&TRAVEL MAGAZINE / İLKBAHAR

º ò­ò ç Ç Ç ǡ Ç Ç ç Çç Ç ç º Ç Ç Ǥ Dz dz Ç ǡ ç Çç ç ò Ú ò ò Ç Ǥ

MODA SERGİSİ

Ƭ ò ò Ç º Ç Ǥ ͟ Ç ǯ ­Ç ͝͡ ͜͞͝͡ ò Dz ͣ͝​ͣ͡Ǧ͜͞͝͠dz Ç ­ ò ò ͤ͜ǯ Ç Ç ç Ǥ ǡ ç Ú ò ò ǡ ­ ǡ Ú Ç Ǥ


DÜNYADAN SERGİ

KONSER

G ͥ͜͝͞ǯ Ǣ ǡ ç ǡ Ç Çǡ ǡ Ú Ǧ Ç Ç ò ò ò ­ Ç Ç Ǥ ǡ ǡ Ç Ç ǡ Ç Ç ò º Ç Ç ­Ç Ç Ç Dz ǯ dz Ç ÇçÇ Ǥ ò ǯ ­Ç Ç ­ Ç ͠ Ǧͤ͝ Ç Ç Ç Ç Ǥ

ò ǯ Dz ǣ dz Ç ǯ ǡ º ­Ç Ǻ Çç ÇºÇ Ç Ç Ǥ o ò Ç Ç Ç Dz dz Ç Ç Ç ç Ç Ç ͡ f Ǧ͝​͝ Ç Ç Ǥ

Ǩ Dz ò dz Ç ͢͞ Ç ò ǯ Ç Ç G ǡ G o ǯ ­ ç Ǥ ò Y ò ÇºÇ ͟ Ú ò Ú ǡ Ç Ç Ç Ç º ­ Ǥ ͜͞Ȁ͜͞ ǡ Ç Ç çÇ ͠ ò ò Ç Ç ­ Ç Ç Ǥ

GÖSTERİ

f

Ç Ç Ç Ç Ç Ç Ç Ç ǯ ͜͝͞ ǯ ò ǯ ͣ͝ ǯ ­Ç ç Ǥ Dz ǣ dz Ç º Ç Ç ­Ç Ç Ç ºÇ Ç Çç Ç ÇºÇ ç Ǥ

ǯ ò Ç Ç ÇºÇ Ç Ç Ç ç º Dz dz ǯ ç Ǥ ǡ ǡ ò ç ç ­ ­Çǡ ç Ç Çǡ ǡ ǡ ­Ç Ç Ç Ǥ ǯ òç Ǥ

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t fash on&

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Özel r Habe

26

FASHION&TRAVEL MAGAZINE / İLKBAHAR

en moda haberler


ÖZCAN SABANCI ¯"ENæ3ENIæ"ÏRAKÏPæ'IDERæMIYIM ° -ERHUMæIåæADAMÏæ(ACÏæ3ABANCϲNÏNæEåIædZCANæ3ABANCÏæANÏLARÏNÏæBIRæKITAPTAæTOPLADÏ ædZCANæ3ABANCÏæBIZEæKITABÏNÏæANLATTÏ FASHION&TRAVEL Ç Ç º ǫ ÖZCAN SABANCI Ç Ç Ç Ú Ç ç ÇºÇ Ç Ú Ǥ Ç Ú º Y Ç Ç Ú Ǥ Ú Ç ç ç Ú Ç Ǥ ­ º ò ǯÇ Çç ÇºÇ ºǯ º ò Ú ò ò Ç ç Ç Ǥ ò ÇçÇ Ǥ F&T Ç Ç Ç ò ­Ç Çǫ ç ǫ ÖS Y Ú º º Ç Ç ǡ ò Ç ­Ç ­ Çç Ç Ǥ Ç Ç ÇçÇ ­ Çç Ç Ǥ Gç ç Ç Ç Ç Ç ÇǤ ò ò ò ­ çÇ Ç ò òǤ ͖͔ ͖͔͕͘ ç Ǥ Gç Ç Ç Ç òçò ò ǡ Ç Ç ÇçǤ

F&T Ç ǡ ǡ ­ Ǥ Ç Ǧ º ǡ Ǥ Ç ǡ Ç Ç ǡ òçò ǫ ÖS Ç ò º Ç Ú ò ºÇ Ç Ç Ç Ç ­ Ǥ ǯ Úç Ç º ­ Ǥ ò Ç Ç ­ ­ ­ ò Çç º ò Ǥ ò ò ǡ ǯ Ç ­ Ç Ç Ç Ç Ǥ ò ǯò º ò­ ò ºÇ Ç ò ǡ ç Ç ò ò òǤ Ç Ç Ç ­ ò ò ç º Ç Ǥ Ç ò­ò Ç Ǥ F&T . Ç Ç ǡ Ç Ç Ç Ç ­ Ç Ç Ç Ǥ Ç Ç º ǫ ÖS Ǥ ­ Ǥ . ò­ ò ­ Ǥ

F&T ­ Ú ò ǫ ÖS ç º ǯ ­ Ç ÇǤ ­ º Ç Ç ÇǤ Ç ­ Ç ǡ Ǥ ǡ Ç Ç Ç Çǡ ­ º Ç Ç ­ Ç ÇǤ

F&T Ç ǣ Ç Ú ò ò ǫ ÖS º ç Ú º Ú Ǥ ­ ò Ç Ç Ǥ ò Ç Ǥ Y ­ ǡ Ú ǡ Ú Ç Ç Ǥ Ú ò Ç ÇçÇ ç Ǥ f Ç Ǥ

F&T Ç Ç ÇºÇ Ç ǡ ç çÇ ǡ ò ò Ç Çǫ ÖS ǫ ­ ò ǡ Ç Ç Ç ÇǤ ­Ç Ç Ǥ Ç Ç G Ç Ç º ç º Ǥ Ç Ç Ǥ

F&T ǫ ÖS Ç Ç º ç º Ǥ ­ Ç ǡ Ç Ç ǥ

F&T ǡ Ú ò ç ǫ ÖS ç Ç Ç ­ ÇçÇ ò ò Ç Ç Ç Ǥ ò ò ǡ ò º Ç Ç Çǡ ǡ Çǡ ­ Ç Ç Ç Ǥ ò ò Ç Ç Ç Ç çÇ Ç ç ÇºÇ Ç ­ Ç Ç Ç Ǥ F&T Ç ­ ­ ­ º ­ Ç Çç Ǥ ǡ Ç ç Ç Ç ǫ ÖS Ç ò ǯ Ç ­ º ç Ǥ ò ­ ­ Ú ò Ǥ Ç Ç ç ò Ç ò ç Ç Ç ­ ­ ­ ò ç Ç Ǥ ò ò ò Ú Ǥ

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FASHION&TRAVEL MAGAZINE / İLKBAHAR



en moda haberler

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Hermes, Birkin

Chloe, Edith

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FASHION&TRAVEL MAGAZINE / İLKBAHAR



en moda haberler

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32

FASHION&TRAVEL MAGAZINE / İLKBAHAR

Ǥ Çç ç ǯ Ú ­ Ç Ç ǡ Ç Ú ǡ Ç ǡ Ǥ Ǯ ­ Ç Ç ƪ Ç Ç ­ Ǥ Ç Ç Ç Ç ǯ º ç Ç Ǥ òç Ç ç Ç ǡ º ç ǯ Çç ç ƪ Ç Ç ­ ǡ Ú Ǧ ƪ Ç Ç ǡ Ǧ ò ç Ǥ



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Ç Ç ç Ç Ç ò Ç Ç ­ ǡ ǯ ͔͗ǯ Ç Ç ­ ò Ç ǡ Ç ç Ǥ Dz ò dz º ƪ Ç Ç ÇºÇǡ Ǯ ǯ ȋ º ò Ȍ Ǯ ǯ ȋ Ȍ ͕͛Ǥ͔͕Ǥ͖͔͕͘Ǧ͔͙Ǥ͔͖Ǥ͖͔͕͘ Ç ­ ç Ǥ Ç ͖​͖ Ȃ ͔͙ Ç ͖͔͕͘ Ç ͘​͘ ǯ ­ Çç Ç Ç Dz ò ǡ ç ÇºÇ Ç ò ò òç ǡ Ç ç º Ç Ç Ǥ º ƪ Ç ǡ Çç ò ­ ç dz ÇǤ ͖͔​͔͗ Ǧ ͖͔​͔͘ Ç Ç ò ­ Çç ÇºÇ Dz dz ç ǡ ò ÇºÇ ò çÇ ç ǡ ͖͔​͔͙ Ǧ ͖͔​͔͚ǯ Dz ò ò òdz Ç Ç º ò ò ò ò ºÇ ȋ Ȍ Ç ǣ Dz Ç Dz Ǧ ±dz º ç ǡ º Ç Ǥ ÇçÇ ǡ Ǯ ǯ ºÇ Ç ò Ç çÇ Ç ȋ͖͔​͔͛ǦȌǡ ­ º ºÇ Ç Çǡ ǡ Dz Ǧ dz º Ç Ç ǡ Ç Ǥ G ç ÇºÇ Ç ƪ º Ç Ç ÇǤ ç ç ò òç Ç ­Ç ÇǤ ò òçò ç Ǧ Ç Ç Ǥ ǡ ò ç Ç Ǥ çȀ ç ƪ ò òç Dz ò dz ç ǡ ò ò ­ ò Dz ò dz Ǥdz º ƪ Ç Ç ͖͔​͔͝ ͖͔͕͔ Ç Ç G Ǧ Ǧ G ­ ǣ Dz º ǫdz

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FASHION&TRAVEL MAGAZINE / İLKBAHAR

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36

FASHION&TRAVELL MAGAZINE / İLKBAH İLKBAHAR AR

­ ç Ç Ç ç ǡ Ú ò ò ò Ú òç ò ǥ f Ç Ç Ç Ç Ç ǯÇ ͓ ç ç ǡ ǡ ǡ ç ò òǡ ò òǡ ç ò ǡ ­ ç ç Ç Ç ­ ­ Ç Ç ǡ Ç Ú ò G Ç ç ò Ǥ ǡ ǡ ç ǡ òºò Ç Ç Ç ­ ­ Ǥ


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38

FASHION&TRAVEL MAGAZINE / İLKBAHAR

F&T Y ò Ç Çǫ BS ͕​͕ Ú ò Ç Ǥ ç Ç Ç Ç Ç ­ ­Ç Y ò ȋ͖͔​͔͗ǡ ͖͔​͔͙ǡ ͖͔​͔͚Ȍǡ Y ò ȋ͖͔​͔͙ǡ ͖͔​͔͛ȌǤ F&T ÇçÇ ǫ BS ǡ ǡ Ȁ ǡ ǡ ǡ ǡ ǡ ǡ ç ò ǯ Ǥ F&T Çǫ BS òç º Ȁ Ú ò ­ Ȁ Ç Ǥ Ǥ Ǥ F&T f Ú ò ǫ BS ò ò ò Ç ò Ǥ

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FASHION&TRAVEL MAGAZINE / İLKBAHAR

FASHION&TRAVEL ò Ç ç Çǫ JULIE MASSE ò Ú ò ­ ÇçÇ Ǥ ò ò ­ º Ç ò ò ò ò Ç ­ º Ç ò ­ Ç Ç ç Ç Ǥ ÇǤ ò­ò Ç ǡ ­ Ç Çç Ç Çǡ Ç ­ Ǥ ò ò ò òºò º Ú ­ Ç Ç Ç ­ Ǥ F&T ǯÇ Ç Ç Ç ǫ JM G ºÇ Ǧ Ú Ǧ ç Ç Ǥ ǡ ç Ç Ǥ ǯÇ Ç Ç Ǣ ò ò ÇºÇ Ç ­ º ÇǤ Ú ǡ ò Ç ǯÇ Ç Ǥ

F&T ǯÇ ǫ JM o Ǣ Ú ò ò Ç Ç ç ºÇ Ç ǡ Ç Ç ­ ­ Ǥ Ǣ ç ò ò ò Ǥ ò ò ç Ç ò ç Ç Ç Ç Ǥ º Ç Ç Ç ò ò­ ò Ç Ç Ǥ Ç Ú ò ò Ç Ç ­ ç ò ç Ǥ F&T Ç Ç Ç ǫ JM Ç Ç ç Ç ­ Ç Ǥ Ç ò ò ò ǡ ºÇ Ç Ç ­Ç ­ Ç Ǥ F&T ò Ç ­ ǡ ǯ Ç Ç Ç Ǥ Ú Çǫ JM ǯ Ç ­ ÇºÇ ǡ ò Ǥ º ǡ ò Ç Ç Ǥ



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42

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±1UASARæ(EAD²æ(EYKELIæ ãSTANBUL²DANædNCEæ(OLLANDA²DA

G ǯ ò ò ­ Ç Ç Ç ǡ ò Ç Ú Ǥ Ç ͖͙ Ç Ç Ç ÇºÇ Dz dz Ç ͕͗ ͖͔͕͘ ǯ Ç Ú ­ º ç Ç ò ò ǯ ­ ǡ Dz º Çǯ Ç ç ò dz Ç ÇºÇ G ­ ÇºÇ Ú Ǯ ǯ ǡ ͕͙ ͖͔͕͘ Ǥ ǤfǤ Ǧ ç G ǯ Ú ǯ Ú Ç Ç ÇºÇ G ǡ ͖͔͕͙ Ç Ç ­ Ǥ ò ò ò ͙ Ç Ç Ç ǯ ò ǯ Ç Ǣ ǡ ǡ ơ

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44

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G ǡ Ǥ ç ò Ç ǡ ç Ç G ǯ çÇ Çǡ ò ò ºÇ Ç Ú ­Ç ò ò ­ Ǥ


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FASHION&TRAVEL MAGAZINE / ฤฐLKBAHAR

Michael byy Michael Kors 2014 4 ย ย ย ย ย ย ร ย ย .ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย C_Y^W[b Xo C_Y^W[b Aehi (&'* รฃbaXW^Wh aeb[ai_oedkdZW \Whabร cWj[hoWbb[hb[ oWhWjร bWd Woaร hร bร abWh l[ aedjhWij h[da akbbWdร cbWhร Z_aaWj ย [a_oeh$ 7bjร d h[d]_ aeb[ai_oedZW ^Wa_c_o[j_d_ _bWd [Z_oeh$ AbWi_a jej[ ย WdjWbWh WZ[jW Wbjร dW XkbWdcร รก รก[a_bZ[ aeb[ai_oedkd ]ย pZ[ fWhย WbWhร ^Wb_d[ ][b_oeh$ >Wiร h ย WdjWbWh _i[ Wbjร d pร cXWbWhbW รกร a l[ p[d]_d X_h ]ย hย dย c aWpWdร oeh$ 7oWaaWXร bWh _i[ jefkabWhZWd" fbWj\ehcbWhW" ^[h a[i_j_dZ[ akbbWdร bWd Wbjร d Z[jWobWhbW pWh[\[j aWpWdร oeh$

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2014 Spor Trendleri

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Sizi bekliyoruz...

GİRNE - KIBRIS +90 392 444 63 63 www.merithotels.com NET HOLDİNG Kuruluşudur. XXX XX X XX


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XXX


f&t fashion interview

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57


f&t celebrity interview

58

FASHION&TRAVEL MAGAZINE / İLKBAHAR


Yakında Onu Yönetmen Koltuğunda Görürsen z Şaşırmayın!

PENELOPE CRUZ +~l~KæB~TlELIæFESTIVALæFILMLERININæYANÏæSÏRA æB~Y~Kæ(OLLYWOODæYAPÏMLARÏNÏNæDEæARANÏLANæãSPANYOLæYÏLDÏZÏæ 0ENELOPEæ#RUZ æBIZEæFARKLÏæPROJELERINDENæBAHSEDIYOR ææ'ENlæKÏZLÏâÏNDAæILKæKULLANDÏâÏæPARF~MæOLANæ4RESOR²UNæTANÏTÏMæY~Z~æ OLANæ#RUZ æ!GENTæ0ROVOCATEURæMARKASÏNÏNæ,²!GENTæ !JAN æISIMLIæREKLEMæFILMIæIlINæKAMERAæARKASÏNAæGElTI æ "AåROLDEYSEæSEKSIæMANKENæ)RINAæ3HAYKæVARDÏ æ+IMBILIR æBELKIæDEæSÏRADAæSINEMAæFILMIæVAR FASHION&TRAVEL ͗ Ç Ç Ç Ç Ǥ ç Ç ç ǫ PENELOPE CRUZ ǯ ­ Çç Ç ­ Ǩ Ç ­ º ç ­ Çç ò Ǥ ­ Ç ç ÇºÇ Ç Ç ǡ ­ ò Ú Ǥ ǡ Ç Ç Ç Ú Ç Ǥ

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59


f&t celebrity interview

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F&T ç º Ǥ Dz ç dzǤ Ú ǡ ç Ç º ǫ PC ­ ò Ç Ú ò ç ç Ç Ǥ ç ò º Ǥ ç Ç Ç ç Ú ò Ç Ç Ç ç ­Ç Ǥ ç ­ ǡ ç Ç Ǥ F&T Dz dz Ç Ç Ç Ç ǫ PC ò­ òǡ ǡ ºÇ Ç ǡ ǥ ǯ ÇºÇ Ǥ ­ ò Ǥ f ò ò ǡ Ç Ç Ç ç Ç ò­ ò ºÇ Ç º Ç Ǥ ǡ ò ǡ ò Ç ­Ç Ç Ǥ F&T Ú Ǥ ­ ç ­ Çç Çç Ç Ç ȋ ǡ ÇȌǤ ǫ ­ Ç ­ º Ç Ç Ç Ç ǫ PC ­ º º ­ Ǥ .ò ò ­ Ǥ Ǥ Ú Ç Ç ÇçÇ ǡ º Ǥ G çÇ Ǥ ­ Ǥ G


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F&T Ç Ç Dz dz ò ò ǫ PC Ç ç ç ǣ º Ç Ǥ Ç ­ ç ­ Ǥ Ú ç Ú Ǥ º ǡ ò ò ­Ú Ǥ Ú Ç Ç Ǥ F&T Ç Ú Dz dz ǯ Ú º Dz ǯ

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f&t celebrity interview

dz Ç Ç Ç Ǥ ò ǫ PC Ǯ ǯ dz ò­ò Ç Ǥ ­ Ú ò ò ­ º Ǥ ­ Çç ­ º ç Ǥ ò ò ò ­ Ç Ǥ Ç Ǥ

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FASHION&TRAVEL MAGAZINE / İLKBAHAR

F&T Ç Ú Ç º ç ç Ç ǫ PC ò Ç Ç Ú ç Ú ò Ǥ ­ ò Ç Ú ç ­ ç Ǥ Ú ò ò ǡ Ç Ú Ç ­ ç Úº Ǥ Ç ò Ǥ .ò ò Ú Ç º ­ Ç Ǥ f ǡ Ú

Ú Ǥ F&T fÚ ò ç º ç ­ ­ Ú ǫ PC Ç Ç Ç Ç ­ Ç ò ç Ǥ ­ º ­ Ǥ ÇºÇ ç ­ Ç Ç ÇºÇ Ç Ǥ ­ Ç ç º ­ Ǥ ǯ çÇ ǡ º çÇ ǡ Ç Ǥ ò ò ­ Ú Ǥ ­ ­ Ú Ǥ



f&t interview

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FASHION&TRAVEL MAGAZINE / İLKBAHAR


(ERæ9AåTAæ'~ZEL

$!9,%æ(!$$/. $~NYANÏNæILKæTOPMODELLERINDENæ$AYLEæ (ADDON æKURUCUSUæOLDUâUæ7OMEN/NEæ VAKFÏNÏNæSOSYALæSORUMLULUKæPROJESIæIlINæ GElTIâIMIZæG~NLERDEæ4~RKIYE²DEYDI æ 'ENlæKÏZLARAæEâITIMæBURSUæVERMEYIæ HEDEFLEYENæ$AYLEæ(ADDON ææ æG~NDEæ æåEHIRæGEZDIæVEæ4~RKæVAKÏFLARæVEæ YETKILILERLEæBULUåTU æ/NUNæHATÏRLADÏâÏæ 4~RKIYEæISEæ æYÏLæyNCEæBIRæMODAæ lEKIMIæIlINæGELDIâIæ+APADOKYAæVEæ 0AMUKKALE§æ"ENæDEæ æyNCEæ#ANNESæ &ILMæ&ESTIVALI²NDEæTANÏåTÏâÏMæ$AYLEæ (ADDON²ÏæHERæZAMANKINDENæG~ZELæ BULDUM æ+EYIFLIæSOHBETIMIZæAåAâÏDA Röportaj Leyla Melek Çifçi Fotoğraflar Deniz Uğur Güler

FASHION&TRAVEL Y ò ǯ ç Ǥ ­ º Ç Ç Ç Ç ǫ DAYLE HADDON Ú º Dz dz Çǯ Ç ç ­ ò ǯ Ǥ Ç ­ Ç Ç º Ç ǡ Ǥ ǯ ­ Çç Ç Ç Ç ò ǯ Ç ç Ǥ Ç ò ÇçÇ ­ Ǥ ò Ú ­Ç ò Ǥ ­ Çç Ç Ç Ç ò ǯ ò ò Ǥ º ò . ǡ . ǡ ­ º Ç Çç Ç ǡ Ú òç ò Ǥ ͕͔ ò ò ǯ ͝ ç Ú ò Ǥ o ǯ ­ Çç ­ ç º Ǥ ͘ ò Úº ò ǯ º Ǥ Úº º ­ Çç Ú Ç Ç Ǥ ç ÇºÇ ­ Ú Ç Ç ­ Çç Ç º Ǥ ºÇ Ç Ú ç ǡ Çç ǥ º ç ç ǡ Ç Ǥ º ò ò º Ç º º ÇǤ

F&T Ç G ­ ǯ Ǥ Ç Ç Ç º ǫ ǯ ­ Çç Ç Ç ǫ DH ò ǯ G ­ ǯ Ǥ ­ Çç ò ò Ç Ǥ ǡ ǡ ǡ ǡ ǯ Ǥ . ò ­ Çç Ç Ǥ º ç º òçò ò Ǥ ǯ ­ Çç Ç Ç Ç Ç ǡ ­ Ç Ç ÇºÇ Ç Ú ò Ǥ ò ò º òçò ò ç Ǥ DH F&T ò ǯ ­ ǫ Ú º ò Ç ­ ç Ç º ò ǯ Ç ç º Ç Ǥ ò ǯ ò º Ç Ç Ç Ç ­ ò Ǥ Ú ͕͔ Ç ͖ǯ º Ǥ ǡ ò ò ǡ Ç Ç Ç Ǥ

ò º Ç Ç ò ò Ǥ ò ǯ ò Ç Ç ç Ç Çǡ o Ç ­ ò Ǥ

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f&t interview F&T ç ç ǫ DH o Úº çÇ ò ǯ Ǥ Ç Ǥ º Ç ­ Ç Ç Ǥ F&T ò º ­ Ç Çç ǡ ç Ç Ç Ç ǫ DH Ú Ç Ç ç Ǥ Çç ÇºÇ Ç Ç Ç Ǥ Ǣ Ç Ç Ǥ ÇºÇ ­ ­ Ç Çç ÇǤ F&T Çǯ Ç ç ­ Ǥ ç Ç ǫ DH º ­ Ǥ Ç Ú Çç Ç Ǥ Ǥ ÇºÇ Ç ­ Çç ÇºÇ º ­Ç Ǥ ò Ç Ç ­ Ú ­ Çç Ǥ ǡ ǡ ǡ ǡ ǥ Ú º ­Ç Ç Ç ­ º Ç ç Ç ­ Çί Ç Ǥ . Ç ­ Ç Ǥ º ­Ç Çǡ ò ǡ ò ò ò Ǥ Ú Ç Çǡ Ç Ç ­ ç ­ ÇçÇ Ǥ º ­Ç Ç ç çÇ Ç ÇǤ º ­Ç Ú ǡ ǡ ­ Ǥ Y º ò ò º ­Ç

º Ç Ç Ǥ Ç ÇºÇ Ç ­ ç Ǥ Ç Ǥ F&T Ç Ǥ Ú ò Ç Çǫ DH ­ º ç Ǥ Ç ­ Ǥ ò ­ º ­Ç ò ò Ǥ Ç ǡ ­ Ǥ º ǡ Ç Ǥ º ­Ç Ç ­ Ú ǡ Ç ç ç ǡ Ú ­ º ç Ǥ Ç Ç ǡ º ÇçÇºÇ òç Ǥ ­ ǡ º ǡ º ­ Ç Ç ÇǤ Y º ÇǤ ò ò ǡ ÇºÇ Ç Ç Ǥ f ­ Ú Ǥ Ç ò ò ÇçÇ Ç ­ Ç º Ú Ǥ . Ç Ú ò Ç Ǥ F&T Ç Ç Ç Ç Çǫ ò ò Ç Ç ç ǫ DH Ç Ǥ Ç Ç Ç Ç Ǥ ò ºÇ ç º ǡ º ǡ ­ º òç ­ ƪ Ç Ǥ ç ç ­ Ç Ç Ç ­ Çç Ǥ G Ǥ º ƪ Ç Ç ­ Çç Ǥ ­ ­ ǯ ǯ Ǥ F&T Ç Ç Ç Ç Ǥ ǯ ­ ç º ç Ç Ç ǫ DH ǯ ­ Ç ǯ Ǥ Çǯ Ç Ǥ ­ ­ Çç Ç Ǥ º ­ º ­ ­ Çç <$=0$. õ67('õóõ0 %õ5.$¢ .õ7$3 Ç Ǥ Ç Ç Ǥ

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FASHION&TRAVEL MAGAZINE / İLKBAHAR

F&T ò º Ç Ç ç ò Ç Ç Ǥ Ç Ç Ç Ú ǫ DH ç Çç ­Ç Ç ­ Ú Ǥ ç Ǥ çÇ Ú ò ò Ç Ǥ ͖͔ǯ ç Ç ÇçÇ Ç ò º Ǥ Ç ç Ç ­ ò ç Ǥ ç Ç ­ ǡ º ò ò



f&t interview Ç Ç Ç Ǥ ͖͔ǯ ç ǡ Ç ­ ­ Ǥ ͔͗ǯ ç ǡ ÇºÇ Ç ç Ç Ǥ ͔͘ çǡ Ç ­ Ç Çº ­ ç Ǥ ͙͔ǯ ç Ç ÇºÇ Ç ǡ ò­ Ç Ç Ç Ǥ ͚͔ Ǥ Ç Ç ǡ ǡ º ç Ç Ǥ F&T ­ Ú ­ Ç ǫ DH ͚͔ǯ Ç ç Ç Ç º Ǥ . ­ Ǥ Ç Ç Ǧ Ç º ­ Ǧ ç ç Ǥ Ç Ç ç Ú ò ò ­ º Ǥ ­ ­ º Ǥ ç ǡ º Ú ç Ǥ ͗͜ çÇ Ç ­ ç Ç º Ú Ǥ ò Ú òǡ ͔͘ ç Ç Ç Ǧ ǡ Ç ͖͔ çÇ ­ ÇçÇ Ǥ ͕͝​͔͝ǯ Ç Ç Ç çÇ ÇǤ ò ò ç Ç Ç Ǥ ­ ͔͘ǯ Ç ç Ç Ç Ç Ú Ç Ǥ ò Ç Ǥ f Ç Ç Ç Ç Çç º Ç Ǥ Çǡ Ç ­ Ç Ç ç Ǥ Ç Ç Ç Ç ǯ Ǥ ͕͙ Ç Ç ǯ ǯ ç çÇ Ç Ǧ ò ò Ç Ç ò ò ò Ǥ ǡ Ç Ç òçò º ç ­ ­ ­ Çç Ç Ǥ ÇçÇ º ç Ç Ç ­ ­ º ç Ç Ǥ ò­ Ç ò ò Ǧ Ç Ç Ç ǯ ǯ Ç Ǥ ­ Ǣ Ç ò ǡ ç Ç ò Ǥ Çǡ ò Ǥ F&T Ǣ Ú ò ǯ ç ǫ DH G ǯ ­ º Ç Ç ǡ ­ ç Ǥ ͖͔ ͖͕ çÇ ò ǯ ­ ­ ç Ǥ G ǯ ­ º Çç Ç Ǥ ǡ ǡ ò ­ Çç Ç Ǥ ǯ Ú ò Ç Ǥ Ç Ç ÇºÇ Ç Ú ò Ǥ Ç ǥ

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FASHION&TRAVEL MAGAZINE / İLKBAHAR

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f&t celebrity interview

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FASHION&TRAVEL MAGAZINE / İLKBAHAR


PARTİLERİN KADINI

G sele Bündchen "REZILYALÏæMODELæ'ISELEæ "~NDCHEN²INæHAYATÏ æ KÏZÏæ6IVIANæD~NYAYAæ GELDIKTENæSONRAæ OLDUKlAæDEâIåTI æ+ENDISIæ DEæSORUMLULUKLARÏNÏNæ ARTMASÏNÏNæYORUCUæ OLDUâUNUæKABULæEDIYOR æ !MAæHIlBIRæPARTIDENæ DEæUZAKæKALMÏYOR æ HAYATÏNÏNæEâLENCELIæ YANÏæ¯PARTYæGIRL°æ OLARAKæDEVAMæEDIYOR æ !RTÏKæDAHAæAZæPODYUMAæ lÏKÏYOR æONUæDAHAælOKæ G~ZELLIKæMARKALARÏNÏNæ Y~Z~æOLARAKæGyR~YORUZ æ #HANELæ,ESæ"EIGESæ SERISIæVEæ0ANTENE²DENæ SONRAæåIMDIæ#AROLINAæ (ERRERAæ æ6)0æ2OSmæ PARF~M~N~NæY~Z~ æ '~ZELæMANKENEæYENIæ HAYATÏNÏæVEæYENIæ IåBIRLIâINIæSORDUK æ

FASHION&TRAVEL Ç ­ Ǥ ò ò ò ò ò ǯ ­ ò ò Ç Ç Ǥ ç ͖͕͖ ± ò ò ò ò ò ò ò Ǥ ò ò Ç ǫ

o ò ò Ǩ º ò Ç ǡ Ú º ǫ Ç Ç Ǥ . ò ǡ Ç ­ ­ Ç Ç ò òǤ . Ç Ç Çç Ç ­Ç Ç º Ç ò ò Ǥ F&T ò ò Ç Ç Ǥ GB Ç Ç ǡ Ú Ǥ F&T .ò ò ò Ç Ç º Ǥ GB Ǥ º Ú Ǥ ǡ Ǥ º Ç ǡ Ú º Ǥ ò ǡ ǯ Ǥ ­Ç ò Ǣ ­ò ò ­ Ç ­ ç Ǥ ­ Ç Ç Ú ò ò ò Ǥ ç Ç ǡ ­ ǡ Ç ǡ Ç Ǥ ò Ç ­ ç Ǥ ­ Çǡ ­ Ǥ Ç ǡ ǡ ò ò ǡ Ç Ú ò ò Ú ò ò ǡ ­ ­ ç Ǥ ­ º ǡ Ç Ú ç Ǥ ­ ǡ Ç Ç Ú ­ ­ Ǥ ǯ Çç Ç ­Ç ÇºÇ Ç ǡ ­Ç Çǡ ò ǡ Çǡ ­ Çç Ç Ú ò ò ò ǡ Ǩ ǡ ǯ ǡ ç Ú º ò ò Ç Ú ò ò ò Ǩ ǫ ò Ç ­ Ç Ǥ Ç Ç ­ ç Ǩ

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f&t celebrity interview G ­ Ç Ú Ç Ǥ Ç Ç ǡ Ç ç ǡ Ç Ç ò ò ­ çÇ Ǥ ò òç ò ǡ ­ ǡ ­Ç ò Ú òçò Ǥ º ­ Ǥ ç Ǥ ò Ǥ Ç Ç Ǥ F&T ò ò Ç ǫ GB Y ò Ǥ ­ Ǥ ǡ Ǥ Ç Ǥ Dz Ç Ǩdz Ǥ Ǥ F&T º ç Ç Ç ǫ GB º ç ͔͜ǯ Ú Ǥ Ú ­ º º òçò ò Ǥ Ç Ú Ç ò ò Ǥ ǯÇ Ǥ Ç Ç Ǥ ­ Ǥ f Ç Ç ò ò ­ º Ú º ç Ç º ç Ǥ F&T ǯ ò ç ǫ GB ò Ç ç Ǥ ­ º ­ ç Ǥ ò Ǥ Ú ç Ǥ ò ò ÇçÇ º º Dz dz Ǥ Ç Dzf dzǡ Dz dzǡ Dz. dzǡ Dz dz DzG dzǯ Ǥ ­ ò Ǥ ǡ Ç ò ç Ǥ F&T ç Ç Ç Dz ǯ Ç Ç Ç Ç dz Ǥ Ú ǫ GB Ǥ çÇ Ǩ ȋ ǯ Ú Ȍ ǣ ­ ­Ç Ú ò ò Ǥ º Ǥ F&T ǫ GB Ç ǡ ǤǤǤ p$11( 2/$5$. +(5 =$0$1 õ÷õ0'( 2/$%õ/'õóõ1&( õ<õ Ç Ǩ ǫ 2/0$. 9( (1 õ<õ $11( (1 õ<õ (÷ (1 õ<õ .,= .$5'(÷ (1 º ­ ÇçÇ õ<õ $5.$'$÷ 2/0$. $5$6,1'$ .$/,<2580 2 .$'$5 Ú ¢2. *±5(9õ0 9$5 .õ ¢2. <258&8 %õ5 '8580 q Ú Ǥ GB ͕͚ çÇ Ç ǡ Ú Ǩ Ú ò òºò ç ǥ ­ ç Ç º Ǥ Ǥ GB ç ơ ƪÇ Ǥ º Ç Ú º ­Ç º ǡ Ú ò Ç º F&T ­ ç Ç Ǥ . ò º çÇ ­Ç Ç Ç º Ç Ǥ Ǥ ǫ GB ­ ­ º ­ ­ò ò F&T Ç ò Ç ǡ Çç Ç ­Ç ÇºÇ Ç Ψ͝​͝ǯ ­ Ǥ ­ ­ Ú ò ǤǤǤ ­ º Ç Ç Ç ÇǤ ͔͜ çÇ ç Ç GB Ǥ .ò ò Ç Ǥ ȋ ò Ȍ ­Ç ÇǤ Ç ­ ç Ç Ú º Ǥ Ú ǡ Ç ǯ ­ Çǡ ç ȋ͔͜ çÇ ò ç ǯ ­ Ç

Ȍ ­ º Ǥ Y ò ò Ǥ ò ǡ º Ç Ǥ ǡ º ­Çº Ç º ǡ ç ǡ ǯ ÇǤ . Ç Ú Ç ǡ ­ º Ǩ Ç Ǥ ­ ­ ­ Ú ò ò Ǥ ç ǡ ç ­ Ǥ F&T ǯ Ç ÇºÇ Ç ­ ǫ ǡ ǯ ç ò ÇçÇ Ǥ GB Ç Ç ǡ ǯ ç Ç ÇºÇ º ­ Ç ò ò Ç ç ò çÇ Ǥ ò ç Ç ǡ Ç Ǥ .ò ò ͕͚ çÇ Ǥ Çç ç ­ º ǡ çÇ ǯ çÇ Ç Ǥ ǯ ò ç Ç Ú ò Ç Ú ò Ú ò Ǥ f ǯ çÇ ò ç ǤǤǤ Ç Ç ­ Ú Ǥ ò ç Ç ç ǡ Ç Ç ò ç Ǩ . ­Ç Ç Ǥ ­ ǡ ǡ Ç ç Ǥ ­ º ǡ ­ ­ ºÇ ­ ò Ǩ Ç ò ­ Ǥ Ç Ǥ F&T ͖͕͖ ± Ç Ç Ç ò ǫ F&T ç ç ç ǫ ͖͕͖ ± Ç Ç Ç ǫ GB ­ Ǥ G ǯ Ç Ú Ǥ GB ͖͕͖ ± Ç Çǡ ­ çÇ ò Ǥ

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G Ç Ç ºÇ Ç Ǥ Ç ç º G ǯ Ç Ç ç Ǥ ò ­ Ú ò Ç º Ú Ç ­ º Ǥ Ú ǡ ç Ç º ǡ º º ­ ò ò ǡ ç Ǥ ǯ ǡ ò Ç ǡ ò­ò ò Ǥ ç ­Ç ÇçÇ Ǥ Ǥ ò ò ò ­ Ç Ç Ç Ǥ

p <$÷,1'$.õ *(1¢ *õ6(/( õ/( .218÷0$ ÷$16,0 2/6$ 2/$</$5, .õ÷õ6(/ 2/$5$. $/*,/$0$0$6,1, +$<$7,1 %õ5$= '$+$ 7$',1, ¢,.$50$6,1, +(5 ÷(<õ 2 .$'$5 &õ''õ<( $/0$0$6,1, .(1'õ1( .$5÷, ¢2. .$7, 2/0$0$6,1, 9( .(1'õ6õ1õ ¢2. )$=/$ <$5*,/$0$0$6,1, 6±</(5'õ0 q

F&T ­ Ú Ç Ç ǡ Ç Ç ­ ç ÇºÇ ç Ç Ç Çǫ GB ǯ ç Ç Ú ǡ ­ò ò ­ º ò ò Ǥ Ç Ú ç Ç Ǥ ­ Ç Ç ­ Ǥ ­ ­ ÇºÇ Ç º ǡ ͕͖ ­ ÇçÇ º Ú ­ º ­ ­ ÇºÇ Ç Ǥ ò ò ­Ç Ç ǡ ç Ç ç Ç ­ Ǥ

F&T ç ò ǡ Ç ǫ ò ǫ Ç Ç Ç Ç ǫ GB Ç ò ǡ ­ ǡ Ç ç Ç Ç ­ ºÇ Ç Ç ­ Ǥ F&T º ǫ GB ǯ ǡ Ǥ ­ ­ ò ­ Ǥ

F&T ǯ ǫ GB Ǥ ­ Ǥ ǡ Dz dz ǡ Ú Ǩ ­ ­ Ǥ F&T ç ÇºÇ Ç º Ç Ç Ç Ç Ç Ç Ç ǫ ­ ­ ç º Çç Ç Ç Çǫ GB Ǩ ǯ ͔͜ǯ ò ò Çǡ ͕͜Ǥ ͕͛Ǥ º ò ò ǡ Ç Ç ǡ ç Ǥ ò ǯ Ú òç òºò ­ çÇ Çç Ç Ǥ F&T ǯ Ç ºÇ Ç º Ǥ º ǫ GB ǡ Ǥ ǯ º ­ Çç ç Ç ǡ ­ ç ­Ç Ç Ǥ ǡ ­ Ç ÇǤ ­ ǡ òçò ǡ ǡ Ǥ ͕͚ çÇ Ç ǡ G ǡ Çç Ç ­ Ç çÇ ÇǤ ǡ Ç Ç ǡ ­ ò ò º ç Ǥ ç Ç Çǡ Ç Ç

73


f&t celebrity interview

p'$16 (70(<õ ¢2. 6(9õ<2580 %õ5 3$57õ<( *õ'õ<256$0 %õ5 6$1õ<( %õ/( <(5õ0'( '85$0$0 '$16 (70(0 /$=,0 %,5$. *õ76õ1 *õ%õ %õ5 '8580 %(1õ '$16 3õ67õ1'(1 õ1'õ5(0(=6õ1õ= q Ç ­ çÇ Ç Ǥ Ç ­ ò Ǥ ò ­ Ú Ǥ F&T ǯ Ç òçò òºò ǡ Ç ǫ GB fÇ Ç ǡ º ǡ Ç Ç Ç ǡ Ǥ fÇ ǡ ǡ ǡ ò­ ò Ç òçò ò Ǥ F&T ǯ Ç Ç Ç Ç Ç Ç ç ǫ GB ǯ Ç º Ç ­Ç ç Ǥ ­ ǡ ǡ ò ò ò ­ Ú ­Ç Ǥ Çç Ç ­Ç Ç Ç º Ç Ǥ Y º Ǥ ǡ Dz º dz º ǡ ­ ­ Ç Ǥ Ǥ Ǥ F&T ǯ Ç ȋ Ç Ȍ ò ò Ç ­ ÇºÇ Ç Ç òçò ò ǫ GB ç Ç Ǥ ò Ú Ǥ G Ǥ ç Ç Ç Ç ­ º Ǥ ­ ­ º ò Ç Ǥ Ç º ǡ Ç º Ǥ ç º ǡ çǡ Ç çǡ ç Ç Ç Ǥ ­ Ú Ǩ . ǡ ­ Ç ǡ ǡ ò Ç ç ǡ ò ç ­Ç ­ Ǥ ò Ç ǥ ǡ ­ Ú º ǡ ­ò ò ­ ò Ç ç Çǡ Ç Ç Ú Ǥ F&T ò Ç Ú ò ÇºÇ ǡ ǯ ͕͚ çÇ ǯ ç ç Ç Ç Ç Ú ǫ GB ͕͚ çÇ ­ ç ç Ç ǡ Ç ç Ç Ç Çǡ Ç Ç Ç ­Ç Ç Çǡ ç Ç Çǡ çÇ ­

74

FASHION&TRAVEL MAGAZINE / İLKBAHAR

Ç Ç Ç ­ Ç Ç Ç Ú Ǥ º Ç Ç Ç ­Ç Ǥ ò Ç ǡ çÇ Ç ò òçò ò Ǥ ͕͚ çÇ ­ ò ǡ ç º ò Ç ç Ǥ Y Ç Ú ç Ç ǡ Ç Ç Ç ­Ç Ǥ Y º ǫ



f&t interview

76

FASHION&TRAVEL MAGAZINE / İLKBAHAR


Güçlü, Cesur ve Seks

N ck Youngquest Paco Rabanne Invictus parfümün yüzü, æYAåÏNDAKIæ!VUSTRALYALÏæSEKSIæRUGBYæ OYUNCUSUæ.ICKæ9OUNGQUESTæSORUMLULUKæ SAHIBI æDISIPLINLI æCESURæVEæKARåÏæKONULMAZæ yZELLIKLERIYLE æINSANCÏLæYyN~YLEæVEæDERINæ MIZAHæANLAYÏåÏYLAæADETAæIDEALæSPORCUNUNæ BIRæTEZAH~R~ æ"IRæåAMPIYONæOLARAK æNASÏLæ DAVRANMASÏæGEREKTIâINIæVEæNASÏLæROLæMODELæ OLMASÏæGEREKTIâINIælOKæIYIæBILIYOR ææ

77


f&t interview

Ç Ç Ç Ç ÇºÇ Ç ǡ ǯ ò ò Ç ­ ͔͗ çÇ º Ç ­ǫ Gç ǡ ò Ç ǯ Ǥ Ç Ç Ǥ Dz dz Ç çÇ ǡ Ç Ç º ǡ ò ò Ç ǡ ò­ òǡ Ǥ Dz º º ò º ç º ò ǡ Ç ÇºÇ ò º Ç Ú ò òǤ ºÇ ­ dz Ç ­ ǡ %(1õ0 õ¢õ1 ­ Ç ­ ­ çÇ Ç ÇºÇ Ç Ǥ ç Ǣ ǡ ç Ç Çǡ çÇ Ç Ǥ ò­ ò º º .(1'õ1( º ǯ ­ º %$.0$. ¢2. Ǥ Ú ò ò ±1(0/õ'õ5 Ç Ç Ç Ç Ç çÇ ÇºÇ ­ Ǥ ǡ ç Ǥ Ú ò ò Ç Ç Ç ƪ %(1 62<810$ ò Ú ò çÇ ǡ ­ ­ º ç 2'$6,1'$1 ç Ǥ f ơ º Ç º Ç +(5 =$0$1 ǡ Ç Ú ò Ú ­ Ú ­ Ǥ ÇçÇ Ú ­ Ç Ǥ (1 621 ¢,.$1 ò ò Ç Ç Ç ± ǡ Dz ǡ Ç Ç ÇºÇ Çǡ

.õ÷õ 2/85'80

78

FASHION&TRAVEL MAGAZINE / İLKBAHAR


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79


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biliyoruz ki Paco Rabanne’nin bü ò Ú ò Ç ç ÇºÇ ­ ­ Ç Ç Ǥ F&T ǫ NY ç Ǥ ­ º òçò ò Ǥ ­ ǡ Ç Ç ǡ ­ º Ǥ ­ Ç Ǥ F&T f ­ ǫ NY ç º Ç Ç Ú ç º òçò ò Ǥ ç Ç Ç ç Ǥ Ç Ǥ ò ò Ú º ǯ Ç Ǥ

F&T ǫ NY ­ ­ Ǥ Ç Ç Ǥ ò­ò ­ Ç Ç º Ǥ . Ú Ǥ ­ º ç Ú ç Ǥ º ç º º Ç Ǥ F&T ǫ NY ­ º Ç Ç Ú ­ Ç Ǥ Ç ǡ Ç ǡ Ç Ǥ ͕͜ çÇ ç Ç Ç Ǥ ͕͔ Ç Ç ­Ç Ç ­ ç Ç Ç ǡ ­ Ǥ ÇºÇ Ú ç Ç Ç Ç º ÇǤ Ç ­ º Ç Ǥ Ç Ç ­ Ç Ç ­ Çç Ç º Ç Ú Ǥ ­ ­ Ç Ç Ǥ Ç Ç ç Ç dz Ǣ Dz ­ ǡ º ç Ç ­ Ç Ǥ ­ Çç ǡ Çç Ç Ǥdz f ç Ç Ç ºÇ ­ ç ºÇ ò ò ò ò Ç Ç ç ǡ ò­ òǡ Ç Ç Ç ç Ǥ Çǡ ò ò ò ò Ç Çç Ç Ç Ç Ç ò­ Ç Ǥ ç ǡ ò ò ò ǯ Ç Ç Ç Ǥ FASHION&TRAVEL ǯÇ ò ò

ǯ ò ò ò ò ǡ Ç ǫ NICK YOUNGQUEST ò ò ò ò ­ º Ǥ ­ ç Ç Ç ǡ Ç Ç ­ ò ò Ǥ Ç Ç Ú ò ç Ç Ç Ç Ǥ Ç ç ­ ­ ­ Ǥ ­ ç ò ò Ǥ ­ Ç º ǡ º Ç Ǥ ­ ­ ò ò Ǥ Ç Ç ÇǤ ­Ç ­ Çǡ º Ç Ç ò ò Ç Ç Ç ǡ ­ Ç ÇǤ ǯÇ ç ­ ò ç ÇºÇ Ç Ǥ Ç Ç ­ ǡ ǡ ò Ǥ ÇºÇ ç ­ º ç Ǥ

80

FASHION&TRAVEL MAGAZINE / İLKBAHAR

F&T ò Ú Ǥ º ­ Çǫ NY Ç Ǥ f Ç Ç ǡ ­ Ç Ç Ç ò Ç º Ç ºÇ Ç Ǥ Ú ò Ç çÇ Ǥ Ǥ F&T Ç Ç Ç Ç Ç ­ Ú Ú Çǫ Ç Ç º Ç Ǥ G ǯ ÇºÇ ǡ Ç Ç ­ Ç Ç Ç Ç Ǥ ­ ­ Ú Ǥ Ç ­Ç ç Ǩ F&T Ç ÇºÇ çÇ ç ǫ NY Ç Ǥ F&T Ç Ç ǫ NY ǯ º Ǥ ǯ ­ ­ Ǥ ­ ǯ º Ǥ ͕͔ Ç Ú ç ÇºÇ Ç Ǥ F&T º ç ǫ NY ç ­ ç ç Ç Ú ò ǥ




SPRING

SUMMER RUNWAY REPORT

2014


f&t runway report

ANGIE HARMON

OLIVIA PALERMO

CAROLINE DE MAIGRET

BLAKE LIVELY, ANNA WINTOUR

ANNA DEL RUSSO

ALICIA KEYS

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SALMA HAYEK, LENNY KRAVITZ

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LILY COLLINS

LINDA FARGO

SIENNA MILLER

ECE SÜKAN, CAROLINE ISSA

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JOHN GALLIANO

BURBEEY PRORSUM

PRABAL GURUNG

PETER PILOTTO

GIORGIO ARMANI

VERSACE

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BURBERRY PRORSUM

BURBERRY PRORSUM

CHRISTOPHER KANE

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CHRISTIAN DIOR

EMPORIA ARMANI

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MAX MARA

MULBERRY

NANETTE LEPORE

CARVEN

CHRISTIAN DIOR

VERSACE

VERA WANG

EMPORIA ARMANI

RALPH LAUREN


f&t runway report

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LOUIS VUITTON

RICK OWENS

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ALEXANDER MCQUEEN


f&t runway report

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f&t runway report

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f&t runway report

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A7B?D A7àB7H CHRISTOPHER KANE VALENTINO

PRABAL GURUNG MARY KATRANTZOU

THAKOON

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ALTUZARRA

CHLOE

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DONNA KARAN

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CHRISTOPHER KANE

MICHAEL KORS

RALPH LAUREN

NARCISO RODRIGUEZ

JIL SANDER

ALEXANDER WANG

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RUFFIAN

RODARTE

MARC JACOBS

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VALENTINO


f&t runway report

ALEXANDER WANG

ANTHONY VACCARELLO

BALMAIN

BURBERRY PRORSUM

CARVEN

DELPOZO

DEREK LAM

DOLCE&GABBANA

DONNA KARAN

DRIES VAN NOTEN

EDUN

EMPORIO ARMANI

L;:7

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GIAMBATTISTA VALLI

VICTORIA BECKHAM

JENNY PACKHAM

JOHN GALLIANO

JONATHAN SAUNDERS

L’WREN SCOTT

MARCHESA

MARY KATRANTZOU

MICHAEL KORS

MISSONI

MULBERRY

RALPH LAUREN

ROBERTO CAVALLI

THAKOON

TOM FORD

VALENTINO

VERSACE

VIKTOR&ROLF


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f &t haute couture

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V onnet Bu sezon, bu köklü Par s modaev n n koleks yonunu Kıbrıslı Türk asıllı tasarımcı Hüsey n Çağlayan tasarladı. Koleks yon, tasarımcıdan bekled ğ m z üzere, m mar ç zg ler taşıyor.

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V onnet

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f &t haute couture

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V onnet

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f &t haute couture

Chanel Karl Lagerfeld, ışıltılı gece elb seler n spor ayakkabılarla komb nlem şt . Bu yen trende ışıltılı göz makyajı eşl k ed yordu.

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chanel

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f &t haute couture

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Chanel

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f&t trends

Lanv n

Son derece d kkat çeken kış koleks yonundan sonra merakla beklenen Lanv n İlkbahar-Yaz Koleks yonu da beğen topladı. Metal k tonların hak m olduğu koleks yonda altın, bakır, mor, yeş l, sarı, pembe metal k tonlar göz doldurdu.

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Genel olarak midi ve maksi boy elbiseler, SLOLOL ERO SDQWRORQODU GLNNDW ÂHNWL $\UöFD koleksiyonda üste oturan sade siyah NRNWH\O HOELVHOHUL GH YDUGö

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f&t trends

Hermés

Fransız moda dev Hermés, İlkbahar-Yaz koleks yonunda tr bal etk lere yer verd . Koyu tonların ağırlıkta olduğu koleks yonda canlı doğa renkler ve beyaz da yer aldı.

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Bir orman atmosferinde JHUร HNOHรธHQ defilesinde Hermรฉsโ in GRรดD WHPDOรถ GHVHQOHUH DรดรถUOรถN YHUGLรดL WDVDUรถPODUรถQ GD JHQHO olarak bol kesimli UDKDW WDVDUรถPODU ROGXรดX Jร Uร OGร 111


f&t trends

Alexander McQueen Markanın baştasarımcısı Sarah Burton artık “İng l z Modasının Kral çes ” olarak anılmaya başlandı. İlkbahar-Yaz 2014 koleks yonuyla y ne göz doldurdu.

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f&t trends

Tom Ford Ünlü tasarımcının Gucc ve Yves Sa nt Laurent’dak yıllarını hatırlatan b r ht şam hak m bu koleks yona. Daracık m n der elb seler, payetler, krepler, satenler, lüks b r görünüm sunuyordu.

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.ROHNVL\RQ UHQNOHUL GRôDO NDKYHOHUGHQ NöUPö]öODUD NDGDU X]DQDQ JHQLø ELU UHQN VNDODVöQD VDKLS

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f&t trends

Prada Mu cc a Prada’nın bu koleks yonu sanattan lham alıyor. Pop-Art tarzını modaya taşıyan tasarımcı, çarpıcı b r koleks yon hazırlamış.

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f&t trends

Rebecca Taylor Yen Zelanda asıllı New Yorklu tasarımcının koleks yonu son derece modern ve rahat…

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FASHION&TRAVEL MAGAZINE / İLKBAHAR


Koleks yondak etek boyları; m n , m d ve maks … Ve şık spor g y m etk ler h ssed l yor.

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f&t man trends

Burberry Prorsum

İşte lkbahara yakışır, son derece renkl b r erkek koleks yonu. Gömlekler, ceketler, trençkotlar, kravatlar, ayakkabılar ve hatta gözlükler b le canlı renklerde…

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Puantiye deseni ve çizgililer de NROHNVL\RQGD ÑQH ÂöNDQODUGDQ

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f&t man trends

Salvatore Ferragamo İşte İtalyan şıklığının mzası. İlkbaharYaz Koleks yonu’nda İtalyan modacı, son derece zar f ç zg lere sah p b r erkek koleks yonuna mza atmış. Halı, k l m desenler göze çarpıyor.

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f&t man trends

Raf S mmons D or Modaev ’nde başarılı kar yer n sürdüren tasarımcı, 1995 yılında Hollanda’da yarattığı erkek moda markasının yen koleks yonunda cesur tasarımlara yer verd .

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Koleksiyonda ÂL]JLOL NXPDøODU EROFD NXOODQöOPöøWö $\UöFD øRUWODU GD GLNNDW ÂHNWL 125




f&t luxury sport

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Musto Salilng

Musto Salilng Chanel

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T by Alexander Wang

Banjo&Matilda

Lucas Hugh

º ò Ç Ç ± ǯ ­ Ǥ Ç ò çÇ ÇºÇ Ç ÇǤ

Christopher Kane

Hermés Gucci

Diane Von Furstenberg

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Gucci

Hermés

Hermés

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f&t luxury sport

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Adidas by Stella McCartney

Fendi

Moschino Mulberry

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Hermés


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Chanel

Louis Vuitton

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Louis Vuitton

Chanel Chanel

Chanel Chanel

Chanel

Dolce&Gabbana

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f&t weddings

“Benimle Evlenir misin?â€? “Evetâ€? dedikten sonra, sizi o bĂźyĂźk gĂźn birbirinize daha lOKĂŚAĂĽĂ?KĂŚEDECEK ĂŚyM~RĂŚ BOYUĂŚUNUTAMAYACAâĂ?NĂ?Z ĂŚĂŚ EâLENCELIĂŚBIRĂŚTyRENEĂŚSĂ?RAĂŚ geliyor. Siz bir kez daha SEVDIKLERINIZINĂŚyN~NDEĂŚ “evetâ€? derken elbette lOKĂŚG~ZELĂŚGyR~NMEKĂŚ ISTIYORSUNUZ ĂŚ0ANIâEĂŚ KAPĂ?LMADANĂŚOĂŚB~Y~KĂŚG~NEĂŚ HAZĂ?RLANMANĂ?ZĂŚVEĂŚEVLILIKĂŚ HEYECANĂ?NĂ?ĂŚDORUKLARDAĂŚ YAĂĽAMANĂ?ZĂŚIlINĂŚSIZEĂŚ KĂ?LAVUZĂŚOLACAKĂŚBIRĂŚDOSYAĂŚ HAZĂ?RLADĂ?K ĂŚeNL~LERDENĂŚ ILHAMĂŚALABILECEâINIZĂŚ yĂźzĂźkler, gelinlikler, SEZONUNUNĂŚDAMATLĂ?K ĂŚ AYAKKABĂ? ĂŚSAlĂŚVEĂŚMAKYAJĂŚ yNERILERIĂŚSAYFALARĂ?MĂ?ZDA Funda ĹžahinbaĹ&#x; HoĹ&#x;kal

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Naeem Khan

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f&t weddings

Michael Kors

Dolce&Gabbana

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Sergio Rossi

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FASHION&TRAVEL MAGAZINE / İLKBAHAR

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Jimmy Choo

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Adieu

JeZ½i

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Dolce&Gabbana

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ย ย ย ย ย ย ย รงย ย ย ย ย ย ย ย ยบย รงย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ร ย ย ย ย ย ย ย ย ย ย ย วค ย ย ย ย ย ย ย ย รงย ย ย ย ย ย ย ย ย ย ร ย ยญย ย ย ย ย ย ย ย ย ย ย ย ย วก ย ย ย ย ย ย ย ร ย ย ย วก ย ย ย ย ย ย ย ย ย ย ย ย ย รงย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย รฒย ย ย ย ย ย ย ย ย รงย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย วค รฒย ย ย ย ย ย ย ย ย ย ย ร รงย ย ย ย ร ยบร ย ร ย ร ย ย ย ย รฒย ย ย ย ย ยบย รงย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วก ย รฒย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ยบย ย ย ย ย ย ยบร ย ย ย ย ย ย ย ย ร ย ร ย ย รฒย ยญย ย ย ย รงย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ร ย วค ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย รงย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ยญย ย ย ร ย ย ย ย ย ร ยญร ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย วค ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย รงย ย ย ย วก ย ย ย รงย ย ย ย ย ย รฒรงรฒย ย รฒยบรฒย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ยบย ย ยญย ย ย รฒย ย ย ย ย ย ย ย ย ย วค รฒย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย รงร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ร ย ร ย วค ย ย ย ย ย ร รงร ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย วก ย รงย ย ย ย ย รง ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย วฏย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ย ย ยบย ย ย ย ย ย ย ย ร ย ย ย ย ย ย ร ย วค ย ย ย ย ย ย ย ย ย ย ยบย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ร ย ร ย ย ย ร ย ย ร ยบร ย ย ย ย ย ย ย ย ย ย ย ย ย ย ยบย ย ย ย ย ร ย ย ย ย ย ย ย ย ย ย ย ย วค


;IÂTÄSTÄ *QZ ,M\WS[ 8ZWOZIUÄ QtQV Ç Ç ò Ǥ ͕Ǧ͖ Ç Ç Çç ­ Ǥ ­ǡ ǡ ǡ ÇçÇ Ç Ç Ǥ ͕Ǧ͖ Ǥ ͙͔ ǡ Ç Ç ÇçÇ Ç ò Ǥ ç ǡ ǡ ǡ ǡ ç Ǥ º º Ǥ ò ò Ç º Ç Ç Ǥ ǡ ǡ Ú Ú Ǥ ò ò ͕͔​͔​͔ Ç Ǥ Ç ǡ Ç Ç Ǥ ç Ç ­ ǡ Ç ­ Ç Ǥ ƪ ò Ǥ º Úº Ǥ Ç Ç Ǥ o ò Ǥ Ç ­ ÇçÇ Ǥ Ç Ç Ç Ç Ǥ ƪ Ǥ çÇ Ç ò ò Ǥ

:;JEAI äw;9;âä Ç Ç º Ç Ç ç ­ ­ Ǩ ò ­ ò Ú Ǥ

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3QUTMZ ,M\WS[ AIXUITÄ' ǡ ç Ç ǡ ­ ­ ǡ ò ǡ ò ǡ Ç Ç ç ǡ ç ç ǡ çÇ Ç ǡ ­ ò ǡ Ç ǡ çÇ Ç ­ Çç ǡ Ç ǡ ò ç ç ç ǡ Ǥ

3QUTMZ ,M\WS[ AIXUIUITÄ' ò ǡ Ç ÇºÇǡ òçò ç ǡ Ç Ç ÇºÇ ò ÇǤ ǡ Ú º º ǡ ǡ ò ǡ ­ ò Çǡ ǡ Ç Ú ÇǤ

͖ Ç Ç Ú çÇ Ç Ç Ç Ǥ ­ ò Ç Ç ç º Ç Ç Ú ò Ǥ ͗ ç ò Ç º çÇ ÇºÇ Ç ÇǤ ͘ ò Ç ­Ç Ç ÇǤ ͙ ò ç ç º ç Ǥ ͚ ò ò Ç ǡ Ç Ç Ç Ç Ǥ ͛ Ǥ

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>7P?HB7D?à? J c cWbp[c[o_ _ä ebWhWa Xb[dZÕhZWd ][ _h_d l[ jWp[ ebWhWa _ _d$ JWjbWdZÕhcWa _ _d jWp[ p[dY[\_b" X_h fWh W aÕhcÕpÕ fWdYWh" aÕhcÕpÕ l[oW o[á_b X_X[h" fWpÕ [ab[o[X_b_hi_d_p$

Ǥ ç çÇ ò­ ò Ç Ǥ Brokoliǣ ǡ Ǥ Ç Ú Ǥ Çilekǣ Ǥ Domatesǣ ǡ ǡ ǡ çÇ Ǥ Enginarǣ º ­ Ç ò­ ò Ǥ òçò ò ò Ú Ǥ Greyfurtǣ ò ­ Ǥ G Ç Ǥ Ç Çǣ ǡ ǡ ǡ Ç Ç Ç Ǥ Kiviǣ Ǥ Lahanaǣ ò­ ǡ ­ Ǥ

Q ( WZ[j ^Wlk Q ( WZ[j a[h[l_p ZWbÕ Q ) WZ[j _ [a Xheaeb_ Q ( WZ[j aÕhcÕpÕ X_X[h Q , ZWb \[ib[ä[d Q aÕhcÕpÕ bW^WdW Q X[oWp bW^WdW

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f&t wellbeing

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Ǧ ǯ ­ Ç ± ǡ ǡ Ç ǯ Ç Ç ÇçǤ ° ǯ Ç Ç ò òǤ

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G ǯ Ç Ú ò Ç Ç Ç Ú ò ò Ç Ç Ǥ ºÇçÇ Ç ò­ Ç Ǥ

G ­ ǯ

Ç Ç ͣ͟ϓ º Ǥ ç ç Ç ­ ò Ǥ Ç ò Ç Ç Ç Ǥ

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ǯ Ç ­Ç ǡ ò ÇçÇ Ç Ç Ǥ ͟ ͝͡ ò ò Ǧ ǡ Ǥ


20


f&t wellbeing

Nua Ú Ç Ç ç º ǯ ǡ Ç ǡ º Ç Ç ò ǡ ç Ú Çç Ç Ç Ǥ

ǯ ͜͝ǡ ͝͠ ͞͝ ò ò Ǥ Ç ç ò ò ò ò Ǥ

ǯ Ç Ú ­ ÇçǤ ǡ º ­ º Ç Ç ò ò ò ç Ǥ ǡ Ç º Ç Ǥ

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G ǯ Ç Ú ò Ç º ­ ͢͝ Ç Ǧ Ç Ç Ç Ǥ

G ǯ Ç ǯ ç Ú ç Ǥ ǯ Ç ǡ τ͜͝​͜ Ç Çǡ Ǧ ò òǤ

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“Lezzette ve eğlencede gerçek fark MERİT PARK” PARK

Bilgi ve Rezervasyon için: +90 392 650 25 00 K e r v a n s a r a y M e v k i i , K a r a o ğ l a n o ğ l u G i r n e - K . K . T. C www.merithotels.com


f&t spiritual health

0!5,æ%-%29 3IHIRLIæ$OKUNUåLAæ'ELENæ4EDAVI 9ÏLLARÏNÏæ%&4 æ.,0æGIBIæTERAPIæYyNTEMLERINIæyâRENEREKæGElIRENæãNGILIZæ0AULæ%MERY æSONUNDAæKENDIæ¯SOSYALæFOBISINI°æ KENDIæGELIåTIRDIâIæ1%02æYyNTEMIYLEæTEDAVIæETMIå æäIMDIæBUæUZMANLÏâÏNÏæBAåKAæINSANLARÏNæHIZMETINEæSUNUYOR FASHION&TRAVEL Bize biraz kendinizden söz eder misiniz? Neden Ç Ç ǫ PAUL EMERY G ǯ ­ ­ Ç Ç ­ǡ ç ­ Ǥ Ú ç Ç Ç Ç Ç ǡ Ç Ç Ç Ç Ǥ Ç ­ ç Ç Dz dz ç Ǥ Ç ­ º Ç Ǥ ò ò ò ­ ­ º Ú Ǥ Ç ­ ­ ­ çÚ Ç ç ºÇ Ǥ ­ ç ç Ǥ ǡ Ç ­ Ç Ǥ ­ ç Çǡ ­ Çç Ç Ǥ º Ǥ ò Ç Çǡ ­ Ç Ç Çǡ Ç Ç º ò ç ç Ǥ Dz ç ­dz Ǩ çÇ ­ ç ­ ­ ç ç Ç Ǥ ç ç Ç ò ­ Çç Ç Ǥ ­ ç ç Ç Ç Ç ­ Ǥ Ç ­ Ǥ ç ­ Ǥ ͔͗ çÇ º

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Ç ǡ Ú çÇ ò ò ç ǫ ­Ç ç Ç Ç ç Úº ǡ ­Ú ò ç Ç Ç ò Ǥ ­ ­ ç ǡ ­ Ç Úº Ǥ ç º Ǥ Ç Çç Ǥ ­Ú ò Ç Çç Ç Ǥ ­ çǡ Ç Ç Çç Ç Ǥ

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<,/,1'$ ȋ º Ȍ º º Ç ÇºÇ Ç Ǥ º Ç Ǥ ò Ç .õ0/õ./(5õ1õ *õ=/(<(5(. Y º Ç Ç º ͙͔ Ç ò ò ǡ º ǡ Ú òºò ò 7('$9õ 6($16/$5,1$ ­ º Ǥ Ç ÇºÇ.$7,/$1 8=0$1/$5,1 Ǥ º Ú òç Ç Ç Ç º ç º Ǥ ò ò Ç º ò 2</$5,</$ 9(5õ/(1 9( ­ º Ç ­ ç Ǥ ò ò ç Úº Ǥ %8 $/$1'$ ¢,ó,5 $¢$1 Ç Ú òç Ç Ç º ­ Ǥ ¢$/,÷0$/$5,0 õ¢õ1 ƪ Ç Ǥ ò ò ǯ Ç ­ Çç Ç Ç Ú º /$<,. %8/81'8ó80 Úº ç Ç Ç ò Ǩ Ç Ç Ǥ ò ò p<,/,1 +2/õ67õ. Ç ç 7('$9õ6õq ±'·/·1· F&T ç Ç Ç ǫ Ç Ç ­ Çç Ç Ǥ PE Ú º ò ç Ç Ç Ç Ç ­ $/',0 .20õ.7õ ¢·1.· º Ç º ç òç º %õ5 $5.$'$÷,0 %$1$ Ç Ç Ǥ Ç Ú ò ò Ǥ Ç ç *(/õ3 6±</(<õ1&(<( ȋ Y ò ò ò ͙͝ǯ Ǥ ­ Ȍ Çç Ç Ǥ Ç òç .$'$5 $'$< ò º Ǩ ç Ç Ç Ç º ç ç Ç ç *±67(5õ/'õóõ0'(1 %õ/( ­ Ç Ç +$%(5õ0 <2.78 F&T ò ǯ ç º Ǥ Ç Ǥ Ú Ç ­ ç ǫ º ǡ Ç Ç ǡ PE ò ǯ ò Ú ò Ç ǯ ­ ç Ǥ Ç Ç Ǥ ǯ Ǥ ­ ­ Ǥ Ç Ç òçò ò Çç Ç Ǥ Y ­ Çç Ç ǡ ç ǡ ç Ç Ç ǡ ­ ºÇ Ç ÇºÇǡ Úƨ ò ò ò Ç ­ Dz Ç dz Ç Ç Ç º Ç Ç ­ ­ ç Ç Ç ­ Ç Ǥ ò ǯ Ǥ º ­ ǡ Ǥ ò ­ ­ Çç Ç Ǥ Çç º ç Ç Ç ò ò ò ò ǡ ­ º Ç Ç ­ Ç Ç Ǥ ǡ ç Ç Ç Ǥ Y Ú ò ò ­ ò Ç ò ͙ǯ Ǥ Ç Ç Ç Ǥ ­ ç ­ ç ç Ç Ç ­ ç Ç Ç Ǥ ò ò ç ­ Ç ȋ òçò Ç Ȍ Ç Ç Dz Ç dz Ú Çç Ç Ǥ G Ç ç ­ ò ò º ÇºÇ Ç ÇǤ ǡ ­ ç ç Ǥ Ç ǡ Ú ò ò Ú ò Ç ò ò Ǥ Ç Çǫ .ò ò ç ÇºÇ ­ ǡ Ç Ǥ Ç ç ç º Ǥ Dz Ç dz çÇ Ç ­ Ç Ç Ç Ǥ Y º Ú ò ò º Ú Úƨ Ç ­ ò­ò ºÇ Ç Ç Ç Ǥ Ç Ç Ç Ç Ç ­ Ç Ǥ òçò ò ­Ç ­Ú ò ­ Ǥ f ò ò Ç ǡ 5LFKPRQG 1XD Ç ǡ ­ ç Ç ­Ú ò Ǥ F&T ÇºÇ Ç ǫ Ç ­Ç Çǫ PE ­ Ç ȋ Ç Ȍ º ͙͗ Ç Úº º ç Ú ò ÇçÇ ÇǤ Ç Ç ­ º Ç Ç Ú º Ǥ Ç­ ÇǨ Ç ò ­ Çç ÇºÇ º Ú òºò ­ Ç Ç Ç ç Ǥ ç º ò ­Ç ÇǤ F&T Ç Ç Ç ò ò ǫ PE Ç Ç ÇºÇ º ÇǤ G Ú º Ú Ç Ǥ Ç Ç Ç Ú ºÇ Ǥ ò ­ º Ç ȋ Ȍ ç Dz dz ò ò ­ Ú Ç Ç Ç Ç

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f&t spiritual health ò ò ǡ Ç Ç Ç Çǡ Ú ­Ç Ǥ ò ç º Ǥ ò ǯ Ú º Ú Ǥ F&T ÇºÇ Ç º Ǥ º Ç Ç ǫ PE ò ò º Ǥ Ç ÇºÇ Ç Ç ò ò ò ­ ÇçÇ Ǥ Dz Ç º dz Ç Ç Ç ǯÇ Dz Ç Ç G Ú dz Úº Ǥ Ç ­ ò Ç º ǡ ò ò Ç Ç Ç ­ Ç Ǥ ­ÇºÇ ­ ͖ ò ò Ú ­ Úº ç ǡ Ç Ç ç ç Ç Ç ç Ç Ǥ ò çÇ ­ ­ ç Ǩ ò Ç Ç Ç ç Ç Ç ç Ç Çǡ Ç Ç Úº Ǥ ç çÇ Ç Ç Ç Çç ò ç Ç Ç Ǥ Ç Ç Ç ­ ç Çç Ç Ç ç çÇ Ç Ç ­Ú Ú -

Ǥ Ç Ǣ ǯÇ ­ ç Ç Ç Ç º Ǣ ò ò òǡ Çǡ ǡ ǡ Úƨ ǡ ǡ ǡ ç ǡ ǡ ºÇ Ç Ç ǡ ­ ǡ º Ç ­ Ç Ç Ç Ç ò­ ò Ç Ǣ ­ Çç Ç Ç Ç ­ Ç Ç Ú Ǣ Ç Ú ò Ú Ǣ ­ ç Ç Ç º Ç ÇºÇ Ú Ǣ ǡ Ç Ç º ç ­ Ú Ç Ç Ǥ F&T Ç ͖͔͕͘ǯò Ç ǯ ­Ç Dz dz Ç Ç Ç Ǥ Bize biraz kitaptan söz eder misiniz? PE ǡ Ç Ç Ç çÇ ç º Ú ò Ç Ç ­ ­ Ǥ Dz G­ . Çdz Ç Ç Çç ­ Ç Ú ò ç Ǥ Ú ò ç Ǥ G Ú ò ­Ú Ç Ç ­Ú òºò Ç ÇǤ G Ú ò ­Ú ­ Ú Ç Ç Ǥ Ç Dz dz º Ç ºÇ Ç Ç ­ò ò º Ç ­ Ú º òçò ò Ǥ F&T ò ­ Ç Çǫ PE f º Ç ­ Çç Ǥ Ç Ç Ç Ǩ

F&T Ç Ú ò ò Ǥ ò Ú ò Ç Ç ǫ PE ͖͔͕͔ Ç Ç Ç Ç Ç Ç ­ÇºÇ ­ ­ Çç Ç ­ ¢,ó,5 $¢$1 Ç º Dz Ç Ç dz p+$9(1,1*q Ú ò ò ò Ç Ǥ ǡ ­ò ò çÇ Ú Ú 7(.1õóõ1õ 7·5.õ<(o'( º Ǥ 8<*8/$<$1 õ/. ºÇ Ç òçò ò ­ò ò ­ Ú 9( 7(. 7(5$3õ67 Ú ç Ǥ ÇºÇ Ç Úº Ǩ ­ 2/0$.7$1 '2/$<, ò ò Ú ò ç Ç Ç ç Ç Ç ¢2. +(<(&$1/,<,0 ç Ç Ç Ç Ǥ

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F&T º ç Çǫ PE .ÇºÇ ­ Dz dz º ò ǯ Ç ­ Ç Ç Ǥ ǯ º Ç Ç Ç Ǥ Ç º ç ­ ò ò ç ÇǤ Ç Dz dz ­ÇºÇ ­ Dz Ǧ dz Ú Ǥ Ǥ ò ç Ç Ç Ú Ç ç º ÇçÇ Ç Ç ç Ç Ç Ç Ú Ú ò ç º ç Ǥ Dz dz ­ Ç Ç Ç ǡ º Ç Ç Ç òçò Ç Ç Ǥ Ç Ú Ç ò ­ ç Ç Ç ­ Ǥ Y º Ú ò ò Úƨ ǡ º Ç Ç Ç Ç Ç Ǥ ç ç Ǥ Dz dz Ç Ç Úƨ ǡ º Ç Ç ­ Ǥ º ÇǨ º Ç Ç Ç Ç Ç ͕͘ Ǧ͚ Ç ǯ ǯ Ǥ Ç Ǥ Ǥ Ǥ

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f&t hotels

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4AJæ%XOTICAæ2ESORT 3PA 4AJæ%XOTICAæ2ESORTæ æ3PA æ-ALDIVELER²DEæEGZOTIKæ%MBOODHUæ&INOLHUæ!DASϲNDA æ D~NYANÏNæENæB~Y~KæDOâALæLAG~NLERINDENæBIRININæTAMæORTASÏNDAæYERæALÏYOR æ

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ǡ o­ Ç Ç Ç çÇ Ǥ Ç ǡ ­ ­ Ç Ç Ç Ǥ çÇ ­ Ǥ Ç Çǯ ͕͙ Ç ò º ç Ǥ Ƭ ǡ Ç Ç ò ­ Ç Ú ò ò Ǥ ͚͘ ò ò ç Ú Ú ò ç Çǡ Ç Ú ç Ç º Ç Ǥ ò ç º ç Ú º Ǥ ò­òºò ͕͛ Ç ò òºò ͙͔​͔ Ǥ ­ Ú ç Ú Dz ç Ú dz ÇǤ ­ Çç ­ Ú Ǥ Çç Ç ǡ ­ Ǥ Ƭ ­ Ç ­ Ú ç ǡ Ç º Ǥ ǡ Ç ǯ Ç ǡ ò Ç ò ­ º ­ º Ǥ

Taj Exotica Resort & Spa, Maldives P.O. Box 2117, South Malé Atoll, Republic of Maldives Telefon: (00 960) 664 2200, Faks: (00 960) 664 2211 E-mail: exotica.maldives@tajhotels.com www.tajexoticabrochure.com

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¯(ERæ:AMANæ'~ZELæ/LANAæãLGIæ$UYDUM°

GERALD GHISLAIN

“Histoires de Parfum” ün 12 parfümünün YARATÏCÏSÏ æBIZEæENæYENIæ æPARF~M~æ æ-ATAæ (ARIæVEæ æ#ASANOVA²NÏNæyYK~LERINIæANLATTÏ Röportaj Leyla Melek Çifçi

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Ǥ º Ú ò ò FASHION&TRAVEL Bize par çÇºÇ ­ ­ ­ fümlerinizden söz eder misiniz? ºÇ Ç Ç Ç Gerald Ghislain parfümlerinin Ç ò Ç Ǥ Ç ǫ GERALD GHISLAIN G Ç F&T ò Ç ò ò ò ­ ǫ Ú ò Ç Ǥ GG ò ­ ÇºÇ ­ º ç º Ú ò Ç Ç Ǥ Ǥ ò %(1 5õ6. $/0$<, 9( .(1'õ0õ Ǩ ò ò Ú º <(1õ'(1 .(÷)(70(<õ 6(9(5õ0 (1 F&T ò ò Ç ò ò 6(9'õóõ0 ÷(< %õ5 õ67(óõ <$ '$ ò ò ç Ç Ǥ Ǥ ò $5=8<8 .$95$06$//$÷7,5,3 218 Ç Ú Ç ­ %õ5 )õ.õ5 2/$5$. ÷(.õ//(1'õ50(. 9( ǫ Ǥ 6215$ '$ +$<$7$ *(¢õ50(.7õ5 GG ǡ Ú ǡ Ç ÇçÇ ǯ Ç Ç ­ Ǥ Ç Ç Ç ǯ ò Ç Ç ò Ǥ Ú Ç ­Ç ç Ç Ç Ǥ Ç Ç Ç ò Ç Dz ò ò Ú òdz Ç ǡ Ǥ òç ò Ç Ç Ç Ç Ç ÇǤ ò ò ò º Ç ò ç Ç Ç Ǥ ­ Ç ÇçÇ ç ­ ò ò ò ò ­ º ­ ­ Ç ­ ­ Ǥ ­ ­ Ǥ ­ ÇºÇ ò Ç Ç Ç ò ò ò ò Ç Ǥ ǫ ­ ­ ò ǡ ò ò ò ÇçÇ Ç ÇºÇ ­ ç º Ç Ú ò ò ÇF&T Ç ǫ Ǥ ò ò Ç Ç ǯ GG Dz ò ç dz Ǥ Ç Ǥ Ǽ ç ǫ Ç ç Ç ç Ç º Ç Ç Ç ǽ ç çǡ ǡ ǡ Çǡ Ç Ç Çǡ ­ ç Ç ȋ ǯ Ȍ Çç Ç Ç Ǥ ǡ ǡ Ú Ú

ò ò ò Ç ç Ǥ ò ò çÇ ­ ç Ǥ º ǡ ­ ò ­ Ǥ ò ò Ç Ǥ G ­ ç F&T Parfümlerin özellikleri neler? ÇºÇ Ú Ȃ ç ò º GG º Ç º ò Ç Ǥ ÇǤ ÇºÇ Ç ç Ç ­ Ç ǡ Ú ç ò ò ǯò º Ǥ ç Ú ò ò ò ÇǤ ­ Ç ç Ç Ç Ǥ Ç ÇºÇ Ç Ç Ç ç Ç Ç ÇǤ ͕͚͛͜ǯ Ç ò ǡ ­Ç º Ç Ǥ ò . ­ ç ­ º Ç Ǥ Ç ­ º Ç Ç ÇºÇ Ç ÇºÇ Ǥ ͕͚͛͜ǯ ç ­ Çç ç ò Ǣ ò òǡ ­Ç º Ç Ç ç Ǥ Ç ò ç ò Ǥ ç ǡ ò ò ǯ Ç Ú ǡ º Ç ǯ Ç Ç Ç Ú ǡ º Ç Ç ­Ç Ç Ç Ǥ Ç Ç Ç Ǩ º ç Ǣ ­ ÇºÇ Ç Ú Ǥ ǡ F&T ò ǫ ç Ç Ç Ǩ Ú ͖​͖ çÇ ç GG ç ­Ç Ç Ç Ç Ç ­ ç Ç Ç ­ Ç Ǥ ͕͝​͝​͝ǯ Ç ǣ ͕͚͛͜ ǥ ò ç ç Ç Ǥ ǯ º Ú ò Ç ǡ ­ º ç ǣ ͕͖͙͛ ǥ ǯò ͕͖ ò ò Ç ÇǤ F&T ò ç Ç ǫ GG ò ­ ǡ ǯ ­ ­ò ò ­ Ú ͗ Ú ǣ ǡ Ǥ Ç ÇçÇ ç Ç ­ Ǥ Ç ò ­ ­ ò ò ò ò ç Ç Çç ò­ ò Ç Ç ­ Ǥ º ò º Ç ­ Ǥ ç ­Ç Ç Ç ÇºÇ Ǥ Ç ò ­

F&T º ò Ç Ç Ç Ç Ç ǫ GG Ç ç Ǥ º ç º ç Ç Ç ç ­ Ǥ Gç Ç Ç Ç Ç ç ò çÇ ç Ç Ç ç Ç Ç ç ­Ç Ç Ç ç çÇ Ç Ç Ǥ ò ç ò ò ç Ç Ǥ Ç ç ­ Ǥ

151


f&t perfume

+/+5,!2).æ$e.9!3)

ãLKBAHARæSEZONUNDAæYEPYENIæKOKULARæBIZIæBEKLIYOR æ"UæPARF~MLERDENæBAZÏLARÏ ælOKæENDERæBULUNANæyZELæ IlERIKLEREæSAHIP æ6EæHEPSININæDEæBIRæHIKAYESIæVAR 152

FASHION&TRAVEL MAGAZINE / İLKBAHAR


Emporio Armani/Diamonds Rose

Bulgari/Omnia Serisi

ǯ ç Ú ò ò ò ò ò ǡ Ç Ç ÇºÇ º ǡ Ç Ç ç ­Ç Ç Ç çÇ Ç Ç ò ò ò ­Ç Ç Ǥ ǡ ç ­Ç Ç Ç Ç Ç Ç ÇǤǤǤ ò ò ò ƪÚ º ç Ǥ ò ò ò º ǡ Ç Ç ­Ç Ǥ G ­ ­ º Ç Ç Ç Ç çÇ ç ò ò ÇºÇ Ç Ǥ ò ò Ç ǡ ­ Ǥ Ç ç ç Ç ò ò Ç Ç Ç Ç Ǥ ǯ Ç ǡ ÇçÇ Ç Ǥ

ç ­ Ç Ç Ç Ǥ Q ǡ ò çÇ Ç ò ò Ç Ç Ç ƪ Ǥ ­ ­ ºÇ Çç Ç Ç ǣ ò ò Ç Ç º çÇ Ǥ Q ǯ ǡ ƪÇºÇ Ç ­ º ­ ­ º Ç Ç ÇçÇ Ç Ç ò Ǥ º ò ò ò Ç Ç ÇǤ Q ǡ Ç ǡ ç çÇ Ç ÇǤ ǯÇ Ç ­ ­ º Ǯ ò ò ǯ . ǡ º Ǯ ǯ ­ ­ º Ǥ Q ǡ Ç ÇºÇ ç ç ƪ Ǧ Ǥ ò ò ǡ Dz ç Ç Ç Ç çÇ Ǥ ­ ­ º Ç ç º ò ç dz Ǥ ÇºÇ Ç Ç Ç º ç ­ ǣ Ǥ

A^M[ ;IQV\ 4I]ZMV\ 5IVQNM[\W 4¼MKTI\ -I] ,M <WQTM\\M Ç Çǡ ͖͔͕͗ǯ ǯ Ç ÇǤ ç Ú ò ò ò Ç ÇçÇ Ç Ç Ç Ç Ç ǡ ͖͔͕͘ǯ Ç ǯ çÇ Ç ­Ç Ç Ǥ ç Ç ç ÇçÇºÇ Ç º ç ­ ­ Ǥ º ºÇ Ç ­ ­ º ò ç Ú Ç Ç ç Ǥ ǡ Ç Ç Ç Ç ÇçÇ Ç Ç Ç ò ò Ç ÇçǤ

*ITMVKQIOI :W[IJW\IVQKI ǯ Ç ò ò ǡ ò ç ç Ǥ ǡ Ç Ç ò ­ Ú ǡ Ǥ ǡ ò Ç Ç Ç Ǧ Ç Ç ÇǤ ò ò Dz ç Ç ƪ çǡ ò ò òǡ Çǡ ­ ò dz Ç Ç Ǥ ç Ç ò ǡ ò ò ºÇ Ç Ç Ç Ǥ Çǡ ­ ­ º Ú Ç Ç ­ ò ç ç ò ò Ç ­ Ç Ǥ ç ÇçÇ ò Ç Ç Ǥ

*ITMVKQIOI, Rosabotanica

Bulgari, Omnia Amethyste

Bulgari, Omnia Crystalline L’Eau de Parfum

Emporio Armani, Diamonds Rose Bulgari, Omnia Coral

Yves Saint Laurent, Manifesto L’eclat Eau De Toilette

153


f&t perfume

:WJMZ\W +I^ITTQ, Signature

:WJMZ\W +I^ITTQ, Nero Assoluto

:WJMZ\W +I^ITTQ ;QOVI\]ZM ;IOI ;MZQ[Q ǯ Úº ç Ç ǡ ò Ç Ç Ç Ç Ç Ç Ǥ Y ǡ Ç Ç Ç Ç Ç Ç ÇçÇ Ç ò Ǥ ͖͔͕͖ Ç Ç Ç Ç Ú Ç Ç ­ ò Ç Ç ò ç Ç ç Ç ç ÇǤ Ç Ú ç ç ç Ç ÇǤ ò ò ò ǡ ò ò ò Ç Ç Ç ǯÇ Ç Ç çÇ Ǥ G ǯ ­ ç º Ç Çǡ ǯ Ú Ç Ç Ç ƪ ç ÇǤ ò ò Ç ǡ ­ ­ º ç ­ ­ ç º ÇǤ Q Dz dz ò òǡ ­ Ç ÇǤ ºÇ Ç Ç ƪ ­ ­ º ç ­Ç Ç Ç ÇºÇ Ç Ǥ Q Dz dzǡ Ç Ç Ç Ç ÇǤ ǯ ò Ç Ǥ Q Dz dzǡ ­ ƪ ò ç Ç Ç ç Ç Ç ç Ǥ Q Dz dzǡ ƪ Ç Ç ­ ­ º ç Ç Ç Ǥ

4IVK UM 4I >QM -[\ *MTTM ͕͙͗͝ǯ ò Ç ǡ ǯ Ç ǤǤǤ ǡ ͕͜Ǥ ò Ç ­ Ç Ç ç ǯ ­Ç Ç ç Ç Ǥ ͕͘͝͝ǯ ǡ ç Ç Ç ò ò ò ç ç Ç òçò ò Ǥ ͚͔ Ç ­ Ǥ Y ò ǡ º ò ò ǡ ò ò ò ò Ǥ

:WJMZ\W +I^ITTQ, Acqua

154

FASHION&TRAVEL MAGAZINE / İLKBAHAR

:WJMZ\W +I^ITTQ, Exotica

4IVK UM, La Vie Est Belle


w w w. k k h o t e l s . c o m

K+K Hotel George LONDON

K+K Hotel CayrĂŠ PARIS

K+K Hotel Picasso BARCELONA

K+K Hotel am Harras MUNICH

K+K Hotel Opera BUDAPEST

K+K Hotel Fenix PRAGUE

K+K Hotel Central PRAGUE

K+K Hotel Elisabeta BUCHAREST

K+K Restaurants SALZBURG

K+K Hotel Maria Theresia VIENNA

K+K Palais Hotel VIENNA

Welcome to the K+K Hotels. Elegant hotels in prime locations in Europe’s leading cities are the hallmark of our family run enterprise, and we are proud to offer a consistently high quality of service, with all the amenities to ensure our guests enjoy a relaxed and comfortable stay. Whether visiting for business or pleasure, we have sought to provide you with the latest services and facilities to make K+K Hotels an ideal and fondly remembered base for your city breaks and business trips.

fashiontv magazine xx

L O N D O N PA R I S B A R C E L O N A M U N I C H S A L Z B U R G V I E N N A B U D A P E S T P R A G U E B U C H A R E S T


f&t perfume .ZMLMZQK 5ITTM 8WZ\ZIQ\ 7N ) 4ILa ^ M .ZMVKP 4W^MZ

Memo, Quartier Latin

ò Ú ò ò ò ò ò ǯ ǯ ± ± ǡ ­ ò­ò ç Ú ò Ç ­ Çç ÇºÇ Ç ò ­Ç Çç Ç ò ò òǤ ǡ Ç Ç Ç ƨ ç ò o ǯ ǯ ǯ º ǡ ǯ ò Ç ­ Çç ç ò ò Ç Ç Ç Ç Ǥ Ç Ç Ç ò Ç Çç Ç ǡ ò ò ò ò Ç Ç Ç ç Ǥ Ç Ç Ç Ç Ç Ç Ç Ú ­ ç Ç ± ± º Ç Ç ǡ ͖͔​͔​͔ Ç Ç ò ç Ç Ç º Çç Ç Ç Ǥ Q ǣ ò ò Ç ­Ç ǡ º Çǡ ­ ǡ Ç Ç ­ ç Ç Ç Ç Ç ò ò ò ­ Ǥ Q ǣ ǡ ǡ Ç Çç ǡ ǡ ò ò Ç Ç ò ǡ Ç ÇçÇ Ú Ǥ

Memo, Lalibela Landscape

5-57 .:)/:)6+-; ǯ G ǡ ǯ ò ò Ú ǡ ­ Ç Ç Ç ç Ç ǡ ­ º Çǡ Ç ò ç Ç Ç Ǥ ­ Ç ­ ç Ç ͖͔​͔͛ Ç Ç ǯ Ç Ú Ç Ç Ç ò ÇºÇ Ç Ç ± ǯ ­ º ç Ǥ ǯ ­ Çç Ç ÇºÇ ç Çç ± ǡ ò Ƭ ǯ ǡ

ǯ ǡ ǯ ±ǯ Ç ǡ Ç Ç ­ ­ ò Çç Çǡ Ç Ú Ç ç ç ç ç Ǥ ǯ Ç ò Ç ± ǯ ǯ Ú ò ò ò Ǥ Y Ç Ç Ç Ç ç ƪ ­Ç Ç ò ǡ Ç Ç ­ ºÇ G çÇ ÇºÇ Ç Ç Ç Ç Ǥ ò Ç Ç ò ò ­ Ú ǡ ǯ ÇçÇ Ç Ç G ç ǡ ǯ Ç ­Ç ǯ Çǡ Ç ò ò ǯ ǯÇ ò ǡ ò ͕͗ ç ͕ ­ ò òǡ Ç Ç Ç Ç ǡ Ç Ç Ç Ç Ç ç ò ò ò Ǥ ǡ ò Ç Ç çÇ ­ çç Ú Ç Ç Ç º ǡ ­ ò Ç Ç Ç ǯ ç Ǥ

156

FASHION&TRAVEL MAGAZINE / İLKBAHAR

.ZMLMZQK Malle, French Lover

.ZMLMZQK Malle, Portrait of a Lady


GRECOTEL W W W. G R E C O T E L . C O M

HOTELS & RESORTS

MYKONOS RHODES

KOS

AT H E N S R I V I E R A

CHALKIDIKI

CORFU

PELOPONNESE

ALEXANDROUPOLIS

LARISSA

CRETE

GRECOTEL IS A COLLECTION OF GREECE'S FINEST RESORTS, EACH INDIVIDUALLY DESIGNED AND CRAFTED, INSPIRED BY ITS OWN SUPREME BEACHFRONT LOCATION. ISLAND RETREATS, ENCHANTING WATERFRONT PALACES AND CONTEMPORARY CHIC RESORTS. GIVE YOUR LOVED ONES MOMENTS TO CHERISH FOREVER

central reservations : +30 2107280450




f&t vacation trends

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FASHION&TRAVEL MAGAZINE / İLKBAHAR


Yeni Zelanda Ç Ç Ç Ç ǡ Ç Ç ǯ ­ Ǥ ǯ ͜͡ Ç Ç ç ͜͞͡​͜ ç º Ç ǡ Ú ǡ Ç Ç ­ Ç ç Ǥ ò Ç Ç ͟͞ Ç Ç ç Ǥ ò ò ò òǡ Ç Çǡ º ò º Ç Ú ­ Ç Ǥ

161


f&t vacation trends

ò Ç Çǡ Ǧ Ç Ç ǯ ­ çò Ǥ Ú Ç ­ ç ò Ç ­ Ç º ǯ ç ǡ ­ ç Ǥ ǯ Ç ç ç Ǥ

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162

FASHION&TRAVEL MAGAZINE / İLKBAHAR

­ Ç ǯÇ Çǯ Ç ç Çǡ Ç ǯ Ç ò Ç Ǥ ǯ ­ Ç Ç ç ǺÇǡ Çç Ç Ú ­ Ç Ǥ ò ò ­ ­ Ú ò ò ò Ç Ǥ


SİNGAPUR H AVAYOLLARI

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Toplam 4 Sayฤฑ Fashion&Travel Magazine Aboneliฤ i 80 TL yerine 60 TL $G

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Corso Imperatrice, 80 I-18038 Sanremo (IM) Tel. +39 0184 5391 Fax +39 0184 661445 reservations@royalhotelsanremo.com royalhotelsanremo.com royalwellness.it


f&t vacation trends

Ç ǯ ÇºÇ ͢͜​͜ Ç Ç Ç Ç çÇ ÇºÇ Ç Ç Ç Ç Ǥ Ç Ç ǯ ǡ ­ ò Ç Ç Ç Ç ºÇ çò Ǥ Çǡ ºÇǡ Çǡ Ú ò Ǥ

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ò Ú ò ç Dz dz çÚ ­Ç ­ ç Ú òç º Ç Ç ç Ç Ç Ú Ǥ

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FASHION&TRAVEL MAGAZINE / İLKBAHAR


Çǯ Ç Ç Ç ͜͝​͜Ǥ Ç Ç Ç Ç Ú Ç Ç Ǥ ǯ ­ º Ǩ ǡ º Çǡ Çǡ Ç Ç Ç ç ò ǡ Ç ò Ç Ç º Çç ǯ Ç ­ ­ Ǥ

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165


f&t hotels

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FASHION&TRAVEL MAGAZINE / İLKBAHAR


Rezervasyon için; Reservations. Bku@fourseasons.com or +994 12 404 24 24 www.fourseasons.com/baku

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167




f&t travel

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FASHION&TRAVEL MAGAZINE / İLKBAHAR


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Rezervasyon için; reservations@royalhotelsanemo.com www.royalhotelsanremo.com Tel. +39 0184 5391 Faks +39 0184 661445

175


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HOTEL GRANDE BRETAGNE A Luxury Collection Hotel, Athens

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178

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KING GEORGE

A Luxury Collection Hotel, Athens King George, a Luxury Collection Hotel, Athens Syntagma Square – 10564, Athens – Greece T: +30 210 32 22 210 F: +30 210 32 28 034 kinggeorgeathens.com

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182

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Desenin Dili

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5ZUNæYÏLLARDÏRæ0ARIS²TEæYAåAYANæ lIZERæ3ELlUKæ$EMIREL æNISANæ AYÏNDAæIKIæSERGIYLEæBIRDENæ ãSTANBUL²DA æ¯"AåKAæ"IRæ9ERDE°æ VEæ¯$EFILE°æKITAPLARÏæISEæ æ YÏLÏNDAæYAYÏNLANDÏ æ(EPSIæBUæ KADARæDEâIL æ(EMæ4~RKIYE²DE æ HEMæDEæ&RANSA²DAæYAYÏNLANACAKæ BAåKAæKITAPLARæDAæYOLDA§ Röportaj Leyla Melek Çifçi

FASHION&TRAVEL Y ò ò G ǯ Ç Ǥ Ç ò ò ǯ º ǯ ǥ ǫ . G Ç çÇ G ǯ ­Ç Ç Ǥ ͖ ǯ G Ç ò ò ǯ Dz ǯ ȀG º ç dz ç Ç Ǥ ǡ ͕͛͘͝Ǧ͖͔͕͘ Ç Ç Ç Ç Çç Ç ­ ç Ǥ ͔͘ Ç Ç Ç ­ ǡ ò­ Ç Çç ­ ç Ǥ ͙͔ǯ Ç ç ǡ ͖͔​͔ǯò ò ò Çǡ òçò Ú ò òºòǡ çȀ Ççǡ ǡ Ú òçò ǡ Ç ò ò Ǥ Ǥ ­ ç ǥ ͖ ǯ ò çÇ ­Ç Ǥ ǯ ǡ º Ç ͘ ǯ ­Ç Ç ò ò ­ º º ­ Ú ò çǡ Ç Ççǡ ­ ­ Çç ò ò Ǥ ­ Çç Ç Dz ç dz Dz dz Ç ­ Çç Ç Ç Ǥ çÇ ò­ ­ Ç ò ­ ÇçÇ Ǥ f Ç ­ ǡ ç ÇºÇ Ç º ǡ ò ò Ç Ç ÇºÇ Ç òçò ò Ǥ . Ç ò Ç Ǥ ò ò Ú Ǥ Ú ò ò ò Dzç dz òçò ò Ǥ ǯ Dzf Ȁ dz Ç Ç Ǥ

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F&T Ç ò ò ǯ ­ ç ò ò ǯ çÇ ­ ÇçÇ Ç ǫǤǤ SD Ç ò ò ǯ Ç Ç ǯ çÇ Ç Ǥ Ç Ç ǡ Ç ò ǯ ­Ç ­Ç ÇçÇ Ç ò ò ǯ Ú Çç Ç Ç Ç Ǥ ò ò Çç ǡ º Ǥ ­ Ç ò çÇ Ç Ç òçò ò ǡ Çç Ç ­ ç Ǥ F&T ǯ ÇºÇ Ç ǫ Ç ǡ Ç ç ǫ ǯ ò Ç Ç Ç ǫ SD ͕͛͜͝ Ç Ç ǡ ò ò ͗ǯò ǯ º Ç Ǥ ͖͘ çÇ Ç Ǥ Ç Úº Ǥ ǡ ­ ǡ ǡ ò ǯ ǯ ç Ǥ Ç Ǥ ǯ ͕͛ Ç ͕͘ çÇ ÇçÇ Ǥ ò ǡ ǯ Ç º ǥ ǯ Ç ͕͘ Ǥ G ͚ ǥ ȋ Ú Ȍ º ç Ǥ f ç ÇºÇ ͕͝​͜͝ Ç Ç Ǥ ͕͔͝​͔ǯ ò Ç Ç ç Ç Ç ÇçǤ ç Ç Ǥ Ç ÇǤ Ç ǡ ͕͔​͔ Ú ­ ò Ǥ Ç Ç ÇºÇ Ç Ú ­Ç Ç Ç Ǥ Ç ºÇ ºÇ Ç ç º Úç Ǥ Ç ò­ò ò Ç Ǥ Ú ò­ ǡ çÇ ͕͜ ò ò òºò Ǥ G ò ò ­ Ç Ç Ǥ Ç ºÇ Ú Ǥ ò­ò Ç ǡ ͗ǡ ͘ ò ò òºò Ǥ G­ ò ò ç ǡ ǡ ǡ Ç ǡ Ú Ǥ

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p%$÷.$ %õ5 <(5'(q .õ7$%,1'$.õ '(6(1/(5'( %õ5 ¢2. 6(0%2/ 9$5 $ó$¢/$5 .,=,/'(5õ/õ/(5 .29%2</$5 3$1=(5/( <·5·<(1 õ16$1/$5 ÷õ''(7 .$1$7/$5,1'$ ¢$50,ó$ *(5õ/0õ÷ 0(/(./(5 +$<$7 ±/·0 $5$) %±&(./(5 0(/(. .$1$7/$5, õ/( 8¢$1 8¢$./$5 9( .8÷/$5f Ǥ Ç Çç Ç Ççǥ ­ ç Ú Ǣ ç ç Ç Ç ­ Çç Ǣ º ç òçò òºò ò ͛ǡ ͜ ­ º ǡ Ǥ Ç ç Ç Ç ò Ǥ Ç Ú ǯ ç º ǡ ò ò Dz ǯ dz ÇºÇ Ç òçò Ǥ Ú ò ò ò ò Ç Ç Ç ­ º ǡ ­ ç ǯ Ç Ǥ . ǡ ǡ ò ǡ Ç Ç Ç Ç Ç Ç ç ǥ G Ç º Ǥ ç çÇ Ç Ǥ Ç ­ çÇ ò ò ò Ç Úº ǡ ç Çǡ ǡ G ǯ ǡ ­Ç Çç Ú ò Ç Ç ç Ç Çǡ Çǡ ǡ ò ǡ Çǡ º ç Çǥ Ç Ç ç ÇºÇ ­ ǡ ò ÇºÇ ­ Ç Ǥ F&T Ç ò Çç Ç Ç Ç º Ú ǫ SD ò Ç ǯÇ ǡ Ç ò ò ò ǡ ò Ú ò ò Ç Ú ò ò ò ç ºÇ Ç Ç ç ò º òçò Ǥ . çÇ ç Ç Ç ­ º Ǥ º ºÇ òç ò Ǥ F&T ǯ Ç ÇçÇ ç ò ç Ç ÇǤ ǫ SD ͕͝​͜͝ Ç Ç Ç ò ò çÇ Ç Ǥ Ç ­ ÇǤ Ç ç ǡ ǯ Ç ÇºÇ Çǡ Ç ­ ò Ú º Ú Ǥ Ç ǡ ­ Ú òºò ò ­ º ǡ º Ç ǯ Ǥ ç ǡ º ­ Çç Ç ǡ Ç ǯ Çç ǡ ç ­ ǯ º Ú ò Ǥ

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G ǯ Ú òç ò Dz Ǧ dz ç Ç Ǥ ò ç Ǥ ­ ǥ ò ­ Ú ǡ ò ǥ ǡ Ú Ǥ Ç ­ Ç Ç ÇºÇ ­ Ç ­ Çç Ç Ǥ ò ò Ç Ç ǡ ǡ ǡ ǡ ǡ ǡ ǡ ǡ ­ ò ò Ç Ǥ ò Ç ÇǢ ǡ ǡ Ç Ǥ ǡ ǡ Ú Ǥ Ç ǡ ͔͘Ǧ͙͔ǯ Ç Ç ǡ Ç Ǥ Ç ÇºÇ ǡ ǯ ­ ­ Çç Ǥ ç ç ò òǡ Ç ­ ǡ Ç Ǥ F&T ǯ ­ ç Ç ÇçǤ ò ò Ç Ç Ç Ç Ç Ç ǫ SD ò ǡ ­ ò ò ò ­ ­ ç ç Ç Ç Ǥ Ç Ç Ç ò ǡ º ­ Ç Ǥ ǡ ǡ ǡ ç Ç Ç Ç ­ ǡ Ç Ç Ǥ Ú º ­ Ç Ǥ Ç ­ Ç Çç ç ­ ǡ Ç ç º ò º ǡ Ç Ǥ ò ǡ Çç Ǥ Ç Ç Ç Ç Ç çÇ ǡ ç Ú Ǥ Ç ò ò Ú òºò ò ­ ǡ ò Ǥ Dz Ǩdz ǡ ò ò ­ ǡ ò ­Ç Ç Ç ç º ò ç Ǥ çÇ ǯÇ Ç ­ ȋ º Ç Ȍǡ ǡ ÇçÇ ǡ ò ­ Ç Ç Ç Ç Ǥ ò ò ò º òçò ò Ǥ ͕͖͜͝ Ç Ç Ç ò Ç ­ Ǥ ǡ ǡ ǡ ǡ ǡ



f&t exhibition ǡ ǡ º Ǥ ­ ò ò Ǥ F&T ­ º Ç ò ǯ Ç Ç Ç Çǣ Dz ç dz Dz dzǤ Dz ç dz Ç Ç Ç Ç ǫ SD Dz ç dz Ç ǡ ­ ò­ò ǡ ò ͗ǡ ͙ ò ǡ Ç ­ Ǥ òçò ǡ Ç çÇ Ǥ ò Ç çÇ Ǥ ­ Çç Ç Ç º ǡ Ú ò ò ò ò ò ȋç Ç Ȍ Ç Çç Ç Ç Çç Ç Ç Ǥ º Ǥ Ç Çç Ç Ç º ǡ Ç Ç Ǥ Ç ç ǡ ­ Çç Ç Ǥ Ç Ç Ǥ Ú Ú Ç ÇǤ ǡ ç Ç ÇǤ ­ ǡ Ç ­ ÇǤ ­ Ç Ǥ çÇ çǡ Ǥ ǯ Ç Dz º Ç Ç Ç Ç Ȁ ǯ dz Ç ÇºÇ ǡ Ç Ç ­ Ç Çç ÇǤ ­ Ǥ º ­ ǡ Ç Ç ǡ ǡ ò ò ǡ ç Ç ­ Ǻ ç ǡ ǡ Ú ò ǡ ǡ Ú ǡ Ç ­ ­ ç ǥ F&T Dz dz Ç ǫ ­ º ƪ Ç ò ò ç º ­ ò ǫ SD Dz dz Ç ǡ Dz ç dz Ç Ç º ­ Ú ò Ú ò ­ Çç Ǥ Ç Ç Ç Ç Ǥ Ç ǡ ºÇ ǡ ǡ Ç º ­ Ç Ǥ Ç Ç Ç ÇºÇ Ç Ǥ ǡ ç ÇǤ ­ ç Ç ­ Çç Ú òç òǤ Ç ͖͔​͔ǯ Ç ò ǡ ò ȋ Ú º ǫȌǥ ò Ç ­ Ú ò ­ Ç Ǥ ç Ǥ ò ǡ ­ ò ò Ç ­Ç Ç Ǥ Ç ­ Çǡ Ç Ç Ú ­ Ǥ Ú Ǥ Ç Ç Ç ǯ º Ǥ F&T Ç Ú Ú ò ò ÇǤ ­ ç Ǥ º Ç Ç Ç Ç Çǫ SD º Ǥ ò ò Ç Ç

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Selçuk Demirel’in (&') oÕbÕdZW Türkiye’de _a_ a_jWXÕ oWoÕdbWdZÕ$ “Defile” l[ º8WáaW 8_h O[hZ[»$ O[d_ a_jWfbWh yolda…

Ǥ Ç ç º º ÇºÇ Ǥ Ç Ç òç ç Ǥ . ­ ǡ Ǥ ­ Ú Ȁ ÇǤ ­ Ú ò ò Ǥ ǡ ǡ G ǡ ò Ç Ǥ ­ ò ò Ǥ ǡ òçò Ȁ Ǥ F&T Ç ǫ ǡ ǫǤǤ SD Ç ç Ǥ ǯ òçò ò ǡ çÇ Ç Ç Ç ­ Çǥ ­ º ǡ ò ­ Ç òçò òºò ǥ Ç Ç Çǯ Ç ­ ­Ç ǡ Çǡ ǡ Ç Çǡ ò ­ º ç Dz Ǧ dz Ç ǥ ǯ ͖͔͕͙ Ç Ç Ç Dz dz Ç Ç ÇºÇ ò òǥ Ȁ Ç Ç Ǥ F&T ­ ­ ÇºÇ Ç Ǥ ǫ ­ Ç Ç Ç Çǫ SD Ç Ç ­ Ç Ç Ǥ . Ç Ç ÇºÇ ͖͔ǯ ç Ç Ç ­ Ç Ç Ç Ǥ f ͖ Ǥ ç ­ Ǥ ç Ç Ǥ ç Ç Ç Ú ò Ǥ ­ ­ ­ Ǥ Ç ò ò Ǥ


Dining room. Living room. Bedroom. Legroom. Bir uçuŷ bu kadar kåsa sürebilir mi? Geleneksel ƨsviçre mutfaŝå, harika eŝlence sistemi ve tam bir yataŝa dönüŷen koltuklar ile SWISS Business Class uçuyorsanåz evet. ƨsviçre üzerinden yapabileceŝiniz çabuk ve kolay transferler ile 70 uçuŷ noktamåzdan birine keyiÐe seyahat edebilirsiniz. Ayråntålå bilgi ve rezervasyon için swiss.com’u ziyaret edebilir 0212 354 99 19’dan SWISS rezervasyon oÏsini veya acentenizi arayabilirsiniz.

Ödüllü SWISS Business : Tam yatar koltuklar


f&t technology

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Mulberry

Juicy Couture

Michael Kors

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Jimmy Choo

Paul Smith

Chloé

Ted Baker

Gucci

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Alexander McQueen

Kenzo

Moschino

Lanvin

Furla

Alice+Olivia

Diane Von Furstenberg

Valentino

Stella McCartney

ĂŚ,!0ĂŚ4/0ĂŚĂŁaĂŁ. ĂŚ Marc By Marc Jacobs

Juicy Couture

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9bkjY^ ĂĄ[ab_dZ[ hWZoe" Rebecca MinkoffxStellĂŠ

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KI8 8[bb[a" Kate Spade

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AkbWabÕa" Marc By Marc Jacobs


ĂŚ%2+%+,%2% ĂŚ

_FWZ aÕbÕ\Õ" Paul Smith

_FWZ AÕbÕ\Õ" Moschino

AkbWabÕa" Alexander WangxBeats by Dre Beats _F^ed[ aÕbÕ\Õ" Opening Ceremony

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fashiontv magazine xx

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IN ENGLISH Q G sele Bundchen Q Dayle Haddon Q N ck Youngquest Q Penelope Cruz Q M chael Kors Q Gerald Gh sla n Q Paul Emery Q Barış Sarıbaş

AND Q The Most Popular Dest nat ons of 2014


f&t in english

NEW YORK IS THE MOST AMAZING CITY IN THE WORLD. AND IT’S BECAUSE OF THE DIVERSITY. THE WORLD IS HERE. THERE’S NO OTHER CITY LIKE IT.

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THE PARTY GIRL GISELE BUNDCHEN’S NEW LIFE Brasilian top model and “party girl” Gisele Bundchen is doing less modeling and partying these days. She still enjoys dancing but being a mother has changed her. And instead of modeling she is doing beauty campaigns for major cosmetic brands like Pantene hair care, Chanel beauty and a brand new Carolina Herrera perfume; 212 VIP Rose… She tells us of her new life.

FASHION&TRAVEL You have so many new projects this year. You have been the face for Chanel beauty’s Les Beiges series for a while now, you also will be representing Pantene hair products in the U.S. and a brand new perfume by Carolina Herrera; 212 VIP Rosé. How is the perfume? Did you start using it yet? GISELE BUNDCHEN I like it! Who doesn’t want fun and daring, right? I love the smell, it’s amazing. It’s very sexy, it kind of has this woody smell to it too but it’s very feminine, a very party fragrance. You definitely wear that if you’re pretty sexy and want to go out and have some fun. F&T And you will be on the list with this fragrance… GB You will be. I hope that I am. F&T We know that you’re a super party girl... GB I do love dancing. I feel that a party is all about who you’re bringing with you. You can have a party in your house, at a restaurant… I mean, wherever you are it’s all about the people that are with you so that’s what really makes a party. It’s the idea of New York. New York is a great place for that because New York is so eclectic, it’s so interesting. Every time you go to a place you have ơ Ǥ ǡ people, people with money, people with no money. People that Ǥ ơ ǯ all really interesting. What they have in common is that line, that thread that no matter where they from, no matter what culture, their background, what they look like… They all have something really authentic and interesting. Something really fun and different and special. To me VIP is more that- the world VIP can be seen in so many ways- but the way I see it is very interesting, it’s

very inspiring in some way. You go out and you see in New York: you see artists, musicians, you see writers, people who work in restaurants… everyone is partying together! Then you have the DJ, the chef, then you have… the dog walker! You know? It’s all ǡ ơ Ǥ ǯ ǥ Ǩ questions in one! F&T Let’s talk about the production of the shoot for the perfume commercial. I heard that it was a great party yesterday. Could you tell us about it? GB It’s been a really fun shoot for me because 99 percent of the time my shoots I shoot by myself and it’s such a fun and refreshing thing to shoot with groups of people. There were women that were 80 years old (Supermodel legend China Machado) and artists. You also had Stephanie’s kids, the Brant boys (Harry and Peter Brant II, sons of 80’s Supermodel Stephanie Seymour). They

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bring fun and they’re young. Then you have some models (Brahim Zaibat, Jon Kortajarena and Marlon Teixeira) and DJ’s (Leigh Lezark ȌǤ ơ ǥ they all looked so young and interesting and you had people that were all shapes and forms, all ages. This whole mixture is what I think makes New York New York. You’re in one block and you have 30 cultures and different lines of work. It was really fun to share ideas and you turn here and you have one conversation, and you turn there and you ơ Ǥ ǯ ǯ ơ by just turning your head! It’s crazy. This only happens here. Really fun, I really did have a great time.

YOU GO OUT AND YOU SEE IN NEW YORK: YOU SEE ARTISTS, MUSICIANS, YOU SEE WRITERS, PEOPLE WHO WORK IN RESTAURANTS… EVERYONE IS PARTYING TOGETHER! THEN YOU HAVE THE DJ, THE CHEF, THEN YOU HAVE… THE DOG WALKER! YOU KNOW?

F&T What do you think makes a quintessential 212 VIP ROSE GIRL? If you could imagine her, who would she be? GB If I could imagine the VIP ROSE girl, she’s very chic and she’s very confident. She’s interesting, eclectic, and has inspiring friends ơ ǡ ơ ǡ ơ ǡ ơ Ǥ ǯ ǡ ǡ an open view of the world. She knows who she is. She owns it. She can be having a VIP party at her house or she can be at a restaurant… Wherever she’s at, she has that atmosphere with her. F&T It was recently announced that you would represent Pantene hair care line in the U.S. You have beautiful hair. I’m surprised you ǯ ơ ǫ GB Thank you for the compliment. Actually I have been representing Pantene products in Brasil since 2007. Now I will be their face, here in the U.S., too.

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F&T Getting back to the previous topic, what are the key elements to having a great party? GB Number one, the people and number two, the music because I love dancing, so forgive me. If I’m going to a party I’m not sitting down for one second. I need to dance… it’s like “let it allout!” for Ǥ ǯ ơ ƪ Ǥ F&T Do you have favorite dance songs? GB It mixes through time, I must say I love the 80’s to death. I think ǯ Ǥ ơ ǯ ơ that comes up. I like… I love Daft Punk. I think there’s a lot of good ǯ Ǥ ǯ ơ ǥ It all depends on the kind of song and mood and where you’re at. I love dancing, so…


F&T What do you think makes New York such a great city? GB New York is the most amazing city in the world. And it’s because of the diversity. The world is here. There’s no other city like it. In one block rarely you’ll meet somebody and ask where are they and they’ll say “New York.” Everyone is “I’m from Chile”, “I’m from Vancouver”, “I’m from China”, “I’m from Brazil”, “I’m from Spain”… It’s beautiful. I think it’s a city of dreams. F&T If I asked your friends “Tell me about Gisele?” What would they say? GB Ask her… she’s my friend! (Turns to her agent Anne) ANNE: She’s pretty straightforward. She’s very what you see is what you get. F&T What do you think makes you a very inspiring person? GB Oh my God, I don’t know… don’t ask me that question! Anne? ANNE: She walks the walk and talks the talk. She’s very true. GB: She’s known me since I was 16, she would tell you! What you see is what you get… ANNE: There’s no pretending. GB: It’s transparency. When you speak the truth, it’s almost like you’re free and you’re alive and you allow the other person to be that, too. F&T That’s one of the greatest things about partying. To be free when you go out. GB To express yourself. Because it’s not about anybody else. It’s never been about anybody else but you. It’s not about pleasing or trying to portray to be something, to be accepted. It’s about being true to who I am. So when I go to parties if I want to dance and I want to scream… that’s what I do my friend! I have fun! F&T Is it the most extravagant party you’ve ever been to in the city? GB I think Harry’s Party is the most funny party I’ve ever been to. All my friends, my best friends… you know, I moved to New York when I was 16 years old. So all of my friends from New York go to this party. I live in Boston now so I don’t get to see people all the time, so it’s a really wonderful time to meet up with friends, have a great time, catch up, dance and just… be goofy! Be you and enjoy. F&T Which other cities in the world do you love as party cities? GB You know, Brazil is great. I think Spain is great. I think the Spanish know how to party. I would say that Spain and Brazil are right there because the Brazilians know how to party. You know, I think it’s very natural because I think they’re very free. To me, it’s a very cultural let loose and just joy, joy, joy and that shows. In Brazil, people are making music everywhere, even with a little can. And, they’re dancing after work. I don’t know… it’s in the culture. F&T Has there ever been a moment working in a fashion shoot or a runway where backstage suddenly turned into a party with people dancing, you know having a great time? GB You know, John’s [Galliano’s] Dior shows used to be like that because it use to be at the end, there was a big party where he used to be very fun. But, I haven’t done shows in such a long time. But, usually in shoots I have a great time. If you shoot late and people are tired but it’s like beyond tired you kind of push yourself in order to make it and get energy because you’ve been working for 12 hours, so they put loud music and suddenly it becomes a party and people have a great time just letting it all out.

F&T Here in New York? GB A margarita with no salt. I like happy drinks. I think a margarita on the rocks with no salt, one glass, fantastic, let’s go party and that’s it! One drink is enough. F&T Could you tell us any funny anecdotes you’ve had in a party? Did you ever meet anyone at a party that eventually became a great friend? GB Yeah! There used to be a place called Culture Club down at Varrick Street, the 80’s club. I went there for my 18th birthday. Maybe 17th birthday, actually and there I met a lot of the friends that I still know today with my friends that I already had in New York.

CAROLINA, IN A WAY, HER VALUES ARE VERY SIMILAR TO MINE. THE THINGS THAT ARE IMPORTANT TO ME: FAMILY, AUTHENTICITY, INTEGRITY ARE VERY SIMILAR IN THAT WAY

F&T If you would have to organize the most amazing party, where would it be? With who? How do you imagine it? GB I would invite all of my best friends which are very interesting ơ ǯ Ǥ F&T What’s your favorite cocktail? GB If I’m in Brazil, a caipirinha. Caipirinha is really good.

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f&t in english I MEAN, WHEREVER YOU ARE IT’S ALL ABOUT THE PEOPLE THAT ARE WITH YOU SO THAT’S WHAT REALLY MAKES A PARTY. IT’S THE IDEA OF NEW YORK. NEW YORK IS A GREAT PLACE FOR THAT BECAUSE NEW YORK IS SO ECLECTIC, IT’S SO INTERESTING. EVERY TIME YOU GO TO A PLACE YOU HAVE SUCH DIFFERENT GROUPS OF PEOPLE.

F&T I have heard that you have some relation with Carolina Herrera’s family. Could you tell us something about them? GB Carolina is a classy lady. I remember when I was starting to work with her when I just arrived in New York City. I used to do showrooms for her and she was always so sweet: very Latin, very caring, very motherly, very sweet, very loving. I was 16, I didn’t speak a word of English, I met her and she just made me feel very welcome. Mrs. Herrera is amazing and she build a really beautiful family and she built great values and she knows what it’s about. She goes to work, she’s a designer, she’s very classy, very tasteful and she has a beautiful family which in my opinion is something to admire. I admire her for that. F&T When you think about Carolina Herrera as a brand, what’s the first thing that comes to your mind? GB I think class, values, longevity, quality. I think chic. Sophisticated. Elegant. Powerful and strong but at the same time soft. F&T How do you incorporate Carolina Herrera’s style into your own? GB Carolina, in a way, her values are very similar to mine. The things that are important to me: family, authenticity, integrity are very similar in that way. I’m not the party girl who is out every night but I do enjoy it. I love the idea of VIP not being exclusive. It’s not “who is”, it’s not about that, like really interesting, I like the V.I.P., Very Interesting, Very Intriguing or Very Inspiring People... F&T What do you feel are Carolina Herrera’s, mother and daughter, contribution to women all over the world? GB I think she’s great. She’s a great example. She’s a great role model. She is a businesswoman, but she’s also a mother, a grandmother. She’s been able to balance those two worlds which are very intense on their own. Only when you’re a mother can you understand how challenging it is to be a mom. As a mom, I’m always torn constantly trying to be the best I can be in my job, be the

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best mother, the best wife, the best sister, the best friend… there are so many roles! It’s challenging, it takes a lot of commitment, a lot of discipline, a lot of focus, a lot of really wanting to do it all, to be able to do a good job in all of those areas. Continuous commitment, discipline and she’s a great example of that because she succeeded in having a very beautiful family and you can tell by her daughters. F&T Gisele, last question… Looking back at your incredible career as a supermodel, if you had the opportunity to talk to the 16-yearold Gisele who first came to New York, what would you tell her? GB If I had the opportunity to talk to the young Gisele at 16 I think I would’ve told her to not take things personal, enjoy life a little bit ǡ ǯ ơ ǡ ǯ ǡ don’t judge yourself too much. Just have more joy and just be and enjoy life with responsibilities. But, I think I was always very responsible, but I think it would’ve been nice if I wasn’t so hard on myself. I think that when you’re 16 you want to be so perfect and ơ Ǥ main thing is not to take things personal, enjoy life and be who you are. You know?


HELENGELI The Diving Heaven in the Maldives

The traditional barefoot Maldivian resort Helengeli is isolated from other tourist resorts, located at the very far north of the North Male’ Atoll.

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he island is reached with a 15 minute sea ƪ ǯ port. Helengeli is situated at a 90 degree angle to the outer reef and has a channel on each side. Due to these circumstances, the house reef boasts plenty of big fish, rarely spotted in other destinations. With its six entrances, the house reef is very easy to access for snorkelers, as well as for divers. There are no less than 36 un-spoilt dive sites, all reachable within an hour’s Dhoni ride from Helengeli (Traditional Maldivian boat). And almost no other diving boats are seen in these spots, due to the isolated location of Helengeli.

Resort Facilities Many like Helengeli due to its warm and laid-back atmosphere. The hotel has 50 rooms, all equally furnished and equipped with an open air bathroom, as well as a little veranda with wooden chairs and a table. The bar with its big wooden sun deck is the perfect place to enjoy the sun during the day and the beautiful sunsets in the early evening. The well equipped “Duniye Spa”, is the spot for those wishing to enjoy soothing massage treatments.

SPECIAL HELENGELI OFFER FOR SUMMER 2014 Our special offer includes: O Beach Bungalow, 7 nights, half board O Free welcome cocktail on arrival O Free sunset cruise & dolphin watching O Free half day guided snorkeling safari O Free 15 minutes welcome massage in Duniye Spa O Free romantic beach dinner O Sea plane return ticket Mle/Hel/Mle O Starting from USD 1924 for 2 people

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DAYLE HADDON A TRUE BEAUTY AT EVERY AGE One of the first topmodels ever, Dayle Haddon, still enjoys modeling. I had met her 10 years ago at the Cannes Film Festival and I must tell you that she is even more beautiful than I remembered. She visited Turkey recently for a project of WomenOne foundation. Interview by Leyla melek Çifçi

FASHION&TRAVEL First of all welcome to Turkey. Please tell us about your reason for being here. DAYLE HADDON I am here as the founder and CEO of the “WomenOne” foundation. WomenOne contributes to the education of girls and provide scholarships for them. A number of organizations in Turkey heard about our work in Kenya invited me here. We were already in search of a country where we could extend a helping hand. Turkey and Myanmar stood out as prospective countries. In the end we decided to work in Turkey. During the 10 days that I’ve been here I met the representatives of many valuable foundations . ǡ . ǡ ǡ ơ Ǥ 9 cities in Turkey during these 10 days that I have been here. We will be cooperating with Duke University in this project. We will be bringing 4 graduate students from Duke. They will help us determine the most productive and potentially successful method of operation. What I am doing now is preparatory work for them, such as visiting the areas wehere we will be active, establishing re ơ Ǥ tions who are doing the right thing. The greatest way in which we can help them is by increasing global awareness and thus create greater financial support. F&T You are also a UNICEF Goodwill Ambassador. Why did you feel the need to establish your own foundation? Were you not satisfied with your work with UNICEF? DH I have been a good will ambassador for UNICEF for a long time. I enjoy it immensely. I’ve been to Angola, Darfour, Bolivia, Rwanda, India and Kongo with UNICEF. We did great work. However, I tho-

ught I could still do more. I saw that some women and young girls Ǥ ơ ce and so I set out to do what I am doing now. F&T Why did you choose Turkey? DH Like I said, when we narrowed our choice of countries to two we decided that we could be more useful in Turkey. There is a great dropout rate among girls in the Southeastern part of Turkey. Two out of 10 women are illiterate in this region. The cause of this is sometimes cultural and sometimes economical. Only 2 percent of the girls in Southeastern Turkey make it to the University. However the success rate among girls who go to university in Turkey is much greater than their American counterparts. F&T In what stage is the project now? DH The students from Duke arrived in Turkey in the beginning of the year. They will be here six months. In the meantime we will be producing a film to increase awareness. F&T Did you get a chance to meet and talk to young girls in Southeastern Turkey? DH It is crucial that we help the girls in this region. Some of the girls I met were even afraid to dream. For example one girl wanted to be a radiologist but she had to drop out of school to take care of a sick family member. F&T You are very busy with the work of the WomenOne Foundation. What else do you do with your time?

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f&t in english DH There are a few books that I would like to write. I have written two books years ago. I have new projects. One is about all the wonderful photographers that I worked with during the years I worked as a model. This is an important project about the history of the fashion industry. Cecil Beaton, Avedon, Horst Guybourdin, Helmut Newton, Annie Liebowitz… Many of these famous fashion photographers are no longer alive and I am one of the few models who had the chance to work with all of them. It would be interesting to tell the behind-the-scenes stories. Fashion photographers are very intellectual, cultured people. They try to do things ơ ǡ Ǥ those days the model and the photographer were very close. The photographer would show photos, we would look at books together, and decide on hair and make-up together. For example famous photographer Guybourdin liked to act out the news in his shoots. We had a shoot where we acted out a murder scene. It was very exciting. F&T Ǥ ơ than what it used to be? DH ơ Ǥ Ǥ photographers may not even look the model in the face. They choose the frame on the screen and they look at the screen, not you. I think with the digital age that the special close relationship between the model and the photographer has been lost. I remember that Demarchilier used to wait for the right light for hours. Modeling used to be done not for the money but for the photograph. The important thing was to capture that special shot. We never made the kind of money models make nowadays. Now money is the main issue. We can also say that the idea of beauty has changed. There are beautiful models with very diverse ethnic backgrounds now. F&T Are you not bored with modeling? Do you still enjoy it in ơ ǫ DH I enjoy modeling. I love the creative part of it. It is not something I would do everyday but I do it once in a while for clients I know and like. I work a lot faster than a girl in the beginning of her modeling career. I can strike the right pose easier. Clients want to work with me when a mature model is needed. Sometimes I travel to London or Paris for a campaign. F&T You are from Canada. Did you come to New York as a young girl to start modeling? DH I came to the United States from Montreal as a young girl. Eileen Ford who is the owner of the Ford Modeling Agency asked me to come. So Icame and I worked very hard. I had to work harder than the other models because I was a petite girl. I had to be better than everyone.

I’VE BEEN THE FACE FOR L’OREAL’S ANTI-AGING SERIES FOR 15 YEARS NOW.

F&T You have two books on health and beauty. What suggestions would you have for our female readers? DH The way you look at life is very important. It is important not to be afraid of aging. Every age has its own strength. ͖͔ǯ Ǧ ƪ Ǥ grow more beautiful with age. As you grow older you get the face and the body that you have earned. The 20’s may be bumpy. The 30’s are the decade when we focus on our career. 40 symbolizes the transition from childhood to womanhood. 50’s are the years we get to know ourselves. 60’s are serene years when a woman is caring, direct and secure about herself. F&T Was it the same for you? DH As a woman in her 60’s I don’t have to prove myself to anyone. I became a mother at a very early age. My daughter and I had a relationship of sisterhood rather than a mother-

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daughter relationship. My daughter is expecting her fourth child now. I would have liked to have more children. I wanted to return to modeling after I lost my husband. I was 38 and they told me I was too old. The beauty industry was trying to sell anti-aging creams to women in their 40’s using women in their 20’s as models. It was the beginning of the 90’s. I researched in the libraries and nowhere did I find any visuals of women in their 40’s. I went to all the cosmetics firms. I told their bosses what they did was wrong. Finally Clairol hired me for their campaign for a hair color product that also covered gray hair. Then I made a two-year contract with Estee Lauder and then L’Oreal followed. I have been the face of L’Oreal’s anti-aging products for the past 15 years. I worked very hard to change the views of society and the owners of the cosmetic companies on this issue. I was determined to change this belief and Iworked very hard at it. I traveled all over the US with the talk show host Oprah Winfrey. Ultimately if a woman is beautiful, she doesn’t stop being beautiful as she gets older. F&T One final question; have you been to Turkey before? DH I was in Istanbul last April for this project. But I was in Turkey for a fashion photo shoot when I was 20 or 21. We never made it to Istanbul though. We had photo shoots in amazing places such as Cappadoccia, Ephesus and Pamukkale. I can never forget the pure white “foam” of Pamukkale. They tell me it is no longer white. What a pity.

I’VE BEEN A GOOD WILL AMBASSADOR FOR UNICEF FOR A LONG TIME. I ENJOY IT IMMENSELY. I’VE BEEN TO ANGOLA, DARFOUR, BOLIVIA, RWANDA, INDIA AND KONGO WITH UNICEF. WE DID GREAT WORK.

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NICK YOUNGQUEST Some men are made to front fragrance campaigns. Nick Youngquest, the Australian rugby player who enjoyed a hugely successful career at the Castleford Tigers, was clearly the natural choice when Paco Rabanne was scouting for its new scent campaign.

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FASHION&TRAVEL What does sport represent for you? NICK YOUNGQUEST Sport has been an important part of my life since I was really young. I was always playing sport: surfing, skateboarding, riding my bike, playing soccer. I was lucky enough to become professional when I was eighteen and I have had a lucky career for the last ten years. It has been really fun. The biggest thing sport probably brings to me, is that it keeps me sane. It brings a lot of enjoyment in my life and it has given me some good qualities over the years as well, to be very strict as an example. I also had to make a lot of sacrifices to become professional. F&T What does victory bring? NY When you win, you feel pretty euphoric. It also brings responsibilities as you know that young kids or people anywhere really will look at what you do, and if you do the wrong thing, you get scrutinised. You have to be a role model. It is important to bring positive vibes to society. That was probably the most important thing that changed for me. I understood that I may need to be a role model and need to do things well, be a good boy. F&T Paco Rabanne has chosen you to be the face for the brand’s new men’s fragrance. How do you feel? NY When I was chosen to be the face of this new fragrance, I was very proud. Paco Rabanne is a very successful label, so it is a great honour. It is hopefully the start of a new direction in my life. It is a step away from the sport pitch. It was really no question of saying yes or no. I have never thought of saying no! The shoot was a great experience. It was challenging. Obviously, as we know, I’ve played sport most of my life, so doing a little bit of acting was a ơ Ǥ for and the fact that they chose me gave me the confidence to go down there and just be myself.

F&T Who is Invictus? NY He is the champion. I think he is very sure of himself. He looks a little bit arrogant, sort of borderline, but finally you understand he is pretty cool and approachable. F&T What does being a champion mean to you? NY I think the most important thing is that a champion has good values. Being successful and being a champion isn’t something ǡ ǯ ơ Ǥ have to be a role model. I think a great example is David Beckham. F&T The campaign shows you’re in great shape. Do you have any tips for emulating your physique? NY I’m always in the gym - I’ve been lucky because I’ve played sports for so many years, so I know what to do in the gym and how to stay fit. Together with my trainer Dean Jamieson, I post weekly workouts on my twitter page, so anyone who wants to follow my routines can do so. F&T Do rugby players pay a lot of attention to grooming in the -changing rooms after their games? NY When you’re in a group of men, some people look after themselves more than others. When I was playing rugby in England, some people would go in to the changing room after training, just grab their bag and get in their car. But for me, looking after yourself is very important. I was always the last one out! F&T What are your favourite fashion labels? NY I recently bought a Hugo Boss suit. I really like it. I like All Saints. I have a great love for denim. Nudie Jeans is my favourite denim brand. I don’t know how many pairs I own.

I THINK THE MOST IMPORTANT THING IS THAT A CHAMPION HAS GOOD VALUES. BEING SUCCESSFUL AND BEING A CHAMPION ISN’T SOMETHING THAT JUST HAPPENS ON THE FIELD, IT’S WHAT YOU DO OFF IT AS WELL. YOU HAVE TO BE A ROLE MODEL. I THINK A GREAT EXAMPLE IS DAVID BECKHAM.

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PENÉLOPE CRUZ

The Spanish actress, has been a Lancome Ambassadress for 3 years now. She recently has completed a commercial for Agent Provocateur called L’Agent. This time she was the director. Who knows, maybe she will be directing a movie next…

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FASHION&TRAVEL You have now been a Lancôme ambassadress for almost 3 years. How has that relationship evolved over time? PENELOPE CRUZ I love working with Lancome! I love and have loved the brand since I was a teenager and it’s been a beautiful experience working with them. It’s quite special when you love a brand when you are a young woman and you then embody it as a woman. Lancome has been with me in key moments of my life as a woman. F&T What are your fondest memories with Lancôme so far? PC The people I work with from the Lancome team make the relationship I have with the brand more special. When you share the same vision of femininity and beauty with a group of people, it makes everything much more easier, because we understand

each other. One of my fondest memories is the film we just made with Rob Marshall for the new Tresor. I think he has done an amazing job with Lancome’s new campaign. It was three intense days, and working hard on a big project like this always brings people together. At the end of the day, we are like one big family. That’s what’s so special about Lancome. F&T What are your favourite Lancôme products at the moment? PC I use so many products from Lancome. Not only do I represent the brand, but I actually use their products in my daily life as I really love them. Tresor, of course, is my everyday perfume. To really give volume to my eyelashes I use Hypnose Doll Eyes mascara. I use Teint Visionnaire as my foundation. It’s really great because it’s a foundation and a skincare product at the same

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f&t in english –‹Â?‡Ǥ Ž•‘ –Š‡”‡ ƒ”‡ Ž‘–• ‘ˆ †‹ƥ‡”‡Â?– •Šƒ†‡• •‘ ™ƒ• ƒ„Ž‡ –‘ ˆ‹Â?† the perfect one to match my skin tone. I also use many of the ‘—‰‡ ‹Â? ‘˜‡ Ž‹’•–‹…Â?• ‹Â? –Š‡ †‹ƥ‡”‡Â?– •Šƒ†‡• –Š‡› …‘Â?‡ ‹Â?Ǥ – ƒŽŽ depends on what look I want. If I want to accentuate my mouth, then I’ll use a deep red shade like “Rouge Valentineâ€?. If I want a more nude make-up, then I’ll choose a beige shade like “Beige Dentelleâ€?. F&T What is your beauty routine in the morning and in the evening? PC I think the main steps to take care of your skin, in the morning and in the evening, are to cleanse and hydrate. In the morning, I like applying Visionnaire serum. After I use Absolue Precious Cells with SPF 15. It’s very important to me to have a day cream which will also protect me from the sun. In the evening, I like using Advanced Genifique. F&T ‘ ›‘— ’”‡’ƒ”‡ ›‘—”•‡Žˆ †‹ƥ‡”‡Â?–Ž› ˆ‘” ƒ ”‡† …ƒ”’‡– ‡˜‡Â?–Ǎ PC I’m extremely lucky that for those days there’s a hair and make-up team who do their magic! F&T What is the best beauty tip you know? PC I grew up in a hair salon, so I know how to do hair on me or someone else.

Peter Lindberg over 20 years ago. They were so beautiful and inspiring. Now that I am the ambassadress of this perfume, I still believe that the Tresor woman is really feminine and at the same time very strong and independent. Lancome, with this perfume, reveals an open concept of beauty. F&T What do you like in the scent of Tresor, which is composed of roses, peaches and leather? What does it evoke to you? PC It’s not easy to explain how you connect with a scent. Maybe something chemical happens. With Tresor, I really connected with the scent a time long ago. I keep using it and using it because it can be strong, it can stay through the day, but it’s never too much. It’s so fresh and elegant. It’s like velvet. You just know if you like it or if you don’t. If you connect with it, or if you don’t. It’s so easy to connect with this one because- I am not an expert, I do not know what is behind finding the magic trick of doing a perfume that will work and that people will connect with -but with this one, the magic trick happened and it has been proven over the years. I understand why, because I personally really connect with it and just love using it. I had a meeting with the Lancome team in their laboratories. It is amazing to see what goes on there, to see Š‘™ –Š‡› –‡•– ‹– ƒÂ?† –Š‡ •‡Ž‡…–‹‘Â? ‘ˆ ƒŽŽ –Š‡ †‹ƥ‡”‡Â?– ‹Â?‰”‡†‹‡Â?–•Ǥ I really felt like they were like magicians.

F&T Rob Marshall is the director of the new Tresor commercial film campaign. You have already worked with him in the past F&T The new philosophy of Lancome is “La Vie Est Belleâ€?. What (Nine, Pirates of the Caribbean). What do you like about him? does that mean to you? What makes life more beautiful for you? Can you tell us about how it went to film a commercial with him? What is happiness for you? PC When we asked him to do this commercial and he accepted, it PC For me, what has always made my life more beautiful has made me so happy because he normally doesn’t been my family and love. Happiness for me is want to do commercials. Rob is amazing. Apart to be surrounded by the people I love. Family I USE SO MANY from being such a talented director, he’s one has always been the most important thing, of my favorite human beings. He’s a good friand now with children, my life is even more PRODUCTS FROM end of mine. We’ve done two very long movibeautiful! Motherhood has also brought me LANCOME. NOT es together. He has also really proven to be a a new kind of happiness. ONLY DO I REPRESENT good friend, a really generous, elegant man. He’s always good to everybody, always treats F&T This year again, you are the face of THE BRAND, BUT everybody nicely. He is so classy and sweet but the mythical Tresor fragrance. We say that I ACTUALLY USE strong when he needs to be. He’s a gentleman. TrĂŠsor marks women’s lives. How has it THEIR PRODUCTS IN You look around and there are not so many like marked yours? him anymore. Everybody loves him. It’s so easy PC For me, it’s very easy to talk about TreMY DAILY LIFE AS I to love him because he’s really special. He has sor as I have a very strong personal relatiREALLY LOVE THEM. a big heart. We are very lucky we can do this onship with this perfume because it was my TRESOR, OF COURSE, type of work. We are really privileged, but then first perfume when I was a teenager. When when you also get to work with good, nice peI saw the campaign with Isabella Rossellini, IS MY EVERYDAY then it’s the full package. He makes it a the one shot by Peter Lindbergh, I fell in love PERFUME. TO REALLY ople, very good experience for everybody. with those images. I was a little girl, but I GIVE VOLUME TO knew, that it was the one I wanted to have F&T The film tells the love story between an for my first perfume. I was borrowing my MY EYELASHES I USE actress and a boxer. How much did you like the mother’s perfumes, but I wanted my own. HYPNOSE DOLL EYES scenario? What does this story of these two Tresor was the first one I asked for, for my MASCARA. parallel destinies, which are irresistibly linked, birthday. I must have been 14 years old. From evoke to you? then on, I have been using it most of my life. PC It is really more than a commercial. It’s like a So I do have a very strong relationship with it short film. I was happy that we were able to play characters, that and a lot of memories attached to it. It has been with me over so I didn’t have to play myself, because with publicities, if I don’t many years that it feels very natural to represent this brand and have a character to play, I am much more shy. So here I had this this product. I love it. character of an actress, of somebody that has a world that I could connect with. She has this relationship with this man, a boxer. F&T Tresor symbolizes happiness through love, the “Absolute These two people are constantly thinking about each other and Loveâ€?. To you, what impact does love have on happiness? –Š‡ Â?ƒ‰‹… –Šƒ– ‹– „”‹Â?‰• –‘ –Š‡‹” Ž‹˜‡•Ǥ –Š‹Â?Â? ‹– ”‡ƒŽŽ› ”‡ƪ‡…–• –Š‡ PC In the end, love is the thing that moves the world. It’s the thing message of what TrĂŠsor is about. It’s about that magic and I love that brings hope and happiness to this world. I don’t only see it. I think it’s a really beautiful story. It’s not just one more comlove in terms of a man/woman relationship, but also just everymercial; it’s almost like a short film. thing that is around us that can bring out this emotion. Love comes from children, parents, grandparents, or friends. F&T What is your “Tresorâ€? in your life? PC It has always been the same two things: health and family. F&T How would you describe the “Tresorâ€? woman? Nothing can beat that. That is always the most important thing PC Strong, romantic, independent, sensual... Those are the feeand the absolute priority. If you have that, then you can find the lings I got from it since I saw the ads Isabella Rosellini did with

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strength to solve any problem, to fight any battle. But I think we all need to have that first. F&T After the drama film “Venuto al Mondo” by Sergio Castellitto, you played in “I’m So Excited” by Pedro Almodóvar, a comedy. Which genre do you prefer and why? PC In “I’m So Excited” I played a cameo, I had a very short appearance and it was so much fun. Filming with Pedro Almodovar is always lots of fun. Concerning the genre of films, I don’t really mind. I just look for projects that move me. F&T Is it not hard to switch from one role to the next when your ơ ǫ PC Sometimes it is, especially when there’s not enough time between one and the next. But since I have a son, I don’t work as much as before because I want to raise my kids myself. So I took the decision to film one or two movies a year maximum. F&T You are also starring in a blockbuster “The Counselor” with many very famous actors (Brad Pitt, Cameron Diaz, Michael Fassbender, Javier Bardem...), directed by Ridley Scott. How different is it acting in big Hollywood production compared to a smaller art-house film? PC For us, the actors, it’s the same process, it doesn’t change so

much. Big Hollywood productions just involve a bigger crew and more trailers everywhere. But for the actors, it doesn’t change the way we prepare and approach our role. F&T Beyond the realm of film, is there something else you dream of doing? PC I just directed my first commercial and I see myself doing more of that in the future. It is always interesting to discover another aspect of the film industry. It’s nice being in front of the camera as an actress, but I also learned a lot being behind the camera as a director. I can use my experience as an actress when I direct because I know how the actors feel. For now though, I only see myself directing just commercials and music videos F&T Is it important for you to be able to use your fame to make ơ ǫ PC The good thing about it is to be able to use it sometimes to bring awareness to a specific issue or to be part of good charity projects. The key is to choose well where you involve yourself, so that it really ends up helping someone. I’ve collaborated with several charities: RED, which campaigns for an AIDS free generation, ONE, which fights against extreme poverty and PETA, which protects animal rights. Each of these charities is special to me. It’s important for me to help and support each one.

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I TRAVEL A LOT FOR BOTH WORK AND PLAY. I GO TO CAPRI EVERY YEAR, TWICE A YEAR, NO MATTER WHAT. I STAY IN THE SAME ROOM, EAT AT THE SAME RESTAURANTS AND GO TO THE SAME BEACH CLUB. IT’S DIVINE AND IT’S LIKE HOME. I ALSO LIKE PLACES WITH A TOTALLY DIFFERENT ATMOSPHERE. YOU WANT TO SEE AND TRY DIFFERENT THINGS WHILE CHALLENGING YOURSELF, YOUR EYE AND YOUR EXPERIENCE. 214

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24 HOURS WITH

MICHAEL KORS Famous designer Michael Kors talks about his everyday life. What he likes to eat, his travels and his creative process...

THE MORNING FASHION&TRAVEL Your shows at New York Fashion Week are always at 10:00 AM. You must be a morning person. What time do you wake up? MICHAEL KORS 6:15 am. I grew up waiting for the paper to be delivered, and I still am that way. I hear it drop at the door and the day begins. F&T What do you do first thing in the morning? MK I always feed my cats first. Bunny and Viola, named after my eccentric great-aunts. F&T What do you have for breakfast? MK Every day I have a bialy with a little bit of butter delivered from Murray’s Bagels. I don’t drink hot liquids but I’m obsessed with iced tea. So every day, no matter the weather, it’s a large iced tea with three splendas.

IN THE EVENING F&T Until what time do you work during the day? MK My work day usually ends around 7:30 pm. After then I’ll head to the theater -it’s my favorite escape. F&T What time do you get home? MK Normally I go out after work so I get home on the late side. I go to sleep around 12:30 am. F&T How do you pass time at home in the evenings and weekends? MK During the week, I’ll watch something that lets me turn my bra ơǡ ǣ ǡ ǡ Ǥ

ON VACATION

F&T ơ ǫ MK ͕͔ǣ͕͙ Ǥ ơ ơ ce, my assistant will show me new e-mails and phone calls and hand Ǥ ǯ ơ design to marketing to pr.

F&T How often do you travel and where to? MK I travel a lot for both work and play. I go to Capri every year, twice a year, no matter what. I stay in the same room, eat at the same restaurants and go to the same beach club. It’s divine and it’s Ǥ ơ Ǥ ơ ǡ eye and your experience.

F&T Do you have a daily work-out routine? MK If I do yoga, my instructor will come to the house. If I’m doing pilates, I go to the gym. If it’s nice outside, i’ll go over to the river and take a long walk to and from battery park.

F&T Do you make use of what you see during your travels in your work? MK Absolutely. Traveling is the ultimate inspiration. It keeps you curious and keeps your eyes open.

MIDDAY F&T ǫ MK Lunch is always the same. I have sashimi or an arugula salad every day. F&T Who do you see during the day on a regular basis? MK The people I see most consistently are the design team and my assistants. F&T ǫ MK I think if you’re out there living in the world, and really engaging with it, there’s never a shortage of ideas. I read, see, listen to and watch everything I can. My inspiration comes from the women I see on the street, from movies or from travel.

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GERALD GHISLAIN The creator of the 12 perfumes of “Histoires de Parfum” tells us the story behind his two newest; 1876 Mata Hari and 1725 Casanova. Interview by Leyla melek Çifçi

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FASHION&TRAVEL Could you please tell us about your perfumes? What is the story behind Gerald Ghislain perfumes? GERALD GHISLAIN I like to create stories that make people dream. Since I’m not a writer I use fragrances instead of words. The essences are my ink! First and foremost I am trying to convey and represent the fascinating French perfume industry knowhow and passion. The perfumes’ ingredients were chosen with one sole criteria in mind; their quality. They represent exceptional materials chosen exclusively for their quality. I want my perfume to stay on the ơ Ǥ people make lightly-scented perfumes but not me; I want my clients to have a full perfume-wearing experience. We wear perfume not only for ourselves, but for those around us as well – so what’s the point of creating a perfume no one can smell.

BEAUTY ENRICHES EVERYDAY LIFE. EVEN WHEN I SPEND THE DAY ALONE, I DRESS NICELY, I CHOOSE A NICE PLATE FOR DINNER ETC. THESE DETAILS MAKE A HUGE DIFFERENCE.

F&T How did you become a nose? GG I’ve always liked “beautiful things”. I got my passion for the opera from my mother, and the women I’ve loved thoughout my life introduced me to fashion and the true art of living (the «l’art de vivre»). Beauty enriches every-day life. Even when I spend the day alone, I dress nicely, I choose a nice plate for dinner etc. These ơ Ǥ ǯ Ǧ a young age I had to be responsible for my entire family. My only distraction was dreaming and my imagination. I always saw myself becoming a millionaire so that anything would be possible. But ơ ǯ Ǥ In the same way – and for the same reasons, but it took a while... I had to make a living very young. I think having to work so young was a blessing; I’ve already experienced so much! At home, I was in charge of cooking, preparing the menu, setting the table, I loved doing that! And I haven’t changed; when I am cooking for guests, nobody sees much of me, I’m focusing on every detail, I want everything to be perfect! So I became a chef at 22 and I opened my first restaurant. Then the perfume business started in 1999 (it had been an old dream). I trained at ISIPCA - and the 12 scents of Histoires de Parfum were created shortly thereafter. F&T What does the numbers on the bottles represent? GG They represent the birth year of the characters I chose for my perfumes. F&T How do you decide on the characters who represent your perfumes? GG For the men’s colognes, I chose Jules Verne, Casanova and Sade because they are a representation of 3 fundamental elements that are important to me: travelling, romantic and erotic. They were each chosen because of their unusual personalities. For the women’s perfumes, I followed my instincts and the image I had had of notable, powerful women that had fascinating personalities. Mata Hari was an obvious choice because of her mysteriousness and oriental beauty. Eugenie de Montijo had seduction and fantasy. Colette inspired me to create a perfume lively and voluptuous like her. For George Sand, who liked nature and freedom, I ƪ ǡ Ǥ F&T How about the two characters who represent your latest two perfumes.. What can you tell us about Casanova and Mata Hari? GG Margaretha Geertruida Zelle was born in the Netherlands, of a Dutch father and a Javanese mother. She was to draw her dancer

and courtesan name, Mata Hari, meaning the eye of day in Malay, from her exotic origins. A nice discovery for this famous spy, whose captivating beauty and taste for adventure built up an out of the common destiny. That’s why the most exhilarating of ƪ ǡ the heart of this mysterious perfume. Oriental ƪ ǡ facets mixing jasmine, black currant, musk, for a fatally glamorous aspect. The men’s perfume is named for Giacomo Girolamo Casanova. «What is love then? An illness to which man is prone to at any age», claimed the one who was ǡ ơ ǡ scholar, writer, banker, con artist, magician, infantryman, spy, diplomat, but always claiming his Venetian origins.

F&T What are the perfumes like? GG For every Casanova, this eau de parfum invits intense pleasure, an amber fern mixing fine wooded tunes and touches of lemony freshness, sublimed by the elegance of lavender. Warmed with heady spices and colored by sweet fruits. Mata Hari 1876’s origin is rose, cinnamon and sandalwood. Roses usually represent a sense of fragility and sensitivity. In 1876, we combined the Moldavian rose, cinnamon and sandal. A spicy rose illustrates the Asian origin of Mata Hari, sandal is the primary wood in Asia, and cinnamon suggests the scents of the kitchen. F&T Who will be using these two perfumes? GG Woman of character, not afraid to be seductive and feminine: 1876 Mata Hari…And refined man, elegant and contemporary: 1725 Casanova. F&T What would you be if you were not a perfumer? GG I like taking risks - reinventing myself. What I like most is conceptualizing a “want” or “wish”, turning it into a well-formed idea and then making it happen. I like the creation end of things, but I want each project to come to term, to function, to seduce and surprise others. So far I achieved this by being a cook and a perfumer. But I’m sure I would find another way if I had to.


f&t in english

The Holistic Healer PAUL EMERY FASHION&TRAVEL Could you please tell us about your background? PAUL EMERY Whilst growing up in the UK as a young teenager I was always painfully shy, anxious and fearful. Especially around people, even close people I knew. I was later diagnosed by my doctor as having a ‘Social Phobia’, a severe fear of public speaking. He suggested medication which I rejected as I heard ƒ„‘—– ƒŽŽ –Š‡ —•—ƒŽ Â?ƒ•–› •‹†‡nj‡ƥ‡…–•Ǥ Â? –Šƒ– …ƒ•‡ Š‡ •ƒ‹† Â?ƒ› ‰”‘™ ‘—– ‘ˆ ‹– ĥ I got older, which was some comfort. But unfortunately, as the years passed it didn’t go away and itself became a source of anxiety for me. I was increasingly anxious about being anxious! Anyhow, I did my best to just get on with my life after all I had to interact with people, attend school and later work of course. But it wasn’t easy. It was a daily battle to hide my symptoms from others as best

…‘—Ž†ǥ –Š‡ „Ž—•Š‹Â?‰ ÂˆÂƒÂ…Â‡ÇĄ ”ƒ…‹Â?‰ ÂŠÂ‡ÂƒÂ”Â–ÇĄ •ŠƒÂ?‹Â?‰ ŠƒÂ?†•Ǥ Š‡ …Žƒ••‹… ˆ‹‰Š– ‘” ƪ‹‰Š– feelings! As I got older I became increasingly dissatisfied with just living with it. So, I studied self-help books and hypnosis. Then with no success I later sought professional help from various therapists. But unfortunately again I had no improvement. I was as anxious and fearful as ever. By age 30 I became interested in psychology, particularly why I had this problem and more importantly why I still couldn’t be cured. I quit my job from a bookshop and decided to study counseling in the hope that I might learn something about myself, a way to get over my problem and then help others. The course was interesting and I did learn about myself alongside some great useful techniques. But still no cure. An understanding sure, but not even a small improvement. I came across the solution orientated techniques of NLP, which I’m sure many of your readers have heard about or even used. NLP doesn’t look at the ‘why’ you have a problem, but rather how do you create it. What do you see, hear and feel for example when your problem comes to mind. Once you know how you create it it can be changed. I loved the method and quickly studied all I could. I eventually become a Master Practitioner after being fortunate enough to be trained by the co-founder Dr. Richard Bandler and celebrity therapist Paul Mckenna. I used the techniques on myself and other ‘Masters’ used them on me to help with my problem. But despite all the success I was now having with my growing number of clients I remained incurable! Years later I was introduced to the now popular techniques of EFT (Emotional Freedom ‡…ŠÂ?Â‹Â“Â—Â‡Â•ČŒǤ ˜‡Â? –Š‘—‰Š ˆ‘—Â?† Ž‹ˆ‡ …ŠƒÂ?‰‹Â?‰ ˆ‘” Â?› …Ž‹‡Â?–• ‹– ™ƒ• †‹ƥ‹…—Ž– ˆ‘” •‘Â?‡ ’‡‘’Ž‡ –‘ Â•Â‡ÂŽÂˆÇŚÂ”Â‡ĆŞÂ‡Â…Â– ƒÂ?† –Š‡”‡ˆ‘”‡ ’‡”ˆ‘”Â? •‘Â?‡ ‘ˆ –Š‡ –‡…ŠÂ?‹“—‡•Ǥ Although I still often use its techniques especially connected to weight loss, quit smoking, stress relief and self-confidence boosting. EFT was a lot simpler. Bri‡ƪ›ǥ ‹– ‹Â?˜‘Ž˜‡• –Š‹Â?Â?‹Â?‰ ƒ„‘—– ƒ ’”‘„Ž‡Â? ™Š‹Ž•– ƒ ˆ‡™ •‡Ž‡…–‡† ƒ…—’”‡••—”‡ ƒÂ?† nervous system calming points are ‘tapped’whilst repeating a mantra. I became an EFT Trainer and studied with founder Gary Craig. My success rate with clients soared to unbelievable levels, helping everything from claustrophobia and grief to chocolate cravings even backache. Yet again, however, I couldn’t personally be helped. It seemed I was in the world’s top 5% of the population who were se‡Â?‹Â?‰Ž› ˜‡”› †‹ƥ‹…—Ž– …ƒ•‡•Ǩ ‘Â?‡–Š‡Ž‡••ǥ —Â?†‡–‡””‡† „—– ÂˆÂ”Â—Â•Â–Â”ÂƒÂ–Â‡Â†ÇĄ Â?› ‘™Â? …‘ƒ…Š‹Â?‰ ƒÂ?† –Š‡”ƒ’› ’”ƒ…–‹…‡ ƪ‘—”‹•Š‡† ĥ „‡…ƒÂ?‡ ˜‡”› ‰‘‘† ƒ– Š‡Ž’‹Â?‰ ‘–Š‡”•Ǥ

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Fortunately, within a few years after I came across the original and amazing ‘tapping’ method – TFT (Thought Field Therapy). Wow. Incredibly it did for me what all other therapies couldn’t. It cured my social phobia, my fear of public speaking, my anxiety!Not only was I able to cure myself, but also many more clients, those like Â?‡ ™Š‘ ™‡”‡ ’”‡˜‹‘—•Ž› †‹ƥ‹…—Ž–ǥ •‡‡Â?‹Â?‰Ž› ‹Â?…—”ƒ„Ž‡ ™‡”‡ Â?‘™ …—rable! How? Because the techniques I now use are highly advanced, diagnostic and specific in nature. Not so generalized in my opinion ĥ Ǥ Š‡ †‹ƥ‡”‡Â?…‡ „‡–™‡‡Â? ƒ shot gun ‘tap everything’approach and a laser targeting‘specific points for specific emotions’ approach Richmond Nua i.etapping the side of the small finger nail is the main point only needed to release anger alongside the collarbone. TFT is also performed in silence without a cumbersome mantra to repeat. Just thinking about a negative feeling is all that is needed to bring it up get relief. Now I travel all over the world helping people from all walks of life, with all varieties of problems. F&T What is QEPR? How did you come up with it? PE Simply put, QEPR (Quantum Emotional and Physical Release) is a unique combination, a blending of everything I have learned over the past 35 years or so. The ‘Quantum’ part really demonstrates –Šƒ– ‹– ‹• ‘ˆ–‡Â? ƒ “—‹…Â? ƒÂ?† Â‡ĆĄÂ‡Â…Â–Â‹Â˜Â‡ –”‡ƒ–Â?‡Â?–Ǥ —ƒÂ?–—Â? ‡ƒ’Ǩ QEPR is really the best techniques and methods of all the therapies, which are many, that I have studied and been trained in. I came up with it by providing therapy and workshops for thousands of people, so it naturally developed over time into what it is today alongside a lot of practice and experience. F&T How is it done and how long does it take? PE How it is done is generally depends on the problem I am given. However, firstly when people come to see me we sit down and I listen as they explain their problem. I then decide from what they’ve said what are the best techniques to use. These days I mostly use either or a combination of the ‘tapping’ (TFT) method, the new and fantastic ‘Havening’ techniques, or TAT (Tapas Acupressure Technique) which involves holding a few specific facial points to relieve distressing symptoms. My consultations are around 50 minutes, ™Š‹…Š ‹• ‰‡Â?‡”ƒŽŽ› •—ƥ‹…‹‡Â?– –‹Â?‡ –‘ Â?ƒÂ?‡ •‘Â?‡ ‰”‡ƒ– ’”‘‰”‡•• with a particular concern people have. If follow ups are required then they can be performed either in person or simply and easily over Skype. All that is required of them is a Skype account and then during the call they follow my instructions. QEPR techniques work ‰”‡ƒ– ƒÂ?† ƒ”‡ ˜‡”› Â‡ĆĄÂ‡Â…Â–Â‹Â˜Â‡ ‘˜‡” Â?›’‡ ĥ Â?ƒÂ?› ‘ˆ Â?› …Ž‹‡Â?–• ™‹ŽŽ tell you! F&T What is the success rate of the treatment? PE It really depends on the problem I am presented with, and of course I cannot help everyone all of the time. However, generally speaking my success rate is around 95 percent of the population can get cured by me. I know that might sound very high, but it’s true! F&T This is not your first time in Turkey. How were the previous visits? PE I am only doing my therapies at Richmond Nua Sapanca in Turkey. People can have appointments by calling Richmond Nua. I have been here many more times than twice. The past visits have been really rewarding with lots of clients and success in everything from stress, anxiety, fears and phobias and chocolate cravings to anger, sadness and backache! I love coming to Tur-

key, it feels like my second home now as the country is beautiful and the people are very friendly, hospitable and importantly open to new things and ideas. We have a very good cooperation with Richmond Nua. As the hotel is one and only destination spa hotel in Turkey, my therapies and hotel services fits perfectly. F&T I understand that you will also be training people. Could you please tell us about your training programme? PE It is my wish to give people the very best training I can by giving them all my experience and knowledge without them studying for years and investing 10’s of thousands of Euros like I had to do. During the ‘QEPR Level One Practitioner Course’ people will learn the techniques that make QEPR – ‘Holistic Treatment of the Year’! The same techniques that have me invited all over the world to help people, techniques that have famous people like Kate Moss, the Scissor Sisters, even Royalty queue up to seek my help! This ground-breaking 2 day course is for anyone who wants to just come and learn what I do for personal or family use, improve and add to their existing practice or to start a new and successful career as a trained therapist. If therapists want to take themselves or their practice to a much higher level, then this course is for them! During the course people will learn –Š‡ „‡•–ǥ Â?‘•– Â‡ĆĄÂ‡Â…Â–Â‹Â˜Â‡ ƒÂ?† “—‹…Â?‡•– –‡…ŠÂ?‹“—‡• –‘ Š‡Ž’ –Š‡Â?•‡Ž˜‡• ‘” ‘–Š‡”• Č‚ •—”’”‹•‹Â?‰Ž› ‡ƒ•› ƒÂ?† Â‡ĆĄÂ‡Â…Â–Â‹Â˜Â‡ „—– Ž‹––Ž‡njÂ?Â?‘™Â? techniques! Techniques that I have successfully tried and tested on 1000’s of clients including doctors and athletes.After the course people will be able to cure any emotion quickly and easily and cure many physical problems that will surely amaze them and their clients. F&T You are also one of the writers of “The Winning Wayâ€?, a book that will be out in April 2014 in the US. Can you tell us more about the book? PE Yes, I am very proud and excited to be a Co-Author in this book alongside a mentor of mine, international best-selling author Brian Tracy and other leading experts. The book is a collaboration of inspirational real-life stories and experiences in the style of ‘Chicken Soup for the Soul’ series. Each story chapter is in two parts. The first part is the story, some problem the writer had to overcome, in my case my Social Phobia/Fear of Public Speaking. The second part is a how they overcame the problem with guidance for the reader to be able to do the same by following some simple instructions. I give a ‘how to do Havening’ techniques outline for people to be able to quickly cure their own fears and phobias because that is my ˆƒ˜‘”‹–‡ ƒÂ?† Â?‘•– Â‡ĆĄÂ‡Â…Â–Â‹Â˜Â‡ –‡…ŠÂ?‹“—‡ –‘ †ƒ–‡Ǥ F&T Will the book be published in Turkish? PE There are no plans for it yet to my knowledge, so I’m not sure at this moment in time. Hopefully it will be!

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8 Places To Go In 2014

Wondering where to go for your next holiday? Experts explain which destinations we should be checking out in 2014.

New Zealand:

2.500 Kilometer Cycle Trail If doing more exercise is one your 2014 resolutions (and this time you mean it), an extended trip to New Zealand could provide the means. In 2014 the country will complete its enormous Nga Haerenga cycle trail, designed to showcase the best of the country’s landscape, culture and heritage. The 2.500 kilometer network is made up of 23 shorter trails covering both the North and South islands, and the final two will be completed in January. The New Zealand government threw $50 million into the construction of these trails, which snake through lush rainforests, glacialfed lakes and along old railway lines once used by miners during the Gold Rush.

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Panama: Canal’s 100th Birthday

The canal’s but one great thing to visit here. The Panama Canal’s 100-year anniversary arguably is not, in and of itself, a top five reason for visiting the country in 2014. But the events surrounding the big day and Panama’s other attractions certainly are. Panama has ơ travelers than just the canal -- volcanoes, rainforests, ơ and beautiful beaches on both the Atlantic and Pacific coasts.

Myanmar: Tourism ‘Master Plan’

Myanmar has been touted as “the next big tourism destination” for a few years already, but getting around the country has proved tricky. ATMs have been absent or limited to locals only, the Internet was something nobody appeared to have heard of and travel was restricted to places the government was happy for you to see. That’s started to change already, and next year it’s going to accelerate. The Myanmar Ministry of Hotels and Tourism has prepared a ‘Master Plan’ and ‘Responsible Tourism Policy’ to map out the future of tourism in the country.”

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Brazil:

The World Cup The modern game of football, or soccer, may have been born in England’s public schools, but many will claim its soul has settled in Brazil. It has the world’s most successful international team, winning the World Cup five times. It calls what many claim to be the world’s greatest player, Pele, one of its own. And company managers and bosses are known to demand their employees skip work to watch the big games. The World Cup then, to be hosted over June and July in 18 cities across the country, is likely to be memorable, to say the least. Throw in the rest of the country, which includes rainforests, beaches and a party culture that makes most New Year’s Eve soirees look decidedly po-faced, and you have the makings of an epic trip.

East Africa:

One Visa, Three Countries Spotting gorillas in Uganda and rhino in Kenya will become a less ơ ͜͞͝͠ changes to visa regulations come ơ Ǥ ͝ǡ lers to East Africa are able to visit Rwanda, Kenya and Uganda on a single visa, which will make it much easier to combine gorilla viewing with other incredible wildlife experiences across East Africa, such as tracking chimps in Uganda and spotting the big five in Uganda’s Queen Elizabeth National Park.

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Playas de Nosara, Nicoya Peninsula, Costa Rica:

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ǯ ơ approval before buying your vacation, the beaches in Nosara in Costa Rica just winked at you. They’re likely to become popular in 2014, thanks to the recent award of a Blue Ǧ ơ Ǥ


Ecuador:

Becoming a ‘Tourism Powerhouse’

Beautiful investment. In the last few months Ecuador’s new Minister of Tourism, Vinicio Alvarado, announced a $600 million investment in tourism over the next four years, a hike of more than 300%, as part of a plan to become a “tourism powerhouse. Earlier this year a new international airport opened in Quito. A new luxury train just started operations and the country continues to be the world’s best place to retire, according to International Living. In short, it’s probably the best vacation spot you haven’t yet considered.

Lake k Myvatn, Iceland: l d Best Northern Lights for years

With NASA scientists predicting that an 11-year cycle of solar activity will peak this winter, for the first few months of 2014 the Northern Lights are expected to put on their most spectacular display for the next decade.

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HOTEL GRANDE BRETAGNE A Luxury Collection Hotel, Athens Eternal elegance at the heart of Europe’s historic capital

Hotel Grande Bretagne, a Luxury Collection Hotel, Athens Syntagma Square – 10564, Athens – Greece T: +30 210 33 30 000 | F: +30 210 32 28 034 grandebretagne.gr

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ocated in the heart of Athens and within walking distance of exclusive shopping areas and museums, the Hotel Grande Bretagne enjoys the ideal location in the city centre. Approximately 16 miles from Athens Airport (ATH), this historic landmark has been repeatedly awarded by significant international communities. With meticulous attention to detail, the 320 rooms & suites marry charming old-world elegance with state-of-the-art facilities and enjoy additional benefits including personalised Butler Service. All guests staying on the hotel’s designated Butler Floors (6th ƒÂ?† ͛–Š ĆŞÂ‘Â‘Â”ČŒ ĥ ™‡ŽŽ ĥ ‰—‡•–• ‘ˆ ƒÂ?› ‘ˆ ‘—” •—‹–‡• ‡Â?Œ‘› Â?ƒÂ?› exceptional privileges in addition to our standard 24-hour Butler service. Upon arrival, our Butlers will be there to greet you personally and assist you with any immediate needs you may have. Allow them to assist you with any special requests, from tickets to entertainment events to private city tours via limousine or helicopter to access to private art collections to customized dinners prepared by the hotel’s master chefs and served against the backdrop of the Acropolis on your private balcony. Their ext-

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raordinary network of resources promises to enrich every moment of your stay with us. Guests may also discover the deepest essence of wellbeing within the GB Spa. Visit the renowned city Spa, experience a unique sense of relaxation and allow us to allure you into the finest soothing feelings. For the absolute gastronomy experience, our valued guests may savour unique dining services within the GB Roof Garden; ideal for a romantic rooftop Mediterranean meal, the Winter Garden; renowned for its afternoon high tea, the Alexander’s Bar; home to an exclusive selection of classic cocktails and fine wines ‘” –Š‡ Ž‡šƒÂ?†‡”ǯ• ‹‰ƒ” ‘—Â?‰‡ ™Š‹…Š ‘ƥ‡”• ƒ ”‡Žƒš‡† •‡––‹Â?‰ –‘ enjoy premium cigars and cognacs. Life is a collection of experiences. Let us be your guide.


KING GEORGE

A Luxury Collection Hotel, Athens The residence of discrete luxury in Athens.

King George, a Luxury Collection Hotel, Athens Syntagma Square – 10564, Athens – Greece T: +30 210 32 22 210 F: +30 210 32 28 034 kinggeorgeathens.com

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ocated in the center of Athens since 1930, King George represents the absolute essence of a fascinating boutique hotel. With 102 rooms & suites and incomparable views of the Parthenon, it also encapsulates the unique experience of a Penthouse Suite with private outdoor pool. Elegantly appointed with the most eclectic furnishings, the Penthouse Suite creates a selection of admiring feelings from the very first impression. Walking through a long marbled corridor, the crème colored spacious living room lightens up this exceptional suite while the dining room, seating 10 persons, further enhances the grandeur of an opulent culinary experience. The epicurean journey is additionally facilitated by a private kitchen located right next to the dining area. Out of the three marble bathrooms, the master double-vanity one not only provides its valued guests with exclusive Molton Brown amenities, but also encloses the alluring option of a relaxing bathtub or a soothing rainfall shower. After noticing the full-mirrored walk-in closet on the left hand side of the corridor, the master bedroom welcomes you to its peaceful environment and introduces you to the Signature Luxury Collection King size bed. The decorative fireplace, the antique ƪ essence of a romantic atmosphere. ͛ ƪ ǡ unique neo-classical décor, unrivaled views of the Acropolis, Modern Greek cuisine and signature cocktails. The Tudor Hall Restaurant has been renovated and is ready to welcome you in the heart of the city, overlooking the magical historic ǡ ơ modern twist. Before or after lunch or dinner, enjoy an aperitif or a refreshing cocktail in the cozy hotel bar, where our experienced bartenders create the utmost signature recipes. The inviting environment of the King George finds its best expression in the outstanding and personalized service. With exceptional attention to detail and thorough expertise on the Destination Treasures of Athens, the historic residence promises to meet our global explorers’ expectations as well as convey the highest level of quality service. Unique personalized services and travel authority discoveries are just a few of the memories when visiting the King George. Life is a collection of experiences. Let us be your guide.

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The young artist tells us about himself. Interview by Aaron Brooks

"!2)äæ3!2)"!ä “Yesterday and today Were Good But Tomorrow Will Be Better” FASHION&TRAVEL Where do you stand? f f As an individual running after his dreams, raised on his toes, constantly striving to see beyond the horizon; I am in Istanbul, the center of the world. F&T What is your dream? BS My greatest dream is a real, free and enlightened future world where nightmares do not exist. In this dream I want to paint a million paintings and reach for the stars. F&T Are you real? BS I am as real as can be, and I also think there is a part of me that belongs to everyone. I am genuine and sincere. F&T In which direction is the world going? BS Humanity is constantly being tested in a state of constant turmoil and war, but I believe all will be well in the end. F&T What are you reading nowadays? BS I am reading Gertrude Stein’s “The Autobiography of Alice B. Toklas” F&T Which countries did you visit in 2013? BS I went to Beijing and Xian for the exhibition “Western Peace” and to Switzerland for the Basel Art Fair and a number of exhibitions. F&T Who would you have liked to be in mythology? BS Poseidon with his trident of course. Is water not the essence of life? F&T Tell us a little about your education. BS My first art teacher was my mother. I studied in the painting department of the Fine Arts High School in Kütahya (1993-1997). I Attended the Department of Painting at the Anadolu University Faculty of Education for one year, then I graduated from the Prof. Dr. Hüsamettin Koçan Atelier in the Department of Painting

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at the Marmara University Faculty of Fine Arts. At the same University I have been a student of Prof. Dr. Mustafa Pilevneli, Prof Dr.Mehmet Özer, Kemal Gürbüz and Erkan Özdilek (1998-2002). F&T What about your “Master” Ekrem Kahraman? BS I wish everyone were as lucky as he and I. I can never repay his labor ơ Ǥ class artist, a poet and a philosopher. As can be said about any great artist, I am not sure if he is completely understood yet, but I am proud to be his apprentice. F&T Have you received any awards? BS I have received a total of 11 awards among which are The Young Artist of the Year awards (2003, 2005, 2006), State Painting Awards (2005, 2007).

WHO IS 87H?à I7H?87à *):1Å ;):1*)Å _I[ JWZV QV ÃbUQZ QV ! ! 0M PI[ JMMV XIQV\QVO NWZ aMIZ[ I[ _MTT I[ XIZ\QKQXI\QVO IK\Q^MTa QV UIVa W\PMZ IZMI[ WN IZ\ .WZ aMIZ[ PM PI[ JMMV PQOPTa IKKTIQUML I[ I XZWNM[[QWVIT IZ\Q[\ QV \PM <]ZSQ[P IZ\ [KMVM ?M PIL I [PWZ\ QV\MZ^QM_ _Q\P \PM aW]VO IZ\Q[\ I\ PQ[ _WZS[PWX

F&T Have you had any exhibitions abroad? BS I had exhibitions in Chisinau, New York, Helmstad/Berlin, Vienna, Basel, Miami, Sharja, Berlin, Pristina and Brussels. F&T Do you participate in any social responsibility projects? BS I am one of the founders, teachers and voluntary ambassa òç ȋ ȌǤ F&T Any final words? BS Yesterday and today were good but tomorrow will be better.



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