profiles (associate MD), Rocky (associate conductor), An American in Paris, Big Fish, Matilda, Peter and the Starcatcher, The Addams Family and Wicked. Other music-directing credits include The Wild Party (Encores!), Theory of Relativity (Goodspeed), Between the Lines (Kansas City Rep). Writing credits include The Museum of Broken Relationships, written with David H. Bell and winner of the Holof Lyricist Award at the O’Neill National Music Theatre Conference; The Remarkable Journey of Prince Jen, written with Lezlie Wade and presented at the ASCAP Musical Theatre Workshop for Stephen Schwartz; and Window Treatment, written with Deborah Zoe Laufer and produced off-Broadway at TBG Theatre. Member of BMI and AFM. www.danielgreenmusic.com ANNA LOUIZOS (Scenic Designer) has received Tony Award nominations for In the Heights, The Mystery of Edwin Drood and High Fidelity. Other Broadway designs include School of Rock (sets/costumes and also in London, Australia, China and U.S. tour); Irving Berlin’s Holiday Inn; Dames at Sea; Honeymoon in Vegas; It Shoulda Been You; Rodgers + Hammerstein’s Cinderella, Avenue Q, The Performers, Irving Berlin’s White Christmas, Curtains, Baby It’s You, All About Me, To Be or Not to Be, Steel Magnolias, Golda’s Balcony. Select regional/off-Broadway premieres include Disney’s Aladdin (5th Ave, Seattle); Minsky’s (Ahmanson); Altar Boyz (New World Stages, NYC); Speech and Debate, Sons of the Prophet (Roundabout); tick, tick … Boom! (Jane Street, NYC); Emmet Otter’s Jug Band Christmas (Goodspeed); Vanities, the Musical (Second Stage, NYC); In Transit (Primary Stages, NYC). USITT 2016 Distinguished Achievement Award. Art director: “Sex and the City” (HBO). Founder of Broadway Design Exchange, an online theatrical marketplace. broadwaydesignexchange.com LINDA CHO (Costume Designer) Broadway: Lifespan of a Fact; Anastasia (Tony Award nomination); A Gentleman’s Guide to Love and Murder (Tony & Henry Hewes Design
awards, Outer Critics Circle nomination); The Velocity of Autumn. Off-Broadway: Grand Hotel (Encores!); Wild Goose Dreams (the Public); The Merchant of Venice (Theatre for a New Audience). Her body of work includes productions at theaters and opera companies across the country and around the world, including the Royal Shakespeare Company, Old Globe, American Conservatory Theatre, Seattle Repertory Theatre, Hartford Stage, McCarter Theatre, Arena Stage, Metropolitan Opera (Samson et Dalila), LA Opera and Opera Theatre of St. Louis. Between 2008 and 2011, she was the American costume design curator for the International Prague Quadrennial. She has received the TDF’s Irene Sharaff Young Master Award and is on the advisory committee for the American Theatre Wing. M.F.A. from the Yale School of Drama. lindacho.com ROBERT WIERZEL (Lighting Designer) has worked with artists from diverse disciplines and backgrounds in theater, opera and dance on stages throughout the country and the world. His Broadway credits include Lady Day at Emerson’s Bar & Grill, Fela! (Tony Award nomination) and David Copperfield’s Dreams and Nightmares. Wierzel has designed productions with opera companies in New York, Paris, Tokyo, Norway, Toronto, Vancouver, Wexford, Boston, Seattle, San Diego, Houston, Dallas, Virginia, Atlanta, Chicago andWashington, D.C., as well as productions over 30 seasons at Glimmerglass Festival. His dance work includes 33 years with the Bill T. Jones/Arnie Zane Company. He has designed at such regional theaters as A.C.T., Shakespeare Theatre (Washington, D.C.), Chicago Shakespeare, the Guthrie, Long Wharf Theatre, Goodman Theatre, The Old Globe, Asolo Repertory and the Mark Taper Forum, among many others. Wierzel is a creative partner at Spark Design Collaborative and is on the faculty of the NYU Tisch School of the Arts. KEN TRAVIS (Sound Designer) Broadway: In Transit, Aladdin (UK, DE, JP, AU, US), Jekyll and Hyde, A Christmas Story the Musical,
ENCORE ATLANTA | ATLANTA’S PERFORMING ARTS PUBLICATION | ENCOREATLANTA.COM 31