PANAMARENKO - RICARDO BENAIM

CODE RBA200

Ricardo Benaím VENEZUELA

B.1949

TITLE

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

PANAMARENKO

28x38

1987 / 10/100

MIXED / HAND SIGNED

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Montura:

Ricardo Benaím

CODE RBA200

Madera natural – vidrio

Framework: Natural wood and glass

VENEZUELA

B.1949

TITLE

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

PANAMARENKO

28x38

1987 / 10/100

MIXED / HAND SIGNED

Enatem Llc - All Rights Reserved

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enatemllc@gmail.com

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CODE RBA200

Ricardo Benaím VENEZUELA

TITLE

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

PANAMARENKO

28x38

1987 / 10/100

MIXED / HAND SIGNED

Taller Quinta Papeles is your space for the creation and dissemination of your works. Open to the development of pedagogical, theoretical and practical workshops, and to the creation and realization of collective processes, such as, A Framework for the Earth, Map Project, The Central Bank of the Condor, 25%, Caracas Horizontal and at this moment, The Ark of Dreams.

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Painter and engraver. He studied at the Neumann Institute, where he graduated in 1972. Graphic designer and art director at Ars Publicidad (19751980). In 1979 he made his first solo, "Windows & Graphics", in New York. He studied engraving techniques at the Atelier 63 in Paris (1980-1982) and later at the Pratt Institute in New York, where he taught (1982-1986), and at the University of West Virginia (Huntington, Virginia, United States, 1987). ). In 1982 he received the drawing prize from the Joan Miró Foundation of Barcelona (Spain). In 1983 he was part of the itinerant group exhibition "Six Young Artists of Venezuela", presented in German cities; in 1985 he participated in "Contemporary North American Engraving" (Montevideo), and in 1987 he is part of the II Biennial of Latin American Art at MOCHA. In his first works he used paper as expressive support. "For more than 10 years [...] he has tried languages ​all concerned with paper as constant support, drawing, graphics and design are combined as alternatives to a work that also uses other constants, such as stereotyped images, staves, letters , the designs of figures and characters extracted from childhood memories, the stamps, intaglios and many other resources that faithfully return their works as a safe place "(Guevara, 1985). s of 1989 he works painting, in which he introduces graphic methods; experiment with paper and supports, adding materials such as sand, oxides, rice and wheat papers, which works with superposition and strong material tendency. In 1989 he presented his first exhibition of paintings, "Procesos" (Center for Euro-American Art, Caracas), and the following year, in Galería Vía, works in which he reflected on the book as an object; during this period he will frequently add elements of books to his collages and graphic work.

Since 1990 he has settled in Caracas and participated in different collectives, among them: "10 of the 80 in the 90" (Sala CANTV, 1990), "The next generation" (Baruch College Gallery, New York, 1990) and "Los 80. Panorama of the visual arts in Venezuela "(GAN, 1990) where he exhibits a book-object.

In 1991 he exhibited in the Reece Galleries (New York) works where he reflects his concern for ecological problems; on that occasion he included

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B.1949

CODE RBA200

Ricardo Benaím VENEZUELA

TITLE

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

PANAMARENKO

28x38

1987 / 10/100

MIXED / HAND SIGNED

enatemllc@gmail.com

INDIVIDUAL EXPOSITIONS 2012 Portals and Water thresholds, Galeria Cecilia Gonzales, Lima Peru 2011 Witnesses of Light, Gardens of the Driers of La Trinidad 2008 Anthological in the Sextant Gallery of Bogotá 2006 Warishana. Ecological Museum of the Caroni. Pto. Ordaz 2005 Warishana. Artepuy Gallery Caracas 2005 Maracapana. Artnouveau Gallery, Maracaibo 2004 Estelas estelares. Artepuy Gallery Caracas 2002 Primitive Rituals. Forum Gallery and Cecilia González, Lima, Peru.

2001 Primal Rituals. Li Gallery, Caracas, Venezuela.

1999 Latin American Utopias. Art Museum of the Americas, Washington, United States of America.

Utopias Diana Lownestein Gallery, Buenos Aires, Argentina.

1998 Utopias. Ambrosino Gallery, Coral Gables, United States of America.

Recent Works Cecilia González Gallery, Lima Peru.

1995 Ten Years After. Ambrosino Gallery, Coral Gables, USA Ten years later. Center for Euro-American Art, Caracas, Venezuela.

1994 Water. Athenaeum of Valencia, Venezuela.

Water. Modern Art Museum of Maracay, Venezuela.

1993 Processes. Linsberg Studios, Buenos Aires, Argentina.

Gaia Ambrosino Gallery, Coral Gable, United States of America.

1992 A Vision of Gaia. Museum of Comtemporaneous Art, Caracas, Venezuela.

Land. Miromesnil Fine Art, Paris, France.

Land. Work on paper, Sextante Gallery, Bogotá, Colombia.

1991 In Libris. The Reece Galleries, New York, United States of America.

Libris. Museum of the Book, San Juan, Puerto Rico.

1990 Recent Pintings. The Reece Galleries, New York, United States of America.

In Libris. Vía Gallery, Caracas, Venezuela.

1989 Processes. Euroamericana Gallery, Caracas, Venezuela.

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assemblages, drawings on rice paper and iron support, inspired by the genesis of the Earth.

In 1992 he exhibited, at the MACCSI, "A vision of GAIA". "This exhibition is composed of a select group of works carried out between 1990 and 1992 and the book Tierra, a publication in graphic work that exposes poetically and freely, with masterful technical expertise, its artistic concerns ... Its works are a text that it contains and intersects diverse layers of meanings "(Cárdenas, El Universal, February 14, 1993). This same year he obtains the Armando Reverón Prize of the Arturo Michelena Salon with Urban Transparencies, a manipulable work in which he superimposes different planes of paper with different textures. In 1993 he presented "GAIA" at the Ambrosino Gallery of Coral Gables (Florida, United States), a selection of the most significant pieces of his last exhibition at the MACCSI. In 1994, he inaugurated "Agua" at the Ateneo de Valencia (Edo Carabobo); among the works stood out Acid Rain, All the Seas of the World and Tribute to the No Matter. This year he won the Juan Lovera Prize at the LII Salón Arturo Michelena for the assembly Apuntes sobre tres reinos (GAN collection), in which, serially, he added various elements, or printed images, in species of boxes framed in rusty metal. In 1995, at the Centro de Arte Euroamericano (Caracas), he exhibited what the artist himself called "pictorial chaos", works that were worked at random, with no rigid direction in the line or in the composition. All Benaím's work constitutes a synthesis of metaphors and techniques; in it it gathers both the collage and metallic, natural elements, textures, colors, oxides and space. "Benaím builds from the devastation, mixing, superposing materials with creative freedom and feeding even more the approaches that originally would detract from the work his conceptual wealth, contrary to which the work grows and widens in its semantic contents and in its contents properly aesthetic "(Guevara, 1994). Between 1995 and 1998 he created the series Libros de artistas, publishing projects that rescue the book as a piece of art. It also starts Project map (1993-2004), a Colombian-Venezuelan integration proposal that is born from the illustration of a map that represents both countries; the project involves 190 artists and people related to the cultural context, who are involved in the maps. Of his work, GAN has in his collection Apuntes sobre tres reinos (Juan Lovera Prize, LII Arturo Michelena Hall, assembly, 1994) and two etchings and aquatints dated between 1991 and 1992, in which he uses different techniques.

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B.1949

CODE RBA200

Ricardo Benaím VENEZUELA

TITLE

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

PANAMARENKO

28x38

1987 / 10/100

MIXED / HAND SIGNED

enatemllc@gmail.com

COLLECTIVE PROJECTS ORGANIZED BY THE ARTIST (SELECTION) 1992-99 A framework for the earth. (160 Latin American creators) 1995-98 Twenty-five percent. (Six deliveries of 25 artists each).

1996-97 Caracas Utópica-Orinoco Utópico.

1994-2006 Map Project (1800 Latin American creators).

2012 Central Bank of the Condor, Transaction and ticket designs of 50 Condors (more than 200 artists designing tickets) 2012 HUMANdala 2012. video, 36 people embodying a mandala.

2013 CARACAS HORIZONTAL, Editorial project that offers 200 books to the city of Caracas incorporating more than 400 creators.

DEVELOPMENT PROJECTS Central Bank of the Caribbean.

Central Bank of the Condor.

El Cóndor, Latin American monetary unit.

Project Map, South America RECOGNITIONS 1993 Juan Lovera Painting Prize. 51 Arturo Michelena Hall, Ateneo de Valencia, Venezuela.

1992 Armando Reverón Drawing Award. 50 Arturo Michelena Hall, Ateneo de Valencia, Venezuela.

1984 First Prize. Iberoamerican Biennial of Graphic Arts, Mocha, New York.

United States of America.

1982 Drawing Prize. Juan Miró Foundation, Barcelona, ​Spain.

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Les Voyages Oniriques. Miromesnil Fine Art, Paris, France.

1987 Miromesnil. Paris France.

1986 Works on Paper, Christie's Comtemporary Art Gallery. Tokyo Japan.

1985 Recent Works, Center for Euro-American Art. Caracas Venezuela.

1982 Prints, Mendoza Gallery. Caracas Venezuela.

1979 "Windows & Graphics", Office of Tourism, Government of Venezuela, New York 1980 "The enchanted castle", Moll Gallery, Lima COLLECTIVE EXHIBITIONS (SELECTION) 2006 The Collectors. The Space Las Mercedes. Caracas Venezuela 2005 Brief Ensemble. Artepuy Gallery. Caracas.

2004 Emergency Room. Emerging Space. Denia, Spain 2003 FIA. Gallery The Museum of Bogotá, Caracas, Venezuela.

2001 IV Biennial of the Caribbean, Santo Domingo, Dominican Republic.

IV Barro Biennial in America, Museum of Contemporary Art of Caracas Sofía Ímber, Caracas, Venezuela.

The Loving Chamber. Medellin Colombia.

2000 VII Biennial of Havana. Havana Cuba.

1999 Map Project. Museum of Modern Art of Medellín, Medellín, Colombia.

The Return of Humboldt. Humboldt Cultural Association, Caracas, Venezuela.

1998 III Barro Biennial in America Roberto Guevara, Museum of Contemporary Art of Caracas Sofía Ímber, Caracas, Venezuela; and Paço das Artes, Sâo Paulo, Brazil.

I Biennial of MERCOSUR. Porto Alegre, Brazil.

1997 Rebel Icons. Ottawa, Canada International Art Festival Medellín City, Medellín, Colombia.

1995 I Biennial of the Caribbean. Museum of Art of Santo Domingo, Dominican Republic.

1994 V Biennial of Havana, Havana, Cuba.

IV Biennial of Art. Ecuador basin.

1993 Geographic. Colombo-Venezuelan Center, Bogotá, Colombia.

1992 Earth. Universitá La Sapienza, Rome, Italy.

1991 Dissimilar Identities. Scott Allan Gallerie, New York, United States of America.

Surface Issues. Stephen Haller Fine Arts, New York, USA. Seoul Art Festival, Seoul, Korea.

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B.1949

CODE RBA200

Ricardo Benaím VENEZUELA

B.1949

TITLE

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

PANAMARENKO

28x38

1987 / 10/100

MIXED / HAND SIGNED

REPRESENTED Gallery of National Art, Caracas, Venezuela. Museum of Fine Arts, Caracas, Venezuela.

Museum of Contemporary Art of Caracas Sofía Ímber, Caracas, Venezuela. Athenaeum of Valencia, Valencia, Venezuela. Museum of Modern Art Jesús Soto, Ciudad Bolívar, Venezuela. Museum of Modern Art, New York - MOMA, United States of America.

Museum of Modern Art, Bogotá, Colombia. Museum of Contemporary Art of Lima, Lima, Peru. OAS Museum, Washington, United States of America. Collection of the Vatican Museum, Banco Mercantil Collection, Caracas, Venezuela. Fundación Polar Collection, Caracas, Venezuela.

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