Montura: Antigua madera laqueada color oro sin vidrio (condición 10/10) Framework: Old gold lacquered wood without glass (condition 10/10)
Pascual Navarro VENEZUELA
B.1923
–
CODE GBM001 D.1986
TITLE
SIZE (cm)
DATE / #/EDITION
TECHNIQUE
UNTITLED
30x20
12-10-1970 / UNIQUE
CRAYONS OF COLORS AND PENCIL ON PAPER / HAND SIGNED
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Painter. Son of Enrique Navarro and Cruz Velásquez. He studied at the Ollarves sisters family school and J.M. Echandía In 1934 he was enrolled in the Academy of Fine Arts, which is directed by the sculptor Lorenzo González. In 1939 he meets Armando Reverón, who will have great influence in his life and work. Navarro receives a scholarship from the reformed Academy, now School of Plastic and Applied Arts (1940), under the direction of Antonio Edmundo Monsanto. In 1941, he sent his first works to the Second Official Hall, where a special section for the students of the School of Plastic and Applied Arts was created, and in the next room, he exhibited five paintings and two engravings in the student section. Navarro receives his first recognition in the V Official Show (1944) for his works Quebrada, Árboles y Sketch (the latter, reproduced in the National Culture Magazine, 42). In 1945, after concluding his academic studies, he lives in Macuto with Reverón, where he makes a series of drawings and cakes and starts his series of Nocturnes. That year it transpired in the press a nervous crisis of the painter who was reviewed by Guillermo Meneses in two articles (El Nacional, April 4 and April 18, 1945). From 1946 is his famous Girl with a fan (gouache on paper, GAN collection). Francisco Da Antonio commented that "in his works sent to the Official Salon of 1946 the presence of an exceptionally lucid painter was confirmed, for whom the subject only meant the pretext for ordering the space." His painting dealt, fundamentally, with the arrangement of color as a basic structure beyond the form to which, however, it submitted "(1982, p.265). In 1947 he exhibited with Mateo Manaure in the