PIEDRA SAGRADA - NOEMÍ MÁRQUEZ

CODE NMT003

Noemí Márquez VENEZUELA

B.1933

TITLE

PIEDRA SAGRADA

DATE / #/EDITION

2009 / UNIQUE PIECE

SIZE (cm)

DIAMETER 140, HEIGHT 66, WEIGHT 33,8KG.

TECHNIQUE

CREAMIC AND FIRE

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CODE NMT003

Noemí Márquez VENEZUELA

TITLE

PIEDRA SAGRADA

DATE / #/EDITION

2009 / UNIQUE PIECE

SIZE (cm)

DIAMETER 140, HEIGHT 66, WEIGHT 33,8KG.

TECHNIQUE

CREAMIC AND FIRE

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Ceramist. He studied ceramic and pure art, ceramic mode, at the Cristóbal Rojas School (1969-1975) with Sergio González and Reina Herrera. In 1978 he took advanced ceramic courses at Skidmore College (Saratoga Springs, New York) and at the Penland School of Crafts (Spruce Line, North Carolina). He maintained for a long time the utilitarian line with the production of bowls, plates, jars and china in stoneware, coated with enamels. At the same time, he learned the lathe and began modeling with objects that were developed up to his current sculptural work. Initially he produced pieces with fantastic shapes and expressions that linked the animal element with the vegetable; then he worked with spatial pieces, robot species and flying saucers. After his stay at the Penland School of Crafts, he began to model pieces with the technique of bands, which, when joined and paleteadas, retain the traces of the wood, producing objects where the abstract predominates, which look like stones or pieces of cracked clays and skated by time. He participated between 1981 and 1993 in several seminars with leading international potters, among them Warren Mackenzie, who changed his concept of utilitarian pottery, and Tom Suomalainen, who induces it to sculptural ceramics. He taught creativity workshops in ceramics for adults at the Ateneo de Caracas and for children at the Mendoza Foundation. He is a founding member of AVAF, which he chairs between 1982 and 1984. He was a juror of the National Salon of the Arts of Fire (1981, 1986 and 1989), and of the II Biennial of Contemporary Ceramics in Puerto Rico (1990). He has participated in numerous collective exhibitions, among them the National Hall of Fire Arts (Sala Braulio Salazar and Galería Braulio Salazar, 1974-1988), the Salón Artes del Fuego (Sala Mendoza, 1977, 1978, 1979, 1981, 1984 and 1987), "View Points in Venezuela Ceramics" (Meeting Point Art Center, Miami, Florida, United States, 1981), the I and II World Triennial of Small Ceramics (Zagreb, 1984 and 1987), "Venezuelan Studio Ceramics" (British Craft Center, London, 1985), the II International Ceramic Exhibition (Museum of Fine Arts, Taipei, Taiwan, 1985) and the Foire Internationale d'Art Latinoamericain (Brussels, 1994). In 1995, in the framework of the exhibition "Ten presences of the arts of fire in Venezuela" (GAN), the pool area intervenes with a series of pieces of great visual force. In 1998 he received the National Fire Arts Prize. Of his work, the GAN has in his collection Sentinel of peace (1993), made of stoneware, oxides of copper, iron and manganese.

Some Collections Banco Mercantil / Cisneros Collection / Institute of Latin American Studies, Stockholm University / MACCSI / Antonio José de Sucre Museum, Gran Mariscal de Ayacucho, Cumaná / Barquisimeto Museum / Museum of Fine Arts, Taipei, Taiwan / Francisco Narváez Museum / USB

https://es.wikipedia.org/wiki/Noem%C3%AD_M%C3%A1rquez https://www.youtube.com/watch?reload=9&v=9F_yogvISWw

@enatemllc

B.1933

enatemllc@gmail.com

+19544121166 (CHAT WITH US)

CODE NMT003

Noemí Márquez VENEZUELA

B.1933

TITLE

PIEDRA SAGRADA

DATE / #/EDITION

2009 / UNIQUE PIECE

SIZE (cm)

DIAMETER 140, HEIGHT 66, WEIGHT 33,8KG.

TECHNIQUE

CREAMIC AND FIRE

Enatem Llc - All Rights Reserved

@enatemllc

enatemllc@gmail.com

+19544121166 (CHAT WITH US)

CODE NMT003

Noemí Márquez VENEZUELA

B.1933

TITLE

PIEDRA SAGRADA

DATE / #/EDITION

2009 / UNIQUE PIECE

SIZE (cm)

DIAMETER 140, HEIGHT 66, WEIGHT 33,8KG.

TECHNIQUE

CREAMIC AND FIRE

Enatem Llc - All Rights Reserved

@enatemllc

enatemllc@gmail.com

+19544121166 (CHAT WITH US)

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