GABRIEL MARCOS - GRIS BERMELLÓN -GMFD-001

Gabriel Marcos VENEZUELA

+19544121166

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1938

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Montura: Madera de pino cruda sin vidrio Framework: Raw pine wood without glass

Gabriel Marcos

VENEZUELA

B.

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

GRIS BERMELLÓN

54x37

PARÍS 1962 / UNIQUE

OIL ON PAPER / HAND SIGNED

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enatemllc@gmail.com

1938

Enatem Llc - All Rights Reserved

World Wide Certification: Mr. Francisco Da Antonio, Member of International Association of Art Critics, based on Paris, France.

He is also a Member of the Expert Committee of this Association - AICA

TITLE

CODE GMFD001

+19544121166 (CHAT WITH US)

Montura: Madera de pino cruda sin vidrio Framework: Raw pine wood without glass

Gabriel Marcos

VENEZUELA

B.

TITLE

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

GRIS BERMELLÓN

54x37

PARÍS 1962 / UNIQUE

OIL ON PAPER / HAND SIGNED

CODE GMFD001 1938

Enatem Llc - All Rights Reserved

@enatemllc

enatemllc@gmail.com

+19544121166 (CHAT WITH US)

CODE GMFD001

Gabriel Marcos VENEZUELA

TITLE

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

GRIS BERMELLÓN

54x37

PARÍS 1962 / UNIQUE

OIL ON PAPER / HAND SIGNED

enatemllc@gmail.com

1938

Arts in Venezuela and "The Venezuelan Culture" (University of Nebraska, Lincoln, Nebraska, United States). In 1978 he exhibits articulated structures in Caracas and participates in the Art / 78 International Contemporary Art Fair (Basel, Switzerland). The following year he participated in the VII Biennial of Paris and in the exhibition "Great young people of small format" (Palais d'Orsay, Paris). In 1980 he exhibited in "Once sculptors" (Mariano Montilla Barracks, La Victoria, Edo Aragua) and in "Grandes y jóvenes de hoy" (Grand Palais, Paris). He was professor of drawing and plastic analysis of the School of Plastic Arts Rafael Monasterios de Maracay (1982-1991). In 1982 participates in the I Francisco Narváez Biennial. In 1985 and 1986 he was awarded in the XLIII and XLIV editions of the Arturo Michelena Hall, and this last year he participated in the III Francisco Narváez Biennial and in the 1st Visual Arts Biennial of the East (Cumaná). Since 1993 he has been working on iron works. In 1994 he founded, with Pedro Terán, Samuel Baroni, Alirio Oramas and Antonio Moya, the community workshops CREA-10, in the old warehouses of the Cristóbal Rojas School. Currently he teaches at the IUESAPAR. In 1995, the Arturo Michelena Museum (Caracas) made a retrospective of his three-dimensional work. As a sculptor he was interested first in the assembly of objects within wooden structures following a constructive plan. Highlighting the value of pure colors applied to objects or planes, combines mechanical procedures such as templates and torch paints.

Later he used micromotors to animate his works, parallel to metal structures transformable by the spectator. The GAN has in its collection White structure (two pieces in anodized aluminum, undated).

+19544121166 (CHAT WITH US)

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Painter, sculptor and teacher. Son of Spanish parents, the actor Mariano Marcos and Gabriela Cadavid. After completing his primary studies at the Federal School April 19, Caracas (1946-1952), he was a student of pure art at the School of Plastic and Applied Arts (1954-1958). In 1956 he was recognized in the Official Hall of the XVII with the José Loreto Arismendi Prize and the Roma Prize, the latter with the Ranches de Catuche landscape.

Marcos travels to Italy where he stays for nine months; later he moved to Paris for another three months. He then returned to Venezuela and took courses at the School of Plastic and Applied Arts. In 1958 he made his first solo show and the following year, he exhibited with Pedro Barreto and Rubén Chávez in the MBA; He traveled to Italy in 1959 and enrolled in Paris in the course of drawing and painting at the School of Fine Arts and took courses in sociology of art with Pierre Francastel at the School of Higher Studies at La Sorbonne (1960). His constructive landscapes begin to suffer in the mid-1960s the influence of materialistic informalism that works with blacks and grays; during that time he made "decollages", glued on paper that he later gave off to add black and white spots. In 1962 he participated in "Latin American Art in Paris" (Museum of Modern Art of the City of Paris) and in Latin American Painters in Paris (Polytechnic School of Helsinki).

In 1963 he returned to Venezuela, he taught at the Armando Reverón School of Plastic Arts in Barcelona (Edo Anzoátegui, 1964), he directed the peripheral workshop Marcos Castillo de Caracas (1965) and founded, together with Alirio Oramas, Manuel Quintana Castillo, Andrés Guzmán and Antonio Moya, the group El León de Oro (1965-1968), whose headquarters show their colored objects (1966). In 1968 he settled for two years in Paris; he performs works where he studies vibratory effects that he will show in the Track Gallery (Caracas) in 1970. That year he is appointed assistant to the department of plastic arts of the Inciba. In 1971, with Cornelis Zitman, he represents Venezuela in the 1st International Biennial of Small Sculpture in Budapest and the VII International Biennial of Young Artists (Museum of Modern Art in the City of Paris). In 1972 he worked as a professor of plastic drawing and analysis at the Cristóbal Rojas School. In 1973 he made rectangular aluminum modules, "folding and articulated combinatorial sculptures" in anodized aluminum and composed of interchangeable modules that intersect inside a cube or rectangles; the joints of the pieces allowed their permutation. The following year participates in the III Hall of Plastic Arts (MBA); in 1976 in "Art-Action and Participation" in London, the Salon of Plastic

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B.

CODE GMFD001

Gabriel Marcos VENEZUELA

B.

TITLE

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

GRIS BERMELLÓN

54x37

PARÍS 1962 / UNIQUE

OIL ON PAPER / HAND SIGNED

Enatem Llc - All Rights Reserved

SOME INDIVIDUAL EXHIBITIONS 1958 Venezuelan Italian Institute of Culture, Caracas 1966 The Golden Lion, Caracas / "Oils, collages, objects", Athenaeum of Caracas 1970 "Rotation, transportation, gravitation", Track Gallery, Caracas 1978 "20 articulated structures", Graphic Gallery / CB2, Caracas 1979 "Articulated Structures", Municipal Art Gallery, Puerto La Cruz 1980 "Articulated structures", Mamja 1985 "Articulated structures", Sala CANTV, La Victoria, Edo. Aragua 1995 "A poetics of urban space: sculptures 1976-1994", Arturo Michelena Museum, Caracas; traveling by the Ateneo de Barcelona (Edo. Anzoátegui), Eloy Palacios Gallery (Maturín) and Veterinary Faculty (UCV, Núcleo Maracay) SOME AWARDS 1956 José Loreto Arismendi Prize, XVII Official Salon / Premio Roma, XVII Salón Oficial 1958 Honorable mention, IV Annual Rafael María Baralt Hall, Maracaibo 1971 Honorable Mention, 1st International Biennial of Sculpture in Small Format, Budapest 1984 First prize for sculpture, IX Aragua Hall, Maracay Art Museum 1985 Antonio Herrera Toro Prize, XLIII Salon Arturo Michelena 1986 Antonio Herrera Toro Prize, XLIV Salon Arturo Michelena 1988 UC Award, XLVI Salon Arturo Michelena SOME COLLECTIONS Casa de las Américas, Havana / Municipal Art Gallery, Puerto La Cruz / GAN / MACMMA / Arturo Michelena Museum, Caracas / Jesús Soto Museum http://biografiasarte.blogspot.com/2015/03/gabriel-marcos.html http://vereda.ula.ve/wiki_artevenezolano/index.php/Marcos,_Gabriel http://iconosdelarteenvenezuela.blogspot.com/p/gabriel-marcos.html http://el-pintor-gabrielmarcos.blogspot.com/ http://www.casadelasamericas.org/cinetico/curriculos.php

@enatemllc

enatemllc@gmail.com

1938

+19544121166 (CHAT WITH US)

CODE GMFD001

Gabriel Marcos VENEZUELA

@enatemllc

B.

TITLE

SIZE (cm)

DATE / #/EDITION

TECHNIQUE

GRIS BERMELLÓN

54x37

PARÍS 1962 / UNIQUE

OIL ON PAPER / HAND SIGNED

enatemllc@gmail.com

+19544121166 (CHAT WITH US)

1938

On the eve of the celebration of the 229th anniversary of the National Day of France "La Féte Nationale", the French Embassy in Venezuela, through the French Alliance, has organized a wonderful exhibition that brings together an important group of works of art masters universal, under an exquisite and specialized team selection Enatem Llc. Spectators and collectors will be able to enjoy a pleasant aesthetic experience with emphasis on representative works of geometric abstraction, constructive art and other trends of modern art, which aims to delve into the knowledge of artists of great notoriety and universal projection , such as: Víctor Vasarely (1908-1997), the history of art considers him as the father of Op-art; Joan Miró (1893-1983), is one of the greatest representatives of Surrealism, in his works he reflects his interest in the subconscious, in the "infantile", in the culture and traditions of his native Catalonia; Alejandro Otero (1921-1990), important Venezuelan painter and sculptor, exponent of abstract and kinetic art, represented in large national and international art collections; Mateo Manaure (1926-2018), master of abstractionism, distinguished by his emblematic works in the University City of Caracas and large-scale public projects; Carlos Cruz-Diez (1923), maximum representative of the kinetic art worldwide, his research has contributed to the art a new form of knowledge about the phenomenon of color, considerably expanding his perceptive universe; Francisco Narváez (1905-1982), an important Venezuelan sculptor, is characterized by a strong ethnic component, expressed in a language of his own synthesis with Negroid and indigenous reminiscences; Rafael Bogarín (1946), a constructive artist who conscientiously manages forms and resources as part of an autonomous language; Luis Chacón (1927-2010), extraordinary master engraver who applied in his engravings the concept of unique work, as if it were paintings avoiding repetition, arrives at three-dimensionality with constructive approaches; Esteban Castillo (1941), artist who has developed in a virtuous manner an extensive constructivist work, based on color and geometry; Darío Pérez-Flores (1936), in his works creates a subtle optical vibration that attracts the viewer towards its center, stimulated by a visual and mysterious emotion; Francisco Hung (1937-2001), consecrated painter, in his works the signs and gestures constitute his plastic language, the force of color fills the void with lines; Hugo Arapé (1942), graphic artist of profuse category, has developed a work with a great poetic charge; Antonio Pérez-Melero, an artist with outstanding skills in art, uses fundamentally the interaction of color, light and form in his work; Manuel Finol (1934), a Venezuelan painter with a long career, presents works from a stage of exploration on geometric abstraction; Gabriel Marcos (1938), artist interested in the constructive plan, highlighting the value of pure colors; Rubén Vásquez (1955), an artist who has developed a brilliant career in the arts, taking on expressive abstraction as his own language; Oswaldo Vigas (1926-2014); Venezuelan artist, his work is an original synthesis between the cultural roots of the Latin American continent and the plastic currents of modernity.

Jean Cocteau said: "When a work seems ahead of its time, it's just that time is behind the work." Undoubtedly, art acts as a catalyst of daydreams and utopias, at the same time it makes us problems and opens enigmas. Build the collective memory of societies and project a future of changes. This exhibition fosters a space of reunion and reflection about our times, about who we are and how artists, through their particular understanding, take the creative experience to the deepest level.

Long live Venezuela, live France forever!

Ambassador Romain Nadal– Instagram @romnadal

I recommend visiting the extraordinary exhibition in the French Alliance of La Castellana with works by Vasarely, Miró, Alejandro Otero, Cruz-Diez, Soto, Narváez, Vigas, among many other testimonies of the artistic compratir between Venezuela and France. A contribution made by the company ENATEM. The fine arts were always the crucible of an intense cultural dialogue between France and Venezuela.

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Sede Alianza Francesa La Castellana: Avenida Mohedano, Quinta Wuilmarú, Urbanización La Castellana, Caracas - Venezuela

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https://issuu.com/enatemllc/docs/cat_logo_maestros_universales_2018

Information Enatem Llc, Fl-USA enatemllc@gmail.com USA +17866783866 +13054546818 VZLA +584143066206 +584143246074 PANAMÁ +50765710429

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First Edition Enatem Llc (copyright)

56 WORKS OF ART IN 10,000 SQF

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CURATOR Luis Adrián León – AKA “Carúpano” MUSEOGRAPHY Luis Adrián León – AKA “Carúpano” Nerio Moreno

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TEXT Manuel Finol Cavalieri CARPENTRY / MARCHETRY Francisco González William García

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SPECIAL THANKS Ambassador Romain Nadal Counselor Pierre Mazzoni France embassy Alianza Francesa Venezuela

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Francoise Dumiot Leidy Berrios Manuel Arguinzones Manuel Finol Manuel Finol Cavalieri

Fabián Chacón Ángel Enrique Zambrano Rafael Bogarín Esteban Castillo Carlos Calderón Árias

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Luca Araneo Isaac Blum Enatem Llc Team

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Víctor Vasarely Víctor Vasarely Víctor Vasarely Víctor Vasarely Víctor Vasarely Víctor Vasarely Joan Miró

Joan Miró

Joan Miró

Joan Miró

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1950 Dimensiones: 47,5x35,5 Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1949 Dimensiones: 39x35,5 Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1950 Dimensiones: 53x26cms Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1957 Dimensiones:45x37,8cms Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1948 Dimensiones:39,5x35,5cms Certificación: Francisco Da Antonio (AICA)

Título: Capella 4B Técnica: Litografía sobre Papel Número: S/N Fecha: 1965 Dimensiones: 85x45cms Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Tinta sobre Cartulina Número: única pieza Fecha: circa 1940 Dimensiones: 25x15cms Certificación: Enatem Llc

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x22cms Certificación: Enatem Llc

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x44cms Certificación: Enatem Llc

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x44cms Certificación: Enatem Llc

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

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Joan Miró

Joan Miró

Joan Miró

Joan Miró

Joan Miró

Joan Miró

Joan Miró

Joan Miró

Alejandro Otero Alejandro Otero

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x44cms Certificación: Enatem Llc

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x44cms Certificación: Enatem Llc

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x44cms Certificación: Enatem Llc

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x44cms Certificación: Enatem Llc

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x44cms Certificación: Enatem Llc

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x44cms Certificación: Enatem Llc

Título: Gaudí Técnica: Reproducción sobre Grabado Número: 50/50 Fecha: 1981 Dimensiones: 34x24cms Certificación: Enatem Llc

Título:S/T - Serie “Serruchos” Técnica: Intaglio Número: P/A Fecha: 1966 Dimensiones: 62x50cms Certificación: Enatem Llc

Título:S/T - Serie “Serruchos” Técnica: Intaglio Número: P/A Fecha: 1967 Dimensiones: 62x50cms Certificación: Enatem Llc

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

Título: “M” L´Alfabeto Técnica: Riproduzione Fotolitografica (8 colori) Número: 1/5000 Fecha: 1972 Dimensiones: 34x24cms Certificación: Bolafiarte Luis Adrián León “Carúpano” “Club dei Cinquemila”

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Luis Adrián León “Carúpano”

Alejandro Otero Alejandro Otero Alejandro Otero Mateo Manaure Mateo Manaure Mateo Manaure Mateo Manaure Mateo Manaure Mateo Manaure Mateo Manaure Título:S/T - Serie “Serruchos” Técnica: Intaglio Número: III/IV Fecha: 1967 Dimensiones: 61x50cms Certificación: Enatem Llc

Título:S/T - Serie “Serruchos” Técnica: Intaglio Número: VI/VII Fecha: 1967 Dimensiones: 62x50cms Certificación: Enatem Llc

Título:Cafetera Azul (1947) Técnica: Serigrafía Número: 290/300 Fecha: 1987 (Art International) Dimensiones: 62x50cms Certificación: Enatem Llc

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

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Título: La Noche Fastuosa Técnica: Materiales diversos Sobre papel encolado a cartón Número: única pieza Fecha: 1965 Dimensiones: 70x47cms Certificación: Francisco Da Antonio (AICA)

Título: El Sueño de la Mariposa Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1970 Dimensiones: 66,5x51,2cms Certificación: Francisco Da Antonio (AICA)

Título: Sin Título Técnica: Serigrafía sobre Papel Número: P/A Fecha: 1971 Dimensiones: 100x100cms Certificación: Enatem Llc

Título: S/T Serie “Cuvisiones” Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: 1974 Dimensiones: 56,3x51cms Certificación: Francisco Luis Adrián León “Carúpano” Da Antonio (AICA)

Título: S/T Serie “Cuvisiones” Técnica: Serigrafía sobre Cartulina Número: 88/200 Fecha: 1977 Dimensiones: 99,5x60cms Certificación: Francisco Da Antonio (AICA)

Título: Sin Título Técnica: Serigrafía sobre Papel Número: P/A Fecha: 1997 Dimensiones: 100x70cms Certificación: Enatem Llc

Título: Sin Título Técnica: Serigrafía sobre Papel Número: S/N (11 piezas) Fecha: circa 1982 Dimensiones: 34x65ms Certificación: Enatem Llc

Luis Adrián León “Carúpano”

Luis Adrián León “Carúpano”

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Jesús Soto

Carlos Cruz-Diez Carlos Cruz-Diez Carlos Cruz-Diez Francisco Narváez Rafael Bogarín Rubén Vásquez Luis Chacón

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Esteban Castillo Esteban Castillo

Título: S/T – Serie “Escrituras” Técnica: Serigrafía sobre Cartulina Número: 47/100 Fecha: 1970 Dimensiones: 65x65cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Cartulina Número: 37/75 Fecha: 1981 Dimensiones: 80x60cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: 1975 Dimensiones: 62x62cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Cartulina Número: 47/100 Fecha: circa 1969 Dimensiones: 65x65cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Cartulina Número: 12/45 Fecha: circa 1969 Dimensiones: 68x50cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Papel Número: 85/100 Fecha: circa 1990 Dimensiones: 75,5x56cms Certificación: Enatem Llc

Título: sin título Técnica: Tintas sobre Cartón Número: única pieza Fecha: 1983 Dimensiones: 76x57,5cms Certificación: Enatem Llc

Título: Activación Técnica: Serigrafía sobre Papel Número: 50/100 Fecha: circa 1974 Dimensiones: 48,5x41cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Papel Número: 8/10 Fecha: circa 1981 Dimensiones: 35x35cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Cartón Número: HC y SN Fecha: circa 1981 Dimensiones: 10x10cms c/u Certificación: Enatem Llc

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

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Esteban Castillo Darío Pérez-Flores Hugo Arapé

AntonioPérez-Melero AntonioPérez-Melero Manuel Finol

Manuel Finol

Manuel Finol

Título: sin título Técnica: Serigrafía sobre Cartón Número: 6/39 y HC Fecha: circa 1981 Dimensiones: 12,5x7,5cms c/u Certificación: Enatem Llc

Título: Prochromatique Técnica: Tintas sobre Cartulina Número: única pieza Fecha: circa 1985 Dimensiones: 60x60cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Papel Número: 133/150 Fecha: circa 1980 Dimensiones: 70x50cms Certificación: Enatem Llc

Título: Yo Positivo Técnica: Fondo Geométrico Número: única pieza Fecha: 1982 Dimensiones: 36,5x36,5cms Certificación: Enatem Llc

Título: sin título Técnica: Fondo Geométrico Número: única pieza Fecha: 1992 Dimensiones: 60x60cms Certificación: Enatem Llc

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Título: Composición Técnica: Óleo sobre Tela Número: única pieza Fecha: 1958 Dimensiones: 95x45cms Certificación: Enatem Manuel Finol

Título: Simbolismo 3 Técnica: Óleo sobre Tela Número: única pieza Fecha: 1958 Dimensiones:99,6x44,5cms Certificación: Enatem Manuel Finol

Título: Composición Técnica: Óleo sobre Tela Número: única pieza Fecha: 1958 Dimensiones:95x46,6cms Certificación: Enatem Manuel Finol

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Manuel Finol

Manuel Finol

Manuel Finol

Francisco Hung Gabriel Marcos Oswaldo Vigas Oswaldo Vigas Oswaldo Vigas

Título: Simbolismo 5 Técnica: Óleo sobre Tela Número: única pieza Fecha: 1958 Dimensiones:99,5x44,5cms Certificación: Enatem Manuel Finol

Título: Simbolismo 8 Técnica: Óleo sobre Tela Número: única pieza Fecha: 1958 Dimensiones:99,5x44,5cms Certificación: Enatem Manuel Finol

Título: Composición Técnica: Óleo sobre Tela Número: única pieza Fecha: 1959 Dimensiones:59,7x43cms Certificación: Enatem Manuel Finol

Título: sin título Técnica: Acrílico sobre Tela Número: única pieza Fecha: 1993 Dimensiones: 100x90cms Certificación: Enatem Manuel Finol

Título: Gris Bermellón Técnica: Óleo sobre Tela sobre Visopan Número: única pieza Fecha: 1962 Dimensiones: 54x37cms Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Serigrafía sobre Papel Número: P/A Fecha: 2005 Dimensiones: 68x58cms Certificación: Enatem Llc

Título: Brujita Técnica: Litografía sobre Cartulina Número: S/N Fecha: 2005 Dimensiones: 15x9cms Certificación: Enatem Llc

Luis Adrián León “Carúpano

Luis Adrián León “Carúpano

Título: sin título (E-3097) Técnica: Serigrafía sobre Papel Número: 9/40 Fecha: circa 1971 Dimensiones: 47x45cms Certificación: Fundación Vigas

Celebration of the 229th anniversary of the National Day of France "La Féte Nationale"

GREAT MASTERS IN THE ALLIANCE

AmbassadorRomainNadal–Instagram@romnadal I recommend visiting the extraordinary exhibition in the French Alliance of La Castellana with Works by Vasarely, Miró, Alejandro Otero, Cruz-Diez, Soto, Narváez, Vigas, among many other testimonies of the artistic share between Venezuela and France. A contribution made by the company ENATEM. The fine arts were always the crucible of an intense cultural dialogue between France and Venezuela.

MAYTE NAVARRO

27/07/2018 11:01 pm

The French Alliance presented the exhibition Grand Masters that was framed in the programation of the Week of France 2018.

The opening was in charge of Romain Nadal, Ambassador of France; François Dumiot, General Director of the French Alliance; and the Collector Claudio Giummarra.

The exhibition, which was held at the headquarters of the French Alliance of La Castellana, brought together works by Víctor Vasarely, Joan Miró, Alejandro Otero, Mateo Manaure, Carlos Cruz-Diez, Francisco Narváez, Rafael Bogarín and other consecrated Artist.

In this way, the French Alliance continues its action of projecting culture and being a bridge between France and Venezuela.

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http://www.eluniversal.com/sociales/16167/grandes-maestros-en-la-alianza https://www.youtube.com/watch?v=JC5a_aH3vqc http://elsumario.com/la-alianza-francesa-reunio-a-maestros-universales/ http://viajesboletin.com/index.php/component/tags/tag/exposicion-maestros-universales http://www.circuitobaila.com.ve/2018/07/02/la-alianza-francesa-reunio-a-maestros-universales/ http://www.vive.gob.ve/index.php/articulos-m/4209-muestra-de-artistas-universales-se-exhibe-en-la-alianza-francesa-de-la-castellana-categ=12 http:// www.noticias24.com/gente/noticia/163820/manuel-finol-cavalieri-nos-ensena-el-lenguaje-de-los-maestros-de-las-artes-universales/ http://www.caraotadigital.net/cultura/alianza-francesa-reunio-a-maestros-universales-para-conmemorar-la-semana-de-francia-2018/ http://elestimulo.com/blog/alianza-francesa-reunio-a-artistas-del-siglo-xx-en-la-exposicion-maestros-universales/ https://www.facebook.com/www.caracas.afvenezuela.org/photos/a.10150214649415960/10156451088750960/?type=1&theater

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