TABLEOFCONTENTS
SECTION1:INTRODUCTION
OVERVIEW
4 IntroductiontoTraumaticInjury
DonnaG.Blankenbaker,MD,FACR,AndrewSonin,MD, FACR,andKirklandW.Davis,MD,FACR
TRAUMATICINJURY,SPECIALTOPICS
6 FractureHealing
KirklandW.Davis,MD,FACRandCorrieM.Yablon,MD
12 PathologicFracture
MKJesse,MD,KirklandW.Davis,MD,FACR,andAndrew Sonin,MD,FACR
18 PhysealInjury(Salter-HarrisFracture)
KirklandW.Davis,MD,FACR,AndrewSonin,MD,FACR, andDonnaG.Blankenbaker,MD,FACR
24 ChildAbuse:Extremities
DonnaG.Blankenbaker,MD,FACR,AndrewSonin,MD, FACR,andKirklandW.Davis,MD,FACR
28 MuscleInjury
KirklandW.Davis,MD,FACR,KambizMotamedi,MD, FACR,andAndrewSonin,MD,FACR
32 Hematoma
DonnaG.Blankenbaker,MD,FACR,KirklandW.Davis, MD,FACR,andAndrewSonin,MD,FACR
38 ForeignBody
AndrewSonin,MD,FACR,SoteriosGyftopoulos,MD,MSc, andKirklandW.Davis,MD,FACR
44 IntramedullaryNail/Rod
KirklandW.Davis,MD,FACRandCherylA.Petersilge, MD,MBA
48 PlateFixation
KirklandW.Davis,MD,FACRandCherylA.Petersilge, MD,MBA
52 ScrewFixation
KirklandW.Davis,MD,FACRandCherylA.Petersilge, MD,MBA
SECTION2:SHOULDERANDHUMERUS
INTRODUCTIONANDOVERVIEW
60 ShoulderandHumerusOverview
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
BONESANDJOINTS
66 SternoclavicularJointInjury
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
70 ClavicleFracture
MichaelJ.Tuite,MDandSoteriosGyftopoulos,MD,MSc
72 AcromioclavicularJointInjury
MichaelJ.Tuite,MDandSoteriosGyftopoulos,MD,MSc
76 PosttraumaticOsteolysis,DistalClavicle
MichaelJ.Tuite,MDandSoteriosGyftopoulos,MD,MSc
78 ScapulaFracture
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
82 AnteriorGlenohumeralDislocation
SoteriosGyftopoulos,MD,MSc,MichaelJ.Tuite,MD,and DonnaG.Blankenbaker,MD,FACR
86
PosteriorGlenohumeralDislocation
MichaelJ.Tuite,MDandSoteriosGyftopoulos,MD,MSc
90 InferiorGlenohumeralDislocationandLuxatio
Erecta
MichaelJ.Tuite,MDandSoteriosGyftopoulos,MD,MSc
92 GreaterTuberosityFracture
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
94 OsteochondralInjury,Shoulder
96
MichaelJ.Tuite,MDandSoteriosGyftopoulos,MD,MSc
HumeralHead/NeckFracture
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
100 LittleLeaguer'sShoulder
102
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
TugLesion,Humerus
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
104 HumeralShaftFracture
106
MichaelJ.Tuite,MDandSoteriosGyftopoulos,MD,MSc
OsAcromiale
SoteriosGyftopoulos,MD,MSc,MichaelJ.Tuite,MD,and KirklandW.Davis,MD,FACR
MUSCLESANDTENDONS
SHOULDERGIRDLE
110 PectoralisInjury
114
118
120
126
130
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
DeltoidMuscleInjury
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
ProximalTricepsInjury
MichaelJ.Tuite,MDandSoteriosGyftopoulos,MD,MSc
ROTATORCUFF
RotatorCuffImpingement
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
RotatorCuffTendinopathy
SoteriosGyftopoulos,MD,MSc,MichaelJ.Tuite,MD,and KirklandW.Davis,MD,FACR
RotatorCuffPartial-ThicknessTear
SoteriosGyftopoulos,MD,MScandMichaelJ.Tuite,MD
Another random document with no related content on Scribd:
extraordinarily kindly one. When he is most perceptive, he gives his generalizations amiably rather than scornfully.” Harold Stearns
Freeman 2:378 D 29 ’20 3450w
Reviewed by Alvin Johnson
New Repub 24:221 O 27 ’20 1600w
“A compelling, stimulating, and essentially a significant book. The book itself is a unique essay in interpretation, an attempt to evaluate American character under the play of the ideas which it has projected and by which, in turn, it has been influenced.” L. R. Morris
Outlook 126:729 D 22 ’20 2450w
“On the whole he is eminently fair, if not more than fair, in his judgments. It is another question whether there is much profit in such an attempt as he has made to analyze the temper of a people.”
Review 3:625 D 22 ’20 400w
“Professor Santayana has written one of the most fascinating books imaginable.”
Spec 126:19 Ja 1 ’21 1500w
“The book is a very original one; indeed, the two chapters on William James and Josiah Royce belong to a new genre of literature. They are character-studies of philosophers, studies of the reaction
between character and philosophy, which ought to be dull but are as amusing as if he were talking scandal about the manners and habits of fashionable ladies. His book is one of the best he has written.”
The Times [London] Lit Sup p775 N 25
’20 1850w
SANTAYANA, GEORGE. Little
essays, drawn from the writings of the author by Logan Pearsall Smith, with the collaboration of the author. *$3 Scribner 814 20–26891
“Mr Pearsall Smith explains in his preface that this book owes its genesis to his habit of copying out such passages as particularly interested him in the writings of Santayana. He came to see, however, that these extracts ‘ were bound up with, and dependent upon, a definite philosophy, a rational conception of the world and man ’ s allotted place in it, which gave them a unity of interest and an importance far beyond that of any mere utterances of miscellaneous appreciation any mere “adventures of the soul.”’ He therefore persuaded Mr Santayana to arrange these extracts in such a way as to preserve their original connection as far as possible.” Ath
“We confess that we are agreeably surprised at the result. The masterful and inclusive vision of the author of the ‘Life of reason ’ appears here broken and disconnected, but not betrayed.” J. W. N. S.
Ath p143 Jl 30 ’19 1500w
“Contains a vast amount of interesting material distilled from profound scholarship and meditation.”
Booklist 17:49 N ’20
Bookm 52:368 Ja ’21 130w
“Any one who has a taste for short essays will find a good feast provided for him. While the essays can well hold their own as detached disquisitions on special subjects, they form a catena of thought which hangs logically together, exposing a rational philosophy. Indeed it has been said that George Santayana has imperiled the recognition of his philosophy by the fine robes in which he has consistently presented it.” Robert Bridges
Dial 69:534 N ’20 5000w
Nation 111:221 Ag 21 ’20 1300w
“A new immortal book.” P. L.
New Repub 25:321 F 9 ’21 2650w
“I believe that this publication will accomplish two things: it will establish Mr Santayana’s reputation as one of the foremost masters of English prose now living, and it will persuade many readers to buy the complete works from which these essays are drawn.” W: L. Phelps
N Y Times p8 Ag 22 ’20 3050w
“It is a notable book. Professor Santayana possesses charm of style; that merit must be accorded to him by his worst enemy, if enemy he has. His culture is broad, and his mind is discursive, touching in its range many points of metaphysics and art and literature and morals.”
Review 3:346 O 20 ’20 1350w
“Short though the pieces may be, they are, as a rule, brief only through extreme compression, and the great beauty of the style in which they are written links them together rather than divides them. Hidden in the book there lurks the exposition of a theory of life.”
Spec 124:239 Ag 21 ’20 800w
“Even if his philosophy does not satisfy us, we must enjoy his art. If we cannot believe that he tells us the truth about the nature of the universe, he tells us many incidental truths about the nature of man. ”
The Times [London] Lit Sup p573 S 9 ’20 2500w
SARETT, LEW R. Many many moons; a book of wilderness poems. *$1.50 Holt 811
20–6453
Of these poems on Indian themes the author says that they “ are in no sense literal translations of original utterances of aboriginal song and council-talk; they are, rather, very free, broad interpretations ... in the light of Indian symbolism and mysticism, of the mythology
and superstition involved, and of the attendant ceremonies.” (Preface) This is especially true of Parts I and III of the poems, and an appendix of expository comments has been added to make them clearer to the reader. Part II consists of nature poems giving the atmosphere of the Indian’s environment. The book has an introduction by Carl Sandburg and the three parts are: Flying moccasins; Lone fires; Chippewa monologues.
“A book of beautiful, rugged verse. ”
Booklist 16:306 Je ’20
“Mr Sarett makes one understand the Indian. We understand the Indian in relation to his thoughts, moods, his customs, his legends, his symbolism, his natural mysticism. With the poet’s full equipment, he has psychologically become an Indian and thus his interpreter to the outside world. ‘Many many moons ’ is a remarkable book!” W: S. Braithwaite
Boston Transcript p8 My 8 ’20 2300w
Cleveland p86 O ’20 50w
“Noise clearly is his forte; heap big Indian talk is his best line. The pale-face stanzas which attempt quieter and tenderer sorts of interpretation are vacant and over-facile in their faith.” M. V. D.
Nation 110:856 Je 26 ’20 120w
“He does not prettify the wilderness. Especially good are ‘The granite mountain’ and ‘God is at the anvil’ and ‘Of these four things I cannot write.’”
“When Mr Sarett writes of nature he is writing with genuine feeling of something he really knows. He has been in the wilderness.”
M. Wilkinson
+ + N Y Times 25:193 Ap 18 ’20 120w
N Y Times p18 Ag 8 ’20 290w
SAROLEA, CHARLES. Europe and the league of nations.
*$2.50 Macmillan 341.1
“This book by Professor Sarolea of the University of Edinburgh is, as its title implies, devoted principally to the league of nations, although there are chapters of interest on other subjects. The author warmly supports the league as a panacea for the ailing world.” (N Y Times Mr 14) “He takes up a number of problems growing out of the treaty of peace and out of the league covenant such as The status of small nations within the covenant, America within the league, The trial of the kaiser, The future of Poland, Germany’s political reconstruction. The author expresses great dissatisfaction with the economic terms of the treaty.” (N Y Times Ap 18)
N Y Times 25:117 Mr 14 ’20 600w
N Y Times 25:196 Ap 18 ’20 120w
“Dr Sarolea’s book is excellent in temper and spirit, but its sentimental idealism is unrestrained by the realities of present-day
Sat R 129:252 Mr 13 ’20 1300w
“‘Europe and the league of nations’ cannot be described as a weighty book, but it is fluently and brightly written.”
The Times [London] Lit Sup p23 Ja 8 ’20 300w
SASSOON,
Dutton 821
20–3705
SIEGFRIED.
Picture-show. *$1.50
“The contents of the volume, in spite of its suggestive title, are not wholly given over to the sidelights, fevers and fantasms of modern warfare. Almost one third of the book is a record of those passages of love which verge from the physical to the metaphysical; reflections of an emotion that is half-celebrated, half-stifled.” New Repub
Booklist 16:235 Ap ’20
“Every last utterance of Siegfried Sassoon’s makes a farce out of the deeds of the romantic soldier-poet the world has worshipped during the last five years. ” W. S. B.
+ − + + + politics.”
Boston Transcript p11 Ap 24 ’20 1550w
Reviewed by Malcolm Cowley
Dial 68:621 My ’20 1600w
“He knows the secret of the clean pentameter, he is distinct and clever and casual; yet there exists no feelable personality behind his lines. It is not required that he have intellectual drive or spiritual mounting-power: it merely is required that he show some sort of intellectual edge and awareness. He does that nowhere in ‘Picture show.’” M. V. D.
Nation 110:855 Je 26 ’20 160w
“Now we have ‘Picture show,’ a vigorous answer to those who feared that Sassoon had ‘written himself out’ or had begun to burn away in his own fire. The same outrage and loathing of war is in the new poems but a darker restraint is here; an emotion remembered not so much in tranquility as in irony. One of the most rousing of his recent poems. Aftermath, might well be the title of this volume, so firmly does it balance and round off his trilogy.” L: Untermeyer
New Repub 22:37 Mr 3 ’20 950w
“There is a mass of the verse that is heavy and halting—far too large a mass for so small a book. More careful pruning hereafter will lift the worth of his collections amazingly.” Clement Wood
N Y Call p10 Je 20 ’20 250w
“In this book Mr Sassoon describes warfare just as he did in his two earlier books. But the last lyric in ‘Picture-show,’ [Every one
sang,] is, perhaps, the very loveliest of all the songs written to welcome peace. ”
N Y Times 25:194 Ap 18 ’20 140w
“Mr Sassoon sometimes is as shaken in his expressions as in his emotion, and then he is apt to write as though art could not contain him. But every poet must learn that no man feels too deeply or too quickly to write well.... At its best here is a proud, tender poetry, indignant often but magnanimous always, the creation of a loving and aristocratic art.” J: Drinkwater
N Y Times 25:235 My 9 ’20 1550w
“When it comes to sheer poetry, I find in Mr Sassoon but two outstanding merits, a feeling for phrase and a sense of the occult, both present in the degree which redeems verse from insignificance without lifting it to distinction.” O. W. Firkins
Review 2:520 My 15 ’20 220w SAUNDERS, CHARLES FRANCIS. Useful wild plants of the United States and Canada. il *$3 McBride 581.6
20–26546
The purpose of the book is to call attention to certain useful wild plants, growing in the woods, waters and open country of the United States, that have in the past formed an important element in the diet of the aborigines and that could be both interesting and useful to
dwellers in rural districts, to campers, vacationists and nature students. It is copiously illustrated by photographs and line drawings and the contents are: Wild plants with edible tubers, bulbs or roots; Wild seeds of food value and how they have been utilized; The acorn as human food and some other wild nuts; Some little regarded wild fruits and berries; Wild plants with edible stems and leaves; Beverage plants of field and wood; Vegetable substitutes for soap; Some medicinal wildings worth knowing; Miscellaneous uses of wild plants; A cautionary chapter on certain poisonous plants; Regional index and general index.
Booklist 16:304 Je ’20
SAUNDERS, MARSHALL. Bonnie Prince
Fetlar. *$2 (2½c) Doran
20–18408
The hero of this new story by the author of “Beautiful Joe” is a Shetland pony, and there are many other characters, both animal and human. The scene is a Canadian farm to which the pony and his master, a delicate boy with over-strung nerves, are sent. Neither likes the strange, wild country at first but in time both come to love it, the young master’s health is restored, he makes new friends with a family of six lively Canadian children and in the end the mother he had believed dead returns to him. All this story is told in the words of the pony.
“The author of ‘Beautiful Joe’ has written a horse story which friends of Beautiful Joe will be disappointed in. But after all,
Ind 104:378 D 11 ’20 70w
N Y Evening Post p25 O 23 ’20 60w
“It is hardly necessary to say that here is an offering which any healthy boy or girl must enjoy, but to this it may be added that also it makes a strong appeal to grown-ups. ”
+ + comparisons are unnecessary and ‘Bonnie Prince Fetlar,’ left to itself, is an attractive book, full of incident and interest.”
N Y Times p23 D 12 ’20 270w
SAVI, ETHEL WINIFRED. When the blood burns. *$2 (1½c) Putnam
20–22037
Marcelle was a typist in a London office. Her beauty attracted her employer and his charming personality easily persuaded the inexperienced girl that she loved him; also since he was married to a much older woman who would not hear of divorce that it was right for her to go away with him to India. The monotony of the life there soon palled on David and he is glad, eventually, of the summons back to England. Marcelle, left behind, suffers untold miseries and excruciating experiences, and is finally rescued by the one friend who has stood by her from the first and who takes her home as his wife. The interesting feature of the story is its description of life in India.
Ath p698 N 19 ’20 150w
“It is a very old situation upon which E. W. Savi bases her story. She gives it no new twist, but she infuses into it so vital a sense of reality that it draws us and holds us keenly interested in its developments. She possesses the story-telling art in a very marked degree, and her story is full of both the beauty and strangeness of genuine romance. ”
D. L. M.
Boston Transcript p4 S 29 ’20 2000w
“The author hero has been content to tell a plain, somewhat sordid, tale of illicit love, with its inevitable penalties, which has little more color than can be found in the records of the average divorce suit. None of the characters commands much sympathy. As a whole, the offering may be called just a passable novel.”
N Y Times p22 S 19 ’20 500w
“The scenes which pass in India are much the most interesting.”
Spec 125:782 D 11 ’20 50w
“The story has a certain sympathetic charm with a moral that cannot be missed.”
Springf’d Republican p9a O 3 ’20 220w
“Despite a great deal of burning talk about love and passion, the story leaves one quite cold.”
SAWYER, RUTH (MRS ALBERT C. DURAND). Leerie. il *$1.75 (2½c) Harper
20–13146
“Leerie” was what the patients at the “San” lovingly called their nurse Sheila O’Leary, and like Stevenson’s “Leerie,” she brought light into the lives of her charges as no other nurse could. Especially to Peter Brooks, she brought light which they both felt could never die out. Then just on the very eve of her marriage to him, she felt the call to go to France, and went. But she did not leave him behind for he too found his place over there. There, after her period of service which offered experiences both bitter and sweet, they were reunited, “glad they had both paid their utmost for the love and happiness that she knew was theirs now for all time.”
“Somewhat sentimentalized and improbable, but women and girls will like it.”
Booklist 17:74 N ’20
“The book contains the correct philosophy of life throughout, showing that happiness comes from making others happy, from giving freely.”
Cath World 112:408 D ’20 210w
“A vivacious story, with plenty of sentimental appeal and written with a good deal of cleverness and ingenuity, Ruth Sawyer’s new novel springs lightly out of the conventional lines of fiction and goes its own gait.”
N Y Times p28 Ag 15 ’20 400w
Wis Lib Bul 16:196 N ’20 70w
SAYLER, OLIVER M. Russia white or red. il
*$2.50 Little 947 19–18648
For descriptive note see Annual for 1919.
Booklist 16:200 Mr ’20
“The author took with him his best gifts as critic—a quick eye, ready critical discernment, and an easy pen. He added to these gifts something of the historian’s grasp of the unity of events. The result is a quite unusual freshness and lucidity in the view we get of the Russian theatre.” T: H. Dickinson
Bookm 51:492 Je ’20 850w
“The value of his account is in its freedom from political interest. Without prejudice toward either white or red but with sympathy for
the struggles and sufferings of both sides, he simply relates what he observed of the surface and common movement of things.”
Nation 110:597 My 1 ’20 200w
“‘Russia white or red’ is free of any taint of propaganda, and among a torrent of writings full of distorted pictures of revolutionary Russia, it stands out as a truthful and honest if by no means profound contribution.” M. J. Olgin
New Repub 22:426 My 26 ’20 2000w
“Altogether, the book reveals a sympathetic understanding of the Russian masses, and an appreciation of their yearnings for freedom and peace. It does not pretend, however, to be a serious treatise on the fundamental changes which have come about since the revolution.” Alexander Trachtenberg
Socialist R 8:250 Mr ’20 320w
“It is neither a complete record nor an interpretation of events, and will appeal primarily to those who may still be interested in getting the background of revolutionary events and vivid glimpses of daily living during the first months of the Bolshevist régime.” Reed Lewis
Survey 44:53 Ap 3 ’20 100w SAYLER, OLIVER M. Russian theatre under the revolution. il *$2.50 (3½c) Little 792
20–692
The author chose the winter of 1917–1918, while the Bolshevik revolution was in progress, for a study of the Russian theatre. It was a time when the theatre had not significantly survived either in England or France or even in neutral New York and war had revealed it as being only too clearly a luxury, a pastime and an industry. But the Russian theatre is one of profound introspection and inspiration. “Out of their sorrows the Russians have builded all their art. And in the days of their profoundest gloom, they return to it for the consolation which nothing else affords.” In Moscow and Petrograd, the author testifies, the modern theatre has been carried to its finest achievement. Among the contents are: Plays within a play; The world’s first theatre; The plays of Tchehoff at the Art theatre; From Turgenieff to Gorky at the Art theatre; The Russian ballet in its own home; The deeper roots of the Russian theatre; The Kamerny, a theatre of revolt; Meyerhold and the theatre theatrical; Yevreynoff and monodrama; Russian theories of the theatre. There are numerous illustrations and an index.
Booklist
16:194 Mr ’20
“Interesting
and
remarkable book. It is a valuable contribution to the literature of the theatre.” N. H. D.
Boston Transcript p6 Ag 4 ’20 800w
Cleveland p32 Mr ’20 170w
“A book so eager, so cordial, so intelligent, so frankly the expression of a personal appetite that one would like to think of it as typical of a new dispensation.”
Freeman 1:70 Mr 31 ’20 280w
Nation 110:596 My 1 ’20 1250w
“He seems overstimulated by the shock of strangeness and the pervading atmosphere of idealism and experiment so different from the atmosphere of Broadway. Nevertheless, his book is tonic for the knowledge it brings us of theatrical theories, experiments and striking achievements in a land which is far ahead of ours so far as the theater is concerned.” W. P. Eaton
N Y Call p10 My 2 ’20 420w
“The author presents his material in such a way that not only will those interested in the theatre be attracted to it, but also those who are drawn to the puzzling topic of the Russian revolution.”
N Y Times 25:303 Je 6 ’20 500w
Outlook 124:563 Mr 31 ’20 60w
“His sincerity is unquestionable but his temper runs to hyperbole. In spite of all doubts and deductions, Mr Sayler’s book should be read by all students of contemporary drama. If it is not a striking history, it is a spirited and curious novel.”
Review 2:259 Mr 13 ’20 420w
“A comprehensive and graphic account.” Reed Lewis
Survey 44:53 Ap 3 ’20 80w
“It cannot be recommended too highly when considered merely as a source of knowledge and inspiration to those who are organizing our theatre guilds, Greenwich Village theatres, arts and crafts playhouses, and other steps toward a native art theatre. The casual reader will find the chapters absorbing with a human appeal quite lacking in most books about the theatre; but the same reader will meet something of a jolt when he reaches the last chapter for here are gathered in concentrated form (and often in darkly philosophical terms) the most recent of revolutionary theories of the stage. A handful of Americans will find these few chapters worth more than all the rest of the book together—worth more, too, than scores of the usual superficial books of criticism.”
Theatre Arts Magazine 4:173 Ap ’20
SCHAEFER, CLEMENS T. Motor truck design
and construction. il *$2.50 Van Nostrand 629.2
20–991
“This volume has been written to fill a pressing want; to give a practical discussion of the gasoline propelled commercial car of the present type, and to present this subject in the plainest possible manner by the use of numerous illustrations.” (Preface) A chapter on the general layout of the chassis is followed by chapters devoted to the various details, engine, cooling system, carburetion, ignition
systems, etc. The illustrations number 292, consisting largely of figures in the text. There is an index.
Booklist 16:229 Ap ’20 (Reprinted from Pratt p21 Ja ’20)
N Y P L New Tech Bks p33 Ap ’20 100w
Pratt p21 Ja ’20 50w (Same as Quar List New Tech Bks O ’19)
Quar List New Tech Bks O ’19 50w
SCHAUFFLER, ROBERT HAVEN. Fiddler’s luck. *$1.90 (3½c) Houghton
20–9475
Being “the gay adventures of a musical amateur.” (Sub-title) The young son of a family in which the flute was hereditary finds a cello in the garret and sets about to teach himself. He is sent to a musical cousin for his education and returning, as a fairly well equipped fiddler, has a falling out with his puppy love, Priscilla, because her progress on the piano has not kept pace with his, and she plays an ear-splitting fortissimo for his accompaniment. After many musical vicissitudes in the army he comes unexpectedly on Priscilla in Paris. She no longer strums but is a finished pianist and the harmony is now complete.
Booklist 17:36 O ’20
Boston Transcript p6 Je 30 ’20 1200w
“One of the most thoroly enjoyable books whether you are a musician or not that you have read in a long, long while.”
Ind 103:442 D 25 ’20 170w
Lit D p94 S 18 ’20 2750w
“‘Fiddler’s luck’ is full of love, laughter, music and good drink. It is worth a ton of best sellers and ‘serious studies’ in these melancholy days that are upon us. ” B. De C.
N Y Times p22 Ag 8 ’20 800w
“‘Fiddler’s luck’ is a charming series of war sketches that Mr Schauffler tries to make impersonal, but his own engaging personality sparkles through the sketches.”
Springf’d Republican p8 Je 30 ’20 170w
“A cheerful vein of optimism is in evidence continually, and its influence on the reader will be anything but depressing.”
Springf’d Republican p11a Jl 11 ’20 220w
Wis Lib Bul 16:196 N ’20 120w
CLARA
(MARGARET BLAKE, pseud.). Hyphen. 2v *$6 Dutton
20–17964
“The book is really a pamphlet masquerading as a novel, and it offers an analysis of the state of mind and fundamental character of the large German element in the United States, and also a vision of the ideal of American democracy as it appears to a thoroughly unEnglish observer. Her hero is presented as a personification of acquired Americanism. The son of a Prussian-American father and a Nihilist Russian princess, he is conceived as a synthesis. Brought up in a wholly German environment (Hoboken is thinly disguised as
Anasquoit), the boy aspires to become a ‘real American.’ Curiously enough, and yet convincingly, he gets the strongest stimulus toward Americanism from a young Englishman. The war disillusions him as to German kultur, and he concludes that the only way out for those of German blood who truly aspire to Americanism is to ‘ go and fight Germany.’” Review
“The story is very rich in material, a novel to be read slowly and thoughtfully for it contains a wealth of contemporary opinion and criticism. It is a colossal work and yet it is human.” D.
L.
Mann
Boston Transcript p4 Ja 19 ’21 1200w
“Excellent in parts, it is dismally unsatisfactory as a whole; rich in promise, it is a triumph of frustration. The author, apparently, drew the plans for an imposing work of fiction, but as the business of construction proceeded she became so engrossed in ornamental details and features of dubious importance that she mislaid her drawings.”
B. R. Redman
Nation 112:88 Ja 19 ’21 520w
“Complicated, and presenting many divergent points of view, the book is nevertheless full of repetitions. It impresses one as a kind of storehouse in which the author has stowed away a number of opinions on a number of subjects; the story merely provides a sort of makeshift for these opinions. There is no artistry shown in its construction.”
N Y Times p22 O 31 ’20 1150w
“It is especially interesting to those who are concerned about the Americanization of immigrants, because it shows so clearly what the reactions of the newcomers are to the influences which begin to surround them almost as soon as they set foot in their new country.”
N Y Times p10 Ja 16 ’21 900w
“Regarded merely as fiction, ‘The hyphen’ would be of small moment. The book’s chief interest lies in its minute portrayal of many and variant types of German-Americans both before and during the war. ”
Review 3:506 N 24 ’20 540w
SCHINZ, ALBERT. French literature of the great war. *$3 (2c) Appleton 840.9
20–8608
The author distinguishes three periods in the war literature of France between 1914 and 1918. “The first was one of spontaneous, sudden and strongly emotional reaction, following immediately the first bewildering shock; the second, one of documentation on the causes of the war and on the war itself; and the third, a period of calm philosophical consideration of all that was involved in the gigantic struggle.” (Introd.) Although the lyric and satirical note predominated in the first period, memoir literature in the second, and philosophical essays and treatises in the third, no period can be said to have produced one type of literature to the exclusion of all others. The contents of the book fall into two parts, part 1 discussing in successive chapters the three periods and part 2 containing: Poetry of the war; The stage and the war; War-time fiction; Epilogue.
The appendices contain a bibliography; documents relative to the war; and a catalogue, in alphabetical order, of some of the best war diaries and recollections. There is an index.
Booklist 17:23 O ’20
“The French literature of the late war is very adequately discussed by Professor Schinz. The chief defect of his treatise is a tinge of partisan feeling, somewhat out of place in work of this kind, and his attack of Romain Rolland is hardly just.” C. K. H.
Boston Transcript p8 Je 19 ’20 300w
“A very interesting and scholarly account.”
Cath
World 112:267 N ’20 280w
“The scholarly orderliness and completeness of Mr Albert Schinz’s ‘French literature in the great war ’ contrast glaringly with its temper. He prefers polemics to poetry. Instead of writing the history of a literary movement which is memorable even if not great, he still is battering the Teutonic hordes with the familiar accumulation of civilian energy unspent on any other field.”
Nation
110:861 Je 26 ’20 280w
“We consider the work, as a whole, timely and important. It must have been the labor of love, for no other motive could have produced a result so eminently satisfactory.”
Review 3:110 Ag 4 ’20 400w
Springf’d Republican p8 Ag 12 ’20 650w
“He is quite prodigiously well read in French war literature. But unhappily there is hardly any criticism in the book, nothing profound, nothing illuminating, nothing very thoughtful even except for a few passages and none of those fortunate phrases by which the real critic ‘gets at’ the significance, the vitals, so to speak, of the work he is discussing.”
+ N Y Times 25:13 Jl 18 ’20 950w
The Times [London] Lit Sup p686 O 21 ’20 580w
SCHLEITER, FREDERICK. Religion and
culture. *$2 Columbia univ. press 201 19–9320
For descriptive note see Annual for 1919.
“Dr Schleiter has given us a critique of method which not only challenges modern methods and theories but deliberately drives them all from the field, some more gently than others.... As a preparation for a methodology a destruction of methods to make way for method—Dr Schleiter’s work deserves the serious attention of all workers in the field of origins, social and religious, and may well be the most significant work of recent years. ” A. E. Haydon
Am J Theol 24:293 Ap ’20 850w
“On page after page the false assumptions, the blundering reasoning, and the erroneous conclusions that have hitherto characterized comparative religion are laid bare with a detachment of judgment and a wealth of erudition that make the book a model of criticism. Dr Schleiter has put out of action a good many of the heavy guns that were to batter the walls of the citadel of religion.”
Cath World 111:393 Je ’20 400w
“Dr Schleiter, though an acute critic, is not a lucid writer, and his work is critical rather than constructive.”
Nature 105:451 Je 10 ’20 260w
“He deserves special credit for rescuing from obscurity the principle of convergence, i.e., the doctrine that like cultural results may evolve from unlike antecedents. However, it is the more original treatment of casuality that not only arrests attention but makes one hunger for more. ” R. H. L.
New Repub 21:364 F 18 ’20 600w
“The book is a signal illustration of two characteristic features of American thought the tendency to concentrate on what authorities have written about a subject rather than on the subject itself, and the neglect to cultivate any grace or clarity of literary style.”
+ − The Times [London] Lit Sup p91 F 5 ’20 100w
SCHMAUK, THEODORE EMANUEL.
How to teach in Sunday-school. (Teacher-training handbook)
$1.50 (2c) United Lutheran publication house 268
20–3582
A book devoted to the art, the method, the material and the act of Sunday-school teaching. The author suggests that for a short and effective teacher-training course chapters 20–22 (comprising the discussion of the act of teaching) be used. For a more comprehensive course the sections devoted to method and material are suggested. The author is professor of pedagogy in the Theological seminary at Philadelphia and has had “twenty-five years ’ experience in Sundayschool reconstruction.”
SCHOFF, WILFRED HARVEY.[2] Ship Tyre.
il *$2 Longmans 224
20–18184
The dooms of the ship “Tyre” and of the “King of Tyre” as pronounced in the twenty-seventh and twenty-eighth chapters of the book of the prophet Ezekiel are here shown to be entirely symbolic and the material things mentioned to refer not to any real commerce but to matters of a political and religious significance. According to the sub-title, the ship “Tyre” is “ a symbol of the fate of conquerors, as prophesied by Isaiah, Ezekiel and John and fulfilled at Nineveh,
Babylon and Rome.” Contents: Introduction; The tabernacle; Division of spoil; The temple and palace; Ophir voyages: Profanation and pillage; Captivity; The ship “Tyre”; The prince of Tyre; The king of Tyre; Notes to the allegory; The second temple; The great city “Babylon”; The Holy City; The pomp and the trappings; Precious stones; The specifications compared; Date of the tradition; Appendix; Index.
SCHOFIELD, ALFRED TAYLOR. Modern
spiritism. pa *$1.25 Blakiston 134
“Dr Schofield, a student for over thirty years of psychological problems, and a rather copious writer upon them, especially from the medical point of view, gives an instructive review of the history of spiritism, and of its modern developments, and discusses, with many examples from his own experience and with an open mind, the strange phenomena of ‘possession,’ ‘second sight,’ etc. His own position is that, while the facts of spiritism cannot all be explained by purely human agencies, communications with ‘spirits’ are certainly not with the disembodied spirits of the dead. He regards spiritism as practised today to be full of the gravest dangers, mental and spiritual, and to be definitely anti-Christian.” The Times [London] Lit Sup
Ath p93 Ja 16 ’20 60w
Reviewed by B: de Casseres
N Y Times 25:189 Ap 18 ’20 180w
Springf’d Republican p13 F 1 ’20 80w (Reprinted from The Times [London] Lit Sup p783 D 25 ’19)
“The author’s argument is trenchantly expressed and is supported by evidence. But the fact that he has a religious belief of his own to uphold against the beliefs of the spiritists somewhat weakens his argument.”
Springf’d Republican p9a Ag 29 ’20 750w
+
The Times [London] Lit Sup p783 D 25 ’19 120w
SCHOFIELD, WILLIAM HENRY. Mythical bards, and The life of William Wallace. (Harvard studies in comparative literature) *$3 Harvard univ. press 821.09
20–9501
“This is primarily a discussion of the authorship of the metrical fifteenth century life of the Scottish patriot (d. 1305), which is ascribed to ‘Blind Harry.’ Mr Schofield contends that ‘Blind Harry’ is a pseudonym, and that the biographer was no quiet scholar or amiable ecclesiastic like Barbour, but ‘ a vigorous propagandist, a ferocious realpolitiker without principle when it was a question of Scotland’s place in the sun. ’ The writer diverges from this problem to chapters on ‘Blind Harry and blind Homer,’ and on Conceptions of poesy which occupy the last two chapters.”—The Times [London] Lit Sup
“It is all readable enough and often not uninteresting: whether it proves anything must be left to the reader to decide.”
Ath p761 D 3 ’20 450w
“Every page of it betrays the author’s enjoyment of an opportunity to build a huge structure of learning around a soap bubble.”
Boston Transcript p6 Jl 21 ’20 950w
“In general, ‘Mythical bards’ is marked by the broad scholarship and the keen vision of literary problems which have always been the chief characteristics of the author’s work.” T. P. Cross
Mod Philol 18:53 Ag ’20 1200w
“Like most of Prof. Schofield’s books this shows originality as well as the result of deep research, with an undoubted power of holding the attention of the reader.”
