Scientific farm animal production: an introduction (11th edition ) 11th edition all chapter instant

Page 1


Scientific Farm Animal Production: An Introduction (11th Edition ) 11th Edition

https://ebookmass.com/product/scientific-farmanimal-production-an-introduction-11thedition-11th-edition/

Download more ebook from https://ebookmass.com

More products digital (pdf, epub, mobi) instant download maybe you interests ...

Farm Animal Surgery 2nd Edition Susan L. Fubini

https://ebookmass.com/product/farm-animal-surgery-2nd-editionsusan-l-fubini/

Scientific Epistemology: An Introduction Hilary Kornblith

https://ebookmass.com/product/scientific-epistemology-anintroduction-hilary-kornblith/

Electronic Media: An Introduction 11th Edition, (Ebook PDF)

https://ebookmass.com/product/electronic-media-anintroduction-11th-edition-ebook-pdf/

An Introduction to Language 11th Edition Victoria Fromkin

https://ebookmass.com/product/an-introduction-to-language-11thedition-victoria-fromkin/

Forensic Science: An Introduction to Scientific and Investigative

https://ebookmass.com/product/forensic-science-an-introductionto-scientific-and-investigative/

Animal Behavior 11th Edition John Alcock

https://ebookmass.com/product/animal-behavior-11th-edition-johnalcock/

American Public Policy: An Introduction 11th Edition, (Ebook PDF)

https://ebookmass.com/product/american-public-policy-anintroduction-11th-edition-ebook-pdf/

An Introduction to Genetic Analysis 11th Edition, (Ebook PDF)

https://ebookmass.com/product/an-introduction-to-geneticanalysis-11th-edition-ebook-pdf/

Humanity: An Introduction to Cultural Anthropology 11th Edition – Ebook PDF Version

https://ebookmass.com/product/humanity-an-introduction-tocultural-anthropology-11th-edition-ebook-pdf-version/

Preface xvii

About the Author xix

1

animal contributions to human needs 1

Contributions To Food Needs 1

Contributions to Clothing and Other Nonfood Products 12

Contributions to Work and Power Needs 13

Animals for Companionship, Recreation, and Creativity 15

Additional Animal Contributions 15

Chapter Summary 15

Key Words 16

Review Questions 16

Selected References 16

2 an overview of the livestock and Poultry industries 17

U.S. Animal Industries: An Overview 17

Cash Receipts 17

World Trade 17

Commodity Prices 18

Biological Differences in Meeting Market Demand 20

Beef Industry 20

Global Perspective 20

United States 23

Cattle Production 23

Cattle Feeding 26

The Dairy Cattle Industry 28

Global Perspective 28

United States 30

The Horse Industry 31

Global Perspective 31

United States 32

The Poultry Industry 33

Global Perspective 33

United States 34

The Sheep and Goat Industry 38

Global Perspective 38

United States 39

Purebred Breeder 41

Commercial Market Lamb Producers 42

Commercial Feedlot Operator 42

The Swine Industry 42

Global Perspective 42

United States 42

Other Animal Industries 44

Aquaculture 44

Bison 45

Elk 46

Ostrich and Emu Farming and Ranching 46

Llama and Alpaca Production 46

Chapter Summary 47

Key Words 47

Review Questions 47

Selected References 48

3 red meat Products 49

Production 49

Processing 49

Kosher and Muslim Meats 52

Composition 53

Physical Composition 53

Chemical Composition 54

Nutritional Considerations 55 Nutritive Value 55

Consumption 57

Demand 59

Marketing 59

Chapter Summary 63

Key Words 63

Review Questions 64

Selected References 64

4

Poultry and egg Products 65

Poultry Meat and Egg Production 65

Composition 66

Meat 66

Eggs 67

Poultry Products 68

Meat 68

Eggs 69

Feathers and Down 70

Other Products and By-Products 70

Nutrition Considerations 70

Nutritive Value of Poultry Meat 70

Nutritive Value of Eggs 70

Consumption 72

Meat 72

Eggs 72

Marketing 73

Chapter Summary 76

Key Words 76

Review Questions 77

Selected References 77

5

milk and milk Products 78

Milk Production 78

Milk Composition 79

Milk Fat 81

Carbohydrates 82

Proteins 82

Vitamins 82

Minerals 82

Milk Products in the United States 82

Fluid Milk 83

Evaporated and Condensed Milk 85

Dry Milk 85

Fermented Dairy Products 85

Cream 86

Butter 86

Cheese 87

Ice Cream 89

Eggnog 89

Imitation Dairy Products 89

Health Considerations 90

Nutritive Value of Milk 90

Wholesomeness 91

Milk Processing 91

Milk Intolerance 92

Consumption 92

Marketing 92 World 92

United States 93

Prices 93

Chapter Summary 94

Key Words 94

Review Questions 95

Selected References 95

6 Wool and mohair 96

Growth of Hair, Wool, and Mohair 96

Factors Affecting the Value of Wool 99

Classes and Grades of Wool 101

Production of Wool and Mohair 102

Wool Marketing 106

Uses of Wool and Mohair 106

Chapter Summary 108

Key Words 108

Review Questions 108

Selected References 108

7

By-Products of meat animals 109

Edible By-Products 109

Inedible By-Products 110

The Rendering Industry 113

Rendering of Red Meat Animal By-Products 114

Rendering of Poultry By-Products 114

Disposing of Dead Livestock 115

Chapter Summary 117

Key Words 117

Review Questions 117

Selected References 117

8 market classes and Grades of livestock, Poultry, and eggs 118

Market Classes and Grades of Red Meat Animals 118

Slaughter Cattle 118

Feeder Cattle 123

Slaughter Swine 124

Slaughter Sheep 126

Feeder Lamb Grades 128

Goat Grades 128

Market Classes and Grades of Poultry Products 129

Poultry Meat 129

Eggs 130

Chapter Summary 133

Key Words 133

Review Questions 133

Selected References 134

9

visual evaluation of market animals 135

External Body Parts 136

Location of the Wholesale Cuts in the Live Animal 136

Visual Assessment of Livestock Carcass

Composition 137

Chapter Summary 145

Key Words 146

Review Questions 146

Selected References 146

10

reproduction 147

Terminology For Anatomical Positioning 147

Female Organs of Reproduction and their Functions 147

Ovaries 149

The Oviducts 151

The Uterus 151

The Vagina 152

The Clitoris 152

Reproduction in Poultry Females 152

Male Organs of Reproduction and Their Functions 154

Testicles 155

The Epididymis 157

The Scrotum 157

The Vas Deferens 158

The Urethra 159

Accessory Sex Glands 159

The Penis 159

Reproduction in Male Poultry 159

Hormonal Control of Testicular and Ovarian Function 160

Testicular Function 160

Ovarian Function 160

Estrous Cycle 162

Seasonal Effects on Reproduction 163

Pregnancy 164

Parturition 166

Chapter Summary 169

Key Words 169

Review Questions 169

Selected References 170

11 artificial insemination, estrous Synchronization, and embryo transfer 171

Semen Collecting and Processing 172

Insemination of the Female 174

Detecting Estrus 175

Proper Insemination 176

Estrous Synchronization 177

Prostaglandin 178

MGA and Prostaglandin 179

Controlled Internal Drug Release (CIDR) 179

Synchronization with Natural Service 180

P.G. 600 180

Embryo Transfer 180

Cloning 182

Sexed Semen 184

Chapter Summary 184

Key Words 184

Review Questions 184

Selected References 185

12 Genetics 186

Mitosis and Meiosis 186

Production of Gametes 186

Spermatogenesis 188

Oogenesis 189

Fertilization 189

DNA and RNA 190

Genes and Chromosomes 192

Principles of Inheritance 192

Simple Inheritance 193

Multiple Gene Pairs 195

Gene Interactions 197

Allelic Interactions 197

Interactions Between Genes and the Environment 199

Biotechnology 200

Applications 200

Future Expectations and Concerns 202

Chapter Summary 203

Key Words 203

Review Questions 204

Selected References 204

13

Genetic change through Selection 205

Importance of Genetics to the Livestock Industry 205

Structure of the Breeding Industry 205

Breeds 206

Continuous Variation and Many Pairs of Genes 207

Selection 211

Selection Differential 212

Heritability 212

Generation Interval 213

Predicting Genetic Change 214

Genetic Change for Multiple Trait Selection 214

Evidence of Genetic Change 215

Selection Methods 218

Basis for Selection 220

Predicted Differences or Expected Progeny Differences 220

Chapter Summary 221

Key Words 222

Review Questions 222

Selected References 222

14

mating Systems 223

Inbreeding 223

Intensive Inbreeding 225

Linebreeding 227

Outbreeding 229

Species Cross 229

Crossbreeding 230

Outcrossing 232

Grading Up 233

Forming New Lines or Breeds 234

Chapter Summary 234

Key Words 234

Review Questions 235

Selected References 235

15

nutrients and their functions 236

Nutrients 236

Water 236

Carbohydrates 237

Fats 238

Proteins 239

Minerals 240

Vitamins 241

Proximate Analysis of Feeds 241

Digestibility of Feeds 242

Energy Evaluation of Feeds 243

Maintenance and Production 244 Measurement of Energy 245

Feeds and Feed Composition 246

Classification of Feeds 246

Nutrient Composition of Feeds 247

By-Product Feeds 247

Chapter Summary 250

Key Words 250

Review Questions 250

Selected References 251

16 digestion and absorption of feed 252

Carnivorous, Omnivorous, and Herbivorous Animals 252

Digestive Tract of Monogastric Animals 253

Stomach Compartments of Ruminant Animals 255

Digestion in Monogastric (Nonruminant) Animals 256

Digestion in Ruminant Animals 258

Energy Pathways 259

Protein Pathways 259

Chapter Summary 261

Key Words 261

Review Questions 261

Selected References 261

17

Providing nutrients for Body functions 262

Nutrient Requirements For Body Maintenance 262

Body Size and Maintenance 262

Nutrient Requirements For Growth 263

Nutrient Requirements For Finishing 265

Nutrient Requirements For Reproduction 265

Nutrient Requirements For Lactation 266

Nutrient Requirements For Egg Laying 267

Nutrient Requirements For Wool Production 267

Nutrient Requirements For Work 267

Ration Formulation 268

Nutrient Requirements of Ruminants 268

Diet Modification to Minimize Nitrogen and Phosphorus Excretion 273

Chapter Summary 273

Key Words 274

Review Questions 274

Selected References 274

18

Growth and development 275

Prenatal (Livestock) 275

Birth (Livestock) 276

Poultry 277

Embryonic Development 277

Basic Anatomy and Physiology 278

Skeletal System 278

Muscle System 279

Circulatory System 280

Endocrine System 283

Growth Curves 283

Carcass Composition 284

Effects of Frame Size 286

Effect of Gender 286

Effect of Muscling 288

Age and Teeth Relationship 289

Measurements of Growth 290

Chapter Summary 291

Key Words 291

Review Questions 292

Selected References 292

19 lactation 293

Mammary Gland Structure 293

Mammary Gland Development and Function 294

Development 294

Milk Secretion 295

Maintenance of Lactation 296

Factors Affecting Milk Production 296

Milk Composition 299

Species Differences 299

Colostrum 300

Chapter Summary 300

Key Words 300

Review Questions 301

Selected References 301

20 adaptation to the environment 302

Relationship Between Animals and the Environment 303

Adjusting to Environmental Changes 303

Temperature Zones of Comfort and Stress 304

Relationship of Intake and Maintenance during Stress 307

Managing the Thermal Environment 310

Mitigating Heat Stress 311

Adjusting Rations for Weather Changes 311

Inability of Animals to Cope with Climatic Stress 312

Chapter Summary 314

Key Words 314

Review Questions 314

Selected References 314

21 animal health 316

Immune Function 316

Prevention 317

The Role of the Veterinarian 317 Sanitation 317

Sound Nutritional Management 318

Record Keeping 318

Facilities 318

Source of Livestock 318

Biosecurity 319

Use of Biologicals and Pharmaceuticals 319

Stress 322

Personnel Training 323

Detecting Unhealthy Animals 323

Visual Observation 323

Vital Signs 323

Major Diseases of Farm Animals 324

Quality Assurance 329

Chapter Summary 331

Key Words 331

Review Questions 332

Selected References 332

22

animal Behavior 333

Stockmanship 333

Animal Behavior 333

Systems of Animal Behavior 334

Sexual Behavior 335

Caregiving Behavior 337

Care-Soliciting Behavior 337

Agonistic Behavior 338

Interaction with Other Animals 338

Interactions with Humans 339

Behavior during Handling and Restraint 340

Ingestive Behavior 342

Eliminative Behavior 343

Shelter-Seeking Behavior 343

Investigative Behavior 343

Allelomimetic Behavior 344

Additional Behaviors 344

Communication 344

Maladaptive or Abnormal Behavior 345

Chapter Summary 346

Key Words 346

Review Questions 346

Selected References 346

23 issues in animal agriculture 347

Feeding 9 Billion People by 2050 349

Sustainability 349

Valid Comparisons and Assessing Risk 350

Environmental Management Issues 352

Land Use 353

Conversion of Agricultural Land 353

Federal Lands 354

Waste Management 356

Air Quality 357

Water Utilization and Quality 358

Animal Well-Being 359

Public Health 363

Diet and Health 363

Dietary Guidelines 367

Food Safety 369

Microorganisms 371

Residues 372

Quality Assurance 373

Production Technologies 374

Organic and Natural Products 376 Issues and Opportunities 377

Chapter Summary 377

Key Words 377

Review Questions 378

Selected References 378

24 Beef cattle Breeds and Breeding 380

Genetic Variation 381

Major U.S. Beef Breeds 382

Improving Beef Cattle Through Breeding Methods 386

Traits and Their Measurement 386

Reproductive Performance 386

Weaning Weight 386

Postweaning Growth 387

Feed Efficiency 387

Carcass Merit 388

Longevity 388

Conformation 388

Genetic Defects 389

Bull Selection 389

Breeding Values 389

Sire Summaries 390

Selecting Replacement Heifers 392

Cow Selection 394

Crossbreeding Programs for Commercial Producers 396

Chapter Summary 399

Key Words 400

Review Questions 400

Selected References 400

25

feeding and managing Beef cattle 401

Cow–Calf Management 401

Costs and Returns 403

Management for Optimum Calf Crop Percentages 405

Management for Optimum Weaning Weights 408

Management Of annual Cow Costs 409

Stocker-Yearling Production 413

Types of Cattle Feeding Operations 415

Feedlot Cattle Management 416

Facilities Investment 416

Cost of Feeder Cattle 417

Feed Costs 417

Nonfeed Costs 418

Marketing 418

Costs and Returns 420

Environmental Management 420

Chapter Summary 422

Key Words 422

Review Questions 423

Selected References 423

26

dairy cattle Breeds and Breeding 424

Characteristics of Breeds 424

Registration Numbers 424

Dairy Type 425

Improving Milk Production 428

Selection of Dairy Cows 428

Breeding Dairy Cattle 430

Sire Selection 432

Chapter Summary 433

Key Words 433

Review Questions 434

Selected References 434

27

feeding and managing dairy cattle 435

Nutrition of Lactating Cows 435

Adjusting for Heat Stress 439

Nutrition of Dry Cows 439

Nutrition of Replacement Heifers 440

Management of Bulls 440

Calving Operations 441

Milking and Housing Facilities For Dairy Cows 441

Waste Management 442

Milking Operations 443

Controlling Diseases 445

Costs And Returns 449

Chapter Summary 451

Key Words 451

Review Questions 451

Selected References 451

28

Swine Breeds and Breeding 452

Characteristics of Swine Breeds 452

Traits and Their Measurements 452

Sow Productivity 453

Growth 454

Feed Efficiency 456

Carcass Traits 457

Structural Soundness 457

Effective Use of Performance Records 458

Selecting Replacement Females 461

Boar Selection 462

Crossbreeding For Commercial Swine Producers 462

Chapter Summary 465

Key Words 465

Review Questions 466

Selected References 466

29 feeding and managing Swine 467

Production Management 468

Boar Management 468

Management of Breeding Females 469

Pregnancy Detection 470

Management of the Sow during Farrowing and Lactation 471

Induced Farrowing 472

Baby Pig Management from Birth to Weaning 473

Feeding and Management from Weaning to Market 478

Management of Purchased Feeder Pigs 482

Marketing Decisions 482

Costs and Returns 483

Environmental Management 484

Management for Swine Well-Being 486

Chapter Summary 487

Key Words 487

Review Questions 488

Selected References 488

30

Sheep and Goat Breeds and Breeding 489

Major U.S. Sheep Breeds 489

Characteristics 490

Composite Breeds 490

Major Goat Breeds 493

Breeding Sheep and Goats 494

Sheep Reproduction 497

Goat Reproduction 499

Other Factors Affecting Reproduction of Sheep 499

The Breeding Season 500

Genetic Improvement in Commercial Sheep Production 501

Terminal Crossing 502

Three-Breed Terminal Crossbreeding 502

Chapter Summary 503

Key Words 503

Review Questions 504

Selected References 504

31

feeding and managing Sheep and Goats 505

Production Requirements for Farm Flocks 505

Pastures 505

Corrals and Chutes 505

Shelters 506

Lambing Equipment 507

Feeding Equipment 507

Types of Farm Flock Producers 507

Purebred Breeder 507

Commercial Market Lamb Producers 508

Commercial Feeder Lamb Producers 509

Commercial Feedlot Operator 509

Feeding Ewes, Rams, and Lambs 510

Management of Farm Flocks 513

Handling Sheep 513

Lambing Operations 514

Castrating and Docking 514

Shearing 514

Facilities for Production of Range Sheep 515

Managing Range Sheep 516

The Winter Headquarters 516

The Spring–Fall Range 517

Summer Grazing 517

Managing Goats 518

Fencing 518

Dehorning 519

Hoof Trimming 519

Identification 519

Castration 519

Shearing 519

Milking 519

Time of Breeding 520

Time of Kidding 520

Feeding 523

Controlling Diseases and Parasites 525

Determining The Age of Sheep by Their Teeth 527

Costs and Returns 527

Chapter Summary 529

Key Words 529

Review Questions 529

Selected References 530

32 horse Breeds and Breeding 531

Horses and Humans 531

Breeds of Horses 531

Popularity of Breeds 534

Breeding Program 534

Selection 534

Conformation of the Horse 535

Purchasing the Horse 535

Body Parts 536

Unsoundness and Blemishes of Horses 538

Gaits of Horses 540

Ease of Riding and Way of Going 541

Abnormalities in Way of Going 541

Determining The Age of a Horse by its Teeth 542

Chapter Summary 544

Key Words 544

Review Questions 544

Selected References 545

33

feeding and managing horses 546

Feeds and Feeding 546

Managing Horses 552

Reproduction 552

Breeding Season 553

Foaling Time 554

Weaning the Foal 555

Castration 555

Identification 555

Care of Hardworking Animals 556

Housing and Equipment 556

Controlling Diseases and Parasites 557

Chapter Summary 561

Key Words 561

Review Questions 561

Selected References 562

34 Poultry Breeding, feeding, and management 563

Breeds and Breeding 563

Characteristics of Breeds 563

Breeding Poultry 565

Feeding and Management 571

Incubation Management 571

Managing Young Poultry 575

Housing for Broilers 575

Managing 10- to 20-Week-Old Poultry 577

Management of Laying Hens 578

Housing Poultry 581

Feeds and Feeding 583

Issues Management 585

Environmental Impact 585

Animal Welfare 586

Costs and Returns 588

Chapter Summary 593

Key Words 593

Review Questions 593

Selected References 593

Glossary 595

Index 621

This page intentionally left blank

Preface

Scientific Farm Animal Production is distinguished by an appropriate coverage of both breadth and depth of livestock and poultry production and their respective industries. The book gives an overview of the biological principles applicable to the animal sciences with chapters on reproduction, genetics, nutrition, lactation, consumer products, and other subjects. The book also covers the breeding, feeding, and management of beef cattle, dairy cattle, horses, sheep and goats, swine, and poultry. Although books have been written on each of these separate topics, the author has highlighted the significant biological principles, scientific relationships, and management practices in a condensed but informative manner.

tar G et a udience

This book is designed as a text for the introductory animal science course typically taught at universities and community colleges. It is also a valuable reference book for livestock producers, vocational agriculture instructors, and others desiring an overview of livestock production principles and management. The book is appropriate for the urban student with limited livestock experience, yet challenging for the student who has a livestock production background.

Key f eature S

Chapters 1 through 9 cover animal enterprises and products; Chapters 10 through 22 discuss the biological principles that are utilized to improve livestock and poultry production and the issues facing animal agriculture; while livestock and poultry management systems are presented in Chapters 23 through 34.

The glossary of terms used throughout the book has been expanded so that students can readily become familiar with animal science terminology. Many of the Key Terms in the text are included in the glossary. Additionally, key words are provided at the end of each chapter as an aid to student learning.

Photographs and figures are used throughout the book to communicate key points and major relationships. The visual aspects of the text should help students expand their global and macro view of the livestock industry as well as better understanding how theory is put into practice.

At the end of each chapter, a set of questions are provided that are designed to facilitate an in-depth understanding of the material. Students are encouraged to utilize the questions to assist them in making connections between concepts and to better integrate relationships to allow for not only listing the facts but creating a framework for the application of knowledge.

n e W to t hi S e dition

This text continues to blend the various disciplines of science with contemporary management practices and industry trends to build a cohesive discussion of animal agriculture. The following improvements have been made to this edition:

• The input of nearly 20 reviewers was utilized to assure accuracy, clarity, and effective delivery of material.

• Demographic, industry data, and consumer trends have been updated.

• Photos and illustrations have been upgraded to enhance the reader experience.

• Management chapters have been revised to reflect the most current protocols and technologies used by the industry.

• More attention has been given to the issues and challenges confronting the livestock and poultry industry.

• Significant revision has been accomplished to provide a comprehensive but more clear communication of science based principles and relationships.

• Financial and enterprise-based cost and return data has been integrated to facilitate better understanding of the economic consequences of management decisions.

• The text effectively balances science and practice as it applies to the livestock and poultry industry.

in S tructor ’S re S ource S

An online Instructor’s Manual, PowerPoint slides, and TestGen are available to Instructors at www.pearsonhighered.com. Instructors can search for a text by author, title, ISBN, or by selecting the appropriate discipline from the pull-down menu at the top of the catalog home page. To access supplementary materials online, instructors need to request an instructor access code. Go to www.pearsonhighered.com, click the Instructor Resource Center link, and then click Register Today for an instructor access code. Within 48 hours of registering, you will receive a confirmation e-mail including an instructor access code. Once you have received your code, go to the site and log on for full instructions on downloading the materials you wish to use.

a c K no W led G ment S

Appreciation is expressed to the reviewers of the eleventh edition, who offered suggestions to strengthen the book. They are Bonnie Ballard, Gwinnett Technical College; Angela Beal, Bradford School, Vet Tech Institute; Dennis Brink, University of Nebraska-Lincoln; Anne Duffy, Kirkwood Community College; Brian Hoefs, Globe University; Chip Lemieux, McNeese State University; Farabee McCarthy, The University of Findlay; Kasey Moyes, University of Maryland; Mary O'Horo-Loomis, State University of New York at Canton; Margi Sirois, Wright Career College; Bonnie Snyder, Central New Mexico Community College; Melissa Stacy, Rockford Career College; Brett VanLear, Blue Ridge Community College; Peg Villanueva, Vet Tech Institute @ International Business College—Indianapolis; Elizabeth Walker, Missouri State University; Julie Weathers, Southeast Missouri State University; Jennifer Wells, University of Cincinnati; Cynthia Wood, Virginia Tech; and Brenda Woodard, Northwestern State University of Louisiana.

About the Author

Dr. Thomas G. Field serves as the director of the Engler Agribusiness Entrepreneurship Program and holder of the Engler Chair in Agribusiness Entrepreneurship at the University of Nebraska—Lincoln.

He is also a noted agricultural author and a frequent speaker at agricultural events in the United States and abroad. He has consulted with a number of agricultural enterprises and organizations, and has served on numerous boards related to education, agriculture, and athletics. He is the co-owner of Field Land and Cattle Company, LLC in Colorado.

Dr. Field was raised on a Colorado cow–calf and seedstock enterprise. He managed a seedstock herd of cattle after completing his B.S. degree. A competitive horseman as a youth, he has had practical experience with seedstock cattle, commercial cow–calf production, stockers, and horses. He has a B.S., M.S., and Ph.D. in animal science from Colorado State University.

Dr. Field has received teaching awards from the USDA National Excellence in Teaching program, the National Association of Colleges and Teachers of Agriculture, the American Society of Animal Sciences, Colorado State University, and the University of Nebraska.

He is married to Laura and father to Justin, Sean, Trae, Kate, and Coleman.

This page intentionally left blank

Another random document with no related content on Scribd:

HEDVIG. You mustn’t know now; for mother’s to give it me in bed to-morrow morning.

HJALMAR. Ah! All this companionship from which I am shut out!

HEDVIG (quickly). No, you can see if you like it. It’s a big letter. (Takingtheletterfromhercloakpocket.)

HJALMAR. A letter, too?

HEDVIG. Yes, it’s only a letter. I suppose the other’s coming later. But fancy a letter! I’ve never had a letter before. And there’s “Miss” on the outside. (Reads.) “Miss Hedvig Ekdal.” Fancy—that’s me.

HJALMAR. Let me see that letter.

HEDVIG (holdingitouttohim). There, you can see.

HJALMAR. It is Mr. Werle’s hand.

GINA. Are you sure of that, Ekdal?

HJALMAR. See for yourself.

GINA. Oh! Do you think I understand anything about it?

HJALMAR. Hedvig, may I open the letter—and read it?

HEDVIG. Yes, of course you may, if you like.

GINA. No, not to-night, Ekdal; why it’s for to-morrow.

HEDVIG (in a low tone). Oh! do let him read it! It’s sure to be something nice, and then father’ll be glad and he’ll be in good spirits again.

HJALMAR. Then I may open it.

HEDVIG. Yes, please do, father. It’ll be such fun to know what it is.

HJALMAR. Good. (He opens the letter , takes out a paper, reads it throughandseemsconfused.) What is this!——

GINA. What’s in it, then?

HEDVIG. Oh, yes, father—tell us!

HJALMAR. Be silent. (Reads it through again; he turns pale but mastershimself.) It’s a deed of gift, Hedvig.

HEDVIG. Fancy! What is it I’m to have?

HJALMAR. Read it yourself. (HEDVIG goes to the lamp and reads a moment.)

HJALMAR (inalowvoice,clenchinghishands). The eyes! the eyes! —and now this letter!

HEDVIG (leaves off reading). Yes, but I think this is meant for grandfather.

HJALMAR (taking the letter from her). You Gina—can you understand this?

GINA. Why, I don’t know anything on earth about it—just tell us.

HJALMAR. Mr. Werle writes to Hedvig that her old grandfather need no longer trouble himself with copying, but that for the future he’s to draw a hundred crowns a month at the office.

GREGERS. Aha!

HEDVIG. A hundred crowns, mother! I read that.

GINA. That’ll come in very well for grandfather.

HJALMAR. ——A hundred crowns as long as he may need it—that means, of course, until he has closed his eyes in death.

GINA. Well, then he’s provided for, poor old fellow.

HJALMAR. But there’s more follows. You didn’t read this, Hedvig. Afterwards it’s to revert to you.

HEDVIG. To me! All of it?

HJALMAR. He writes that the same sum is assured to you for your whole life. Do you hear that, Gina?

GINA. Yes, I hear well enough.

HEDVIG. Fancy I’m to have all that money! (Shakinghim.) Father, father, aren’t you glad——

HJALMAR (evasively). Glad! (Walkingabouttheroom.) Ah! what an out-look!—what a perspective unrolls itself before me! It is Hedvig, it is she whom he endows so richly!

GINA. Why, it’s Hedvig’s birthday——

HEDVIG. And it’ll be yours all the same, father! You know that I shall give all the money to you and mother.

HJALMAR. To mother; yes. That’s it.

GREGERS. Hjalmar, this is a snare he is laying for you.

HJALMAR. Do you think this is another snare?

GREGERS. When he was here this morning he said, “Hjalmar Ekdal is not the man you take him for.”

HJALMAR. Not the man!

GREGERS. “You will see that,” he said.

HJALMAR. You were to see that I would allow myself to be bought with money——

HEDVIG. But, mother, what’s the matter?

GINA. Go and take off your things.

HEDVIG goesoutalmostcrying,atthekitchendoor.

GREGERS. Yes, Hjalmar—now we shall see who is right—he or I.

HJALMAR (slowly tears thepaper across, and lays bothpieces on thetable). Here is my answer.

GREGERS. I expected it.

HJALMAR (goingup toGINA whostandsby theoven, andspeaking ina lowtone). And now no more deceit. If the connection between you and him was quite at an end, when you—came to care for me, as you call it—why did he make it possible for us to marry?

GINA. I suppose he thought he’d be free of the house.

HJALMAR. Only that? Wasn’t he afraid of a certain result?

GINA. I don’t understand what you mean.

HJALMAR. I want to know if—your child has the right to live under my roof.

GINA (drawingherselfup,hereyesflashing). And you ask that?

HJALMAR. You must answer me this one question: Is Hedvig my child, or——? Well!

GINA (looksathimwithcolddefiance). I don’t know.

HJALMAR (shuddersslightly). You don’t know!

GINA. How should Iknow? Such a woman as I?

HJALMAR (quietlyturning from her). Then I have nothing more to do in this house.

GREGERS. Think what you’re doing, Hjalmar.

HJALMAR (takingup his overcoat). There’s nothing for a man like me to think about here.

GREGERS. Yes, here there is so much to be thought over. You three must remain together, if you are to reach the great height of selfsacrificing forgiveness.

HJALMAR. I will not. Never, never! My hat! (Takes his hat.) My home has fallen into ruins about me (burstingintotears). Gregers, I have no child!

HEDVIG (who has opened the kitchen door). What do you say? (Goinguptohim.) Father, father!

GINA. There now!

HJALMAR. Do not come near me, Hedvig. Stand away. I can not bear to see you. Ah! the eyes! Good-bye.

Goestowardsthedoor

.

HEDVIG (holdinghimfastandcryingout). No, no! No, no! Don’t go away from me!

GINA (callsout). Look at the child, Ekdal! Look at the child!

HJALMAR. I will not. I can not. I must away; away from all this.

He tears himself away from HEDVIG and goes out at the entrancedoor.

HEDVIG (withdespairinglook). He is going from us mother! He is going from us! He will never come back again!

GINA. If only you’ll not cry, Hedvig, father’ll come again!

HEDVIG (throwsherselfsobbinguponthesofa). No, no, he’ll never come home to us any more.

GREGERS. You believe that I meant it all for the best, Mrs. Ekdal?

GINA. Yes, I do almost, but God forgive you, all the same.

HEDVIG (lyingon thesofa). Oh! I feel as if it would kill me! What have I done to him? Mother, you must bring him home again!

GINA. Yes, yes, yes; only be quiet, and I’ll go out and look for him. (Puts on her out-door things.) Perhaps he’s gone to Relling’s. But you mustn’t lie there and howl. Will you promise me that?

HEDVIG (cryingconvulsively). Yes, I’ll stop, if only father will come home again.

GREGERS (toGINA whoisgoingout). Wouldn’t it be better after all that you let him first fight out to the end his bitter fight?

GINA. Oh! he can do that afterwards. First and foremost we must quiet the child.

Shegoesoutattheentrance-door .

HEDVIG (sitting up and drying her eyes). Now you must tell me what it’s all about. Why won’t father have anything more to do with me?

GREGERS. You mustn’t ask about that till you’re a big girl and grown up.

HEDVIG (sobbing). But I can’t go on being so terribly miserable till I’m big and grown up—I know what it is—perhaps I’m not father’s real child.

GREGERS (uneasily). How could that be?

HEDVIG. Why, mother may have found me. And now, perhaps, father has got to know it; for I’ve read about such things.

GREGERS. Well, but if it were so——

HEDVIG. Yes, I think he might love me just as much for all that. And even more. Why the wild duck, too, was sent us for a present, and yet I care so much for her.

GREGERS (tryingtochangethesubject). Yes, the wild duck, that’s true! Let’s talk a little about the wild duck, Hedvig.

HEDVIG. The poor wild duck. He can’t bear to see her either. Only think, he wanted to wring her neck!

GREGERS. Oh! he’ll not do that I’m sure.

HEDVIG. No, but he said so. And I think it was so horrid of father, because I say my prayers for the wild duck every night and beg she may be preserved from death, and all that is evil.

GREGERS (looking at her). Do you always say your prayers at night?

HEDVIG. Oh, yes.

GREGERS. Who taught you to do that?

HEDVIG. I myself; it was once when father was so ill, and had leeches on his throat, and then he said he was wrestling with death.

GREGERS. Well?

HEDVIG. So I prayed for him after I had gone to bed. And ever since I’ve gone on with it.

GREGERS. And now you pray for the wild duck, too?

HEDVIG. I thought it would be best to put the wild duck in too, for she was so sickly at first.

GREGERS. Do you pray in the morning, too?

HEDVIG. No, I don’t do that.

GREGERS. Why not in the morning as well?

HEDVIG. Oh! it’s light in the morning, and there’s nothing to be afraid of.

GREGERS. And the wild duck that you’re so very fond of—your father wanted to wring its neck?

HEDVIG. No, he said it would be best for him if he did, but that he would spare her for my sake; and that was very good of father.

GREGERS (coming a little closer). But if you were to sacrifice the wild duck of your own free will for his sake?

HEDVIG (rising). The wild duck!

GREGERS. If you now freely sacrificed for him the best thing you know and possess on earth?

HEDVIG. Do you think that would help?

GREGERS. Try it, Hedvig.

HEDVIG (inalowvoiceandbrighteningeyes). Yes, I will try.

GREGERS. And do you think you’ve enough strength of mind?

HEDVIG. I will ask grandfather to shoot her for me.

GREGERS. Yes, do so. But not a word of all this to your mother!

HEDVIG. Why not?

GREGERS. She does not understand us.

HEDVIG. The wild duck? I’ll try it early to-morrow.

GINA comesinattheentrancedoor.

HEDVIG (goinguptoher). Did you meet him, mother?

GINA. No, but I heard that he’d gone into Relling’s and taken him along with him.

GREGERS. Are you sure of that?

GINA. Yes, the porter’s wife told me. Molvik went with them too, she said.

GREGERS. And this at a time when he needs so sorely to wrestle in solitude!

GINA (taking off her things). Yes, men folk are so different. Heaven knows where Relling has dragged him to. I ran over to Mrs. Ericksen’s; but they weren’t there.

HEDVIG (struggling with her tears). Oh! if he should never come home any more!

GREGERS. He willcome home again. I will bear him a message tomorrow, and you will see how he’ll come. Sleep peacefully on that, Hedvig. Good night.

Hegoesoutattheentrancedoor .

HEDVIG (throwingherselfsobbingonGINA’S neck). Mother, mother! GINA (patting heron theback andsighing). Ah, yes! Relling was right. That is what comes of crazy people going about and presenting intricate claims.

ACT V.

[HJALMAR EKDAL’S studio. Cold gray morning light. Wet snow on the greatpanesofthesky-light.GINA, inanapronandbib, witha broom and duster in her hand comes from the kitchen and goes towards the door of the sitting-room. At the same time HEDVIG comesinhurriedlyattheentrance-door.]

GINA (stopping). Well?

HEDVIG. Oh, mother, I almost believe he’s down at Relling’s——

GINA. There, you see!

HEDVIG. For the porter’s wife said she could hear that Relling had two people with him when he came home in the night.

GINA. That’s just what I thought.

HEDVIG. But that’s no good if he won’t come up to us.

GINA. At any rate I’ll go down and speak to him.

OLD EKDAL in dressing-gown and slippers, and with a lighted pipe comesinbythedoorofhisroom.

EKDAL. I say, Hjalmar—— Isn’t Hjalmar at home?

GINA. No, he’s gone out.

EKDAL. So early? And in such a heavy snow-storm? Well, well, give me a hand, please, I can go the morning rounds alone.

Hepushes aside the door of the loft, HEDVIG helpshim; hegoes in, sheclosesthedoorafterhim.

HEDVIG (inalowvoice). Oh, think, mother, when poor grandfather hears that father is going away from us.

GINA. Oh, nonsense! Grandfather mustn’t hear anything about it. It’s a mercy he wasn’t at home yesterday during all that hullaballoo.

HEDVIG. Yes, but——

GREGERS comesinattheentrancedoor.

GREGERS. Well? Have you found any trace of him?

GINA. They say he’s down at Relling’s.

GREGERS. At Relling’s! Has he really been out with those creatures?

GINA. He has like enough.

GREGERS. Yes, but he—so in need of solitude and of thorough selfexamination.

GINA. Yes, you may well say that.

RELLING comesinfromthepassage.

HEDVIG (goinguptohim). Is father with you?

GINA (atthesametime). Is he there?

RELLING. Yes, of course he is.

HEDVIG. And you never told us!

RELLING. Yes, I’m a brute—but I had to get the other brute quiet first—the dæmonic one, of course—and then I fell so sound asleep that

GINA. What does Ekdal say to-day?

RELLING. He doesn’t say anything whatever.

HEDVIG. Doesn’t he say anything?

RELLING. Not a blessed word.

GREGERS. No, no; I can well understand that.

GINA. But what’s he doing then?

RELLING. He’s lying on the sofa, snoring.

GINA. Really? Yes, Ekdal’s a great one to snore.

HEDVIG. Is he asleep? Can he sleep?

RELLING. Well, it looks like it.

GREGERS. Very natural after the spiritual strife that has torn him

GINA. And especially as he’s not accustomed to knocking about at night.

HEDVIG. Perhaps it’s as well, mother, that father is able to sleep.

GINA. I think so, too. But now it’s not worth while for us to go and wake him too soon. Thank you, anyhow, Relling. I must first tidy up the rooms and then—— Come and help me, Hedvig.

GINA andHEDVIG gointothesitting-room.

GREGERS (turning to RELLING). Can you explain to me the spiritual turmoil now going on in Hjalmar Ekdal?

RELLING. Upon my soul I’ve not noticed any spiritual turmoil going on in him.

GREGERS. What! At such a juncture, when a new foundation is being laid for his whole life. Now, can you imagine that a man of Hjalmar’s individuality——

RELLING. Oh! Individuality—he! If he ever had any tendencies to the abnormal developments that you call individuality, they were extirpated, root and branch, while he was yet a boy; I can assure you of that.

GREGERS. That would be strange after the loving care with which he was brought up.

RELLING. You mean by those two affected, hysterical maiden aunts?

GREGERS. I may tell you they were women who never lost sight of the claims of the ideal—ah! you’ll gibe at me again, I suppose?

RELLING. No, I’m in no humor for that. Moreover, I know it all, for he has poured forth any amount of rhetoric about his “two spiritualmothers.” But I don’t think he has much to thank them for. It is Ekdal’s misfortune that in his circle he has always been taken for a shining light——

GREGERS. And isn’t he one? In depth of soul I mean.

RELLING. I’ve never noticed anything of the sort. That his father should have believed this—well and good; for the old lieutenant has been a blockhead all his life.

GREGERS. All his life he has been a man with a child-like mind— thatis what you can not understand.

RELLING. Tut, tut! But as soon as the dear, sweet Hjalmar went to college, his fellow students instantly took him for the coming man. He was good looking, the rascal—red and white—just the sort of thing to delight a school girl—and as he had that mobile temperament and that sympathetic voice, and was so clever at declaiming the verses and ideas of others——

GREGERS (indignantly). Is it of Hjalmar Ekdal you are speaking like this?

RELLING. Yes, with your permission; that’s how the idol before which you lie prostrate, looks from within.

GREGERS. Yet I don’t think I am altogether blind either.

RELLING. Oh! you’re not so very far from it. For you are a sick man too, you see.

GREGERS. There you are right.

RELLING. Exactly. You are suffering from a complicated complaint. First, there’s that troublesome virtue-fever; and what’s worse, you’re always working yourself up into a delirium of hero-worship. You must always have something to admire outside yourself.

GREGERS. Yes, indeed, I must seek it outside myself.

RELLING. But you make such woeful blunders about the mighty paragons you think you see and hear about you. Here you’ve been visiting a farmer’s cottage again with your claims of the ideal; but the people in this house aren’t solvent.

GREGERS. If you haven’t a better opinion of Hjalmar Ekdal than that, what pleasure can you find in being so constantly in his company?

RELLING. Good heavens, I’m ashamed to say I’m supposed to be a sort of a kind of doctor, and so I must look after the poor diseased folk living in the same house.

GREGERS. Indeed! Is Hjalmar Ekdal diseased, too?

RELLING. Most people are, unfortunately.

GREGERS. And what remedy are you applying to Hjalmar?

RELLING. My usual one. I take care to keep up his life-lie.

GREGERS. The life—lie? Did I hear correctly?

RELLING. Yes, I said life-lie. For the life-lie is the stimulating principle, you see.

GREGERS. May I ask with what sort of a life-lie Hjalmar is infected?

RELLING. No, thanks, I don’t betray such secrets to quacks. You’d be quite capable of muddling him up even more for me. But the method is infallible. I’ve applied it to Molvik, too. I’ve made him “dæmonic.” That’s the phantasy I’ve had to put into hishead.

GREGERS. Then he’s not dæmonic?

RELLING. What the devil does it mean to be dæmonic? That’s only the gammon I invented to keep him going. If I’d not done that the poor, inoffensive fellow would have succumbed to self-contempt and despair many a long year ago. And then the old lieutenant! But he really hit upon his own cure.

GREGERS. Lieutenant Ekdal? What of him?

RELLING. Yes, think of it, he, the bear-hunter, goes into that gloomy loft and hunts rabbits! There’s not a sportsman on earth happier than that old man, when he’s bustling about in there with all that rubbish. The four or five withered Christmas trees that he stored up there are to him the same as the whole of the great, fresh Hojdal forest; the cock and the hens are to him game perched on the top of fir trees, and the rabbits hopping about the floor of the loft, they are the bears he grapples with, he, the hardy old hunter.

GREGERS. Unfortunate old Lieutenant Ekdal, yes. He certainly has had to modify the ideals of his youth.

RELLING. But, by the way, Mr. Werle, junior—don’t use that foreign word “ideals.” We’ve as good a word, “lies.”

GREGERS. Do you think the two things are akin, then?

RELLING. Yes, much as typhus and putrescent fever are.

GREGERS. Doctor Relling, I shall not rest content until I have rescued Hjalmar from your clutches!

RELLING. That would be worst for him. If you take away the average man’s life-lie you take away his happiness at the same time. (To HEDVIG, who comes in from the sitting-room.) Well, little mother of the wild duck. I’m going down now to see if our father’s still lying there pondering on that wonderful invention.

Hegoesoutattheentrancedoor .

GREGERS (approaching HEDVIG). I can see from your face that it’s not yet done.

HEDVIG. What? Oh! that about the wild duck. No.

GREGERS. I suppose your strength of mind failed you when it came to the point.

HEDVIG. No, it’s not that exactly. But when I woke up early this morning and thought over what we’d talked about, it seemed to me that it was so strange.

GREGERS. Strange?

HEDVIG. Yes, I don’t know—— Yesterday evening, directly after, I thought there was something so beautiful about it; but after I’d been to sleep and thought it over again, there seemed to be nothing in it.

GREGERS. Ah no! I suppose you couldn’t have grown up here without some falling off.

HEDVIG. That doesn’t matter, if only father would come up, I

GREGERS. Ah! If only your eyes had been really opened to that which makes life of value—if you had the real, joyous, brave spirit of sacrifice you would soon see that he would come up to you—— But I still have faith in you, Hedvig.

Hegoes outattheentrance door . HEDVIG walksabouttheroom; she isgoingintothekitchenwhenthere isa knockatthedoorof theloft. HEDVIG goesandopensitalittle, OLD EKDAL comesout, shepushesthedoortoagain.

EKDAL. H’m. There’s not much fun in going the morning rounds alone.

HEDVIG. Didn’t you want to go hunting, grandfather?

EKDAL. Not the weather to-day for hunting. So dark there; you can hardly see your hand before your face.

HEDVIG. Haven’t you ever felt inclined to shoot at something besides the rabbits.

EKDAL. Aren’t the rabbits good enough, eh?

HEDVIG. Yes, but the wild duck?

EKDAL. Ha, ha! Are you afraid I shall shoot your wild duck? Not for the world, never.

HEDVIG. No, I suppose you couldn’t; for they say it’s very difficult to shoot wild ducks.

EKDAL. Couldn’t? Should think I could.

HEDVIG. How would you set about it, grandfather—I don’t mean with mywild duck, but with another one?

EKDAL. Would take care to shoot it under the breast, you know, for that’s the safest. And then you must shoot againstthe feathers, you see, not withthe feathers.

HEDVIG. And then they die, grandfather?

EKDAL. Yes, of course, if you shoot properly. Well, now I must go in and get myself up. H’m—you understand—h’m. (Hegoes intohis room.)

HEDVIG waits for a moment,glancesat thedoorofthesitting-room; goesbacktothebook-case,standsontip-toe,takesdownthe double-barreledpistolfromtheshelfandlooksatit. GINA with broom and duster comes in from the sitting-room. HEDVIG hurriedlyandunnoticedputsawaythepistol.

GINA. Don’t stand there rummaging among your father’s things, Hedvig.

HEDVIG (goingawayfromthebook-case). I was only tidying it up.

GINA. You’d better go into the kitchen and see if the coffee’s keeping hot; I’ll take the breakfast tray with me when I go down to him.

HEDVIG goes out; GINA beginssweepinganddustingthestudio. After a while the entrance-door is open hesitatingly, and HJALMAR

EKDAL looks in. He has on his overcoat, but no hat, he is unwashed, and his hair is tumbled and disheveled; his eyes aredullandlusterless.

GINA (stands still with the broom in her hand and looks at him). Ah! Ekdal, so you’ve come after all?

HJALMAR (comes inandanswers ina hollowvoice). I have come— only to depart at once.

GINA. Yes, yes, so I suppose. But, good Lord! what a sight you do look!

HJALMAR. A sight?

GINA. And your good winter-coat, too! Well, that’s done for.

HEDVIG (at the kitchen door). Mother, hadn’t I better—— (She sees HJALMAR, cries out with delight, and runs towards him.) Oh! Father, father!

HJALMAR (turns from her , and waives her off.) Away, away, away! (ToGINA.) Take her away from me, I say!

GINA (inalowvoice). Go into the sitting-room, Hedvig.

HEDVIG goesinsilently.

HJALMAR (busy pulling out the table-drawer). I must have my books—where are my books?

GINA. What books?

HJALMAR. My scientific works, of course—the technical periodicals, that I need for my invention.

GINA (searching in the book-case). Are these the ones without any covers?

HJALMAR. Of course they are.

GINA (puttingaheapofmagazineson thetable). Hadn’t I better tell Hedvig to cut them for you?

HJALMAR. They need not be cut for me.

Ashortpause.

GINA. Then you’re still determined to leave us, Ekdal?

HJALMAR (runningoverthebooks). Surely that’s self understood.

GINA. Very well.

HJALMAR (fiercely). For I can’t stop here to have my heart pierced every hour of the day!

GINA. God forgive you, for thinking so poorly of me.

HJALMAR. Prove——

GINA. I think it’s for youto prove.

HJALMAR. After a past such as yours? There are certain demands— I am tempted to call them ideal demands——

GINA. But about grandfather? What’s to become of him, poor old fellow?

HJALMAR. I know my duty; the helpless old man goes with me. I will go into the town and make arrangements—— H’m (hesitatingly). Has anyone found my hat on the stairs?

GINA. No. Have you lost it?

HJALMAR. Of course I had it when I came home last night; there’s no doubt about that; but I can’t find it this morning.

GINA. Good Lord! Where didyou go with those two ragamuffins?

HJALMAR. Ah! don’t question me on trivial matters. Do you think I am in the mood to remember details?

GINA. So long as you’ve not taken cold, Ekdal—— Shegoesintothekitchen.

HJALMAR (speaking to himself in a low bitter voice whilst he empties the drawer). You’re a scamp, Relling! A rogue! Ah! shameless tempter! If only I could get some one to kill you!

He lays on one side a number of old letters, comes upon the torn paper ofthe day before, takes itup and looks at thepieces. HeputsthemdownhurriedlywhenGINA comesin.

GINA (putting a breakfast tray on the table). Here’s some hot coffee, if you should want it. And there’s some bread and butter too, and some salt meat.

HJALMAR (glancingatthetray). Salt meat! Never beneath this roof! It is true I’ve partaken of no solid food for four and twenty hours, but no matter. My memoranda! The notes of my autobiography. Where’s my diary and my important papers? (Heopens thedoorof thesitting-room,butdrawsback.) She is there too!

GINA. Well, good Lord, the child must be somewhere.

HJALMAR. Go out.

Hestandsaside.HEDVIG frightenedcomesintothestudio.

HJALMAR (with his hand on the door handle to GINA). During the last moments I am spending in what was once my home I wished to be spared from interlopers.

Hegoesintotheroom.

HEDVIG (springing to her mother says in a low trembling voice). Does he mean me?

GINA. Stop in the kitchen, Hedvig; or no, you’d better go to your own room. (Speaking to HJALMAR as she goes in to him.) Wait a moment, Ekdal, don’t upset those drawers, I know where all the things are.

HEDVIG (standsstillforamoment,frightenedandirresolute,biting her lips to keep back her tears, then she clenches her hands convulsivelyandsaysinalowvoice). The wild duck!

Shestealstothebook-case, andtakes thepistolfrom theshelf, just opensthedooroftheloft,slipsinandclosesthedoorbehind her . HJALMAR andGINA begindiscussingwithinthesitting-room.

HJALMAR (comes in with several note books and loose papers, which he puts down on the table). Ah! what’s the good of the portmanteau! There are a thousand things I’ve must drag about with me.

GINA (following him with a portmanteau). Why don’t you leave the rest for a while, and take a shirt and a pair of drawers with you.

HJALMAR. Phew!—these wearisome preparations!

Hetakesoffhisovercoatandthrowsitonthesofa.

GINA. And the coffee’s getting cold, too.

HJALMAR. H’m. (Takesamouthful—abstractedly,andthenanother.)

GINA (dustingthebacksofthechairs). The most difficult thing will be to find such a large loft for the rabbits.

HJALMAR. What! Must I drag all the rabbits about with me, too?

GINA. Yes, grandfather can’t do without the rabbits, I’m sure.

HJALMAR. He will have to get used to that. I have to renounce higher things in life than rabbits.

GINA (dusting the book-case). Shall I put the flute into the portmanteau for you?

HJALMAR. No. No flute for me. But give me the pistol.

GINA. Do you want to take the pigstol?

HJALMAR. Yes. My loaded pistol.

GINA (looking for it). It’s gone. He must have taken it in there with him.

HJALMAR. Is he in the loft.

GINA. Of course he’s in the loft.

HJALMAR. H’m—the lonely old man.

Hetakes apiece ofbreadandbutter , eats it, anddrinksthecup of coffee.

GINA. If only we’d not let that room, you might have moved in there.

HJALMAR. I should remain under the same roof as——! Never, never!

GINA. But couldn’t you stop for a day or two in the sitting-room? You’d have it all to yourself.

HJALMAR. Never within these walls!

GINA. Well, then, down stairs at Relling and Molvik’s?

HJALMAR. Don’t mention those creatures’ names. The mere thought of them takes away my appetite. Ah, no! I must go from house to house seeking shelter for father and myself.

GINA. But you’ve no hat, Ekdal, you’ve lost it.

HJALMAR. Oh! those two miscreants, so rich in all vices! I must get a hat somehow. (Takes another piece of bread and butter.) Something must be done, for I can’t afford to risk my life. (Helooks forsomethingonthetray.)

GINA. What are you looking for.

HJALMAR. Butter.

GINA. I’ll get you some directly. Shegoesintothekitchen.

HJALMAR (callsafterher). Oh! it doesn’t matter; dry bread will do just as well.

GINA (bringinginabutter-dish). Here you are; it’s quite fresh. Shepours himoutanothercup ofcoffee, hesitsdownon thesofa, spreads more butter on his bread, and eats and drinks for a whileinsilence.

HJALMAR. Could I—without being worried by anyone—no matter whom—could I stop for a day or two in the sitting-room?

GINA. Yes, you could very well, if you would.

HJALMAR. For I can’t see any possibility of getting all father’s things away at once.

GINA. And besides you must tell him first that you won’t go on living with us.

HJALMAR (pushing the cup of coffee from him). That too! I shall have to go into all this complicated business—I must reflect; I must have breathing space; I can not bear all these burdens in one day.

GINA. Especially in such awful weather as it is outside.

HJALMAR (putting away the letter from WERLE). I see the paper’s still lying here.

GINA. Yes, I’ve not touched it.

HJALMAR. The rag doesn’t concern me——

GINA. I’m sure Idon’t intend making any use of it.

HJALMAR. ——but all the same there’s no need to throw it away ——in all the confusion of my moving it might so easily be——

GINA. I’ll take good care of it, Ekdal.

HJALMAR. The deed of gift belongs first and foremost to father; and it is for him to say if he intends to make use of it.

GINA (sighing). Yes, poor old father

HJALMAR. For safety’s sake—— Where’s the gum?

GINA (goingtothebook-case). Here’s the gum-pot.

HJALMAR. And the brush?

GINA. Here’s the brush. (Shebringshimthem.)

HJALMAR (takingup a pair ofscissors). Just a bit of paper for the back. (Cuts and gums.) Far be it from me to lay hands upon the

property of others—and least of all upon that of a penniless old man. No, nor upon that of anyone else. That’s it. Let it lie there for a while. And when it’s dry put it away. I never want to set eyes on that document again. Never!

GREGERS WERLE comesinfromthepassage.

GREGERS (somewhat astonished). What are you sitting here, Hjalmar?

HJALMAR (risinghurriedly). I had sunk down from exhaustion.

GREGERS. You’ve had breakfast too, I see.

HJALMAR. Corporal needs make themselves felt at times.

GREGERS. What have you decided to do?

HJALMAR. For a man like me, there is but one way. I am busy just getting my most important papers together. But, of course, you know that takes time.

GINA (somewhat impatiently). Am I to get the room ready for you, or am I to pack the portmanteau?

HJALMAR (witha vexedside-glanceat GREGERS). Pack and get the room ready!——

GINA (taking up the portmanteau). All right, then I’ll put in the shirt and the other things.

Shegoesintothesitting-roomandshutsthedoorafterher .

GREGERS (after a shortpause). I never thought it would end like this. Is it really necessary for you to leave house and home?

HJALMAR (walkingaboutuneasily). What would you have me do? I was not made to bear unhappiness, Gregers. I must have comfort, and security, and peace about me.

GREGERS. But can’t you have that? Only try it. Now, it seems to me, there is firm ground here to build upon—and begin from the beginning. And remember you’ve the invention to live for.

HJALMAR. Don’t speak of the invention. Perhaps there’s nothing much in it.

GREGERS. How so?

HJALMAR. Why, good heavens! What do you really want me to invent? Other men have invented pretty well everything already. It is becoming more difficult every day——

GREGERS. And you, who have worked so hard at it

HJALMAR. It was that debauchee Relling, who made me take it up.

GREGERS. Relling?

HJALMAR. Yes, it was he who first called my attention to my aptitude for making some remarkable discovery in photography.

GREGERS. Aha! it was Relling!

HJALMAR. Ah! I have been so intensely happy over this. Not so much for the invention or for myself, but because Hedvig believed in it—with all the strength and might of a child’s mind. That is to say I was fool enough to persuade myself she believed in it.

GREGERS. Can you really believe that Hedvig would be false to you?

HJALMAR. Now I know what it all means. It is Hedvig who stands in my way. She will blot out the sun from my whole life.

GREGERS. Hedvig! Do you mean Hedvig? How could she blot it out for you?

HJALMAR (without answering). I have loved that child beyond all words. I was happy beyond all words whenever I returned to my poor home, and she with her sweet little short-sighted eyes flew to meet me. Confiding fool that I was! I cared for her beyond all words, and, poet-like, I lulled myself in the delusion that she also cared for me beyond all words.

GREGERS. And you say thatwas only a delusion?

HJALMAR. How can I tell? I can’t get anything out of Gina. And besides, she lacks all sense of the ideal side of these complications. But I feel impelled to open my heart to you, Gregers. There is that terrible doubt—perhaps Hedvig has never really and truly loved me.

GREGERS. You may yet have proof of that. (Listening.) What is that? The wild duck screaming?

HJALMAR. The wild duck’s quacking. Father’s in the loft.

GREGERS. It is he! (Hiseyes brighten withpleasure.) I say again you may yet have proof that poor, misunderstood Hedvig loves you!

HJALMAR. Ah! what proof can she give me! I dare not believe in any protestations from that quarter.

GREGERS. Hedvig certainly does not know what deceit is.

HJALMAR. Ah! Gregers, that’s just what is not so certain. Who knows what Gina and that Mrs. Sorby may have sat many a time here whispering and tattling about? And Hedvig keeps her ears open, I can tell you. Perhaps, the deed of gift wasn’t so unexpected after all. I fancy I noticed something of the sort.

GREGERS. What has taken possession of you?

HJALMAR. My eyes have been opened. Watch, and you’ll see that the deed of gift is but a beginning. Mrs. Sorby has always done a great deal for Hedvig; and now it’s in her power to do what she likes for the child. They can take her from me at any time and hour they choose.

GREGERS. Not for all the world would Hedvig go away from you.

HJALMAR. Don’t be so sure of that. Suppose they stood there with their hands full, beckoning her—— Ah! I, who have loved her beyond all words! I, who would have found my greatest joy in taking her tenderly by the hand and guiding her as one guides a child frightened at the darkness, through some wild desolate space! Now I feel the gnawing certainty—the poor photographer in his attichome has never been anything wholly and completely to her. She has only been cunning enough to keep on good terms with him until the right time should come.

GREGERS. You don’t believe this yourself, Hjalmar.

HJALMAR. That’s the terrible part of it, that I don’t know what to believe—that I never shall know. But can you really doubt that it must be as I say? Ha, ha!—You rely too much upon the claims of the ideal, my good Gregers! If only the others came, with hands overflowing and cried to the child “leave him, here with us life awaits you.”

GREGERS (quickly). Well, what then?

HJALMAR. If then I asked her: “Hedvig, are you willing to forego that life for me?” (Laughs mockingly.) No, thank you—you’d soon hear the answer.

Apistolshotisheardintheloft.

GREGERS (loudlyandgladly). Hjalmar!

HJALMAR. There! Now he must needs go hunting.

GINA (comingin). Oh! Ekdal, I think grandfather’s a-firing away in the loft by himself.

HJALMAR. I’ll look in.

GREGERS (eagerly and moved). One moment! Do you know what that was?

HJALMAR. Of course I do.

GREGERS. No, you do not. But I know it. It was the proof!

HJALMAR. What proof?

GREGERS. It was a child’s sacrifice. She has got your father to shoot the wild duck.

HJALMAR. Shoot the wild duck!

GINA. Well, I never!

HJALMAR. But what for?

GREGERS. She wanted to sacrifice for you the best thing she had on earth; for then she thought you might learn to love her again.

HJALMAR (softlyandwithemotion). Ah! the child!

GINA. What things she does get hold of.

GREGERS. She only wanted to win back your love, Hjalmar; she felt she could not live with out it.

GINA (strugglingwithhertears). Now you see yourself, Ekdal.

HJALMAR. Gina, where is she?

GINA (sniffling). Poor child, I suppose she’s sitting out in the kitchen.

HJALMAR (goes to the kitchen door andopens it). Hedvig—come! Come in to me! (Lookingin.) No, she’s not here.

GINA. Then she’s sitting in her little room.

HJALMAR (outside). No, she’s not here either. (Coming in.) She must have gone out.

GINA. Yes, you know you wouldn’t have her about the house.

HJALMAR. Ah! if only she will return home soon—that I may really tell her—— Now all shall be well, Gregers, for I believe now we can start life afresh.

GREGERS (quietly). I knew it; I knew the regeneration would come through the child.

OLD EKDAL comes infrom thedoorofhisroom; heisinfulluniform, andisbusybucklingonhissword.

HJALMAR (astonished). Father! Are you there?

GINA. Have you been shooting in your room?

EKDAL (reproachfully, approaching). So you go hunting by yourself, Hjalmar?

HJALMAR (anxiously and confused). So it wasn’t you shooting in the loft?

EKDAL. I shooting? H’m!

GREGERS (criesouttoHJALMAR). She has shot the wild duck herself!

HJALMAR. What is that! (Herushestothedooroftheloft,pushesit aside,looksinandcriesout.) Hedvig!

GINA (runningtothedoor). Good God! What is it!

HJALMAR (goingin). She is lying on the floor!

GREGERS. Hedvig lying on the floor! (GoingintoHJALMAR.)

GINA (atthesametime). Hedvig! (Goesintotheloft.) No, no, no!

EKDAL. Ha, ha! So she’s going in for shooting too?

HJALMAR, GINA andGREGERS carry HEDVIG intothestudio, herrighthand hangs down, holding the pistol, tightly clasped between her fingers.

HJALMAR (distracted). The pistol has gone off. She has wounded herself. Call for help! Help!

GINA (running into the passage and calling). Relling! Relling! Doctor Relling! Hurry up here as fast as you can!

HJALMAR andGREGERS layHEDVIG onthesofa.

EKDAL (quietly). The woods avenge themselves.

HJALMAR (on his knees by her). She’ll come round directly. She’ll come round directly; yes, yes, yes.

GINA (whohas come inagain). Where has she wounded herself? I can’t see anything——

RELLING enters hurriedly, and immediately after him MOLVIK, who is withoutwaistcoatandcollar,andhashiscoatopen.

RELLING. What’s the matter?

GINA. They say Hedvig has shot herself.

HJALMAR. Come here and help.

RELLING. Shot herself!

Hemovesasidethetableandbeginstoexamineher .

HJALMAR (lyingon thefloorlooksanxiouslyathim). Surely it’s not dangerous? Eh, Relling! She’s hardly bleeding at all. Surely it’s not dangerous?

RELLING. How did this happen?

HJALMAR. Ah! how should I know.

GINA. She wanted to shoot the wild duck.

RELLING. The wild duck.

HJALMAR. The pistol must have gone off.

RELLING. H’m. I see.

EKDAL. The woods avenge themselves. But I’m not afraid for all that.

Hegoesintotheloft,andclosesitbehindhim.

HJALMAR. Well, Relling—why don’t you speak?

RELLING. She’s shot in the breast.

HJALMAR. Yes, but she’ll come round.

RELLING. Surely you see that Hedvig is dead.

GINA (burstingintotears). Oh! the child, the child!

GREGERS (hoarsely). In the depths of the ocean——

HJALMAR (springingup). No, no, she mustlive! Ah! For God’s sake, Relling—only one moment—only till I shall have told her how I loved her beyond all words all the time.

RELLING. She’s shot through the breast. Bleeding inwardly. She must have died on the spot.

HJALMAR. And I, who drove her from me like a wild animal! And scared, she crept into the loft and died for love of me. (Sobbing.)

Never to be able to make that good again! Never to be able to tell her!—— (Clenching his hands and crying out.) Oh! Thou who art above!—If Thou artthere! Why hast Thou done this to me!

GINA. Hush, hush! you must not say such wicked things. We had no right to keep her, I suppose.

MOLVIK. The child is not dead; she sleepeth.

RELLING. Bosh!

HJALMAR (quietingdown, hegoes to the sofa and looks at HEDVIG withfoldedarms). There she lies so stiff and still.

RELLING (tryingto take thepistolfrom herhand). She’s holding it so tight, so tight.

GINA. No, no, Relling; don’t break her fingers, let the pigstol be.

HJALMAR. She shall take it with her.

GINA. Yes, leave it here. But the child shall not lie here to be made a show of. She shall go by herself into her own little room. Help me with her, Ekdal.

HJALMAR andGINA takeupHEDVIG betweenthem.

HJALMAR (as theyarecarryingher). Oh! Gina, Gina. Can you bear it!

GINA. One of us must help the other. For she belongs to both of us now, I know.

MOLVIK (stretching out his arms andmurmuring). Praised be the Lord; to earth shalt thou return, to earth shalt thou return——

RELLING (whispers). Hold your row, man, you’re drunk.

HJALMAR andGINA carryoutthedeadbodyatthekitchendoor; RELLING closesitafterthem; MOLVIK slinksoutthroughthepassage.

RELLING (goesuptoGREGERS). Nothing’ll ever make me believe that shot was an accident.

GREGERS (who has been standing horror stricken shuddering convulsively). No one can say how this terrible thing happened.

RELLING. The powder has singed her dress. She must have put the pistol straight to her breast and fired.

GREGERS. Hedvig has not died in vain. Did you see how grief set free all that is noble in him?

RELLING. Most people are ennobled when they stand sorrowing by the dead. But how long do you suppose this fine feeling will last with him?

GREGERS. It will last and grow all his life through!

RELLING. In three-quarters of a year little Hedvig will be nothing more to him than an excellent theme for declamation.

GREGERS. And you dare to say this of Hjalmar Ekdal?

RELLING. We’ll talk about it again when the first grass has withered upon her grave. Then you’ll hear him perorating about “the father’s heart bereft too soon of it’s child,” then you’ll see him steeping himself in emotion and in self-admiration, and self-pity. Wait and see!

GREGERS. If you are right, and I am wrong, then life is not worth living.

RELLING. Ah! life might be pleasant enough all the same, if only we could be left in peace by those blessed duns who come worrying us poor folk about the claims of the ideal.

GREGERS (looking in front of him). At any rate I am glad that my destiny is what it is.

RELLING. I beg your pardon—what is your destiny?

GREGERS (going). To be the thirteenth at table.

RELLING. Devil a doubt of that!

Transcriber’s Note

Punctuation and other obvious typographic inaccuracies were silently corrected.

Archaic and variable spelling has been preserved. Variations in hyphenation and compound words have been preserved. Table of Contents not in the original and added for reader convenience. Footnotes have been numbered consecutively and moved near the related content.

New original cover art included with this eBook is granted to the public domain.

Corrections

p. 5: PETERSEN to PETTERSEN

p. 5: wrapped to rapped

p. 6: bring to bringing

p. 7: Hodjal to Hojdal

p. 7: Eriksen’s to Ericksen’s

p. 10: works to Works

p. 12: married? to married.

p. 13: works to Works

p. 31: knone to krone

p. 34: EKDEL to EKDAL

p. 34: Hedvig to Ekdal

p. 57: loose to lose

p. 70: times to time

p. 74: goal to gaol

p. 81: Yes to Yes,

p. 91: rubbish? to rubbish!

p. 91: Petterson to Pettersen

p. 93: Hedvik to Hedvig

p. 97: think to think.

p. 103: myself to myself.

p. 103: me I to me. I

p. 103: child He to child. He

p. 105: her) to her.)

p. 106: fo to of

p. 112: mean to mean.

p. 119: RELLING to RELLING.

p. 120: Morever to Moreover

p. 122: HJALMER to HJALMAR

p. 122: wild-duck to wild duck

p. 124: rumaging to rummaging

p. 130: you’v’e to you’ve

p. 130: Dry to dry

p. 131: HJALMAR to HJALMAR.

p. 19, 30, 39, 53, 63, 73a, 73b, 81, 98, 107, 113 : musn’t to mustn’t

*** END OF THE PROJECT GUTENBERG EBOOK THE WILD DUCK

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.