dh-hfp-acknowledgements

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ACKNOWLEDGEMENTS From the author Ellen Donald No undertaking of this magnitude is possible without the help and support of numerous people. First and foremost, I would like to thank the Board of The National Society of The Colonial Dames of America, who, in adopting a mission statement which emphasized the story of Joseph Nourse and his family during the years that they lived at Dumbarton House, recognized the importance of the Nourse story to the history of early Washington. Their engagement in and patience with the research and analysis process that resulted in this report were tremendously supportive and greatly appreciated. A report of this complexity called for an ongoing dialog with The Dumbarton House museum staff. Director Karen Daly’s cheerful participation in developing the “Big Picture” for this report was tremendously helpful, as was her willingness, when needed, to focus on the small details. A special debt is due to Curator Scott Scholz, whose generous and unstinting help with everything from brain storming to fact checking to the assembling of the final report made this work possible. It is fair to say that without his assistance the Dumbarton House Historic Furnishing Plan would not have reached completion. Also due special thanks is former curator Brian Lang whose belief in the importance of a furnishing plan for Dumbarton House was vital to launching the project. His knowledge of Joseph Nourse and possible surviving Nourse family furnishings significantly shortened the learning curve which is an inevitable part for all authors not previously immersed in the history of a site. His ongoing willingness to assist with nagging details and overlooked sources was invaluable both to the completeness of the report and the peace of mind of the author. I would also like to acknowledge the insightful work of Oscar P. Fitzgerald whose essay in the catalog which accompanied the 1994 exhibition “In Search of Joseph Nourse: 1754-1841, America’s First Civil Servant” served as the cornerstone for our understanding of Joseph Nourse. I would also like to thank him particularly for his willingness to share both his recollections of the exhibition materials and his files and notes from that groundbreaking enterprise. Friends who are willing to read through the draft of a report such as this one with a knowledgeable eye and a judicious editor’s red pencil are friends indeed. Susan Borchardt’s thoughtful questions and willingness to help rephrase more than one awkward sentence made for


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