DuJour Fall 2015

Page 38

Laurence Hovart and Guido Mocafico “Setting the Tone,” p. 150

When the opportunity to collaborate with her longtime friend, still life photographer Guido Mocafico, came up, Laurence Hovart jumped at the chance. “I’ve been working with Guido since the ’90s and admire his magisterial talent,” says the French beauty editor. The result was a stunning showcase of this season’s best beauty products that, she says, “concentrated on the sensations of colors.” It seems that when it comes to the duo’s collaborations, the feeling of admiration is mutual. When asked what inspired the shoot, Mocafico’s answer was simple: “Laurence Hovart.”

DAVID BAILEY

JESSICA CRAIG-MARTIN

“Male Bonding,” p. 128

“Lady Like,” p. 140

The East London–born David Bailey has captured some of the greatest names in fashion and entertainment during his almost six decades behind the camera—from Diana Vreeland to Mick Jagger and even HRH Queen Elizabeth II. The photographer, who shot cover star Daniel Craig on location in London, was glad to reunite with the Spectre star, whom he has previously photographed. “He’s still the same nice guy he was at the beginning,” says Bailey.

Photographer Jessica Craig-Martin shares a special connection with the New York City neighborhood where she shot this season’s must-have accessories. “When I was 10 years old, Forsyth Street was the catwalk for transvestite prostitutes,” she recalls. “They wore sequined hot pants and feather boas, and they were so fabulous.” While the area may have changed, for Craig-Martin, whose work has appeared in Vanity Fair and i-D, it hasn’t lost a bit of its appeal. “I enjoyed the dichotomy between glamour and grit and making those two kinds of beauty clash.” SOUP DUJOUR:

Gazpacho

SOUP DUJOUR:

Contributors

Vegetable

Getting to know some of the talent behind the issue—lunch orders and all WRITTEN BY NATALIA DE ORY

HOVART, MOCAFICO: COURTESY (2). BAILEY: DAVID BAILEY. CRAIG-MARTIN: AGENT Q.

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DUJOU R .COM

SOUP DUJOUR: “Oh, I never eat soup,” says Hovart. “Much too regressive for me!”


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