Thursday, August 1, 2024
Vol. 159, Issue 31 www.decorahleader.com
Decorah, Iowa 52101 email: editor@decorahleader.com
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Emergency Management Coordinator:
‘It will never happen here’ mentality needs to stop Snyder says documentation key in preparation for flood relief
BY ZACH JENSEN STAFF WRITER
Decorah natives David Kirkeby (left) and Kyle Elsbernd make up “Norwegian Bachelor Farmers”, which has performed at every Nordic Fest in the last 25 years. (Photo by Zach Jensen)
A musical tradition
Decorah natives come home each year to perform during Nordic Fest BY ZACH JENSEN STAFF WRITER The Norwegian Bachelor Farmers have been entertaining Nordic Festers for the last 25 years, and both members of the duet, Kyle Elsbernd and David Kirkeby, agree they wouldn’t have it any other way. “Playing at Nordic Fest was always a dream for me growing up,” said Kirkeby, a 1990 graduate of Decorah High School. “As an adult, when I would visit from Arizona, I longed to play at the fest. Now, 15 years later, I still get excited and look forward to performing each year. I am honored to be asked to do this, and we always pick up new fans every year.” Elsbernd, a 1987 Decorah graduate, concurred with his fellow musician, adding that their style of music links festgoers to old Norway. “Nordic Fest is always a highlight of our year,” he said. “We’ve performed it over 25 years and believe that we have a unique product in terms of entertainment and preserving a connection with Norwegian culture.”
Elsbernd and Kirkeby grew up with musical backgrounds and, in spite of their difference in age, both of them started playing guitar at about the same time in their lives. “I was 10 years old when I started playing guitar,” Kirkeby said. “I received an electric guitar for Christmas that year and started learning chords right away. I was drawn to the guitar, because both my dad and brother played. It really did not become a passion for me until I started watching music videos. After that, I was hooked. I just love the sound and look of playing guitar — especially electric guitar. Over the years I have also played bass guitar, drums, keys and played sax and trombone in high school concert band.” Elsbernd also received his first guitar as a gift from his mother and grandmother in 1980, but the music videos he watched were from a different time in music history. “The first time I heard the acoustic guitar, I
Norwegian Bachelor Farmers continued on page 6
Heavy rains swamped multiple Iowa counties on June 21, heavily damaging communities in northwest Iowa and prompting President Joe Biden to declare a major disaster within the state of Iowa a few days later. The declaration released much-needed flood relief funding through the Federal Emergency Management Administration. “Many people have the mentality of ‘it will never happen here,’ but Iowa ranks fourth in the nation for the most disasters,” Winneshiek County Emergency Management Coordinator Sean Snyder said. “That’s huge. So, that ‘it will never happen here’ mentality has to change, because while it hasn’t happened yet, it will happen sometime, and we’d better be ready for it.” Snyder indicated the federal flood relief which was made available to affected homeowners in northwest Iowa wasn’t enough — many had lost everything and could not afford to rebuild, prompting some to pack up what little they had and leave their community. More than 1,000 homes were affected in Clay County alone, according to Snyder. He said about 40 percent of that county’s population — about 6,400 of the 16,000 residents reported by the most recent census data — left because they lost everything and couldn’t afford to rebuild. Snyder said such a loss would be catastrophic to some small county economies like
This Winneshiek County road, 360th Street, was damaged by flooding during the June 21 FEMA event. (Photo submitted) those in Winneshiek County. “Personal mental health is suffering, and bankruptcies are expected to be astronomical,” Snyder said of northwest Iowa. The problem isn’t the availability of relief funds but how much each homeowner can expect to receive to help them rebuild, according to Snyder. He said FEMA’s current Individual Assistance payout is $42,500 per household during such an event. “For example — this is a true story — if you have a $600,000 home, and you’ve made one house payment, and it’s destroyed by a storm or flood, FEMA will send a check for $42,500, if you qualify,” Snyder said. “Without flood insurance, that house was a total loss, and that homeowner still owes the bank about $550,000. Now, you see why these are huge events.” Snyder said flood waters take time to recede, and a thorough damage assessment cannot take
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place until it is safe to do so. Iowa towns sustaining the most flooding after June 21 included Spencer, Sioux Rapids, Correctionville and Lake Park, according to FEMA’s website. The assistance available during a FEMA event is split into two categories: Individual Assistance and Public Assistance. Snyder said Individual Assistance is for property owners, while Public Assistance is designated for government entities and infrastructure. Snyder said he’s currently assisting with four public assistance applications for FEMA disaster relief funding — Winneshiek County, Winneshiek County Conservation, Spillville and Decorah. Winneshiek County Engineer Michael Kueny reported the June 21 FEMA event ended
Emergency continued on page 7
Larson answers call during kulokk demonstration Supervisors discuss compensation board concerns and options BY DENISE LANA STAFF WRITER
BY ZACH JENSEN STAFF WRITER A new state policy dissolved all county compensation boards as of July 1 — State File 2442 was signed into law by Iowa Gov. Kim Reynolds on May 1 and authorizes the state’s county boards of supervisors to determine whether they want to rely on a county compensation board or take compensation responsibilities upon themselves. The Winneshiek County Board of Supervisors met Monday with longtime Winneshiek County Compensation Board member Jim Burns to discuss their options. Ultimately, rather than make an immediate decision during its meeting, the supervisors agreed to table decision on the issue until after September, allowing time for the board to confer with other northeast Iowa county supervisors.
Burns said the board, which is comprised of members from the area business community, meets once a year to consider compensation for county employees. “The office holder has previously had a written presentation about what they’ve been doing and what they think is pertinent,” Burns said. “And, then they follow up with an oral presentation and any questions and answers. Following those presentations, the board meets and discusses what recommendations to make to (the board of supervisors).” The compensation board is an advisory board only, and the supervisors are legally able to reject the compensation board’s recommendations — although that doesn’t typically happen. “Winneshiek tends to operate
Supervisors
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The Norwegian practic of kulokk stands in stark contrast to the monosyllabic calls many Midwest farmers use to call in their herds from the fields. Peggy Larson, who demonstrated the melodious method of cattle calling during this year’s Nordic Fest, said the use of elaborate songs to bring cows, goats and other animals down from the mountains dates back to the Middle Ages in Norway. Teenage farm girls in Norway would take herds to higher mountain pastures for grazing in summer months, according to a piece Larson authored in 2017 for The Norwegian Ameriocan Magazine. “They had high voices that could be heard by animals up to 3 miles away,” Larson said. “Some of the songs had no words and were just melodies, but other songs called the animals out by their names.” She said the girls would sometimes stay with the herds on the mountain for up to three months and make cheese and butter while tending the
Peggy Larson demonstrated kulokk — a traditional Norwegian method of calling in livestock using song. (Photo by Denise Lana)
herds. The kulokks were also sometimes sung to keep predators away, Larson said, as Norway’s mountains were teeming with wolves and bears and some feared folklore creatures such as trolls and huldra — trolls which lived under the grass in the mountainside and appeared as beautiful women to lure farmers to their doom. “When it was time for the cattle to be milked and to rest for the evening, each girl used her own musical call to bring them in,” Larson said. “There were many girls around the mountaintops with their herds, and each herd knew the call of their own mistress.” Larson, herself a globally accomplished jazz singer and voice teacher, studied kulokk in preparation for her master’s thesis and, in 2007, she traveled to Norway to immerse herself in the culture and research kulokk firsthand. When she arrived back in the states and found herself traveling in Wyoming, Larson decided she was going
Kulokk
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