ILLUMINATING YOUR IMPACT 2025 DONOR UPDATE (WITH FY24 REPORT)
DISCOVER NEWFIELDS. BE WELL.
Welcome to this issue of Advancing Newfields , a publication meant to highlight the wonderful impact of supporters, like you, who help bring the harmony of art, nature, and wellness to Newfields’ visitors. Beyond the entertainment and learning that is expected from a museum visit, these stories demonstrate the peace, connection, and healing that can also occur with a visit to Newfields.
Guests often express their gratitude for the tranquility and inspiration that come from a relaxed stroll through our galleries and gardens. We are grateful for your continued support in making Newfields a sanctuary for reflection and renewal available to anyone seeking an escape from a busy, stressful life. Thank you for being a vital part of our mission to create exceptional experiences with art and nature.
MAGAZINE EDITORIAL
EDITORIAL DIRECTOR: Jackie Kretz, Director of Member and Donor Engagement
MANAGING EDITOR & WRITER: Olivia Nelson, Advancement Content Creator DESIGNER: Scott Johnson, Studio F60
CONTENT CONTRIBUTORS:
Robin Cooper, Carlin James, Emily Sogard, Roxy Sperber, Sarah Trew, Beth Wood, Jack Wright
SPECIAL THANKS TO:
Anna Tiplick and Eric Lubrick, photography; Anne Young and Emma Carter, Rights and Reproductions; Kieran Shay, image support; Greg Porter and Emily Rasmussen, donor lists
Thank you to everyone whose support and contributions made this publication possible. discover newfields .org
Le Monte G. Booker, Sr.’s road to Newfields seems like fate. From a young age, he loved to paint and was sometimes permitted to skip class to nurture his talent. Some of his paintings eventually hung in his Chicago school, William E. Gladstone Elementary.
Add a love of nature to his longstanding affinity for art and Le Monte is perfectly poised for this position: “Art is a display of human beings’ incredible creativity, and nature really is a demonstration of the creativity of a higher being. People can come to Newfields to experience these two immense levels of creativity together and that is unique.”
His wonder at the natural world evolved through Starved Rock State Park hikes in Illinois where he marveled at the untouched landscape’s beauty. At his former Chicago greystone home, Le Monte also cultivated a creatively compact garden that was the envy of the Hyde Park neighborhood. Filled with every different type of flower from the local nursery, it was a joint effort with his wife of 31 years, Hyacinth.
But that’s not his favorite flower. “I really love the geranium more than anything, because it is strong enough to survive no matter where you put it.” (Don’t worry, Hyacinth’s in the know.)
The 140-plus-year-old institution he joins now has also learned to adapt, thanks to the dedication and commitment of its many supporters throughout the years. After meeting a variety of Newfields’ most devoted friends at open houses in his first months on the job, Le Monte is not surprised by its lasting power.
Likewise for Le Monte, “assuming the role of President & CEO of Newfields represents the culmination of many years of hard work and preparation. It is the achievement of a childhood dream that was to someday lead a purposeful enterprise that makes people happy.” In fact, he’s never been more confident about an organization’s ability to deliver on its mission. “We have the ability here to reach a much broader audience, all year round.”
Warmth and boundless optimism define Le Monte’s style, and his leadership approach is shaped by his very early beginnings. Originally hailing from the south and west sides of Chicago, Le Monte grew up in one of the most marginalized and economically challenged areas of the country. Seeing children his age without access to places to have fun or find meaningful experiences fueled his passion for these third spaces in society.
To Le Monte, museums preserve a sense of what delights and concerns us. From the Illinois Holocaust Museum to the National Museum of African American History and Culture to Newfields, he is struck by the enormity of the responsibility to preserve our history. With over three decades of nonprofit management experience under his belt, he is up to the task.
Most recently, he was Chief Financial Officer at the Field Museum in Chicago, where he also briefly served as interim President and Chief Executive Officer in 2020. And being a numbers guy, he comes with his own go-to top three list of leadership tenets:
1. Mission and purpose: We must never forget why this institution is here.
2. Organizational excellence: A museum’s employees are its best asset.
3. Focusing on the future: We must have a growth mindset and an innovator’s disposition to deliver our mission.
Le Monte is confident in Newfields’ bright future and is excited to work with its talented staff—as well as its dedicated supporters.
The power of philanthropy at Newfields is already evident to Le Monte. “From the amazing art in our collection to our historic properties, it’s about people coming together to think about something beyond themselves. And it really stems from selflessness.” He pauses briefly to reflect, “achieving our mission can’t happen without it.”
With so many new and exciting challenges, he’ll not be skipping much time at work to paint this time around. Though perhaps he could be tempted for Artists Among Us Season Four ?
The Art of Sparking Connection and Joy
AT THE INTERSECTION OF ART, CULTURE, AND COMMUNITY, THE INDIANAPOLIS MUSEUM OF ART AT NEWFIELDS INVITES VISITORS TO DO MORE THAN JUST OBSERVE. THROUGH PROGRAMMING, ACTIVITIES, AND EVENTS, VISITORS ARE INSPIRED TO CONNECT WITH AND THROUGH ART IN A DEEPER, MORE MEANINGFUL WAY.
“ The IMA is a cultural pillar, a beacon of artistic excellence, and a testament to the transformative power of the arts in Indianapolis and beyond.”
— Belinda Tate
Belinda Tate, The Melvin & Bren Simon Director of the Indianapolis Museum of Art at Newfields, is on a mission to foster belonging, and turn the museum into a space where art is shared and celebrated through groundbreaking exhibitions and community-centered programs that inspire connections.
“At Newfields, we must celebrate art, honor the richness of our collection, embrace innovative opportunities, and connect deeply with our community. Because this museum matters,” said Tate, who launched the
Artful Party format to entertain and engage.
“The Artful Party is more than an evening of entertainment—it’s a reflection of our mission to create meaningful, impactful connections through art,” said Tate. Artful Party: Fall celebrated the debut of multiple exhibitions with one big opening party. By blending multiple exhibition openings into a single, highimpact event, Newfields invites a broader audience to experience the excitement of new exhibitions side by side, creating unexpected connections through
a vibrant mix of perspectives, and transforming the way guests engage with art—and each other.
On September 27, 2024, Artful Party: Fall showcased Future Now: Virtual Sneakers to Cutting-Edge Kicks , Carlos Rolón: Threads of Resurgence , Shinique Smith: Torque , Matter of Record: Photography and the Creation of Meaning , and the latest rotation of The Message is the Medium: Contemporary Art . With themes spanning fashion, technology, social justice, and human resilience, the exhibitions drew
a wide audience—art lovers, historians, fashion enthusiasts, and creatives alike. Guests mingled with curators, engaged in conversations, and explored their own interpretations of the artwork on display.
Inspired by the fashion-forward Future Now , they also showed up in style, sporting their favorite kicks and strutting their way through the exhibition’s cuttingedge shoe cam. A soundtrack curated by local DJs Godzillest, DJ Lady Locs, and DJ Ferris Booler fueled a fun and energetic atmosphere for the night.
“This isn’t just about shoes,” said Tate. “It’s about creating a space where everyone sees themselves reflected in the art—where culture, creativity, and community come together in truly special ways at Newfields.” For many, an event like Artful Party sparks an interest in Newfields that becomes a long-term relationship. Whether you’re a first time visitor or old friend, this multi-exhibition celebration is a reminder of all that Newfields has to offer and an open invitation to return again and again.
“Together, we can create a
space where art truly belongs to everyone,” said Tate, who hopes you’ll mark your calendars now for Artful Party: Summer on June 27, 2025.
A Gateway to Connection
Experiences and activities that invite guests to engage, create, and connect are optional but intentional. Thoughtfully curated by our Public Programs Team, initiatives like Free First Thursdays, Family Days, and Seniors Stay Creative offer interactive exploration of art and nature. From hands-on workshops to community-
driven events and more casual activities, programming is designed to foster personal growth and build meaningful connections among visitors of all ages and backgrounds and ensure that no two visits are ever the same.
“It’s rewarding to see how these experiences help families connect, making art and nature more approachable and creating lasting moments together,” said Senior Manager of Family and Community Programs Sandy Schmidt.
SneakerFest WHERE ART MEETS SOLE
The Future is Now: SneakerFest redefined what it means to connect art with community. Inspired by Future Now: Virtual Sneakers to Cutting Edge Kicks , SneakerFest was more than an event—it was a movement that provided over 2,000 young people with a moment of joy, a sense of belonging, and a brand-new pair of sneakers.
“Can you imagine hundreds of local kids waking up one morning, not just with new shoes but with the knowledge that they were part of something extraordinary?” said The Melvin & Bren Simon Director of the Indianapolis Museum of Art at Newfields, Belinda Tate. “That weekend, I witnessed countless heartwarming moments—youth exploring art, parents feeling supported, and families making memories they’ll cherish forever.”
From the 1,092 elementary and community students and 568 Indianapolis Public School
middle schoolers who received shoes, to the 119 high school students who explored sneaker design through hands-on painting workshops, every participant experienced firsthand how creativity can spark confidence and self-expression. But the impact didn’t stop there—341 families have since redeemed a Newfields 2 + Kids membership, ensuring that access to art and nature continues well beyond the event. And with 1,119 complimentary Winterlights tickets issued, many families were able to extend their Newfields experience into a season of magic.
SneakerFest showcased the impact of bringing together art, generosity, and community. “For a day, we provided joy and demonstrated in a substantial way that this museum is relevant: it matters,” Tate said. More than a celebration of sneaker culture, it embodied Newfields’ mission—to enrich lives through exceptional experiences with art and nature.
THE FUTURE IS NOW: SNEAKERFEST DONORS:
The Alan and Linda Cohen Family Foundation
Sarah and John Lechleiter
Kathi and Bob Postlethwait
George Hill
John and Mary Katherine Lisher
Chris Sogard
Pacers Sports & Entertainment
Katie Betley
Herbert Simon Family Foundation
Brad and Theresa Warnecke
Charlie and Peggy Sutphin
Lily Pai
Alan and Maxine Henderson
Belinda Tate
Eric Logan
Robert Scheele
John Krauss and Marnie Maxwell
Nancy and Jim Carpenter
Kit Clark Moorman and Chris Moorman
Barbara and Richard Leventhal
Toni and Bob Bader
Monna Quinn and David Spoelstra
Cape Fletcher Associates
Michael Pettry and John Mainella
Doug and Kari Singleton
Soni Eden
Katie and Scott Snider
Anne and Andrew Sellers
Robert and Linda Yee
Michael, Franci, and Molly Skolnick
Milana Grozdanich
Michael Bilderback and Silvia Campos-Bilderback
Larry Smith
Ian Edington
Enjoy this SneakerFest Impact Video!
BUILDING Layers, STITCHING Strength
BY SARAH TREW, NEWFIELDS
CURATORIAL
ASSISTANT
Artists have a way of turning even the most unexpected materials into powerful stories of resilience and hope. Museums that host these works amplify those stories, helping audiences connect to global narratives that inspire and unite us. Carlos Rolón’s Hilos de Resurgimiento is one such story—an exploration of cultural identity, healing, and renewal through art.
Born in Chicago to Puerto Rican parents, Rolón grew up immersed in the culture of the island, forging deep connections
through family, friends, and frequent visits. That bond grew even stronger after he witnessed the devastation wrought by natural disasters like Hurricane Maria. For Rolón, the blue tarps distributed as emergency relief after these events became more than practical objects. They symbolized survival, perseverance, and the determination to rebuild. And yet, in their weathered state, marked by time and the elements, they also carried a deeper story—one of loss and resilience waiting to be told.
Rolón’s process of transforming these tarps is as poignant as the works themselves. He begins by receiving them directly from Puerto Rico, untouched, so their history can be felt and honored. Then comes the first, most symbolic step: cleansing. “When we get the tarps, we cleanse them, and it feels like an almost ritual experience behind it,” Rolón explained. “Once we do this, then we start the process of reclaiming the tarp.” This act of carefully washing away layers of dirt and debris accumulated over
years of use is both a physical and emotional reset—a way of preparing the tarps to carry new meaning.
From there, Rolón’s artistic process unfolds. He stitches and layers the tarps with intricate appliqués, bold patterns, and vibrant words and phrases, many rooted in Puerto Rican culture and identity. Every step is deliberate, every detail intentional. The result is more than a striking work of art; it’s a transformation. What was once a weathered object of necessity becomes a powerful
symbol of renewal, strength, and cultural pride.
For Rolón, this work isn’t just about aesthetics—it’s about telling a deeper story. The restoration of these tarps mirrors Puerto Rico’s journey to rebuild and reimagine itself after disaster. It’s also a personal reflection, as Rolón channels his own experiences of displacement and belonging into every piece. Through Hilos de Resurgimiento , he bridges the personal and the collective, creating art that celebrates
survival while honoring the pain and perseverance it takes to get there.
With these works, Rolón invites viewers to see beyond the surface. Each piece carries with it the scars of hardship, but also the beauty of rebirth. His message is clear: resilience isn’t just about enduring; it’s about transforming. Through art, even symbols of loss can become celebrations of hope and humanity.
2024 Acquisition HIGHLIGHTS
Guided by our values of stewardship, inclusivity, service, and excellence, our curators seek artworks that not only enrich our collection but also foster meaningful engagement with social and artistic dialogues. These acquisitions prompt discussions on topics such as gender, immigration, identity, and others, enriching visitor experiences and transcending cultural boundaries. Here are some new acquisitions that bridge art and nature, past and future, and local and global perspectives.
1 John Biggers (2024.4) | Birmingham...Children of the Morning
Unknown Japanese (20024.10.1-.2) | koshirae with tachi blade
4 Turiya Magadlela (2024.7.1-2) | Vela I & II
5 Kimathi Mafafo (2024.8) | Sisters in Unison I
Manuel Mendive (2024.9) | The Dream of the Blue Bird (El Ensueño del Ave Azul)
Wole Lagunju (2024.6) | The Adoration of Benjamin
Two Visionaries, One Medium
ELIZABETH CATLETT AND MAVIS PUSEY TRANSFORM PRINTMAKING
New prints, rich in both artistry and narrative, are now on rotation in the American galleries, adding depth and diversity to the Indianapolis Museum of Art Collection. Bold and boundary-pushing, artists Elizabeth Catlett and Mavis Pusey transformed printmaking with their distinct artistic voices. While both challenged the conventions of the medium, they each did so in unique ways.
“They offer contrasts that speak to the complications around what it means to be an American artist,” said Anna Stein, Associate Curator of Works on Paper. Catlett’s socially charged works confront themes of identity and justice, weaving bold imagery with the weight of human experience, while Pusey’s geometric abstractions channel the energy and rhythm of New York City’s ever-changing streets.
With Catlett’s evocative woodblock print American Women Unite currently on view and Pusey’s vibrant screenprint, The Dissolution of X , set to debut next, their rotation offers a striking dialogue on style, vision, and the enduring impact of African American artistry.
Innovators in Printmaking
Catlett and Pusey’s contributions to printmaking are marked by their experimentation with abstraction. “Each artist used abstraction in a different way, and was a master at handling different printmaking processes to create the perfect visual effect,” said Stein. Catlett’s sculptural sensibilities emerge in her relief prints, where figures printed from her hand-carved blocks take on a striking dimensionality—especially evident in the faces of the figures of American Women Unite as it is installed next to her bronze sculpture, El Canto. Pusey, by contrast, embraced the flatness of screenprinting, distilling the rhythms of urban construction and demolition into hard-edged geometric compositions.
Their subjects diverged, but both artists enrich our understanding of what it means to make American art. Catlett, persecuted for her activism, took Mexican citizenship to protect the life she built as a bicultural artist, activist, wife, and mother. Her prints weave African American and Mexican influences into powerful narratives of resilience, centering marginalized voices. Pusey, an immigrant from Jamaica, turned her gaze to the pulse of New York City and its constant construction. Her prints evoke urban transformation and renewal without overtly referencing any associated social issues.
Where Catlett’s work calls for action, Pusey’s invites contemplation. Yet both reshaped printmaking, proving its power to capture change—whether in society or the skyline.
A Legacy of Mentorship and Influence
Catlett, often regarded as the godmother of women in printmaking, inspired countless artists, including younger talents like Delita Martin, whose work will be exhibited at the Indianapolis Museum of Art in 2026. Similarly, Pusey carved a path as a Black woman in the male-dominated field of hard-edged abstraction. Both women overcame significant challenges, navigating biases in gender, race, and artistic expectations to establish themselves as groundbreaking figures in the art world.
An Invitation to Discover
This summer, explore the dynamic abstraction of Mavis Pusey and celebrate the enduring power of artistic experimentation. Building on the recent exhibition of Elizabeth Catlett’s socially and culturally resonant work, this pairing celebrates the transformative possibilities of printmaking and the vision of two groundbreaking artists.
A Masterpiece Abroad
VAN GOGH’S LANDSCAPE AT SAINT-RÉMY SHINES IN LANDMARK NATIONAL GALLERY, LONDON, EXHIBITION
In an extraordinary opportunity for the Indianapolis Museum of Art at Newfields, Vincent van Gogh’s Landscape at SaintRémy captivated audiences across the Atlantic. The beloved painting was featured in the National Gallery of London’s landmark exhibition, Van Gogh: Poets and Lovers , a celebration of the institution’s 200th anniversary and the centennial of its acquisition of Van Gogh’s Chair and Sunflowers
With its focus on Van Gogh’s transformative period in Saint-Rémy and the south of France, this exhibition was hailed by The Guardian as “unmissable.” It brought together over 60 masterworks by the artist, and Landscape at Saint-Rémy took its rightful place among them, offering visitors a glimpse into a pivotal chapter of Van Gogh’s creative journey.
“It is always a cherished opportunity to witness the vitality of so many Van Gogh works in one exhibition,” said Belinda Tate,
The Melvin & Bren Simon Director of the Indianapolis Museum of Art. “The genius of this 19th-century painter resonates with us in ways that are endlessly fresh, innovative, and intriguing. Collaborating with the National Gallery has been a rewarding experience, and we are delighted that they have chosen to highlight a treasured artwork from our collection, bringing it to the attention of an international audience.”
Created just a year before Van Gogh’s untimely death, Landscape at Saint-Rémy is a deeply personal work. Inspired by the Alpilles mountain range visible from his hospital in Saint-Rémy, Van Gogh painted the rugged countryside in vivid seasonal variations, exploring different palettes and moods. This particular painting was featured alongside Landscape from Saint-Rémy from Copenhagen’s Ny Carlsberg Glyptotek and Landscape with Ploughman from a private collection, creating a poignant dialogue between these works.
“One might consider these artworks siblings, of a sort, and this pairing felt like a long-awaited reunion,” said Robin Cooper, Manager of Curatorial Affairs.
“Viewing the IMA’s Van Gogh alongside its relatives was a moving experience. These works were created within months of each other, and this exhibition illuminates the artist’s creative process during a brief but profoundly productive period. The National Gallery’s achievement in bringing together these masterpieces from around the world cannot be overstated, and we are honored to have the Indianapolis Museum of Art represented in this exceptional exhibition.”
For visitors and art enthusiasts, this moment is a testament to the global impact of Newfields’ collection. Landscape at SaintRémy returned to the IMA Galleries after the conclusion of the National Gallery’s exhibition in January 2025, and is ready to inspire a new wave of visitors at home.
Bringing Ancestors Home
BY ROBIN COOPER, MANAGER OF CURATORIAL AFFAIRS
“VIGANGO...ARE MEMORIAL STATUES CARVED TO EMBODY THE SPIRITS OF DECEASED ELDERS AND REVERED AS SACRED VESSELS WITHIN THE MIJIKENDA’S SACRED FORESTS.”
After decades of separation, a historic reunion unfolded in Kenya’s Kilifi Forest in July 2023 in a profoundly moving ceremony with the Mijikenda community and Newfields staff. This moment marked the return of 55 vigango—sacred memorial statues of immense cultural significance— that had been housed in American museums for over forty years. Among these, 18 statues were returned by Newfields, marking the culmination of a two-year journey to reunite the Mijikenda with their vigango. This journey began in May 2021 when Robin Cooper, Manager of Curatorial Affairs, learned about the importance of vigango through a webinar detailing the endemic theft of these objects from Mijikenda’s sacred forests, known as kayas. She was inspired by the story of how two museums —the Denver Museum of Nature and Science and the National Museums of Kenya—worked together to repatriate 30 vigango two years prior. Upon realizing that 18 vigango were in the Indianapolis Museum of Art’s collection, Cooper saw an opportunity to lead a meaningful initiative to bring them home. Vigango are much more than works of art— they are memorial statues carved to embody
the spirits of deceased elders and revered as sacred vessels within the Mijikenda’s sacred forests. Tragically, in the 1970s, the rising global demand for African art led to widespread looting, with vigango being sold on the black market. This theft severed communities from their ancestral connections and inflicted lasting cultural wounds.
Understanding the gravity of this history, Newfields assembled a dedicated team and partnered with the National Museums of Kenya to ensure the safe return of the 18 vigango. Over several months, relationships were built with Mijikenda elders, who welcomed our commitment to returning their ancestors. In October 2022, Newfields successfully returned the vigango to Kenya, becoming only the third museum in the United States to complete such a repatriation.
Nine months later, in July 2023, Newfields representatives had the privilege of witnessing the ancestral homecoming firsthand. The vigango were welcomed with a moving ceremony that included dancing, music, and blessings. The ceremony closed with a rain shower, seen by the Mijikenda as a sign that the ancestors were finally at peace.
Today, the returned vigango from Newfields, along with those repatriated from other institutions, are safeguarded by the National Museums of Kenya to prevent future thefts. The Mijikenda, with support from museums worldwide, are working toward establishing a permanent community center as a safe, accessible site for these treasured ancestors.
The path Newfields followed to repatriate the ancestors has become a blueprint for museums around the world. Many institutions have reached out to learn from our experience, and last November, we shared our approach at a conference in Montreal, encouraging others to engage meaningfully with communities affected by cultural theft.
The return of the vigango marks a vital step in restoring cultural bonds broken by displacement, but the journey is far from over—more than 400 vigango remain in American museums, with countless more in private collections or sold on the black market under false claims of irrelevance. We invite all who learn of this history to promote awareness and advocate for the rightful return of sacred heritage.
A MASTERPIECE REBORN STAMP OF APPROVAL:
After years of quiet preservation, a hidden gem from the Indianapolis Museum of Art at Newfields emerged into prominence on a national level in 2024. The United States Postal Service, which selects 20 new postage stamp designs each year, selected The Madonna and Child by the Workshop of Sassoferrato as a 2024 Holiday Joy stamp. To celebrate this honor, this serene depiction of the Virgin Mary and Child was meticulously restored to its original brilliance by the Newfields conservation team and put back on display at the Indianapolis Museum of Art.
The USPS stamp program celebrates America’s shared heritage by
honoring themes that shape the nation’s history and culture, making Madonna and Child a perfect addition to this legacy. As a Holiday Joy stamp, the stunning beauty of this painting reached millions, showcasing its timeless elegance and the restoration process that made its gallery reemergence possible.
For Madonna and Child, the journey from storage to spotlight is as compelling as the artwork itself. Like many pieces in large museum collections, it spent years in storage. Once featured on the cover of The Indianapolis Star Sunday Magazine in 1960, the painting’s once-radiant palette of reds and blues had been dulled by time and a yellowed varnish.
The conservation team at Newfields undertook an ambitious effort to conserve the painting to its original glory. “Thankfully, as we began the conservation treatment and investigation, the quality of the painting became apparent,” said Roxy Sperber, Clowes Conservator of Paintings. “Varnish removal tests revealed a beautiful, rich color palette of luscious red and blue robes, subtly pink flesh, and delicately painted hair.”
This painstaking process not only revived the painting’s brilliance but also provided an opportunity for innovative educational collaborations. Allie Miller, Marian University student and Newfields science lab intern, played a key role in the study of the work. Using advanced technology, she analyzed the pigments,
confirming the use of precious materials like vermilion red and lapis lazuli blue. Her findings validated the work’s origins in Sassoferrato’s workshop and guided the conservator in safely carrying out the restoration.
Joining the effort was Dr. Chris Vyhnal, a high school chemistry teacher and research fellow, who observed the process to create classroom lessons exploring the synergy between art and science. Reflecting on his experience, Dr. Vyhnal shared, “My time at the museum this summer exceeded all expectations. Being involved in the conservation of the Sassoferrato Madonna and Child was enriching, providing me with deeper insight into the behind-the-scenes work of the IMA conservation labs. I’m excited to share these insights with my students, and I know they will benefit greatly from this experience.”
Ultimately, the USPS stamp selection did more than grant national recognition—it reignited fascination with the painting itself. “Seeing Madonna and Child chosen for the USPS Christmas stamp gave us the perfect reason to rediscover, restore, and celebrate this stunning work,” Sperber reflected.
Madonna and Child captivated guests while on display throughout the 2024 holiday season, while its counterpart on the USPS Christmas stamp spread its legacy far and wide. Fittingly, as holiday cards bearing its image arrived in mailboxes across the country, the story of its restoration and national recognition graced the front page of The Indianapolis Star on Christmas Eve. Whether seen in person or on a postage stamp, this iconic painting reminds us of art’s enduring power to connect history, culture, and humanity.
GUARDIANS OF CULTURE: THE ZAUNERS’ PASSION FOR ART AND CONSERVATION
Art and science have been traditionally viewed as separate disciplines, but they are deeply intertwined. Nowhere is that more evident than in the conservation lab at Newfields—a place where chemistry, history, and artistry converge to protect cultural treasures for generations to come. It’s this intersection that fascinates David Zauner, a retired forensic scientist with a deep appreciation for both disciplines.
David and his wife, Magdalen “Mag”, are familiar faces at Newfields, often spotted at exhibitions, lectures, and behind-the-scenes events. As dedicated supporters, they champion institutions that preserve and share knowledge, including museums, libraries, and archives throughout the state, believing that access to art and culture is essential to individual and community well-being. For them, conservation is more than just restoring paintings—it’s about safeguarding the past to inform the future. “You can’t know where you’re going if you don’t know where you came from,” David said. “Art isn’t just something beautiful to look at—it holds history, culture, and the stories of civilizations long gone.”
At Newfields, the Zauners are particularly drawn to the behind-the-scenes work of the conservation lab, where cutting-edge science
helps uncover the secrets of artworks. From analyzing pigments to identifying the origins of materials through microscopic traces, conservation is, as David describes, “a forensic lab for art.” It’s a field that blends his background in science with his love for art, reinforcing his belief that the two are inseparable.
The recent restoration of Sassoferrato’s Madonna and Child brought new life to the painting, ensuring its story reaches beyond the gallery walls. For the Zauners, this kind of work is exactly why they support Newfields—not only as a museum, but as a place where art is actively studied, protected, and shared. Whether admiring the precision of illuminated manuscripts in the Clowes Pavilion, marveling at the striking geometry of a contemporary mylar installation, or finding reflection in The Garden, they see Newfields as a space where history, creativity, and restoration go hand in hand, enriching both the mind and spirit.
Through their support of Newfields, David and Mag Zauner are ensuring that the wonders of art remain accessible and safeguarded—allowing future generations to experience the stories, craftsmanship, and cultural legacies they so deeply cherish.
“WE’RE NOT JUST PRESERVING ART—WE’RE PRESERVING STORIES, CULTURES, AND WAYS OF SEEING THE WORLD. IF WE DON’T PROTECT AND SHARE THEM, WE RISK LOSING SOMETHING ESSENTIAL ABOUT WHO WE ARE.” —DAVID ZAUNER
The Heart of Art
HOW DOCENTS CONNECT PEOPLE, ART, AND STORIES
ART IS MORE THAN JUST SOMETHING TO LOOK AT—IT’S A BRIDGE THAT CONNECTS US TO OURSELVES AND TO EACH OTHER, TO THE PAST, AND TO THE PRESENT. THIS IS WHERE
NEWFIELDS’ DEDICATED DOCENTS PLAY A CRUCIAL ROLE.
Whether they’re engaging with guests one-one-one or guiding a group through an exhibition, Docents offer a unique and personal perspective that helps guide art aficionados and first-time guests to deep connections with the art they find in the Indianapolis Museum of Art.
For Peg Duncan, a Docent since 2007, a single art history class inspired a passion that turned her into an art enthusiast She trained as a Docent, later managing the program for several years, and now plays a key role in its post-pandemic revival. Her approach is simple yet profound: “I like to walk up to a piece, whether I know it or not, and stand there for a few minutes and see what I can figure out.” This allows both Peg and the guests she guides to pause and experience the artwork in a slower, more intentional way—a practice that Peg believes is key to truly engaging with art.
Her favorite place to do this is the African Art galleries, a space that once felt unfamiliar to her. “I was intimidated at first, but the only way to get over that is to learn more,” she said. Her determination led her to chair the African Art Core for several years, deepening her understanding and appreciation. Now, she loves cultivating conversations that unfold naturally. “I can start at one piece, and before I know it, we’ve moved through the whole gallery.”
Whether exploring a familiar piece or encountering something for the first time, Peg finds that these moments of discovery create a deeper connection between guests and the art around them.
Dana Katz, a Docent since 2002, brings a personal touch to every interaction with visitors, often starting by asking, “What drew you to Newfields today?” Many guests tell her they come to de-stress, seeing the museum as their retreat. For Dana, art invites reflection, where each encounter offers the opportunity to discover something new.
“You can walk through a gallery a million times and still notice something new,” she said. “What made it catch my eye today that didn’t the last 40 times?” She encourages guests to embrace their own interpretations, reassuring them that there is no “right” way to experience art. Her knack for engaging people of all ages is evident in her interactions with works like the Sol LeWitt ( Wall Drawing No. 652 ) in Pulliam Family Great Hall. With children, she might ask, “How many colors do you see?” While with adults, she unveils the historical and conceptual depth behind the piece.
One of Dana’s favorite experiences happens in The Message is the Medium: Contemporary Art inside James Turrell’s Acton . Many visitors pause at the dark hallway, unsure of what awaits them. Sensing their hesitation, Dana guides them forward. “They’re always so grateful, saying, ‘I never would have done that on my own,’” said Dana. Her encouragement gives them permission to question their initial assumptions and persevere in their art-viewing experience. This openness to individual interpretation is something Dana loves to cultivate, ensuring visitors feel comfortable in their own perceptions and reactions.
Mary Redman, a Docent since 2007, believes art should be accessible to everyone, regardless of age or background, and she enjoys using Visual Thinking Strategies (VTS) to guide open-ended discussions. While some may find this method limiting, Mary sees it as freeing—allowing visitors to slow down, listen closely, and build on each other’s ideas. “When you force yourself to stand still in front of something longer than 15 seconds, you start to notice more,” she explained. “You wonder, you question, and you engage in a way that deepens the experience.”
This thoughtful approach fosters meaningful connections, both with the art and among visitors. One particularly memorable moment involved a family who lingered after her tour to reflect on a piece together. “The mom told me excitedly how they were using VTS on the artwork in front of them.” Moments like these reinforce the lasting impact of her work—creating space for exploration, dialogue, and shared discovery.
Mary also ensures even the youngest visitors feel heard. On a recent tour, a six-year-old boy eagerly responded at every stop. “His comments were just as valid as the adults’,” she said. “It’s about the experience, and even young children can make insightful observations.” Through her work, Mary encourages visitors of all ages to slow down and find personal meaning in the art around them.
Peg, Dana, and Mary embody the values of the Docent program at Newfields. They each bring something unique to the table—whether it’s Peg’s enthusiasm for exploration, Dana’s ability to guide personal reflection, or Mary’s gift for creating collaborative experiences.
Kjell Wangensteen, PhD, Associate Curator of Gallery Teaching, sees this approach as central to what makes the program so impactful. “Our Docents do more than share knowledge—they create moments of connection,” Kjell said. “Every conversation, question, or shared observation turns a museum visit into something personal and unforgettable.” At the heart of their work is a shared belief that art is a means of connecting with others, exploring the world, and discovering something new in ourselves.
VISUAL THINKING STRATEGIES:
1. What’s going on in this picture?
2. What do you see that makes you say that?
3. What more can we find?
The Nurturing Art of Nature
BE TRANSPORTED TO A DIFFERENT STATE OF MIND
AT NEWFIELDS, THE GARDEN AND THE VIRGINIA B. FAIRBANKS ART & NATURE PARK ARE BEAUTIFUL AND FUNCTIONAL SPACES THAT HONOR HISTORY, PROTECT THE ENVIRONMENT, AND INSPIRE WELL-BEING.
“ The work we do today in horticulture, design, and stewardship will leave a lasting impact, creating spaces where future generations can experience the power of nature and art, side by side.”
— Jonathan Wright
Initially purchased in 1909 as an escape from the noise and grime of a newly industrialized Indianapolis, the original 52 acres of Newfields have evolved from elegant country estate to worldclass cultural institution—without losing their tranquil charm.
From thousands of weddings and magical festivals to captivating gardens for quiet walks and reflection, Newfields continues to honor the relevance of nature
to a quality life and thriving community with a campus that is connected, accessible, sustainable, hospitality-focused, and life-enriching.
Every flower border, garden path, and open space is designed to be beautiful and to create experiences that bring people together, according to Jonathan Wright, the Ruth Lilly Director of The Garden and Fairbanks Park, who sees
these spaces as catalysts for transformation.
“I hope people come through our gates, come through our doorways, and as they step into The Garden...and into the Park… they just exhale,” Wright said. “There’s this incredible power and this real, meaningful change that happens in us when we walk into a beautiful space, into a beautiful garden.”
But the benefits extend beyond
moments of bliss for the people strolling along. Wright and his talented team are just as dedicated to nurturing the environment as they are to protecting its inhabitants, making Newfields a haven for native plants and wildlife.
From modern technology to modern challenges, Newfields strives to delight and deliver through the restoration of the original features of Oldfields.
Now with final planning complete and construction beginning soon, the Flower and Vegetable Garden will inspire a new generation of self-sustaining gardening, sharing its bounty on and off campus as it grows. Thanks to the generosity of Glick Philanthropies and David and Jackie Barrett, the newly restored Glick Fountain lights up the grand Allée with dynamic jets of water that dance to the sounds of the Indianapolis
Symphony Orchestra. Surrounded by accessible paths, the opportunities for education, celebration, and connection abound, cultivating land and community for years to come.
Whether you seek the dazzle of glowing festivals, relaxation among the apple trees and honeybee hives in the Gene and Rosemary Tanner Orchard, the striking orchids in the Madeline F. Elder Greenhouse, the
wheelchair and stroller-friendly Katharine B. Sutphin Border Garden pathways, the tastes of the season at Garden Terrace, or the perfect combination of art and nature at Fairbanks Park, you can revel in the outdoors in every season.
From environmental health to personal wellness, family fun or date night, you can count on a refreshed and improved state of mind with a visit to Newfields.
Connection Rooted in
IN TODAY’S FAST-PACED, SCREEN-DRIVEN WORLD, WE OFTEN OVERLOOK THE SIMPLE REMEDY THAT’S RIGHT IN FRONT OF US—NATURE. ROOTED IN SOIL, THE QUIET RHYTHM OF THE OUTDOORS OFFERS A CHANCE TO SLOW DOWN AND RECONNECT WITH LIFE’S GROUNDING PLEASURES.
Science confirms that spending time in nature can profoundly benefit mental wellbeing. Whether it’s the calming effect of a garden stroll or the restorative power of even a few minutes outdoors, connecting with nature offers a proven path to feeling better. In The Garden at Newfields, nature’s healing presence is felt in every breeze or quiet moment of reflection.
“Volunteering in The Garden is my therapy,” said longtime volunteer Sue Arnold, reflecting on the peace she finds here. And she’s not alone—whether planting flowers or simply soaking in the scenery, people come to The Garden to reconnect and recharge in nature. Of course, not everyone finds gardening meditative. But relaxation at Newfields can take many forms. Guests can get their hands dirty with an orchid care or wreath-making class in the Madeline F. Elder Greenhouse, or take a more laidback approach—birdwatching, strolling the trails, or embracing stillness with a forest bathing session in The Virginia B. Fairbanks Art & Nature Park.
New to Newfields in 2024, forest bathing is a meditative practice rooted in sensory
immersion, designed to help participants slow down and engage with the outdoors in a deeper, more intentional way. Offered in partnership with Simply Nature Forest Bathing, each session begins with a grounding meditation, followed by silent explorations, and then group reflections—a shared journey that fosters a profound sense of connection to both nature and one another.
According to psychiatrist and author Dr. Sue Stuart-Smith, who spoke at Newfields in October, “Spending time in nature restores our mental energy and strengthens our brains’ ability to focus.” In her book, The Well-Gardened Mind , she explores how gardening is an inherently mindful practice, one that requires both attention and intention. More than just tending to plants, it’s a process that nurtures both the gardener and the garden, offering a profound sense of connection and renewal. Whether through quiet reflection, handson gardening, or simply enjoying the beauty around us, the nature of Newfields offers a place to slow down, breathe, and find peace—as individuals or as part of like-minded volunteer groups.
NATURE BOOSTS WELL-BEING IN JUST 2 HOURS A WEEK
Spending 120 minutes in nature weekly is linked to better health and well-being.¹
GARDENING BOOSTS WELL-BEING
Gardeners are 67% less likely to report low mental health than non-gardeners. ²
FOREST BATHING EASES ANXIETY AND DEPRESSION
Forest bathing has been shown to significantly reduce symptoms of anxiety and depression.³
Beyond The Garden
HOW VOLUNTEERING CULTIVATES CONNECTION
For many, Newfields is a sanctuary—a place where art, culture, and natural beauty coexist. But for others, it’s even more than that. It’s a place where volunteers connect, grow, and give back. At the heart of this community is Kelly Korte, Horticulture Volunteer Manager, whose vision and leadership have cultivated a thriving network of dedicated volunteers.
On Earth Day, Giana LaPorte spent her morning immersed in nature and camaraderie. Alongside Kelly and his team, she dug into the task of weeding beds in and around the parking lot. Karen Vance, a volunteer since July 2022, perfectly captured the experience, calling it a “wonderful way to start your morning, your Monday, and your week.” What may seem like a simple chore became an enjoyable and fulfilling way for this team to contribute to the beauty of Newfields.
A Leader Rooted in Growth
Kelly’s journey to Newfields began at the University of Illinois at UrbanaChampaign, where his passion for the outdoors and interest in construction inspired him to study horticulture, specializing in genetics and metabolism. His career then took him to Texas, where he sharpened his team-building skills in a number of green industry companies. Nearly six years ago, he joined Newfields as Volunteerism Manager, and today he leads a team united by a shared passion for horticulture and community building—blending his love of nature with his talent for fostering connection and belonging.
“My job is about learning about people, getting to know people, and then making introductions to other people,” Kelly shared. His approach creates an environment where volunteers reconnect with nature, find fulfillment, and build lasting friendships.
From Service to Connection
Under Kelly’s leadership, Newfields’ volunteer program has grown into more than just a gardening initiative. It has become a therapeutic outlet that emphasizes mental well-being and offers volunteers a sense of accomplishment. “The service our team provides is a social outlet,” Kelly explained. “It’s a chance to reconnect with nature and build community.”
Kelly’s pride comes from witnessing the connections formed among volunteers. At appreciation events, he’s seen friendships blossom, knowing these relationships were sparked by their shared commitment to Newfields. “Seeing people hanging out with their friends and knowing that they are friends because of their volunteerism here—that’s what fills my bucket,” he said.
His mission to create space where people thrive shines through in every aspect of his work. When asked why they volunteer, Giana’s team had one answer: “Kelly!”
Reflecting on her experience, Giana was struck by the dedication and camaraderie of the team. She left with a deeper appreciation for the power of volunteerism, realizing that Newfields isn’t just a haven for art and nature—it’s a place where community flourishes.
INSPIRING CHANGE Through Plants
AT NEWFIELDS, WE BELIEVE THAT PLANTS DO MORE THAN JUST BEAUTIFY OUR GARDENS—THEY HAVE THE POWER TO TRANSFORM THE WORLD. IN SUMMER OF 2024, JAIME FRYE, ASSOCIATE CURATOR OF LIVING COLLECTIONS, DEMONSTRATED JUST HOW PLANTS CAN MAKE A MEANINGFUL IMPACT THROUGH HER GROUNDBREAKING WORK IN PLANT NOMENCLATURE.
For over four years, Jaime has been working on an important issue in botany and horticulture: the use of derogatory vernacular plant names. As chair of the Plant Nomenclature & Taxonomy Community of the American Public Gardens, she recognized the need for change and set out to address it.
Through an extensive, collaborative effort, Jaime and a team of dedicated volunteers spent more than 500 hours analyzing 400,000 plant names from 30 institutions. They cross-referenced these names with a list of 1,700 potentially harmful words, eventually identifying 227 plant names that needed review.
Jaime’s tireless efforts were recently recognized when she received the Sowing Excellence Award from the United States Botanic Garden and the IDEA Center for Public Gardens. This prestigious award honors individuals who strengthen the connection between people and plants, emphasizing their significant role in improving the world around us.
Jaime’s recognition included support to attend the International Botanical Conference in Madrid in July 2024, where she presented her research on derogatory plant names and participated in the voting at the Nomenclature Section—an international scientific governance session held only once every six years. This unique opportunity allowed Jaime to directly influence the future of botanical naming and further her mission of creating a more inclusive and respectful environment for plant science.
Among the significant changes that came out of this conference, one of the most impactful was the passing of Article 61.6.
This article led to the renaming of 56 plant species that were previously named after a harmful racial slur, replacing the outdated names with the respectful term “afra.”
Another important win was the addition of Article 51.2, which allows for the rejection of derogatory botanical names moving forward.
Perhaps most notably, a new Special Purpose Committee for Ethics in Nomenclature was established to address ethical concerns surrounding plant naming practices. This committee will foster dialogue with communities impacted by harmful names and work toward lasting change. As Jaime explained, “For real change to be made, it can’t just be the scientific community. We need to ensure we are seeking a hand-in-hand, trust-filled dialogue.”
Jaime’s work is gaining recognition worldwide, with features in Smithsonian Magazine and The Guardian highlighting the importance of her efforts to remove derogatory language from botanical science. Her dedication to making the world a better place through plants exemplifies the values we hold dear at Newfields: promoting inclusivity, advancing knowledge, and fostering a deeper connection between people and nature.
As we celebrate Jaime’s achievements, we’re reminded that the work supported by donors here at Newfields—whether through our gardens, collections, or programs— helps advance these transformative efforts. Together, we are making the world a better place, one plant at a time.
Buzzing with Purpose
HONEYBEES AND SUSTAINABLE PRACTICES
FOSTER LIFE AT NEWFIELDS
From the healing properties of honey to the joy of wandering through our pollinator-friendly gardens, Newfields is cultivating crops—and well-being—through sustainable practices that benefit both nature and the people who enjoy it.
The next time you find yourself craving a moment of calm, explore the meandering paths of the Gene and Rosemary Tanner Orchard, notice the stages of fruit production, rest under the Orchard Folly, and watch the birds and pollinators soar through the sky. You, too, will become a part of this cherished ecosystem.
Cultivating Well-Being, One Buzz at a Time
There’s a buzz about Newfields—literally. Tucked not so quietly in the Tanner Orchard, a colony of honeybees is hard at work. Honeybees play a crucial role in pollinating a variety of plants across the campus, making their contributions invaluable to our gardens. Honey also provides a variety of general health benefits to the environment and to people, including antimicrobial properties that fight various bacteria and viruses and the ability to soothe seasonal allergies by exposing the body to local pollen. Managed by beekeeper Ross Harding, the two active honeybee hives at Newfields yielded four gallons of honey this year.
Where Art and Nature Meet
Pollinators aren’t the only careful cultivations at Newfields. The Horticulture team is bringing art and nature together with living sculptures—fruit trees that double as botanical masterpieces. They’ve recently acquired espaliered trees from River Road Farms in Tennessee, chosen for the future Cut Flower and Vegetable Garden for their elegant, tapestry-like patterns. Handpicked by Marian Keith, Horticulturist, and Chad Franer, The Tom & Nora Hiatt Director of Horticulture, these trees, including the versatile
‘Callaway’ crabapple, promise beautiful white blossoms in spring and bright red fruit through winter. These new additions are just the beginning as we prepare for the next phases of the Flower and Vegetable Garden.
An Orchard Reimagined
Along with these recent additions, the orchard celebrated a bountiful harvest this year, yielding 150 pounds of apples alongside the honey. “Next year, we’ll continue the sulfur spray program and bag all the fruit for better protection,” said Keith. “With two apple varieties now cross-pollinating, we expect even better results. It’s all about refining our approach and growing sustainably.”
Keith’s organic methods, inspired by the Chicago Botanic Garden, reflect Newfields’ commitment to sustainability. “Because we’re a small orchard, we can try methods that wouldn’t be practical for larger ones,” she explains. Her approach includes weekly applications of non-toxic elemental sulfur to combat fungal issues without harming pollinators, along with fruit bagging to deter pests naturally.
Once a modest grove, the orchard now thrives under holistic horticultural care. Its transformation echoes the estate’s history— originally a functional food source for the Landon family, later reimagined by landscape architect Percival Gallagher with an allée of apple trees.
Chef Patrick’s Garden-to-Table Experience
And now, about those apples—Executive Chef Patrick Russ took this year’s harvest straight to the kitchen, turning them into a delicious apple chutney for the Horticulture Forum dinner. We might be here just for the chutney, but it’s the garden-to-table connection that truly reflects Newfields’ dedication to nurturing both the land and the community.
WHY POLLINATORS MATTER
1 in 3 bites of food
• Approximately 35% of global crop production depends on pollinators. 4
75% of flowering plants
• Pollinators help reproduce three-quarters of the world’s flowering plant species. 5
• Raw honey contains hydrogen peroxide and antioxidants that fight bacteria and fungi.7
Allergy support
• Local honey may help desensitize the body to regional pollen allergens. 8
Sustainable sweetness
• Organic honey production supports climate-resilient agriculture by enhancing pollinator health, reducing pesticide use, and promoting biodiversity.9
Distinguished Service Award
Newfields proudly honored Susie and the late Jack Sogard and Gene and the late Rosemary Tanner with the 2024 Distinguished Service Award, recognizing their profound and lasting impact. Susie and Jack played a pivotal role in shaping The Virginia B. Fairbanks Art & Nature Park and have been dedicated champions of horticultural initiatives. Rosemary and Gene’s commitment to preserving natural spaces led to the restoration of the Gene and Rosemary Tanner Orchard, ensuring its beauty for generations to come. Scan the code to watch their award tribute video and celebrate their enduring legacy.
WHERE STORIES BLOOM
A NEW CHAPTER IN THE VIRGINIA B. FAIRBANKS ART & NATURE PARK
A new experience at The Virginia B. Fairbanks Art & Nature Park invites visitors to explore Indiana’s native plants and pollinators through Wake Up, Woods StoryWalk®. In partnership with The Indianapolis Public Library, this immersive installation blends literature with nature along a scenic path, featuring weatherresistant panels that bring the pages of Mike Homoya’s children’s book to life.
As visitors stroll near the Ruth Lilly Visitor Pavilion and woodland Play Patches (which were repurposed from the one we used in the 2024 Indiana State Fair exhibition), they can discover native plant species and see living versions of the plants that are on each page of the book blooming along the trail. The Indiana Native Plant Society helped plant the native plants this spring, with grant or financial support from The Indianapolis Garden Club, creating a unique connection between the story and its environment.
A Green Milestone
NEWFIELDS WINS WATERSHED AWARD
Newfields’ new eco-friendly parking lot in The Virginia B. Fairbanks Art & Nature Park is turning heads—not just for added guest convenience, but for its innovative approach to water conservation. This 82-spot lot drains stormwater into a large bioretention rain garden, protecting the watershed by capturing and channeling runoff into nearby bodies of water. Recognizing this innovation, the White River Alliance presented Newfields with the 2024 Exceptional Commitment to Watershed Protection Award.
“Parking lots aren’t always looked at as models of watershed protection or resource conservation,” said Jonathan Wright, Ruth Lilly Director of The Garden and Fairbanks Park at Newfields. “However, Newfields is committed to responsibly upgrading our physical spaces to meet the needs of our guests in an environmentally conscientious way, even down to our parking lots.”
This eco-conscious approach is part of a broader commitment to sustainable development, as emphasized by Lisa Milton, Director of Natural Resources at Newfields. “Newfields has a passion and responsibility to be a role model for sustainable development in Indianapolis,” she said. “It’s critical for the city’s future that we consider the environmental impact of every construction project, balancing higher upfront costs with long-term savings. Prioritizing
water conservation is essential not only for the health of our ecosystems but also for the resilience of our infrastructure and the well-being of future generations.”
This thoughtful design not only enhances the park’s guest experience but also supports revitalized efforts in outdoor education, programming, and art installations like Home Again We are honored to collaborate with The White River Alliance on this initiative and deeply appreciate this recognition. Our commitment to sustainable practices continues to guide us in serving both our community and the environment.
The project was designed by HWC Engineering and constructed by Powers & Sons Construction Co. Special thanks to the Richard M. Fairbanks Foundation, The Indianapolis Garden Club, and Power & Sons Construction Co. for their financial support of this project.
Upcoming Exhibitions + Events
Home Again
The Hawryluk Sculpture Green at The Virginia B. Fairbanks Art & Nature Park
Ongoing
THE LUME Indianapolis featuring Connection: Land, Water, Sky – Art & Music from Indigenous Australians
Indianapolis Museum of Art Galleries
Open through February 2026
Käthe Kollwitz: Visions of Solidarity and Resilience
Susan & Charles Golden Gallery, Floor 2
Open through August 3, 2025
Kinemotion by Esrawe Studio
The Hawryluk Sculpture Green at The Virginia B. Fairbanks Art & Nature Park
Open summer 2025–December 31, 2026
Resplendent Dreams: Reawakening the Rococo
Gerald & Dorit Paul Galleries, Floor 3
Open June 6, 2025–March 30, 2026
Maximum Color, Minimal Form: The Panels of Ellsworth Kelly
Damon C. & Kay D. Davis Lab, Floor 2
Open June 13, 2025–January 4, 2026
Composing Color: Paintings by Alma Thomas from the Smithsonian American Art Museum
June M. McCormack Forefront Galleries, Floor 2
Open July 17, 2025–September 21, 2025
Kori Newkirk: Black Dandelion
Efroymson Family Entrance Pavilion, Floor 1
Open June 27, 2025–May 10, 2026
J.M.W. Turner Prints: Turner at 250
Susan & Charles Golden Gallery, Floor 2
Open September 26, 2025–January 4, 2026
Contemporary Forefront
June M. McCormack Forefront Galleries, Floor 2
Open November 21, 2025–June 28, 2026
Delita Martin
Susan & Charles Golden Gallery, Floor 2
Open February 20, 2026–August 2, 2026
Just for Members
Join us for these Members-Only moments and signature experiences:
Members-Only Lecture: Restoring the Lilly House and Rapp Family Ravine Garden with Mark Zelonis
June 6, 2025
Members-Only Lecture: Orchids Across the Pond with Ian Wilhite
June 26, 2025
Member Mornings
June 28 and July 26, 2025
Members-Only Tour: The Fountains of Newfields with Chad Franer
July 9, 2025
Other upcoming special events:
Member Appreciation Month
August 1–30, 2025
Artful Party: Summer (open to Members and public)
June 27, 2025
If you have any questions or just want to say hello, our Membership Team is here for you! Reach out to Dan Will, Membership Manager, at dwill@discover newfields .org, or Rebekah Loudenbeck, Membership Specialist, at rloudenbeck@discover newfields .org.
Celebrating You
Curator’s Choice (open to Five Seasons Circle giving level and above*)
August 20, 2025
Founders Dinner (open to Chair’s Circle giving level and above*)
November 5, 2025
Curated Conversations
Enjoy an intimate, behind-the-scenes experience at Newfields. Curated Conversations offers Luminary Circle donors and above exclusive tours and Café chats with our curators and staff. Watch your inbox for upcoming invitations—we’d love to see you there.
Manager of Curatorial Affairs, Robin Cooper
August 7, 2025
Interim Director of Education, Katherine Denny
August 13, 2025
Registrar for Permanent Collection, Jennifer Rigsby October 31, 2025
Savor the season with a visit to Garden Terrace and a stroll through Lilly House during museum hours.
THE MUSEUM & GARDEN SHOP
Shop with purpose at The Museum & Garden Shop—where every purchase supports art and nature at Newfields.
Members enjoy 10% off a curated selection of gifts, books, plants, and more.
Scan to shop now.
Engage your employees. Entertain your clients. Enrich your community.
Consider corporate sponsorship or corporate membership at Newfields to directly support your company’s marketing and mission goals. Choose from high-profile opportunities like special art exhibitions, opening events, and seasonal festivals including Harvest Nights , Winterlights , and Spring Blooms . We tailor benefit packages to meet your needs and amplify your brand.
Corporate sponsorship at Newfields gives you more than visibility—it empowers you to invest in your employees and uplift the community. Your sponsorship fuels education programs, conservation efforts, and essential daily operations across our campus.
As a Corporate Member, you unlock exclusive perks for your team and clients, such as discounted and complimentary tickets, access to special events, and team-building volunteer opportunities.
Host your next meeting, dinner, or reception in one of our beautiful event spaces, or join over 1,000 corporate volunteers who contribute 60,000+ hours annually. At Newfields, your company can do well—and do good.
For more information about how we can partner, contact Stacy Clark, Director of Corporate and Foundation Relations at sclark@discover newfields .org or (317) 923-1331 ext. 271.
THANK YOU TO OUR FISCAL YEAR 2024 TITLE SPONSORS!
BIG SCREEN. BIGGER IMPACT.
THE 2025 FILM LINEUP PROMISES SOMETHING FOR EVERYONE:
Be part of a favorite summer tradition by sponsoring a film in The National Bank of Indianapolis Summer Nights Film Series at Newfields. As an individual film sponsor, your company has a chance to shine on the big screen in front of a loyal, engaged audience while supporting the cultural experiences that make our community special.
Film sponsors enjoy on-screen and onsite recognition, the opportunity to host clients, colleagues, and friends, and the satisfaction of supporting the arts in Indianapolis. Each summer, more than 6,500 guests gather on the Newfields lawn for sold-out screenings of classic and contemporary favorites under the stars.
June 6 — Dangerous Liaisons
June 13 — The Wizard of Oz
June 20 — Star Wars: The Empire Strikes Back
July 3 — Captain America: The First Avenger
July 11 — Breakfast at Tiffany’s
July 12 — Robin Hood
July 18 — Love & Basketball
August 1 — Get Out
August 8 — The Emperor’s New Groove
August 15 — Planet of the Apes
August 22 — A Knight’s Tale
August 29 — Mulan
August 30 — To Catch a Thief
Scan the code below to learn more.
Film sponsorship is available on a first come, first served basis. To learn more or reserve your film, contact Peter Erotas, Corporate Relations Officer, at perotas@discover newfields .org or 463-999-2743.
“WE ARE THRILLED TO CONTINUE OUR PARTNERSHIP WITH NEWFIELDS AS A SPONSOR OF THE SUMMER NIGHTS FILM SERIES—A BELOVED INDIANAPOLIS TRADITION THAT BRINGS THE COMMUNITY TOGETHER FOR UNFORGETTABLE EVENINGS UNDER THE STARS. THIS YEAR, WE ARE ESPECIALLY PROUD TO HAVE PLAYED A ROLE IN MAKING THE NEW SCREEN POSSIBLE, ENHANCING THE VIEWING EXPERIENCE FOR ALL WHO ATTEND. SUPPORTING ARTS AND CULTURE IS A CORNERSTONE OF OUR COMMITMENT TO THE COMMUNITY, AND WE ARE HONORED TO HELP BRING THIS VIBRANT SUMMER TRADITION TO LIFE.”
Thank You
FISCAL YEAR 2024 ANNUAL REPORT
We invite your review of donor generosity and financial highlights from July 1, 2023 through June 30, 2024.
THE NEWFIELDS SOCIETY AND PATRON SOCIETY
We thank the following individual, corporate, and foundation donors, each of whose cumulative giving between July 1, 2023, and June 30, 2024, totaled $500 or more. Their donations helped to make everything you enjoy at Newfields possible.
This list includes gifts for annual operating support, gifts and payments on pledges for special projects, in-kind donations, realized planned gifts, and appraised gifts of art.
INDIVIDUALS
Lilly Circle - $50,000 and greater
Estate of Edward N. Ballard
Estate of Suzanne Brown Blakeman
Dorsey Foundation, Inc.
Scott and Erin Dorsey
Efroymson Family Fund
Edgar E. Fehnel
Tom and Nora Hiatt
Drs. Irene and William W. McCutchen, Jr.
Mrs. Ruth V. Nicholas
Myrta J. Pulliam
Phyllis Schahet
Charles and Peggy Sutphin
Scott Weaver
Mr. William and Mrs. Roberta Witchger
Daniel and Diana Yates
Clowes Circle - $25,000 to $49,999
John and Kathleen Ackerman
Mr. Chris and Mrs. Dominee
Burton
Darrianne and Justin Christian
Christy and Dale Davidson
Memorial Trust
Otto N. Frenzel IV
John and Mary Katherine Lisher
Mr. Lawrence A. O’Connor Jr. and Mrs. Ann O’Connor
David Phillips
Mr. David A. Rodgers
Chair’s Circle - $10,000 to $24,999
Ackerman Foundation
Dan and Kate Appel
Bob and Toni Bader
Michael and Jennifer Burton
Jim and Nancy Carpenter
Lori Efroymson-Aguilera and Sergio Aguilera
The Glick Family Foundation
Charles and Susan Golden
Meredith and Kathleen Hull
pegg kennedy and Michael Kennedy
Stephanie and Young Kim
Ann W. King
Michael and Rebecca Kubacki
Patricia J. and James E. LaCrosse
Lacy Foundation
Sarah and John Lechleiter
Mr. Eli Lilly II and Mrs. Deborah Lilly
Mrs. Jane Paine
Dorit Paul
Dr. Marian Pettengill
Mrs. Kathleen and Mr. Robert Postlethwait
Monna Quinn and David Spoelstra
Michael J. Robertson and Christopher A. Slapak
Marya and Anthony Rose
Kenna Rudolph and Michael Mehl
Anne and Andrew Sellers
Susanne and R. Jack Sogard
Rosemary Steinmetz
Ellen Swisher Crabb and David Crabb
Ms. Catherine M. Turner
Bradley and Theresa Warnecke
William Witchger
President’s Circle - $5,000 to $9,999
Morgan and Erica Andreae
David and Jacqueline Barrett
Miles and Joanna Batchelor
Kathryn Betley
Mauvene Borton
Mary Clare and George Broadbent
Victoria Broadie
Jerry L. and Barbara J. Burris Foundation
Mrs. Stacey Burris-Ice
Mr. Daniel and Mrs. Kathryn Cantor
Kristin Mays-Corbitt and David Corbitt
Joan Haaf
Dr. Michelle S. Howenstine
Al and Kathryn Hubbard
Kwan and Hsin Hui
Dr. Roger A. Hurwitz
Mindy Hutchinson and Rob Friedman
Kristine and Steven Isenberg
Elizabeth and Kellan Kershner
James Kincannon and Charles Goad
Barbara and Richard Leventhal
James and Sara Lootens
Mrs. Eleanor A. Lopez
Marilyn McGervey Watkins Private Foundation
Lynne Maguire and William Miller
Accurate recognition is very important to us. Please direct any corrections or questions to donors@ discover newfields .org. * deceased
Ms. June McCormack
Ms. Nancy L. McMillan
Shane Merriweather
MET Foundation Inc.
Laura and Mervyn Michael
Judith Murphy
Clay and Amy Robbins
Mr. Markham Roberts and Mr. James Sansum In honor of The Cain Foundation
Phyllis Schmidt
Jamie and Dick Schulte
Hutch and Kevina Schumaker
Dr. Marguerite K. Shepard
Ms. Rachel M. Simon and Mr. Hale Stuart
James and Nancy Smith
SPM Foundation
Joanne Sprouse
L. Gene Tanner
Randall and Deborah Tobias
William and Susan Tolbert
Dale Traugott
Gene and Edith Witchger
Emily A. West
Director’s Circle - $2,500 to $4,999
Ms. Sarah Barney
Sheila Barton-Bosron and William Bosron
Dawn Batson-Borel and Anthony Borel
Michael Bilderback and Silvia Campos-Bilderback
Theodore and Peggy Boehm
Debora and Michael Bush
Mr. Eurelio and Mrs. Shirley Cavalier
Robert Cirillo
Chris W. and Lesley J. Conrad
Sonya Cropper
Judy Donner and John Mullen
Ms. Judith Cohn Epperson
Christine and Garth Gathers
Richard and Sharon Gilmor
Gretchen Haehl
Mrs. Jane H. Houck
Ann Hunt
Matthew and Tracy Jacobson
Pamela and Gary Jursik
Dana and Marc Katz
Noelle and Bruce King
David Kleiman and Susan Jacobs
Mr. John Krauss and Ms. Margaret Maxwell
William and Katherine Landschultz
Eric Logan
Ms. Rae Malesh
Elizabeth Mann
Linda and Gene Marshall
Ms. Marni McKinney and Mr. Dick Waterfield
The Marni McKinney Foundation
Robert and Shelley McKinney
Robyn McMahon
Clayton Miller
Alan and Sally Mills
Mr. Blake Lee and Mrs. Carolyn L. Neubauer
Randall and Sheila Ott
Mrs. Anne R. Pantzer
John and Sally Peacock
Amy Perry
Todd and Judy Raker
Dr. John and Mrs. Leslie Rapp
Dr. Patricia and Mr. James D. Rapp
M. Jean Richcreek
Mr. George Rubin
Gregory and Corie Shaner
Dr. Michael Shapiro
Carol Smithwick
Pamela Steed and Peter Furno
Dr. Daniel and Mrs. Marianne Stout
Ieva Straatman
Dr. Lynne Sturm and Dr. Gregory Zimet
Bonnie Swaim
John and Marcy Taylor
Jeffrey and Cynthia Thompson
Mrs. Phyllis Vernick
Rosalind H. Webb
Courtenay and Emily Weldon
Margaret Wiley
Luminary Circle - $1,200 to $2,499
Gayle and Jerald Ancel
Richard and Tamara Bailey
Helmi and Ronald Banta
Robert Bennett
Joseph Blakley
Wilma Borinstein
Dr. Andrew Bridge
Mr. Gary Butkus
Alan and Linda Cohen
John and Janice Coleman
Rodney Collier and John Strachan
Jane Conley
Mr. Daniel P. Corrigan
Irene Curry
Debra Dawson and Dylan Hergott
Rollin and Cheri Dick
Katie and Lynne Eckerle
Stephen and Julia Enkema
Marni R. Fechtman
Charles and Teresa Fisher
Dr. Mary L. Forster and Mr. Wayne Ramsey
Shelby and Valerie Goldblatt
Susan Haber and Jason Rowland
Henry Havel and Mary Stickelmeyer
Mrs. Lisa Heid
Susan Hoffert and Mark Wolanski
Jane Howenstine
Madison and Tyler Hromadka
Kevin and Estelle Huston
Jeanine Isham
Mrs. Barbara James
Suzanne and William Jannetta
Randall Juergensen and Tony Warmus
Christina and Ryan Kiley
Dawn and Greg Knipe
Chris Leagre
Sharon and James Lemler
Andra H. Liepa
Lori Long
Mr. Michael and Mrs. Ann
Lynam
Ira and Leslie Maher
Kurt and Linda Mahrdt
Amy Maierhofer and Evan Gray
Robert and Marlene Marchesani
Sharon and Vicki Merriman
Paula Meyer and Janie Lunn
Mr. D. William and Mrs. Ann Moreau
Jackie Morris
David Morton
Melissa Muha
John and Carolyn Mutz
Mr. Ralph G. Nowak
Julie and John Overbeck
Patty Pelizzari
Mr. Michael Pettry and Mr. John Mainella
Margaret Piety and Josef Laposa
Matthew and Jennifer Priddy
Mrs. Joyce E. Pruitt
Mary and Eric Redman
Mr. David and Mrs. Jill Resley
Theresa Ritz
Matthew and Natalie Rotelli
Mr. Thomas and Mrs. Linda Sands
Robert Scheele
Doug and Kari Singleton
Judith and James Singleton
Catherine and Will Snyder
Diane Thompson
John and Kathy Vahle
Gail Williamson
Robert and Linda Yee
Mark and Sara Zelonis
Zink Family Foundation
Five Seasons Circle - $500 to $1,199
Anonymous (3)
Diane and John Abrams
Sue Arnold
Trudy and Logan Banta
Mr. Joseph Barabe
Pam and Doug Barcalow
Clark Barwick
Janet and Randall Belden
Dr. Harry Brickley Farm Foundation
Barbara Briggs
Jeffrey Brinkmann and Michael Schaefer
Stacy and Christopher Brooke
Tim and Valerie Bruemmer
David Bryant and Paul Zick
Mrs. Ann Hyer Buttrey
Miriam Carmean
Mary Ellen and David Carter
Marcella Carter
Jennifer and Tim Chmielewski
Jan Clark
David J. Cocagne
Sam and Sharon Collins
Tom and Suzanne Collins
Dr. Gayle J. and Mr. Carl K. Cox
Barbara Danquist
Byron and Leslie Daugherty
Janet and James Deahl
Fred and Joan Dennerline
Dennis Dickos
Zora and Peter Dunn
Greg Eaton and Todd Adams
Sheryl Elston and David Hamilton
Robert and Nancy Falco
Carol Feeney
Karla Fehd and Damian John Garino
Elaine Ewing Fess and Stephen W. Fess
Gary and Barrie Fisch
Carla Fisher
Mr. David and Mrs. Lindsey Flaherty
William and Jennie Forehand
Shirley Fry
Jim Fuller
Theaodis Gary and Helen Randolph
Dorothea and Philip Genetos
Laura Ginger and George Dreher
Lynda Goeke and Don Katz
Barry and Brenda Goodrich
David Gorden
John and Sharon Grace
Kirsten Grosz
Matt Gutwein and Jane Henegar
Cristie Halter and William Fraser
Janet Harris
Lucy and Don Harvey
Ann and Edward Hathaway
Cindy Helmling
Jennifer Hendrian and Steve Spaulding
Joseph and Eleanor Hingtgen
Zachary and Judy Hodes
Ginny Hodowal and Doug Madeley
Rick and Melissa Hullinger
Rick Johnloz
Susan Jones-Huffine and Matthew Huffine
Aymen and Amanda Kaboub
Venetta Keefe
Joy Kleinmaier
Mark and Marya Kopetsky
Martin and Mary Krause
Karen Kreutzinger
* deceased
Jhani Laupus and Michael Sample
Barbara Lawrence
Ellen Lee and Stephen Dutton
Brooklyn and Jonathan Lowery
Mary and Daniel Lueders
Constantine Mavroudis
Courtney McCollum
Mrs. Doris McCullough
Michael McGuire
Susan and Knox McMillan
Ms. Audrey Millar and Dr. David Goldenberg
Helen Morlock
Kimball and Louise Morris
Christina Morris
Shirley M. and Thomas M. Mueller
Mrs. Delores Muller
Patrick and Rita Murphy
James and Carol Mutter
Mrs. Janet Nine
Mr. Brian O’Neill
Louise and Larry Paxton
Judy and Melvin Pleiss
Barbara Porter
Mrs. Laurie and Mr. Bernard Pylitt
Roger and Anna Radue
Dr. George and Mrs. Peggy* Rapp
Michael and Constance Rasor
Robin Reagan and Frank Messina
Bonnie and Thomas Reilly
Kenneth Remenschneider and Sharon Hoog
Mr. William T. Rice and Ms. Jan Woodruff
Dr. Gary D. Rosenberg
Michael and Colleen Russo
Daniel Salvas and Colleen
Madden
Anne Scheele
Capi Scheidler
KimAnn and Michael Schultz
Albert Schultze and Marcia
Kolvitz
William and Helene Scott
Don and Cindy Selzer
Dana Sherwood
Jefferson and Mary Shreve
Robert and Holly Sieck
Anthony Smith
Nancy Snively
Leslie Snyder and Norris Groves
Catherine Springer Brown
Jeff and Helen Stalder
G. Donald and Alison Steel
Paul and Cassie Stockert
Michael and Sharon Sullivan
Tien Sun
Helen Thoele Family Foundation
Jean Thompson
Nancy Thompson
Vicki Townsend and Sara Pyatt
Joseph Traugott and Laurel Wallace
Christopher Turner and Bruce Baird
Julie and Rene Van Walsem
Patrick and Jacqueline Walsh
Ms. Marianne Walter
Nicholas and Terry Watson
Cate and Larry Waynick
Sarah and Mason Webber
Barbara L. Weetman
Mrs. Karen and Mr. Dennis Whitaker
Ellen and Bob Whitt
Robert and Margaret Wilken
Jennifer and Colin Winnie
Mr. James G. and Dr. Karen McEnroe Wolf
Christian Wolf and Elaine Holden-Wolf
Timothy and Catherine Wright
Mr. Chris and Mrs. Rita Wulke
Grant Wynia and Amanda McCabe
Jeffrey and Mei Ling Yu
David and Magdalen Zauner
Staff
Katie and Mark Booth
Jackie and Tom Kretz
Michael Martens
Laura and Tom McGrew
Grace Meils and Chris Wells
Chris Morehead
Greg and Ashley Porter
Monica Richardson
Michael and Franci Skolnick
Tony Viviano
Mr. Robin and Mrs. Charlitta
Winston
Jerry and Jessie Wise
Jonathan Wright and Stuart Alter
CORPORATIONS/ FOUNDATIONS
Lilly Circle - $50,000 and greater
Allen Whitehill Clowes
Charitable Foundation
Bank of America Corporation
The Clowes Fund
General support of Newfields is provided by the Christel DeHaan Family Foundation through the Christel DeHaan Legacy Fund
Support is provided by the Christel DeHaan Family Foundation through the Christel DeHaan Artist Support Fund
Annual operating support provided by the City of Indianapolis through the Indy Arts Council
Institute of Museum and Library Services
JPMorgan Chase Foundation
Lilly Endowment Inc.
The R.B. Annis Educational Foundation
Richard M. Fairbanks Foundation
Clowes Circle - $25,000 to $49,999
Art Bridges
Indiana Department of Environmental Management
Lilly Endowment Inc. Matching Gifts Program
The National Bank of Indianapolis
National Historical Publication and Records Commission
Nicholas H. Noyes, Jr., Memorial Foundation, Inc.
The Penrod Society
Chair’s Circle - $10,000 to $24,999
Anheuser-Busch
audiochuck
Corteva Agriscience
Lilly US Matching Gift Program
Administration
Powers & Sons Construction Company
President’s Circle - $5,000 to $9,999
Crowe
Delta Faucet Company
Engledow Group
Faegre Drinker
FleetWatcher, LLC
FORVIS
Gem Homes, LLC
Performing Arts Readiness project, a community served by Lyrasis
RCR Technology Corp
Zink Distributing Company
Director’s Circle - $2,500 to $4,999
The Giving Institute
Gregory & Appel Insurance
Lumina Foundation for Education
Masco Corporation
Wurster Construction Co., Inc.
Luminary Circle - $1,200 to $2,499
Bank of America Matching Gift Program
Schahet Hotels LLC
Five Seasons Circle - $500 to $1,199
Crum & Forster Insurance
Indiana Artists Club, Inc.
Multiply Technology
OPENLANE
ORL Foundation
Regenstrief Institute
The Scott and Nancy Atherton Foundation
Texas Methodist Foundation
DONORS OF GIFTS IN MEMORIAM AND TRIBUTES
Gifts in Tribute
All Garden Guides
Anonymous
Claire Bennett
Debora and Michael Bush
Colette Pierce Burnette
Wendy McGrady
Diana Marie Madden
Daniel Salvas and Colleen
Madden
Elizabeth Taylor
Dorit Paul
George Dreher and Laura
Ginger
Shirley Fry
Ian Wilhite
Dorit Paul
Jasper and Hank
Karen Kreutzinger
John Teramoto
Margaret Wiley
* deceased
Jonathan Wright and Stuart Alter
Christopher Turner and Bruce Baird
Julia Westermeyer
Guy and Susan Westermeyer
Karen “Mimi” Dietrick
Catty and Bo Dietrick
Kennedy and Bennett Conyers
and Henry and Wyatt Belden
Janet and Randall Belden
LuAnn Thomas
Douglas and LuAnn Thomas
Marty and Mary Krause
Eldon and Margaret Olson
Burnice F Thibodeau and Julia
Thibodeau-Walden
Paul and Sandra Walles
Kirstin and Aaron Gotway
MH
Rick and Melissa Hullinger
Mildred Brown and Boneta
Robbins
Clay Robbins and Amy Robbins
My Queenie
Pam and Doug Barcalow
Nana and Papa
Christine Richards
Patrick and Elaine Jerrell
Jonah Kazmierski
Quinn and Keaton Pyatt
Vicki Townsend and Sara Pyatt
Gifts in Memoriam
Alice and John Flaherty
Jeanine Isham
Ann S. O’Neill
Mr. Brian O’Neill
Bill Appel
Susan McMillan and Knox
McMillan
Carol L. Becker
Julie Van Walsem and Rene
Van Walsem
Carol Phillips
David Phillips
Cathryn Ann Maxwell
Jeanine Isham
Cecelia and Jay Myers
Clay Robbins and Amy
Robbins
Christine Coolidge Jones
Ellen and Bob Whitt
Christine P. Lemley
Anonymous
Thomas and Kathleen Zatorski
Carole Huriot
Chuck Falvery
Big Sue E. Arnold
Claire and La
Debora Bush and Michael Bush
Claire Bennett
Robert Bennett
Clarence McConkey
Clay Robbins and Amy
Robbins
Dr. David J. Goldstein
Mrs. Lisa Heid
Francine Hurwitz
Shelby Goldblatt and Valerie
Goldblatt
Dr. Roger A. Hurwitz
Frank Grunwald
Mrs. Anita and Dr. Howard
Harris
Gary Schahet
David Kleiman and Susan Jacobs
Glenn Lawrence
Barbara Lawrence
Her mom and Scott
Helen Morlock
His mother
Scott Weaver
Ian Fraser
The Clowes Fund
Allen Whitehill Clowes
Charitable Foundation
Irene Haaf
Joan Haaf
Jeffrey L. Williamson
Gail Williamson
Jeniffer Webber
Sarah and Mason Webber
Jennie Mae and Mom
Karen Karmolinski and Lauren Klinedinst
Joanne McConkey
Clay Robbins and Amy
Robbins
Jonathan Scott Keefe
Venetta Keefe
Judith A. Luce
Lisa Beiter and Larry Beiter
Julie Bose Todd
Sam Collins and Sharon
Collins
June Robbins
Clay Robbins and Amy
Robbins
Katie Sutphin
Charles and Peggy Sutphin
Kenny Greenberg
Krista Swisher and Ben Swisher
Mary Handrick
Jamie Poynter
Mary Jane Meeker Stogsdill
Stanley and Connie Tipton
Frederic Martin
Mr. and Mrs. J.E. McArdle
Mary Lueders and Daniel Lueders
Nancy Brown Webb, Edith
Robbins Ferger, and Jean
Robbins Neate
Clay Robbins and Amy
Robbins
Nancy Falco
Robert Falco and Nancy Falco
Nancy Harris
Mrs. Kathleen and Mr. Robert
Postlethwait
Ocie McConkey
Clay Robbins and Amy Robbins
Our Brother Jim Olive
David Olive and Lora Olive
Rachel Efroymson, Daniel Robert
Efroymson, Consuelo Aguilera
Beteta, Manuel Aguilera
Beteta, Enrique Aguilera
Beteta, and Lucila Aguilera
Beteta
Lori Efroymson-Aguilera and Sergio Aguilera
Robert Milton Bowyer
Courtney McCollum
Rosemary Tanner
Susanne Sogard
Ruby Sherwood
Dana Sherwood
Ruth Pierce
Tony Viviano
Sara and Sam Postlethwait
Mrs. Kathleen and Mr. Robert
Postlethwait
Shirlie Dreher
Laura Ginger and George Dreher
Steve Mills
Linda Mills
Suzanne Brown Blakeman, Marianne Williams Tobias, and Ian Fraser
Ellen Lee and Stephen Dutton
Their parents
John Lisher and Mary
Katherine Lisher
Tim Groves
Leslie Snyder and Norris
Groves
R.B. Annis
Daniel and Diana Yates
DONORS TO THE COLLECTION
John Antonelli
Sheila Barton-Bosron and William Bosron
Kathryn Betley
Mauvene Borton
Dr. Gayle J. Cox and Mr. Carl K. Cox
Zora and Peter Dunn
Richard and Sharon Gilmor
Kirstin and Aaron Gotway
Eric Heckler and Jane Schultz
Estate of Carmen and Mark Holeman
Kwan and Hsin Hui
Dr. Roger A. Hurwitz
Dawn and Greg Knipe
Martin and Mary Krause
Michael and Rebecca Kubacki
Laura and Tom McGrew
Alan and Sally Mills
Eldon and Margaret Olson
Dorit Paul
Patty Pelizzari
Amy Perry
Dr. Marian Pettengill
David Phillips
Amy and Robert Poster
Mr. Markham Roberts and Mr. James Sansum
In honor of The Cain Foundation
Michael J. Robertson and Christopher A. Slapak
Ron Rumford
Dr. Marguerite K. Shepard
Michael and Franci Skolnick
Joanne Sprouse
Burnice F Thibodeau and Julia Thibodeau-Walden
Paul and Sandra Walles
Rosalind H. Webb
Margaret Wiley
FY24 Financial Highlights
Newfields recorded a blended endowment draw rate of 5.70% in fiscal year 2024. The expected fiscal year 2025 draw rate of 5.58% will return Newfields to reducing our draw rate for long term financial sustainability. We continued investment and innovation in seasonal programming to retain returning visitors and attract new ones. This proved successful with Harvest Nights exceeding fiscal year 2023 by over 10,000 visitors and $400K in revenue. Newfields hosted nearly 4,000 local, national, and international guests to witness the eclipse in April 2024 with revenue over $235K. Newfields plans additional debt reduction in fiscal year 2025 decreasing our debt by over $75 million dollars in 10 years. As of December 31, 2024, the market value of Newfields’ investments was greater than $417 million.
Consolidated Statements of Activities Year Ended June 30, 2024 (In Thousands)
We couldn’t do it without you.
Feeling inspired?
Every gift—big or small—helps spark curiosity, create joy, and make Newfields a place where art and nature thrive for everyone.
If you’re moved to support what’s next, scan the QR code, use the envelope provided, or contact us to explore how you can make a difference today.
You can reach us at donors@discover newfields .org and (317) 920-2684 or contact a member of our Advancement Team.
Grace Meils, Vice President for Advancement gmeils@discover newfields .org | 317-923-1331 ext. 295
Michael Skolnick, Director of Individual Philanthropy mskolnick@discover newfields .org | 317-923-1331 ext. 143
Page 5: Top Center: Opening of Future Now: Virtual Sneakers to Cutting-Edge Kicks exhibition in the Gerald and Dorit Paul Galleries on September 27, 2024.
Page 13: Van Gogh: Poets & Lovers exhibition at the National Gallery in London, September 14, 2024–January 19, 2025.
Page 14: Mijikenda people welcoming vigango home before the ceremonial return. Shared with permission by the Mijikenda people.
Page 15: Celebration of return continues with music, dancing, and speeches. Shared with permission by the Mijikenda people.
Page 16: Left: Sassoferrato (Italian, 1609–1685), Madonna and Child, date unknown, oil on canvas, 25-1/8 × 18-13/16 in. Indianapolis Museum of Art at Newfields, Gift of Mrs. Albert J. Beveridge, 38.7.
Right: Individual stamp design featuring the Workshop of Sassoferrato’s Madonna and Child from the Indianapolis Museum of Art at Newfields, Gift of Mrs. Albert J. Beveridge, 38.7. Courtesy of the U.S. Postal Service.
Page 20: Top: The Rapp Ravine Garden at Newfields.
Page 21: Top: The Katharine B. Sutphin Border Garden at Newfields.
Middle Right: Rendering of Flower and Vegetable Garden courtesy of Rundell Ernstberger Associates.
Bottom Right: The Glick Family Fountain at Newfields.
Bottom Left: Proposed blueprint rendering of the Flower and Vegetable Garden at Newfields. Image courtesy of RAS and Newfields.
Page 26: Top Left: Mexican sunflower (Tithonia rotundifolia).
Middle Bottom: The Gene & Rosemary Tanner Orchard in the Garden at Newfields.
Right: Apple (Malus cultivar).
Page 27: Middle: The Gene & Rosemary Tanner Orchard in the Garden at Newfields.
Page 28: Bottom: Stiff tickseed (Coreopsis palmata) in Wild Birds Unlimited Native Pollinator Meadow in The Virginia B. Fairbanks Art & Nature Park at Newfields.
Page 31: Top: Bertel Thorvaldsen (Dutch, 1770–1844), The Three Graces (Reproduction), stone, 120 × 54 × 34 in. (with base). Indianapolis Museum of Art at Newfields, Gift of the Children of J.K. Lilly, Jr., LH2001.227. Purple foxglove (Digitalis purpurea ‘Dalmatian Peach’).
Page 33: The National Bank of Indianapolis Summer Nights Film Series.
Page 34: Theodor Groll (German, 1857–1913), Washington Street, Indianapolis at Dusk, 1892-1895, oil on canvas, 87-7/8 × 107 × 4 in. (framed). Indianapolis Museum of Art at Newfields, Gift of a Couple of Old Hoosiers, 72.133.
NOTES
1. Mathew P. White et al., “Spending at Least 120 Minutes a Week in Nature Is Associated with Good Health and Wellbeing,” Scientific Reports 9 (2019): 7730. https://doi.org/10.1038/s41598-019-44097-3.
2. Gulyas, Boglarka Z., Samantha J. Caton, and Jill L. Edmondson. “Quantifying the Relationship Between Gardening and Health and Well-Being in the UK: A Survey During the COVID-19 Pandemic.” BMC Public Health 24, no. 1 (2024): 810. https://doi.org/10.1186/s12889-024-18249-8.
3. Chiew Jiat Rosalind Siah et al., “The Effects of Forest Bathing on Psychological Well-Being: A Systematic Review and Meta-Analysis,” International Journal of Mental Health Nursing 32, no. 2 (2023): 444–457, https://doi.org/10.1111/inm.13131.
4. Food and Agriculture Organization of the United Nations. Why Bees Matter: The Importance of Bees and Other Pollinators for Food and Agriculture. Rome: FAO, 2018. https://www.fao.org/3/I9527EN/i9527en.pdf.
5. U.S. Department of Agriculture. “The Importance of Pollinators.” Accessed May 2025. https://www.usda.gov/about-usda/general-information/initiatives-andhighlighted-programs/peoples-garden/importance-pollinators.
6. U.S. Environmental Protection Agency. “Pollinator Protection at EPA.” Last modified November 2024. https://www.epa.gov/greeningepa/pollinatorprotection-epa.
7. Mayo Clinic Staff. “Honey.” Mayo Clinic, July 27, 2022. https://www.mayoclinic. org/drugs-supplements-honey/art-20363819.
8. Medical News Today. “Does Local Honey Help Allergies?” Last modified August 15, 2024. https://www.medicalnewstoday.com/articles/does-local-honey-helpallergies.
9. U.S. Department of Agriculture. “Labeling Organic Products.” Accessed May 2025. https://www.ams.usda.gov/rules-regulations/organic/labeling.
