23740 Post-War to Present

POST-WAR TO PRESENT

N E W YO R K

|

30 SEPTEMBER 2025

PO ST-WAR TO PR ES EN T

AUCTION Tuesday 30 September 2025 Session I at 10am (Lots 101-253) Session II at 2pm (Lots 301-443) 20 ROCKEFELLER PLAZA NEW YORK, NEW YORK 10020

EXHIBITION Thursday 25 September - Monday 29 September 10.00am - 5.00pm Sunday 28 September 1.00pm - 5.00pm

AUCTIONEERS David Kleiweg de Zwaan Diana Bramham William Featherby Rachel Koffsky-Parker Tash Perrin Joey Quigley For further information regarding view dates and times, please visit christies.com or contact: info@christies.com | +1 212 636 2000

AUCTION CODE AND NUMBER To place bids please contact the Bid department +1 212 636 2000 Please note this sale should be referred to as EDIE-23740

ABSENTEE AND TELEPHONE BIDS Tel: +1 212 636 2000 Principal Auctioneer: Adrien Meyer

CON TAC TS HEAD OF SALE Rachel Ng rachelng@christies.com +1 646 830 5465

CATALOGUERS Jack Nelson jacknelson@christies.com +1 646 673 5758 Nicholas Michael nmichael@christies.com +1 917 521 9353 Olivia Sherman osherman@christies.com +1 917 242 8557

SALE COORDINATOR Emily Bivins ebivins@christies.com +1 347 420 3895

FURTHER INFORMATION The sale of each lot is subject to the Conditions of Sale, Important Notices and Explanation of Cataloguing Practice which are set out online, with other important sale information at christies.com. Please see Conditions of Sale at christies.com for full descriptions of symbols used in this publication.

Post-War to Present Session I Tuesday 30 September 2025 10.00am (Lots 101-253)

A CARRIED LANDSCAPE: PROPERTY FROM THE COLLECTION OF CAROL ANN BALASSA

101

JOAN MITCHELL (1925-1992) Pastel

pastel on paper 15º x 11 in. (38.7 x 28 cm.)

Executed in 1991. $80,000-120,000

LEARN MORE PROVENANCE:

Estate of the artist Baumgartner Galleries, Inc., Washington, D.C., 1995 Acquired from the above by the present owner

102

BOB THOMPSON (1936-1966) Bathers

signed, inscribed, titled and dated 'B Thompson '65 N.Y. "Bathers" (Boucher)' (on the reverse) oil on canvas 14¿ x 18 in. (35.8 x 45.7 cm.)

Painted in 1965. $200,000-300,000

LEARN MORE PROVENANCE:

Private collection, Michigan Private collection, Michigan Vanderwoude Tananbaum Gallery, New York Acquired from the above by the present owner, 1990

103

MATTHEW WONG (1984-2019) 5:22 PM

signed and dated in Chinese and titled '5:22 PM' (on the reverse) oil on canvas 20 x 16 in. (50.8 x 40.6 cm.)

Painted in 2018. $400,000-600,000

LEARN MORE PROVENANCE:

Gift of the artist to the present owner

104

YU NISHIMURA (B. 1982) Sister

signed and dated 'Yu Nishimura 2021' (on the reverse) oil on canvas 51¡ x 38¿ in. (130.5 x 96.8 cm.)

Painted in 2021. $50,000-70,000

LEARN MORE PROVENANCE:

KAYOKOYUKI, Tokyo Private collection, Asia Acquired from the above by the present owner

PROPERTY FROM THE COLLECTION OF PHYLLIS AND FRED PRESSMAN

105

LOIS DODD (B. 1927) Studio with door

signed and dated 'Dodd 72' (lower left); signed again and inscribed 'Lois Dodd to Green Mountain Gallery' (on the stretcher) oil on canvas 76¿ x 72 in. (193.4 x 182.9 cm.)

Painted in 1972. $150,000-200,000

LEARN MORE PROVENANCE:

Green Mountain Gallery, New York Acquired from the above by the present owner

PROPERTY FROM A PRIVATE AMERICAN COLLECTOR

106

ALEXANDER CALDER (1898- 1976) Brass Spear

standing mobile—sheet metal, brass, wire and paint 22 x 17Ω x 6 in. (55.9 x 44.5 x 15.2 cm.)

Executed in 1949. $600,000-800,000

LEARN MORE PROVENANCE:

Curt Valentin Gallery, New York Hatfield Galleries, Los Angeles Private collection, Los Angeles, 1950 Earl Stendahl Gallery, Los Angeles Gimpel & Weitzenhoffer Gallery, New York, 1972 Acquired at the above by the present owner, 1975 This work is registered in the archives of the Calder Foundation, New York, under application number A10423.

SOLD TO BENEFIT GUILFORD COLLEGE

107

JOSEF ALBERS (1888-1976) Homage to the Square

incised with the artist's monogram and date 'A62' (lower right) oil on Masonite 16 x 16 in. (40.6 x 40.6 cm.)

Painted in 1962. $200,000-300,000

LEARN MORE PROVENANCE:

Estate of the artist Josef Albers Foundation, Orange, Connecticut, 1976 Lotte Benfey, Greensboro, North Carolina, gift of the above, 1978 Rachel and Theodor Benfey, Greensboro, North Carolina, by descent from the above, 1987 Gift of the above to the present owner, 1996 This work will be included in the Catalogue Raisonné of Paintings by Josef Albers currently being prepared by the Josef and Anni Albers Foundation under number 1976.1.158.

PROPERTY FROM A WASHINGTON, D.C., COLLECTION

108

SAM GILLIAM (1933-2022) Last September II

signed, titled and dated ‘Last September II, 1973 Sam Gilliam’ (on the reverse) acrylic on beveled edge canvas 56¬ x 71º in. (143.8 x 181 cm.)

Painted in 1973. $800,000-1,200,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, circa 1975

109

JOAN SNYDER (B. 1940) Little Sweetie

acrylic, oil and graphite on canvas laid down on panel 21¿ x 25¿ in. (53.7 x 63.8 cm.)

Executed in 1971. $15,000-20,000

LEARN MORE PROVENANCE:

Carl Solway Gallery, Cincinnati Private collection, Cincinnati, 1978 By descent from the above to the present owner

110

TONY SMITH (1912-1980) Louisenberg #4

oil on canvas 39Ω x 55º in. (100.3 x 140.3 cm.)

Painted in 1953-1954. $80,000-120,000

LEARN MORE PROVENANCE:

Private collection, Paris, gift of the artist, 1975 Mitchell-Innes & Nash, New York Acquired from the above by the present owner, 2003

111

YAYOI KUSAMA (B. 1929) Untitled (Hat)

acrylic on sewn, stuffed fabric and straw hat 13 x 30 x 18 in. (33 x 76.2 x 45.7 cm.)

Executed circa 1962. $300,000-500,000

LEARN MORE PROVENANCE:

Private collection Anon. sale; Sotheby's, London, 13 April 2017, lot 13 Private collection, Asia Acquired from the above by the present owner This work is accompanied by a registration card issued by the artist's studio.

112

OLGA DE AMARAL (B. 1932) Paisaje heredado 4

signed, titled and dated 'PAISAJE HEREDADO 4 Olga de Amaral 2002' (on a label affixed to the reverse) linen, gesso, acrylic, Japanese paper and gold leaf 86 x 43 in. (218.4 x 109.2 cm.)

Executed in 2002. $400,000-600,000

LEARN MORE PROVENANCE:

Family of the artist, Medellín Private collection, Gothenburg, circa 2000 This work is registered in the artist's archives with reference number OA1049.

TASTEMAKERS OF THE 20TH CENTURY: LATIN AMERICAN ART FROM AN IMPORTANT PRIVATE COLLECTION

113

FERNANDO BOTERO (1932- 2023) Nude on the Beach

signed and dated 'Botero, 00' (lower right) oil on canvas 44Ω x 63º in. (113 x 160.7 cm.)

Painted in 2000. $500,000-700,000

LEARN MORE PROVENANCE:

Opera Gallery, Hong Kong Private collection, Peru, 2006 Anon. sale; Sotheby's, New York, 28 May 2014, lot 44 Acquired at the above sale by the present owner

114

ALEX KATZ (B. 1927) Christie

oil on linen 90 x 66 in. (228.6 x 167.6 cm.)

Painted in 1988. $700,000-1,000,000

LEARN MORE PROVENANCE:

Marlborough Gallery, New York Private collection, 1989 Acquired from the above by the present owner

115

ALICE NEEL (1900-1984) Dick Bagley's Girlfriend

signed and titled 'DICK BAGLEY'S GIRLFRIEND, ALICE NEEL' (on the stretcher) oil on canvas 30 x 16 in. (76.2 x 40.6 cm.)

Painted in 1946. $300,000-500,000

LEARN MORE PROVENANCE:

Estate of Alice Neel Robert Miller Gallery, New York Victoria Miro, London Acquired from the above by the present owner, 2006

PROPERTY FROM A PRIVATE AMERICAN COLLECTION

116

FERNANDO BOTERO (1932- 2023) Mujer fumando

incised with the artist's signature and number and stamped with the foundry mark 'Botero 1/6' (on the base) bronze 27Ω x 50¡ x 21 in. (70 x 128 x 46 cm.)

Executed in 1989. This work is number one from an edition of six. $500,000-700,000

LEARN MORE PROVENANCE:

Private collection, Johannesburg Anon. sale; Christie's, New York, 16 November 1994, lot 52 Acquired at the above sale by the present owner

117

ERNIE BARNES (1938-2009) 3 on 3

signed 'ERNIE BARNES' (lower right) oil on canvas 48 x 24 in. (121.9 x 61 cm.)

Painted in 1973. $500,000-700,000

LEARN MORE PROVENANCE:

Private collection, California, acquired directly from the artist, 1974 By descent from the above to the present owner This work will be included in the forthcoming Ernie Barnes Catalogue Raisonné. We would like to thank Luz Rodriguez for her assistance in cataloguing this work.

118

SAM GILLIAM (1933-2022) Untitled

signed and dated 'Gilliam '77' (on the reverse) acrylic on unstretched canvas installation dimensions (approximate): 72 x 83 in. (182.9 x 210.8 in.)

Executed in 1977. $80,000-120,000

LEARN MORE PROVENANCE:

Private collection, Santa Cruz, gift of the artist By descent from the above to the present owner

PROPERTY FROM THE DEUTSCHE BANK COLLECTION

119

LEE KRASNER (1908- 1984) The Turning

signed and dated 'Lee Krasner '80' (lower right) oil and paper collage on Howell paper 23º x 34º in. (59 x 87 cm.)

Executed in 1980. $70,000-100,000

LEARN MORE PROVENANCE:

Pace Gallery, New York Acquired from the above by the present owner, 1981 The paper collage elements within the composition are cut-outs of Krasner’s Rose Stone, a lithograph in red ink from 1969 (Landau 532).

120

JACK WHITTEN (1939-2018) Grey Soul

acrylic on unstretched canvas 87º x 113 in. (221.2 x 287 cm.)

Painted in 1969. $300,000-500,000

LEARN MORE PROVENANCE:

Allan Stone Gallery, New York American Broadcasting Company, 1970 Acquired from the above by the present owner

JOIE DE VIVRE: WORKS FROM THE COLLECTION OF VIVIAN FUSILLO

121

JEAN DUBUFFET (1901-1985) Site urbain avec huit personnages

signed with the artist’s initials and dated ‘J.D. déc. 61’ (lower left); titled and dated again 'Site urbain avec 8 personnages 23 décembre 61' (on the reverse) ink on paper 12æ x 15√ in. (32.5 x 40.3 cm.)

Executed in 1961. $50,000-70,000

LEARN MORE PROVENANCE:

Galerie Daniel Cordier, Paris Acquired from the above by the late owner, 1962

JOIE DE VIVRE: WORKS FROM THE COLLECTION OF VIVIAN FUSILLO

122

JOAN MITCHELL (1925-1992) Peinture II

signed 'J. Mitchell' (lower center); signed again, titled and dated ‘JOAN MITCHELL PEINTURE II 1964’ (on the stretcher) oil on canvas 39¿ x 39Ω in. (99.3 x 100.3 cm.)

Painted in 1964. $2,500,000-3,500,000

LEARN MORE PROVENANCE:

Gimpel Fils, London Acquired from the above by the late owner, 1965

JOIE DE VIVRE: WORKS FROM THE COLLECTION OF VIVIAN FUSILLO

123

LARRY RIVERS (1923-2002) Ford Truck Painting

signed and dated 'Rivers '61' (lower right); signed again, titled and dated again ‘’Ford Truck Painting’ Rivers ‘61’ (on the reverse) oil on canvas 48 x 40 in. (121.9 x 101.6 cm.)

Painted in 1961. $40,000-60,000

LEARN MORE PROVENANCE:

Gimpel Fils, London Kasmin Limited, London, 1962 Acquired from the above by the late owner, circa 1962

JOIE DE VIVRE: WORKS FROM THE COLLECTION OF VIVIAN FUSILLO

124

MATTA (1911-2002) Untitled

signed, inscribed indistinctly and dated 'Matta 60' (lower right) oil on paper 19 x 26 in. (48.3 x 66 cm.)

Painted in 1960. $6,000-8,000

LEARN MORE PROVENANCE:

Alexander Iolas, New York Acquired from the above by the late owner This work is accompanied by a certificate of authenticity from the Matta Archives, signed by Alisée Matta, dated 1 September 2025.

JOIE DE VIVRE: WORKS FROM THE COLLECTION OF VIVIAN FUSILLO •

125

ISAMU NOGUCHI (1904-1988)

Untitled, costume design for "King Lear," dir. George Devine paper collage, ink, graphite, watercolor, gold foil and wire mounted on paper 10 x 7√ in. (25.4 x 20 cm.)

Executed in 1955. $800-1,200

LEARN MORE PROVENANCE:

Shakespeare Memorial Library, Birmingham, England Acquired from the above by the late owner This work is registered in the ongoing digital Isamu Noguchi Catalogue Raisonné under number 6162.

126

DAVID HOCKNEY (B. 1937) Henry Resting, Grand Hotel, Calvi

signed with the artist's initials, titled and dated 'Henry resting. Grand Hotel. Calvi.

July 1972 DH.' (lower right) ink on paper 17 x 13æ in. (43.2 x 34.9 cm.)

Drawn in 1972. $40,000-60,000

LEARN MORE PROVENANCE:

Kasmin Limited, London Ashton Hawkins, New York Acquired from the above by the present owner, 2006

PROPERTY FROM AN IMPORTANT AMERICAN COLLECTION

127

CY TWOMBLY (1928-2011) Birth of Venus

signed, inscribed and dated 'Cy Twombly Roma May 1963' (on the reverse) wax crayon and graphite on paper 13 x 13√ in. (33 x 35.2 cm.)

Executed in 1963. $120,000-180,000

LEARN MORE PROVENANCE:

Galerie Ascan Crone, Hamburg Hirschl & Adler Galleries, Inc., New York Anon. sale; Christie's, New York, 10 November 1993, lot 177 Private collection, New York Private collection, Aspen By descent from the above to the present owner

PROPERTY FROM A PRIVATE AMERICAN COLLECTOR

128

SAM FRANCIS (1923-1994) Bridged White

signed with the artist's initials 'SF' (lower edge); signed, titled and dated 'Sam Francis 1959 Bridged White' (on the reverse) watercolor and acrylic on paper 39¡ x 26Ω in. (100 x 67.3 cm.)

Executed in 1959. $150,000-200,000

LEARN MORE PROVENANCE:

Zoe Dusanne Gallery, Seattle, acquired directly from the artist Private collection Anon. sale; Sotheby's Parke-Bernet, Los Angeles, 22 September 1976, lot 415 Acquired at the above sale by the present owner

129

CY TWOMBLY (1928-2011) Untitled

signed and dated '1962 Cy Twombly' (lower center) graphite, wax crayon, colored pencil, watercolor and ballpoint pen on paper 19 Ω x 27 Ω in. (49.5 x 70 cm.)

Executed in 1962. $180,000-250,000

LEARN MORE PROVENANCE:

Galleria La Tartaruga, Rome Galerie Karsten Greve, Cologne Galerie & Edition Stähli, Zürich Anthony Meier Fine Arts, San Francisco Private collection Anon. sale; Phillips, New York, 13 November 2019, lot 116 Private collection, Jersey Anon. sale; Christie’s, New York, 10 November 2023, lot 188 Acquired at the above sale by the present owner

PROPERTY FROM THE COLLECTION OF PHYLLIS AND FRED PRESSMAN

130

ALEXANDER CALDER (1898- 1976) Arched Tail

incised with the artist's monogram and date '68 CA' (on the base) standing mobile—sheet metal, brass, wire and paint 7æ x 11 x 13æ in. (19.7 x 27.9 x 34.9 cm.)

Executed in 1968. $200,000-300,000

LEARN MORE PROVENANCE:

Perls Galleries, New York Waddington Galleries, London, 1973 William Pall Fine Arts, New York Private collection Acquired from the above by the present owner This work is registered in the archives of the Calder Foundation, New York, under application number A15986.

131

FRANZ KLINE (1910-1962) The Dancer

signed twice and dated ‘KLINE Franz Kline 46’ (lower left); signed again with the artist's monogram and dated again 'FK 46' (on the reverse) oil on Masonite 22º x 10º in. (55.5 x 26 cm.)

Painted in 1946. $60,000-80,000

LEARN MORE PROVENANCE:

John Sheehan, New York Dr. and Mrs. Theodore J. Edlich, Jr., New York, 1957 Anon. sale; Christie's, New York, 16 May 1980, lot 37 Acquired at the above sale by the present owner

PROPERTY FROM THE COLLECTION OF MAX AND CECILE DRAIME

132

ADOLPH GOTTLIEB (1903-1974) Untitled

signed 'ADOLPH GOTTLIEB' (lower right) tempera, gouache, India ink, chalk and graphite on paper laid down on canvas 26Ω x 20¿ in. (67.3 x 51.1 cm.)

Executed in 1942-1944. $80,000-120,000

LEARN MORE PROVENANCE:

Solomon & Co. Fine Art, New York Marisa del Re Gallery, New York Private collection, Florida Anon. sale; Christie's, New York, 19 November 1997, lot 235 Acquired at the above sale by Max and Cecile Draime

WEST COAST WONDERS: WORKS FROM THE ESTATE OF MATTHEW HEALEY

133

RICHARD DIEBENKORN (1922-1993) Untitled

signed with the artist's initials and dated 'RD 71' (lower left) gouache and charcoal on paper 29 x 22√ in. (73.7 x 58.1 cm.)

Executed in 1971. $200,000-300,000

LEARN MORE PROVENANCE:

ACA Galleries, New York, 1972 Private collection, Massachusetts Anon. sale; Sotheby's, New York, 5 October 1989, lot 80 Leslie Feely Fine Art, New York Acquired from the above by the present owner, 1989

PROPERTY OF THE HESS ART COLLECTION

134

ROBERT MOTHERWELL (1915- 1991) In Scarlet and Black with Ultramarine Stripe signed and dated 'R Motherwell 29 March 76' (upper right) acrylic, canvas collage and paper collage on canvas mounted on board 72 x 36 in. (182.9 x 91.4 cm.)

Executed in 1976. $150,000-200,000

LEARN MORE PROVENANCE:

M. Knoedler & Co., Zürich Acquired from the above by the present owner, circa 1980

135

ALFONSO OSSORIO (1901-1985) Primrose Path

oil on canvas laid down on panel 39 x 50¿ in. (99.1 x 127.3 cm.)

Painted in 1954. $200,000-300,000

LEARN MORE PROVENANCE:

Betty Parsons Gallery, New York, circa 1954 Alfonso Ossorio and Ted Dragon, New York Michael Rosenfeld Gallery, New York Acquired from the above by the present owner, 2002

136

MILTON RESNICK (1917-2004) Untitled #1

signed and dated 'Resnick 57' (lower right); signed again and dated again 'Resnick 57' (on the stretcher) oil on canvas 50 x 50 in. (127 x 127 cm.)

Painted in 1957. $60,000-80,000

LEARN MORE PROVENANCE:

Private collection, Minnesota, acquired directly from the artist, 1963 Anon. sale; Christie's, New York, 13 November 2001, lot 14 Acquired at the above sale by the present owner

137

ELAINE DE KOONING (1918-1989) Passage Wall (Cave #167)

signed with the artist's initials 'E de K' (lower right) Sumi ink on paper 19√ x 23æ in. (50.5 x 60.3 cm.)

Executed in 1988. $10,000-15,000

LEARN MORE PROVENANCE:

Rose Slivka, East Hampton, gift of the artist, circa 1988 M B Modern, New York Acquired from the above by the present owner, 2000

PROPERTY FROM A PRIVATE AMERICAN COLLECTOR

138

ADOLPH GOTTLIEB (1903-1974) Four Discs

signed and dated 'Adolph Gottlieb 1969' (on the reverse) oil and acrylic on canvas 48 x 72 in. (121.9 x 182.9 cm.)

Painted in 1969. $350,000-550,000

LEARN MORE PROVENANCE:

The artist Esther Gottlieb, New York Adolph and Esther Gottlieb Foundation, New York Manny Silverman Gallery, Los Angeles, 1988 Acquired from the above by the present owner, 1990

PROPERTY OF THE HESS ART COLLECTION

139

ROBERT MOTHERWELL (1915- 1991) The Iron Flute

signed and dated 'Motherwell 10 March 76' (upper left) acrylic, canvas collage, paper collage and graphite on canvas mounted on board 72 x 24 in. (182.9 x 61 cm.)

Executed in 1976. $120,000-180,000

LEARN MORE PROVENANCE:

M. Knoedler & Co., Zürich Acquired from the above by the present owner, 1982

THE COLLECTION OF NORMAN & LYN LEAR

140

KENNETH NOLAND (1924-2010) Indian Wind

signed and titled '"INDIAN WIND" Kenneth Noland' (on the reverse) acrylic on canvas 72 x 70Ω in. (182.9 x 178.1 cm.)

Painted in 1961. $700,000-1,000,000

LEARN MORE PROVENANCE:

André Emmerich Gallery, New York Waddington Galleries, London, 1961 Acquired from the above by the present owner, 1985

141

KENNETH NOLAND (1924-2010) Someday or Now

signed, titled and dated '"SOMEDAY OR NOW." Kenneth Noland 1970' (on the reverse) acrylic on canvas 65º x 156Ω in. (165.7 x 397.5 cm.)

Painted in 1970. $200,000-300,000

LEARN MORE PROVENANCE:

Waddington Galleries, London Private collection Anon. sale; Sotheby's, New York, 5 May 1987, lot 138 Acquired at the above sale by the present owner

FRANK STELLA: WORKS FROM THE ARTIST'S ESTATE

142

FRANK STELLA (1936-2024) Basra Gate I

titled twice 'BASRA gATE I BASRA gATE I' (on the stretcher) acrylic and fluorescent polymer paint on shaped canvas 120 x 240 in. (304.8 x 609.6 cm.)

Painted in 1968. $600,000-800,000

LEARN MORE PROVENANCE:

Collection of the artist

WORKS FROM THE COLLECTION OF SIR ANTHONY CARO

143

KENNETH NOLAND (1924-2010) Untitled

signed and dated 'Kenneth Noland 1974' (on the reverse) acrylic on canvas 97¬ x 97¬ in. (248 x 248 cm.)

Painted in 1974. $120,000-180,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, circa 1974

WORKS FROM THE COLLECTION OF SIR ANTHONY CARO

144

JULES OLITSKI (1922-2007) Lament of Absalom - 9

signed, titled and dated '1973 Jules Olitski "Lament of Absalom - 9"' (on the reverse) acrylic on canvas 69 x 34 in. (175.3 x 86.4 cm.)

Painted in 1973. $20,000-30,000

LEARN MORE PROVENANCE:

Gift of the artist to the present owner, 1973

WORKS FROM THE COLLECTION OF SIR ANTHONY CARO

145

KENNETH NOLAND (1924-2010) Visit

signed, titled and dated '"VISIT" Kenneth Noland 1975 MAY 10' (on the reverse) acrylic on shaped canvas 93¬ x 41æ in. (238 x 106 cm.)

Painted in 1975. $70,000-100,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, circa 1975

WORKS FROM THE COLLECTION OF SIR ANTHONY CARO

146

LARRY POONS (B. 1937) Oyama

signed and dated 'LAWRENCE POONS 1986' (on the reverse) acrylic, paper, plastic and sponge on canvas 94Ω x 101 x 5Ω in. (240 x 256.5 x 14 cm.)

Executed in 1986. $40,000-60,000

LEARN MORE PROVENANCE:

André Emmerich Gallery, New York Acquired from the above by the present owner, 1986

FRANK STELLA: WORKS FROM THE ARTIST'S ESTATE

147

FRANK STELLA (1936-2024) Chodorów IV

signed, signed with the artist's initials, titled twice and dated 'FS CHODORÓW IV CHODORÓW IV 1971 F. Stella' (on the reverse) acrylic, fabric, felt and corrugated cardboard mounted on shaped panel construction 99 x 120 x 4 in. (251.5 x 304.8 x 10.2 cm.)

Executed in 1971. $300,000-500,000

LEARN MORE PROVENANCE:

Collection of the artist

148

SAM GILLIAM (1933-2022) Untitled

signed, inscribed and dated 'Sam Gilliam '71 Albert P.' (on the reverse) acrylic on beveled edge canvas 32 x 35√ in. (81.3 x 91.1 cm.)

Painted in 1971. $70,000-100,000

LEARN MORE PROVENANCE:

Private collection, Santa Cruz, gift of the artist By descent from the above to the present owner The triangular patch at lower center is a function of an artist's repair completed circa 1975, vestiges of which are visible from the reverse.

149

FERNANDO BOTERO (1932- 2023) Naturaleza muerta

signed, dedicated and dated 'A KOKE, Botero - 63' (lower left) oil on canvas 17√ x 17 in. (45.4 x 43.2 cm.)

Painted in 1963. $50,000-70,000

LEARN MORE PROVENANCE:

Private collection, New York Anon. sale; Christie's, New York, 11 January 2005, lot 109 Private collection, New York Private collection, New York Anon. sale; Christie's, New York, 16 Nov 2011, lot 128 Acquired at the above sale by the present owner

150

ROY LICHTENSTEIN (1923-1997) Yellow Apple (Study)

signed and dated 'rf Lichtenstein '80' (on the reverse) tape, painted paper collage and graphite on paperboard 29º x 21√ in. (74.3 x 55.6 cm) Executed in 1980. $180,000-250,000

LEARN MORE PROVENANCE:

Kenneth and Joan Goldglit, New York, gift of the artist Goldglit Family Collection, 2005, by descent from the above Their sale; Christie's, New York, 14 November 2007, lot 113 Mitchell-Innes & Nash, New York Anon. sale; Christie's, New York, 16 May 2013, lot 152 Private collection, Asia By descent from the above to the present owner

151

ANDY WARHOL (1928-1987) The Last Supper

stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc. stamps and numbered 'VF 40.025' (on the reverse) silkscreen ink and colored paper collage on paper 23¬ x 32 in. (60 x 81.3 cm.)

Executed in 1986. $200,000-300,000

LEARN MORE PROVENANCE:

Estate of Andy Warhol, New York The Andy Warhol Foundation for the Visual Arts, Inc., New York Acquired from the above by the present owner, 1994

152

ANDY WARHOL (1928-1987) Flowers

signed indistinctly 'Andy Warhol' (on the overlap) acrylic and silkscreen ink on canvas 14 x 14 in. (35.6 x 35.6 cm.)

Executed in 1964. $150,000-200,000

LEARN MORE PROVENANCE:

Leon and Robyn Supraner, New York, circa 1964 Private collection, New York, by descent from the above Anon. sale; Christie's, New York, 8 March 2021, lot 49 Private collection, Switzerland Acquired from the above by the present owner

153

TOM WESSELMANN (1931-2004) Still Life with Fruit, Petunias and Claire

signed twice, titled and dated twice 'WESSELMANN 1986, STILL LIFE WITH FRUIT, PETUNIAS AND CLAIRE Wesselmann 86' (on the reverse) enamel on cut-out aluminum 79Ω x 87Ω in. (201.9 x 222.2 cm.)

Executed in 1986. $120,000-180,000

LEARN MORE PROVENANCE:

Sidney Janis Gallery, New York Galerie Tokoro, Tokyo Anon. sale; Sotheby's, New York, 18 November 1999, lot 299 Private collection, Athens Anon. sale; Christie's, New York, 10 May 2006, lot 267 Acquired at the above sale by the present owner This work is included in the Tom Wesselmen Digital Catalogue Raisonné Project published by the Wildenstein Plattner Institute under number number TWL6HY.

154

ANDY WARHOL (1928-1987) Jean-Paul Barbier-Mueller

stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc. stamps and numbered 'VF P050.166' (on the reverse); numbered again thrice 'P050.166 P050.166 P050.166' (on the stretcher) acrylic, silkscreen ink and diamond dust on canvas 40 x 40 in. (101.6 x 101.6 cm.)

Executed in 1980. $200,000-300,000

LEARN MORE PROVENANCE:

Estate of Andy Warhol, New York The Andy Warhol Foundation for the Visual Arts, Inc., New York Acquired from the above by the present owner

155

ANDY WARHOL (1928-1987) Self-portrait

stamped with the artist's signature 'Andy Warhol' (upper left); numbered 'A1191.105' (on the reverse) silkscreen ink on vinyl 11 x 8Ω in. (27.9 x 21.6 cm.)

Executed in 1967. $80,000-120,000

LEARN MORE PROVENANCE:

Billy Name, New York, gift of the artist Acquired from the above by the present owner, circa 1994

ART IS ART: WORKS FROM THE PERSONAL COLLECTION OF WENDY AL AND BILLY AL BENGSTON

156

KEN PRICE (1935-2012) Specimen 4/G2606.07

signed, titled and dated 'SPECIMEN 4/G2606.07 PRICE '66' (on a paper label affixed to the reverse) Liquitex on shaped paperboard construction 4 x 4 x 1Ω in. (10.2 x 10.2 x 3.8 cm.)

Executed in 1966. $4,000-6,000

LEARN MORE PROVENANCE:

Gift of the artist to the present owner, circa 1966

ART IS ART: WORKS FROM THE PERSONAL COLLECTION OF WENDY AL AND BILLY AL BENGSTON

157

KEN PRICE (1935-2012) Lick

acrylic on fired clay 9Ω x 11Ω x 11Ω in. (24.1 x 29.2 x 29.2 cm.)

Executed in 2000. $60,000-80,000

LEARN MORE PROVENANCE:

Gift of the artist to the present owner, circa 2008

ART IS ART: WORKS FROM THE PERSONAL COLLECTION OF WENDY AL AND BILLY AL BENGSTON

158

LARRY BELL (B. 1939) For B.A.B.

nickel chrome-coated Flint glass with black chromium-plated polished brass banding 4¿ x 4¿ x 4¿ in. (10.5 x 10.5 x 10.5 cm.)

Executed in 1966. $15,000-20,000

LEARN MORE PROVENANCE:

Gift of the artist to the present owner, 1966

ART IS ART: WORKS FROM THE PERSONAL COLLECTION OF WENDY AL AND BILLY AL BENGSTON

159

ED RUSCHA (B. 1937)

News (recto); Compass Study (verso) signed and dated 'Ed Ruscha 1991' (lower right) graphite on paper 12 x 9 in. (30.5 x 22.9 cm.)

Drawn in 1991. $40,000-60,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

Present lot illustrated (verso).

ART IS ART: WORKS FROM THE PERSONAL COLLECTION OF WENDY AL AND BILLY AL BENGSTON

160

ED RUSCHA (B. 1937) Black Sex #1

signed, titled and dated '"BLACK SEX #1" Edward Ruscha 1979' (on the reverse) pastel on paper 23¿ x 29¿ in. (58.7 x 74 cm.)

Executed in 1979. $180,000-250,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

ART IS ART: WORKS FROM THE PERSONAL COLLECTION OF WENDY AL AND BILLY AL BENGSTON

161

ED MOSES (1926-2018) Der-Back

signed, inscribed, titled and dated 'DER-BACK PAN #2 Y BRANCO 02' (on the overlap) acrylic on canvas 66 x 54 in. (167.6 x 137.2 cm.)

Painted in 2002. $7,000-10,000

LEARN MORE PROVENANCE:

Gift of the artist to the present owner, 2004

ART IS ART: WORKS FROM THE PERSONAL COLLECTION OF WENDY AL AND BILLY AL BENGSTON

162

H. C. WESTERMANN (1922-1981) Billy Al 67X

stamped with the artist's name, inscription and date 'H. C. WESTERMANN CONN 1970' (right side); stamped with the title and dedication 'BILLY AL 67 X FROM CLIFF' (left side); sugar pine, vermillion and brass open: 10 x 13æ x 20¿ in. (25.4 x 34.9 x 51.1 cm.) closed: 12Ω x 13æ x 9√ in. (31.8 x 34.9 x 25.1 cm.)

Executed in 1970. $10,000-15,000

LEARN MORE PROVENANCE:

Gift of the artist to the present owner, circa 1970

Present lot illustrated (detail).

ART IS ART: WORKS FROM THE PERSONAL COLLECTION OF WENDY AL AND BILLY AL BENGSTON

163

JOHN MCCRACKEN (1934-2011) Yellow Wood Plank

stamped with the artist's name and date 'JOHN MCCRACKEN 1970' (upper right side edge) epoxy on pine 97 x 25 x 3¿ in. (246.4 x 63.5 x 7.9 cm.)

Executed circa 1970. $70,000-100,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

ART IS ART: WORKS FROM THE PERSONAL COLLECTION OF WENDY AL AND BILLY AL BENGSTON

164

PETER ALEXANDER (1939-2020) Peach Pyramid

cast polyester resin 13Ω x 13Ω x 7æ in. (34.3 x 34.3 x 19.7 cm.)

Executed in 1967. $25,000-35,000

LEARN MORE PROVENANCE:

Gift of the artist to the present owner, 1992

165

LOUISE BOURGEOIS (1911-2010) Molotov Cocktail

stamped with the artist's initials, number, date and foundry mark 'L.B. 3/6 07' (side edge) bronze 4Ω x 8Ω x 6 in. (11.4 x 21.6 x 15.2 cm.)

Conceived in 1968 and cast in 2007. This work is number three from an edition of six plus one artist's proof. $70,000-100,000

LEARN MORE PROVENANCE:

Cheim & Read, New York Acquired from the above by the present owner, 2008

166

HANNAH WILKE (1940-1993) Draw/Provoke/Attract/Gain

signed with the artist's initials, inscribed and dated 'SO HELP ME HANNAH - SNATCH SHOTS WITH RAY-GUNS COLLECTED AS GIFTS FOR CLAES OLDENBURG FROM 1969 TO 1978. AN INSTALLATION CONCURRENTLY SHOWN AT PS1 AND THE WHITNEY MUSEUM IN OCTOBER 1978. HW. 1969-1981.' (lower edge) gelatin silver prints, found metal objects, vinyl and graphite on paperboard construction with wood 52¿ x 50 in. (132.4 x 127 cm.)

Executed in 1969-1981. $250,000-350,000

LEARN MORE PROVENANCE:

Ronald Feldman Fine Arts Inc., New York Acquired from the above by the present owner, 1989

PROPERTY OF A PRIVATE COLLECTOR

167

BEATRIZ GONZÁLEZ (B. 1938) Desplazamiento anverso y reverso

signed and dated 'B. González 17' (lower right of each side) silkscreen on lacquered wood folding screen (double-sided) installation dimensions variable overall: 64æ x 52¬ x 7/8 in. (161.9 x 133.7 x 2.2 cm.) each panel: 64æ x 17Ω x 7/8 in. (161.9 x 44.5 x 2.2 cm.)

Executed in 2017. This work is unique. $120,000-180,000

LEARN MORE PROVENANCE:

Galerie Peter Kilchmann, Zürich Acquired from the above by the present owner

Present lot illustrated (detail).

168

ANA MENDIETA (1948-1985) Untitled (Silueta Series, Mexico)

stamped with the artist's signature and signed by the Administratix of the Estate 'Raquel Mendieta Harrington' (on the reverse) chromogenic print image: 20 x 13º in. (50.8 x 33.7 cm.) sheet: 20 x 16 in. (50.8 x 40.6 cm.)

Conceived in 1977 and printed by the Estate in 1991. This work is number sixteen from an edition of twenty. $10,000-15,000

LEARN MORE PROVENANCE:

Kanransha Gallery, Tokyo Acquired from the above by the present owner, 1992

169

LOUISE BOURGEOIS (1911-2010) Give or Take (How do you feel this morning?)

incised with the artist's initials and date 'LB. 90' (on the underside); stamped with the number '21/40' (lower edge) bronze with brown and gold patina 4¬ x 9¿ x 6 in. (11.7 x 23.2 x 15.2 cm.)

Executed in 1990. This work is number twenty-one from an edition of forty, plus thirteen artist's proofs, made to benefit the New Museum of Contemporary Art, New York. $20,000-30,000

LEARN MORE PROVENANCE:

Nanette Laitman, New York Her estate sale; Bonham's, New York, 21 July 2022, lot 5 Acquired at the above sale by the present owner

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°170

HÉRCULES BARSOTTI (1914-2010) Projecto IV

titled 'Projecto IV' (on the frame backing) ink on paper laid down on paperboard sheet: 4º x 4º in. (10.8 x 10.8 cm.) paperboard: 8Ω x 8Ω in. (21.6 x 21.6 cm.) $12,000-18,000

LEARN MORE PROVENANCE:

DAN Galeria, São Paulo Acquired from the above by the present owner, 2008

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°171

WILLYS DE CASTRO (1923-1988) & HÉRCULES BARSOTTI (1914-2010) Composição amarela com círculo preto

signed and inscribed 'Projecto original de Willys de Castro H. Barsotti' (on the backing board); signed again 'Willys de Castro' (on the frame backing) gouache on graph paper mounted on board 4Ω x 4º in. (11.4 x 11.4 cm.) $10,000-15,000

LEARN MORE PROVENANCE:

Private collection, São Paulo DAN Galeria, São Paulo Acquired from the above by the present owner, 2008

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°172

HÉRCULES BARSOTTI (1914-2010) Projecto V

signed 'H Barsotti' (on the reverse); titled 'Projecto V' (on the frame backing) ink on paper laid down on paperboard sheet: 3√ x 3√ in. (9.9 x 9.9 cm.) paperboard: 8¿ x 8¿ in. (20.6 x 20.6 cm.) $12,000-18,000

LEARN MORE PROVENANCE:

DAN Galeria, São Paulo Acquired from the above by the present owner, 2008

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°173

CARMELO ARDEN QUIN (1913- 2010) Lignes Noires 2 (Forme Galbée)

signed, inscribed, titled and dated 'Arden Quin LIGNES NOIRES 2 (FORME GALBÉE) 1952 Paris' (on the reverse) oil on wood 19º x 10√ x 1√ in. (48.9 x 27.6 x 4.8 cm.)

Painted in 1952. $40,000-60,000

LEARN MORE PROVENANCE:

Private collection, acquired directly from the artist Anon. sale; Sotheby's, New York, 21 November 2007, lot 205 Acquired at the above sale by the present owner This work is accompanied by a certificate of authenticity from the Estate of Carmelo Arden Quin, signed by Maria H. De Sagastizabal, dated 22 July 2025.

Present lot illustrated (alternate view).

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°174

MIRA SCHENDEL (1919-1988) Untitled

pastel, ink and watercolor on paper 24 x 17 in. (61 x 43.2 cm.)

Executed in 1966. $15,000-20,000

LEARN MORE PROVENANCE:

Galeria Nara Roesler, São Paulo Acquired from the above by the present owner, 2010

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°175

MIRA SCHENDEL (1919-1988) Untitled

pastel, ink and watercolor on paper 23¿ x 17¡ in. (58.7 x 44.1 cm.)

Executed in 1966. $15,000-20,000

LEARN MORE PROVENANCE:

Galeria Nara Roesler, São Paulo Acquired from the above by the present owner, 2010

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°176

LEÓN FERRARI (1920-2013) Untitled

signed and dated 'león ferrari 11/10/76' (lower right) ink on paper 19æ x 13æ in. (50.2 x 34.9 cm.)

Executed in 1976. $5,000-7,000

LEARN MORE PROVENANCE:

Galeria Leme, São Paulo Thomas Dane Gallery, London Acquired from the above by the present owner, 2008

177

EMMA REYES (1919-2003) Monte Calvario

signed and dated 'EMMA REYES. 59' (lower right) oil on canvas 31Ω x 55º in. (80 x 140.3 cm.)

Painted in 1959. $60,000-80,000

LEARN MORE PROVENANCE:

Galleria Schneider, Rome Private collection, Rome By descent from the above to the present owner

178

TOMÁS SÁNCHEZ (B. 1948) La ascensión de la niebla

signed and dated 'Tomás Sánchez 90' (lower right) acrylic on paper laid down on panel 22 x 29¬ in. (55.9 x 75.3 cm.)

Painted in 1990. $40,000-60,000

LEARN MORE PROVENANCE:

Bernheim Gallery, Panama Acquired from the above by the present owner, circa 2000 This work is accompanied by a certificate of authenticity signed by the artist and dated 9 June 2020.

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

179

JANE FREILICHER (1924- 2014) Potato Truck

signed 'Jane Freilicher' (lower right) oil on canvas 68 x 79æ in. (172.7 x 202.6 cm.)

Painted in 1974. $60,000-80,000

LEARN MORE PROVENANCE:

Fischbach Gallery, New York AT&T Corporate Collection, New York Alexandre Fine Art, Inc., New York Acquired from the above by the present owner, 2004

180

ERNIE BARNES (1938-2009) Four Women in Red

signed 'ERNIE BARNES' (lower right) acrylic on canvas 48 x 60 in. (121.9 x 152.4 cm.)

Painted in 1989. $300,000-500,000

LEARN MORE PROVENANCE:

Private collection, acquired directly from the artist By descent from the above to the present owner This work will be included in the forthcoming Ernie Barnes Catalogue Raisonné. We would like to thank Luz Rodriguez for her assistance in cataloguing this work.

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

181

PHILIP PEARLSTEIN (1924- 2022)

Model on Cast Iron Bed with Weathervane Airplane, #1 signed and dated 'PEARLSTEIN 04' (lower left) oil on canvas 36 x 72 in. (91.4 x 182.9 cm.)

Painted in 2004. $30,000-50,000

LEARN MORE PROVENANCE:

Betty Cunningham Gallery, New York Acquired from the above by the present owner, 2006

182

ROBERT BECHTLE (1932- 2020) Jetta

signed with the artist's initials and dated 'RB03' (lower right); signed twice, titled and dated again 'Robert Bechtle c. 2003 ROBERT BECHTLE "JETTA"' (on the reverse) oil on canvas 36¿ x 66¿ in. (91.8 x 168 cm.)

Painted in 2003. $120,000-180,000

LEARN MORE PROVENANCE:

Randy and Arlene Brooks, Honolulu OK Harris, New York Plus One Gallery, London Acquired from the above by the present owner, 2018

183

RALPH GOINGS (1928- 2016) Sabrett

signed and dated 'Goings 2002' (lower right); signed again, titled and dated again '"SABRETT" RALPH Goings 2002' (on the strainer); signed thrice 'RALPH Goings' (on the reverse) oil on canvas 28 x 40Ω in. (71.1 x 102.9 cm.)

Painted in 2002. $80,000-120,000

LEARN MORE PROVENANCE:

OK Harris Gallery, New York Louis K. Meisel Gallery, New York Jonathan Novak Contemporary Art, Los Angeles Plus One Gallery, London Acquired from the above by the present owner, 2018

SOLD TO BENEFIT GUILFORD COLLEGE

184

ROBERT BECHTLE (1932- 2020) French Doors I

oil on two joined canvases 72¿ x 72¿ in. (183.2 x 183.2 cm.)

Painted in 1965. $150,000-250,000

LEARN MORE PROVENANCE:

Berkeley Gallery, California Rachel and Allen Weller, Urbana, Illinois, 1967 Gift of the above to the present owner, 1989

PROPERTY FROM THE COLLECTION OF DREW GOINGS

185

RALPH GOINGS (1928- 2016) Ketchup

signed and dated 'R Goings 2008' (on the reverse) oil on canvas 7 x 4√ in. (17.8 x 13.4 cm.)

Painted in 2008. $10,000-15,000

LEARN MORE PROVENANCE:

By descent from the artist to the present owner

PROPERTY FROM THE COLLECTION OF DREW GOINGS

186

RALPH GOINGS (1928- 2016) Salt

signed and dated 'Goings 94' (lower right); signed again and titled '"SALT" RALPH Goings' (on the frame backing) watercolor on foamcore image: 6 x 4 in. (15.2 x 10.2 cm.) foamcore: 10 x 8 in. (25.4 x 20.3 cm.)

Executed in 1994. $3,000-5,000

LEARN MORE PROVENANCE:

By descent from the artist to the present owner

PROPERTY FROM THE GOINGS FAMILY ESTATE

187

RALPH GOINGS (1928- 2016) Cube Steak Waitress

signed and dated 'R. Goings '83' (lower right) watercolor and graphite on paper image: 13 x 13 in. (33 x 33 cm.) sheet: 14æ x 17 in. (37.5 x 43.2 cm.)

Executed in 1983. $10,000-15,000

LEARN MORE PROVENANCE:

By descent from the artist to the present owner

PROPERTY FROM THE GOINGS FAMILY ESTATE

188

RALPH GOINGS (1928- 2016) Window Service; Fresh Pot; Waitress Study [Three works] (i) Window Service signed with the artist's initials and dated 'RG 2002' (lower right) charcoal on paper 17¿ x 13√ in. (43.5 x 35.2 cm.)

Drawn in 2002. (ii) Fresh Pot signed with the artist's initials 'RG' (lower right) graphite on paper 17¿ x 13√ in. (43.5 x 35.2 cm.)

Drawn in 2002. (iii) Waitress Study signed with the artist's initials 'RG' (lower right) graphite on paper 17¿ x 13√ in. (43.5 x 35.2 cm.)

Drawn in 2002. $7,000-10,000

LEARN MORE PROVENANCE:

By descent from the artist to the present owner

189

GEORGE SEGAL (1924-2000) Woman on Blue Bus Seat (NYC Map) plaster, plastic bus seat, metal and paper map 80æ x 54 x 36 in. (205.1 x 137.2 x 91.4 cm.)

Executed in 1997-1999. This work is unique. $200,000-300,000

LEARN MORE PROVENANCE:

Sidney Janis Gallery, New York Galerie Marwan Hoss, Paris Acquired from the above by the present owner, 2006 This work will be included in the artist’s forthcoming Catalogue Raisonné, currently being prepared by the George & Helen Segal Foundation, registered under CR0481.

190

WILLEM DE KOONING (1904-1997) Untitled

oil, charcoal and newspaper collage on vellum (double-sided) 23æ x 18æ in. (60.3 x 47.6 cm.)

Executed circa 1960s. $80,000-120,000

LEARN MORE PROVENANCE:

Dr. Henry Vogel, New York, gift of the artist His estate sale; Christie's, New York, 17 October 2017, lot 6 Acquired at the above sale by the present owner

Present lot illustrated (verso).

191

CECILIA VICUÑA (B. 1948) The Benefits of Poetry signed with the artist's initials and dated 'CVi 73' (lower left) oil on canvas 24æ x 24 in. (60.3 x 61 cm.)

Painted in 1973. $80,000-120,000

LEARN MORE PROVENANCE:

Private collection, Santiago, acquired directly from the artist, 1974 Private collection, Santiago, gift from the above Acquired from the above by the present owner This work is accompanied by a poem written by the artist and dated February 1973.

Present lot illustrated (poem).

192

MATTA (1911-2002) Untitled

signed 'MATTA' (lower right) oil on canvas 23¬ x 24Ω in. (60 x 62.2 cm.)

Painted in 1963. $30,000-50,000

LEARN MORE PROVENANCE:

Beaussant-Lefevre Collection, Paris Simone Collinet-Breton, Paris Philippe Dumenil, Paris Galería J&M, Caracas Acquired from the above by the present owner, 2001 This work is accompanied by a certificate of authenticity from the Matta Archives, signed by Germana Ferrari Matta, dated 7 April 2001.

PROPERTY FROM THE COLLECTION OF MAX AND CECILE DRAIME

193

WILLIAM BAZIOTES (1912-1963) White Animals

signed 'Baziotes' (lower right); signed again, titled and dated 'WHITE ANIMALS William Baziotes 1947' (on the reverse) oil on canvas 36 x 42 in. (91.4 x 106.7 cm.)

Painted in 1947. $80,000-120,000

LEARN MORE PROVENANCE:

Kootz Gallery, New York Robert Elkon Gallery, New York Private collection Anon. sale; Christie's, New York, 8 May 1997, lot 115 Acquired at the above sale by Max and Cecile Draime This work will be included in the forthcoming catalogue raisonné being prepared by Michael Preble.

PROPERTY FROM A DISTINGUISHED COLLECTION

194

ADOLPH GOTTLIEB (1903-1974) White Halo

signed, inscribed and dated 'Adolph Gottlieb 1970 3' (lower left); stamped with the Adolph & Esther Gottlieb Foundation, Inc. and Estate of Adolph Gottlieb stamps (on the reverse) oil on paper 24 x 18√ in. (61 x 47.9 cm.)

Painted in 1970. $60,000-80,000

LEARN MORE PROVENANCE:

Estate of the artist Esther Gottlieb, New York Adolph & Esther Gottlieb Foundation, Inc., New York Private collection, Los Angeles Anon. sale; Christie's, New York, 15 November 1995, lot 160 Acquired at the above sale by the present owner

195

JOEL SHAPIRO (1941-2025) Untitled

incised with the artist's signature and stamped with the number and date 'SHAPIRO 6/6 90-91' (on the underside of the larger element) bronze with dark patina, in two parts overall: 8Ω x 16Ω x 11Ω in. (21.6 x 41.9 x 29.2 cm.) larger element: 8æ x 11Ω x 7Ω in. (22.2 x 29.2 x 19.1 cm.) smaller element: 7 x 10 x 6Ω in. (17.8 x 25.4 x 16.5 cm.)

Executed in 1990-1991. This work is number six from an edition of six plus one artist's proof. $30,000-50,000

LEARN MORE PROVENANCE:

PaceWildenstein, New York Acquired from the above by the present owner, 2004

196

FRANZ KLINE (1910-1962) Untitled (Study for Sabro III) signed 'KLINE' (lower right) oil on paper 11 x 8Ω in. (27.9 x 21.6 cm.)

Painted circa 1957. $80,000-120,000

LEARN MORE PROVENANCE:

The Pace Gallery, Boston Mr. and Mrs. David G. Stone, Brookline, Massachusetts Mitchell-Innes & Nash, New York Acquired from the above by the present owner The present lot is a study for Sabro III, 1960, which was formerly in the Robert B. and Beatrice C. Mayer Family Collection.

197

JOHN GRAHAM (1881-1961) Sea Hallucinations

signed and dated 'Graham XLII' (lower right) gouache on paper 18æ x 24æ in. (47.6 x 62.9 cm.)

Executed in 1942. $8,000-12,000

LEARN MORE PROVENANCE:

André Emmerich Gallery, New York Acquired from the above by the present owner, 1985

198

RICHARD POUSETTE-DART (1916-1992) Palm Sight

signed and dated 'R Pousette Dart 91' (on the reverse) acrylic on linen diameter: 72 in. (182.9 cm.)

Painted in 1991. $100,000-150,000

LEARN MORE PROVENANCE:

Estate of the artist Jason McCoy Gallery, New York Acquired from the above by the present owner, 2017

PROPERTY FROM A PRIVATE FAMILY COLLECTION

199

HOWARD HODGKIN (1932-2017) Poster design for Ballet Rambert

signed with the artist's initials and dated 'HH 1982' (lower center) mixed media and paper collage on board 23Ω x 21Ω in. (59.7 x 54.6 cm.)

Executed in 1982. $40,000-60,000

LEARN MORE PROVENANCE:

Helene Wasserman Fine Art, New York Acquired from the above by the present owner, 1994 The present work will be included in the forthcoming catalogue raisonné of the artist's prints and unique works on paper being compiled by Guy Robertson, in collaboration with the Estate of Howard Hodgkin. Owners of works by Howard Hodgkin are invited to contact Guy Robertson at admin@howard-hodgkin.com to ensure their inclusion in the publication.

PROPERTY FROM A PRIVATE CANADIAN COLLECTION

200

ARNALDO POMODORO (1926- 2025) Omaggio al cosmonauta n. 2

titled and inscribed indistinctly '"OMAGGIO AL COSMONAUTA" bozzetto' (on the reverse) bronze overall: 36æ x 32 x 7º in. (93.3 x 81.3 x 18.4 cm.) sculpture: 32Ω x 32 x 7º in. (82.6 x 81.3 x 18.4 cm.)

Executed in 1962. This work is from an unnumbered edition of two plus one artist's proof. $40,000-60,000

LEARN MORE PROVENANCE:

Marlborough Galleria d'Arte, Rome Acquired from the above by the present owner, 1964

PROPERTY FROM THE COLLECTION OF MAX AND CECILE DRAIME

■201

MANOLO VALDÉS (B. 1942) Reina Mariana

incised with the artist's signature and number 'M. VALDÉS 2/4' (lower edge of the reverse) bronze 67 x 47¬ x 36¬ in. (170.2 x 116.8 x 76.2 cm.)

Executed in 1992. This work is number two from and edition of four. $180,000-250,000

LEARN MORE PROVENANCE:

Marlborough Gallery, New York Acquired from the above by Max and Cecile Draime, 1993

PROPERTY FROM THE COLLECTION OF MAX AND CECILE DRAIME

202

MANOLO VALDÉS (B. 1942) Retrato de Dorothy II

signed, inscribed, titled and dated twice 'Retrato de Dorothy II 2000 MVALDES NY 2000' (on the reverse) oil and burlap collage on canvas, in artist-appointed frame 94 x 79 in. (238.8 x 200.7 cm.)

Executed in 2000. $150,000-250,000

LEARN MORE PROVENANCE:

Marlborough Gallery, New York Acquired from the above by Max and Cecile Draime, 2001

PROPERTY FROM THE COLLECTION OF PHYLLIS AND FRED PRESSMAN

203

KAREL APPEL (1921-2006) L'Oiseau blanc

signed 'appel' (lower right) oil on canvas 45Ω x 34æ in. (115.6 x 88.3 cm.)

Painted in 1966. $70,000-90,000

LEARN MORE PROVENANCE:

Galerie Ariel, Paris Private collection Acquired from the above by the present owner

PROPERTY FROM AN IMPORTANT AMERICAN COLLECTION

204

JEAN DUBUFFET (1901-1985) Polymorphie XIII

signed with the artist's initials and dated 'J.D. 71' (lower right) felt-tip pen on paper collage mounted on board 16Ω x 35¡ in. (41.9 x 89.9 cm.)

Executed in 1971. $60,000-80,000

LEARN MORE PROVENANCE:

Galerie Jeanne Bucher, Paris Mr. and Mrs. Claude Renard, Paris, 1971 Private collection, Aspen By descent from the above by the present owner

205

CARLA ACCARDI (1924-2014) Riquadro nero

signed, titled and dated 'C. Accardi - "Riquadro nero" - 2005' (on the overlap) vinyl paint on canvas 46æ x 63 in. (118.7 x 160 cm.)

Painted in 2005. $50,000-70,000

LEARN MORE PROVENANCE:

The artist Galerie Greta Meert, Brussels MASSIMODECARLO, Milan Acquired from the above by the present owner This work is registered as number 861A under the Accardi Archive, Rome.

206

KAREL APPEL (1921-2006) Vogelbeesten

signed and dated 'CK. Appel '50' (lower right) gouache, watercolor and graphite on paper 19Ω x 25¬ in. (49.5 x 65 cm.)

Executed in 1950. $15,000-25,000

LEARN MORE PROVENANCE:

Private collection, Europe, acquired directly from the artist, 1958 Private collection, by descent from the above Anon. sale; Sotheby's, London, 9 March 2017, lot 176 Acquired at the above sale by the present owner

PROPERTY FROM AN IMPORTANT AMERICAN COLLECTION

207

WILLEM DE KOONING (1904-1997) Woman

signed 'de Kooning' (lower left) charcoal on vellum 23 x 18¬ in. (58.4 x 47.3 cm.)

Executed circa 1970. $20,000-30,000

LEARN MORE PROVENANCE:

Private collection, Aspen By descent from the above to the present owner

•

208

ROMARE BEARDEN (1911-1988) The Letter

signed 'Romare bearden' (lower left) acrylic, paper collage, photograph collage and graphite on panel 12 x 10 in. (30.5 x 25.4 cm.)

Executed in 1984. $30,000-50,000

LEARN MORE PROVENANCE:

Sheldon Ross Gallery, Birmingham, Michigan Acquired from the above by the present owner, circa 1985 This work will be included in the upcoming Romare Bearden Digital Catalogue Raisonné compiled by the Wildenstein Plattner Institute.

PROPERTY FROM THE COLLECTION OF MAX AND CECILE DRAIME

209

WILLIAM BAZIOTES (1912-1963) Clown

signed 'Baziotes' (lower left) watercolor, ink and graphite on paper 17¿ x 12Ω in. (43.5 x 31.8 cm.)

Executed circa 1938. $3,000-5,000

LEARN MORE PROVENANCE:

Estate of William Baziotes, New York BlumHelman Gallery, New York Joseph Helman Gallery, New York Acquired from the above by Max and Cecile Draime, 2001 This work will be included in the forthcoming catalogue raisonné being prepared by Michael Preble.

210

JEAN DUBUFFET (1901-1985) Situation C

signed with the artist's initials and dated 'J.D. 79' (center right edge) ink and paper collage on paper 13æ x 10 in. (34.9 x 25.4 cm.)

Executed in 1979. $20,000-30,000

LEARN MORE PROVENANCE:

Pace Gallery, New York Fredric Mueller, New York His sale; Christie's, New York, 5 October 1990, lot 50 Landau Fine Art, Montreal Acquired from the above by the present owner

211

WILLEM DE KOONING (1904-1997) Untitled

signed 'de Kooning' (lower right) charcoal on paper 8¡ x 10√ in. (21.9 x 27.6 cm.)

Drawn circa 1979. $12,000-18,000

LEARN MORE PROVENANCE:

Private collection, gift of the artist, circa 1980 By descent from the above to the present owner

PROPERTY FROM AN IMPORTANT AMERICAN COLLECTION

212

ALEXANDER CALDER (1898- 1976) Serpentins

signed and dated 'Calder 71' (lower right) gouache and ink on paper 30Ω x 23 in. (77.5 x 58.4 cm.)

Executed in 1971. $30,000-50,000

LEARN MORE PROVENANCE:

Galerie Maeght, Paris Joseph Schlang, New York, 1972 Private collection Jeffrey H. Loria & Co., New York, 1990 Private collection, Aspen, 1990 By descent from the above to the present owner, 2017 This work is registered in the archives of the Calder Foundation, New York, under application number A13108.

213

SAM FRANCIS (1923-1994)

Sketch for Chase Manhattan Bank Mural stamped with the artist's signature and The Sam Francis Estate stamp (on the reverse) acrylic and gouache on paper 10Ω x 49√ in. (26.7 x 126.7 cm.)

Executed circa 1959. $100,000-150,000

LEARN MORE PROVENANCE:

Estate of the artist Manny Silverman Gallery, Los Angeles, 1997 American Contempoary Art Gallery, Munich, 1998 Acquired from the above by the present owner, 2005

214

JEAN DUBUFFET (1901-1985) La verre d'eau

signed with the artist's initials and dated 'J.D. 67' (lower right) felt-tip on paper laid down on board 23º x 11æ in. (59.1 x 29.8 cm.)

Executed in 1967. $15,000-20,000

LEARN MORE PROVENANCE:

Pace Gallery, New York Robert Elkon Gallery, New York Miles and Shirley Fiterman, Minneapolis Their sale; Phillips, New York, 15 May 2019, lot 134 Acquired at the above sale by the present owner

PROPERTY FROM THE COLLECTION OF MAX AND CECILE DRAIME

215

CORNEILLE (1922-2010) Boy in Town

signed and dated 'Corneille 50' (upper right) gouache and graphite on paper 14æ x 14√ in. (37.5 x 37.8 cm.)

Executed in 1950. $3,000-5,000

LEARN MORE PROVENANCE:

Gallery Lasés, Amsterdam Acquired from the above by Max and Cecile Draime, 1998

216

MANOLO VALDÉS (B. 1942) Ferns V

iron, wood, acrylic and charcoal 22º x 21Ω x 10Ω in. (56.5 x 54.6 x 26.7 cm.)

Executed in 2014. This work is unique. $40,000-60,000

LEARN MORE PROVENANCE:

Marlborough Gallery, New York Acquired from the above by the present owner, 2014

217

NAHUI OLIN (1893- 1978) Vendiendo sandías

signed 'NAHui Olin' (lower right) oil on board laid down on panel 12¡ x 12¿ in. (31.4 x 30.8 cm.)

Painted circa 1937. $40,000-60,000

LEARN MORE PROVENANCE:

Private collection, Mexico City Galería Windsor, Mexico City Private collection, Mexico City Acquired from the above by the present owner

218

WIFREDO LAM (1902-1982) Mujer sentada

signed 'Wifredo Lam' (lower right) tempera on paper 39Ω x 27√ in. (100.3 x 70.8 cm.)

Painted in 1938. $150,000-200,000

LEARN MORE PROVENANCE:

Marta Gutiérrez Fine Arts, Miami Galerie Motte, Geneva Acquired from the above by present owner, 1974 This work is accompanied by a certificate of authenticity signed by the artist and dated 23 January 1973.

219

ROBERTO BURLE MARX (1909-1994) Abstract

signed and dated 'R. BURLE MARX 1983' (lower right) oil on canvas laid down on panel 43º x 56º in. (109.9 x 142.9 cm.)

Painted in 1983. $40,000-60,000

LEARN MORE PROVENANCE:

Private collection Anon. sale; Sotheby's, New York, 25 May 2017, lot 25 Acquired at the above sale by the present owner

220

PAUL JENKINS (1923-2012) Eyes of The Dove: Our Taos

signed 'Paul Jenkins' (lower left); signed again, inscribed, titled and dated 'Paul Jenkins Eyes of The Dove: Our Taos New York 1959' (on the reverse) acrylic on canvas 28æ x 39 in. (73 x 99 cm.)

Painted in 1959. $18,000-25,000

LEARN MORE PROVENANCE:

Private collection, France, acquired directly from the artist Private collection, by descent from the above Anon. sale; Sotheby's, Paris, 16 December 2019, lot 523 Acquired at the above sale by the present owner

221

ALEXANDER CALDER (1898- 1976) Horizon

signed and dated 'Calder 71' (lower right) gouache and ink on paper 29Ω x 43º in. (74.9 x 109.9 cm.)

Executed in 1971. $60,000-80,000

LEARN MORE PROVENANCE:

Galerie Maeght, Paris Private collection, 1974 Private collection Private collection, Florida By descent from the above to the present owner, 2017 This work is registered in the archives of the Calder Foundation, New York, under application number A12988.

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

222

FRANK STELLA (1936-2024)

To Wilhelmine von Zenge, Würzburg, September 11 and 12, 1800 [LL#8] signed and dated 'F. Stella '98' (on the reverse) painted sand cast aluminum 16 x 21 x 11 in. (40.6 x 53.3 x 28 cm.)

Executed in 1998. $15,000-20,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, 1998

■223

ANTHONY CARO (1924-2013) Barcelona Bunting

rusted and waxed steel 99Ω x 74 x 38 in. (252.5 x 188 x 96.5 cm.)

Executed in 1987. $60,000-80,000

LEARN MORE PROVENANCE:

Annely Juda Fine Art, London Private collection, Chicago, 1990 Richard Gray Gallery, Chicago Acquired from the above by the present owner, 2005

PROPERTY FORMERLY IN THE COLLECTION OF JOHN AND KIMIKO POWERS

224

CLAES OLDENBURG (1929-2022) Untitled (Soft Saw)

signed and dated 'Claes Oldenberg 1965' (on the reverse) latex paint and ink on sewn and stuffed canvas 24 x 6Ω in. (61 x 16.5 cm.)

Executed in 1965. $50,000-70,000

LEARN MORE PROVENANCE:

Marcel Duchamp Fund, New York John and Kimiko Powers, Colorado, 1966 Acquired from the above by the present owner

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

225

LARRY RIVERS (1923-2002) Window Webster

signed, titled and dated '"Window Webster" Rivers '63' (on the reverse) oil, canvas, paper and printed paper collage, pastel, wax crayon, colored pencil and graphite on board mounted on panel 59√ x 39æ in. (152.1 x 101 cm.)

Executed in 1963. $50,000-70,000

LEARN MORE PROVENANCE:

Marlborough-Gerson Gallery, New York Harriet and Howard Wolfson, Chicago, 1968 Richard Gray Gallery, Chicago Acquired from the above by the present owner, 2002

226

JIM DINE (B. 1935)

Always a Mixture (of Sadness and Funny) signed, titled and dated 'ALWAYS a MiXTURE (of Sadness & funny) Jim dine 2004' (on the reverse) acrylic, sand and charcoal on panel 65 x 50 in. (165.1 x 127 cm.)

Executed in 2004. $60,000-80,000

LEARN MORE PROVENANCE:

PaceWildenstein, New York Private collection John Berggruen Gallery, San Francisco Acquired from the above by the present owner, 2004

227

JOHN BALDESSARI (1931- 2020) Tentative Wall for My New Home

signed and dated 'BALDESSARI 62' (lower right); signed again, titled and dated again 'BALDESSARI 62 TENTATIVE WALL FOR MY NEW HOME' (on the reverse) acrylic, oil, charcoal, printed paper collage, cardboard collage and stenciled letter collage on canvas 67æ x 56√ in. (172 x 144.5 cm.)

Executed in 1962. $60,000-80,000

LEARN MORE PROVENANCE:

Howard Smith, Palo Alto Anon. sale; Bonhams and Butterfields, Los Angeles, 1 May 2005, lot 119 Acquired at the above sale by the present owner

PROPERTY FORMERLY IN THE SEAGRAM COLLECTION

228

ROBERT RAUSCHENBERG (1925-2008) Untitled

signed and dated 'RAUSCHENBERG 1958' (on the reverse); signed again and dated again 'RAUSCHENBERG 1958' (on a card affixed to the backing board) solvent transfer, acrylic, charcoal and graphite on paper 23 x 28√ in. (58.4 x 73.3 cm.)

Executed in 1958. $150,000-200,000

LEARN MORE PROVENANCE:

Leo Castelli Gallery, New York The Seagram Collection, New York Acquired from the above by the present owner, 2000

229

ANDY WARHOL (1928-1987) Man with Star on String signed 'Andy Warhol' (lower center) ink, gold leaf and foil on paper 20 x 13æ in. (50.8 x 34.9 cm.)

Executed circa 1957. $100,000-150,000

LEARN MORE PROVENANCE:

Private collection Anon. sale; Sotheby's, Hong Kong, 11 September 2013, lot 21 Acquired at the above sale by the present owner

230

ANDY WARHOL (1928-1987) Ladies and Gentlemen

stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc. stamps and numbered '0554 UT.004' (on the reverse) screenprint on Arches paper 30 x 22¿ in. (76.2 x 56.2 cm.)

Executed in 1975. This work is an unpublished trial proof outside of the edition of 125 plus one printer's proof. $20,000-30,000

LEARN MORE PROVENANCE:

Estate of Andy Warhol, New York The Andy Warhol Foundation for the Visual Arts, Inc., New York Acquired from the above by the present owner, 2007 This work is a black and white trial proof printed ahead of the edition of 125 in colors as referenced in F. Feldman and J. Schellmann, eds., Andy Warhol Prints: A Catalogue Raisonné 1962-1987, New York, 2003, no. II.135 (illustrated).

231

ANDY WARHOL (1928-1987) "Zigzag" Train

stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc. stamps and numbered 'VF 68.017' (on the reverse) graphite on paper 23Ω x 31Ω in. (59.7 x 80 cm.)

Executed in 1983. $10,000-15,000

LEARN MORE PROVENANCE:

Estate of Andy Warhol, New York The Andy Warhol Foundation for the Visual Arts, Inc., New York Paul Kasmin Gallery, New York Acquired from the above by the present owner, 2020

232

ANDY WARHOL (1928-1987) Untitled

stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc. stamps and numbered 'VF 221.018 24 / 31' (on the reverse) ink on paper 16æ x 13æ in. (42.5 x 34.9 cm.)

Drawn circa 1958. $12,000-18,000

LEARN MORE PROVENANCE:

Estate of Andy Warhol, New York The Andy Warhol Foundation for the Visual Arts, Inc., New York Acquired from the above by the present owner, 2007

PROPERTY FROM A PRIVATE FAMILY COLLECTION

233

NIKI DE SAINT PHALLE (1930-2002) Les Trois Grâces

incised with the artist's signature 'Niki de Saint Phalle' (on the underside); incised with the number and stamped with the Foundry mark '6/8' (on the black figure's right foot) painted polyester resin on metal base 26æ x 30Ω x 21 in. (67.9 x 77.5 x 53.3 cm.)

Executed in 1994. This work is number six from an edition of eight plus four artist's proofs. $80,000-120,000

LEARN MORE PROVENANCE:

Private collection, Switzerland Helene Wasserman Fine Art, New York Acquired from the above by the present owner, 1997

PROPERTY FROM A PRIVATE AMERICAN COLLECTION

234

FERNANDO BOTERO (1932- 2023) Woman with Mirror

incised with the artist's signature and number and stamped with the foundry mark 'Botero 4/6' (on the base) bronze 7 x 27æ x 10 in. (17.8 x 70.5 x 25.4 cm.)

Executed in 1988. This work is number four from an edition of six plus two artist's proofs. $200,000-300,000

LEARN MORE PROVENANCE:

Marlborough Gallery, New York Acquired from the above by the present owner, 1988

235

ERNIE BARNES (1938-2009) Anchor Leg

signed 'ERNIE BARNES' (lower right) acrylic on canvas 23√ x 48 in. (60.6 x 121.9 cm.)

Painted in 1984. $70,000-100,000

LEARN MORE PROVENANCE:

Private collection, Durham, gift of the artist, circa 1984 By descent from the above to the present owner This work will be included in the forthcoming Ernie Barnes Catalogue Raisonné. We would like to thank Luz Rodriguez for her assistance in cataloguing this work.

236

ALEJANDRO OBREGÓN (1920-1992) Chivo expiatorio

signed 'obregón' (lower center) acrylic on canvas 59¿ x 59¿ in. (150.2 x 150.2 cm.)

Painted in 1987. $100,000-150,000

LEARN MORE PROVENANCE:

Private collection, Bogotá, acquired directly from the artist Galería El Museo, Bogotá Acquired from the above by the present owner This work is accompanied by a certificate of authenticity from Galería El Museo, signed by Luis Fernando Pradilla, dated 1 March 2024.

A DISTINGUISHED PRIVATE COLLECTION

237

FRANCISCO TOLEDO (1940-2019) Tortugas

signed 'Toledo' (lower center) watercolor and ink on paper 22º x 30¿ in. (56.5 x 76.5 cm.)

Executed in 1974-1975. $120,000-180,000

LEARN MORE PROVENANCE:

Sid Deutsch, New York Martha Jackson Gallery, New York Private collection, Mexico, 1980 By descent from the above to the present owner, 2009

A DISTINGUISHED PRIVATE COLLECTION

238

GUNTHER GERZSO (1915-2000) Paisaje

signed and dated 'GERZSO 79' (lower right); dated again and titled 'PAISAJE OCT. 2024, 1979' (lower edge of mat) acrylic, pastel, collage and sand on paper mounted on paper image: 7 x 11√ in. (17.8 x 30.2 cm.) sheet: 10¿ x 16æ in. (25.7 x 42.5 cm.)

Executed in 1979. $25,000-35,000

LEARN MORE PROVENANCE:

Private collection, Mexico City, acquired directly from the artist, circa 1979 Private collection, Mexico By descent from the above to the present owner, 2009 We are grateful to Mike Gerzso for his assistance cataloguing this work.

239

ZILIA SÁNCHEZ (1926-2024) Encuentrismo

signed and dated 'Zilia Sánchez 1,958' (left side edge); signed again, inscribed and dated 'Zilia Sánchez 1,958 Cuadro Restaurado' (on the linen backing) oil on canvas 18√ x 75¬ in. (48 x 192.1 cm) Painted in 1958. $100,000-150,000

LEARN MORE PROVENANCE:

Private collection, San Juan, acquired directly from the artist, circa 1980 Acquired from the above by the present owner This work is accompanied by a certificate of authenticity signed by the artist.

240

KAZUYA SAKAI (1927-2001) Atmosphères III/Gyorgy Ligeti

signed twice, titled, and dated twice 'Kazuya Sakai Atmosphères III/Gyorgy Ligeti 1979 Sakai 79' (on the reverse) acrylic on canvas 40 x 50 in. (101.6 x 127 cm.)

Painted in 1979. $30,000-40,000

LEARN MORE PROVENANCE:

Private collection Anon. sale; Sotheby's, New York, 17 November 2017, lot 200 Acquired at the above sale by the present owner

241

SOL LEWITT (1928- 2007) Wavy Brushstrokes

signed and dated 'S. LeWitt 95' (lower right) gouache on paper 11¿ x 14√ in. (28.3 x 37.8 cm.)

Painted in 1995. $8,000-12,000

LEARN MORE PROVENANCE:

Alfonso Artiaco, Naples Private collection, Switzerland, 1995 By descent from the above to the present owner

242

SOL LEWITT (1928- 2007) Untitled

signed and dated 'S. LeWitt 93' (lower right) gouache and graphite on paper 22 x 22 in. (56 x 56 cm.)

Executed in 1993. $20,000-30,000

LEARN MORE PROVENANCE:

Alfonso Artiaco, Naples Private collection, Switzerland, 1996 By descent from the above to the present owner

A CENTURY OF ART: THE GERALD FINEBERG COLLECTION

243

BILLY AL BENGSTON (1934-2022) Ava

signed and dated 'Bengston 1960' (lower center) oil on canvas 15 x 13 in. (38.1 x 33 cm.)

Painted in 1960. $25,000-35,000

LEARN MORE PROVENANCE:

Ferus Gallery, Los Angeles The Kleiner Foundation, Beverly Hills Private collection, New York Acquired from the above by the present owner, 2012

244

VICTOR VASARELY (1906-1997) KATAXO

signed 'vasarely-' (lower left); signed again twice, titled, and dated 'VASARELY "KATAXO" Vasarely 1970/75 ' (on the reverse) acrylic on canvas 78º x 71√ in. (198.8 x 182.6 cm.)

Painted in 1975. $100,000-150,000

LEARN MORE PROVENANCE:

Private collection, acquired directly from the artist Anon. sale; Oger-Blanchet, Paris, 8 October 2013, lot 445 Acquired at the above sale by the present owner The authenticity of the present work has been confirmed by Pierre Vasarely, President of the Fondation Vasarely, universal legatee and the moral right holder of Victor Vasarely.

This work will be included in the forthcoming Catalogue Raisonné de l’Oeuvre Peint de Victor Vasarely, which is currently being compiled by the Fondation Vasarely, Aix-enProvence.

245

VICTOR VASARELY (1906-1997) KÉT-KAB

signed twice, inscribed, titled and dated 'VASARELY "KÉT-KAB" 1987 (1960) Vasarely' (on the reverse) acrylic on canvas 74º x 38æ in. (188.6 x 98.4 cm.)

Painted in 1987. $80,000-120,000

LEARN MORE PROVENANCE:

Private collection, acquired directly from the artist Anon. sale; Oger-Blanchet, Paris, 8 October 2013, lot 444 Acquired at the above sale by the present owner The authenticity of the present work has been confirmed by Pierre Vasarely, President of the Fondation Vasarely, universal legatee and the moral right holder of Victor Vasarely.

This work will be included in the forthcoming Catalogue Raisonné de l’Oeuvre Peint de Victor Vasarely, which is currently being compiled by the Fondation Vasarely, Aix-enProvence.

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

246

ALEXANDER LIBERMAN (1912-1999) Blue Edge

signed and dated 'A. Liberman 1963' (on the overlap) acrylic on canvas diameter: 65 in. (165.1 cm.)

Painted in 1963. $18,000-25,000

LEARN MORE PROVENANCE:

Betty Parsons Gallery, New York Acquired from the above by the present owner, 1963

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

247

AL HELD (1928-2005) Untitled

signed and dated 'AL HELD 67' (on the reverse) acrylic on paper mounted on Masonite 44Ω x 29¬ in. (113 x 75.2 cm.)

Painted in 1967. $30,000-50,000

LEARN MORE PROVENANCE:

André Emmerich Gallery, New York Acquired from the above by the present owner, 1968

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

248

HOWARD MEHRING (1931-1978) Orange, Green, Red and Blue

signed, titled and dated 'Mehring 1965 "Orange Green Red & Blue"' (on the reverse); titled again and dated again '"Orange Green Red and Blue" 1965' (on the stretcher) acrylic on canvas 55Ω x 45º in. (141 x 115 cm.)

Painted in 1965. $20,000-30,000

LEARN MORE PROVENANCE:

Private collection

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

249

ALEXANDER LIBERMAN (1912-1999) Omega XI

signed and dated 'A. LIBERMAN 1961' (on the reverse) enamel on aluminum 48 x 48 in. (121.9 x 121.9 cm.)

Executed in 1961. $20,000-30,000

LEARN MORE PROVENANCE:

Betty Parsons Gallery, New York Acquired from the above by the present owner, 1961

■250

SOL LEWITT (1928- 2007) Wavy Brushstrokes

signed 'S. Lewitt' (upper right) gouache on paperboard 60º x 175æ in. (153 x 446.4 cm.)

Painted in 1995. $250,000-350,000

LEARN MORE PROVENANCE:

Gagosian Gallery, New York RTA, Chester Rhona Hoffman Gallery, Chicago Galerie von Bartha, Basel Private collection, New York Private collection Anon. sale; Sotheby's, London, 2 July 2015, lot 147 Private collection, Europe Anon. sale; Phillips, London, 13 October 2022, lot 199 Acquired at the above sale by the present owner

251

EDWARD AVEDISIAN (1936-2007) Untitled

acrylic on canvas 68 x 101 in. (172.7 x 256.5 cm.)

Painted in 1965. $10,000-15,000

LEARN MORE PROVENANCE:

Estate of the artist Acquired from the above by the present owner, 2013

252

RICHARD ANUSZKIEWICZ (1930-2020) Derived from Without

signed and dated 'RICHARD ANUSZKIEWICZ 1966' (on the reverse) acrylic on canvas 66 x 66 in. (167.6 x 167.6 cm.)

Painted in 1966. $50,000-70,000

LEARN MORE PROVENANCE:

Mr. and Mrs. A.I. Sherr, New York, acquired directly from the artist Alvin Greenstein, New York Private collection, New York Anon. sale; Christie's, New York, 13 November 2013, lot 230 Acquired at the above sale by the present owner

253

LARRY ZOX (1937-2006) Putt Putt Maru

signed, inscribed, titled and dated 'DiAMOND DRill SERieS "PUTT PUTT MARU" ZOX 1967' (on the stretcher) acrylic on canvas 80 x 64 in. (203.2 x 162.6 cm.)

Painted in 1967. $20,000-30,000

LEARN MORE PROVENANCE:

Kornblee Gallery, New York South Carolina, Greenville County Museum of Art Acquired from the above by the present owner, 2013

Post-War to Present Session II Tuesday 30 September 2025 2.00pm (Lots 301-443)

301

ETEL ADNAN (1925-2021) Untitled

signed and dated 'Adnan 14' (on the reverse) oil on canvas 14 x 11 in. (35.6 x 27.9 cm.)

Painted in 2014. $80,000-120,000

LEARN MORE PROVENANCE:

Private collection, acquired directly from the artist, 2014 Acquired from the above by the present owner

302

ERNST YOHJI JAEGER (B. 1990) Untitled 4 (Passage)

signed and dated 'Jaeger 2021' (on the reverse) oil on canvas 11√ x 12 in. (30.2 x 30.5 cm.)

Painted in 2021. $40,000-60,000

LEARN MORE PROVENANCE:

Crèvecœur, Paris Acquired from the above by the present owner

303

YU NISHIMURA (B. 1982) House Plant

signed and dated 'Yu Nishimura 2021' (on the reverse) oil on canvas 51º x 63æ in. (130.2 x 161.9 cm.)

Painted in 2021. $60,000-80,000

LEARN MORE PROVENANCE:

Crèvecœur, Paris Private collection Acquired from the above by the present owner

304

JONAS WOOD (B. 1977) Untitled

signed with the artist's initials and dated 'JBPW 09' (lower right) charcoal on paper 39Ω x 29¬ in. (100.3 x 75.2 cm.)

Executed in 2009. $80,000-120,000

LEARN MORE PROVENANCE:

UNTITLED, New York Acquired from the above by the present owner, 2011

305

JONAS WOOD (B. 1977) Untitled (Silver Leaves)

signed with the artist's initials, titled and dated 'JBRW 2010 UNTITLED (SILVER LEAVES)' (on the reverse) oil and acrylic on canvas 24 x 18 in. (61 x 45.8 cm.)

Painted in 2010. $30,000-50,000

LEARN MORE PROVENANCE:

Karma International, Zürich Acquired from the above by the present owner, 2010

306

HERNAN BAS (B. 1978) Two Interiors

signed with the artist's initials and dated 'HB 20' (lower right); signed again with the artist's initials, titled and dated again 'Two Interiors HB 2020' (on the reverse) acrylic, charcoal and pigment on canvas 84 x 108¿ in. (213.5 x 274.6 cm.)

Executed in 2020. $300,000-500,000

LEARN MORE PROVENANCE:

Galerie Peter Kilchmann, Zürich Acquired from the above by the present owner

307

KATHERINE BRADFORD (B. 1942) Swim Team Miami

signed, titled and dated 'K Bradford 2015 SWIM TEAM MIAMI' (on the reverse) acrylic on canvas 44 x 48 in. (111.8 x 121.9 cm.)

Painted in 2015. $40,000-60,000

LEARN MORE PROVENANCE:

CANADA, New York Acquired from the above by the present owner

308

MAJA RUZNIC (B. 1983) Self Portrait as Worried Woman

signed, inscribed, titled and dated '"Self Portrait As Worried Woman" Ruznic Maja 2020 made during COVID 19 pandemic' (on the reverse) oil on canvas 60 x 50¿ in. (152.4 x 127.3 cm.)

Painted in 2020. $30,000-50,000

LEARN MORE PROVENANCE:

Conduit Gallery, Dallas Acquired from the above by the present owner

309

NATHANIEL MARY QUINN (B. 1977) The Disgruntled Teacher

signed, inscribed, titled and dated twice 'Nathaniel M Quinn Love Mom Jesus 2019 "The Disgruntled Teacher" 2019' (on the reverse) charcoal, gouache and soft pastel on vellum 16¡ x 15¡ in. (41.6 x 39.1 cm.)

Executed in 2019. $60,000-80,000

LEARN MORE PROVENANCE:

Almine Rech, Brussels Acquired from the above by the present owner

310

MATT CONNORS (B. 1973) Untitled

signed and dated 'Matt Connors 2008' (on the reverse) oil on canvas 14 x 12 in. (35.6 x 30.5 cm.)

Painted in 2008. $7,000-10,000

LEARN MORE PROVENANCE:

CANADA, New York Acquired from the above by the present owner

311

SPENCER LEWIS (B. 1979) Untitled

signed twice and dated 'Spencer Lewis Spencer Lewis 2022' (on the stretcher) oil, enamel, acrylic and ink on jute 100 x 85 in. (254 x 215.9 cm.)

Executed in 2022. $30,000-50,000

LEARN MORE PROVENANCE:

Vito Schnabel Gallery, New York Gift of the above to the present owner

312

LOIE HOLLOWELL (B. 1983) Horny

signed, titled and dated '"Horny" Loie Hollowell August 2020' (on the reverse) oil, acrylic and cast resin on linen mounted on panel 12 x 9 in. (30.5 x 22.9 cm.)

Executed in 2020. $50,000-70,000

LEARN MORE PROVENANCE:

Pace Gallery, New York Acquired from the above by the present owner

313

YOAN CAPOTE (B. 1977) Isla (partida)

signed with the artist's initials, titled and dated 'CAP ISLA (PARTIDA) 2022' (on a metal label affixed to the reverse) oil, fish hooks and nails on canvas mounted on panel 70æ x 79æ x 5¿ in. (179.7 x 202.6 x 13.3 cm.)

Executed in 2022. $120,000-180,000

LEARN MORE PROVENANCE:

Galleria Continua, Havana Acquired from the above by the present owner

314

ELIZABETH MURRAY (1940-2007) The Jolly Corner

signed, titled and dated 'The Jolly Corner Elizabeth Murray Fall 1997' (on the reverse) oil on shaped wood and canvas construction 52Ω x 57Ω in. (133.4 x 146.1 cm.)

Executed in 1997. $60,000-80,000

LEARN MORE PROVENANCE:

PaceWildenstein, New York Acquired from the above by the present owner, 1997

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

315

JOAN BROWN (1938-1991) The Misunderstanding enamel on canvas 96æ x 77æ in. (245.8 x 197.5 cm.)

Painted in 1978. $50,000-70,000

LEARN MORE PROVENANCE:

Michael Hebel and Noel Neri, San Francisco, by descent from the artist Campbell-Thiebaud Gallery, San Francisco George Adams Gallery, New York Acquired from the above by the present owner, 2004

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

316

SUSAN ROTHENBERG (1945-2020) Untitled

signed and dated 'Susan Rothenberg 1981' (on the reverse) acrylic and Flashe on canvas 59º x 55 in. (150.5 x 139.7 cm.)

Painted in 1981. $60,000-80,000

LEARN MORE PROVENANCE:

Willard Gallery, New York Private collection, New York Neal Meltzer Fine Art, New York Acquired from the above by the present owner, 1999

■317

BARBARA KRUGER (B. 1945) Untitled (Unique)

digital print on vinyl 120 x 107¬ in. (304.8 x 273.3 cm.)

Executed in 2020. This work is unique. $200,000-300,000

LEARN MORE PROVENANCE:

New Museum Benefit Auction, courtesy of the artist and Sprüth Magers, New York; Sotheby's, New York, 20 May 2022, lot 441 Acquired at the above sale by the present owner

318

PETER HALLEY (B. 1953) The Line

signed twice and dated 'Peter Halley Peter Halley 2017' (on the reverse) acrylic, fluorescent acrylic, Flashe and Roll-A-Tex on two joined canvases 72Ω x 77 in. (184.2 x 195.6 cm.)

Painted in 2017. $70,000-100,000

LEARN MORE PROVENANCE:

Greene Naftali, New York Acquired from the above by the present owner, 2017

319

DAMIEN HIRST (B. 1965) Ethylene Glycol Chitin

stamped twice with the artist's monogram (on the overlap); signed 'Damien Hirst' (on the stretcher); signed again, titled and dated 'Damien Hirst 2008 "Ethylene Glycol Chitin"' (on the reverse) household gloss on canvas 47 x 25 in. (119.4 x 61 cm.)

Painted in 2008. $250,000-350,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, 2015

320

JEFF KOONS (B. 1955) Speaker

speaker, fluorescent lights and acrylic 54 x 15 x 17¡ in. (137.2 x 38.1 x 44.1 cm.)

Executed in 1979. This work is unique. $200,000-300,000

LEARN MORE PROVENANCE:

Galería Durban, Caracas Durban Segnini Gallery, Miami Acquired from the above by the present owner

321

KEITH HARING (1958-1990) Untitled (Boombox) Sumi ink on foamcore 48 x 50√ in. (121.9 x 129.2 cm.)

Executed in 1984. $70,000-100,000

LEARN MORE PROVENANCE:

Private collection, acquired directly from the artist Private collection, New York Anon. sale; Christie's, New York, 17 May 2000, lot 155 Acquired at the above sale by the present owner This work was conceived as part of Keith Haring's set design for the Brooklyn Academy of Music's 1984 performance of Secret Pastures, organized by the Bill T. Jones/Arnie Zane Dance Company.

Still from Secret Pastures, performed by the Bill T. Jones / Arnie Zane Dance Company, Brooklyn Academy of Music (BAM), 1984 (present lot illustrated at center). Image courtesy of BAM Hamm Archives. Artwork: © The Keith Haring Foundation.

322

KEITH HARING (1958-1990) Untitled

signed and dedicated 'FOR REV. SHULTS - Keith Haring' (lower right); signed again and dated 'Sept. 28 1987 K. Haring' (on the reverse) Sumi ink on paper 22¿ x 30 in. (56.2 x 76.2 cm.)

Executed in 1987. $100,000-150,000

LEARN MORE PROVENANCE:

Reverend George Shults, gift of the artist, 1987 Private collection, by descent from the above By descent from the above to the present owner

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

323

KENNY SCHARF (B. 1958) LIQUIJISTIC

signed, titled and dated 'Liquijistic Kenny Scharf '95' (on the reverse) acrylic and oil on canvas, in artist's frame 78 x 52º in. (198.1 x 132.7 cm.)

Painted in 1995. $100,000-150,000

LEARN MORE PROVENANCE:

Tony Shafrazi Gallery, New York Acquired from the above by the present owner, 1995

324

MARTIN WONG (1946-1999) Pedro's Lament

titled 'PEDRO'S LAMENT' (center) acrylic and ink on canvas, paper and wood assemblage mounted on panel 42 x 32 x 2Ω in. (106.7 x 76.2 x 6.4 cm.)

Executed in 1984. $200,000-300,000

LEARN MORE PROVENANCE:

Acquired directly from the artist, 1984

Present lot illustrated (alternate view).

325

KAWS (B. 1975) UNTITLED (DIESEL) signed and dated 'KAWS 99' (on the reverse) acrylic on found advertising poster mounted on paper 29Ω x 71¿ in. (74.9 x 180.7 cm.)

Executed in 1999. $70,000-100,000

LEARN MORE PROVENANCE:

Private collection, Hong Kong Acquired from the above by the present owner

326

KAWS (B. 1975) TOGETHER

painted bronze 72 x 56 x 40 in. (182.9 x 142.2 x 101.6 cm.)

Executed in 2017. This work is number one from an edition of seven plus two artist's proofs. $400,000-600,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, 2019

PROPERTY FROM A PRIVATE NEW YORK COLLECTION

327

GEORGE CONDO (B. 1957) Stick Figure

signed and dated 'Condo 2000' (upper right); signed again, titled and dated again 'Condo 2000 Stick Figure' (on the reverse) oil on linen 70 x 48 in. (177.8 x 121.9 cm.)

Painted in 2000. $300,000-500,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

PROPERTY FROM A PRIVATE NEW YORK COLLECTION

328

GEORGE CONDO (B. 1957) Untitled

acrylic, charcoal and pastel on paper 50 x 38¿ in. (127 x 96.8 cm.)

Executed circa 2007. $50,000-70,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

329

PABLO ATCHUGARRY (B. 1954) Untitled

incised with artist's signature 'ATCHUGARRY' (lower edge) white Carrara marble, with granite base overall: 20æ x 8¬ x 8æ in. (52.7 x 21.9 x 22.2 cm.) sculpture: 18¡ x 6 x 6 in. (46.7 x 15.2 x 15.2 cm.)

Executed in 2016. $50,000-70,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, 2016

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°331

MAGDALENA FERNÁNDEZ (B. 1964) 5vmc009

aluminum, copper and wire installation dimensions variable 35Ω x 23¬ x 14Ω in. (91.1 x 60 x 36.8 cm.)

Executed in 2009. $15,000-20,000

LEARN MORE PROVENANCE:

Henrique Faria Fine Art, New York Acquired from the above by the present owner

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°332

ELIAS CRESPIN (B. 1965) Plano flexionante

signed, titled and dated 'Elias PLANO FLEXIONANTE 2008' (inside platform) brass, stainless steel, nylon, motors, iPad mini and electronic interface installation dimensions variable sculpture: ¿ x 62 x 15æ in. (0.3 x 157.5 x 40 cm.) platform: 4 x 78æ x 19æ in. (10.2 x 200 x 50.2 cm.)

Executed in 2008. $20,000-30,000

LEARN MORE PROVENANCE:

Cecilia de Torres, Ltd., New York Acquired from the above by the present owner, 2008

Present lot illustrated (alternative view).

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°333

GUILLERMO KUITCA (B. 1961) Covent Garden

signed and dated 'Kuitca 2004' (lower right) color paper collage on paper 58¬ x 58¬ in. (148.9 x 148.9 cm.)

Executed in 2004. $30,000-50,000

LEARN MORE PROVENANCE:

Hauser & Wirth, London Acquired from the above by the present owner, 2005 We are grateful to Sonia Becce, from the artist's studio, for her assistance cataloguing this work.

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°334

RIVANE NEUENSCHWANDER (B. 1967) Pornopages 11-4

paper collage and printed paper collage laid down on board, in four parts installation dimensions variable each: 10 x 7 in. (25.4 x 17.8 cm.)

Executed in 2005. $15,000-20,000

LEARN MORE PROVENANCE:

Stephen Friedman Gallery, London Acquired from the above by the present owner

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°335

ARTURO HERRERA (B. 1959) Orfeo

wool felt 27Ω x 59º in. (69.9 x 150.5 cm.)

Executed in 2007. This work is a unique variant. $8,000-12,000

LEARN MORE PROVENANCE:

Thomas Dane Gallery, London Acquired from the above by the present owner, 2007

FOR ART'S SAKE: SELECTED WORKS BY TIQUI ATENCIO & AGO DEMIRDJIAN

°336

TOMÁS SARACENO (B. 1973) Stellar

carbon fiber, elastic rope, cable binders and brass tubes 72√ x 72√ x 72√ in. (185.1 x 185.1 x 185.1 cm.)

Executed in 2009. This work is the artist’s proof from an edition of three plus one artist’s proof. $50,000-70,000

LEARN MORE PROVENANCE:

Tanya Bonakdar Gallery, New York Acquired from the above by the present owner, 2009

337

CILDO MEIRELES (B. 1948) Jogo de Velha XP/OA B-1

signed, inscribed and dated 'Cildo Meireles SERIE B 1 XP/OA 93 / 4' (on the reverse) acrylic on carpenter rulers mounted on panel 24æ x 25º in. (61.6 x 64.1 cm.)

Executed in 1993-1994. $100,000-150,000

LEARN MORE PROVENANCE:

Galería Luisa Strina, São Paulo Acquired from the above by the present owner, circa 2000

FRANK STELLA: WORKS FROM THE ARTIST'S ESTATE

338

FRANK STELLA (1936-2024) The Decanter (S-9, 3X — 1st Version)

acrylic, enamel and fluorescent polymer paint on magnesium and aluminum construction 108º x 137 x 74æ in. (275 x 348 x 189.9 cm.)

Executed in 1987. $250,000-350,000

LEARN MORE PROVENANCE:

Collection of the artist

VITAL LINE: A NEW YORK COLLECTION

■339

ANISH KAPOOR (B. 1954) Untitled

alabaster 55æ x 31Ω x 12æ in. (141.5 x 79.5 x 32.5 cm.)

Executed in 1999. $400,000-600,000

LEARN MORE PROVENANCE:

Galleria Massimo Minini, Brescia Private collection, 2001 Anon. sale; Sotheby's, New York, 14 November 2006, lot 27 Acquired at the above sale by the present owner

340

RICHARD SERRA (1938-2024) Tracks #1

paintstick on handmade paper 40 x 40 in. (101.6 x 101.6 cm.)

Executed in 2007. $300,000-500,000

LEARN MORE PROVENANCE:

Gagosian Gallery, New York Private collection Acquired from the above by the present owner

341

ROBERT RYMAN (1930-2019) Untitled #9

signed, titled and dated 'Ryman 79 "Untitled #9"' (on the reverse) Varathane on steel with four metal fasteners and steel bolts 15Ω x 15Ω in. (39.4 x 39.4 cm.)

Painted in 1979. $100,000-150,000

LEARN MORE PROVENANCE:

Galerie Walter Storms, Munich, 1979 Galerie Tanit, Munich, 1979 Private collection, Switzerland, 1981 By descent from the above to the present owner This work will be included as number 1979.403 in the forthcoming catalogue raisonné being organized by David Gray.

A CENTURY OF ART: THE GERALD FINEBERG COLLECTION

342

CARL ANDRE (1935-2024) 35 Cold Deck

cold-rolled steel sheet, in thirty-five parts overall: 128 x 35¬ in. (325 x 90.5 cm.) each: 3¬ x 35¬ in. (9.2 x 90.5 cm.)

Executed in 1974. This work is accompanied by a certificate of authenticity. $100,000-150,000

LEARN MORE PROVENANCE:

Paula Cooper Gallery, New York Acquired from the above by the present owner, 1989 This work will be included in the forthcoming Carl Andre Catalogue Raisonné of Sculpture.

343

JOHN MCCRACKEN (B. 1934) On the Go

signed, titled and dated 'ON THE GO 1998 J McCracken' (on the reverse) polyester resin, fiberglass and plywood 35Ω x 50º x 11 in. (90.2 x 127.6 x 27.9 cm.)

Executed in 1998. $80,000-120,000

LEARN MORE PROVENANCE:

Studio La Città, Verona Private collection Dranoff Fine Art, New York Acquired from the above by the present owner, 2014

344

DOROTHEA ROCKBURNE (B. 1932) Exsultate

signed twice, titled twice and dated twice 'EXSULTATE 85 / 86 ROCKBURNE Rockburne EXSULTATE 85 / 86' (on the stretcher) oil, gold leaf and gesso on two joined shaped canvases 64º x 81Ω x 4¿ in. (163.2 x 207 x 10.5 cm.)

Executed in 1985-1986. $40,000-60,000

LEARN MORE PROVENANCE:

Private collection, Chicago Columbia Savings and Loan Association, Beverly Hills Xavier Fourcade Gallery, New York Private collection, Canada Anon. sale; Christie's, New York, 13 November 1998, lot 196 Private collection, Cincinnati By descent from the above to the present owner

345

LYNDA BENGLIS (B. 1941) Untitled I

Green of Guatemala marble 55 x 23Ω x 9æ in. (140 x 60 x 25 cm.)

Executed in 2020-2021. $70,000-90,000

LEARN MORE PROVENANCE:

Thomas Brambilla Gallery, Bergamo Acquired from the above by the present owner

346

JOHN MCCRACKEN (1934-2011) Star

incised with the artist's signature, title and date 'J McCracken 1994 STAR' (on the underside) resin, fiberglass and plywood 29º x 12æ x 14º in. (74.3 x 32.4 x 36.2 cm.)

Executed in 1994. $60,000-80,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

VITAL LINE: A NEW YORK COLLECTION

■347

RICHARD SERRA (1938-2024) Model for 'T.W.U.'

hot-rolled steel and concrete 39 x 20 x 20 in. (99 x 50.8 x 50.8 cm.)

Executed in 1980. $180,000-250,000

LEARN MORE PROVENANCE:

Galerie Nordenhake, Stockholm Private collection, Sweden Anon. sale; Christie's, New York, 20 May 1999, lot 140 Acquired at the above sale by the present owner

348

JACK WHITTEN (1939-2018) Overlay #7

signed, titled and dated 'Jack Whitten '88 OVERLAY #7' (lower right); signed again, titled again and dated again 'OVERLAY #7 1988 Jack Whitten' (on the reverse) acrylic, toner and pastel on paper 15 x 10Ω in. (38.1 x 26.7 cm.)

Executed in 1988. $10,000-15,000

LEARN MORE PROVENANCE:

Gift of the artist to the present owner, 2005

349

OLAFUR ELIASSON (B. 1967)

Your pyramidic double asymmetrical polyhedron stainless steel, color-effect filter glass and LED light 43¡ x 43¡ x 43¡ in. (110.2 x 110.2 x 110.2 cm.)

Executed in 2019. $100,000-150,000

LEARN MORE PROVENANCE:

Tanya Bonakdar Gallery, New York Acquired from the above by the present owner This work is accompanied by a certificate of authenticity signed by the artist.

350

UGO RONDINONE (B. 1964) pink yellow orange blue red mountain

incised with the artist's signature and date 'ugo rondinone 2017' (on the base) painted stone and stainless steel with concrete base 65¡ x 22º x 22º in. (166.1 x 56.5 x 56.5 cm.)

Executed in 2017. $120,000-180,000

LEARN MORE PROVENANCE:

Private collection, London, acquired directly from the artist Acquired from the above by the present owner

351

RICHARD LONG (B. 1945) Untitled

signed and dated 'Richard Long 2008' (on the reverse) River Avon mud, acrylic and paint on panel 78¬ x 78¬ in. (199.7 x 199.7 cm.)

Executed in 2008. $30,000-50,000

LEARN MORE PROVENANCE:

Galleria Lorcan O'Neill, Rome Acquired from the above by the present owner, 2011

352

UGO RONDINONE (B. 1962) the gifted

incised with the artist's signature, title and date 'ugo rondinone the gifted 2020' (on the base) bluestone and stainless steel on concrete 67¡ x 16 x 16 in. (171.1 x 40.6 x 40.6 cm.)

Executed in 2020. $150,000-200,000

LEARN MORE PROVENANCE:

Gladstone Gallery, New York Acquired from the above by the present owner

PROPERTY FROM AN IMPORTANT NEW YORK COLLECTION

353

WADE GUYTON (B. 1972) Untitled

dedicated and dated 'For BRINA XXX 2020' (on the overlap) Epson UltraChrome HDX inkjet on linen 40 x 36 in. (101.6 x 91.4 cm.)

Executed in 2020. $200,000-300,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

354

NATE LOWMAN (B. 1979) Peach Escalade

signed and dated 'Nate Lowman '05-'10' (on the overlap) silkscreen ink on canvas mounted on panel 70Ω x 60 in. (179.1 x 152.4 cm.)

Executed in 2005-2010. $150,000-200,000

LEARN MORE PROVENANCE:

Private collection

PROPERTY FROM AN IMPORTANT NEW YORK COLLECTION

355

WADE GUYTON (B. 1972) Untitled

signed, dedicated and dated 'for B. X Wade Guyton 2018' (on the overlap) Epson UltraChrome HDX inkjet on linen 32 x 26 in. (81.3 x 66 cm.)

Executed in 2018. $50,000-70,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

357

RUDOLF STINGEL (B. 1956) Untitled

signed and dated 'Stingel 2011' (on the reverse) oil and enamel on canvas 32 x 32 in. (81.3 x 81.3 cm.)

Painted in 2011. $120,000-180,000

LEARN MORE PROVENANCE:

Paula Cooper Gallery, New York Private collection Acquired from the above by the present owner

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

358

NATE LOWMAN (B. 1979) Trash Landing Marilyn #16

signed and dated 'Nate Lowman 2011' (on the overlap) oil and alkyd on linen 36¿ x 24 in. (91.6 x 61 cm.)

Painted in 2011. $60,000-80,000

LEARN MORE PROVENANCE:

Maccarone, New York Acquired from the above by the present owner, 2012

359

BARBARA KRUGER (B. 1945) Untitled (Fate)

chromogenic dye coupler print 85Ω x 49º in. (217.2 x 125.1 cm.)

Executed in 2001. This work is number one from an edition of ten. $70,000-100,000

LEARN MORE PROVENANCE:

Mary Boone Gallery, New York Private collection, New York Private collection Acquired from the above by the present owner

360

JOHN BALDESSARI (1931- 2020) Hitch-hiker (Splattered Blue) (Maquette)

acrylic on color photograph mounted on board, laid down on board 16 x 20 in. (40.6 x 50.8 cm.)

Executed in 1995. $30,000-50,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, 2005

PROPERTY FROM AN IMPORTANT AMERICAN COLLECTION

361

DAMIEN HIRST (B. 1965) Avastin

household gloss on canvas 15 x 13 in. (38.1 x 33 cm.)

Painted in 2005. $70,000-100,000

LEARN MORE PROVENANCE:

Private collection, New York, acquired directly from the artist Anon. sale; Sotheby's, New York, 11 May 2006, lot 422 Private collection Private collection, Aspen By descent from the above to the present owner

362

MARK GROTJAHN (B. 1968)

Untitled (Race Track Scribble, Jackson Mask M41.d) signed and dated 'MARK PETER GROTJAHN 76.15' (on the reverse) painted bronze 70Ω x 33Ω x 32 in. (179.1 x 85.1 x 81.3 cm.)

Executed in 2015. $120,000-180,000

LEARN MORE PROVENANCE:

Anton Kern Gallery, New York Acquired from the above by the present owner, 2015

363

JULIAN SCHNABEL (B. 1951) Untitled (Duende)

oil, resin and fabric collage on paper mounted on canvas 81 x 61 in. (205.7 x 154.9 cm.)

Executed in 1993. $30,000-50,000

LEARN MORE PROVENANCE:

PaceWildenstein, New York Acquired from the above by the present owner, 1997

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

364

ERIC FISCHL (B. 1948) Taking in the Sun

signed, titled and dated 'Eric Fischl 1998 "TAKING IN THE SUN"' (on the reverse) oil on linen 65 x 58¿ in. (165.1 x 147.6 cm.)

Painted in 1998. $120,000-180,000

LEARN MORE PROVENANCE:

Mary Boone Gallery, New York Acquired from the above by the present owner, 2003

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

365

MALCOLM MORLEY (1931-2018) Bait Drums Over Michelle

signed twice 'Malcolm Morley Malcolm Morley' (lower right) watercolor on paper 57¬ x 40 in. (146.4 x 101.6 cm.)

Executed in 1992. $20,000-30,000

LEARN MORE PROVENANCE:

Mary Boone Gallery, New York Baumgartner Galleries, Inc., Washington, D.C. Private collection Anon. sale; Sotheby's, New York, 15 November 2000, lot 256A Acquired at the above sale by the present owner

366

JULIAN SCHNABEL (B. 1951) Untitled (Albóndigas)

oil, modeling paste and suede collage on sewn canvas 95 x 120 in. (241.3 x 304.8 cm.)

Executed in 1992. $80,000-120,000

LEARN MORE PROVENANCE:

Pace Gallery, New York Takashimaya Company Limited, Osaka, 1993 Their sale; Sotheby's, New York, 12 November 2003, lot 69 Acquired at the above sale by the present owner

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

367

DAVID SALLE (B. 1952) White Horse

signed, titled and dated '"WHITE HORSE" David Salle 2012' (on the reverse) acrylic, oil and paper collage on canvas 90 x 136 in. (228.6 x 345.4 cm.)

Executed in 2012. $80,000-120,000

LEARN MORE PROVENANCE:

Mary Boone Gallery, New York Acquired from the above by the present owner, 2013

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

368

DAVID BATES (B. 1952)

The Round Cyprus Trail (Yellow Creek) signed 'BATES' (lower left); signed again, titled and dated 'DAVID BATES THE ROUND CYPRESS TRAIL - (YELLOW CREEK) 86 6.26' (on the overlap) oil on canvas 64 x 84 in. (162.6 x 213.4 cm.)

Painted in 1986. $30,000-50,000

LEARN MORE PROVENANCE:

Charles Cowles Gallery, Inc., New York Acquired from the above by the present owner, 1989

PROPERTY FROM AN AMERICAN COLLECTION

369

FRANCESCO CLEMENTE (B. 1952) Untitled

enamel on metal, in four parts installation dimensions (framed, approximate): 54 x 164 in. (137.2 x 416.6 cm.) each: 43º x 31º in. (109.8 x 79.8 cm.)

Painted in 1984. $50,000-70,000

LEARN MORE PROVENANCE:

Galerie Bruno Bischofberger, Zürich L.A. Louver, Los Angeles, 1985 Private collection Anon. sale; Sotheby's, New York, 18 May 2000, lot 184 Acquired at the above sale by the present owner

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

370

CARROLL DUNHAM (B. 1949) Second Zebra

signed and dated 'Carroll Dunham Aug Sept Oct 1982' (lower center); signed again, inscribed, titled and dated again '"Second Zebra" Carroll Dunham NYC 1982' (on the reverse) gouache, oil and graphite on Zebrawood 48 x 34Ω in. (121.9 x 87.6 cm.)

Executed in 1982. $40,000-60,000

LEARN MORE PROVENANCE:

Private collection Gladstone Gallery, New York, 2005 Skarstedt Gallery, New York, 2007 Acquired from the above by the present owner, 2008

371

JULIAN SCHNABEL (B. 1951) Victory After S-chanf I

signed, titled and dated 'Julian Schnabel 2021 VICTORY AFTER S-CHANF I' (on the stretcher) oil, plates and Bondo on aluminum 48 x 36 in. (121.9 x 91.4 cm.)

Executed in 2021. $120,000-180,000

LEARN MORE PROVENANCE:

Pace Gallery, New York Acquired from the above by the present owner

372

RICHARD ARTSCHWAGER (1923- 2013) Untitled (Joanne Chesimard)

signed, titled and dated 'Untitled Richard Artschwager 1998' (on the reverse) acrylic on Celotex mounted on board, in painted wooden artist's frame 34¬ x 22√ in. (88 x 58.1 cm.)

Executed in 1998. $20,000-30,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, 1999

373

GEORG BASELITZ (B. 1938) Untitled

signed with the artist's initials and dated '2.IV 015 G.B.' (lower center) India ink and watercolor on paper, in two parts overall (framed): 34¿ x 49¬ in. (86.7 x 126 cm.) left sheet: 26 x 19¬ in. (66.1 x 49.8 cm.) right sheet: 26 x 20 in. (66 x 50.8 cm.)

Executed in 2015. $40,000-60,000

LEARN MORE PROVENANCE:

Gagosian Gallery, New York Acquired from the above by the present owner, 2015

374

GERHARD RICHTER (B. 1932) 27.1.08 (Grauwald)

signed and dated '27.1.08 Richter' (on the mount); dated again '27.1.08' (on the backing board) enameled lacquer on photograph image: 7¡ x 5 in. (18.7 x 12.7 cm.) mount: 16æ x 12º in. (42.5 x 31.1 cm.)

Executed in 2008. $25,000-35,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

375

GERHARD RICHTER (B. 1932) 26.11.18

signed and dated 'Richter, 26.11.18' (lower center); signed again and dated again 'Richter 2018' (on the backing board) graphite on paper 9¿ x 9 in. (23 x 22.9 cm.)

Executed in 2018. $15,000-20,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

376

ANSELM KIEFER (B. 1945) 20 Jahre Einsamkeit

titled '20 Jahre Einsamkeit' (upper center); dedicated 'for Neila + Lance' (lower center) acrylic, graphite and photograph collage on paperboard 39Ω x 27Ω in. (100.3 x 69.9 cm.)

Executed in 1971-1991. $25,000-35,000

LEARN MORE PROVENANCE:

Gift of the artist to the present owner

377

JUAN MUÑOZ (1953-2001) The Doorman

signed, titled and dated 'JUAN MUNOZ "DOORMAN" 1990.' (on the interior of the wood base); signed again, titled again and dated again 'JUAN MUNOZ "DOORMAN" 1990' (on the underside of the door) bronze, wood, glass and metal hinges installation dimensions: 95 x 27æ x 19 in. (241.3 x 70.5 x 48.3 cm.)

Executed in 1990. $80,000-120,000

LEARN MORE PROVENANCE:

Estate of Penny McCall, acquired directly from the artist Private collection, New York Anon. sale; Sotheby's, New York, 10 May 2012, lot 564 Acquired at the above sale by the present owner This work will be included in the forthcoming Juan Muñoz Catalogue Raisonné of sculptures being prepared by the Juan Muñoz Estate.

378

THOMAS SCHÜTTE (B. 1954) Telefonstuhl (Telephone Chair)

each signed and dated 'Thomas Schütte 1987' (on the underside) wood and lacquer, in three parts installation dimensions variable each: 20æ x 16 x 16 in. (52.7 x 40.6 x 40.6 cm.)

Executed in 1987. This work is from an edition of fifteen. $30,000-50,000

LEARN MORE PROVENANCE:

Galerie Micheline Szwajcer, Antwerp Private collection, Düsseldorf Acquired from the above by the present owner, 1999

PROPERTY FROM THE COLLECTION OF MARY & JOHN PAPPAJOHN

■379

REBECCA WARREN (B. 1965) Cube

bronze, MDF and wheels 56 x 46 x 48 in. (142.2 x 116.8 x 121.9 cm.)

Executed in 2006. This work is number two from an edition of three. $25,000-35,000

LEARN MORE PROVENANCE:

Matthew Marks Gallery, New York Acquired from the above by the late owners, 2007

VITAL LINE: A NEW YORK COLLECTION

■380

MARTIN PURYEAR (B. 1941) Heaven Three Ways/Exquisite Corpse

incised with the artist's signature, number and date 'Puryear 2011 1/1' (lower edge) bronze 78º x 34Ω x 18Ω in. (198.8 x 87.6 x 50 cm.)

Executed in 2011. This work is a unique cast. $200,000-300,000

LEARN MORE PROVENANCE:

McKee Gallery, New York Acquired from the above by the present owner, 2012

381

RICHARD TUTTLE (B. 1941) The Place in the Window, II wire mesh, cotton fiber and foil 18Ω x 14º x 8√ in. (47 x 36 x 22.5 cm.)

Executed in 2013. $6,000-8,000

LEARN MORE PROVENANCE:

Pace Gallery, New York Acquired from the above by the present owner, 2013

382

LYNDA BENGLIS (B. 1941)

Old Montauk Highway (Bull Path Series) signed with the artist's initials and dated 'LB '13-'14' (on the reverse) gold leaf, paper collage, coal tempera, acrylic, watercolor and chicken wire 39 x 12 x 7 in. (99.1 x 30.5 x 17.8 cm.)

Executed in 2013-2014. $20,000-30,000

LEARN MORE PROVENANCE:

Brodsky Center for Innovative Editions, The State University of New Jersey, Rutgers Acquired from the above by the present owner

383

STANLEY WHITNEY (B. 1946) Untitled

signed with the artist's initials and dated 'SW 85' (lower right) India ink on mylar laid down on board 36 x 42æ in. (91.4 x 108.6 cm.)

Executed in 1985. $10,000-15,000

LEARN MORE PROVENANCE:

Julia E. Harris, Chicago, acquired directly from the artist Private collection Anon. sale; Black Art Auction, St. Louis, 14 November 2020, lot 3 Acquired at the above sale by the present owner

384

TAL R (B. 1967)

Walk towards Hare Hill signed with the artist's initials, inscribed and dated 't. R 13 W.t.H.H.' (on the reverse) oil on Masonite mounted on panel 12¿ x 9¡ in. (30.8 x 23.8 cm.)

Painted in 2013. $3,000-5,000

LEARN MORE PROVENANCE:

Victoria Miro Gallery, London Acquired from the above by the present owner, 2014

385

JOSH SMITH (B. 1976) Turtle

signed and dated 'JOSH SMITH 2019' (on the reverse) oil on panel 48 x 36¿ in. (121.9 x 91.8 cm.)

Painted in 2019. $20,000-30,000

LEARN MORE PROVENANCE:

David Zwirner Gallery, New York Private collection, New York Acquired from the above by the present owner, 2019

386

KATHERINE BRADFORD (B. 1942) Cops and Artists

signed and dated 'K. Bradford '19' (on the reverse) acrylic on canvas 72 x 60 in. (182.9 x 152.4 cm.)

Painted in 2019. $50,000-70,000

LEARN MORE PROVENANCE:

Campoli Presti, Paris Acquired from the above by the present owner

387

TAL R (B. 1967) Man One Giant

signed with the artist's initials 'T.R' (lower left); signed again twice with the artist's initials, titled and dated 'TMR T.R "Man One Giant" 2010' (on the stretcher) pigment, crayon and rabbit glue on canvas 53 x 28º in. (134.6 x 71.8 cm.)

Executed in 2010. $20,000-30,000

LEARN MORE PROVENANCE:

Sommer Contemporary Art, Tel Aviv Acquired from the above by the present owner, 2011

388

NINA CHANEL ABNEY (B. 1982) Friends 333

signed and dated 'NINA CHANEL ABNEY 2015' (on the overlap) acrylic and spray paint on canvas 48 x 48 in. (121.9 x 121.9 cm.)

Painted in 2015. $80,000-120,000

LEARN MORE PROVENANCE:

Africa's Out! Benefit Auction, courtesy of the artist and Gladstone Gallery, New York, 5 June 2015 Private collection, New York Anon. sale; Christie's, New York, 14 November 2019, lot 802 Private collection, Jersey Anon. sale; Sotheby's, New York, 19 November 2021, lot 417 Acquired at the above sale by the present owner

SOLD TO BENEFIT GUILFORD COLLEGE

389

ROGER BROWN (1941- 1997) Safariland

titled 'SAFARILAND' (on the overlap) oil on canvas 40 x 48 in. (101.6 x 121.9 cm.)

Painted in 1973. $40,000-60,000

LEARN MORE PROVENANCE:

Rachel and Allen Weller, Urbana, Illinois Gift of the above to the present owner, 1989

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

390

JOHN WESLEY (1928-2022)

Woodrow Wilson Crossing the Delaware with Sea Scouts signed, titled and dated '"WOODROW WILSON CROSSING THE DELAWARE WITH SEA SCOUTS" John Wesley 1976' (on the reverse) acrylic on canvas 42 x 50¿ in. (106.7 x 127.3 cm.)

Painted in 1976. $60,000-80,000

LEARN MORE PROVENANCE:

Robert Elkon Gallery, New York Daniel Weinberg Gallery, Los Angeles Private collection, Los Angeles, 1992 Daniel Weinberg Gallery, Los Angeles Acquired from the above by the present owner, 2005

391

MANUEL MENDIVE (B. 1944) Quiero pensar

signed and dated 'MENDiVE 2024' (lower right) acrylic on canvas 29√ x 39√ in. (75.9 x 101.3 cm.)

Painted in 2024. $12,000-18,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner This work is accompanied by a certificate of authenticity signed by the artist and dated 22 December 2024.

392

OSWALDO GUAYASAMÍN (1919-1999) Quito naranja

signed ‘GUAYASAMIN’ (lower right) oil on canvas 39º x 39¡ in. (99.7 x 100 cm.)

Painted in 1995. $50,000-70,000

LEARN MORE PROVENANCE:

Private collection, Rhode Island By descent from the above to the present owner This work is accompanied by a certificate of authenticity from the Fundación Guayasamín, signed by Verenice Guayasamín, dated 22 August 2025.

393

DIDIER WILLIAM (B. 1983) Cursed Grounds: Cursed Borders

signed and dated 'Didier William 2021' (on the reverse) acrylic, oil, ink and wood carving on panel 60 x 106 in. (152.4 x 269.2 cm.)

Executed in 2021. $25,000-35,000

LEARN MORE PROVENANCE:

James Fuentes Gallery, New York Acquired from the above by the present owner

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

394

DANA SCHUTZ (B. 1976) Reconciliation

signed and dated 'Dana Schutz 2002' (on the reverse) oil on canvas 47¡ x 42¿ in. (120.3 x 107 cm.)

Painted in 2002. $80,000-120,000

LEARN MORE PROVENANCE:

Zach Feuer Gallery, New York Private collection, New Jersey Anon. sale; Christie's, New York, 14 November 2007, lot 351 Private collection, New York Museum 52, New York Acquired from the above by the present owner, 2009

395

SCOTT KAHN (B. 1946) Portrait of Fred Kirwin

signed and dated 'Scott Kahn '87' (lower right) oil on canvas 34 x 30 in. (86.4 x 76.2 cm.)

Painted in 1987. $50,000-70,000

LEARN MORE PROVENANCE:

Almine Rech, Paris Acquired from the above by the present owner

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

396

MARK INNERST (B. 1957) Astor Place

oil and acrylic on board, in artist's frame 48¡ x 26º in. (122.9 x 66.7 cm.)

Painted in 1996. $10,000-15,000

LEARN MORE PROVENANCE:

Curt Marcus Gallery, New York Acquired from the above by the present owner, 1996

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

397

MARK INNERST (B. 1957) The Albert Memorial

signed and dated 'MARK INNERST 1986' (on the reverse) oil and acrylic on board, in artist's frame 16æ x 18¡ in. (42.5 x 46.7 cm.)

Painted in 1986. $5,000-7,000

LEARN MORE PROVENANCE:

Curt Marcus Gallery, New York Acquired from the above by the present owner, 1993

398

VERA LUTTER (B. 1960)

Erie Basin, Red Hook, VI: September 17, 2003 triptych—unique gelatin silver print, flush-mounted on board signed and dated in pencil (on the reverse) overall: 102º x 168 in. (260 x 427 cm.) each: 94Ω x 55 in. (240.3 x 139.7 cm.)

Executed in 2003. This work is unique. $20,000-30,000

LEARN MORE PROVENANCE:

Galerie Max Hetzler, Berlin Acquired from the above by the present owner

399

JEFF WALL (B. 1946) Blind window no. 2

transparency in lightbox 58æ x 73 x 10º in. (149.2 x 185.4 x 26 cm.)

Executed in 2000. This work is number four from an edition of five plus two artist's proofs. $50,000-70,000

LEARN MORE PROVENANCE:

Marian Goodman Gallery, New York Private collection, Florida Anon. sale; Christie's, New York, 12 May 2015, lot 208 Acquired at the above sale by the present owner

400

JOHN BALDESSARI (1931- 2020)

Hot & Cold Series: GILLIS You trying to be funny? / PERFECTLY STILL acrylic and inkjet print on joined canvases, in two parts installation dimensions variable left: 57¿ x 45 (145.1 x 114.3 cm.) right: 55Ω x 44√ in. (141 x 114 cm.)

Executed in 2018. $100,000-150,000

LEARN MORE PROVENANCE:

Marian Goodman Gallery, New York Acquired from the above by the present owner, 2019

401

SHERRIE LEVINE (B. 1947) Cathedral: 1-9

each signed, titled respectively, numbered and dated 'Sherrie Levine 1996 Cathedral 6/10' (on the reverse) Iris print, in nine parts overall dimensions variable each image: 24 x 17æ in. (61 x 45.1 cm.) each sheet: 34 x 27√ in. (86.4 x 70.8 cm.)

Executed in 1996. This work is number six from an edition of ten plus one artist's proof. $15,000-20,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner

402

CINDY SHERMAN (B. 1954) Untitled

signed, numbered and dated 'Cindy Sherman 2/10 2002 / 08' (on a paper label affixed to the backing board) chromogenic print 41¬ x 25æ in. (105.7 x 65.4 cm.)

Executed in 2002/2008. This work is number two from an edition of ten. $35,000-55,000

LEARN MORE PROVENANCE:

Performa Artist Commissioning Fund Benefit Auction, courtesy of the artist and Metro Pictures, New York; Christie's, New York, 12 May 2010, lot 502 Private collection, San Francisco Anon. sale; Christie's, New York, 8 March 2013, lot 249 Acquired at the above sale by the present owner

403

MARILYN MINTER (B. 1948) Gossip

signed 'M. Minter' (on a paper label affixed to the reverse) chromogenic print face-mounted to acrylic and flush-mounted on aluminum 26¬ x 40 in. (67.6 x 101.6 cm.)

Executed in 2012. This work is artist's proof number one aside from an edition of twenty plus four artist's proofs. $8,000-12,000

LEARN MORE PROVENANCE:

Salon 94, New York Acquired from the above by the present owner

404

GILBERT & GEORGE (B. 1943 & B. 1942) Tongued

signed and dated and printed with the title 'TONGUED 1992 Gilbert + George' (lower right) hand-dyed gelatin silver print in artist's frame, in four parts overall: 67 x 56 in. (170.2 x 142.2 cm.)

Executed in 1992. $60,000-80,000

LEARN MORE PROVENANCE:

Sonnabend Gallery, New York Private collection, Italy Anon. sale; Christie's, New York, 11 November 2009, lot 401 Acquired at the above sale by the present owner

405

BRUCE NAUMAN (B. 1941)

Setting a Good Corner (Allegory & Metaphor) signed and numbered 'Bruce Nauman 14/40' (on the DVD) single-channel video, transferred to DVD duration: 59 minutes and 30 seconds Executed in 1999. This work is number fourteen from an edition of forty. $20,000-30,000

LEARN MORE PROVENANCE:

Sperone Westwater, New York Acquired from the above by the present owner, 2000

406

JEFF WALL (B. 1946) Pipe opening

transparency in lightbox 18Ω x 21√ x 5Ω in. (47 x 55.6 x 14 cm.)

Executed in 2003. This work is number seven from an edition of eight plus two artist's proofs. $20,000-30,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, 2004

407

RICHARD PRINCE (B. 1949) Untitled (Portrait)

signed and dated 'Richard Prince 2015' (on the overlap) inkjet on canvas 65√ x 48√ in. (167.3 x 124.2 cm.)

Executed in 2015. $30,000-50,000

LEARN MORE PROVENANCE:

Private collection Acquired from the above by the present owner, 2019

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

408

Y. Z. KAMI (B. 1956) Untitled

signed and dated 'KAMI 2007' (on the reverse) oil on canvas 58 x 29¿ in. (147.3 x 74 cm.)

Painted in 2007. $10,000-15,000

LEARN MORE PROVENANCE:

Gagosian Gallery, New York Acquired from the above by the present owner, 2008

409

KATSURA FUNAKOSHI (1951- 2024) Touching Snow With No Horn painted camphor wood and marble 40º x 22 x 14º in. (102.2 x 55.9 x 36.2 cm.)

Executed in 2007. $60,000-80,000

LEARN MORE PROVENANCE:

Greenberg Van Doren Gallery, New York Acquired from the above by the present owner, 2008

410

THOMAS HOUSEAGO (B. 1972) Algol Head

bronze 77 x 19Ω x 19¡ in. (195.6 x 49.5 x 49.2 cm.)

Executed in 2015. This work is number two from an edition of three plus two artist's proofs. $40,000-60,000

LEARN MORE PROVENANCE:

Gagosian Gallery, New York Acquired from the above by the present owner, 2015

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

■411

CHRIS OFILI (B. 1968) Silver Moon

incised with the artist's signature and stamped with the number and foundry mark 'CHRIS OFILI 3/3' (on the base) nickel silver 80 x 55Ω x 69 in. (203.2 x 141 x 175.3 cm.)

Executed in 2005. This work is number three from an edition of three plus one artist's proof. $70,000-100,000

LEARN MORE PROVENANCE:

Contemporary Fine Arts, Berlin Private collection, New York Private collection, 2006 Acquired from the above by the present owner, 2015

412

JULIO GALÁN (1958-2006) Joy

signed and dated 'Julio Galán 98' (lower right) oil, oilstick, paper collage, feathers and fabric applique on canvas 70Ω x 47¿ in. (179.1 x 119.7 cm.)

Executed in 1998. $40,000-60,000

LEARN MORE PROVENANCE:

Timothy Taylor Gallery, New York Private collection, 1998 Anon. sale; Piasa, Paris, 2 April 2015, lot 442 Private collection, Madrid Private collection, Guadalajara, 2021 Acquired from the above by the present owner This work is accompanied by a certificate of authenticity from Galería Arte Actual Mexicano signed by Guillermo Sepúlveda.

413

ROBERTO FABELO (B. 1950) Sueño de sirena

signed, titled and dated 'Sueño de sirena Fabelo 2016' (lower right) acrylic on embroidered silk laid down on panel 48 x 90º in. (121.9 x 229.2 cm.)

Executed in 2016. $95,000-120,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, 2016 This work is accompanied by a certificate of authenticity signed by the artist and dated 19 September 2016.

414

OUATTARA WATTS (B. 1957) Matrix #3

signed thrice and dated 'Ouattara Watts 2003 Ouattara Watts OUATTARA WATTS' (on the reverse) mixed media on canvas 94Ω x 70√ in. (239.1 x 179.7 cm.)

Executed in 2003. $15,000-20,000

LEARN MORE PROVENANCE:

Magazzino Gallery, Rome Acquired from the above by the present owner

415

YUKIMASA IDA (B. 1990) Mai

signed, titled and dated 'Mai 2023 Yukimasa Ida' (on the reverse) oil on canvas 76¡ x 63æ in. (194 x 161.9 cm.)

Painted in 2023. $60,000-80,000

LEARN MORE PROVENANCE:

Mariane Ibrahim Gallery, Chicago Private collection, Los Angeles Acquired from the above by present owner

416

AUSTYN WEINER (B. 1989) Sacrificial Lamb

signed, titled and dated 'SACRFICIAL [sic] LAMB AUSTYN 2022' (on the reverse) oil on canvas 58 x 72 in. (147.3 x 182.9 cm.)

Painted in 2022. $60,000-80,000

LEARN MORE PROVENANCE:

MASSIMODECARLO, London Acquired from the above by the present owner

417

JENNA GRIBBON (B. 1978) I know I'm being unpleasant

signed and dated 'Jenna Gribbon 2021' (on the overlap) oil on canvas 36 x 48 in. (91.5 x 122 cm.)

Painted in 2021. $30,000-50,000

LEARN MORE PROVENANCE:

Sim Smith, London Private collection, Los Angeles

418

BRIAN CALVIN (B. 1969) Guards (I)

signed, titled and dated 'Brian Calvin "GUARDS (I) 2007' (on the reverse) acrylic on canvas 48º x 72¿ in. (122.6 x 183 cm.)

Painted in 2007. $30,000-40,000

LEARN MORE PROVENANCE:

Marc Foxx Gallery, Los Angeles Acquired from the above by the present owner, 2007

419

VAUGHN SPANN (B. 1992) Juneteenth on the grass (after lunch)

signed, titled and dated 'Vaughn Spann 2022 "Juneteenth on the grass" (after lunch)' (on the reverse) oil on two joined canvases 78 x 128º in. (198.2 x 325.6 cm.)

Painted in 2022. $70,000-100,000

LEARN MORE PROVENANCE:

Private collection, New York Acquired from the above by the present owner

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

420

CARROLL DUNHAM (B. 1949) Edge of His World (Five)

signed, inscribed and dated 'Carroll Dunham Dec.-Jan. 2002-2003 Five' (upper left); signed again, inscribed again, titled and dated again 'C. Dunham NYC Dec-Jan. 20022003 "Edge of His World (FIVE)"' (on the stretcher) oil and graphite on linen 80 x 77 in. (203.2 x 195.6 cm.)

Painted in 2002-2003. $60,000-80,000

LEARN MORE PROVENANCE:

White Cube, London Acquired from the above by the present owner, 2003

PROPERTY FROM THE COLLECTION OF MARY & JOHN PAPPAJOHN

421

KATHARINA FRITSCH (B. 1956) Fliege (Fly)

household paint and plastic 7¡ x 10Ω x 8 in. (18.7 x 26.7 x 20.3 cm.)

Executed in 2000. This work is number three from an edition of ten. $40,000-60,000

LEARN MORE PROVENANCE:

Matthew Marks Gallery, New York Acquired from the above by the late owners, 2001

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

422

ERWIN WURM (B. 1954) The Artist Who Swallowed the World

mixed media construction 74√ x 55¿ x 55¿ in. (190.2 x 140 x 140 cm.)

Executed in 2006. This work is from an edition of three plus two artist's proofs. $30,000-50,000

LEARN MORE PROVENANCE:

Galerie Krinzinger, Vienna Private collection Anon. sale; Sotheby's, London, 16 February 2012, lot 137 Acquired at the above sale by the present owner

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

■423

MIMMO PALADINO (B. 1948) Cavallo

incised with the artist's signature and number and stamped with the foundry mark 'Mimmo Paladino 3/4' (on the base) bronze 80 x 40¬ x 19æ in. (203.2 x 103.2 x 50.2 cm.)

Executed in 2000. This work is number three from an edition of four plus two artist's proofs. $30,000-50,000

LEARN MORE PROVENANCE:

Waddington Galleries, London Acquired from the above by the present owner, 2012

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

424

RED GROOMS (B. 1937) Western Eagle

incised with the artist's signature 'Red grooms' (on the eagle's tail); signed 'Red grooms' (near the base) painted bronze on painted wooden base 42 x 17 x 31 in. (106.7 x 43.2 x 78.7 cm.)

Executed in 1980. This work is number five from an edition of six. $6,000-8,000

LEARN MORE PROVENANCE:

Private collection Anon. sale; Sotheby's, New York, 12 September 2007, lot 277 Acquired at the above sale by the present owner

425

ROB PRUITT (B. 1964) Planter

acrylic and shellac on six tires with house plants 74 x 49 x 49 in. (188 x 124.5 x 124.5 cm.)

Executed in 2010. $6,000-8,000

LEARN MORE PROVENANCE:

Gavin Brown's enterprise, New York Acquired from the above by the present owner, 2010

◗❖426

FEWOCIOUS (B. 2003) Year 21

slot machine, camera, printer, foam base 68 x 72 x 38 in. (172.2 x 182.9 x 96.5 cm.)

Executed in 2025. This work is unique and accompanied by a non-fungible token. $50,000-150,000

LEARN MORE PROVENANCE:

The artist

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

427

JONATHAN HOROWITZ (B. 1966) Self-portrait in "Mirror #1" (Caitlin) acrylic on canvas 60 x 48 in. (152.4 x 121.9 cm.)

Painted in 2012. $15,000-20,000

LEARN MORE PROVENANCE:

Gavin Brown's enterprise, New York Acquired from the above by the present owner, 2012

THE COLLECTION OF THOMAS AND DORIS AMMANN

■428

URS FISCHER (B. 1973) signed 'Urs Fischer' (on a paper label affixed to the reverse) aluminum panel, aluminum honeycomb, two-component polyurethane adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium and acrylic paint 96 x 120 in. (243.8 x 304.8 cm.)

Executed in 2014. $180,000-250,000

LEARN MORE PROVENANCE:

Gavin Brown's enterprise, New York Thomas Ammann Fine Art AG, Zürich, 2014 Acquired from the above by the present owner

429

ROSS BLECKNER (B. 1949) Untitled

oil and wax on canvas 84 x 72º in. (213.4 x 183.5 cm.)

Executed in 1985. $40,000-60,000

LEARN MORE PROVENANCE:

Peter Marcelle Gallery, New York Private collection, 2015 Anon. sale; Phillips, New York, 19 May 2022, lot 195 Acquired at the above sale by the present owner

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

430

SPENCER SWEENEY (B. 1973) Figures in Transubstantiation

signed with the artist's initials and dated 'SS 10' (on the reverse) acrylic and glitter on canvas 74 x 62 in. (188 x 157.5 cm.)

Painted in 2010. $18,000-25,000

LEARN MORE PROVENANCE:

Gavin Brown's enterprise, New York Acquired from the above by the present owner, 2010

431

KORAKRIT ARUNANONDCHAI (B. 1986) Untitled (History Painting)

signed with the artist's initials and dated 'ka 2019' (on the reverse) denim, inkjet print, acrylic and synthetic gold leaf on canvas 76 x 43 in. (193 x 109.2 cm.)

Executed in 2019. $6,000-8,000

LEARN MORE PROVENANCE:

C L E A R I N G, New York Acquired from the above by the present owner, 2019

432

JOHN ARMLEDER (B. 1948) Untitled

signed and dated 'John Armleder 1993-1994' (on the overlap) acrylic, lacquer, spray paint and glitter on canvas 67¿ x 118º in. (170.5 x 300.4 cm.)

Executed in 1993-1994. $40,000-60,000

LEARN MORE PROVENANCE:

Acquired directly from the artist by the present owner, 1994

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

433

WILHELM SASNAL (B. 1972) Old Age Home

each signed and dated 'WILHELM SASNAL 2007' (on the overlap) triptych—acrylic and graphite on canvas left element: 47º x 63 in. (120 x 160 cm.) center element: 13æ x 15æ in. (34.9 x 40 cm.) right element: 15æ x 19æ in. (40 x 50.2 cm.)

Painted in 2007. $40,000-60,000

LEARN MORE PROVENANCE:

Anton Kern Gallery, New York Acquired from the above by the present owner, 2007

A TRIUMPH OF FIGURATION: SELECTIONS FROM THE JOEL AND CAROLE BERNSTEIN FAMILY COLLECTION

434

VIK MUNIZ (B. 1961)

Norms on Fire, after Ed Ruscha (from Pictures of Cars) signed and dated 'Vik Muniz 2008' (on a paper label affixed to the backing board) chromogenic print mounted to Dibond 36 x 72 in. (91.4 x 182.9 cm.)

Executed in 2008. This work is artist's proof number three aside from an edition of six plus four artist's proofs. $20,000-30,000

LEARN MORE PROVENANCE:

Alan Koppel Gallery, Chicago, acquired directly from the artist, 2009 Acquired from the above by the present owner, 2010

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

435

JONATHAN LASKER (B. 1948) Exclusive Expression

signed and dated 'J. Lasker 2007' (on the overlap) oil on canvas 75 x 100 in. (190.5 x 254 cm.)

Painted in 2007. $50,000-70,000

LEARN MORE PROVENANCE:

Cheim & Read, New York Acquired from the above by the present owner, 2007

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

436

TERRY WINTERS (B. 1949) Untitled (Yellow)

signed and dated 'Terry Winters 2003' (on the reverse) oil on canvas 77 x 59Ω in. (195.6 x 151.1 cm.)

Painted in 2003. $30,000-50,000

LEARN MORE PROVENANCE:

Matthew Marks Gallery, New York Acquired from the above by the present owner, 2003

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

437

PHILIP TAAFFE (B. 1955) Interzonal Leaves

signed, titled and dated 'INTERZONAL LEAVES Philip Taaffe 1998' (on the reverse) acrylic on canvas 80 x 91 in. (203.2 x 231.1 cm.)

Painted in 1998. $25,000-35,000

LEARN MORE PROVENANCE:

Gagosian Gallery, New York Acquired from the above by the present owner, 1998

438

DAVID REED (B. 1946) #322

signed, titled and dated 'DAVID REED 322 1991-93' (on the overlap) alkyd and oil on linen 48 x 112¿ in. (121.9 x 284.8 cm.)

Painted in 1991-1993. $25,000-35,000

LEARN MORE PROVENANCE:

Galerie Bob van Orsouw, Zürich Acquired from the above by the present owner, 1997

439

STANLEY WHITNEY (B. 1946) Untitled

signed and dated 'Stanley Whitney 85'' (lower right) monotype in colors on Rives paper 30¡ x 44æ in. (77.2 x 113.7 cm.)

Executed in 1985. $8,000-12,000

LEARN MORE PROVENANCE:

Julia E. Harris, Chicago, acquired directly from the artist Private collection Anon. sale; Black Art Auction, St. Louis, 14 November 2020, lot 65 Acquired at the above sale by the present owner

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

440

MATTHEW RITCHIE (B. 1964) Objects and realism oil and ink on canvas 58 x 74¿ in. (147.3 x 188.3 cm.)

Executed in 2014. $7,000-10,000

LEARN MORE PROVENANCE:

Andrea Rosen Gallery, New York Acquired from the above by the present owner, 2014

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION

441

RAOUL DE KEYSER (1930-2012) Zonder Titel 1; Zonder Titel 2; Zonder Titel 3 and Zonder Titel 4 [Four Works] (i) Zonder Titel 1 signed and dated twice '2006 Raoul de Keyser 2006' (on the reverse) oil, gesso and charcoal on canvas 15 x 13 in. (38.1 x 33 cm.)

Executed in 2006. (ii) Zonder Titel 2 signed and dated '2006 Raoul de Keyser' (on the reverse) oil, gesso and charcoal on canvas 15 x 13 in. (38.1 x 33 cm.)

Executed in 2006. (iii) Zonder Titel 3 signed and dated '2006 Raoul de Keyser' (on the reverse) oil, gesso and charcoal on canvas 16√ x 11æ in. (42.9 x 29.8 cm.)

Executed in 2006. (iv) Zonder Titel 4 signed and dated twice 'Raoul de Keyser 2006 2006' (on the reverse) oil, gesso and charcoal on canvas 17 x 13¡ in. (43.2 x 34 cm.)

Executed in 2006. $40,000-60,000

LEARN MORE PROVENANCE:

David Zwirner Gallery, New York Acquired from the above by the present owner, 2006

442

WYATT KAHN (B. 1983) Ahoy

signed and dated 'Wyatt Kahn 2015' (on the backing board) acrylic and linen on canvas mounted on shaped panel and aluminum 49º x 48º in. (125.1 x 122.6 cm.)

Executed in 2015. $10,000-15,000

LEARN MORE PROVENANCE:

Rosenfeld Art Projects, Los Angeles Acquired from the above by the present owner, 2015

443

DAN COLEN (B. 1979) Holy Shit

signed and dated 'Dan Colen 2004-2006' (on the reverse) enamel and spray paint on plywood 48 x 35√ in. (121.9 x 91.1 cm.)

Executed in 2004-2006. $10,000-15,000

LEARN MORE PROVENANCE:

Peres Projects, Los Angeles and Berlin Private collection, Belgium Private collection, New York Anon. sale; Sotheby's, New York, 13 November 2013, lot 1 Private collection, New York Acquired from the above by the present owner

CONDITIONS OF SALE • BUYING AT CHRISTIE’S CONDITIONS OF SALE These Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice set out the terms on which we offer the lots listed in this catalogue for sale. By registering to bid and/or by bidding at auction you agree to these terms, so you should read them carefully before doing so. You will find a glossary at the end explaining the meaning of the words and expressions coloured in bold. As well as these Conditions of Sale, lots in which we offer Non-Fungible Tokens are governed by the Additional Conditions of Sale – Non-Fungible Tokens, which are available in Appendix A herein. For the sale of Non-Fungible Tokens, to the extent there is a conflict between the “New York Conditions of Sale Buying at Christie’s” and “Additional Conditions of Sale – Non-Fungible Tokens”, the latter controls.

Unless we own a lot in whole or in part (Δ symbol), Christie’s acts as agent for the seller.

A BEFORE THE SALE 1 DESCRIPTION OF LOTS

(a) Certain words used in the catalogue description have special meanings. You can find details of these on the page headed “Important Notices and Explanation of Cataloguing Practice” which forms part of these terms. You can find a key to the Symbols found next to certain catalogue entries under the section of the catalogue called “Symbols Used in this Catalogue”. (b) Our description of any lot in the catalogue, any condition report and any other statement made by us (whether orally or in writing) about any lot, including about its nature or condition, artist, period, materials, approximate dimensions, or provenance are our opinion and not to be relied upon as a statement of fact. We do not carry out in-depth research of the sort carried out by professional historians and scholars. All dimensions and weights are approximate only.

2 OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a lot apart from our authenticity warranty contained in paragraph E2 and to the extent provided in paragraph I below.

3 CONDITION

(a) The condition of lots sold in our auctions can vary widely due to factors such as age, previous damage, restoration, repair and wear and tear. Their nature means that they will rarely be in perfect condition. Lots are sold “as is,” in the condition they are in at the time of the sale, without any representation or warranty or assumption of liability of any kind as to condition by Christie’s or by the seller. (b) Any reference to condition in a catalogue entry or in a condition report will not amount to a full description of condition, and images may not show a lot clearly. Colours and shades may look different in print or on screen to how they look on physical inspection. Condition reports may be available to help you evaluate the condition of a lot. Condition reports are provided free of charge as a convenience to our buyers and are for guidance only. They offer our opinion but they may not refer to all faults, inherent defects, restoration, alteration or adaptation because our staff are not professional restorers or conservators. For that reason condition reports are not an alternative to examining a lot in person or seeking your own professional advice. It is your responsibility to ensure that you have requested, received and considered any condition report.

4 VIEWING LOTS PRE-AUCTION

(a) If you are planning to bid on a lot, you should inspect it personally or through a knowledgeable representative before you make a bid to make sure that you accept the description and its condition. We recommend you get your own advice from a restorer or other professional adviser. (b) Pre-auction viewings are open to the public free of charge.

Our specialists may be available to answer questions at preauction viewings or by appointment.

5 ESTIMATES

Estimates are based on the condition, rarity, quality and provenance of the lots and on prices recently paid at auction for similar property. Estimates can change. Neither you, nor anyone else, may rely on any estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose.

Estimates do not include the buyer’s premium or any applicable taxes.

6 WITHDRAWAL

Christie’s may, at its option, withdraw any lot from auction at any time prior to or during the sale of the lot. Christie’s has no liability to you for any decision to withdraw.

7 JEWELLERY

(a) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to improve their look, through methods such as heating and oiling. These methods are accepted by the international jewellery trade but may make the gemstone less strong and/or require special care over time. (b) It will not be apparent to us whether a diamond is naturally or synthetically formed unless it has been tested by a gemmological laboratory. Where the diamond has been tested, a gemmological report will be available. (c) All types of gemstones may have been improved by some method. You may request a gemmological report for any item which does not have a report if the request is made to us at least three weeks before the date of the auction and you pay the fee for the report. (d) Certain weights in the catalogue description are provided for guidance purposes only as they have been estimated through measurement and, as such, should not be relied upon as exact. (e) We do not obtain a gemmological report for every gemstone sold in our auctions. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports will be described in the catalogue. Reports from American gemmological laboratories will describe any improvement or treatment to the gemstone. Reports from European gemmological laboratories will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment, or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. We do not guarantee nor are we responsible for any report or certificate from a gemmological laboratory that may accompany a lot. (f) For jewellery sales, estimates are based on the information in any gemmological report, or if no report is available, assume that the gemstones may have been treated or enhanced.

8 WATCHES & CLOCKS

(a) Almost all clocks and watches are repaired in their lifetime and may include parts which are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water resistant cases may not be waterproof and we recommend you have them checked by a competent watchmaker before use.

Important information about the sale, transport and shipping of watches and watchbands can be found in paragraph H2(f).

B REGISTERING TO BID 1 NEW BIDDERS

(a) If this is your first time bidding at Christie’s or you are a returning bidder who has not bought anything from any of our salerooms within the last two years you must register at least 48 hours before an auction begins to give us enough time to process and approve your registration. We may, at our option, decline to permit you to register as a bidder. You will be asked for the following: (i) for individuals: Photo identification (driver’s licence, national identity card, or passport) and, if not shown on the ID document, proof of your current address (for example, a current utility bill or bank statement); (ii) for corporate clients: Your Certificate of Incorporation or equivalent document(s) showing your name and registered address together with documentary proof of directors and beneficial owners; and (iii) for trusts, partnerships, offshore companies and other business structures, please contact us in advance to discuss our requirements. (b) We may also ask you to give us a financial reference and/or a deposit as a condition of allowing you to bid. For help, please contact our Client Services Department at +1 212-636-2000.

2 RETURNING BIDDERS

As described in paragraph B(1) above, we may at our option ask you for current identification, a financial reference, or a deposit as a condition of allowing you to bid. If you have not bought anything from any of our salerooms within the last two years or if you want to spend more than on previous occasions, please contact our Client Services Department at +1 212-636-2000.

3 IF YOU FAIL TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion you do not satisfy our bidder identification and registration procedures including, but not limited to completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller.

4 BIDDING ON BEHALF OF ANOTHER PERSON

If you are bidding on behalf of another person, that person will need to complete the registration requirements above before you can bid and supply a signed letter authorising you to bid for him/ her. A bidder accepts personal liability to pay the purchase price and all other sums due unless it has been agreed in writing with Christie’s, before commencement of the auction, that the bidder is acting as an agent on behalf of a named third party acceptable to Christie’s and that Christie’s will only seek payment from the named third party.

5 BIDDING IN PERSON

If you wish to bid in the saleroom you must register for a numbered bidding paddle at least 30 minutes before the auction.

You may register online at www.christies.com or in person.

For help, please contact the Client Service Department on +1 212-636-2000.

6 BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and Christie’s is not responsible for any error (human or otherwise), omission, or breakdown in providing these services. (a) Phone Bids Your request for this service must be made no later than 24 hours prior to the auction. We will accept bids by telephone for lots only if our staff are available to take the bids. If you need to bid in a language other than in English, you must arrange this well before the auction. We may record telephone bids. By bidding on the telephone, you are agreeing to us recording your conversations. You also agree that your telephone bids are governed by these Conditions of Sale. (b) Internet Bids on Christie’s LIVE™ For certain auctions we will accept bids over the Internet. For more information, please visit https://www.christies.com/ buying-services/buying-guide/register-and-bid/. As well as these Conditions of Sale, internet bids are governed by the Christie’s LIVE™ Terms of Use which are available at https:// www.christies.com/LiveBidding/OnlineTermsOfUse.aspx. (c) Written Bids You can find a Written Bid Form at any Christie’s office, or by choosing the sale and viewing the lots online at www. christies.com. We must receive your completed Written Bid at least 24 hours before the auction. Bids must be placed in the currency of the saleroom. The auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the reserve. If you make a written bid on a lot which does not have a reserve and there is no higher bid than yours, we will bid on your behalf at around 50% of the low estimate or, if lower, the amount of your bid. If we receive written bids on a lot for identical amounts, and at the auction these are the highest bids on the lot, we will sell the lot to the bidder whose written bid we received first.

C CONDUCTING THE SALE 1 WHO CAN ENTER THE AUCTION

We may, at our option, refuse admission to our premises or decline to permit participation in any auction or to reject any bid.

2 RESERVES

Unless otherwise indicated, all lots are subject to a reserve. We identify lots that are offered without a reserve with the symbol • next to the lot number. The reserve cannot be more than the lot’s low estimate, unless the lot is subject to a third party guarantee and the irrevocable bid exceeds the printed low estimate. In that case, the reserve will be set at the amount of the irrevocable bid.

Lots which are subject to a third party guarantee arrangement are identified in the catalogue with the symbol °◆.

3 AUCTIONEER’S DISCRETION The auctioneer can at their sole option: (a) refuse any bid; (b) move the bidding backwards or forwards in any way they may decide, or change the order of the lots; (c) withdraw any lot; (d) divide any lot or combine any two or more lots; (e) reopen or continue the bidding even after the hammer has fallen; and (f) in the case of error or dispute related to bidding and whether during or after the auction, continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot. If you believe that the auctioneer has accepted the successful bid in error, you must provide a written notice detailing your claim within 3 business days of the date of the auction. The auctioneer will consider such claim in good faith.

If the auctioneer, in the exercise of their discretion under this paragraph, decides after the auction is complete, to cancel the sale of a lot, or reoffer and resell a lot, they will notify the successful bidder no later than by the end of the 7th calendar day following the date of the auction. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way prejudice Christie’s ability to cancel the sale of a lot under any other applicable provision of these Conditions of Sale, including the rights of cancellation set forth in paragraphs B(3), E(2)(i), F(4), and J(1).

4 BIDDING The auctioneer accepts bids from: (a) bidders in the saleroom; (b) telephone bidders; (c) internet bidders through Christie’s LIVE™ (as shown above in paragraph B6); and (d) written bids (also known as absentee bids or commission bids) left with us by a bidder before the auction.

5 BIDDING ON BEHALF OF THE SELLER The auctioneer may, at their sole option, bid on behalf of the seller up to but not including the amount of the reserve either by making consecutive bids or by making bids in response to other bidders. The auctioneer will not identify these as bids made on behalf of the seller and will not make any bid on behalf of the seller at or above the reserve. If lots are offered without reserve, the auctioneer will generally decide to open the bidding at 50% of the low estimate for the lot. If no bid is made at that level, the auctioneer may decide to go backwards at their sole option until a bid is made, and then continue up from that amount. In the event that there are no bids on a lot, the auctioneer may deem such lot unsold.

6 BID INCREMENTS Bidding generally starts below the low estimate and increases in steps (bid increments). The auctioneer will decide at their sole option where the bidding should start and the bid increments.

7 CURRENCY CONVERTER The saleroom video screens (and Christies LIVE™) may show bids in some other major currencies as well as US dollars. Any conversion is for guidance only and we cannot be bound by any rate of exchange used. Christie’s is not responsible for any error (human or otherwise), omission or breakdown in providing these services.

8 SUCCESSFUL BIDS Unless the auctioneer decides to use their discretion as set out in paragraph C3 above, when the auctioneer’s hammer strikes, we have accepted the last bid. This means a contract for sale has been formed between the seller and the successful bidder. We will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we do not accept responsibility for telling you whether or not your bid was successful. If you have bid by written bid, you should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of your bid to avoid having to pay unnecessary storage charges.

9 LOCAL BIDDING LAWS You agree that when bidding in any of our sales that you will strictly comply with all local laws and regulations in force at the time of the sale for the relevant sale site.

D THE BUYER’S PREMIUM AND TAXES 1 THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots we charge 26% of the hammer price up to and including US$1,000,000, 21.0% on that part of the hammer price over US$1,000,000 and up to and including US$6,000,000, and 15.0% of that part of the hammer price above US$6,000,000.

2 TAXES

The successful bidder is responsible for any applicable taxes including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/ or any other charges related to the lot.

For lots Christie’s ships to or within the United States, a sales or use tax may be due on the hammer price, buyer’s premium, and/or any other charges related to the lot, regardless of the nationality or citizenship of the successful bidder. Christie’s will collect sales tax where legally required. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped. Christie’s shall collect New York sales tax at a rate of 8.875% for any lot collected from Christie’s in New York.

In accordance with New York law, if Christie’s arranges the shipment of a lot out of New York State, New York sales tax does not apply, although sales tax or other applicable taxes for other states may apply. If you hire a shipper (other than a common carrier authorized by Christie’s), to collect the lot from a Christie’s New York location, Christie’s must collect New York sales tax on the lot at a rate of 8.875% regardless of the ultimate destination of the lot.

If Christie’s delivers the lot to, or the lot is collected by, any framer, restorer or other similar service provider in New York that you have hired, New York law considers the lot delivered to the successful bidder in New York and New York sales tax must be imposed regardless of the ultimate destination of the lot. In this circumstance, New York sales tax will apply to the lot even if Christie’s or a common carrier (authorized by Christie’s that you hire) subsequently delivers the lot outside New York.

Successful bidders claiming an exemption from sales tax must provide appropriate documentation to Christie’s prior to the release of the lot or within 90 days after the sale, whichever is earlier. For shipments to those states for which Christie’s is not required to collect sales tax, a successful bidder may have a use or similar tax obligation. It is the successful bidder’s responsibility to pay all taxes due. Christie’s recommends you consult your own independent tax advisor with any questions.

E WARRANTIES 1 SELLER’S WARRANTIES

For each lot, the seller gives a warranty that the seller: (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot, or the right to do so in law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. (c) If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph F1(a) below) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expenses. The seller gives no warranty in relation to any lot other than as set out above and, as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller which may be added to this agreement by law, are excluded.

2 OUR AUTHENTICITY WARRANTY

We warrant, subject to the terms below, that the lots in our sales are authentic (our “authenticity warranty”). If, within 5 years of the date of the auction, you give notice to us that your lot is not authentic, subject to the terms below, we will refund the purchase price paid by you. The meaning of authentic can be found in the glossary at the end of these Conditions of Sale. The terms of the authenticity warranty are as follows: (a) It will be honored for claims notified within a period of 5 years from the date of the auction. After such time, we will not be obligated to honor the authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the “Heading”). It does not apply to any information other than in the Heading even if shown in UPPERCASE type. (c) The authenticity warranty does not apply to any Heading or part of a Heading which is qualified. Qualified means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the section titled Qualified Headings on the page of the catalogue headed “Important Notices and Explanation of Cataloguing Practice”.

For example, use of the term “ATTRIBUTED TO…” in a Heading means that the lot is in Christie’s opinion probably a work by the named artist but no warranty is provided that the lot is the work of the named artist. Please read the full list of Qualified Headings and a lot’s full catalogue description before bidding. (d) The authenticity warranty applies to the Heading as amended by any Saleroom notice.

(e) The authenticity warranty does not apply where scholarship has developed since the auction leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) The authenticity warranty does not apply if the lot can only be shown not to be authentic by a scientific process which, on the date we published the catalogue, was not available or generally accepted for use, or which was unreasonably expensive or impractical, or which was likely to have damaged the lot. (g) The benefit of the authenticity warranty is only available to the original buyer shown on the invoice for the lot issued at the time of the sale and only if on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest or restriction by anyone else. The benefit of this authenticity warranty may not be transferred to anyone else. (h) In order to claim under the authenticity warranty you must: (i) give us written notice of your claim within 5 years of the date of the auction. We may require full details and supporting evidence of any such claim; (ii) at Christie’s option, we may require you to provide the written opinions of two recognised experts in the field of the lot mutually agreed by you and us in advance confirming that the lot is not authentic. If we have any doubts, we reserve the right to obtain additional opinions at our expense; and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages or expenses. (j) Books. Where the lot is a book, we give an additional warranty for 21 days from the date of the auction that if any lot is defective in text or illustration, we will refund your purchase price, subject to the following terms: (a) This additional warranty does not apply to: (i) the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of the text or illustration; (ii) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; (iii) books not identified by title; (iv) lots sold without a printed estimate; (v) books which are described in the catalogue as sold not subject to return; or (vi) defects stated in any condition report or announced at the time of sale. (b) To make a claim under this paragraph you must give written details of the defect and return the lot to the sale room at which you bought it in the same condition as at the time of sale, within 21 days of the date of the sale. (k) South East Asian Modern and Contemporary Art and Chinese Calligraphy and Painting.

In these categories, the authenticity warranty does not apply because current scholarship does not permit the making of definitive statements. Christie’s does, however, agree to cancel a sale in either of these two categories of art where it has been proven the lot is a forgery. Christie’s will refund to the original buyer the purchase price in accordance with the terms of Christie’s Authenticity warranty, provided that the original buyer notifies us with full supporting evidence documenting the forgery claim within twelve (12) months of the date of the auction. Such evidence must be satisfactory to us that the property is a forgery in accordance with paragraph E2(h)(ii) above and the property must be returned to us in accordance with paragraph E2(h)(iii) above. Paragraphs E2(b), (c), (d), (e), (f) and (g) and (i) also apply to a claim under these categories. (l) Chinese, Japanese and Korean artefacts (excluding Chinese, Japanese and Korean calligraphy, paintings, prints, drawings and jewellery).

In these categories, paragraph E2 (b) – (e) above shall be amended so that where no maker or artist is identified, the authenticity warranty is given not only for the Heading but also for information regarding date or period shown in UPPERCASE type in the second line of the catalogue description (the “Subheading”). Accordingly, all references to the Heading in paragraph E2 (b) – (e) above shall be read as references to both the Heading and the Subheading.

3 NO IMPLIED WARRANTIES EXCEPT AS SET FORTH IN PARAGRAPHS E1 AND E2 ABOVE, NEITHER THE SELLER NOR THE CHRISTIE’S GROUP MAKE ANY OTHER WARRANTY, EXPRESS OR IMPLIED, ORAL OR WRITTEN, WITH RESPECT TO THE LOT, INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, EACH OF WHICH IS SPECIFICALLY DISCLAIMED.

4 YOUR WARRANTIES

(d) You must quote the sale number, your invoice number and client number when making a payment. All payments sent by post must be sent to: Christie’s Inc. Post-Sale Services, 20 Rockefeller Center, New York, NY 10020. (e) For more information please contact our Post-Sale Services by phone at +1 212 636 2650 or fax at +1 212 636 4939 or email PostSaleUS@christies.com.

(a) You warrant that the funds used for settlement are not connected with any criminal activity, including tax evasion, and you are neither under investigation, nor have you been charged with or convicted of money laundering, terrorist activities or other crimes.

2 TRANSFERRING OWNERSHIP TO YOU

(b) Where you are bidding on behalf of another person, you warrant that:

3 TRANSFERRING RISK TO YOU

(i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money laundering and sanctions laws, consent to us relying on this due diligence, and you will retain for a period of not less than 5 years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for settlement are connected with, the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation, or have been charged with or convicted of money laundering, terrorist activities or other crimes.

F PAYMENT 1 HOW TO PAY (a) Immediately following the auction, you must pay the purchase price being: (i) the hammer price; and (ii) the buyer’s premium; and (iii) any applicable duties, goods, sales, use, compensating or service tax, or VAT. Payment is due no later than by the end of the 7th calendar day following the date of the auction (the “due date”). (b) We will only accept payment from the registered bidder. Once issued, we cannot change the buyer’s name on an invoice or re-issue the invoice in a different name. You must pay immediately even if you want to export the lot and you need an export licence. (c) You must pay for lots bought at Christie’s in the United States in the currency stated on the invoice in one of the following ways: (i) Wire transfer JP Morgan Chase Bank, N.A., 270 Park Avenue, New York, NY 10017; ABA# 021000021; FBO: Christie’s Inc.; Account # 957-107978, for international transfers, SWIFT: CHASUS33. (ii) Credit Card We accept Visa, MasterCard, American Express and China Union Pay. Credit card payments at the New York premises will only be accepted for New York sales. Christie’s will not accept credit card payments for purchases in any other sale site. (iii) Cash We accept cash payments (including money orders and traveller’s checks) subject to a maximum global aggregate of US$7,500 per buyer. (iv) Bank Checks You must make these payable to Christie’s Inc. and there may be conditions. Once we have deposited your check, property cannot be released until five business days have passed. (v) Checks You must make checks payable to Christie’s Inc. and they must be drawn from US dollar accounts from a US bank. (vi) Cryptocurrency With the exception of clients resident in Mainland China, payment for a lot marked with the symbol ❖ may be made in a cryptocurrency or cryptocurrencies of our choosing. Such cryptocurrency payments must be made in accordance with the Additional Conditions of Sale - Nonfungible Tokens set out at Appendix A to these Conditions of Sale.

You will not own the lot and ownership of the lot will not pass to you until we have received full and clear payment of the purchase price, even in circumstances where we have released the lot to you.

The risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) When you collect the lot; or (b) At the end of the 30th day following the date of the auction or, if earlier, the date the lot is taken into care by a third party warehouse as set out on the page headed ‘Storage and Collection’, unless we have agreed otherwise with you.

4 WHAT HAPPENS IF YOU DO NOT PAY (a) If you fail to pay us the purchase price in full by the due date, we will be entitled to do one or more of the following (as well as enforce our rights under paragraph F5 and any other rights or remedies we have by law): (i) we can charge interest from the due date at a rate of up to 1.34% per month on the unpaid amount due; (ii) we can cancel the sale of the lot. If we do this, we may sell the lot again, publicly or privately on such terms we shall think necessary or appropriate, in which case you must pay us any shortfall between the purchase price and the proceeds from the resale. You must also pay all costs, expenses, losses, damages and legal fees we have to pay or may suffer and any shortfall in the seller’s commission on the resale; (iii) we can pay the seller an amount up to the net proceeds payable in respect of the amount bid by your default in which case you acknowledge and understand that Christie’s will have all of the rights of the seller to pursue you for such amounts; (iv) we can hold you legally responsible for the purchase price and may begin legal proceedings to recover it together with other losses, interest, legal fees and costs as far as we are allowed by law; (v) we can take what you owe us from any amounts which we or any company in the Christie’s Group may owe you (including any deposit or other part-payment which you have paid to us); (vi) we can, at our option, reveal your identity and contact details to the seller; (vii) we can reject at any future auction any bids made by or on behalf of the buyer or to obtain a deposit from the buyer before accepting any bids; (viii) we can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us; and (ix) we can take any other action we see necessary or appropriate. (b) If you owe money to us or to another Christie’s Group company, we can use any amount you do pay, including any deposit or other part-payment you have made to us, or which we owe you, to pay off any amount you owe to us or another Christie’s Group company for any transaction.

5 KEEPING YOUR PROPERTY If you owe money to us or to another Christie’s Group company, as well as the rights set out in F4 above, we can use or deal with any of your property we hold or which is held by another Christie’s Group company in any way we are allowed to by law.

We will only release your property to you after you pay us or the relevant Christie’s Group company in full for what you owe.

However, if we choose, we can also sell your property in any way we think appropriate. We will use the proceeds of the sale against any amounts you owe us and we will pay any amount left from that sale to you. If there is a shortfall, you must pay us any difference between the amount we have received from the sale and the amount you owe us.

G COLLECTION AND STORAGE

(a) You must collect purchased lots within seven days from the auction (but note that lots will not be released to you until you have made full and clear payment of all amounts due to us). (b) If you do not collect any lot within 90 days following the auction we may, at our option (i) charge you storage costs at the rates set out at www. christies.com/en/help/buying-guide/storage-fees. (ii) move the lot to another Christie’s location or an affiliate or third-party warehouse and charge you transport costs and administration fees for doing so and you will be subject to the third party storage warehouse’s standard terms and to pay for their standard fees and costs. (iii) sell the lot in any commercially reasonable way we think appropriate. (c) The Storage conditions which can be found at www.christies. com/en/help/buying-guide/storage-conditions will apply. (d) If you do not collect the lot within 90 calendar days of the auction and Christie’s exercises its rights under paragraph G(b) above, the lot will be deemed delivered in New York and therefore subject to New York state and local sales tax.

For shipments booked and paid for prior to 90 calendar days of the auction, sales tax will be determined based on the guidance set forth in paragraph D(2). (e) Nothing in this paragraph is intended to limit our rights under paragraph F4.

H TRANSPORT AND SHIPPING 1 SHIPPING

We would be happy to assist in making shipping arrangements on request. You must make all transport and shipping arrangements.

However, we can arrange to pack, transport, and ship your property if you ask us to and pay the costs of doing so. We recommend that you ask us for an estimate, especially for any large items or items of high value that need professional packing.

We may also suggest other handlers, packers, transporters, or experts if you ask us to do so. For more information, please contact Christie’s Post-Sale Services at +1 212 636 2650. See the information set out at https://www.christies.com/buyingservices/buying-guide/ship/ or contact us at PostSaleUS@ christies.com. We will take reasonable care when we are handling, packing, transporting, and shipping. However, if we recommend another company for any of these purposes, we are not responsible for their acts, failure to act, or neglect.

2 EXPORT AND IMPORT

Any lot sold at auction may be affected by laws on exports from the country in which it is sold and the import restrictions of other countries. Many countries require a declaration of export for property leaving the country and/or an import declaration on entry of property into the country. Local laws may prevent you from importing a lot or may prevent you selling a lot in the country you import it into. (a) You alone are responsible for getting advice about and meeting the requirements of any laws or regulations which apply to exporting or importing any lot prior to bidding. If you are refused a licence or there is a delay in getting one, you must still pay us in full for the lot. We may be able to help you apply for the appropriate licences if you ask us to and pay our fee for doing so. However, we cannot guarantee that you will get one. For more information, please contact Christie’s Post-Sale Services Department at +1 212 636 2650 and PostSaleUS@christies.com.

See the information set out at https://www.christies. com/buying-services/buying-guide/ship/ or contact us at PostSaleUS@christies.com. (b) You alone are responsible for any applicable taxes, tariffs or other government-imposed charges relating to the export or import of the lot. If Christie’s exports or imports the lot on your behalf, and if Christie’s pays these applicable taxes, tariffs or other government-imposed charges, you agree to refund that amount to Christie’s. (c) Endangered and protected species Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. This material includes, among other things, ivory, tortoiseshell, whalebone, certain species of coral, Brazilian rosewood, crocodile, alligator and ostrich skins. You should check the relevant customs laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the country in which the lot is sold and import it into another country as a licence may be required. In some cases, the lot can only be shipped with an independent scientific confirmation of species and/or age and you will need to obtain these at your own cost. Several countries have imposed restrictions on dealing in elephant ivory, ranging from a total ban on importing African elephant ivory in the United States to importing, exporting and selling under strict measures in other countries. Handbags containing endangered or

protected species material are marked with the symbol ≈ and further information can be found in paragraph H2(h) below.

We will not be obliged to cancel your purchase and refund the purchase price if your lot may not be exported, imported or it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to the export or import of property containing such protected or regulated material. (d) Lots containing Ivory or materials resembling ivory If a lot contains elephant ivory, or any other wildlife material that could be confused with elephant ivory (for example, mammoth ivory, walrus ivory, helmeted hornbill ivory) you may be prevented from exporting the lot from the US or shipping it between US States without first confirming its species by way of a rigorous scientific test acceptable to the applicable Fish and Wildlife authorities. You will buy that lot at your own risk and be responsible for any scientific test or other reports required for export from the USA or between US States at your own cost. We will not be obliged to cancel your purchase and refund the purchase price if your lot may not be exported, imported or shipped between US States, or it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to interstate shipping, export or import of property containing such protected or regulated material. (e) Lots of Iranian origin Some countries prohibit or restrict the purchase, export and/or import of Iranian-origin “works of conventional craftsmanship” (works that are not by a recognized artist and/ or that have a function, (for example: carpets, bowls, ewers, tiles, ornamental boxes). For example, the USA prohibits the import and export of this type of property without a license issued by the US Department of the Treasury, Office of Foreign Assets Control. Other countries, such as Canada, only permit the import of this property in certain circumstances.

As a convenience to buyers, Christie’s indicates under the title of a lot if the lot originates from Iran (Persia). It is your responsibility to ensure you do not bid on or import a lot in contravention of the sanctions or trade embargoes that apply to you. (f) Gold Gold of less than 18ct does not qualify in all countries as ‘gold’ and may be refused import into those countries as ‘gold’. (g) Watches Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile. These lots are marked with the symbol Ψ in the catalogue. These endangered species straps are shown for display purposes only and are not for sale. Christie’s will remove and retain the strap prior to shipment from the sale site. At some sale sites, Christie’s may, at its discretion, make the displayed endangered species strap available to the buyer of the lot free of charge if collected in person from the sale site within 1 year of the date of the auction. Please check with the department for details on a particular lot. (h) Handbags A lot marked with the symbol ≈ next to the lot number includes endangered or protected species material and is subject to CITES regulations. This lot may only be shipped to an address within the country of the sale site or personally picked up from our saleroom. Please note, Christie’s cannot facilitate the shipment of any lot containing python, alligator or crocodile into the State of California.

The term “hardware” refers to the metallic parts of the handbag, such as the buckle hardware, base studs, lock and keys and/or strap, which are plated with a coloured finish (e.g. gold, silver, palladium). The terms “Gold Hardware”, “Silver Hardware”, “Palladium Hardware”, etc. refer to the tone or colour of the hardware and not the actual material used. If the handbag incorporates solid metal hardware, this will be referenced in the catalogue description.

For all symbols and other markings referred to in paragraph H2, please note that lots are marked as a convenience to you, but we do not accept liability for errors or for failing to mark lots.

I OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees, about any lot other than as set out in the authenticity warranty and, as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E1 are their own and we do not have any liability to you in relation to those warranties. (b) (i) We are not responsible to you for any reason (whether for breaking this agreement or any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us or other than as expressly set out in these conditions of sale; and (ii) we

do not give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature, or historical relevance. Except as required by local law, any warranty of any kind is excluded by this paragraph. (c) In particular, please be aware that our written and telephone bidding services, Christie’s LIVE™, condition reports, currency converter and saleroom video screens are free services and we are not responsible to you for any error (human or otherwise), omission or breakdown in these services. (d) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (e) If, in spite of the terms in paragraphs I(a) to (d) or E2(i) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, other damages, or expenses.

J OTHER TERMS 1 OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained in this agreement, we can cancel a sale of a lot if : (i) any of your warranties in paragraph E4 are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation.

2 RECORDINGS

We may videotape and record proceedings at any auction.

We will keep any personal information confidential, except to the extent disclosure is required by law. However, we may, through this process, use or share these recordings with another Christie’s Group company and marketing partners to analyse our customers and to help us to tailor our services for buyers. If you do not want to be videotaped, you may make arrangements to make a telephone or written bid or bid on Christie’s LIVE™ instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction.

3 COPYRIGHT

We own the copyright in all images, illustrations and written material produced by or for us relating to a lot (including the contents of our catalogues unless otherwise noted in the catalogue). You cannot use them without our prior written permission. We do not offer any guarantee that you will gain any copyright or other reproduction rights to the lot.

4 ENFORCING THIS AGREEMENT

60 days from the date when mediation is initiated, then the Dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the Dispute involves a non-U.S. party, the JAMS International Arbitration Rules. The seat of the arbitration shall be New York and the arbitration shall be conducted by one arbitrator, who shall be appointed within 30 days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the Dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

10 REPORTING ON WWW.CHRISTIES.COM

Details of all lots sold by us, including catalogue descriptions and prices, may be reported on www.christies.com. Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees, or application of buyer’s or seller’s credits. We regret that we cannot agree to requests to remove these details from www.christies.com.

K GLOSSARY

auctioneer: the individual auctioneer and/or Christie’s. authentic: a genuine example, rather than a copy or forgery of: (i) the work of a particular artist, author or manufacturer, if the lot is described in the Heading as the work of that artist, author or manufacturer; (ii) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (iii) a work for a particular origin source if the lot is described in the Heading as being of that origin or source; or (iv) in the case of gems, a work which is made of a particular material, if the lot is described in the Heading as being made of that material. authenticity warranty: the guarantee we give in this agreement that a lot is authentic as set out in paragraph E2 of this agreement. buyer’s premium: the charge the buyer pays us along with the hammer price.

If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as being deleted and the rest of this agreement will not be affected.

catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice.

5 TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

condition: the physical condition of a lot.

You may not grant a security over or transfer your rights or responsibilities under these terms on the contract of sale with the buyer unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities.

6 TRANSLATIONS

If we have provided a translation of this agreement, we will use this original version in deciding any issues or disputes which arise under this agreement.

7 PERSONAL INFORMATION

We will hold and process your personal information and may pass it to another Christie’s Group company for use as described in, and in line with, our privacy notice at www.christies.com/aboutus/contact/privacy and if you are a resident of California you can see a copy of our California Consumer Privacy Act statement at https://www.christies.com/about-us/contact/ccpa.

8 WAIVER

No failure or delay to exercise any right or remedy provided under these Conditions of Sale shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy.

9 LAW AND DISPUTES

This agreement, and any non-contractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot (the “Dispute”) will be governed by the laws of New York. Before we or you start any court proceedings (except in the limited circumstances where the dispute, controversy or claim is related to proceedings brought by someone else and this dispute could be joined to those proceedings), we agree we will each try to settle the Dispute by mediation submitted to JAMS, or its successor, for mediation in New York. If the Dispute is not settled by mediation within

Christie’s Group: Christie’s International Plc, its subsidiaries and other companies within its corporate group. due date: has the meaning given to it paragraph F1(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot.

Heading: has the meaning given to it in paragraph E2. lot: an item to be offered at auction (or two or more items to be offered at auction as a group). other damages: any special, consequential, incidental or indirect damages of any kind or any damages which fall within the meaning of ‘special’, ‘incidental’ or ‘consequential’ under local law. purchase price: has the meaning given to it in paragraph F1(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E2 and Qualified Headings means the paragraph headed Qualified Headings on the page of the catalogue headed ‘Important Notices and Explanation of Cataloguing Practice’. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.christies.com, which is also read to prospective telephone bidders and notified to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale, or before a particular lot is auctioned. subheading: has the meaning given to it in paragraph E2.

UPPER CASE type: means having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct.

1/4/2025

IMPORTANT NOTICES AND EXPLANATION OF CATALOGUING PRACTICE IMPORTANT NOTICES

Other Arrangements

QUALIFIED HEADINGS

∆ Property in which Christie’s has an ownership or financial interest

Christie’s may enter into other arrangements not involving bids.

These include arrangements where Christie’s has advanced money to consignors or prospective purchasers or where Christie’s has shared the risk of a guarantee with a partner without the partner being required to place an irrevocable written bid or otherwise participating in the bidding on the lot. Because such arrangements are unrelated to the bidding process they are not marked with a symbol in the catalogue.

When a piece is, in Christie’s opinion, not of the period to which it would normally be attributed on stylistic grounds, this will be incorporated into the first line or the body of the text of the description.

From time to time, Christie’s may offer a lot in which Christie’s has an ownership interest or a financial interest. Such lot is identified in the catalogue with the symbol ∆ next to its lot number. Where Christie’s has an ownership or financial interest in every lot in the catalogue, Christie’s will not designate each lot with a symbol, but will state its interest in the front of the catalogue. º Minimum Price Guarantees

EXPLANATION OF CATALOGUING PRACTICE

On occasion, Christie’s has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the lot. This is known as a minimum price guarantee.

Where Christie’s holds such financial interest we identify such lots with the symbol º next to the lot number.

Terms used in a catalogue or lot description have the meanings ascribed to them below. Please note that all statements in a catalogue or lot description as to authorship are made subject to the provisions of the Conditions of Sale, including the authenticity warranty. Our use of these expressions does not take account of the condition of the lot or of the extent of any restoration. Written condition reports are usually available on request.

º ♦ Third Party Guarantees/Irrevocable bids Where Christie’s has provided a Minimum Price Guarantee, it is at risk of making a loss, which can be significant if the lot fails to sell. Christie’s sometimes chooses to share that risk with a third party who agrees prior to the auction to place an irrevocable written bid on the lot. If there are no other higher bids, the third party commits to buy the lot at the level of their irrevocable written bid. In doing so, the third party takes on all or part of the risk of the lot not being sold. Lots which are subject to a third party guarantee arrangement are identified in the catalogue with the symbol º ♦.

In most cases, Christie’s compensates the third party in exchange for accepting this risk. Where the third party is the successful bidder, the third party’s remuneration is based on a fixed financing fee. If the third party is not the successful bidder, the remuneration may either be based on a fixed fee or an amount calculated against the final hammer price. The third party may continue to bid for the lot above the irrevocable written bid.

Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not they have a financial interest in relation to the lot. ∆ ♦ Property in which Christie’s has an interest and Third Party Guarantee/Irrevocable bid Where Christie’s has a financial interest in a lot and the lot fails to sell, Christie’s is at risk of making a loss. As such, Christie’s may choose to share that risk with a third party whereby the third party contractually agrees, prior to the auction, to place an irrevocable written bid on the lot. Such lot is identified with the symbol ∆ ♦ next to the lot number.

Where the third party is the successful bidder on the lot, they will not receive compensation in exchange for accepting this risk. If the third party is not the successful bidder, Christie’s may compensate the third party. The third party is required by us to disclose to anyone they are advising of their financial interest in any lot in which Christie’s has a financial interest. If you are advised by or bidding through an agent on a lot in which Christie’s has a financial interest that is subject to a contractual written bid, you should always ask your agent to confirm whether or not they have a financial interest in relation to the lot. ¤ Bidding by interested parties When a party with a direct or indirect interest in the lot who may have knowledge of the lot’s reserve or other material information may be bidding on the lot, we will mark the lot with this symbol ¤. This interest can include beneficiaries of an estate that consigned the lot or a joint owner of a lot. Any interested party that successfully bids on a lot must comply with Christie’s Conditions of Sale, including paying the lot’s full buyer’s premium plus applicable taxes.

Post-catalogue notifications If Christie’s enters into an arrangement or becomes aware of bidding that would have required a catalogue symbol, we will notify you by updating christies.com with the relevant information (time permitting) or otherwise by a pre-sale or prelot announcement.

18/12/2024

A term and its definition listed under ‘Qualified Headings’ is a qualified statement as to authorship. While the use of this term is based upon careful study and represents the opinion of specialists, Christie’s and the consignor assume no risk, liability and responsibility for the authenticity of authorship of any lot in this catalogue described by this term, and the authenticity warranty shall not be available with respect to lots described using this term.

PICTURES, DRAWINGS, PRINTS AND MINIATURES Name(s) or Recognised Designation of an artist without any qualification: in Christie’s opinion a work by the artist.

QUALIFIED HEADINGS

e.g. A BLUE AND WHITE MING-STYLE BOWL; or The Ming-style bowl is decorated with lotus scrolls…

In Christie’s qualified opinion this object most probably dates from Kangxi period but there remains the possibility that it may be dated differently. e.g. KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND PROBABLY OF THE PERIOD In Christie’s qualified opinion, this object could be dated to the Kangxi period but there is a strong element of doubt. e.g. KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND POSSIBLY OF THE PERIOD JEWELLERY “Boucheron”: when maker’s name appears in the title, in Christie’s opinion it is by that maker.

“Mounted by Boucheron”: in Christie’s opinion the setting has been created by the jeweller using stones originally supplied by the jeweller’s client.

QUALIFIED HEADINGS “Attributed to”: in Christie’s qualified opinion is probably a work by the jeweller/maker but no warranty is provided that the lot is the work of the named jeweller/maker.

Other information included in the catalogue description

“Attributed to …”: in Christie’s qualified opinion probably a work by the artist in whole or in part.

“Signed Boucheron / Signature Boucheron”: in Christie’s qualified opinion has a signature by the jeweller.

“Studio of …”/“Workshop of …”: in Christie’s qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision.

“With maker’s mark for Boucheron”: in Christie’s qualified opinion has a mark denoting the maker.

“Circle of …”: in Christie’s qualified opinion a work of the period of the artist and showing his influence.

Art Nouveau 1895-1910

“Follower of… ”: in Christie’s qualified opinion a work executed in the artist’s style but not necessarily by a pupil.

Art Deco 1915-1935

Periods

Belle Epoque 1895-1914

“Manner of… ”: in Christie’s qualified opinion a work executed in the artist’s style but of a later date.

Retro 1940s

“After …”: in Christie’s qualified opinion a copy (of any date) of a work of the artist.

Removal of Watch Batteries

“Signed …”/“Dated …”/ “Inscribed …”: in Christie’s qualified opinion the work has been signed/dated/inscribed by the artist.

“With signature …”/“With date …”/ “With inscription …”: in Christie’s qualified opinion the signature/ date/inscription appears to be by a hand other than that of the artist.

The date given for Old Master, Modern and Contemporary Prints is the date (or approximate date when prefixed with ‘circa’) on which the matrix was worked and not necessarily the date when the impression was printed or published.

CHINESE CERAMICS AND WORKS OF ART When a piece is, in Christie’s opinion, of a certain period, reign or dynasty, its attribution appears in uppercase letters directly below the Heading of the description of the lot. e.g. A BLUE AND WHITE BOWL 18TH CENTURY If the date, period or reign mark mentioned in uppercase letters after the bold type first line states that the mark is of the period, then in Christie’s opinion, the piece is of the date, period or reign of the mark. e.g. A BLUE AND WHITE BOWL KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722) If no date, period or reign mark is mentioned in uppercase letters after the bold description, in Christie’s opinion it is of uncertain date or late manufacture. e.g. A BLUE AND WHITE BOWL

WATCHES A lot marked with the symbol ⊕ next to the lot number incorporates batteries which may be designated as “dangerous goods” under international laws and regulations governing the transport of goods by air freight. If a buyer requests shipment of the lot to a destination outside of the country in which the saleroom is located, the batteries will be removed and retained by us prior to shipment. If the lot is collected from the saleroom, the batteries will be made available for collection free of charge.

FABERGÉ QUALIFIED HEADINGS “Marked Fabergé, Workmaster …”: in Christie’s qualified opinion a work of the master’s workshop inscribed with his name or initials and his workmaster’s initials.

“By Fabergé …”: in Christie’s qualified opinion, a work of the master’s workshop, but without his mark.

“In the style of …”: in Christie’s qualified opinion a work of the period of the master and closely related to his style.

“Bearing marks …”: in Christie’s qualified opinion not a work of the master’s workshop and bearing later marks.

HANDBAGS Condition Reports The condition of lots sold in our auctions can vary widely due to factors such as age, previous damage, restoration, repair and wear and tear. Condition reports and grades are provided free of charge as a courtesy and convenience to our buyers and are for guidance only. They offer our honest opinion but they may not refer to all faults, restoration, alteration or adaptation. They are not an alternative to examining a lot in person or taking your own professional advice. Lots are sold “as is,” in the condition they are in at the time of the sale, without any representation or warranty as to condition by Christie’s or by the seller.

Grades in Condition Reports We provide a general, numeric condition grade to help with overall condition guidance. Please review the specific condition report and extra images for each lot before bidding.

Grade 1: this item exhibits no signs of use or wear and could be considered as new. There are no flaws. Original packaging and protective plastic are likely intact as noted in the lot description.

Grade 2: this item exhibits minor flaws and could be considered nearly brand new. It may never have been used, or may have been used a few times. There are only minor condition notes, which can be found in the specific condition report.

Grade 3: this item exhibits visible signs of use. Any signs of use or wear are minor. This item is in good condition.

Grade 4: this item exhibits wear from frequent use. This item either has light overall wear or small areas of heavy wear. The item is considered to be in fair condition.

Grade 5: this item exhibits normal wear and tear from regular or heavy use. The item is in good, usable condition but it does have condition notes.

the tone or colour of the hardware and not the actual material used. If the bag incorporates solid metal hardware this will be referenced in the lot description.

Grade 6: this item is damaged and requires repair. It is considered in fair condition.

POST 1950 FURNITURE

Any reference to condition in a catalogue entry will not amount to a full description of condition, and images may not show the condition of a lot clearly. Colours and shades may look different in print or on screen to how they look in real life. It is your responsibility to ensure that you have received and considered any condition report and grading.

References to “HARDWARE” Where used in this catalogue the term “hardware” refers to the metallic parts of the bag, such as the buckle hardware, base studs, lock and keys and /or strap, which are plated with a coloured finish (e.g. gold, silver, palladium). The terms “Gold Hardware”, “Silver Hardware”, “Palladium Hardware” etc. refer to

All items of post-1950 furniture included in this sale are items either not originally supplied for use in a private home or sold as collector’s items. These items may not comply with the provisions of the Furniture and Furnishings (Fire) (Safety) Regulations 1988 (as amended in 1989, 1993 and 2010, the “Regulations”).

Accordingly, these items should not be used as furniture in your home in their current condition. If you do intend to use such items for this purpose, you must first ensure that they are reupholstered, restuffed and/or recovered (as appropriate) in order that they comply with the provisions of the Regulations.

SYMBOLS USED IN THIS CATALOGUE The meaning of words coloured in bold in this section can be found in paragraph K, Glossary, of the section of the catalogue headed ‘Conditions of Sale’.

Please note that lots are marked as a convenience to you and we shall not be liable for any errors in, or failure to, mark a lot.

º

~

º♦

≈

Christie’s has a direct financial interest in the lot. See Important Notices in the Conditions of Sale for further information.

Christie’s has provided a minimum price guarantee and has a direct financial interest in this lot. Christie’s has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold. See the Important Notices in the Conditions of Sale for further information.

Lot incorporates material from endangered species which could result in export restrictions. See paragraph H2(c) of the Conditions of Sale for further information.

Handbag lot incorporates material from endangered species. International shipping restrictions apply. See paragraph H2 of the Conditions of Sale for further information.

∝

∆

Lot incorporates elephant ivory material. See paragraph H2 of the Conditions of Sale for further information.

∆♦

Lot incorporates material from endangered species which is shown for display purposes only and is not for sale. See paragraph H2(h) of the Conditions of Sale for further information.

Christie’s has a financial interest in the lot. See Important Notices in the Conditions of Sale for further information..

Christie’s has a financial interest in this lot and has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold. See the Important Notices in the Conditions of Sale for further information. `

¤

A party with a direct or indirect interest in the lot who may have knowledge of the lot’s reserve or other material information may be bidding on the lot.

•

Lot offered without reserve.

Ψ

➤

Lot is a Non Fungible Token (NFT). Please see Appendix A – Additional Conditions of Sale – Non- Fungible Tokens in the Conditions of Sale for further information.

◗

Lot contains both a Non Fungible Token (NFT) and a physical work of art. Please see Appendix A – Additional Conditions of Sale – Non-Fungible Tokens in the Conditions of Sale for further information.

■

See Storage and Collection pages in the catalogue.

❖

With the exception of clients resident in Mainland China, you may elect to make payment of the purchase price for the lot via a digital wallet in the name of the registered bidder, which must be maintained with one of the following: Coinbase Custody Trust; Coinbase, Inc.; Fidelity Digital Assets Services, LLC; Gemini Trust Company, LLC; or Paxos Trust Company, LLC. Please see the lot notice and Appendix B – Terms for Payment

by Buyers in Cryptocurrency in the Conditions of Sale for further requirements and information

φ

Please note that this lot is subject to an import tariff.

The amount of the import tariff due is a percentage of the final hammer price plus buyer’s premium. The buyer should contact Post Sale Services prior to the sale to determine the estimated amount of this import tariff. If the buyer instructs Christie’s to arrange shipping of the lot to a foreign address, the buyer will not be required to pay an import tariff, but the shipment may be delayed while awaiting approval to export from the local government. If the buyer instructs Christie’s to arrange the shipment of the lot to a domestic address, if the buyer collects the property in person, or if the buyer arranges their own shipping (whether domestically or internationally), the buyer will be required to pay the import tariff. For the purpose of calculating sales tax, if applicable, the import tariff will be added to the final hammer price plus buyer’s premium and sales tax will be collected as per The Buyer’s Premium and Taxes section of the Conditions of Sale.

© Christie, Manson & Woods Ltd. (2025)

18/12/2024

STORAGE AND COLLECTION PAYMENT OF ANY CHARGES DUE

SHIPPING AND DELIVERY

Specified lots (sold and unsold) marked with a filled square (■) not collected from Christie’s by 5.00pm on the day of the sale will, at our option, be removed to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Christie’s will inform you if the lot has been sent offsite.

Christie’s Post-Sale Service can organize domestic deliveries or international freight.

Please contact them on +1 212 636 2650 or PostSaleUS@christies.com.

If the lot is transferred to Christie’s Fine Art Storage Services, it will be available for collection after the third business day following the sale.

Please contact Christie’s Post-Sale Service 24 hours in advance to book a collection time at Christie’s Fine Art Services. All collections from Christie’s Fine Art Services will be by pre-booked appointment only.

Please be advised that after 50 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection.

Tel: +1 212 636 2650 Email: PostSaleUS@christies.com Operation hours for both Christie’s Rockefeller and Christie’s Fine Art Storage are from 9:30 am to 5:00 pm, Monday – Friday.

COLLECTION AND CONTACT DETAILS Lots will only be released on payment of all charges due and on production of a Collection Form from Christie’s. Charges may be paid in advance or at the time of collection. We may charge fees for storage if your lot is not collected within ninety days from the sale. Please see paragraph G of the Conditions of Sale for further detail.

Long-term storage solutions are also available per client request. CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality.

Please contact CFASS New York for details and rates: +1 212 636 2070 or storage@cfass.com CHRISTIE’S ROCKEFELLER CENTER 20 Rockefeller Plaza, New York 10020 Tel: +1 212 636 2000 PostSaleUS@christies.com Main Entrance on 49th Street Receiving/Shipping Entrance on 48th Street Hours: 9.30 AM - 5.00 PM Monday-Friday except Public Holidays

CHRISTIE’S FINE ART STORAGE SERVICES (CFASS) 62-100 Imlay Street, Brooklyn, NY 11231 Tel: +1 212 974 4500 PostSaleUS@christies.com Main Entrance on Corner of Imlay and Bowne St Hours: 9.30 AM - 5.00 PM Monday-Friday except Public Holidays

Tel: +1 212 636 2650 Email: PostSaleUS@christies.com

18/12/2024

Identity Verification Anti-money laundering regulations require Christie’s and other art businesses to verify the identity of all clients. To register as a new client, you will need to provide the following documents, or if you are an existing client, you will be prompted to provide any outstanding documents the next time you transact.

Private Individuals

Organisations

• A copy of your passport or other government-issued photo ID. • Proof of your residential address (such as a bank statement or utility bill) dated within the last three months.

• Formal documents showing the company’s incorporation, its registered office and business address, and its officers, members and ultimate beneficial owners.

• A passport or other government issued photo ID for each beneficial owner and authorised user.

Please upload your documents through your christies.com account: click ‘My Account’ followed by ‘Complete Profile’.

You can also email your documents to info@christies.com or provide them in person.

Please email your documents to info@christies.com or provide them in person.

Our Sustainability Pledge Christie’s is printing fewer catalogues as our business and client needs evolve.

When we do print, we uphold the highest sustainable standards. Our catalogues are printed on fully recycled paper, with vegetable-based ink and biodegradable laminates.

‘Five years ago we made a decision to create a more sustainable future for Christie’s.

With a 69% reduction in our carbon emissions since 2019, we have shown it is possible and in doing so have driven change in the art market. Art is a source of personal joy and enrichment and that should not come at the expense of the environment.’

Bonnie Brennan Chief Executive Officer

Scan to learn more about our sustainability goals and projects VINCENT VAN GOGH (1853-1890) Coin de jardin avec papillons Price realised: $33,185,000 Christie’s New York, May 2024

To opt out of receiving future Christie’s catalogues, please email info@christies.com

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