traditional designs, some with
how, as a mathematician she
more open space and yet others
planned it out first on graph
very complicated. He also was
paper. Another master weaver
instrumental in bringing back
gets her inspiration from abstract
the Churro sheep, a particular
paintings by a contemporary
species which has low lanolin
American artist.
content and was nearly wiped out by federal government range management decades ago. “There’s
no
shortcutting
the
process,” he says as he describes
It’s as if time stops during your visit to Nizhoni.
The peaceful
quiet may be punctuated by the rapid chirps of a cactus wren,
how it’s all done by hand. “The
or the sigh of the wind through
dyes in my Churro collection
nearby cedars.
come from Switzerland, and
leave with a weaving, a piece
they’re the best available.
We
of jewellery or other Native
have a palette that no one else
American art, you still leave
has in the weaving business.”
this place changed, with a new appreciation
He’ll
explain
what
different
for
Whether you
what
time,
patience and skill can create.
patterns and symbols mean, and why the weaver chose to
“Visitors take with them an
incorporate that.
You’ll learn
experience they truly enjoyed,”
how one weaver spent more
says Getzwiller. And what better
than two years on an extremely
way to spend some time than
complex
in this timeless corner of the
piece
based
on
a
ceremonial sandpainting, and
DEARSOUVENIR
Southwest?
257
# TGIF