DANIEL MOREIRA
THE DELIVERY
FOR VIOLIN, PIANO AND VIDEO/SOUNDTRACK
2018
DANIEL MOREIRA THE DELIVERY
FOR VIOLIN, PIANO AND VIDEO/ SOUNDTRACK
year: 2018 duration: c.8’
Commissioned by Duo Hellqvist/Amaral with the friendly support of Arts Council Norway.
TECHNICAL SETUP / STAGING The Video/ Soundtrack part of the piece consists of a video file (.mov) with three audio channels as follows:
Video Audio
Size/Format: Wide (Panavision 2,35:1) 1920 x 818 Frame Rate: 24p Codec: Apple ProRes 422 Channels 1 and 2: Stereo Soundtrack (left and right)
Channel 3: Click-Track (for both musicians)
Channels 4,5,6: empty Format: Linear PCM, 48kHz, 24Bit
Loudspeakers / Amplification: The Soundtrack has very strong low frequencies. In addition to the stereo loudspeakers, it is advisable to use a subwoofer. In larger halls it is recommended to amplify both instruments to better mix with the soundtrack.
Projection: The projection of the video should be done near the musicians (behind or on the side) on a clear reflective surface (ex. white wall, straight projection screen). The projection should be at least as large as the piano.
Lighting: The concert hall and the stage should be totally dark (no extra stage lights). The musicians should preferably play with stand lights only. The light coming from the stand lights as well as from the video projection should be enough for the musicians to be seen.
Suggested Disposition: Video Projection
Ch.2 (RIght)
Ch.1 (Left)
Ch.3
(Click-Track)
Ch.3
(Click-Track)
PIANO PREPARATION • These notes should be 80% damped (muffled sound, just a little bit of pitch):
• These notes should be completely damped (no pitch, just percussive hammer sound):
Daniel Moreira 2018
www.daniel-moreira.com
• The Pianist also needs:
1. Hand Milk-Frother. Only the base of the milk-frother (where the motor is located) should touch the piano (not the loud tip!). The wood of the piano should amplify the sound of the motor.
2. Credit Card (to be quickly scratched against the tuning pegs similar to a „güiro“).
START / ENDING OF THE PIECE
TIME
VIDEO
The video of the piece has a clear story line: A violin case is being transported and is delivered at the concert venue, where the concert is taking place. This aspect requires a "personalized" ending for every performance of the piece. The last 32 seconds of the video should be recorded at the city / concert venue as follows: Footage showing the violin being carried in the city and entering the concert hall Use identifiable places (ex. important monument of the city, front of the concert hall building etc.)
07:28 (start of bar 172)
The violin case is dropped in front of the door of the concert venue. (The leather glove should be seen)
Sudden cut to wide frame of violin case alone next to the door.
Violin player enters the frame dressing the concert clothes (from inside the concert room or from the sides of the frame), takes the violin case, enters the concert room and closes the door behind him/her.
07:44 (start of bar 177)
Sudden cut to a black screen (no video) at the exact moment the door closes.
08:00 (start of bar 182)
Materials required • Camera (a cellphone camera is enough) • Black violin case similar to the one shown in the video • Black leather glove (optional) Example of videos of past performances can be send upon request to be used as a guide for the video editing. If you do not have experience with video editing, the composer will be happy to do the editing for you. Just send him the recorded footage as described above. Beginning of the piece / Entrance of the musicians An ideal situation would be to have the violin player enter the stage carrying the violin case that is going to be shown at the video and taking the instrument from inside the case. This action creates a link with the end of the piece, where we see the violin player both on screen and on stage and we realize that the whole piece („the delivery“) describes a path that leads to its own beginning, closing an „impossible time circle“. If there are technical complications for this action (ex. installation of contact microphones, tuning issues etc.) the piece can start with the violin case already on stage in a visible place.
Daniel Moreira 2018
www.daniel-moreira.com
The Delivery For V iolin, Piano and V ideo/Electronic Daniel Moreira (2017/18) www.daniel-moreira.com
q=74 1
/ 44 00:00
Timecode
2
3
4
00:03
00:06
00:09
5
6
7
8
00:12
3 4 00:16
4 00:18 4
00:21
overpressure (pitchless)
Violin
3
° 4 ¢& 4
∑
∑
∑
∑
‰ Œ Ó
3 4
∑
4 4
∑
3 4
∑
4 4
>6
jŒ Ó 6 6. >
∑
fff
4 &4
∑
∑
∑
∑
∑
∑
give more emphasis to the lower pitches
Piano
?4 4
∑
{
∑
∑
>œ œœ ‰ Œ Ó œ
∑
>œ >œ. ∑ 44 œœ œœ Œ Ó œ œJ “‘ 3
3 4
“‘
∑
fff
9
10
11
12
13
14
00:28
5 4 00:31
3 4 00:35
4 00:38 4
3 4 00:41
00:25
/
Tc.
Vln.
° ¢&
3 4
3
5 4
jŒ ≈ ‰ Œ ≈ Œ Ó 6 6. 6 6 >6 > >. ∑
3 4
∑
>6™ >6
5 4
∑
&
3 4
∑
≈‰ 44
‰≈ >6
6
3 3 4 ∑ 4
∑
3 3 4 ∑ 4
6 6. >
4 4
∑
‰Œ Ó
Pno.
>œ. >œ >œ. >> œ œ ? œ œ Œ ≈ œœ ‰ Œ ≈ œœœ œœœ Œ Ó œ œJ œ œœ “‘ 3
5 4
{
>™ 3 œœœ ™™ 4 œ™ “‘
∑
>œ œœ ‰ ≈ œ
œœ 4 œœ >œœ. œ ≈‰ 4 œ œ ‰ Œ Ó œ œ œ
>œ œœ œ
3 3 4 ∑ 4
15
/ 43 00:43
Tc.
16
17
18
00:46
4 00:48 4
00:51
molto S.T. Low finger pressure. "Ghostly"
° 3 Vln. & 4 ¢
‰ >6™ 6 >6 6
3 &4
≈ >6
≈ ‰ >6
≈ ≈ ‰ 44 µ>O >6 6 >6 6 >6 6 mf
∑
∑
4 4
∑
Œ #œ. ‰ Ó p
Pno.
>œ ™ ? 3 œœ ™™ 4 œ™ “‘
{
œœ œ œ
>œ œ œ œ
œœ >œœ œ‰ œ≈ œ œ
>œ > œ ≈ ‰ œœ œ œ œ œ
œœ >œœ œœ >œœ œœ 4 >œœ œ≈œ≈œœœ‰ 4 œ≈‰ Œ Ó œ œ œœœ œ
Daniel Moreira - 1 - The Delivery
∑
19 00:55
21
22
23
01:01
3 4 01:04
2 4 01:07
4 4
3 4
2 4
4 4
/
Tc.
Vln.
20 00:58
° ¢& 3
& ‰ #œ. ‰ Œ
Ó
Œ #œ. ‰ Ó
Œ Œ #œ. ‰ Œ
3 4
∑
2 4 #œ. ‰ Œ
4 4
3 4
∑
2 4
4 4
Pno.
? ∑
{
∑
24
/ 44 01:08
Tc.
Vln.
∑
25
26
01:12
01:15
∑
2 4
° 4 6≈ ≈‰ ≈ ≈≈ ‰ ≈ ≈ ≈ ≈ ≈ ≈‰ ≈ ≈ ≈ ≈ ≈ 42 ¢& 4 > 2 fff >6 6 6 >6 6 6 6 >6 >6 6 6 >6 >6 >6 6 >6 >6 6 >6 6 >6 6 >6 6 >6 3
4 &4
∑
∑
2 4
∑
Pno.
> > > > > > > > > > ? 4 œœœ œœœ œœœ œœœ ≈ ‰ ≈ œœœ œœœ œœœ œœœ ≈ ≈ œœœ ‰ œœœ ≈ œœœ œœœ œœœ ≈ œœœ ≈ œœœ œœœ ≈ œœœ ≈ œœœ 4 œ œœœ œœœœ œ œ œœœ œ œœ œ œ “‘
{
>œ œ >œ œ >œ œ >œ œœ œ ≈ ‰ ≈ œœ œœ ≈ œœ ≈ œœ œœ œœ ≈ œœ ≈ 42 œ œœ œ œœœ œ
sub.fff
27
/ 42 01:18
Tc.
28
29
30
31
32
33
34
4 01:20 4
01:23
01:26
01:30
01:33
01:36
01:39
w w
w w
w w
w w
w w
3 4
molto S.T.
° 2 Vln. & 4 ¢
#w ‰ ≈ ‰ 44 # w ppp >6 6 >6
‰Œ Ó
3 4
>6 6 sub.fff
2 &4
∑
4 4
>œ œ ? 2 œœ œœ ‰ 4 œœ :“;
>œ œ œœ ≈ ≈ œœ 4 4 œ œ
∑
∑
∑
∑
∑
∑
∑
3 4
Pno.
{
>œ œœ ‰ Œ Ó œ
∑
∑
∑
∑
>œ œ œœ œœ ‰ Œ Ó œœ
∑ “‘
fff Daniel Moreira - 2 - The Delivery
3 4
35
36
/ 43 01:42
Tc.
37
38
3 2 8 01:45 4 01:46
39
40
3 3 8 01:48 401:49
41
42
3 3 8 01:51 401:53
> IIIIV II >œ ° 3 ‰ Œ Œ 3 ∑ 2 ≈‰ Œ 3 ∑ 3III œ≤ œœ≈≈ Vln. & 4 8 4 8 4 ¢ œ œj‰ # œ #œ >6 >6 o 2 ff mf o 3 3 3 2 3 3 & 4 ∑ 8 ∑ 4 ∑ 8 ∑ 4 Œ #œ. ‰ Œ > ff Pno. > > > ? 3 œœœ ‰ Œ Œ 3 ∑ 2 œœœ ≈‰ Œ 3 ∑ 3 œœœ ≈‰ ‰ ™ œ Œ 4 8 4 8 4 œ œ œ œ >œ mf “‘ “‘ “‘
{
3 801:55
1 4
≤ > ≤ 3 ∑ 3 œ œœ≈≈>œ 3 1 j≈ 8 8 4 #œ 4 œ œ ™ #œ µ œ o 2 ff mf o pppp 3 3 3 3 1 8 ∑ 4 Œ #œ. ‰ Œ 8 ∑ 4 > ff > 3 ∑ 3 œœœ ≈‰ ‰™ œ Œ 3 1 8 4 8 ∑ 4 œ œ > œ mf “‘ fff
e.= q= c.99 molto accel. 43
44
/ 41 01:56
Tc.
3+3+3 01:57 16
> > ° 1 ≈œ 3+3+3 œ ≈≈ œj™ œœ≈≈ Vln. & 4 16 ¢ #œ ™ œ> o 2 ff 2f 3 ff >œ. ™ 3 1 3+3+3 #œj™ ‰™ œ™ &4 Œ 16 . J > f ff Pno. > ? 1 œœœ ≈‰ 3+3+3 ‰ ™ œ™j ‰ ™ 4 16 œ œ œ f ‘ “ ‘ “
{
(q=c.130)
45
46
47
3 4 01:59
4 02:01 4
02:03
>œ >œ ‰ œ œ ‰ 44 œœ œj ‰ ≈œ ™ ≈‰ œ #œ > #œ o 2 6> #œo 2 f o mf f o 3 3 fff >œ. 3 4 ‰#œ. ‰ Œ 4 Œ œ ‰#œ. ‰ 4 Œ > > . > >. > 3 œœœ ‰ Œ Œ 4 œ ‰ Œ œœœ ‰ ‰ 4 4 œ œ œ œ >. “‘ “‘ mf f ff
3 4
>œ œ ≈‰ o 2 mf 3
œ œ‰ Œ 2p 3 >. œ ‰ Œ
Œ #œ. ‰ > >œ. ‰ ‰ œœ ‰ Œ ss. œ gli > o 2 f “‘ 3 f
fff fff
(q=c.155)
(q=c.180)
48
(q=c.192)
49
(q=c.230)
50
51
02:07
02:08
(click track in 2)
/ 02:04
Tc.
° Vln. & Œ ¢ >œ. & Pno.
? ‰
{
02:06
œj
œj
œ j‰ ‰ ‰ ≈œ Œ >œ # œœ f f o >œ. ‰ Œ Œ #œ. ‰ ‰ #œ. > > ff p ff >œ. ‰ œœ ‰ Œ ‰ . s ss. s œ gli > gli > o 2 f “‘ o 2f 3 3 mf
œ
Œ
œ >œ
f f
‰ ‰ œ o o 2
>
œj
f
œ o
j œ #œ
3 ‰ Œ >œ. ‰ œœ œ “‘
œ‰ Œ >. >œ. ‰ Œ mf
mf
Daniel Moreira - 3 - The Delivery
3
#œ. ‰ Œ > ‰ Œ
2
>
œj
f
œ oo 2
>
œj
œ f
oo
3
œ ‰ Œ #œ. ‰ Œ >. > >œ. ‰ Œ œ‰ œœ ‰ Œ œœ œ. > >.
œ‰ >. Œ
q=74 (tempo primo subito!) 55 54
(q=c.250)
52
53
02:09
4 02:11 4
02:10
/
Tc.
56
02:14
>~ Legno Batutto ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ° > œj œ > œj œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~4~~~~~ ≈‰ ‰ ‰ ‰ ~~ ~~~~ ¿¿ ¿¿ ¿¿ Vln. & 4 ¢ #œ~~~~~~~~~~~~~~~~~ . . . 2 f oo 2 f oo 2 ffff sub.pp 3 3 3 ◊œÿ. œ. œ. 4Œ ‰ ‰ ‰ & Œ #œ. ‰ Œ œ. ‰ Œ #œ. ‰ Ó 4 > > > sub. pp Pno. >œ. >œ. 4 ≈‰ Œ Ó ? ‰ Œ œ‰ Œ ‰Œ 4 œœ gliss. > >. :“; 2 ffff 3
02:18
ascending "clicks" SP
ST
¿¿ ‰ ¿¿ ‰ ¿¿ ‰ ¿¿ ‰ . . . .
(slowly dampen the pitch with the left hand)
normal œ. œ. œ. œ. œ. œ. œ. œ. ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
∑
{
57 02:21
Œ œ ‘ “p
58
59
60
61
02:24
02:27
02:31
02:34
° ¢&
∑
∑
∑
∑
∑
Ó
l.v.
62
63
02:37
3 4 02:40
4 4
#~w
3 4 O˙™™
4 4
/
Tc.
Vln.
∑
pp (damped)
… :◊;. . . . œ œ œ œ œ. œ. œ. œ. œ. œ. œ. œ. & ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ o
∑
∑
∑
3 4 4 ∑ 4
∑
∑
∑
3 4 4 ∑ 4
Pno.
? ∑
{
∑
64
/ 44 02:43
Tc.
Vln.
° 4 ¢& 4
∑
65
66
02:46
02:49
∑ e™
e™
e™
∑ e™
e™
∑ (damped)
(sim.)
normal
…. ◊ÿœ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. ¿ 4 &4 ≈ ≈ ‰ ≈ ≈ ‰ ≈ ≈ ‰ ≈ ≈ ‰ ≈ ≈ ‰ ≈ ≈ ‰ ≈ ≈ ‰ ≈ ≈ ‰ p
pppp
Pno.
?4 4
Œ
{
œ “‘p
Ó
∑
l.v.
Daniel Moreira - 4 - The Delivery
∑
67 02:53
/
Tc.
Vln.
Pno.
° ¢&
68
69
70
71
72
73
2 4 02:56
402:57 4
3 403:01
3 8 03:03
4 03:04 4
3 4 03:08
2 4
∑
4 4
∑
:◊;. . . . . . ¿ ¿ ¿ ¿ ¿ ¿ ¿. 2 4 & ≈≈ ‰ ≈≈ ‰ ≈≈ 4 ‰ ≈Œ 4 o A 2 4 ? ∑ 4Œ ‰≈ 4
{
Quickly scratch the tuning pegs with a credit card, as a fast guiro)
∑
3 3 4 4 ∑ 8 ∑ 4
∑
3 4 ∑
∑
3 3 4 4 ∑ 8 ∑ 4
∑
3 4 ∑
3 3 4 3 4 ∑ 8 ∑ 4 ‰Œ Œ Œ 4 ∑ “‘ œ.
≈‰ Œ Ó
s. glis ffff
>
f
74 03:10
75
76
77
78
79
80
81
82
03:12
4 03:15 4
3 803:18
3 403:19
03:22
3 8 03:24
3 4 03:25
03:28
/
Tc.
“”>œ ° ‰Œ Ó Vln. & ¢
∑ 44
∑
“” >œ 3 3 8 ∑ 4 ‰Œ Œ
∑
∑ 44
∑
3 3 8 ∑ 4
∑
∑ 83 #œ. j ‰ ‰ 43 > mf
∑
∑ 44 ‰ Œ Ó “‘ œ.
3 3 8 ∑ 4
∑
∑ 83
Pizz.
∑ 83
∑
“”>œ 3 4 ‰Œ Œ
3+2 16
∑ 3+2 16
f
&
∑ 3+2 16
∑
Pno.
?
{
∑
3 Œ Œ 4 #œ “‘
∑ 3+2 16
l.v.
pp
83
/ 3+2 16 03:30
Tc.
84
85
86
87
88
89
90
91
03:31
03:32
03:33
2 4 03:34
3 403:36
03:38
3 8 03:41
203:42 8
2 4
Left hand almost at the bridge. very low finger/ bow pressure. Just a pitchless, high hissing sound should occur.
>- ° 3+2 1J ™ 1J Vln. & 16 ¢ Ord.
1>- ™ 1J J
1>- ™ 1J J
1>- ™ 1- IOœ Oœ Oœ Oœ Oœ Oœ Oœ 3 J J 2 4 4
mp pp
p
ppp
O˙™™
3 8
p
∑
f f
sim.
◊ÿ. ™ œ 3+2 & 16 J ‰ f
∑
“”>œ 2 ‰ 2 8 4
Pizz.
∑
Scratch the wood under the piano keys with your fingernails
>œ. # 2 ∑ 4 ‰ Œ
3 4
∑
p
>. #œ. ‰ Œ Œ 3 ###œœœ ‰ ‰ 2 ∑ 2 8 J 8 4 p
mf
Pno.
>-2™ -2 ? 3+2 J J 16
{
>-2™ -2 J J
mp pp sim.
>-2™ -2 J J
>-2™ -2 J J 42 #œ “‘
Œ
3 4
∑
l.v.
pp
Daniel Moreira - 5 - The Delivery
∑
3 8
∑
2 ∑ 2 8 4
92
/ 42 03:43
Tc.
93
94
95
96
97
3 4 03:44
03:47
03:49
2 4 03:52
03:53
(C# is the main pitch. Try to find a balance between both pitches. If the C# is too soft, do not play the B)
O 3 > ≈#œOœ 4œ µœ o 2 mf o 3 >. >œ. # # œ #œ # œ 2 ‰ Œ 43 ‰ &4 Ord.
° 2 Vln. & 4 ¢
‰
ff
Oœ Oœ
Oœ Oœ
mf
Oœ Oœ
Oœ Oœ
p
mf
Oœ Oœ
Oœ Oœ
Oœ O˙ ™™ Oœ #O˙ ™™
Oœ Oœ
p
mf
“”>œ. Pizz. Œ ‰
2 #O 4# ˙ o
sub.mf
2
ff
f
3 > ###œœœ. ‰ Œ
#>œ. Œ Œ
‰ Œ Œ 42
∑
p
∑
ff
p
Pno. secco
?2 4
{
3 4
∑
∑
∑
2 4
∑
‰ Œ
∑ &
œ “‘ . ff
98 03:55
99
100
03:57
4 03:58 4
/
Tc.
3 4
≤
4 ≈µµOœ Oœ Oœ Oœ Oœ Oœ 4 >œ µ œo 2 f p mf p mf ◊ÿ >œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ 3 >œ 4 ‰ Œ Ó & 4
° Vln. & ¢
∑
‰
3 4
3 4
mf
Pno.
>. & œ
{
>œ.
œ. ‰
‰
œ. ‰
p
3 4
∑
p
mp
mp
101
/ 43 04:01
Tc.
4 4
‰
102
103
104
105
106
107
108
04:04
3 8 04:06
2 04:08 8
04:08
04:09
4 04:10 4
04:13
“”>œ. ∑ J
“”>œ. 1> Arco ° 3<µ><µ>Oœ Oœ Oœ Oœ Oœ µµO˙ ™™ 3 Oœ ™™ 2 4 ≈‰ Œ Ó Jœ ‰ ∑ Vln. & 4 8 8 4 ¢ J 2 ff p mf sub.mf f o 2 fff 3 ◊ÿ>œ œ 3 œ œ take the motor (milk frother) ###œœœ ###œœœ ###œœœ 3 3 2 4 ∑ ‰ Œ Œ ∑ ‰ ‰ ‰ ∑ ∑ J J &4 8 8 4 Pizz.
ff
ff
Pno. secco
3 &4
{
?
∑
∑
3 2 8 ∑ 8 j ‰ “‘ œ.
secco
∑
∑
4 4
‰Œ Ó
œ “‘ >.
f fff Daniel Moreira - 6 - The Delivery
∑
109 04:16
111
112
113
114
115
116
117
04:20
3 4 04:23
2 4 04:25
4 04:27 4
3 4 04:30
04:33
4 04:35 4
2 4 04:38
/
Tc.
Vln.
110
° ¢&
∑
∑
3 2 4 ∑ 4
∑
3 2 4 ∑ 4
4 4
∑
3 4 ∑
∑
∑ 44
touch the bottom of the milk-frother on the piano (to amplify the sound of the motor).
∑ &
4 4
∑
. ∑ 44 #œ ‰ Œ Ó
3 4 ∑
∑
∑
4 4
2 4
∑
4 4
2 4
∑
4 4
p on
off
on
3
2
3
off
Pno.
2
™ ? ∑
{
∑
118
/ 44 04:40
Tc.
3 2 4 4 ∑ 4Œ ‰ 4 ‰Œ Ó o o
3 4 ∑
∑ 44
2 4
4 4
119
120
121
122
123
124
04:43
2 4 04:46
4 04:48 4
3 4 04:51
5 4 04:54
4 04:58 4
3 ™ 4 O˙™
5 4
3 4
II
° 4 Vln. & 4 ¢
∑
2 4 4 ∑ 4
∑
~w
4 4
∑
>œ. # # œ 5 ‰Œ Œ Ó 4
4 4
∑
5 4
4 4
∑
∑
ppp
#>œ. ‰ Œ Ó 4 &4
. 2 ∑ 4 ##œœ ‰ Œ Ó 4 4
∑
∑
on
off
Pno.
3
2
™ ?4 4
∑
{
125
/ 05:01
Tc.
2 4 4 ∑ 4
∑
3 4
126
127
128
129
130
05:04
05:08
05:11
05:14
05:17
Very dry Bartok pizz. Dampen the string with the left hand. Almost no pitch
II
° Vln. & ¢
∑
∑
∑
~w
O˙™™
Oœ
∑
2 4
«
Pizz.
‰
Œ
Ó
2 4
ppp
∑
∑
###œœœ. ‰Œ Ó
∑
2 mf 3 ◊ÿ >œ. œ. œ. œ. œ. œ ‰ ‰ ‰ ‰
& mf on
p
off
Pno.
3
2
™ ?
{
∑
∑
∑ &
ff
2 >.
œ. œ. œ. ‰ ‰ ‰ ‰ 42 > ###œœœ. 2 ‰ Œ Ó 4 f
Daniel Moreira - 7 - The Delivery
131
132
133
134
135
4 05:22 4
05:25
3 405:29
4 05:31 4
/ 42 05:20
Tc.
(as a continuous glissando, but holding a little on the written pitches)
Arco molto S.T.
#œ ° 2 Vln. & 4 ¢
œ
µœ
œ
∑
™ nœ
µœ œ 3 4
4 4
4 4
∑
pp p
:◊; œ. œ. >. (B) œ 2 4 &4 ‰ ‰ 4 ‰ Œ Ó
3 4
∑
f
> ###œœœ. Œ ‰ ≈
4Ó 4
∑
ff f
on
Pno.
#w
3
A l.v.
2 &4
4 4
∑
{
3 4Œ Œ ‰ ≈
∑
4Ó 4 . ss
Œ ‰ ≈
gli Quickly scratch the tuning pegs with a credit card, as a fast guiro)
mf
136 05:34
137
138
05:38
5 4 05:41
/
Tc.
Ord.
° Œ Œ ‰ ≈ S.P. œ œ™ Vln. & ¢
≈ ‰ ≈ œœ
f
œ
5 4
œ
f
4 4
>œ >œ >œ >œ œ ‰ œ ‰ œ ‰ œ ‰ Œ 44 ff
> > > > ##œœœ. ##œœœ. œœœ. œœœ. # œ # œ ‰ ≈ ≈ ‰ ≈ ‰ ≈ ‰ 45 & Œ Œ ‰ ≈ ‰ ≈ p
ff
◊ÿ>œ. œ
> œœ. ≈‰
> œœ. ≈‰
> œœ. ≈‰
≈ ‰ Œ 44
p f
f f
Pno. off on
off
>œ. >œ. >œ. >œ. # œ œ œ # œ œ œ œ # œœ ≈ ‰ œœ ≈ ‰ œœ ≈ ‰ œœœ ≈ ‰ Œ ? 4 5 &4 4
on
off
2 2
3
2
3
™
ÆJ
≈‰ ≈
{
≈≈
&
f
139
/ 44 05:45
Tc.
140
141
142
05:48
4 05:51 4
05:55
(very quick, noisy gliss.)
Arco
° 4 Vln. & 4 ¢
æ 22æ >
With dampened strings. No pitch, just bow scratch noise.
æ 22æ
æ 22æ
æ 22æ
Arco
Arco
Molto S.P.
æ 22æ
æ 22æ
æ 22æ
mf
>œ. # # œ # œœœ ≈ ‰ Œ Ó 4 &4
∑
æ ∑ 22æ 44 2f 3 . 4 ###œœœ ≈ ‰ Œ Ó 4
Pizz.
≈‰ Œ ≈≈ ≈ ≈ œù œ œ >œù œ f> p ◊ÿ>œ. >œ. # ≈ ≈Œ Ó
Scratch the wood under the piano keys with your fingernails
Pno.
f mp
2 2 ?4 æ ‰ 4 æ ææ n œ o mf “‘ >.
{
2 ææ
2 ææ
2 ææ
2 ææ
2 ææ 44 2f 3
?
∑
f Daniel Moreira - 8 - The Delivery
Molto S.P. Pizz.
Ó
≈‰ Œ “‘ œp.
143 05:58
144
145
146
147
06:01
06:04
3 4 06:08
4 06:10 4
/
Tc.
Arco molto S.T.
3 4
(as a continuous glissando, but holding a little on the written pitches)
#œ œ µœ œ µœ œ 3 ‰ ≈Œ 4 pp œ. ◊ÿœ. œ. ◊ÿ >œ. 3 ‰Œ Ó ∑ & Œ ≈ ≈Ó 4 Pizz.
™ nœ
« Arco Pizz. Arco Pizz. 4≈ ‰ ≈ ≈ ≈ ‰ > ≈ œ 43 4 f >œ >œ µ >œù >œù œ mf ◊ÿÆ ◊ÿœÆ œ Æ Æ œÆ ‰ 3 4 #œ ≈ œ ≈ 4 4
° Vln. & Œ Œ ¢
p
∑
ff p
Pno.
A 3 Œ Œ ‰≈ 4
#w l.v.
? ∑
{
∑ &
Quickly scratch the tuning pegs with a credit card (if possible!)
mf
148
/ 43 06:13
Tc.
mf
4 ? 4 . s s gli œ 2 ff ' ‘ “ 3
3 &4
œ '
œ '
149
150
151
152
153
154
06:16
4 06:18 4
06:21
06:25
06:28
06:31
Ord.
>œ. ° 3 Vln. & 4 ¢ 2
Pno.
>œ >œ ≈‰ œ ‰ œ ‰
>œ >œ >œ œ ‰ œ ‰ œ ‰ 44
>œ œ ≈‰ Œ Ó
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
ff
3 ◊ÿ> > > > > > >œ. œœ. œœ. œœ. œœ. œœ. œœ. # # œ # œœœ ≈‰ Œ Ó 3 4 ≈‰ ≈‰ ≈‰ ≈‰ ≈‰ ≈‰ &4 4 f > f œœœ. œ>œœœ. œ>œœœ. ###œ>œœœ. œ>œœœ. œ>œœœ. # # œ # 3 4 ? œ ≈‰ œ ≈‰ œ ≈‰ 4 ≈‰ Œ Ó & 4 œ ≈‰ œ ≈‰ œ ≈‰ n œœ. f ‘ “ >
{
ff
155
/ 06:34
Tc.
156
157
158
159
160
161
162
163
06:38
06:41
06:44
06:47
06:50
06:54
06:57
07:00
~w
~w
~w
~w
~w
With dampened strings. No pitch, just bow scratch noise. overpressure
ææ ° Vln. & Œ 2 ¢ 2 o
æ 2æ 2
æ 2æ 2
æ 2æ 2
æ 2æ 2
æ 2æ 2
æ 2æ 2
æ 2æ 2
æ 2æ 2
™ æ ‰ O˙™ 2æ 2 66 >> o
æ 2æ 2
exponential cresc. (exaggerate only at the end!)
2
ppppp
Until the end of the piece: interact dynamically with the soundtrack doing slow, soft crescendi and decrescendi on the long sustained notes (not exaggerated).
fff fff
3 ∑
∑
∑
Until the end of the piece: interact dynamically with the soundtrack doing slow, soft crescendi and decrescendi on the long sustained notes (not exaggerated).
∑
& give more emphasis to the lower pitches
Pno.
?
{
?
∑
∑
∑
>œ. œ ™ œœ œœ ™™ œ œ™
˙˙ ™™ ˙™ ˙™
Tremolo INSIDE the piano (keep the string vibrating by gently taping it with the fingertips)
l.v.
Aª æ wæ
“‘ fff f Daniel Moreira - 9 - The Delivery
ppppp
æ wæ
æ wæ
æ wæ
æ wæ
164 07:03
/
Tc.
165
166
167
168
169
170
171
172
2 4 07:07
4 07:08 4
07:12
07:15
07:18
07:21
07:25
07:28
2O 4˙
~ 4 #w 4 o ppppp
~w
~w
exponential gliss. (start almost imperceptibly)
° ~w Vln. & ¢
&
2 4 4 ∑ 4
?
2 4
∑
∑
∑
O˙
∑
#O #œ
O˙
##~w p o ppppp
∑
∑
∑
∑
Pno.
{ w :“;
Aª æ wæ
4 4 #œ œ ™ ˙ ™ # œœ œœ ™™ ˙˙ ™™ l.v. “‘ >.
˙
f
mf
æ wæ
æ wæ
æ wæ
æ wæ
w w w “‘ >
l.v.
ppppp mf
173 07:31
174
175
176
07:34
07:38
07:41
/
Tc.
exp. gliss. as before
° <#><#>~w Vln. & ¢
O˙
bO œ
O˙
p
∑
∑
∑
∑
& Pno.
Aª ææ w
?
{
ææ w
ææ w
ææ w
:“; ppppp
177
/ 07:44
Tc.
178
179
180
181
182
07:47
07:50
07:54
07:57
08:00
short overpressure cracking sound (pitchless)
° nII~w Vln. & ¢ o ppppp
exp. gliss. as before
O˙
∑
O˙
O˙
∑
O˙
µO µœ
∑
∑
6. ≈ ‰ Œ Ó > p
∑
∑
& close the keyboard lid
Pno.
?
{
bw bw w “‘ >
l.v.
Aª æ wæ
‰ Œ Ó æ wæ
æ wæ
æ wæ >¿ mf
ppppp mf Daniel Moreira - 10 - The Delivery
DANIEL MOREIRA THE DELIVERY FOR VIOLIN, PIANO AND VIDEO/ SOUNDTRACK