Founded 1876 daily since 1892 online since 1998
Wednesday October 25, 2017 vol. CXLI no. 93
{ www.dailyprincetonian.com } ON CAMPUS
U . A F FA I R S
McPhee ’53 reflects on writing process, journalism senior writer
“So, what happens now?” Pulitzer Prize-winning Ferris Professor of Journalism John McPhee ’53 half-jokingly, halfnervously asked as he handed the reins of the conversation over to his two former students, Robert Wright ’79 and Joel Achenbach ’82, at a book discussion on Tuesday evening at Labyrinth Books. Accompanied by Wright and Achenbach, two accomplished writers in their own rights, McPhee answered questions relating to his extensive career as a writer of creative nonfiction and discussed his most recent book, “Draft No. 4: On the Writing Process.” Wright is a journalist, writer, and professor, with one of his most popular books being “The Evolution of God.” Also a journalist, Achenbach serves as a staff writer for The Washington Post and is the author of books including “Why Things Are” and “A Hole at the Bottom of the Sea: The Race to Kill the BP Oil Gusher.” Because “Draft No. 4: On the Writing Process” focuses on — as its name suggests — the process writers go through in reaching final drafts, much of McPhee’s talk centered around prominent characteristics of his own work style. A key feature of his personal writing style, according to McPhee, is structure. In explaining this focus on structure in writing, McPhee highlighted the indispensability of a strong framework to any piece of writing’s natural flow. “When you say you don’t particularly notice [structure], great, that’s what I want to hear. It should be as visible as a person’s bones,” he said. Even with this subtlety, however, McPhee’s focus on structure is not lost to his readers. An attendee of the event, local New Jersey journalist and author Richard Smith, called McPhee, “a hero and an inspiration.” Smith cited McPhee’s emphasis on structure as a key element in his admiration for the renowned journalist. “McPhee explodes this myth that art has to be just so totally spontaneous, and that if you structure and analyze it, it ruins it,” Smith said. “I think the fact that he has so much structure, and really researches and reports so assiduously, liberates it and makes it so wonderful.” In discussing conventional journalistic structures, McPhee touched on the common journalistic tool of the nut graph, a kind of thesis statement to a piece of journalism. He explained that he does not like nut graphs in his own writing. “There is nothing wrong with that [using a nut graph], but to assume that there has to be such a thing is extremely formulaic, and I think formulaic writing is not going to lead to every possibility you could think of,” McPhee explained. As far as the drafting process goes, McPhee espoused what he described as a common lesson
In Opinion
he teaches to his students of journalism: that a piece “takes as long as it takes” until it is finished. As for when McPhee is able to gauge when one of his pieces is finished, he said he feels lucky to have always had an innate sense of when he has reached the end of a piece of writing, even from the start of his career. “I’ve always been lucky. I’ve always known when I was done. When I hit a point, I can do no better; that’s the best I can do,” McPhee said. As a writer of nonfiction, McPhee has historically been known to keep himself out of his stories, even going so far as to not include a book jacket photo in his books. When pressed by Achenbach about what “the perils of the author being present” truly are, McPhee expressed his preference for keeping the story about its subject, not its author. “You have the material that somebody collects in a nonfiction piece and you want to talk about it, the author might want to prance around and show off and do all kinds of things so that the piece becomes about the author and not about the subject,” McPhee said. “When that happens, it kind of curls my lip.” On the topic of the reporting process versus writing, McPhee noted that in reporting, you never know what you miss. “Some of these nuggets that come along are opportune and you never know what just went by that you didn’t get,” he said. “If you stay at it long enough, you can assemble material from which you can then do a piece of writing.” McPhee, Wright, and Achenbach’s discourse concluded on McPhee’s role as a professor, with Wright and Achenbach recounting several of their own memories of McPhee in the classroom. According to Achenbach, “an obvious lesson of John McPhee” that he took away as a student was “that all the words matter, and they matter a lot.” Achenbach added that McPhee’s personal investment in each of his students had a tremendous impact on him as writer. “[McPhee] took my writing more seriously than I did,” Achenbach said. “John taught us to actually revere the language and to treat words as though they are not interchangeable.” McPhee has been a staff writer at The New Yorker since 1965 and has published almost 30 books. In discussing the evolution of his career, McPhee noted that the process of being a writer is a long and steady one. “I was consistently and absolutely rejected until I was 31. And I tell that story to students … not to be discouraging, but because I think it’s encouraging. Writers grow slowly,” he said. “You learn writing in the volume of what you do. And other people like me can comment as you go along.” The event took place at 6 p.m. at Labyrinth Books on 122 Nassau St.
Guest contributor Kyle Berlin responds to criticism of his Letter to the Editor by Sinan Ozbay, and contributing columnist Jon Ort urges us not to forfeit our privacy online. PAGE 4
COURTESY OF DAVID DOBKIN, PRINCETON COMPUTER SCIENCE
Students will learn about migration in a global context in a seminar led by professor Sandra Bermann.
Bermann to teach seminar about global migration By Ivy Truong and Sarah Warman Hirschfield contributor and senior writer
For Sandra Bermann, migration is a truly global phenomenon. Migration, she says, is the human face of globalization. Beginning in the 2018–19 academic year, Cotsen Professor in the Humanities and professor of comparative literature Sandra Bermann will lead a Sawyer Seminar called Global Migration: The Humanities
and Social Sciences in Dialogue with support from a $225,000 grant to the University from The Andrew W. Mellon Foundation. In the course, Bermann plans to bring in faculty from multiple disciplines, including history, sociology, comparative literature, and politics. Established in 1994, Sawyer Seminars are designed to be “temporary research centers,” not credit-bearing courses.
Eugene Tobin, senior program officer at The Andrew W. Mellon Foundation, explained that migration is rarely studied through the lens of the humanities, like it will be in Bermann’s seminar. Instead, Tobin said that migration studies are often tackled through the lens of economics, sociology, or demography. “The type of interdisciplinary conversation See SEMINAR page 2
U . A F FA I R S
ON CAMPUS
P-Safe report shows increase in reported incidents of rape, robbery in 2016
Tatum emphasizes importance of diversity
By Benjamin Ball contributor
According to the University’s Department of Public Safety Annual Report, there has been a sharp increase in crimes of rape and theft on campus between 2015 and 2016. The report stated the number of reported rapes on campus has doubled in a year, from six in 2015 to 12 in 2016. The number of reported robberies has also increased, according to the report. Whereas in 2015 there were no acts of robbery reported on campus, there were five reported robberies in 2016. Burglary has also increased from 24 burglaries in 2015 to 33 in 2016. The Department of Public Safety’s distinction between robbery and burglary, as noted in the report, is that burglary involves some kind of unlawful entry to commit felony or theft, while robbery is an individual’s attempt to take anything that does not belong to him or her. The DPS report is mandated by the Jeanne Clery Disclosure of Campus Security Policy and Campus Crime Statistics Act, which requires colleges and universities receiving federal funding to annually publish statistics on crime at and around their campuses. The DPS report highlights the reality that not all reported
crimes result in charges. Indeed, the statistics given by DPS are numbers of reported crimes, not charges themselves. For example, spokeswoman for the Mercer County prosecutor’s office Casey DeBlasio told Central Jersey News that to her knowledge, no one was charged for rape occurring at the University in 2016. This statistic stands in clear contrast to the six reported rapes denoted in the 2016 report. The report states that the statistics outlined in the University’s DPS report are the ones collected from public safety officers’ reports of a crime, which are inputted at the time of the incidents in the department’s integrated record management system. After a report is made and put into the system, a department administrator reviews the report to check for correct classification of the crime. The department periodically examines the data to ensure all reported crimes are recorded in accordance with the crime definitions outlined in the FBI Uniform Crime Reporting Handbook and, for sex offenses, the FBI National Incident-Based Reporting System Handbook, the report further stated. The report also noted that Public Safety crime statistics do not include reports of sexual See P-SAFE page 2
Today on Campus 6 p.m.: Judith Hamera and Dean of the College Jill Dolan discuss the changing nature of work and capitalism. Labyrinth Books, 122 Nassau St.
By Samvida Venkatesh senior writer
Every campus has the opportunity to bring people together across lines of difference, said Beverly Daniel Tatum in a discussion on the latest edition of her book “‘Why are All the Black Kids Sitting Together in the Cafeteria?’ And Other Conversations About Race.” Tatum — who served as ninth president of Spelman College, the oldest historically black women’s college in the United States — is a renowned psychologist and educator who has widely written on race and education. “‘Why are All the Black Kids Sitting Together in the Cafeteria?’ And Other Conversations About Race” was first published in 2003. “College is often the first space where people have to engage across lines of difference, and they don’t necessarily have a lot of practice in doing so,” she said. If this engagement is not pursued and prioritized, Tatum noted, students’ ability to engage with different people may be lost forever. After college, 75 percent See DIVERSITY page 2
WEATHER
By Emily Spalding
HIGH
65˚
LOW
42˚
Sunny. chance of rain:
0 percent