2022 ADVANCED MEMBER SHOWCASE
STAFF
ADVISORY BOARD
Hannah Frieser Executive Director Sarrah Danziger Digital Lab Manager Sarah Jurgielewicz Program Manager Nicole Leonardo Administrative Assistant
Koan-Jeff Baysa Phillip Cavanaugh Darren Ching Brain Clamp William Hannigan W.M. Hunt Naomi Huth Doug James David Karp Susana Torruella Leval Ellen K. Levy Carlos Loret de Mola David Maloney Babs Mansfield Yossi Milo Jeff Milstein Doug Menuez Sarah Morthland Robert Peacock Roger Ricco Miriam Romais Ernestine Ruben Kathleen Ruiz Ariel Shanberg Gerald Slota Neil Trager
Patt Blue Gallery Docent Dani Cattan Events Coordinator David Cunningham Gallery Docent Sean Hovendick Web Developer
BOARD OF DIRECTORS Howard Greenburg Founder, Chair Clinton Cargill Co-President Barry Mayo Co-President David Rosenberg Treasurer Jesse Blatt Secretary Terry Dagrosa Aaron Rezny William van Roden Stan Sagner Steven Wechsler
2022 CPW VIRTUAL ADVANCED MEMBER SHOWCASE
CONTRIBUTORS Manuel Acevedo Gail Albert David Comora Rodger Friedman Judit German-Heins Alan Hans Dave Higgins Nicol Hockett Diane King Ruth Lauer Manenti Joel Mandelbaum Patrick Ryan Barbara Taff Curtis Widem Mike Yood
ABOUT THE SHOW For over 43 years, CPW has encouraged its members to create new work and grow as artists. The 2022 Advanced Member Showcase is an opportunity to showcase some of the best work made by advanced members in the region and beyond. A special thank you to Lauren Gay who created this template.
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MANUEL ACEVEDO
(Bronx, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
Manuel Acevedo began his career as a street photographer in Newark. Over time, he broadened his media to develop a distinctive style that combines photo-based projected imagery, wall drawing and text. Through these means, Acevedo amplifies the subtle nuances of the lived urban experience and landscape. His work intermingles contested histories of specific areas while addressing issues of gentrification, immigration, and ever shifting boundaries of space.
In late spring of 2020 while Covid-19 infections were at there highest in the Bronx. I decided to engage in long walks to record the closing of local businesses. The daytime views were full of light, pedestrian foot traffic, mothers with children, outdoor vendors, Black Lives Matter protestors and posted signs, police surveillance, and pedestrians trekking through the Covid-19 challenged landscape. The conversion of the boarded up store fronts, banks and related Kingsbridge and Fordham Road business district turned landmarks into communities working through closing businesses, struggles for economic and health relief.
Acevedo has been exhibiting his work in the United States and abroad for over thirty years. Exhibitions include Down These Mean Streets: Community and Place in Urban Photography curated by E. Carmen Ramos at the Smithsonian American Art Museum in Washington D.C.; Intersecting Trajectories at Rush Arts Gallery in NY; and Mirror Mirror at Express Newark - Rutgers University. He has had solo exhibitions at the Bronx River Art Center, Latino Cultural Center in Dallas, TX, and Jersey City Museum. Acevedo is a recipient of the 2021 BRIO grant and 2019 Colene Brown Art Prize at BRIC. Among his other awards and residencies are those received from the Joan Mitchell Foundation, Visual Artist Network, Longwood Arts Project, Mid-Atlantic Foundation, Museum of Art & Design (Artist Studios), and Studio Museum in Harlem, AIR.
I envisioned this series of black and white infrared photographs while taking contemplative walks, studying the casted light, movements of shadows from pedestrian filled streets as they were juxtaposed in a landscape of well-aged and neglected structures made of concrete, glass, steel gated stores and tree lined communities. I tried to visualize the affected communities as radiating spaces and organisms in an invisible light spectrum made visible during the Covid-19 lockdowns as pedestrians occupied spaces, in their complexity and poetic nuances. The green color of leaves is converted to white foliage because of the chlorophyll when photographing with an infrared sensitive camera. The effect has been the similar when photographing people. Making the invisible light, visible, to capture the unknown. WEBSITE www.instagram.com/698manuelacevedo
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INFRA# 0405 06.19 BX, NY, 2020 Medium: Archival Dye-based Inkjet on Platine Fibre Rag Image size: 11 x 17” 1
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GAIL ALBERT
(Woodstock, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
As a child, Gail Albert would search her bedroom closet for the hidden doorway into another dimension that lay behind the reality she knew. Her nature photography hints at her continued sense of ineffable, ever-present mystery as she plays with what is real and what is illusion.
The bog in this portfolio, no more than ¾ acre, lies behind a copse of woods at the end of my long backyard in Woodstock NY. More woods surround it, and a few neighbor houses can be glimpsed beyond these woods. But the bog is wild, primeval, mysterious. It is, indeed, a doorway to another dimension.
Albert’s recent bodies of work include: Witchtree Bog,a year of change in the bog behind her house, mirroring her own experience of impermanence and the mysterious nature of existence; and Tree Portraits, portraits of individual trees as our genetic cousins. Her photographs have been exhibited in group shows including those at the Woodstock Artists Association and Museum, Woodstock NY; Lev Shalem Gallery, Woodstock NY; Davis Orton Gallery, Hudson NY; and the Woodstock Center for Photography.
I began taking pictures here several times a week when the Covid pandemic began, for it offered escape only steps from my kitchen. Over the year, I have recorded its changes as the landscape shapeshifts: trees fall; water rises or ebbs; reflected images pretend solidity; landmarks vanish under flooding or greenery, or are browsed to the ground by starving winter deer. It all shimmers with mystery.
Albert began to seriously pursue photography in 2015. She is also a clinical psychologist, teacher of mindfulness meditation and Jewish contemplative practices, writer, and former student of neurobiology. Her first book was a National Book Award finalist. She lives in Woodstock NY.
The bog also sits in a hollow that was left when the glaciers retreated ten thousand years ago. So it holds the memory of ages past even as it reveals a detail in one moment that vanishes an instant later in the shifting sunlight. The bog has become my intimate companion. It mirrors my preoccupation with impermanence and mortality as I age, and my awareness of the unpredictable paths life takes. I offer thanks for the unique gift of each discrete moment, and for the indefinable glory that remains even as everything changes. WEBSITE www.gailalbert.com
First Fall, 2021 Medium: Archival Inkjet Print Image size: 12.7 x 19” Edition: 2/10 2
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DAVID COMORA
(Armonk, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
David Comora was born in 1969 and began making photographs and printing in a middle school darkroom around 1982. Following this period Comora began a more serious study in 2014 at the International Center for Photography. He is a husband, father, person and photographer.
On becoming a practicing photographer, I have come to believe that the beautiful thing about art is making it. What I love most is the never-ending supply. Photography has granted me a certain freedom and autonomy to experience the world and respond in my own personal way. As such, I see my work for what it is, a personal point of view - concerned less with representing what I see, rather sharing my feelings towards it - offered simply for your consideration. Principally an “intuitive walk-about photographer”, I respond to my everyday - attempting to share an alternate perspective - to open our eyes and mind to possibility. I admire craftsmanship. I anticipate seeing what happens when I try things. I wonder how I’ll respond to others’ work with my own. “Around my minds eye, the picture not yet taken. Exhilaration!” WEBSITE www.davidcomora.com
Remnants of Things Left Behind-1, 2021 Medium: Archival Inkjet Print Image size: 9 x 6” 3
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RODGER FRIEDMAN
(Sterling Forest, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
Rodger Friedman is a resident of Sterling Forest, in the Lower Hudson Valley, since the end of the last century. He is a non-professional photographer.
I use my cameras to train my vision, and I want to improve my vision to take better photographs. I’m a hobbyist, trying to learn. Fortunately, I live next to an ever-changing lake, and I do not tire of photographing it. New York City and rural Orange County, where I live, also provide endless subject matter. I love landscapes for their beauty and depth, and urban photography for its human condition.
Distant Sound, 2012 Medium: Archival Inkjet Print Image size: 8 x 10” 4
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JUDIT GERMAN-HEINS
(Kingston, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
I am a Hungarian-American photographer residing in Kingston, NY. I am an MFA candidate in Photography and Integrated Media at Lesley University.
My ongoing project, Women of Faith was born in early 2017 after Muslim women and mosques were attacked in many parts of the US and Jewish cemeteries were vandalized in Philadelphia, St. Louis and in Indiana. Islamophobia and anti-semitism were on the rise in the United States and in Europe, especially in my home country, Hungary.
I was a top 200 finalists of the 2019 Critical Mass by Photolucida with my portfolio, Women of Faith. This work was also the 2019 winner of the Alternative Processes Category of the Worldwide Photography Gala Awards (WPGA). My images were also awarded by Gallery Photographica, Photographers’ Forum Magazine and by the Houston Center for Photography. I was invited to exhibit in Women Inspired in the Grady Alexis Gallery in New York City in 2013 and in the International Biennial of Fine Art and Documentary Photography in Malaga, Spain in 2014, in Berlin in 2016 and in Houston, TX. My tintype portrait, Woman in Headscarf won Grand Prize in 2018 by the New York Center for Photographic Art. My work appeared in Best of Photography by the Photographers’ Forum Magazine and in Portraits and People by the WPGA, and in International Masters of Photography. My article, “Tintype Portraits: A 19th Century Process Documents 21st Century Society” was published in the October 2018 issue of The Big Photo Zine.
These attacks on innocent people, on their homes of worship and burial grounds made me think about the basis of all religions, which is love of God and love of the human kind. When we concentrate on recognizing familiarity and similarity among each other, we can connect and forget about our differences. It is hard to hate someone when we get to know them. Women of Faith is a series of tintype images of women who cover their head for religious purposes. Veil, hijab, kippah, turban or headscarf all serve the same purpose: to be modest, to connect with God, and to express belonging. This black and white process from the 1860s allows me to create one-of-a-kind, handmade images of these beautiful women.
WEBSITE www.juditgermanheins.com
Women of Faith #2, 2017 Medium: Tintype Image size: 5 x 7” 5
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ALAN HANS
(Woodstock, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
I am from Queens NY and have been living and working as a full time veterinarian in Woodstock, NY for 45 years.
I am a street photographer. I am interested in capturing unposed candid images of the human comedy. I try to emotionally touch the viewer with a gesture or feeling. If i can juxtapose items into a complicated frame and leave some mystery for the viewer to interpret I have done my job WEBSITE www.alanhans.com
Rhinecliff Station, 2018 6
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DAVE HIGGINS
(Albany, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
Dave Higgins’ photographs have been shown around the USA and Canada. Through his photography he explores how we encounter and find meaning in life - revealed though our creations, our passions and pastimes, and the vestiges we leave behind when we’re gone.
We are led to believe that we live in an Either/Or world. We split life into binary qualities: Black or White, Male or Female, Gay or Straight, Individual or Collective, Rich or Poor, Religious or Secular. Based on our feelings about those qualities, we are labeled: Liberal or Conservative, Capitalist or Socialist, Believer or Infidel, Us or Them, Good or Evil. Our world is filled with and defined by these dichotomies. But what if this dualism is flawed?
In addition to his photography, he has a website called Quantum Age that has been online since 1996. It offers a framework for applying ideas from modern science to today’s world.
Modern physics has revealed that, at the most basic level, things are innately capable of exhibiting both individual particle and collective wave qualities. Any perceived difference is due only to how an entity is observed. In the quantum world, it’s not a matter of Either/Or; it’s a matter of Both/And. Some high school students in Joshua, Texas paint artwork on their assigned parking spaces. In one sense, the results are wonderful examples of individual creativity. But they don’t exist by themselves. Other nearby spaces, as well as the place and time in which they were painted, shape our perception of this art. With these images I am exploring how both the individual parking space art and its context coalesce to create a distinct, holistic reality. Viewing them offers us an opportunity to explore a Both/And approach to seeing our world. WEBSITE www.davehigginsphotography.com
Cacti and Flowers, 2018 Medium: Archival C Print Image size: 15 x 10” 7
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NICOL HOCKETT
(Sterling, VA)
ABOUT THE ARTIST
ARTIST STATEMENT
Nicol Hockett specializes in portrait photography with an approach that balances authenticity in studio craft with a refined finishing style to bring out and preserve the beauty of the subject’s character.
Stepping into the Lonaconing Silk Mill in western Maryland is akin to traveling back in time. In a way that is both wonderfully nostalgic and somewhat haunting, I have been struck by how well-preserved are the functional elements of the mill. The mill produced silk for fifty years, but was shuttered suddenly in 1957. From the throwing machinery and bobbins to paper tags and personal items, the systems remain very much as they were sixty years ago, perhaps due to a combination of simple, sturdy construction, sudden abandonment, and no subsequent intervention. The purpose of my portfolio is to show a moment in time frozen.
Her photographs have earned awards and recognition in leading international photographic competitions and exhibitions and have been published in the Journal of the Royal Photographic Society, Photographer’s Forum Best of Photography Annuals, Artistonish Contemporary Fine Art Magazine, and numerous exhibition books. She has exhibited work at the National Geographic Museum and in physical and virtual galleries in the United States and Great Britain. She is an Associate of The Royal Photographic Society (ARPS), a Certified Professional Photographer (CPP) with the Professional Photographers of America (PPA), an Advanced Member of The Center For Photography At Woodstock (CPW), and a member of the American Society of Media Photographers (ASMP). Nicol serves as a volunteer event photographer with the American Heart Association at Hearts Delight Wine Auction and as a photography competition judge. She lives in Loudoun County, VA with her husband and two children, Lucy and Leo, and loves to explore wineries, farms, and historic sites.
WEBSITE www.nicolhockett.com
Silk Mill Calendar, 2018 Medium: Archival Inkjet Print 16
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DIANE KING
(Ancramdale, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
Diane King lives and works in the Hudson Valley and New York City, where she has studied at the School of Visual Arts and The International Center of Photography. Her work is held in private collections across the country, and has appeared at Art Basal, Art Palm Springs, Art San Diego, Ad Art Show at The Oculus, the Bridgehampton Art Show, The Center for Photography at Woodstock, and the Woodstock Artists Association & Museum. Her solo exhibition, The Treachery of Impermanence, premiered in 2018 in New York City.
I began exploring the concept of space at a young age when I attended George Balanchine’s School of American Ballet in New York. As a ballet dancer, I explored space with my arms, legs, torso and feet. I occupied space, then exited space. I was isolated, then part of a larger whole. There was always a visual choreography, not just to our bodies, but to the air that surrounded our bodies. As a photographer I strive to capture not only the emotional impact of my subject, but also the visceral imprint of the negative spaces in which my subject exists. It is this intangible aspect that fascinates me, the power of these voids to agitate, calm, or unsettle our psyche. How the sheer proximity of one person or object to another, or to nothing, can become the essence of the image, the catalyst for the reaction of the observer. WEBSITE www.dianekingphotography.com
Silence, 2020 Medium: Archival Inkjet Print Image size: 30 x 20” Edition: 2/10 9
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RUTH LAUER-MANENTI
(Palenville, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
Ruth Lauer Manenti received an MFA from The Yale School of Art in painting and drawing in 1994. In 2012, she was given a large format camera and taught herself how to use it. Gradually she accomplished what she was striving for in drawing and painting, through photography. Her mother was also an artist who left behind a legacy of unknown work. Part of Ruth’s determination as an artist is to reward her mother for her efforts and to create a continuum. She was awarded a NYFA grant in photography in 2016 and had a solo exhibition at The Center for Photography in Woodstock, NY in 2020. Her book Alms is currently on view on an online exhibition at The Griffin Museum of Photography. Since breaking her neck in a car crash at the age of twenty, Ruth has developed a spiritual life and practice that has propelled much of her photographic work. She lives in the Catskill Mountains in NY with her husband and 3 cats.
I live in a house that was built in 1940 at the foot of the Catskill Mountains. When we thought about buying our house no-one else wanted it. It doesn’t have a garage, a paved driveway, a basement, more than one bath or bedroom which is why many people undervalued the house. It was also cluttered when we looked at it, but I immediately imagined it empty and knew it would be beautiful. The house has small windows that, in daytime, let in a gentle light which to me is special to this house. Life is going by quickly and I have lost many people, close to me, and not, in ways unexpected or if expected, naively I did not see coming. I know that I will not live in this house forever. The house will hopefully outlive me, but I wonder if a part of me will outlive the house. I wish my dad could have visited, at least once. The relationship to my house has changed since both my parents have died. Somehow, without them, the need for a home I could love feels more important. While creating this work, I had the sense that all the people in my life, still here or not, live with me in my house. Excerpts of their lives were flashing in my mind, and wanting them to linger I decided to write them down in an accompanying text to this work. WEBSITE www.ruthlauermanenti.com
Woman With Cloth, 2021 Medium: Archival Pigment Print Image size: 9 x 12” 10
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JOEL MANDELBAUM
(Kingston, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
My apprenticeship in photography began in my father’s closet-sized darkroom in the basement of our Brooklyn house. I would spend hours there entranced by the images that would magically appear. When we traveled, I would carry the extra lenses for his Nikon F which was used for slide film, and his Yashica twin lens, which was reserved for black and white photography. We would discuss photos, lighting, composition elements, and the differences between Kodachrome I and Kodachrome II.
On April 8, 2020 we were all grappling with the reality of the lock downs and social restrictions of the Covid-19 pandemic. Walking was something I could do safely and without restriction except mandatory mask wearing at that time.
My only formal training was studying under David Batchelder in Amherst, Mass and some work with Dan McCormack at the CPW My subject matter has changed over the years, Starting with New York City street photography, the moving on to nature and travel photography, and most recently my Kingston project.
y wife and I took a walk in what was my favorite neighborhood in M Kingston, the Rondout. Almost nobody was on the streets. I had only my cell phone with me that day, but I realized what a marvelous place Kingston is for photography; it has an extensive history, old buildings, and varied neighborhoods. On that day I conceived of the project of walking every street in Kingston ( just over 86 miles) and photographing those things that caught my eye. This is not meant to be a “best of Kingston” or a tour of the best architectural and most historic locations. I have tried to show the dynamics of change, of natural decay followed by rehabilitation and reconstruction as well as those temporary things people do to improve their lives, their properties, for transient and seasonal pleasure. My involvement in this project waxed and waned over the course of the next year. I tallied my last street on March 6, 2021 with a walk first on the Hutton Brickyards Trail, then back from East Kingston on Route 32. My interest in local history, however, grew steadily. I have read the books and perused the web pages noted in the resources page (130). WEBSITE www.hippocratesgal.com
Days of Former Glory, 2021 Medium: Archival Inkjet Print Image size: 16 x 20” 11
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PATRICK G. RYAN
(Germantown, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
I’m an award-winning photographer with more than a decade of experience in print and electronic media.
Queens, NY is the most ethnically diverse place on the planet. I rode the Q46 bus 2.8 miles every day for two years (2012-2014) from the subway stop at Kew Gardens to the campus of St. John’s University where I worked as Director of Photography. I was fascinated by the variety of faces I’d see sitting across from me every day. I started to photograph them with my iPhone using the Hipstamatic app. I didn’t attempt to hide my photo-taking (you can tell from some of the expressions that people are wondering why I’m doing it) and no one ever got upset or asked me to stop. WEBSITE www.instagram.com/hillpix
Q46-4, 2013 Medium: Digital Inkjet Print Image size: 5 x 5” Edition: 1 of 50 12
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BARBARA TAFF
(New York, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
Taff is a multi-disciplinary conceptual artist and designer who brings a sense of timelessness and humor to her sculpture, photography, cartoons and visual designs.
I use photography and digital drawing tools to transform hidden imagery through lines, shapes and colors. I am inspired by the unlimited possibilities of life’s overlooked forms for personal expression. it is deeply satisfying to connect with my environment in this profound way.
While working as a sculptor and mixed media artist, Taff applied her creative vision to print media and design. Taff’s award-winning design career include: Illustration editing at New York Magazine, Art Director of YM magazine, Associate Creative Director of UJA-Federation of New York, Principal and Creative Director of Studio 8 Design in NYC and Design Director at IIE, The Institute of International Education. Taff has taught and lectured at Pratt Institute and FIT and has presented workshops on Design Thinking. She wrote and illustrated an acclaimed children’s book, The Best Colors, about color mixing, diversity and conflict resolution, (thebestcolors.com). With an undergraduate art degree from State University College of Buffalo and a Masters in Art & Design from Pratt Institute in Brooklyn, Taff often draws upon and juxtaposes natural and urban scenes as the context for her work near her homes in Manhattan and Fleischmanns, New York.
Each finished piece consists of two images. The first is the “Look” which is photograph number one. The second image, “Look again” is what I see and draw when looking at the first image. Next, I sync them together to form a print that merges them onto one surface. This print is known as a Lenticular. Each image is transformed when viewed from different angles to challenge and engage viewers in surprising new ways. WEBSITE www.barbarataff.com
Acrobat 2 13
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CURTIS WIDEM
(New York, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
Curtis Widem is an artiste/teacher who somehow finds time to create more art. He’s a full-time NYC Department of Education Elementary School Art Teacher who received this BFA from the University of Hartford Art School, with a major in Experimental Studio. He received his Masters Degree in Art Education from a Adelphi University, and his artwork has been exhibited throughout NYC in the USA.
My artistic journey is about exploring its elements and principles. I focus on line, light, and shadows; their depth, form, weight and substance. By investigating these paths, my goal is to find a route to a new way of seeing. As I continue on my artistic expedition, I found that I’ve become a stronger, more confident artist by pushing myself to make discoveries, failures, and accidents. As an art instructor once told me: “Explore. Make mistakes. Don’t stop.” I’ve taken his advice to heart and it helps to feel my continuing adventure of artistic enlightenment.
Curtis’ “Free Art Dude” (freeartdude.com), where he hands out free art while wearing a Dada-esque costume, has performed all over NYC, and his Thing Machine (thingmachine.com), an info-comedy skit, in a vending machine, has performed at the Guggenheim Museum, the New York Fringe Festival, the Wadsworth Atheneum, and dozens of others arts organizations and non-profits throughout NYC and New England
WEBSITE www.curtiswidem.com
1210, 2021 Medium: Arhival Inkjet Print Image size: 8 x 10” 14
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MIKE YOOD
(Albany, NY)
ABOUT THE ARTIST
ARTIST STATEMENT
Mike Andrew Yood (b.1961) is a self-taught photographer. His education has been fueled by his own curiosity and the generosity of many others in the art community. While in college, Mike apprenticed with visual artist and printmaker, Harvey Breverman, Professor Emeritus at the State University of New York at Buffalo. In 2010, he was selected to attend a Magnum Photo Workshop in Toronto, where he was fortunate to come under the tutelage of Alec Soth. Currently he is working with Lou Jones of Boston, MA in a Mentor/ Tutor relationship.
Prior to the commencement of this series, the artist has incorporated the use of a red balloon in his photographs to physically represent his essence and the source of his creativity. Project X is a new series that hopes to answer the question as to the source of the red balloon. By attempting to “spin a yarn” in photographs, the artist is attempting to return to the basics of the camera as being a tool for storytelling. Combining images of real life and images constructed and manipulated by using miniature artist mannequins the artist is weaving a story that is both child fantasy and science fiction from the perspective of being the constant outsider.
Mike holds a Bachelor of Arts from Allegheny College, in Meadville, PA. During his undergraduate studies, after he was diagnosed with dyslexia, he briefly studied at American International College in Springfield, MA. Mike is a graduate of Syracuse University College of Law and practiced law for over a quarter of a century in Buffalo, NY. Since 2018, Mike has devoted himself full-time to his art. His work has been juried and exhibited both nationally and internationally and in 2015 he presented his first solo exhibit in Boston. He resides in Albany, NY with his wife and he is very proud of his affiliation with the Center of Photography at Woodstock.
As the artist, I have orchestrated my photographs much like a composer drafts a sheet of music, by directing and shaping the image. Seeking balance in both time and space, resulting in the opening of pathways to dream sequences and personal narratives. It should be noted that Project X, is currently a work in progress and will continue to evolve and take form so long as the artist’s imagination will allow.
WEBSITE www.mikeandrewyood.photo.com
Goddess of Hope and Invention, 2021 Medium: Inkjet Print Print Image size: 27 x 18” Edition: 1/20 15
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About Founded in 1977, the Center for Photography at Woodstock is a vital hub for dialogue and discovery in photography and related media, bringing together a diverse array of artists and a vibrant community with a strong artistic tradition. Through its programs, CPW fosters opportunities to create and explore photography, and celebrate its role in contemporary culture. Please visit www.cpw.org to learn more about CPW’s programs.
Acknowledgements CPW programming is made possible through the generous support of the New York Council on the Arts (NYSCA), the National Endowment for the Art (NEA), the Warhol Foundation for the Visual Arts, Joy of Giving Something, the Phillip and Edith Leonian Foundation, the Thompson Family Foundation, Arts Mid-Hudson and the Ulster County Cultural Services & Promotion Fund, our members and more. Thank you!