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Meeting the giraffe in The Last of Us is for many players the emotional peak in an already emotional journey. Concept Artist John Sweeney tells us how the iconic scene came about.
MAKING THE LAST OF US’ ICONIC GIRAFFE SCENE When Ellie kills David she reaches her lowest point or darkest moment in the game. The next time we see her she’s not being her usual self. Ellie is clearly suffering from post-traumatic stress and she knows that they are almost at their destination. She also feels that she might not come out of that hospital alive. She’s quiet and withdrawn. There is this moment in the story that was designed to reignite her lust for life so to speak. By seeing something she has never experienced before, her curiosity is triggered and she momentarily forgets the struggle and death that surrounds her. It started with a zebra Maciej Kuciara’s rendering of the moment, before the zebra was replaced by a giraffe This moment was captured in an early concept by artist Maciej Kuciara, but back then it was a zebra and not a giraffe. When I came on the team Maciej had left and they wanted to change it to a giraffe, because it’s such a gentle, elegant creature and the most remarkable thing Ellie could possibly encounter. The setting had been nailed down to be Utah, Salt Lake City and the gameplay was already in production. Art to match So this piece came after the block mesh was created and I worked with one of the designers to create art for that moment to match the camera and lighting. It was an earlier block mesh because the
room where you first encounter the giraffe changed a little bit later. They took the art piece and added a bit of foliage to the room. They also changed the angle of the lighting to face the other direction. But other than that, the overall feel of the moment was pretty much captured here. The story ideal was nailed down so all they needed was a visual reference of how this was going to feel in game with the giraffe replacing the zebra. Pivotal story moment I mainly pulled a lot of the mood from knowing where it fell in the story. Specifically with Ellie, I wanted to portray her kind of curious but also timid and taken aback by the whole situation. She’s standing there with her fist clenched to signify that she is tense, not quite sure of this animal that she has never seen before. In a pivotal story moment like this, Bruce [Straley, Game Director] and Neil [Druckmann, Creative Director] usually have very specific instructions on the time of day or the kind of lighting or the mood for that particular scene. I did different versions of this piece with different lighting and other small changes. It took me about a week to create this piece, because there were a few iterations on it and I was still getting used to working this way. Now I would do this piece in two days but because of the moment it is in the game I would want to spend a week on it anyway. Just to get everything right.
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NAUGHTY DOG • THE LAST OF US John Sweeney is concept artist for Naughty Dog where he works on Uncharted 4: A Thief’s End. He’s best known for his incredible art for The Last of Us, which won him a spot in Into the Pixel 2014.
GIRAFFIC PARK “There are more giraffe references in the game that serve as a sort of foreshadowing. Plush toys can be found in Sarah’s room and more places throughout the game. Also when I made concept art for a scene early in the game when panic strikes and Joel, Tommy and Sarah run through town, I named one of the movies playing in the theatre ‘Giraffic Park’. Not quite sure if that made it in the game. So I actually sent away for t-shirts with the Jurassic Park logo changed to Giraffic Park. I gave them out to people around the studio that worked on that level.”
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