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JUNE 28, 2017 \ newsweekly - € 0,75 \ read more at www.flanderstoday.eu current affairs \ p2

politics \ p4

Summer sounds

From the Pet Shop Boys to Marilyn Manson, Flanders has a music festival for every taste and dance move. Check out our guide and top picks \8

BUSiNESS \ p6

innovation \ p7

Slam-dunk

Belgium’s women’s basketball team made history at the weekend by earning bronze at the European Championships and qualifying for the World Cup \2

education \ p11

art & living \ p13

Boost of confidence

Brussels’s schools are helping kids make music and teaching newcomers that they can excel with their voices – even if their Dutch is rough \ 11

© Kevin Jordan

Roméo Elvis: “Hip-hop is one big ego trip. You have to brag about how you are the best, but you can’t really mean it”

Sounds of the city

Brussels is a hotbed of hip-hop talents, and this summer is the time to discover them Tom Peeters More articles by Tom \ flanderstoday.eu

While Bozar dives into hip-hop’s history with a summerlong exhibition, leading MCs have new releases out and will be playing to more festival crowds than ever, with their laidback rhymes and take-no-prisoners attitude.

T

here’s a popular Flemish idiom that says: “If it rains in Paris, it drips in Brussels”. Events or decisions in France, in other words, have repercussions here. For a long time, it was also true for Brussels’ hip-hop culture. The local MCs and DJs looked up at their hip-hop brothers

in France, who had created their own version of a genre invented in the streets of New York. But recently, something has changed. The French media, which used to speak with a certain disdain about their neighbours to the north, have even dropped by to have a closer look at this “exotic new scene”. “We don’t need to carry the weight of the legacy of our predecessors,” Roméo Elvis told a reporter from the leading French newspaper Libération, as it dedicated a full page to the Brussels hip-hop renaissance.

“In France, the situation is different,” says the 24-year old prince of the new scene, who was born Roméo Johnny Elvis Kiki Van Laeken. Sitting on the terrace at his favourite coffee bar in the centre of Brussels, he explains that some of their MCs became real stars and that the new generation has found it hard to live up to their achievements. “Here in Brussels, we have a totally different relationship with our local pioneers.” When the Schaarbeek band De Puta Madre and the CNN109 crew appeared in the 1990s, hip-hop was still a new phenomcontinued on page 5


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