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#457 Erkenningsnummer P708816

november 23, 2016 \ newsweekly - € 0,75 \ read more at www.flanderstoday.eu current affairs \ p2

CD&V shake-up

politics \ p4

BUSiNESS \ p6

innovation \ p7

Mapping music

education \ p9

art & living \ p10

Nature of the beast

Former minister-president and current federal minister Kris Peeters is moving house to Antwerp to lead the list in the next elections

A Flemish architect’s hobby has turned into an addictive website that maps music history by genre, complete with playlists

A new exhibition explores an enchanting period in art history, when Flemish painters pioneered animal imagery and portraiture

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Finished symphony

Philharmonic’s move to grand new Antwerp home ends a 60-year search Clodagh Kinsella More articles by Clodagh \ flanderstoday.eu

The Royal Flemish Philharmonic is about to move into the new Queen Elisabeth Center, a state-of-the-art concert hall that’s been a labour of love for a variety of international specialists.

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he Royal Flemish Philharmonic has led a peripatetic existence for six decades, but as the Antwerp-based symphony orchestra prepares to move into its new stateof-the-art home this month, it will finally have a showcase worthy of its talents. The Queen Elisabeth Hall, which opens on 25 November, is the centrepiece of the new Elisabeth Center Antwerp – also home to the 25,000 square-metre Flanders Meeting & Convention Center. Intertwined with Antwerp Zoo, the building sits on Koningin Astridplein, metres from Central Station. The centre, which is managed by the Royal Zoological Society of Antwerp (KMDA), was built with €57 million provided by the Flemish authorities and €3 million from the city of Antwerp. The KDMA paid for renovating the historic adjoining wing of the Zoo. The project was approved by the Flemish government’s official architect in 2009, and demolition began in 2013. Manchester’s SimpsonHaugh and Partners, whose portfolio includes London’s Battersea Power Station redevelopment, teamed up with audio specialists Bureau Bouwtechniek of Antwerp and Chicago’s Kirkegaard Associates on the design. Larry Kirkegaard’s American acoustics firm has worked on high-profile venues such as London’s Royal Festival Hall and

The integration of the historical wing into the new building with the glass roof is very impressive

© Jesse Willems/deFilharmonie

Barbican Concert Hall. When he initially assessed the Queen Elisabeth Hall’s sound quality, it achieved a rating of just six out of 10. “It was a compromised room designed to accommodate many, many functions – among them concert use, but it wasn’t the highest priority,” he explains. “It was difficult for performers to feel good about the sound they made in the room.” While retrofitting the hall would merely have papered over the cracks, entirely rebuilding it has resulted in near perfection: a rating of 9.3. “What they have now is a real concert hall, one that was designed for that purpose,” says Kirkegaard. “It’s a whole new sound and a whole new room.” Among the measures he adopted were movable panels suspended from the ceiling to allow sound to project fully into continued on page 5


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