#425 Erkenningsnummer P708816
APRIL 13, 2016 \ newsweekly - € 0,75 \ read more at www.flanderstoday.eu current affairs \ p2
politics \ p4
BUSiNESS \ p6
innovation \ p7
It’s a bird, it’s a plane
The new front line
education \ p9
art & living \ p10
Not to be ignored
Flanders’ minister-president visits Iraqi Kurdistan, where Syrians are taking shelter and the Christian population is heading to escape IS
No, it’s a drone, which can now be flown safely in Belgian airspace thanks to a new app called SkyBridge
A coup for Hasselt’s fashion museum as designer Filep Motwary’s sitespecific exhibition blurs the lines between haute couture and readyto-wear
\4
\7
\ 11
© Courtesy Faile
Art and soul
New Brussels temple to urban culture brings light to the darkness Liz Newmark More articles by Liz \ flanderstoday.eu
The new Millennium Iconoclast Museum of Art opens in Molenbeek this week, bringing new perspectives to a maligned part of Brussels at a time when the whole city is in need of a lift.
T
he capital of Europe will officially be a centre of cool when its newest museum opens this month. The Millennium Iconoclast Museum of Art (Mima) opens on 15 April, its grand unveiling delayed by three weeks because of the terrorist attacks in Brussels last month. “Mima will further strengthen Brussels’ position as a tour-
ist hub and expand its cultural opportunities, as well as its place as an innovative platform for contemporary art,” says the museum’s co-creator, Raphaël Cruyt. He is leading the project, alongside Alice van den Abeele – with whom he owns the contemporary Brussels art gallery Alice – and artistic producers Michel and Florence de Launoit. “Mima’s programme is very different from other art,” says Cruyt, who, like van den Abeele, is from a mixed Brussels and Flemish family. “The capital of Europe deserves a diversity of points of view, something unlike the image of the European project.” The new museum is a cutting-edge centre that takes the
public through the history of culture 2.0 – basically any art boosted by the internet. That might be street art, graphic design or illustration, punk rock or geek culture, film, visual art or performance, comics, tattoos or fashion design. Culture 2.0 is often linked to the subculture and the subversive, and the museum’s permanent collection – including dozens of works by the likes of Banksy, Parra, Invader and Flanders’ Franck Vandenbroucke – reflects this. In the words of Banksy, 2.0 art doesn’t require you to “go to college, drag round a portfolio, mail off transparencies to snotty galleries or sleep with someone powerful. All continued on page 5