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february 18, 2015 \ newsweekly - € 0,75 \ read more at www.flanderstoday.eu current affairs \ P2
Politics \ P4
Prize-winning yogHurt
Danone wins Flanders Investment & Trade’s annual trophy for its commitment to investing in the region \6
one girl at a time
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Plan Belgium is part of an international effort to prevent girls from undergoing female genital mutilation both at home and abroad \ 10
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Sixteenth-century portraiture meets modern portrait photography – and even your own selfie – in unique new show at Bozar \ 14
“I’m still as headstrong as ever” can sidi larbi cherkaoui restore the royal ballet flanders to its erstwhile glory? charlotte de somviele More articles by Charlotte \ flanderstoday.eu
The announcement rippled through Flanders’ cultural communities last week: Antwerp contemporary choreographer Sidi Larbi Cherkaoui will become Royal Ballet Flanders’ new artistic director in September. Charlotte De Somviele of Antwerp University’s theatre and film studies department talks to the choreographer and runs us through the state of dance in Flanders.
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© Patrick De roo/ImageDesk
ne of Europe’s most celebrated contemporary dancers and choreographers will soon take over leadership of Royal Ballet Flanders. Sidi Larbi Cherkaoui will succeed Assis Carreiro as artistic director of the company. Carreiro was dismissed last August, leaving the company in an artistic upheaval, without a clear identity of its own. Cherkaoui (pictured) represents the ballet’s last chance. He combines his new function with the leadership of Eastman, the contemporary dance company he launched in 2010. His right-hand man at the Royal Ballet Flanders will be Tamas Moricz, who is schooled in the ballet tradition. The ballet’s repertory for the next 18 months had been already decided by Cherkaoui’s predecessor; after that period, he will take on the role of creator, as well as inviting fellow choreographers from outside the company to contribute. “We will have to create a whole new way of working,” he says. “But my enthusiasm at the prospect outweighs my anxiety.” Cherkaoui’s appointment sends an important signal. He is the first Belgian with foreign roots – his father is Moroccan, his mother Flemish – to lead one of Flanders’ major cultural institutions. As one of the most beloved figures of contemporary dance, he seems like the ideal person to break down the barriers between contemporary and classical and to put the Royal Ballet Flanders back on the map. That, at least, is the hope of Kunsthuis Opera Vlaanderen Ballet Vlaanderen vzw, the umbrella organisation created when the opera and ballet fused early last year. Austerity measures led to the fusion; with additional income from continued on page 5