Flanders today JUNE 20, 2012
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India calling
Sounds like summer
Swiss authorities present the results of their investigation into March’s tragic event
The annual Global India Business meeting is taking place in Flanders this month
Dizzy from trying to figure out which music fest is right for you? Check out our guide
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The tipping point
A non-profit with a business plan hopes to convince leaders to save the Brussels Royal Conservatory before it’s too late Marie Dumont
There are ceilings falling down, mould growing and pigeons nesting in the roof. Brussels Royal Conservatory falls more into ruin every year. One-third of the premises is now unusable, and the state of affairs doesn’t help with the recruitment of new students. A local organisation of music enthusiasts is trying to save one of the most unique conservatories in the world
T
he bat was impossible to ignore. Round and round it flitted, mostly hugging the concert hall’s frosted glass ceiling but occasionally darting towards the singer on stage, a young woman who bravely continued as the audience ducked their heads.
A semi-finalist at the Queen Elisabeth competition four years ago, she had come well prepared to cope with the stage fright, the treacherous programme, the ruthless jury. But no one, surely, had warned her about the bats. Or perhaps they had, for the Brussels Conservatory is almost as famous for the colonies of bats and pigeons that reside in the roof and take naughty pleasure in disrupting concerts as for its glorious architecture and fine acoustics. This year, though, Queen Elisabeth contestants have been spared such winged intrusions. Not because the gaping holes in the Conservatory’s roof have been fixed, but because, for the first time in the contest’s history, the first rounds and semi-finals did not
take place there, decamping instead to Flagey. It wasn’t the bats that prompted the move. The state of the building, rather, has reached a tipping point that makes concerts nearly impossible. “The roof is sagging, and it can no longer hold up the lighting equipment,” says Peter Swinnen, the director of the Flemish half of the Conservatory. “Last year, we could just about manage. This year, we can’t.” Because the Queen Elisabeth is such a high-profile event, the decision has done much to foreground a problem that for years has been brushed under the (threadbare) carpet: the Royal Conservatory of Brussels, this mainstay of the capital’s musical life and beacon of fine teaching, is falling apart. ``continued on page 3