ContentAsia December 2023

Page 14

watchlist2024 outsize popularity of Korean hits, and increased attention being paid to rights arrangements between streamers and domestic producers. “Global online video services monopolise excess Korean authorities are doing every-

profits by transfer-

thing they can to protect and promote

ring intellectual

K-content. Things we’re watching in

property when

2024 include a new US$776m fund and

investing in do-

the benefits of the peace accord signed

mestic content

between SK Telecom and Netflix.

production, and there

oped in consultation with local produc-

are many phenomena

ers and platforms, and included

Exactly two months after Korean telecom-

in which domestic pro-

measures to boost the domestic

munications giant SK Telecom and global

duction companies are

movie/theatrical industry.

streamer Netflix ended years of bitter

unable to generate

“Unlike the rapid progress

wrangling over broadband network us-

profits through sec-

of global online video ser-

age fees, the Korean government made

ondary works,” the

vices (OTT), as domestic

it very clear that it wasn’t taking its eye off

ministry said, add-

online video services

this particular ball.

ing: “In addition,

and broadcasting com-

The September 2023 peace accord was

problems are being

panies are facing wors-

followed in November, when the newly in-

raised that creators

ening management

stalled Minister of Culture, Sports and Tour-

such as directors

difficulties, production

ism, Yu In-chon, unveiled a plan to ex-

do not receive fair

companies are also ex-

pand the country’s already powerful con-

compensation after

tent industry to KRW 40 trillion/US$31 billion

transferring all rights”.

by 2027 – a 42.8% increase from KRW 28

And just in case

periencing difficulties,” the ministry said. From January to September

trillion/US$21.7 million in 2022 – as part

they weren’t being clear

of a new “Video Industry Leap Forward

enough, the ministry said the

Strategy”. The measures are grounded in

plan was “in response to the

the same period in 2017 to 2019. The top film by far this

a determination to protect and promote

current situation where the

year is The Round Up: No Way Out, with Don Lee as a

the domestic industry.

dominance of global online video servic-

detective who joins a violent crime investigation unit in

es (OTT) is growing and the importance of

Seoul. The film grossed US$80.3 million, according to the

intellectual property (IP) is increasing”.

Korean Film Council. Smugglers, about a peaceful vil-

The strategy includes a five-year KRW 1 trillion/US$776 million fund, raised from

2023, movie theatre sales (KRW 956.5 billion/US$741 million) was only 70% of the average for

multiple government agencies and pri-

Minister Yu, who has held the position

lage disrupted by smugglers, is second, with US$38 million

vate investment, to boost premium video

since September, said the plan aimed

gross. Describing Korea’s film industry as in a “serious re-

content. The K-Content Strategy Fund,

to support the industry and respond to

cession,” the ministry said about 50 films were still waiting

which kicks off in 2024 with KRW 600 bil-

change. The ministry used phrases like

for release as of November 2023.

lion/US$465 million, will run to 2028.

“create favorable conditions” to describe

And then there are the promised benefits of the hard-

Hopes are that the “killer content” initia-

its goals, along with “further strengthen

fought/won peace accord between SK Telecom and

tives will boost exports to US$1.8 billion by

the competitiveness of K-video content”.

Netflix, which involved a a multi-layered bundling and

2027 and produce at least a handful of

Data presented during the announce-

tech partnership the companies said was designed “to

ment showed the global online video

enhance customers’ entertainment experience”. The first

service market had grown at an average

products from the new alliance, which may eventually

of tax credits for content production costs,

annual rate of 25% between 2018 and

include SK Telecom/Broadband’s AI technologies, are

and the possibility of tax deductions for

2022. Export volume of Korean content

expected to be released from first half 2024. If those work,

streaming subscription payments, which

had increased from US$550 million in 2017

there may be more. The new treaty, the companied said

will be considered “cultural expenses”.

to US$920 million in 2021.

in September 2023, puts SK and Netflix on a path to “col-

global awards. On the agenda too are the expansion

The government’s move follows the

14

The minister said the plan was devel-

laborate as partners for the future”.

contentasia december 2023


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