Contemporary Art Collectors Magazine - The Luxury Collection of Contemporary Artistry.

Artwork by Jeong-Ah Zhang

02 _ Elevating the Art of Travel: The Intricacies of Transporting Artworks by Private Jet

04_ Navigating the Waves of Sophistication: 6 Essential Considerations for Displaying Fine Art on Superyachts

06_ Artful Escapes: Discover the 5 Luxury Hotels With Exceptional Art Collections

09_ Crafting Eternity: The Art and Strategy Behind Building a Museum-Quality Art Collection

© 2024, Contemporary Art Collectors Magazine. All rights reserved.

No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

The contents of this magazine, including text, graphics, photos, and other material are protected by copyright and are intended solely for the personal non-commercial use of our readers. The artworks and articles published in this magazine represent the views and opinions of the respective authors and artists and do not necessarily reflect those of the publisher or editorial staff.

Any unauthorized use of material from this publication may be subject to legal action.

www.contemporary-art-collectors.com

12_ The Pinnacle of Personal Expression: Commissioning Bespoke Masterpieces for the Ultimate Artistic Luxury

14_Global Art Virtuoso Award Winners

ELEVATING THE ART OF TRAVEL: TRANSPORTING ARTWORKS BY PRIVATE JET

In the exclusive world of art collection, the transportation of artworks is a sophisticated process that melds the worlds of fine art and luxury travel. With the increasing globalization of art markets, collectors, galleries, and museums are more frequently turning to private jets as their preferred method for transporting valuable pieces. This method not only ensures the safety and security of the artworks but also offers an unparalleled level of discretion and efficiency. This article delves into the intricate process and the bespoke solutions involved in the transportation of artworks by private jet, illuminating how this niche service is transforming the art of travel.

Customized Logistics Planning

The journey of an artwork from one point to another via private jet begins long before the aircraft takes off. Each piece requires a bespoke logistics plan, considering its size, material, value, and the climatic conditions of its journey. Specialists in art logistics collaborate closely with private jet operators to design custom packing and crating solutions that meet the highest standards for art transportation. This meticulous planning ensures that each artwork is protected against temperature fluctuations, humidity, and movement, thus preserving its condition and value.

Security and Confidentiality

Security concerns are paramount when transporting high-value artworks. Private jets offer a level of security and confidentiality that is unmatched by commercial transportation options. Artworks are handled by vetted professionals and are constantly monitored from the moment they are picked up until their delivery. Additionally, the use of private jets significantly reduces the risk of damage or loss, as the artworks bypass the usual handling and potential hazards found in commercial cargo transport.

Speed and Efficiency

One of the key advantages of using private jets for transporting art is the speed and efficiency it offers. Unlike commercial flights, private jets can operate on a flexible schedule, minimizing the transit time and reducing the exposure of artworks to potential risks. This is particularly

crucial for time-sensitive exhibitions, art fairs, or when an immediate relocation of an artwork is necessary due to conservation concerns.

Global Reach with a Personal Touch

Private jets have the ability to land at smaller airports closer to the final destination, offering a global reach that is not always possible with commercial airlines. This capability, combined with a highly personalized service, ensures that artworks can be transported directly and discreetly to almost any location worldwide. Art handlers accompany the pieces, providing constant care and attention, and ensuring that the artworks are installed at their new location according to the exact specifications of collectors or curators.

The Role of Technology

Advancements in technology play a critical role in the art of transporting artworks by private jet. From state-ofthe-art climate control systems inside custom crates to real-time tracking technology, collectors and stakeholders can rest assured that the artworks are maintained in optimal conditions and can monitor the progress of the journey at every step.

A Testament to Trust and Expertise

The decision to transport an artwork by private jet is not merely a logistical one; it is a testament to the trust placed in the hands of the logistics providers and the private jet operators. It requires a high level of expertise and experience to manage such valuable and often irreplaceable items. The companies involved in this niche service pride themselves on their discretion, professionalism, and the ability to offer tailor-made solutions that meet the unique needs of the art world.

In conclusion, the transportation of artworks by private jet represents a pinnacle in the art of travel, combining the worlds of luxury, security, and fine art logistics. As the global art market continues to expand, and the demand for secure, efficient transportation grows, this bespoke service highlights the lengths to which collectors, galleries, and museums will go to protect and preserve the art that transcends borders and generations.

Navigating The Waves Of Sophistication: 6 Essential Considerations For Displaying Fine Art On Superyachts

In the rarified air of superyachts, every detail matters. From the sleek design of the hull to the exquisite selection of onboard amenities, these floating palaces are the epitome of luxury. Yet, among the myriad of considerations for outfitting these vessels, the display of fine art stands as a testament to the owner’s taste and the yacht’s ambiance. The integration of art into the marine environment poses unique challenges, blending the worlds of nautical engineering and aesthetic elegance. Here are five essential considerations for those looking to elevate their superyachts with fine art.

Climate Control and Protection

The marine environment is notoriously harsh, with salt air, humidity, and fluctuating temperatures posing significant risks to artwork. Advanced climate control systems are imperative to protect valuable pieces from deterioration. UV-filtering glass and temperature-controlled display cases can shield art from sunlight and environmental damage. Moreover, employing vibration-dampening mounts ensures that the motion of the yacht doesn’t harm delicate artworks or sculptures.

Curatorial Considerations

Selecting art for a superyacht is more than just choosing beautiful pieces; it’s about curating an experience that complements the vessel’s design and reflects the owner’s personal taste. The art should resonate with the yacht’s aesthetic, creating a cohesive visual narrative. Working with art consultants who understand the intricacies of both the art world and marine specifications can help in selecting pieces that are not only visually stunning but also suitable for the unique conditions at sea.

Installation Techniques

The technical aspects of installing art on a yacht require meticulous planning. Specialized hanging systems that

can secure artworks firmly against the walls, even in rough seas, are a must. These systems often involve locking mechanisms or custom frames designed to absorb shock without compromising the integrity of the artwork. Installation should always be conducted by professionals experienced in handling art in marine settings to ensure that pieces are displayed safely and to their best advantage.

Crew Training and Management

The successful integration of fine art into a superyacht environment also heavily relies on the skill and awareness of the crew. Specialized training for handling, maintaining, and protecting the art on board is crucial. Crew members should be knowledgeable about the specific care requirements of each piece, including how to monitor and adjust climate controls, how to clean and handle artworks properly, and the protocols for securing art against movement. Regular training ensures that the crew is prepared to manage these valuable assets effectively and with the utmost care.

Insurance and Security

The value of the art displayed on superyachts necessitates comprehensive insurance coverage. Policies should be tailored to include transit, installation, and on-board display, taking into account the potential for maritime hazards. Additionally, state-of-the-art security systems are crucial for

protecting these investments. These might include motion sensors, tamper-proof display cases, and surveillance systems that are discreetly integrated into the yacht’s design to provide security without detracting from the aesthetic appeal of the art.

Legal and Logistical Considerations

Transporting and displaying fine art on international waters introduces a complex web of legal and logistical challenges. Compliance with international laws and customs regulations is essential for ensuring that artworks can be legally transported across borders. Owners should also consider the logistical aspects of getting art onto the yacht, which may involve coordinating with specialized art handlers and shippers who can navigate the intricacies of customs and insurance.

Displaying fine art on superyachts is a practice that marries the art of luxury with the science of preservation. It demands a nuanced understanding of both the aesthetic and environmental factors at play in the marine setting. By considering climate control, curatorial integrity, installation, insurance, and legal logistics, owners can navigate the waves of sophistication, ensuring their floating galleries not only dazzle but endure through the journeys ahead.

Photographer: Scott McIntyre/Bloomberg via Getty Images

ARTFUL ESCAPES: DISCOVER THE 5 LUXURY HOTELS WITH EXCEPTIONAL ART COLLECTIONS.

Luxury and art merge exquisitely at select high-end hotels around the world, transforming ordinary stays into extraordinary cultural experiences. These establishments are not merely places to rest but are portals to diverse artistic universes. Here we explore five luxury hotels, each a beacon of artistic expression, that offer more than just a lavish stay—they provide an immersive journey into the world of art.

1. 21c Museum Hotel, Louisville, USA

Founded by contemporary art collectors Laura Lee Brown and Steve Wilson, the 21c Museum Hotel in Louisville is a visionary fusion of a boutique hotel and a contemporary art museum. With 24/7 public exhibitions, the hotel engages guests and visitors with thought-provoking artworks in various media. This dedication to making contemporary art accessible complements the chic and comfortable accommodations, offering a vibrant cultural hub in the heart of Louisville.

Casa Malca, once a mansion owned by the notorious Pablo Escobar, stands today as a breathtaking resort adorned with contemporary art. Located on the pristine beaches of Tulum, this boutique hotel offers a unique blend of history, art, and luxury. The artwork displayed throughout the hotel includes pieces by contemporary masters and up-and-coming artists, all curated to reflect the enigmatic and mystical ambiance of Tulum. The fusion of lush nature with striking artworks makes Casa Malca a captivating escape for art lovers and luxury seekers alike.

Revitalized by designer Philippe Starck, Le Royal Monceau infuses the spirit of art throughout its premises with a dedicated art gallery, Art District, and a cinema for art films. This Parisian hotel has transformed into a contemporary cultural salon, where art exhibitions and an extensive collection of art books enrich the sophisticated ambiance. Guests are invited to immerse themselves in an artistic environment that is both luxurious and intellectually enriching.

2. Casa Malca, Tulum, Mexico

3. Le Royal Monceau, Paris, France

4. The Silo Hotel, Cape Town, South Africa

Nestled in Cape Town’s vibrant Victoria & Alfred Waterfront, The Silo Hotel is housed in a transformed grain silo complex, which also serves as the pedestal for the Zeitz Museum of Contemporary Art Africa (MOCAA). This architectural marvel melds its industrial past with a luxurious present, featuring rooms uniquely adorned with contemporary African art curated by Liz Biden. The direct access to MOCAA allows guests to delve into the largest collection of contemporary African art right from their doorstep.

5. The Dolder Grand, Zurich, Switzerland

Perched high above Zurich, The Dolder Grand offers a sanctuary of art with over 100 artworks by icons such as Andy Warhol, Salvador Dalí, and Damien Hirst. The hotel enhances the art viewing experience with its Art Concierge service, which enlightens guests on the stories behind the artworks. This coupling of luxury and artistry is complemented by sweeping views of the Zurich skyline and the Alps, crafting a serene yet stimulating getaway.

CRAFTING ETERNITY:

THE ART AND STRATEGY BEHIND BUILDING A MUSEUM-QUALITY ART COLLECTION

In the high-stakes world of art collection, combining passion, strategy, and a touch of serendipity is essential for those aiming to assemble a museum-quality ensemble. This endeavor, while daunting, thrills with the potential to create a collection that resonates deeply with historical, cultural, and aesthetic significance. This article delves into the sophisticated strategies and philosophies that underpin the formation of top-tier art collections, enriched by insights from experts and veteran collectors.

UNDERSTANDING THE VISION

The genesis of a museum-quality art collection is a clearly defined vision. This foundational vision not only shapes the thematic or aesthetic unity of the collection but also establishes a narrative that the collector seeks to express. Dr. Emily Cartwright, a curator at a prominent art museum, explains, “Every great collection tells a story, reflecting the collector’s journey and engagement with art.” Collectors often gravitate towards specific periods, movements, or mediums, crafting collections that mirror their personal tastes and intellectual pursuits.

ACQUIRING KNOWLEDGE

Knowledge is the cornerstone of any significant art collection. Aspiring collectors must dive deep into the art realms they wish to explore, which includes studying art history, monitoring market trends, and identifying markers of authenticity and quality. Regular visits to museums, galleries, and art fairs are crucial, alongside nurturing relationships with curators, artists, and fellow collectors. Sarah Levin, an art advisor, stresses the importance of an educational approach: “Collectors should approach their acquisitions with the rigor of a scholar; the more informed they are, the more astute their choices.”

BUILDING RELATIONSHIPS

Navigating the often opaque art market requires a solid network of reliable contacts. Relationships with gallery owners, auctioneers, and art consultants can provide collectors with advance notice of available works and insights into emerging trends. These connections also facilitate access to pieces that may not be publicly available, circulating instead within a private network of collectors and dealers.

STRATEGIC ACQUISITIONS

Museum-quality collecting typically involves strategic purchases. This might mean concentrating on artists who are yet undervalued but have potential for appreciation, or securing pivotal pieces that enhance the collection’s narrative coherence. Timing also plays a crucial role, such as investing in works by emerging artists before they reach peak fame or acquiring historical pieces during a market dip.

THE ROLE OF CONSERVATION

Acquiring art is just the beginning; maintaining the art in pristine condition through meticulous conservation is crucial for preserving both its physical state and its value. Michael Richardson, a conservator, emphasizes, “The stewardship of artworks is a continuous commitment that demands professional care.” This includes ensuring proper environmental conditions, professional framing, and securing insurance—all aimed at preserving the collection for future generations.

ETHICAL CONSIDERATIONS

Ethical considerations increasingly influence today’s art market, which includes verifying the provenance of artworks to ensure they were not improperly obtained. Collectors must also be sensitive to cultural issues, particularly when

acquiring artifacts from indigenous or ancient sources. Commitment to transparency and rigorous provenance checks are essential to maintaining the integrity of both the collection and the collector’s reputation.

EMBRACING DIGITAL TOOLS

The advent of digital technology has broadened the scope for collectors. Virtual galleries and augmented reality tools allow collectors to discover and envision artworks in situ before committing to a purchase. This digital integration helps collectors make informed decisions and enhances their interaction with potential acquisitions.

CONCLUSION

Creating a museum-quality art collection transcends mere acquisition; it involves curating a legacy that reflects the collector’s intellectual and aesthetic vision. It requires a blend of artistic enthusiasm, strategic planning, and ethical practice. Such collections, through their enduring value and cultural significance, contribute richly to the ongoing global dialogue about art, history, and collective human experience.

The Pinnacle of Personal Expression: Commissioning Bespoke Masterpieces for the Ultimate Artistic Luxury

In the realm of the arts, there exists an exquisite frontier where exclusivity and personal expression merge to form the highest form of luxury: bespoke art commissions. These are not merely purchases; they are deeply personal collaborations between collector and artist, crafting unique pieces that resonate with the individual’s essence and aesthetic aspirations. This realm is where the intangible value of personal connection and the tangible brilliance of artistic creation coalesce into masterpieces that transcend traditional art acquisitions.

The Allure of Bespoke Commissions

Commissioning artwork allows collectors to become part of the artistic process, a journey that offers a profound connection not only to the work itself but also to the mind of the creator. This collaboration transforms the act of collecting from a passive acquisition to an intimate, creative partnership. The resulting piece is not just a visual spectacle but a reflection of a personal narrative, making bespoke commissions the ultimate luxury in the art world.

Personalization in Art

The core appeal of a bespoke commission is personalization. Clients have the opportunity to infuse their personal stories, emotions, and visions into the artwork, which can be tailored to reflect individual tastes, interiors, and even philosophical beliefs. This level of customization can encompass everything from the subject matter and size to the minutest details of color and texture, ensuring that each piece is as unique as its owner.

Emotional Investment and Connection

Beyond aesthetics, bespoke art carries an emotional depth as it often commemorates significant milestones, personal

triumphs, or cherished memories. For many collectors, these pieces serve as landmarks in their personal histories, imbued with meaning that deepens over time.

The Role of the Artist in Bespoke Commissions

When engaging in a bespoke commission, artists must navigate the delicate balance of maintaining their distinctive style while fulfilling the client’s vision. This process often pushes artists to explore new techniques, themes, or materials, thereby expanding their artistic repertoire.

Collaboration and Co-creation

Successful bespoke projects hinge on effective communication and collaboration. Artists and clients engage in ongoing dialogues, from initial consultations through to the final touches. This partnership not only ensures that the final work aligns with the client’s expectations but also enhances the creative process, providing artists with fresh insights and inspirations.

The Economic and Symbolic Value of Bespoke Art

Bespoke commissions are not only significant in terms of personal value but also carry considerable economic worth. Due to their uniqueness and the personal renown of the artist, these pieces can appreciate over time, representing a wise investment in the financial portfolio of a collector.

Symbol of Status and Prestige

Owning a piece of bespoke art is also a status symbol, reflecting a collector’s deep engagement with the art world. It signifies not just wealth but also a sophisticated appreciation of art’s power to convey personal stories and emotions.

Future Trends in Art Commissions

As the world becomes increasingly digital, the art of commissioning is also evolving. Artists and collectors are now leveraging technology to facilitate more dynamic interactions. Virtual reality, for instance, allows collectors to

visualize a commissioned piece within their space before it is completed, enhancing the decision-making process.

Sustainability in Art Production

Furthermore, there is a growing trend towards sustainability in art production. Artists are more frequently utilizing ecofriendly materials and methods, aligning with the global push towards environmental consciousness. Collectors value these efforts, recognizing the importance of supporting sustainable practices in the art sector.

The bespoke commission represents the pinnacle of artistic luxury, combining personal expression with exclusive craftsmanship. It offers a compelling blend of emotional and economic value, enriching the lives of both collectors and artists. As we move forward, the tradition of bespoke art, enhanced by technology and a commitment to sustainability, is set to expand its influence, attracting a new generation of art enthusiasts who cherish both uniqueness and personal involvement in the creation of their art pieces. This is not merely art collecting; it is a profound act of personal expression and a testament to the enduring human desire to merge life with art in the most intimate way.

We’re excited to announce the Global Art Virtuoso: Elite Artistic Career Achievement Award Winners.This award celebrates an artist’s exceptional talent, commitment, and innovation in their artistic journey.

Artwork by Jeong-Ah Zhang. Transparent Time Scale. 2021. Mixed Media on Canvas. 91 x 61 cm

Agneta Eriksson Hildén

“What is impossible and rare is to explore! “ I was born in Gävle, Sweden. I work multidiciplinary My artworks are more like studies and research. I have shown my artwork over the years internationally in galleries, museums, online, etc. , I’m working on a study that I started in Paris as a part of my study of architecture and art. It’s about female proprotions in the grammar of architecture. Of course, in history, the mens body and mind have been issues. For example, the artists I studied in Paris were Le Corbusier, Vitruvius, etc. I call my study LA MODULOR, inspired by Le Corbusiers. LE MODULOR It’s the female prefix LA Modulor, though here it’s about how females can express themselves naturally in art and architecture. The study, LA MODULOR, is based on observations of my own body, mind, space, and time.

ODD Realism is what I call my other main study. There are contrasts in colors, naivete in drawings, figures, the expression of suffering in the motives, etc. All are often based on their great humanity.The study ODD REALISM is based on a study of artists in history such as von Gogh, Edvard Munch, CF Hill. I ts obsessions exist in my own body and mind. Its soulmates that have their own rules, but we all connect on a deeper plan in architecypes This art has different rules, but it’s important to look for what we all have in common. Its been called work of an pioneer.

LA Modulor Nude, 2020 pencil on paper.60x40 cm

ODD Realism Sunset, 2023 acryl on canvas.160x120 cm

Ai-Wen Wu Kratz

In the 2024 Prix De Lausanne Ballet Competition, the coach told the candidates, “Don’t let the pirouette be the boss. You, the dancer, are the boss.” My apprehension of the suggestion is: “Don’t do what we do mindlessly. But be the one to shape the outcome.” This gives me a lead to hike my journey as a painter. The fields of human pursuits are innumerable: Technology, Engineering, Science, Medicine, Philosophy, Religion and a thousand more, all are aiming at making ours a better world. The success resulted from driven devotions of field experts are astounding. All alert my conscience to make my contribution with my education and training. For me, It is to produce art works. I find inspirations in literature, classical music, contemporary stage design, choreographic lines in ballet and in vocal arts. I attempt to focus my works on spirituality, intellectualism and aesthetics. My works are not intended for beautification, rather, they are to offer the viewer pathways to reach a higher level of spiritual and intellectual experiences. I am encouraged by Maria Callas’ words, “You are born an artist or you are not. And you stay an artist, even if your voice is less of a fireworks. The artist is always there.”

Spring Canzonetta, 2018. Acrylic on canvas, 76 x 61 cm

In Praise of Joyce DiDonato’s Eden Project.2022. Acrylic on canvas.122 x 61 cm

Aleksandra Ciążyńska

For me, art is one of the forms of communicating with people, communicating without words. Image is a universal language for me. I love the diversity of the world and it is from this diversity that I draw inspiration. In my paintings, I want to show the beauty that surrounds us and to which we often do not pay attention: the beauty of nature, the beauty of dreams, the beauty of gestures, traditions and people. If you just look deeper, you can see that the world and life are beautiful.

Venetian masks XII, oil on canvas, 50x80cm

Venetian masks XV, oil on canvas, 50x80cm

Having always admired the beauty and colors of the world around us, the transition to creation came naturally to me. Having started with watercolor, I quickly moved on to oils, which are more suitable for me to transpose my emotions, my sensations and share them with others. My work is born from the observation of nature, life, human reactions and feelings. It’s a mixture of analyses, emotions, my own feelings. My attraction to the colors, light and beauty of the world around us allows me to transcribe my deepest emotions. My inner struggle, the duality between good and evil, my thought of justice, my own consciousness and my reality of universalism animate my work. Having started with figurative works, such as “Venice”, I quickly turned to abstraction and informality, which allow me to better translate my sensations and moods. I continue to deepen my outlook on life and my inspirations through stellar. The cosmos gives me a great way to express how I feel about life and my own existence. I also continue to create figurative works to celebrate the infinite beauty of creation. I paint what I feel in search of harmony and pictorial enchantment.

Crépuscule, 2020, Oil on wood, 65 x 54 cm

Création du monde, 2023, Oil on canvas, 73 x 60 cm

Andrés Lobato

andreslobato.art

My works travel from my interior to the canvas, in a short as possible travel, to ensure a pure reflection, I move from figurative to the ethereal and abstract or viceversa, playing with color, shape and space I try to create a balance to express something, that’s when I feel that the painting transcends and starts its own dynamic.

What remains is the search for beauty in its highest sense (ethical, aesthetic moral, etc.), and as such any feeling or situation that transmits that balance is for me an inspiration that make me feel Art by attraction between similars I suppose, but also situations that reflect its lack make me look for it in an act of survival, simply because Art is a vital necessity.

Sailing the Atlantic Ocean - 110cm x80 cm (44” x 32”) drawn with BIC pen

Dawn of Colors - 100cm x 100 cm (40”x 40”) Acrylic on canvas

Anna Elizabeth was born in 1977 and raised in Colonial Heights, Virginia in the United States. She received a certificate of fine arts at Brightpoint Community College, and studied painting and printmaking at Virginia Commonwealth University. While in college she was the art club president and a member of the National Art Honor Society. She is a painter, photographer, commercial and digital artist. Some of the themes in her abstract artworks let the viewer experience different emotions through color palettes and transports them to other realities at the same time they are experiencing this one. Anna brilliantly uses the right color palettes to illustrate highlights and shadows.

She takes the time and thought to pick colors that bring her artworks to life, these elements remain pivotal in understanding her artworks. In this she demonstrates exceptional mastery by venturing into the figurative realm.

Anna started out painting, and creating digital art, after graduating. In 2020 she started showing her photography professionally. She has been honored to be in photo contests, as well as a judge. She currently has her photography represented in a gallery in Paris. Anna is also represented by many galleries around the world and has shown work in London, Athens, Florence, Milan, Ljubljana, Brussels, Madrid, Paris, New York, Los Angeles, and Richmond. When Anna is not in her studio she likes to explore nature, travel to new and exciting places while bringing her camera along to capture moments for inspiration.

Edgy, 2023, Digital Art Painting On Canvas, 36 x 36

Simply Color, 2023, Digital Art Painting On Canvas, 36 x 36,

I feel I am useless as an artist when I am happy. Pain is what creates my artwork. The painful experiences that people go through as they journey through life in the world around us from childhood to adulthood which in many ways is full of chaos and hardship are what sparks and motivates me to possess my objectives to make purposeful artwork that hopefully generates meaningful and fulfilling empathetic connections to people. As I observe and interpret the world around me combined with creating my artwork, I discover time and time again that true beauty lies within the darkness and that sometimes nightmares are the birthplace of some of the best ideas for an artist.

No to Violence Against Women (version 1F), 2024. Pencil, ink and digital, 50.80 x 70.12 cm

Nowruz 1400 (version 1), 2021. Pencil, ink and digital, 50.80 x 63.50 cm

Aomi Kikuchi

Buddha preached that “By understanding and accepting the impermanence and insubstantiality of this world, we can control our cravings and alleviate suffering.”I am inspired by his philosophy and the Japanese aesthetics of Wabi-Sabi (imperfection) and mono no a-wa-re (compassionate heart).

Through my artwork, I convey that compassion is a meaningful solution to alleviating cravings. I focus on personal desires and suffering, and on people and things that are forced to suffer in order to satisfy the greed of others. Fear and disgust are also causes of suffering. I work to help people let go of negative emotions by finding new perspectives and turning negative emotions into positive ones.

I am a multidisciplinary artist primarily focused on “Art Povera”, an anti-hierarchical approach. I incorporate everyday goods and humble materials into 2D/3D works such as sculptures, clothing, and objects. By utilizing materials that were previously discarded or thought to have no value, and infusing them with new perspectives and meaning, we can advance the idea that anything in daily life can be used as material for art. This idea leads to creating works with less environmental impact.

While studying academic art, I also followed my own curiosity and learned craft techniques. They include dressmaking, traditional kimono dyeing techniques, dyeing in general, ceramics, ceramic painting, Japanese embroidery, knitting, and Urushi-lacquer. While continuously examining the difference between art and craft and the potential of craft as an artistic expression, I would like to pursue innovative art without being bound by preconceived notions.

2023,Silk Gauze and Synthetic Fiber, 10x12x25cm

Pixel Weaving August 4 1962, 2023, Weaving with Wool Yarn,160x 170cm

Arthi Arumugam

Her motivation and Inspiration for her pastel work comes from natural Beauty connect with man made Beauty. It’s everywhere if you look for it. She want to show other people the fascination, appreciation, and reverence she have for God’s beautiful creations. she want to try to convey the awe she feel when she see a sunrise or sunset reflecting on city scapes and man made Buldings,In her works she always capture a natural reflections which forms because of sun or Rain or even man made street lights which reflect the natural light on the city streets(Which She depicted in her pastel work “Orange Reflection Through the Street”).In all cases her aim was to accurately capture the mood, lighting and weather conditions when she painted this work.Painting a Cityscape which speaks to someone is always rewarding to her. She inspired by a story to tell or an atmosphere to suggest in her paintings.It’s a great pleasure to Depict a pets portrait and She love the challenge of capturing all those unique features. She look for subjects which encourage her to look and appreciate those fine details, She love pets specially dogs. In her pastel work “ Winter night” She Captured the mood and light of the nature along added her pets in the scene and depicted the detailed foreground and the texture of the Old car. Detail has always been a feature to her approach and style of work.Nature has always been a constant theme in most of her work.

Orange Reflection Through the Street

Arturo Javier Reyes Medina

arturojavier.reyesmedina

Picasso said “everyone tries to explain art and I wonder why not try to explain birdsong”. The work arises from the subconscious and expresses the impossible to create with words. The paintings are based on the human figure, as a metaphor for existence, and on the fascination of how color changes the meaning of form. The inner tension of the heart is carved in the two-dimensionality of the painting: the essence of the soul’s contact with the world and with oneself. A few years ago I am partially abandoning figuration and I began to experiment with abstraction with relief sculptures in wood, cans, algae and other found materials; I also focus on digital media simultaneously.

While I use a variety of materials and processes on each project, my methodology is consistent. Although there may not always be similarities between the different projects, they are linked by recurring formal concerns and by theme. The concept of each body of work determines the materials and ways of working them.

Each project often consists of multiple works, often in a variety of different mediums, grouped around specific themes and meanings. During research and production new areas of interest emerge that lead to the next body of work in a continuous and insatiable search for a unique and personal language.

Angel_digital image 2019

Frost_Treated seaweed and acrylic on board. 100X70x10cm_2023

Through Division to Expression

Influenced by post impressionism with cubist approach to composition. The goal here is to utilize the whole surface of the support challenging the viewer’s perception of negative space. Essentially divisionism, the figure/composition is woven in to the fabric of the plane and space warps in to the figure. In the painting process repetitive almost automatic application of the crosshatched lines allows the subconscious the opportunity to direct the composition, there is a tension between the desire to hide vs. the need to reveal, conflict between subconscious and self-conscious.

LINE, PATTERN IN CHAOS

Ink drawings. The seemingly chaotic application of lines ( cross hatches) is intentional, I’m trying to follow in line of the post divisionist paintings, creating a unified fabric of the plane, modeling with parallel hatch marks would go against this, and would make it more of a plastic approach, and would emphasize the distinction of background foreground. In short I’m trying to arrive at impressionistic use of ink as the medium with surreal or symbolic mindset.

“Fall Landscape With Two Trees”, 2018. Oil on Canvas, 76 x 102 cm

“Study After Leonardo’s Burlington Cartoon”, 2016. Pen on Paper, 76 x 56 cm

I have been painting since 1996.

Aurelio Gaiga

In the first years I experimented freely in search of a personal style.

From 2007 to 2017 I worked on a rigorous geometric abstraction.

Since 2018 I have been creating works that investigate the growing importance that technology has assumed and will assume more and more in our lives.

I work on the deformation of images (images of people seen in their daily lives reading a newspaper, drinking a coffee, ect... ) as in the case of television interference or digital distortions.

Some of these works only present these digital distortions as if they had taken over our reality, waiting for something new, that we don’t know.

Other works present interpretations of famous paintings of the past reinterpreted and modified in this key, as if technology were erasing our past, our history, our memory, perhaps our humanity.

All the works are characterized by vivid and intense colors, to represent the seductive and positive aspects with which new technological discovery is presented, always leaving out any potential negative aspect.

Some works investigate current events at a political, social and economic level to demonstrate how technology can be used by authoritarian regimes and governments to limit individual freedoms.

Interference 67 - The painter, 2023, oil on canvas, 120x100 cm

Interference 70, 2023, oil on canvas, 100x120 cm

Aylin Uyan

Since my college days, I’ve been sketching the human body, as understanding its proportions was essential for creating perfect spaces in the field of interior design. Looking back, I never imagined repeatedly sketching human figures would become my passion today. Capturing not just the beauty but also the imperfections of it.

Portraying motion is my passion. I use vibrant compositions to evoke motion, transforming it into a beautiful symphony. My continuous study involves sketching dancers, ballet movements, and athletic figures. I am particularly drawn to nude or figurative forms, such as athletic or dance movements. I imagine my characters continue their journey on my canvas. I use the contours of body muscles to create vibrant and colorful compositions.

One of the latest projects I’ve been working on is called ‘Odyssey.’ I’ve created 12 paintings, each expressing my emotions as I read through the chapters of a great book called Odyssey, Walls Within. Every painting has a whimsical story behind it. My goal was to capture emotions and convey a sense of motion, as I always strive to do. We transformed this project into an audiobook-film featuring live paintings. During the recording process of Odyssey, I had the opportunity to closely observe myself —initially striving to create a specific image, then allowing room for mistakes. Witnessing those ‘perfect mistakes’ becoming an ideal match for my paintings was enlightening. Another passion of mine is exploring connections between literature, poetry, and fine art, as I believe in the interconnectedness of various art forms.

“London Days” Acrylic on canvas 48” x 60”

“Girls” Acrylic on canvas 30” x 40”

Bernard Pineau

bpineau.com

As far as my memory allows, I remember a strong spiritual appetite. Strong spiritual appetite which only grew thereafter. Consequently I devoured many readings centered on spirituality, wisdom, religions but also painting. My two passions, spirituality and painting were born and would accompany me all my life.

I have made long pilgrimages to India. I have stayed in several ashrams. Failing to be able to meet them, I wanted to see and feel the presence of these great sages on whom I had read and meditated a lot. The last pilgrimage was a challenge because not only did I want to reach the sacred places of the Himalayas (Badrinath, Kedarnath, Gangotri, etc.) but I wanted to do it as a modest pilgrim, so without any preparation or reservation. Hoping to meet sages, hermits, yogis. I was fulfilled and I came back changed because imbued with the sublime energies of temples, Saddhus and songs. Like some Americans and Europeans I met there, I could have chosen to stay there.

My painting is a spiritual quest and a sharing. An illustration of elements of wisdom also and fragments of experience or travels. In short, a mosaic.

Pardonner c’est gagner

“My paintings are a spontaneous occurrence, born out of the experience, but maturing reflexively in the process of creation. My technique is controlled improvisation. Gravity is my medium. Images are caught with intent.”

My unusual pouring technique has been developed and refined over 5 decades. I worked figuratively for a long time, but I realized that painting what I was seeing was not challenging enough. I wanted to paint from inside, my thoughts, my feelings. When I saw the huge, colorful work of Paul Jenkins, it brought me to my knees. Fortunately I was introduced to him in 1979 and when he saw my watercolors he advised me to eliminate subject matter, work large and focus on color, space and time. Taking his advice, it took 9 years of work to achieve anything acceptable. When, in 1988 Jenkins said, “You’re ready for a show”, I nearly fainted. A beautiful gallery in Alexandria, Virginia offered me a solo exhibit. It sold out and that was the beginning of a long and exciting career.

Some Like it Hotter, acrylic on canvas, 2023, 147 x 196 cm

Mixed media painter Bex Wilkinson channels what weighs on the collective subconscious using symbols and iconography to guide viewers into what she sees as the, “unending cycle of karma.” Often the subjects of Wilkinson’s contemporary works reveal themselves as archetypes from Jungian psychology.

Wilkinson’s paintings are dark comedy, juxtaposing humorous collaged elements from pop culture against expressionistic imagery – not cleanly portrayed, but rather, projected onto the raw canvases.

Wilkinson is examining the dichotomy of life, the balance of light and dark. There is a sarcastic and jovial mocking perspective of a culture that values shiny objects in the face of daily atrocity,horror and genocide.

Influenced by Robert Crumb and Art Spielgman, Bex’s paintings invite the viewer to engage with the catastrophic daily headlines – and their own demons – but from a distance and with a light-hearted cynicism.

Other notable influences are Judy Chicago and Joan Snyder. Both Chicago and Snyder are tackling seismic devastations –oppression, famine and extinction – across mediums and dimensions.

There’s a sort of tongue-and-cheek, all-knowing, self-aware and reflective quality in Bex’s work which demonstrates itself in the acute and advanced technical skill intentionally shrouded in sparkle and farce.

The loose use of paint, glitter, varnish and stencils represent the overt and abundant imagery that bombards Western society: newspaper headlines, magazine advertisements, billboard campaigns, sex, drugs and Rock and Roll!

Bold brushstrokes and purposeful free-form application speak as metaphor to the chaos that is human experience.

“Ode To Maryan and His Lover” Mixed Media,120 x96”. 2019

“Self Portrait with Death” acrylic and varnish, 50 x 32, 2022

Brigitte Kratochwill

www.brigitte-kratochwill.at

The search for the essence is a central theme in my art. In times of crisis – like over the past years – I have intensified my striving for the essence in my life and work.

For me, life means change, even in enforced lonely hours.

My exhibitions last two years, when I was finally able to get in touch with people again after various gaps because of the pandemic, inspired me in my further work.

With my art I want to touch the viewer on a deep emotional level.

I want to be open for new perspectives. I cherish conversations that emerge from this and inspire me.

magical, 2023, Acrylic and ink on canvas, 28 cm x 19 cm

Gabriele Pandiani

I am a multimedia artist with an academic background as a musician and composer.

The production of video and images allows me to easily create a close connection between the work and its time, an element that I consider fundamental to my poetics.

The works are made in the realm of video through dynamic processing of the material.

At the same time, I generate complex algorithms and improvise.

I record parameter automations using MIDI controllers, incorporating my instrumentalist gestures into the creative process.

In the end, I extract my favorite frame and refine it.

Since video is energy in motion, what I get is an Energy Extract.

My poetics are based on two complementary and interdependent aspects: to engage the viewer with intense colors and vibrant contrasts and to bear witness to our time by narrating the contemporary.

Illegal Oil - Digital Image Processing, 2023

Carmen Schaefer

As an artist I am drawn to the power of black and white, and color marks on paper. My figurative work straddles the line between realism and impressionism presenting a unique style that is neither wholly one nor the other. As I work my pieces begin to take on a more expressive quality, with charcoal becoming an increasingly important medium in my art process. Shadows play a prominent role in my work, often surrounding isolated figures and barren landscapes. I am deeply fascinated by the way inanimate objects can evoke memories of times gone by, imbuing the present with a bittersweet sense of nostalgia.

Through my work I seek to explore the complexities of the human experience, drafting pieces that are simultaneously beautiful and haunting. My art invites viewers to consider the interplay between light and shadow, the poignancy of memory, and the subtle undercurrents of emotion that shape our lives.

Frieze Hope, 2023, graphite and charcoal on paper, 32 x 24 inches

Self Portrait in Studio, 2023, graphite and charcoal on paper, 32 x 24 inches

Chaitali. V Purushothaman

CHAITALI. V. PURUSHOTHAMAN is a Multi-Award-winning Successful Entrepreneur having multiple Careers as a WORLD RENOWNED Professional 25+ International Award-Winning High Vibrational Energy shifting Positive Vastu PainterEnergizer, Feng shui Painter, Spiritual Painter, Vastu Consultant and Vastu Corrector for changing, balancing and shifting the Energy of space from low-Negative to high –Positive frequency, Vedic Astrologer, Illustrator, Fashion illustrator, Spiritual Aura Astro Astral Healer -Coach- Mentor, Psychic , Chakra Therapist Balancer, Therapist for children and Adults, Counsellor, Couple Counsellor and also a Stock Investor and has made an extraordinary mark in all her Fields. She has a clientele based all over the world thus providing customized high frequency Vastu Positive Energy shifting Paintings and Energizers, Vastu for clearing Negative Energy and protection from unconscious evil’s eye of home and offices, healing sessions, Activating Spiritual Portals, Providing Personalised affirmations and meditations to open chakras, therapies for Adults, Couples and Counselling for children. She is also associated with Art Curators, Interior designers, Decorators and Child Educators for empowering children and Protecting their tender Aura and collective Growth towards individual Success. Apart from being an Elite Décor and Aesthetically balancing spaces, her Paintings and Energizers shift the frequency of the space from low – Negative to High Positive. These Powerful Energizing Paintings are created with her Cleansed Aura by using the Sacred time energy of Brahma Muhurta - the most powerful time zone between 3.30 am and 5.30 am to absorb the purest energies of the universe making the Image Highly Positive.

TURIYA AVASTHA CHAKRA BALANCING ENERGIZER FOR HIGHER CONSCIOUSNESS - Powerful Positive Energizer High Frequency Painting absorbs Negativity emits Positivity through all 7 chakras of the body by using the Energy of earth Gurus , lords, planets, Auspicious days , Portal numbers 1111, 222, 888 , sacred spells , symbols of success, luck , good health , fortune , yin yang balancing energy, protection from Evils eye created during the Powerful Time Period of Brahma Muhurta – 3.30 to 5.30 am. “32x48” Acrylic on canvas with 3D hand painted frame.

Chiara Casco

My work come an edoression of absence Of words. A research che of silence.

Elevation_1

Chikara Komura

Flowers in the Sea

Exploring the beauty of flowers I capture their images in the evening to make them look as if they are blooming in an imaginary sea.

The flowers become vivid and show us the strength of plants in the fantasy sea.

The pictures remind us of the old home of creatures who were born in the sea long time ago.

We have memory of the birth of creatures in our heart since we were grown up in the sea of our mother’s womb.

What I capture is the radiant beauty of flowers in the imaginary sea.

Spider Lily in the Sea

Knifeleaf Wattle in the Sea

Christina Mitterhuber

Www.christinamitterhuber.at

“WE in RED 2018 - 2022” is a series of 100 oil paintings on canvas in different sizes. The smallest is 30 cm x 30 cm. The biggest 200 cm x 200 cm.

It was inspired by a nocturne of Chopin. It was physically presented at Art Expo New York and digitally at Art Basel Miami Red Dot. 60 paintings of WE in RED were presented at a Museum Solo Show in Italy in 2022. 12 paintings of WE in RED were presented at another Museum Solo Show in Nari with the Patronage of Forum Austriaco Rome. (Embassy of Austria, Rome, Italy)

”Aqua Touch” is a series of 12 works, one was digitally presented at the Oculus in New York City at Westfield World Trade Center in 2021.

Both series are connected..

”Realize everything is connected to everything else.” (Leonardo da Vinci)

Thank you.

“Aqua Touch XII”, 2021, 120 cm x 40 cm, oil, pigements on canvas © Christina Mitterhuber

“WE in RED XXVIII, oil, pigments on canvas, 120 cm x 40 cm, © Christina Mitterhuber

I make patterns and embroider designs to explore ecology, or landscape, or botany. Much of my work relates to the designs of Frederick Law Olmsted, the father of landscape architecture, and the man who designed Central Park, and many other important parks. Historic city parks represent our species’ negotiation with natural landscapes - we balance our need for space to be alone, space to be connected to other humans and to the earth, and in the future, we must balance our need to grow food and feed our cities. More recently, I have begun exploring portraiture and abstract pieces in an effort to convey universal themes.

The Water Bearer, 2022, Hand Embroidery, 76 cm by 101 cm

Central Park Table Runner and Dining Installation, 2023, Hand Embroidery

Cor Fafiani

His work, which sculptures, aims at the exploration of potential fauna and the diversity of living beings. By imagining and by letting himself be inspired by myth, genetical manipulation, inaccessible places like the jungle and the depths of the ocean and the indescribable, he creates images that invite to a free and ethical introspection. His works in the shape of fantasy, hybrid, manipulated form a humorous universe between fiction and reality.

Planet 2

Vieuwing box

Corina DC FireLady

www.corinadcfirelady.com/

Corina DC FireLady is a self-taught artist. She started in 2021 looking for a way to express her emotions, as an artistic experiment during the pandemic, combining the pyrography with fire and various materials.

The fragility is enhanced by the strength of the wood, and the beauty changes depending on the viewer’s angle. In order for the work to be completed, she used fire to create a story through its flames. Also, by burning, fire changes and transforms the work. In order to control the fire, its intensity and the speed of its movement on the wood, she herself must have good self-control. In each work she combines techniques and substances so that she can control and master the burning times as well as the burning intensity so as not to cause damage to the work.

Each work is an experiment and a lesson in equal measure. In order to improve her technique, she studied new art techniques at Metafora Studio Arts in Barcelona, in which she combined her technique to improve and diversify her artistic expression. She tries to combine her art with technology as a way to evolve as an artist.

She shows that it is possible, by breaking down your own fears, to find a place to convey your message through art and to preserve your unicity. Fire is her partner because it awakens fear and is misunderstood as you and her.

Burned Heart - Piece of the Puzzle, 2023, Burned wood and glass, 89x80x4 cm

Running to Freedom, 2021, Pyrography on burned wood and alloy, 21x29.5 cm

I find inspiration in the unexpected, embracing the beauty of improvisation and the allure of unconventional materials. My creative process revolves around the use of scrap materials, weaving together a tapestry of discarded fragments to breathe new life into overlooked elements. Through this juxtaposition of disparate elements, I aim to redefine the boundaries of conventional aesthetics.

Bright, vivid colors play a pivotal role in my work, acting as vibrant beacons that challenge the viewer’s perception. These hues, seemingly at odds with the motifs of aged decay and erosion, create a dynamic tension, inviting contemplation on the coexistence of vitality and transience. The juxtaposition is intentional – a reflection of the complex interplay between creation and destruction, growth and decay. By incorporating these elements into my compositions, I seek to celebrate the passage of time and the inherent beauty found in aging. Each piece becomes a visual narrative, telling stories of resilience and transformation. It is within this dichotomy that my work finds its voice, encouraging viewers to embrace the impermanence of life and the inherent magic within the cycle of creation and dissolution. I invite the audience to explore the harmony within chaos and discover the profound beauty that emerges from the fusion of divergent elements.

Rhyme and Reason, 2023. Acrylic on paper and cardboard, 130 × 100 cm

Failed Promotion, 2020. Oil pastel and acrylic on cardboard, 61.5 × 48 cm

The lines – the colors- the shapes, are symbols Of senses, thoughts, sensations and feelings. They are all here- as part of me- as part of a riddle. This is my way to converse with myself and with the world around me. This is my way.

FIRST STEP. Bronze, edition of 9, 2022, h’ 53 cm’, w’ 24 cm’, d’ 23 cm’

Decolor Feroz

I am new and self-taught in art, which gives my work the spontaneity and unconsciousness of innocence

I am also aware that it is others who decide whether I am an artist or not. And, despite this, I can say that my works are not melodies of an abrupt time that swim in the astonishment of the comprehensible.

They are more like clear stories, all complete and different, usually critical of some human abuse or scientifically instructive.

My weakness is that I don’t like most contemporary art, I do not seek spectacle for its own sake.

My strength is that the images I paint are attractive, technically consistent and seek to be constructive.

Smell of violet, 2023, Acrylic on canvas, 73 x 54 cm

Dinah Wakefield

Dinah Wakefield is a British born artist currently living in Noosa, Australia. She is a painter of intuitive grace whose works fluidly respond to the landscape around her.

“All my life I have been fascinated by the light within. That essential essence that exists under the surface of our everyday reality. It is this light that I seek to capture in my paintings”.

My process starts in nature. I spend a lot of time walking, swimming, and observing nature then bring that experience back into my studio. I use bold strokes of colour to evoke the patterns and shapes of nature, then work with gravity and the texture of the paint to express the movement and flow within it. My work is instinctive, I don’t begin each canvas with a predetermined idea, but instead, allow the work to develop and flow in a natural way. Generally, I find that my work responds to a place that I have visited, sometimes consciously, but often not.

Dinah’s paintings are enjoyed all over the world, including collections in New York, London, Paris, Hong Kong and throughout Australia. She is known for the tremendous sense of movement and energy that she captures in her paintings and the beautiful ambience her work creates.

Halong Bay, acrylic on canvas, 183x122cm

Algarve, acrylic on canvas, 183x92cm

Eduardo Costa, also known as Dulla, was born and lives in São Paulo, Brazil.

Working with photography was a teenage dream that became real over the last 30 years, in his studio he takes photographs for advertising, magazines and with great dedication to his artistic work.

He began to learn photography through courses, later, and more importantly, helping important Brazilian photographers in their studios, they were already considered his idols, they became generous masters.

I believe it is possible to understand a little about the search for this “photographic storyteller” through this phrase of his:

”I feel like images can be used to tell stories, and if done

powerfully and honestly, they can deeply affect people, perhaps even moving and transforming them.”

Hidden Obvious, 2022. Photography printed on cotton paper, 156 x 60cm

Elia Piper

Die Berliner Künstlerin ELIA arbeitet uneingeschränkt in allen Techniken, um das innere Wesen des Bildinhalts auszudrücken. Durch ihre freie Handhabung der Farben auf verschiedenen Malgründen und Papieren lässt sie den Betrachter an der Interpretation der Farben und Formen teilhaben. In ihren Arbeiten lässt sie Raum für viel Licht und Lebensfreude und nutzt die Möglichkeiten der entsprechenden Technik für ihren künstlerischen Ausdruck. Das Aquarell ist eine alte und doch sehr interessante Technik, die für die Künstlerin große Möglichkeiten bietet, sich auszudrücken. Ihre Bilder sollen nur den Weg bereiten und dazu anregen, sich auf die Darstellung einzulassen, einen Moment zu verweilen, zu betrachten, sich inspirieren zu lassen und den spannenden und faszinierenden Farben und Formen zu folgen. Im Moment des Malens setzt sie spontan die Farben und Formen ein, die mit ihr unterbewusst übereinstimmen und ihre Stimmung ausdrücken. Das erlaubt eine sehr authentische Arbeitsweise und erzeugt mitunter Bildideen, die man vom Kopf her nie so korrekt und effizient auszudrücken vermag. Ihre Bildinhalte sind nicht eingeschränkt und erstrecken sich über viele Genres, z.B. von abstrakten Farbkompositionen, über Blumenmotive, stimmungsvolle Landschaften bis hin zu Statements des aktuellen Zeitgeschehens.

Zeitenwende, Aquarell, 2023, 30x40

Sonnentau, 2018, Acryl/ Pastell, 100x70 cm

Under the canvas of summer evenings from my childhood, my parents, my brother and I would gather on the garden bench, beneath the celestial tapestry, bathed in the soft glow of starlight. As my father’s fingers danced upon the strings of his guitar, my youthful gaze fixated on the cosmic ballet above, a mesmerizing display that ignited wonder within my seven-year-old heart.

Inquisitive, I turned to my father: ’Daddy, are these stars far away?’

’Oh, yes! Very far away! They are in infinite space!’

’What’s infinity?’

’Infinity? ...Well... when you get there, it’s still a little further away!’

Since that enchanted night, I’ve tirelessly committed the sky to canvas, painting it not as it is, but as I envision - a realm untethered from earthly bounds, a kaleidoscope of iridescence and brilliance. My collection ‘CELESTIAL VISIONS,’ is a tribute to the inherent beauty of the sky, a celestial expanse belonging to all, yet bowing to no master. It exists as an eternal sanctuary of divine beauty, a symphony of perfection and harmony, a liminal space between yesterday and tomorrow, where freedom finds its essence, and imagination takes flight.

I dedicate my ‘Celestial Visions’ to those who retain the innocence of a child’s soul and harbor the ability to marvel, even amidst the winter of their years. We inhabit the heart of the most exquisite masterpiece, a creation so precious it defies valuation. I implore you to carve a moment to admire it and, above all, to safeguard its sanctity.

Luz, the Blue Place Of Immortality, Acrylic On Canvas, 60 x 60 cm, 2023

Emiko Aida

I was born in a town with a Japanese temple dedicated to the Water God in Tokyo. Water is worshipped there, and growing up, bushes, botanical gardens, wetlands, streams, and rivers surrounded me. My family took Buddhism teaching and held a small temple at home next to a miniature Shinto shrine. Bell sounds from a Christian monastery nearby and the Buddhist temple were my daily clock. I find nature to be the element I most strongly connect to, both spiritually and emotionally. Flowers represent beauty and the mathematical in Nature, through numbers of petals, arrangement of seeds with Fibonacci sequence and so on. It is a mysterious connection to the universe’s rule. This is why I love to produce images of flowers.

The Magnolia flowers have featured in my work for a few years. In Japan Magnolia flower is called Lotus on Wood. Lotus is a sacred flower, and therefor Magnolia is. I combined the flower and light in my work, because both brighten people’s minds up. The world is currently facing large changes and difficulties, under these circumstances I create my work with a great hope of enriching the human soul. I want to wash up the dark minds and turn them brighter with my work.

Dancing Angels, 2022, Oil on canvas, 80 x 80 cm

Gathering, 2022, Oil on canvas, 70 x 100 cm

As a world traveler at an early age the appreciation of natural beauty and the allure of manmade objects sparked my creative imagination. Photography allows me the opportunity to capture these moments in time and share this expression of beauty through Landscape, Still Life and Fine Art imaging. My mission is to bring awareness to our beautiful planet which deserves conservation efforts more now than ever.

Shark Fin Cove_Photography_92x61 cm

Eriko Kaniwa sensegraphia.jp

Just as there are infinite gradations between the light and shadow that make up the essence of photography, are there not also infinite forms that exist between living and non-living (organic and inorganic) The more I photograph nature, the more I wonder, how can we, today, perceive these in-between forms.

Even today, many landscapes exist in Japan that symbolize nature worship.

Extending from north to south in a long, thin constellation of islands, the Japanese archipelago is blessed with four distinct seasons and an abundance of fresh water, mountains, and sea. Here, appreciating the beauty of nature is a cultural tradition. I am affectionately proud of the values that have flourished within this natural context: the wabi-sabi aesthetic of imperfection and impermanence; the pursuit of subtle grace; the awareness that humans are a part of nature and are deeply entwined with its dynamics, both consciously and unconsciously. I wonder if this philosophical culture, characterized by empathy with nature, evolved not first and foremost from the natural landscape itself, but rather from the contemplation and perspectives of those who viewed it.

The continuous world of living and inanimate, three-dimensional and four-dimensional, visible and invisible, the reality in which we now live, allows for transcendental analogies between the macro and the micro. And this is where I believe the essence of ‘abstraction’ resides, and it is my job to represent it.

Mind

Scape

- Leaving the uterus, Digital Art print on Paper, 150cm x 86cm

Micro Universe - Eyeballs Network, Digital Art print on paper, 150cm x 86cm

My painting series is a profound dialogue between our planet’s crisis and my creative expression. I see inspiration in the elements of Earth and beyond in its organic and abstract nature. Many of the materials used in painting are derived from elements of the earth and I use these elements to build something abstract and yet symbolic of what our planet is made of. I am creating a story of our planet but most importantly a message about climate change and what is infinite or finite. My paintings represent a changing landscape and the pressing issues with dire consequences for our world in a unique and beautiful way. We need to preserve our natural environment for a more sustainable future.

Water Scarcity, 2023, oil, acrylic, gold pigment powder and mica on linen, 91 x 91 cm

Ernestine Haidenkummer

www.haidenkummer-art.at

Ernestine Haidenkummer ist eine österreichische Künstlerin und lebt in Kapfenberg in der Steiermark.

Im Jahr 2006 hat sie als Autodidakt ihre Liebe und Leidenschaft zur Malerei entdeckt. Sie malt all das, was ihr gefällt, von Abstrakt bis Gegenständlich, von Portraits bis zu erotischen Bildern und sie liebt es, Kubismusbilder nach ihrer Art zu malen und die schwarz-weißen Schachbrettmuster auf ihren Bildern haben inzwischen schon Wiedererkennungswert erlangt. Weiters befasst sie sich auch mit dem Skulpturenbau.

Sie lässt sich vom Leben, der Natur und den Schönheiten dieser Welt inspirieren, lässt beim Malen ihre Seele baumeln, denn Farbe ist wie Musik in ihren Bildern.

Haidenkummer kann schon auf sehr viele erfolgreiche Ausstellungen und Teilnahmen an internationalen Kunstprojekten zurückblicken.

Ein großer Erfolg war die Wahl in das Semifinale bei der SWISSARTEXPO 2019 mit ihrem Bild “Kubismus-my art” mit anschließender Einladung des Bildes zur ART WEEK MIAMI und auch mit ARTBOX.PROJECTS WORLD 2020 mit ihrem Bild “Madame”.

Ein weiterer großer Erfolg war 2022 die Wahl ihres Bildes “ONLY FOR YOU!” als eines der besten 50 Bilder bei mehr als 600 teilgenommenen internationalen Künstlern bei WORLD WIDE GALLERIES und ein Kunstsponsoringvertrag von ARTBOXY, wo 3 ihrer Bilder 2023 online auf Welttournee waren und in ausgezeichneten Galerien präsentiert wurden.

Auch wurde Haidenkummer schon mit 5 Artistic Excellence Awards, 2 Finalisten Awards und 1 Creativ Excellence Award ausgezeichnet.

2023 wurde Ernestine Haidenkummer in Deutschland mit 2 Bildern für den Kunstpreis nominiert und ein Bild hat es auf den 7. Platz geschafft.

Im Spiegel der Magie, 2023, Acryl auf Keilrahmen, 104 x 74 cm

Freundschaft oder Liebe ? , 2022, Acryl auf Keilrahmen, 63 x 83 cm

Eugene Kuperman

Eugene has been exhibiting since 2006. In 2008, Eugene traveled for a study abroad trip to Paris, France to study the old masters from life at the Louvre. He was very much inspired by the Rubens room there as well as the two Michelangelo sculptures; Dying Slave and Rebellious Slave. Another piece that left an impression on Eugene was Theodore Gerricault’s The Raft of the Medusa. In October 2017, Eugene Kuperman traveled to Italy to study the great Italian Renaissance and Baroque masters. He’s witnessed the greatest works by Michelangelo first hand, such as Statue of David, St.Peter’s Pieta, Sistine Chapel, Tomb of Pope Julius II, Doni Tondo, Pieta Palestrina, the unfinished Slave sculptures, Dome of St.Peter’s Basilica and more. Michelangelo serves as his greatest inspiration for his incredible sense of design and composition. In September 2019, Eugene went back to Italy for further individual studies. He experienced first hand the Medici Tombs designed by Michelangelo as well as many other invaluable Italian works of art which gave Eugene further understanding of art as well as inspiration. Since late 2014, early 2015, Eugene took a new direction in art. He took upon himself to create works of social commentary which to any extent educate, enlighten, and promote a positive change in society. Eugene Kuperman has been published in various art books, magazines, and newspapers.

The Alchemist, Oil on Polyester, 48 x 30 inches

Motherly Love, Oil on Linen, 18 x 24 inches

Fant Wenger Fant.ch

Art looked for me and found me to develop within me! It is a testimony of myself and a witness of my time! May she find you!

Hotel Paradise

Filipe

What I love about being an artist is the possibility to create and open windows over new worlds and to leave a legacy that can last for very long.

I feel that to be an artist is both an immense privilege and a huge responsibility. I aim to keep a very high standard and produce a consistent work.

It is very rewarding to see others enjoying and buying my work. I am surprised because my paintings are loved by all kind of people.

I enjoy the emotions that people experience when seeing my work and the communication that is established. That gives me the motivation and excitement to create and improve continuously.

Good Intentions - Acrylic on Canvas - 80 x 70 cm -

My artistic voyage can be described as a universal quest.

It took me over forty years of observations and experimentations with medias and materials in different contexts and continents to be able to enrich senses and artistic language: movement, lines and colors are key elements to my paintings.

While creating, I constantly refresh knowledges and perspectives on some aspects of our world in transit. This work in progress is a way to dig in the controversial subject of an ideal meeting point between normality and disproportionality.

Since the age of ten, human and environment have always being explored as a whole. In my “Climatic and Contemporary Architectural” collection, making links while overlaying lines activates a dialogue between past, present and future: manmade creations over interacting with natural elements are creating new bridges and pathways to the unknown. Mental and physical energy are graphically transferred to put emphasis on the awareness for a climatic emergency.

My artistic interest for sport’s representation comes from my sportive background. In the “Art Sport” collection, beauty of a physical performance evokes life survival and gives me this surprising sense of balance in creation.

Les grands bâtisseurs, 2019. Acrylic on canevas, 60 x 90 cm

Magnet, 2021. Acrylic on canevas, 90 x 120 cm

Francesca Busca

www.francescabusca.art/

As an Eco-artivist, ‘Rubbish artist’ and mosaicist, Francesca pioneers sustainable art by creating her artworks entirely out of waste (her ‘Trashure’).

Torn between optimism and surrender, Francesca is haunted by the idea of mankind’s imminent self-destruction. Yet she believes in a future of resourceful innovation through re-thinking and preventing, and her artworks are drenched in this hope: the more beautiful the artworks, the clearer the message, as every tessera she creates is in itself a protest against our disposable lifestyle, providing a different perspective: from waste to wonder.

Francesca is the founder of the Payment in Kind(ness) initiative, accepting eco-friendly actions as payment toward her artwork, and of Art for Trash, creating artwork for residential, institutional and corporate settings internationally using the clients’ own waste.

Gesamtkunstwerk, her eco-artivism encompasses every aspect of her life: vegan, using renewable energy, wearing secondhand clothes, plastic free wherever possible, growing a vegetable and wildlife garden…and not flying for the past 4 years, she strives to live as sustainably as possible.

Francesca runs pro-bono art projects on eco-awareness and sustainability. She is currently collaborating with Camden Clean Air in London on Earthfest 2024 and with the Institute of Marine Sciences in Venice, where she will create a permanent installation in loco during the Venice Boat show 2024 by using both the waste they recover from the sea and from their labs.

In short, Francesca’s quest is to push the boundaries of both mosaic and fine art, act as a catalyst and provoke real Change.

LOVE is Vegan, 2024, 100% waste (used hairdresser’s foils, papersd and magazines, fabric leftovers and 85 screw caps), 280 x 102 cm.jpg

BeeHiVis, 2017, 100% waste (used plastic bottles and leftover buttons), 36 x 45 cm

I have maintained a keen interest in vision and visual perception. I do believe that recognizing the value of art is linked to my experience of perception and that experience goes to the heart of extracting meaning from an image. The conscious effort to keep art at the center of my life performs a vital function of extending my perception.

Most of the paintings are an extension of my interest in vision and visual phenomena. The six major groups of work completed to date have been produced with these themes in mind. The most recent group is titled the Oculus cycle. Oculus is, simply, the Latin word that refers to the eye. It is also the name for the opening of the tip of the dome of the Pantheon in Rome and it is also a term used to describe other architectural elements that emit light, including round windows, openings, and skylights. Most of the work derives from an internal model rather than from a description of objects in nature or a virtual scene, it derives from the imagination. And the search here is primarily for visual language, and thus, to create images that I have not seen. The method requires a willingness to embrace that which is revealed through working. Ultimately, the paintings explore the mystery of seeing and realize that in a concrete way, in order to make it more real or tangible. I wish to represent vision only as it might be.

Oculus, No. 17 Oil on Canvas 105 x 135 cm.

Glint Oil on Canvas 105 x 135 cm.

American abstract artist, Gayle Printz, picked up her first paintbrush in May of 2020 to reflect upon the beauty remaining in a world interrupted by the pandemic. By August, her paintings were on exhibit in Europe and, in November, Printz’s artwork became part of the permanent physical exhibit of Le Musée de Peinture de Saint-Frajou in France. Printz artworks have won over 1500 international awards, earned esteemed prizes, been in countless worldwide solo, physical, and group exhibitions, and are the subject of leading global art publications. A renowned World Master Artist, Gayle Printz is now considered one of the most important contemporary artists of our time.

Printz’s ground-breaking style is defined by unique color choices, distinctive brushstrokes, and a palpable sense of artistic freedom. She is famous for crossing artistic genres, from abstract, modernistic, expressionistic, geometric, and postImpressionistic to paintings reminiscent of the 19th Century Masters. Asked how she accomplishes this, Printz humbly confesses that, as an artist without training, she is unaware of the rules. “And in a world without rules, the artistic possibilities are endless.”

Untraditionally exploring freedom of expression, Printz paintings give each of us the freedom to celebrate life’s beauty in unanticipated ways. They summon you to find meaning in a world where the whispers of your imagination can never be wrong. For Printz believes that, when you embrace the unfamiliar, there is a richness and tranquility that can fill your soul. And Gayle Printz hopes that her paintings fill yours.

MUSIC © 2021 Gayle Printz, Acrylic on Canvas Painting, 101.6 cm Wide x 76.2 cm High x 3.556 cm Deep

METALLIC © 2021 Gayle Printz, Acrylic on Canvas Abstract Painting,

Gerard Huber

In christianized Western civilization, depictions of naked male flesh have been so closely associated with evil that the only way a nude male body could be tolerated was if it was being abused, punished, or mutilated – a sort of sadomasochistic expiation of an unconscious guilt about merely having a body, whereas depictions of female nudity are culturally acceptable according to John Berger’s “Ways of Seeing” because they provide opportunities for “acceptable” male possession whether in fact or desire.

My goal is to challenge contempt for the fully nude male figure, which is thought to be, at best, embarrassing and, at worst, indecent. My exploration involves placing homoerotic male nudes in intimate domestic locations, which engage the viewer either as voyeur or partner. The work is meant to challenge the viewer to examine their values and prejudices vis-a-vis intimacy and the nude male. My intent is to invite the viewer to confront their own beliefs and values about the naked body and to resolve for themselves the question of good and evil regarding nudity in general, and male nudity in particular, as well as provide a peacefully sensual way of drawing the viewer into a space that challenges heteronormative assumptions of male competition, and which demonstrates that same-sex relationships are wholesome, healthy and life-affirming.

Reflections I, 2013. Airbrushed Acrylic on panel, 71.1 x 119 cm

Amplexus Aeternus, 1995. Airbrushed acrylic on canvas, 81.28 x 116.84 cm

Gerhard Petzl

Born 1973, in Graz, Austria. Lives & works in Vevey, Switzerland and Kalsdorf/Graz, Austria.

A multi-disciplinary artist who works for over 30 years with bronze, stone, wood, mixed media, and chocolate and does not limit himself to any medium, technique and shape. The exploration of shape, colour and texture is his personal on-going journey, which brings him into unexplored areas and self-discoveries. He sails between 2D-visuals the classical way of drawings on paper to digital art. He creates sculptures (from found objects, recycled materials to metal works like bronze or Aluminium) and ends up often even in the field of science.

- Pioneer of using “Chocolate crystals” as an art form (like he did with his renown “33 planets” and his > Planet series <).

- Masterclasses of Art and Design - section sculpting, Ortweinschule Graz, Austria (2003-05, with diploma).

- Publisher of 3 chocolate art books.

- Received numerous gold medals, over 21 awards and appeared in over 250+ publications on TV, magazines, or newspapers around the globe.

- He has lived and worked on four continents and was influenced therefore by many different cultures, people and artworks from different times and styles in history.

Caleidoscope

Human Mandala

Gunilla Daga

gunilladaga.se

I had a dream of beeing an artist, but life came across me. Started up a family and made that work for a decade or so, but then ... went to artclasses!

Why:

My art is about existence; life. Being a human, a woman. My place on earth. On the Swedish westcoast I had a studio. Close to the window there was this Reed. They were leaning towards me, waving in the wind, telling me secrets and showing me their hidden rooms. Spaces in between!

How:

Went to Roussillon, Provence, France where the earth is red and yellow We made our own crayons of it and made art! Then, I spent 2 month at an Art Residence outside Barcelona, Can Serrat They offered big sacks with free dry color pigment.s I started to mix my own painting material with this red, black, yellow pieces of earth (reminded me of the red houses out in the countryside of Sweden where I was raised)

What:

In the huge storm that intervaded Can Serrat the fruits of the Almond trees fell down on the ground. They opened up their fruit, inside there was this piece formated like a leaf, the almond. A symbol for life, a she! Since then, it always comes back in my painting. And in the Iron red dry pigment; I feel the warmth of the sun, Remembering my hands on the warm walls of my childhoods barns, and the smell of earth To Feel free!

Yellow bird, 2022, acrylic on canvas, 55x46 cm

Moonlight in the garden, 2022, acrylic on canvas, 55x46 cm

Gunilla Klemendz

In my art I move the border between reality and fantasy , using strong colors typical of the Swedish region of Skane where I come from. I like to provoke my viewers with the vivid colors I use. A key element of my pieces are leafs of some kind. When I began to work with them I got passionate. I think they are beautiful and I find their shape exciting. I developed my style from never getting tired of studying leafs.

Meeting people who have made an impression on me often intertwines with my art in one way or another. I think that my passion for making art has grown more and more after having experienced difficulties in my life.

When working in my studio, I let the feelings and colors guide me in the creative moment. It is like a meditative state of mind.

The last 20 years I have been working with stoneware, a material that I love to work with. Sometimes I combine stoneware with other materials , like composite or metal, in my art. The creative process fills mr with true happiness, something that I hope is reflected in my art.

Forgiveness , 2019, Stoneware and metal , 47x 8 cm

Hanna Scheriau

Hanna SCHERIAU studied theater studies at the University of Vienna with a focus on “stage design and costumes”.

At that time there were particularly outstanding teachers in the field of theater studies who taught in a very practical way. This also included drawing and painting your own designs in the subject “stage design and costume”.

In addition, Hanna Scheriau completed Oskar Kokoschka’s legendary “School of Seeing” at a time when Kokoschka was still there himself (1962).

Despite marriage and children, Hanna Scheriau never stopped drawing and painting.

Around the year 2000 she discovered the medium SILK for her painting and developed a completely new way of painting, Since then she became a freelance artist.

This new style of painting requires a lot of energy, feeling and painting skills. Each image is unique and cannot be copied due to the special technology. In contrast to canvas and paper, the silk remains freely movable when painting. The silk paints for artists are liquid, they are lightfast and have a special luminosity.

The finished picture is mounted on canvas or on cardboard.

This artistic work is unique in the world and cannot be found in this form in today’s art scene. But silk has been a painting surface for thousands of years and is extremely durable, far more so than linen. In collections around the world paintings of Hanna Scheriau can be fou1) Energy, 2009, painted silk on canvas, 135x185cmnd, also in museums and in important books on “Visual Arts”.

1) Energy, 2009, painted silk on canvas, 135x185cm

Fiction , 2020, painted silk on cardboard behind glass, 30x20 cm

Hee Sook Kim

Hee Sook Kim has long demonstrated an affinity for hybrid identities; as a woman and immigrant in USA. She works out contemporary experiences and historical references from Korean culture as a ground for her intertwined imagery: her feministic approach with social awareness in racial and cultural visualization along with spiritual meditative foundations. Her recent “My American Flag” series particularly invite all viewers to reconsider a togetherness comes from the basic love to this country called patriotism. She wants to collect contributions of any immigrant’s stories to create a visual image of these interchanges in a form of murals. She recently exhibited a site specific image, “Everlasting Playground” in Philadelphia International Airport at Terminal C that is created using Korean folk painting style and its bright colors and I combined elements from everyday life hoping for everlasting healthy lives for all of us, inspired by the longevity paintings during Joseon Dynasty in Korea. This portrayed a landscape of playing like free-spirited kids in a playground with friends and animals. When you wake up with a plethora of birds’ songs in the morning, you truly feel alive.

My American Flag series, 2016-22, Mixed media on panels, 152 x 101 cm

Everlasting Playground 1, 2021, Mixed media on canvas, 304 x 101 cm

Helios Boechat

www.heliosboechat.de

„The manifestation of life“

It is about the transformation of different materials and stages of energy into what we call, biological life. Some forces interfere throughout endless time to amalgamate elements tighter together until life manifests out of it. My theory is that the most important force acting into the elements are frequencies. So there’s a kind of music all around even before biological life manifests itself. This is what changed my question from a „when“ into a „what“ is life itself. Therefore I think there are other forms of life based on other minerals or even just based on energy on Earth or elsewhere.

This way I came to see time and dimensions in another perspective. If there is an energy called life or a life called „energy“ than we have to think the impossible! In my art I first establish the impossible.

With the interference of frequencies (with a special instrument I created just for it) on oil and a mixed substance based on water. First I design an abstract foreground of the composition. This abstraction conducts me to let life manifest itself. Exploring time and dimensions in my sculptures I work with light and foldable materials. The 4th dimension as a foldable 2 dimensions.

About me. My nature is to search and create beauty.

Predator, 2023. Oil on canvas, 200 x 150 cm

Mariposa, 2023. Oil on canvas, (Painel) 2x 150 x 100 cm

Hélène DeSerres

hdeserres.com

As an artist, I am fascinated by the beauty and complexity of nature, and the abstract environments that it creates. My work is a reflection of the intricate patterns, textures, and colors found in the natural world, and how they interact with each other to create a sense of balance and harmony.

Through my creations, I aim to capture the essence of nature and the transformative power it has on the human spirit. I use a variety of techniques and mediums to explore the relationship between the physical and spiritual world, and how they are interconnected.

My hope is that my art inspires a deeper connection with nature, and a renewed appreciation for the beauty and complexity of the natural world.

The Red Bridges, acrylic on canvas 76cm x 102 cm

Wild Flowers, mix media on canvas, 76cm x 76cm

Visual reality is an ever-shifting, highly individualized experience. In any given moment, what we see reflects our inner state and synthesis of outer qualities—light, color, movement, and space. My exploration as a Techspressionist in photographic art represents an attempt to recreate the perceptual experience, with its dynamic nature and hidden complexities.

All of my images are presented on an aluminum surface. In many of my photographic constructions, a single, often abstracted image is layered over itself with a subtle grid printed on a clear acrylic surface and superimposed over the base image. The resulting visual phenomenon infuses the image with a sense of dimensionality and fluidity affected by such changes as the angle of viewing and light. Yet perceptual mechanics are only part of the equation. Equally essential are universal principles of design that produce qualities we perceive as beauty. This is my aim: to skillfully combine technology and aesthetics in a way that expands the viewer’s experience of photographic art.

Funky Chicken, Sublimation on Aluminum, 91.44x76.2 cmnum,

Ingemar Härdelin

www.svenskakonstnarer.se

Mitt måleri har de senaste åren inspirerats av den mikronatur vi sällan ser därför att vi inte stannar upp och betraktar den. Det kan vara fantastiska mönster och/eller formationer på en trädstam, berghäll eller i en vattenspegel. Naturens variationer är oändliga och fascinerande.

Jag vill att man i min konst skall kunna göra upptäckter som stimulerar fantasin och ger en ny upplevelse. Målningarna föreställer ingenting annat än sig själva och det du finner i dem.

In my artistic practice, I envision art as a medium for introspection and reflection. I aim to evoke a sense of wonder and curiosity in the viewer, inviting them into a world where imagination reigns supreme and heartfelt stories encourage hope and transformation. I aspire to create a dialogue about what it means to be human, to confront our challenges and triumphs, and ultimately find solace and inspiration in the beauty and meaning we discover along the way.

My work is deeply personal yet universally relevant, encouraging emotional and intellectual discovery. By harnessing the universal language of symbols and visual metaphors, I invite viewers to explore their own inner landscapes and find connections to broader human experiences.

My process is a delicate combination of research, thoughtful decision-making, and spontaneous, intuitive solutions. When I allow my subconscious to guide me, uncovering hidden layers and meanings within each artwork, that unfolds a mysterious conversation between creator and creation.

Every painting is a unique experience, charting uncharted territory and guiding me toward unexplored frontiers of creativity. The complete interpretation of a piece could emerge at any stage. Each time, I was astounded by the enigmatic workings of intuition with its mysterious path to bring me to the culminating point of creation.

Ultimately, I create art that celebrates the timeless beauty of classical ideals through a surreal lens while hoping to ignite curiosity within the viewer to delve deeper into their personal journeys, where art becomes a portal to the depths of our souls.

Passion, 2023. Oil on Canvas, 76x102 cm

Compassion, 2023. Oil on Canvas, 102x76 cm

FLUIDISM is the most important moment in my artistic career. It is the essence of what I am. It is all about fluidity. Everything flows. Fluidity belongs to the human being, is in our biological composition and in the composition of our society in which we all are immersed. It is about a strong communication system with its own language and infinite ways of expression. It is about a reality that finds and elaborates its nature in the liquid state of things. We are immersed in it and we are carried away by the flow of eternal becoming.

FLUIDISM is a concept through which I express my artistic creed in works of art, inspired by the existence of a complex substance of outstanding properties and qualities – WATER.

WATER is a unique and indestructible substance.

WATER is the basis of life, growth and change.

WATER has the ability to regenerate continually.

WATER soothes and heals.

WATER shows understanding and sensitivity.

WATER is an accomplished artist.

WATER is the most important element on the planet, can be found in 70% of our earth and in the same proportion in the bodies of humans, animals and plants – sometimes even in a larger quantity.

I have chosen to use the seven colors of the rainbow and the shades obtained by combining them in all of my artworks.

PABLO PICASSO, 2023. Color pencils on paper, 30x21cm

Vincent van Gogh, 2023. Color pencils on paper, 30x21cm

Project “Man, where are you? ( “Night Visions” )

The project “Man, where are you?” concerns current problems of the present existence . Everything is fragmented in ecological, social and political terms. The earth is “notched”. The man is small and naked, confused and defenseless, represented with outstretched arms and legs apart - in poetic and artistic crucifix. It is an object-subject, center and periphery, meaning and time.

The man runs, looking to find his foundations. His human nature is shaken. Embroiled in the mosaic of continuing problems, frantically seeks happiness in the maze of life . But is he able to come to his senses and find himself? Will he find happiness in this direction of search ?

The depicted scenes with clay and fire in “Man, where are you?” are nocturnal , as in a dream, as picture visions. Thematically they are derived from the heritage of universal history and culture. The monumental vessel shape is symbolic. The circle is like an echo of the ideal, like an image of Mother Earth, like the Sun. The rectangle is reminiscent of the human existence, the boundaries of time, space and corporeality .

Plate - Passing (Cycle Man, where are you? Night Visions), 2022. Red clay, soot, polyurethane, wooden base, 160x160x15 cm

Ivana Gagić Kičinbači

Ivana Gagić Kičinbači (1980) is a contemporary artist from Croatia with a focus on drawing and printmaking.

An intuitive search for knowledge and an intuitive experience of reality are at the heart of Kičinbači’s work. She explores the interference and coherence of soul and body, spiritual and material, space and time, and the struggle for inner freedom in the contemporary realm.

She participated in a number of juried printmaking competitions and biennales in both the traditional and contemporary printmaking disciplines. Her works were shown at solo and group exhibitions in Europe (including Great Britain, Spain, Germany, Bulgaria, Croatia, France, and Italy), the United States, the United Arab Emirates (Dubai), and Japan.

After obtaining an MA in graphic arts from the Academy of Fine Arts of the University of Zagreb (Croatia), she earned a master’s degree from the postgraduate study of painting at the Academy of Fine Arts and Design in Ljubljana (Slovenia). She is working as an assistant professor at the University of Zagreb.

Kičinbači was awarded the International Prize Leonardo da Vinci in 2023 in Milan, Italy. In 2023, she also received the Harmony for Humanity: The Global Consciousness Art Prize, the International Career Art Prize (Italy), and an Artistic Excellence Award in the Circle Quarterly Art Review Magazine Contest by the Circle Foundation. She received the International Jury Award at the International Art Competition Lounge 2022 in Germany as well as the Amber Award for Print in 2021. In 2022, she was awarded the Bernstein Prize for printmaking.

Memory, 2022. Digital Print on Hahnemuhle Photo Rag Satin, 80 x 80 cm

Venice, 2023. Digital Print on Hahnemuhle Photo Rag Satin, 80 x 80 cm

Jae Young Park

Woolscape (Wool+ Landscape) is a landscape that takes the symbolism and sign form of wool strands and projects the image of modern life on objects.

The image is located between the boundary between reality and symbolism, and the image created by gathering small strands of wool metaphorically depicts the life of modern people living in society (pattern) by gathering small individual roles that seem meaningless in modern society. represent In addition, it looks at the problems of modern society, the environment, and individual identity from a new perspective through the change of the physical properties of things, and contains the meaning of warm healing.

The strands of thread contain symbolism and take the form of repetitive symbols. A single strand of thread is a symbolic form of human beings, and it can be viewed as a fragment of daily time or memory, or as a relationship between the individual and society. We want to increase the meaning of individual life in modern society, and we repeatedly express minimal images.

It deals with the problem of individual identity in modern society. The embracing or entangled approach hints at how society lives today. In addition, it takes a deeper look into the symbolic society made up of small strands of thread and metaphorically expresses the seemingly insignificant personal identity and the role of life.

woolscape- novel taste(grace), 2024, oil on canvas, 65 x 50 cm

woolscape- refreshment, 2022, oil on canvas, 65 x 50 cm

Vivid colors, altered perspective and changing common points of view, are something I find unique and intriguing. I welcome the viewer to my personal Wonderland with strong theatrical effects, abstractions, and classic compositions, enhanced with saturated colors and my idyllic vision!!

Janusz Janus Tworek

www.instagram.com/janusztworek.art

Janusz Tworek is an architect. He creates collages, drawings, and dry pastels. oil paintings, stained glass ceramics and photographs. For Janusz Tworek, art is a way of expressing the attitude towards reality. His paintings and drawings flow from the zone of instinct, operating beyond intellectual considerations. He believes that this makes them the most authentic representation of reality. His painting is spontaneous, resulting from the emotions he experiences. Most often, the ideas that constitute the intellectual basis of what I want to paint change under the influence of the emotions of the moment. Hence his motto: “Emotions are everything - everything is an emotion.” Despite the age of 67, he is still studying. He doesn’t wonder whether he has a “style” of painting. He tries to paint as best he can. And this changes thanks to new experiences. When he finishes the painting, he feels a kind of relief and thinks about what will happen next. It seems to him that it is very important to return to the roots of the role of art in human life. That is why it is so important to make artists themselves aware of the important social role they play. After all, they create things that have been an indicator of the level of maturity of every community for centuries. The need to experience art has been an innate human need since the dawn of time.

Intrusion 2022 oil on canvas 64x64cm

Surprised 2023 oil on canvas 70x70cm

Jason “Turtle” Hannon

@art_by_turtle

Color flows through every aspect of our lives, resonating and leaving lasting impressions. As an artist, I harness the power of oil paint to create seamless transitions and soft flows that feel infinite. The interplay of closely related colors, like kindred spirits, captures my attention, while the addition or subtraction of a subtle or unexpected hue transforms the emotion on the canvas, creating balance and opportunity. By skillfully combining striking colors with these delicate undertones, I aim to evoke deep emotions and profound feelings.

My artistic process revolves around creating dynamic movements and intentional strokes, occasionally revealing hidden surprises in the intricate details that may not be immediately noticed. In my work, there is no discernible starting or ending point; instead, I strive to imbue each piece with just the right amount of intention. Employing a tonal palette with a gentle persuasion, I invite the viewer’s eye to effortlessly explore the work. No part of the canvas is left abandoned or ignored; every inch is adorned with meticulous detail.

Moreover, I incorporate clean, bold lines that leave room for curiosity, urging viewers to wonder what lies beyond the edges of the canvas within this vibrant, color-filled universe.

Under Current - Oil on Canvas 36x36

The Jester and Phoenix - Oil on Canvas 48x36

Jenifer Carey

With each new oeuvre I rediscover the joy of beauty and creation. My curiosity about life has led me, in art, to experiment with many methods of plastic expression. But whether I’m working in oil, sculpture or print, it’s all a way of sharing my zest for life, of capturing the instant.

Matisse, who has been a major influence in my work, said that a great modern conquest has been the secret of expression through colour. It is precisely this secret that I use with oils, combining my intuition, quick strokes and my transgression of the limits of drawing to achieve expressivity in my paintings.

The subject matter of my work is inspired by my passion for beauty, and shaped by my imagination and personal experiences. This can be seen in the series “The Piano Tuner”, which takes us on an exotic journey; in “Ibiza”, where the luminosity and atmosphere are more important than the figures, which are more essence than substance; or in “Marrakech”, where the atmosphere of jostling and haggling demand that the viewer pause and observe. Jazz is a spontaneous artistic expression. My love of music has enabled me to capture the movement and the atmosphere in oil as well as in prints.

The discipline of printing has helped me to synthesize my work; again, the long process of making the plates doesn’t stop me seizing the instant.

I consider my works to be accessible, but not easy, striking but pleasant.

The three guitarists, 2022 Oil on canvas, 145 x 97 cm.

Spectators at Wimbledon I, 2022. Oil on canvas, 97 x 130 cm.

I work in both watercolor and oil. My work consist of still life’s, landscapes and portraits. Subject matter varies depending on the request and commissions. I also paint out side in Pleinaire, and enjoy the air and free feeling of being outdoors. My work has been published in national art magazines,such as Southwest art, and International Artist.

Pride

Summer Flowers, Oil, 16” x 20”

Jeong-Ah Zhang

My life and art are based on my own philosophical thoughts and experiences. I am interested in the philosophy of immanence and transcendence on all beings, And this means that I try to focus on the essence of life by establishing core values, and at the same time, sublimate it into my works.

I look at the relationship between human and nature and the universe from a very broader perspective. I think all thoughts and consciousness are breath, The breath is the switch between the conscious and the subconscious mind, It’s a connected cycle of creation and extinction. And It’s a soul resonance beyond the time frame. I try to listen to all the conceptions of all things, have an open mind and remember what resonates. Therefore, my surrealism is simply is not just an exploration of the unconscious. It’s a question of will and philosophy, constant introspection. I value awakening and balance, and try to embody the meaning of existence and non-existence, and the nature of things in an implicit and artistic way.

My art is intended to make the viewers think, but my delivery is intended to make the viewers listen to their own inner voice. It makes people, including myself, think beyond reality and into the essence of reality. As I look back on that afternoon so long ago that presented my life, When remembering the experience of seeing the interconnected nature of all things.. The flash point of all creation in the present moment is immortality.

2018. Acrylic on Canvas. 53

A Quiet Conversation. 2017. Acrylic on Canvas. 53 X 73 cm

Repetition of The phenomenon. 2014. Acrylic on Canvas. 73 X 53 cm

The Thorns of Oblivion. 2021. Acrylic on Canvas. 53 X 73 cm

Jette van der Lende

I want to portray a story. I want to tell about small cunnings in life, I want to tell about injustice in our society, I want to tell about what is important in life; I want to tell about life and death. I have chosen to portray a subject that symbolizes what I want to tell. I give the item a scene and a spotlight so I can create an atmosphere of attention. I seek for beauty even in the difficult objects, to see with new eyes. I wish you to stop and feel invited to the scene, were time is unimportant. I wish you would take some of that feeling with you. And sometimes I just want to show joy.

Balance on a Muscari

Our Fragile Freedom

Mr Ren Jianhui, born in ChenDu, China. He graduated from the Art Academy of Qing Hua University, his teacher was the art master Mr. Wu Guanzhong. He was selected as “Top 60 Masters of International Contemporarty artists” in 2013 by USA, Canada and Italy, he is also the first South East Asia artist to get this nomination. Mr. Ren Jianhui used to teach in National University of Singapore. He is the president of Artists Society of Singapore (2002 till present) and a member of China Artists Association. He focuses on expressing the fluidity of time and life, dreams, memories and associations through his various series.

2022-2023 Circle Foundation for the Arts Top 15 Artist Award (2022-2023 Artist of the Year Competition)

2022 Paris International Prize Award

2021 ARTTOUR International Magazine (ATIM) Collector’s Choice Award

2021 International Award 1° Premio Paul Cezanne 2021

2018 ‘The World of Art Award for the Best in Art & Creativity’, WORLD OF ART CONTEMPORARY ARTMAG (London, UK)

2018 Best of international arts awards, United States (New York)

2015 Invited to London Biennale and was awarded by the European Confederation of Art Critics

2014 Participated in the Exhibition of Overseas Chinese Painting & Calligraphy and was awarded with Distinction Prize

2013 Selected in the Top 60 Masters of Contemporary Art by ArtTour International Magazine in New York.

Truth of the Soul

Lovers

Jimmie Marler

Jimmie’s paintings and drawings reflect photographic realism. Jimmie has done art works for several presidents and congressional people. His passion is doing people and animals in all mediums.

He taught art, computers, and mathematics in colleges and high school for 49 years. Jimmie donated over 2 thousand artworks to charities. Jimmie has paintings in over 12 museums. He has many paintings in over 100 churches.

Missouri. He has won several awards in state, county and local competitions. Jimmie is a teacher, painter, litho printer, photographer, pastel, watercolor, scratchart and pencil artist. Jimmie received a great honor when he was inducted into the Dunklin County, Missouri, Library Hall of Fame. He is one of the most prolific artist in the USA.

Jimmie received his Associate of Arts from Southwestern College in Oklahoma City; his Bachelors of Science from College of the Ozarks, Point Lookout, Missouri; a Masters in Art from Drury University, Springfield, Missouri; a Masters in Computers from Columbia University, New York; and a PhD in Computers from Columbia Pacific University, Raphael, California.

Jimmie has been accepted to enter two pieces of art in the PAKS museums in Vienna, Austria, Castle Heidenreichstein in lower Austria and in Munich, Germany. Also, he will be entering the Modern Art Masters in Complex du Louvre Carrousel du Louvre, in Paris, France. The two paintings will be in Europe from July 2022 thru Dec 2024. Jimmie’s website is jimmiemarler. com. He also was awarded the Top Artist award from Who’s Who, and lifetime achievement award.

Touch by the Master’s Hand

Jose Malasaña @josemalasana

I approach this line of my work from a lot of varied geometric perspectives attending at least to the two-dimensional Egyptian and Greek art. Others are the art of the low Middle Ages and pre-modern era.

My sandy colors and cold blues in this line of work emulate very old characters of ancient civilizations and their vision of colors and their meaning. This has led me create my own palette of colors that open this line in actual faces and diverse people, like as those of these eminently figurative periods.

I consider this work as diverse analogue brut art as an exploratory retro-contemporary vision of actual daily situations, deciding taking in account everyday diverse situations from my travels around the world, my feeling perspective and looking at them with a retro prism using dry brush on unprimed natural linen, as example of the diversity normalisation .

Although I use different techniques and have experimental lines of work, such as architectural design, naïf representation of present-day life, its transformation into pop art and digital art, which I keep in my own collection, I don’t want this analogue line on natural linen, like incunable manuscripts, to be lost. The oldtime returns.

They Playing, 2022. Oil on Natural Unprimed Linen, 40 x 40 cm

Serenata, 2021. Oil on Natural Unprimed Linen, 40 x 40 cm

”My intention is to go beyond the obvious and present a glimpse of the extraordinary. Colour, form and texture in a perfect balance create their own energy and emotion. Each shape must be precisely placed to harmonize with the others, each colour speaking to the next components in singular unity. Together they define the expression of the intangible.”

Born in Czech Republic (formerly Czechoslovakia). In 1974, he began studies in the Faculty of Film and Television Graphic Arts at the Academy of Arts, Architecture and Design in Prague. He obtained Master of Fine Arts degree in 1980.

While living in his homeland, he was well known as an illustrator and graphic designer, although he always preferred to work in the field of fine arts. He worked as an Art Director in Publishing House in Prague and as a professor at the College of Applied Arts in Prague. He moved to Canada in 1987 where he has been working on various projects in the field of fine arts. For the past 30+ years, he had many solo and group exhibitions (in person or online) in Europe, USA and in Canada.

Many of his paintings became part of private collections around the world as well as part of well-known corporate art collections in Canada. In 2021, Josef was a finalist in category of Abstract Art at the Global Art Awards in Tokyo, Japan. In 2024, he obtained an award for his art at the Botticelli International Prize in Florence, Italy.

Welcome to Wednesday. Acrylic on canvas, 122 x 102 cm

Josip Rubes

My style of painting and especially geometric abstraction , requires the precision of the performance of certain geometric bodies and lines, the imagination in composing the composition, the exceptional concentration in combining colors. Depending on the size of the canvas and the number of its geometric elements and details, depends also the time spent on working on the painting. I also paint with abstract expressionism based on J. Pollock. This stile of painting gives me freedom in applying line colors and spots. I want my images to evoke positive emotions, optimism and the joy of living. My artworks are results of my enthusiasm and love for painting which can be seen in my pictures. My paintings are vivid and encourage the viewer to think positively, be content and have peace of mind. I bring a loto of energy and passion t each of my works. When the picture is finished and if was successful, I feel great satisfaction and I am happy.

Multicolored composition, 2022. oil on canvas, 80x100 cm

Julie Moss

My grandmother’s roses are what started my love of pretty much everything I hold dear to my heart; gardens, painting, family, dreaming and getting lost amongst the flowers. I love magical spaces which seem to be elevated out of the ordinary, timeless places which are perhaps slightly overgrown and hidden from view and need to be protected.

As a child I loved the colouring books with blank pages which when you applied water colours would appear as if by magic to reveal an image. It’s a technique I still use today when I sketch with my ink brushes, drawing with water first then allowing the coloured inks to meander across the paper until an image starts to form.

The immediacy and tactility of oils and inks dictates my choice of materials whilst colour and light are used to express emotion. My oil paintings provide a continuous journey of revelation and discovery, with time, space and the transient the constant thread that ties it all together. The resulting paintings are a mix of a factual record of a moment in time and an emotional response to being in a particular place.

In Between oils on canvas 153cm x 153cm

Now is not the time oils on canvas

153cm x 153cm

Julie Waas

My elaborate acrylic and watercolor drawings and paintings take shape instinctively. My process is a spiritual experience guided by my heart and intuition. When I create, I shut out the rational side of my brain and let the subconscious and intuitive voice speak through my hand and onto the paper. I often start with a simple idea, such as vines, hearts, and geometric forms, and let the outline take shape organically. I never know until I fill in the outline of the piece which colors or patterns I will use. I trust my intuition and enjoy the thrill of seeing where it will take me. In many ways, it is therapeutic for me. I want my pieces to brighten my viewers’ lives, make them pause in their busy life, and bring a smile to their face.

STRENGTH IN NUMBERS, 2023, acrylic on canvas, 63.5 X 63.5 cm (framed)

Jun Gueco Cruz

https://junguecocruz.com/

Jun Gueco Cruz is a multidisciplinary artist celebrated for his detailed and profound creations that pay tribute to the transformative essence of life and our origins.Jun Gueco Cruz was born in Angeles City, Philippines and is currently based in Philadelphia, PA. Cruz has masterfully sculpted his personal journey, identity, and medical profession into mesmerizing works of art, creating a compelling interpretation of the biological world.

With an impactful debut in the art world during the 90s, Cruz’s first solo exhibition, “Tanatanaman,” showcased a striking juxtaposition of planting and sowing with the intricate physiology of life. This exploration beautifully reflected his cherished Kapampangan heritage and his dedication to fostering growth from the fertile soil. His acclaimed biomorphic symbols, representing budding seeds, ingeniously transformed ordinary biology into poignant spiritual metaphors.

Cruz’s works, such as the “Imperishable Seed” series from 2017, epitomize his artistic philosophy. These compositions intricately weave together humanity’s spiritual essence with the objective reality of science. Symbolizing life-sustaining potential, germinating seeds shed light on transformative cellular processes, mirroring our developmental journey through existence. Throughout his artistic journey, Cruz has garnered international recognition, with exhibitions across the United States, Asia, and Europe, as well as esteemed art fairs, including the Florence Biennale, Art Basel Miami, and Tokyo Art Fair.

What truly sets Cruz’s art apart is not only his remarkable technical dexterity but also his unparalleled ability to transform intricate biological processes into jaw-dropping visual narratives. Through his approach, Cruz unveils the concealed splendor and interconnectedness existing within our bodies, effectively bridging the divide between the realms of science and spirituality. https://junguecocruz.com/

Blessing ( The Lord bless you and keep you )

Blessing ( The Lord make His face shine on you and be gracious to you )

Jurga Nekrasaite

Jurga Nekrasaite aka JuNe is forging high-intensity connections with her audiences through her practice centered around acrylics, pastels, and pencils. The energy she imbues within each of her works speaks to a sense of freedom and sensuality that inevitably emanates an aura of acceptance, part of her commitment to supporting the lgtbq+ community, nonbinary, and all people in search of their authentic selves. She romanticizes and normalizes the love and passion between men, while everyone is still aiming to show a woman’s body as a priority and as a standard in today’s contemporary art world. It is important for me to feel emotional connection with a piece how it speaks to me. The viewer needs to feel it too, this energy exchange - back and forth with a piece that is what is essential for me. I think my philosophy in general is freedom of expression, freedom of being oneself through body language and comes from the place of deep emotions and inspirations. I have very intimate relationship with paper, it fulfills all my creative needs. Through color i aim to show passionate relationships, sensual, sexual and melancholic. All it comes from the emotional place; it heals and soothes your soul.

Kings and Gods, 2024, akryl on paper, 58x42 cm

Ribbon Boy, 2024, akryl on paper, 64x54 cm

Jøran Juveli Marstrander

It is what I can create only with the camera that catches me the most with photography.

I often use one “long” exposure while moving the camera to capture my own magic - no manipulation in Photoshop or AI.

Sometimes I merge two motifs in one exposure to create a whole new one. This technique with many variables makes it impossible to repeat the same motive twice, a quality I greatly appreciate. By working with abstraction I want to give more room for the viewer’s own imaginations. Small editions.

Since I was a little girl, I have been fascinated by nature, and it is still where I find the deepest peace - together with my camera I try to capture the experience, and create my own magic. Unfortunately, the world’s climate situation shows with eerie clarity the importance of nature, the balance in nature in particular.

I wondered for a long time why I didn’t want to work with the hot topics from around the world, me being so socially engaged? Why did I only make pretty pictures? I eventually found the answer: I need that little breathing space, a little haven in everything that provokes and engages my feelings - beautiful pictures calm troubled souls, a monk said, I agree. Then we are back to balance again - in nature, in our lives.

I therefore want to focus on nature’s priceless value through my communication of nature’s poetry and magic with my pictures (and tables).

The Blue Marsh 3, 2023. Unmanipulated photography on acrylic, 110x80 cm

Our Magpie Nest, 2022, Unmanipulated photography on acrylic, 50x70 cm

Kari Bienert

Oil painting has been my passion for over 30 years. Colours come together to form language and shape from a lucid, kaleidoscopic inner world. I am fascinated by the endless revolving rhythms and patterns found in nature and technology.

Colours and shapes are a universal unspoken language that can be interpreted on an energetic level. It is here in the studio absorbed in the paint and music I merge with a parallel world. I find an evolution, a shift which directly affects the tapestry of relationships around me. My painting process is slow and meditative, mixing oil colours methodically for many hours. Most colours are a complex mix of over 20 oils to produce a single unique colour. It is then applied to the canvas flatly with a brush. The thickly textured paintings are the result of mixing oils and applying delicately with a palette knife. The works take months and the painting over time becomes a meditation for the soul.

As we move into a new future, post pandemic, I am optimistic that this catastrophic time in history has brought new life and new awareness beyond our imagination. We can build communities based on our inner knowledge bursting with a love of nature and care for our fellow humans. We can make choices that create peace and pursue dreams that are not incessantly material. We can make choices to include and embrace, to be patient and reflective.

Colour Babies (Garden for the Children)2018,oil on canvas, 93 x 200cm

“Love Letter”, oil on canvas, 108 x 144cm, 2023

Karin Monschauer

Karin Monschauer creates worlds full of shapes and colors with computer graphics software. Her Digital Art creates abstractions of infinite interpretations. The embroidery technique has always fascinated her, allowing to externalize the connection and the interweaving of colors and shapes. This methodology, ‘raqm’ in Arabic, allows to create ornamental designs on fabric through the use of one or more threads of different colors. She draws on her initially manual skills and uses art design programs to plan abstractions rich in geometric evolutions connected in tonal ranges between hot and cold.

Monschauer proposes visual languages characterized by pure imagination as well as explicit reference to nature and textures by ancient and modern masters. She digitally paints undefined tracks every human being interprets and follows.

Currently, her art is permanently represented with one work at the European Art Museum, Frederiksvaerk, Denmark, and four works at Le Bois Du Cazier Museum, Charleroi, Belgium.

Harmonisches Chaos, 2024, Brush Pen on Canvas, 90x90 cm

Blickfang 2, 2024, Digital Art, 140x100 cm

Kat Kleinman

Art allows me an avenue to express my hope for the world. I am a photographer and collage artist, focusing on unique floral collages, as well as leaf and succulent compositions, because they symbolize my enthusiasm for using color to bring about positive changes, starting from within.

The intention of my work has always been to make people feel better, even for a moment. I often use dozens of flowers in a single floral collage, a process that is both meditative and inspirational.

The beauty of a floral collage represents healing, because fractions of color combine to create a new cohesive form. I am dedicated to creating art inspired by compassion, meditation and hope.

Springtime

Kate Harkin

Kateharkin.com

Kate Harkin is a figurative contemporary artist based in Brisbane, Australia. Her works are primarily large scale acrylics. Kate’s style is highly technical and detailed photo-realism with a strong emphasis on patterns of light and colour. Her current art works are based around immersion in water. Emotive, sensual and uplifting, Kate’s paintings celebrate the beauty of life on the Australian beach, evoking feelings of warmth and delight. Her use of colour and light refracted through water create works of art that are both masterful and beautiful. Kate’s debut portfolio of artwork includes a curated collection of primarily figurative works, with a selection of contemporary portraits celebrating the beauty of the female face and figure.

Kate’s art works are available for purchase as originals or as limited edition signed prints.

Orange Blossom

Peonies

Kate Huang

My name is Kate Huang, I was born in 1983 Kaohsiung City, ROC. In 2011 graduates from the Taipei National University of the Arts Fine arts Creation. Specialties-Graphic Design,Painting(Acrylic, Sketch, Watercolor),Clay, Photography, Computer Graphocs.

Most of my creations use brain cells as the theme of creation to illustrate the interpersonal relationship between people, and combine the abstract internalization with the external scenery to express the internal and external states.

Genesis in my eyes10-Move Forward(Acrylic,30*30cm)

Genesis in my eyes05-Transparent(Acrylic,50*50cm)

Katja Lührs katjaluehrs.com

The variety of colors, shapes of flowers, trees and leaves has fascinated me since my childhood. The power of the sun and its play with light and shadow in nature are characterized by: “grace, love, joy of life, confidence, peace and serenity”. You can capture the beauty of nature with images. Because what you love, you also protect. That’s why my motto for my pictures is: “Save the Earth”.

I have been an environmental and animal rights activist since I was thirty and have therefore become a vegetarian. The two themes are reflected in my pictures. I would like to continue to support the environment through my painting. A great blessing is the opportunity to show my paintings in exhibitions and galleries around the world, as oil paintings or digitally. Another gift is that I am repeatedly asked in interviews what I want to convey with my pictures and thus have the opportunity to convey my heartfelt theme “Save the earth and the animal world”.

Katrin Loy

Katrin Loy, born in 1969 in Göppingen, is a graduate of the Academy of Fine Arts Düsseldorf and a master student of Prof. Jannis Kounellis. Her interest in visual arts and psychoanalysis have shaped her life from the very beginning. After graduating from the Academy of Fine Arts Düsseldorf, she completed a postgraduate study in visual arts and therapy at the Academy of Fine Arts Munich, followed by further education at the Academy for Psychoanalysis Munich. Photography has been her preferred medium ever since.

Due to the influence of psychoanalysis, her artistic work focuses on the nature and soul of man, his struggle for a vision, his utopias and abysses, his confrontation with the self and the encounter with the other. It arises both from spontaneously emerging inner images and from ideas about the psychic and intuitive functions of man and his archaic experiences.

By immersing herself in her own biography, a so-called “legend” emerges in which experienced and fantasized memories interpenetrate, created by conscious experience and the unconscious processes triggered by it, which shape and change the memory of the experience.

She associates the inversion of images she uses with unconscious processes, the superimposition of images with different levels of perception and consciousness, usually one that gives form and one that gives structure, which interpenetrate, merge or contrast with each other.

The exploration of the subjective and the objective and the question of the nature of reality and fantasy are fundamental themes that constantly occupy and accompany the artist.

Without Title, 2023, Photography printed on canvas, Width: 90 cm, Hight: 60 cm

Without Title, 2023, Photography printed on canvas, Width: 90 cm, Hight: 60 cm

Kenan K.

It seems that Life is an illusion to be fulfilled as joy and/or pain in line with an individual’s purpose in the World. Then, Art, as a higher level of illusion, should be able to contribute to advance or increase the degree of consciousness for all. In terms of motivation, ”Constructive Freedom” is the essence of my works for energy transfer per se, since I believe that destruction is one of the biggest issues to be tackled in today’s world.

In terms of technique, I try to explore my inner world for the harmony of means and ends, using experimentation through the door of intuition…

Since artworks have their own paths while coming to fruition, they become separate and independent entities when completed and/or finished…so giving them an opportunity to express themselves may be desirable. The more you get into them, the more they will communicate. Please let them speak silently and be ready to explore their adventurous music…

Stage, 2023, Mixed media on plywood, 68x68 cm

Two in One (Mountain Road Workers and the Observers), 2024, Mixed media on canvas, 50x90 cm

Kornelia Boje

Kornelia Boje, born in Berlin during the Second World War, grew up in Hamburg, played as a child on the theatre stage and on the radio, from 1961 to 2015 more then 100 television appearances, theatre engagements in Kiel, Darmstadt, Zurich, Hamburg, Cologne, Frankfurt, Stuttgart. The radio work was and remained her home, as well as audio book readings and dubbing work.

In 1980 photography was added, learned from her father Dr. Walter Boje. Since 2015 photographing dance pieces by wellknown choreographers, including Sasha Waltz, Mats Ek, Alexander Ekman and Marcia Haydee.

Exhibitions and trade fair participations: Munich, Cologne, Frankfurt a. M., Damnatz, Berlin. Everything she works on has to do with storytelling - expressing what she feels, what she sees, what she experiences. Once a photo tell her a story that speaks to her, she releases the photo, so to speak, through the title she gives it, and the viewer can then decide whether the photo tells them the same story as it tells her.

See - feel - tell To meet her demands, to leave unnecessary, all too familiar things to others. Her favourite topics: dance, theatre, demolition and construction in architecture, portraits, children, sculptures in their details, water, city impressions.

SYM-PHONIE I, 2022, Photo on AluDibond, 60x40

In a Frenzy, 2021, Photo on AluDibond, 60x40

Kristine Rudziankova

I am Kristine from Latvia with an open heart and a creative mind, always ready to experiment and try to discover neverbefore-seen photo shots in the field of photography.

Hobby or coincidence, photography has always been close to me. In order to gain knowledge, I have completed several photo courses, starting from the basics: product photography, still life, landscape and up to abstract photography.

I practice not only with nature photographs in my free time, but also with the process of creating conceptual photographs, where each photograph is unique and there is no other like it. I create my own personalized photo books, which collect a selection of the best photographs, which is then my portfolio in tangible format.

I always believed that the beautiful is hidden in the simple, you just have to be able to see it. “The first step to success is the desire to achieve it”

Through self-learning, I implement new ideas and improve my skills. If there is inspiration, then there is also motivation to pick up a camera and take photos. The main idea revealed in the photographs is often a social problem, a human problem and simple moments that make you linger in memories.

I actively participate in photo contests in traveling exhibitions in Latvia and outside: MUSE Photography Awards (Silver winner 2022 and 2023), Blank Wall Gallery (Photography exhibition: Moments of Color, Conceptual, Still Life Photography, Fine Art, Travel, Night Photography, Landscapes, Conceptual).

Rainbow over town, Photography, 4000 x 3000

City in fog, Photography, 4000 x 3000

Lavinia Longhetto

LAVINIA LONGHETTO is a versatile artist and photographer. She lives and works between Treviso and Venice. Graduated in Graphic Art at the Academy of Fine Arts in Venice, drawing is her main work tool, with which she represents an exasperated body that suffers the consequences of time and violence. In 2012 the artist founded his first full-bodied project of social art, in constant evolution, which runs through different stages of experimentation. The graphic sign of Lavinia, filiform and articulated sign, gives shape and expressiveness to the body and its joints. In her works, Lavinia mixes influences of different artists she loved and studied: Egon Schiele, Francesca Woodman, Arnulf Rainer, Alberto Giacometti. The artist’s photographic journey has, unlike drawings, a particular vision of the surrounding world, of its architecture and of the bodies themselves. Lavinia’s photographs, through a vast set of body fragments, architectural and reportage, tell stories, travels, emotions, sensations. Lavinia Longhetto is an artist from the Galleria 2.0 based in Italy and Germany. The artist exhibits in numerous group and solo exhibitions in Italy and abroad.

In circolo, 2019. Mixed technique on wood, 50 x 70 cm.

Sconnessioni, 2022. Mixed technique on wood, 50 x 70 cm. on

Leigh Witherell

leighs.art

I am an emerging artist based in Florida, United States. I have always had a love of art and incorporated that love into a Fine Arts minor in my BA in English and in my MA in Literature. My art is strongly influenced by the Melancholic style, and I love creating pieces, especially large ones, that people can connect with, and interpret personally. It is thrilling to hear how something I have created affects the person studying it.

Much of my inspiration comes from a very personal space. My daughter died on April 8, 2021, at the age of 32 and I have used this tremendously painful time to fully understand and incorporate how art is therapy. I have channeled many of my feelings and those of other grieving parents into my newest pieces to create what I hope are visions not only of pain, but also hope.

My focus is to lose any boundaries I place on my creativity and to just create. A famous quote from a favorite artist, Edgar Degas has become my guiding mantra. “Art is not what you see, but what you make others see” is what I hope to bring to my creations. I hope to start a conversation and inspire others to share their grief and their journey so that the veil of invisibility surrounding grieving parents will be lifted and society to understand how to help parents who have lost part of their hearts to heal.

Arul (We are the Story), 2024, Acrylic on Canvas, 76.2 x 76.2 cm

Les Oeuvres d’Eos Eos

EOS is a minimalist cosmic painter. Eos is one of the most appealing pseudonyms, since it symbolizes the goddess of dawn among the Romans and whom Homer nicknamed “The goddess with the fingers of roses. » Even more promising, she is the herald of the arrival of light. Which is a beautiful similarity with the work of our young artist EOS, playing on universal light and chiaroscuro games when she works on the nude in a mixed technique draped in mystery and enigmatic poetics. A sort of veiled beauty of the inaccessible woman residing in our dreams. EOS is a multidisciplinary artist. EOS, Laura, had some favorable predestinations since she comes from a family of Polish artists, which, let’s face it, can in no way harm the prospects of a multidimensional artistic career. EOS transports us into an imaginary cosmic space between sky and earth. In fact, we are here confronted with the gaze of the poet who is directed towards the celestial vaults, towards infinity. EOS travels to the stars, wraps itself in the milky way, dances to the music of the spheres, ... nomad of eternity, spinner of the dreams of the first morning of the world... By its mysterious tears of light, we are led towards the unknown, can -maybe we will encounter the shadow of destiny there.

Michel Bénard.

Laureate of the French Academy. Knight in the Order of Arts and Letters.

Poeta Honoris Causa.

L’Eveil du Monde

Envol

Lieselotte Krüger

http://lk-bilderundmehr.eu

Lieselotte Krüger in Berlin nach dem 2.Weltkrieg geboren und aufgewachsen. Schon in der Oberschule bestand ein Interesse an Kunst und Mode.

Die Arbeiten vom Bauhaus und der Jugendstiel, das Verbinden von Formen und Funktion haben mich fasziniert. Nach der Oberschule folgte eine technische Ausbildung, und dann ein Kunststudium für Außenwandgestaltung im Architekturbereich in Potsdam. Nach der Ausbildung arbeitete ich aber im technischen Bereich, in einem Bauunternehmen für Industrieanlagen. Ich habe u.a. mit an der techn. Entwicklung des bekannten Fernsehturm in Berlin in der Gruppe von

Architekt G. Franke als junge Frau mitgearbeitet. Es bestand ein Mangel an Vielem. Das kreative Gestalten hat mich in meinem Leben immer begleitet. Neben Beruf und Familie, fand ich Zeit mich mit der Aquarelltechnik zu beschäftigen. Seid meinem Kunststudium hatte ich kaum die Gelegenheit das gelernte anzuwenden.Dann wurde Deutschland wieder vereint. Zwei Töchter in Schule und Universität und meine Berufstätigkeit. Es war einfach wenig Zeit für die Kunst. Das Experimentieren mit Materialien ließ mich nicht los, es ist als wenn man in eine andere Welt eintaucht. Es öffnete aber auch meinen Blick für Neues.

Jetzt kann ich mich voll auf neue Experimente mit Formen, Farben und Materialien in meinem kleinen Atelier konzentrieren. Es können keine Großformate sein, der Platz ist nicht vorhanden.

Im Oktober 2019 stellte ich einige Bilder in der KITZ ART-Stadtgalerie aus.

Im Jahr 2020 erhielt ich für eine Arbeit den Palm Award „Art vor Hope“,dann im Jahr 2022 den „Art of Peace“.

Lieselotte Krüger, 2023, Schmuckperlen auf Keilrahmen, /70x50cm

Lieselotte Krüger, 2021, Acryl auf Keilrahmen,80x80cm

Lola Yiting Zhang

Lola Yiting Zhang is a concept artist whose unique perspective and sensibility empower her to extract design inspiration from the most unexpected sources. She’s always on the hunt for the bizarre and often overlooked elements in nature. Lola’s design aesthetics are deeply rooted in her fascination with exploring the untamed beauty of unconventional forms, subtle textures, nuanced color palettes, and the beauty hidden in nature’s tapestry.

In her work, Lola incorporates these unconventional finds organically to form the original sparks of her designs. Her aim is to challenge perceptions and inspire fresh perspectives on the world around us. Through her distinct artistic vision, Lola encourages viewers to reexamine their surroundings and uncover the hidden beauty that lies within everyday life.

The Wanderers, digital painting, 43X26 cm

Drowning, digital painting, 35X18 cm

Lorna Buechner

Art helped my headspace, can it help yours?My name is Lorna and I am the creator of all you can see here.

My drawing started off as doodling about 10 years ago, and then it morphed into lots of geometric shapes which looked like animals. I then refined my technique so that the animals were less abstract and more realistic, using shapes like squares only. So we have a lionfish or unicorn etc made up of squares and triangles.

I have a mixture of geometric abstract and realistic animals as well as other drawings. Using straight lines makes sense to me and helps me make sense of the world. I also print my work on clothes and other materials such as canvas.

My drawings are done by pen on paper all freehand as well.

Rhino, 2018. pen on paper, 20 X 30cm

The Chase, 2023, pen on paper 20x30 cm

Makoto Ambo

In 1993, he discovered his unique ink painting technique [Nijimiga®?]. The main themes of my work are influenced by the Ainu people, the indigenous people of Hokkaido, where I was born. The Ainu people worship the fish owl as their supreme deity. It is filled with hints for coexisting with nature and solving modern environmental problems. Learning about Ainu culture gave me an opportunity to think about what I should do as a painter, and I have been creating works with environmental protection as the theme. In addition, since 2013, he has been creating works based on his beloved cat momoco, who was a rescued cat, to sound the alarm on the damage caused by pets in Japan and to urge people to ``save dogs and cats.’’ I use a unique method to express my concerns about protecting the environment, life, and history, as well as far-right movements, and incorporate them into my work.

awakening of the spirit

My art captures my own realities—the world as I feel it or imagine it. I have chosen Photography as my art-instrument because it allows me to grasp these “realities” in an instant, without the distortions caused by the passage of time and changing feelings. My images are captured both in black and white and color creating timeless portrayals of my imagination and desires. Although they reflect somehow my Mexican heritage, they seek to break national boundaries and transport the observers to an unidentifiable interior place of great beauty and peace.

Wall of Istanbul ?¡ , Digital Photography, 51 x 64 cm

Marc van der Leeden

Marc van der Leeden is an American born watercolorist who is largely self taught. His paintings have been exhibited worldwide and have won numerous awards over the years. His work is an impressionistic view of the world utilizing a very limited palette and incorporating graphite outlines. In the past he has also been featured in “Watercolor” magazine.

Marcel Jomphe

ARTIST BIO - Marcel Jomphe was born in 1955 in Havre-Saint-Pierre, Quebec, Canada. He currently lives in Rimouski, Quebec. He began drawing in his teens, and photographing in his early twenties. He made a career as a scientific botanical illustrator. His illustrations have appeared in over 80 scientific publications. He retired from his job in 2012 and has since worked as a freelance visual artist. He has participated in over 28 exhibitions locally and internationally (Canada, United States and Europe (Spain, Italy, France) and has received several international awards. His current production focuses on drawing for two artist residencies to be held in Canada in 2024 and 2025.

Marcel Jomphe, Fragment of an Unknown World, 2022, digital graphite, various size

Marcel Jomphe, Borlicoco, 2024, pastel on pastelmal, 40x55 cm

Marcelle Mansour

I am an Australian visionary multidisciplinary visual artist and bilingual writer, An Ambassador of Peace, Ambassador of Art and a thought influential leader in the art industry. In my artistry, I have developed an appreciation for the beauty of humanity. I explore my creativity as an artist vis-à-vis traditional and new media art, discovering quality using new technologies within contemporary culture. Originally of Palestinian Christian heritage, developed a passion for portraits and figurative art and painted prominent portraits from real life. Inspired by spirituality, humanity, Greek philosophy, human psychology and perception. Through my art I explore knowledge and wisdom. My art is a mirror reflecting my soul, my thoughts, passions, feelings, my identity and values. It depicts my experiences, my memories, and my connection to the world as a universal Western-Eastern woman whose goal is to empower viewers and aspire for transformation and positive social change. My paintings conjure realistic topics, and expressive figures. I evoke strong feelings of passion in others to inspire them to wisely rethink and act. As an artist I learn from the past, envision the future and live in the present in full engagement with reality as a truth seeker. Through my art I go to the depths of human psychology, perception, connections and energy to find hope towards transformation. I reflect a spectrum of emotions from joy to conscience, consciousness, contemplation, resilience, remembrance, optimism, heritage, abundance, hope, peace to beauty.

The Angel’s Symphony of Peace, Digital Painting, 80 x 60 cm, 2023

The Red Poppy, Digital Art, 80cm x 60cm, 2023

Marie-Ghislaine BEAUCÉ

My creations are made of strips, bands and padded tubes of luxury fabrics, pieces from leftover of soft-furnishing work, different in texture, color and material, intertwining with each other, creating a semi-abstract and geometric lattice inspired by the classic weaving of yarns, enhanced by the slow succession of layers of fabrics; in my work I use different textile fibers, playing on the contrast between colors and textures, passing from the two-dimensional structure of fabrics to the threedimensional relief of padded tubes making the works a hybrid halfway between patchwork and plasticism.

Tissage 3, 2016, mixed fabrics, 102cm x 102cm

Tissage 8, 2024, mixed fabrics, 80cm x 80cm

Marija Tanaskovic Papadopoulos

Visual Art is all about passing energy to other people through the symbols and vibration of lines, color wavelengths, and shapes of artwork in the space that surrounds it, while the meaning of the artwork is not only what composition actually presents, but a specific structure of that art piece, that makes a human being able to notice a beauty as a source of harmony. Artists are navigating human thoughts to create a new reality, while observers of art pieces are the whole point of every creation because they are making the world the artist initially imagined just like the sea waves are shaping stones on a coast. So what is the shape of an art piece then? The shape of the art piece exists to transfer the energy not through physical material it is made of, but by the idea inside the information field of that artwork, which is hidden, within its composition.

Light Game of Green and Bubbles, 2023, drawing with color pencils on watercolor paper, 9x12 inches/ 23x31 cm

Heaven’s Gate, 2012, Dry pastel painting on paper, 18x24 inches/20.5 x 61 cm

Marlene Jorge

My process is made of impromptu expression and unforced outbursts, and my compositions are like a personal diary, with works stemming from volatile emotions that well up within my mind and inquisitive spirit.

I try channeling my creative urges in order to produce unique artwork by extracting all creative juice from daily emotiontriggering activities, as much as from more personal, deep realms

Altered Frida

Marlo Mylonas-Svikovsky

Art major at the University of California at Los Angeles UCLA 1957-1959 with an A average. The study of Italy’s Renaissance masters when 5 years in Rome and Giorgio Vasary’s Methodology for the study of Art.

Art is a joy, freedom, an emotional outlet and auto-balancing and a heeling power I discovered when 12 years old. It became my refuge during the many changes of locations, reducing my insecurity, a stranger everywhere and helping in the necessary adaptation. Much later in 1993-1997 when tragedy and sudden death hit my two children, I resorted to art to express, overcome and finally find the way back to life again mainly with pastels and watercolors.

Art is also a reservoir of all the impressions of the various locations saved in my inner mind during the traveling years, the landscapes, colors always the starting point. In time it led me to emotionally world impacting events determining our lives for which I use the Italian Renaissance master’s heritage to portray a mental image in it’s essence, media and styles chosen intuitively for each work’s specific expressiveness.

The other facet of my art is an intuitive alla prima process expressing the spark of an emotion or trauma hidden in my soul ,rendering it’s essence in a creative frenzy. One last addition to my art is the representation of the “Beyond “ after death, an unacceptable void for many but for me and others, increased creativity and practically 3-dimensional abstract works of repetitive elements.

On world’s stage, 2019, Oil and acrylic on canvas.

Oil and Acrylic on canvas

Explosion again: Israel and Hamas 2024. Oil and acrylic on canvas 80 x 60 cm. Oil and acrylic n canvas

Marta Obojska chatpanthera.uk

The artistic journey of Marta Obojska is a complex intertwining of her passions and experiences, meticulously woven into a tapestry of unique expression. Informed by the multifaceted symphony of her senses— the melodies she hears, the vistas she absorbs, the scents she encounters, the literature that engrosses her— Obojska crafts an alluring medley of colors, shapes, and textures. The artist seeks to distil this intricate sensory orchestra into a singular, accessible image. In most of her artworks she is using only two or three colors, playing with texture, gloss and matt.

Her work mirrors aspects of the natural world and human nature, expertly leaving room for interpretation and ambiguity.

The artist’s vision extends an invitation to the viewer to contribute to the completion of her work. Her academic pursuits led her towards psychology and a life away from birthplace of Warsaw, Poland. As Obojska approached a decade of working with acrylic paints, a choice inspired by years spent in the United Kingdom, is periodically displayed at prestigious venues such as the Windsor Art Fair, Surrey Contemporary Art Fair, and the Affordable Art Fair in Battersea, London. Local galleries and art magazines also frequently feature her work. Currently you can find her residing in a picturesque island of Mallorca. She believes that Art represents a critical ingredient in the recipe for human survival. It serves as a wellspring of joy, inspiration, and wellness.

Marta Obojska, Spanish Inspirations 2, 2023, 50x70 cm acrylics on canvas

Marta Obojska, Direction 1 and 2, 2023, 70x100 cm acrylics on canvas

María Isabel De Lince

My work is based on the direct observation of elements of nature and phenomena that take place in various areas of the planet. Beyond an objective reading, what I do is perceive sensations originated in these phenomena and translate them into a visual language, impregnated with my own experiences.

People evolve and are influenced by what happens around them; as our environment changes, our perception of it also evolves. Through the shapes and colors of my painting I seek to eternalize the subtle nuances generated by this wonderful process of human interaction with nature. midelince@gmail.com

María Isabel de Lince Light oil on canvas 100 x 150 cm

María Isabel de Lince Space manifestation oil on linen 70 x 96 cm

Masaki Hirokawa

dolice.design

Masaki Hirokawa, born in 1981 in Toyama, Japan, has established himself as a versatile graphic designer and developer. Beginning his career in web design and programming at the age of 16, Hirokawa moved to Tokyo in 1999, where he specialized in web and desktop publishing design. By 2002, his expertise had expanded to include system engineering and programming. Embracing a freelance career in 2005, Hirokawa undertook a variety of projects encompassing web design, graphic design, and interactive movies. His exceptional talent earned him the Grand Prize at the MTV SO-ZO Competition in the Web Screensaver Category in 2006.

Expanding his professional repertoire, Hirokawa authored several reference books from 2008 onwards and contributed articles to graphic design magazines. Venturing into video game development in 2011, he utilized his technical and artistic skills. In 2013, he successfully ventured into the smartphone app market, with one of his apps achieving over 20 million downloads and sustaining a global user base of over 3 million active users.

Rediscovering his passion for graphic design in 2019, Hirokawa began to exhibit his work on international platforms, from Italy to the United Kingdom and beyond. His artistic prowess was recognized in 2022 when he was named “ARTIST OF THE YEAR 2021” by ITSLIQUID Group. Currently, Hirokawa continues to integrate his graphic design expertise with his flourishing app business, constantly innovating and captivating a global audience.

Reclining Buddha, 2020. Digital media and photo collage, 81 x 64 cm

Archetypus, 2020. Digital media and photo collage, 120 x 96 cm

Mefio is a contemporary abstract artist based in London, UK, specializing in the art form of Goniochromatic art, which employs the use of colours to create optical effects in artworks. Additionally, they venture into creating two-dimensional metallic overlays on flat glass surfaces, as well as engaging in mixed media assemblages and sculpture utilizing glass, resin, wood, and other materials.

At the heart of Mefio’s intricate polychromatic artwork lie vivid iridescent colours and logarithmic patterns, inspired by symmetry and mathematics. Drawing from the natural world, refractions, reflections, and fractals have contributed to their distinctive approach in crafting contemporary designs that entice closer examination.

Their technique of metallic film overlay, a fusion of gilding, decals, foiling, and skillful glazing, generates a mesmerizing and immersive effect, with the holographic, metallic materials radiating brilliantly under both direct and indirect lighting conditions. This method yields truly unique and captivating artworks, embodying a sense of simplicity, rhythm, and harmony.

Mefio’s artistic practice exhibits a remarkable sense of objectivity, as they focus on exploring ideas related to space, light, materials, and the interplay between the viewer and the artwork. This emphasis on essential elements and minimalism allows their works to transcend the expression of personal emotions or personality, creating an engaging and immersive experience for the audience.

Riadees, 2023, Polychroma on Glass, 90 x 90 cm

Nelris, 2023, Polychroma on Glass, 60 x 12 x 8 cm

Melinda Bunjaku

To me, art is a way of expressing myself. Every time I create a painting it`s like I am sending an invitation for all the people to get a taste of my world. When I am painting or creating I’m stepping in to the world of magic. I’ve heard that art has for manny years been controlled but is nowdays in an other era of freedom. The biggest inspirational source for me is simply mother nature, that has a variety of different colours. The colours combined with my imaginations from memories and dreams creates the outcome of my paintings.

Artist: Melinda Bunjaku Title: Léon size 80×100 Technique:oil Year of creation 2017-11-14

Artist:Melinda Bunjaku Title:Eve Size:82×113 Technique:oil Year of creation 2023-12-13

Michael Kaphengst

“The daily tasks, which I call processes, whether private at work or in free time, are different for every person, so they are progressive, but the fact is that every person is exposed to these processes. We are all exposed to processes and it is linear.” ”I believe that is not possible to escape a”linear process”.

For me, the consumer world is not “POP” but a linear process. After all, our entire lives geared towards consumption, and this leads to the most impossible ( surreal ) everyday situations. I process this linearity in my art in various modes of representation,” consumptive surrealism”, “fencing pictures-absolute linearism”, and “extreme linearism” I set cape stallion my “consumptive surrealism” against the linear overstimulation with consumer items. The pop manner I creates surreal picture worlds with my consumer items and assigns a new artistic task to them unlike. In my “Fencing pictures - absolute linearism” the lines are drawn with a technique I developed in 2009 by fixing a brush on top of a rapier.

Drawn by circling lines over the drawing paper I pulls this one out to myself my new style in 2012 “extreme linearism”. It starts with revolving movements of the pin, motive condenses therefore to shape and the artist extends these movements and this way the motive drawn.

The picture gets making dynamics by the one. This technique is the most extreme form of my style “linearism”

Silver and Gold, 2010 / Collage, Oil on canvas/ 120 x 80 cm

Life, 2020 / 100 x 70 cm / Biropin- colorfull Pencil on cardboard

Michael Surber

As an award-winning Ohio-based artist, Surber has carved out a unique niche in the art world, one that honors the legacy of painting while pushing its boundaries. His artwork continues to inspire and captivate, securing his place as a significant contemporary artist whose work resonates with a wide audience, inviting us all to find our own stories within the vibrant hues and bold textures of his creations.

Mitchell Gibson

I was born and raised in a small farming community in North Carolina. My father was a violent man and when I was five years old, my mother ran away from him with myself and my four siblings. We were homeless for several years. My grandfather let us sleep on the floor in his home until my mother could save enough money to secure a house.

My Mother did not get along well with her parents and there was a lot of yelling and fighting. I started drawing and sketching as a way of drowning out the chaos. I loved the feeling of drawing down beauty from the heavens and trapping it on canvas.

Dream, metal emboss, 36in x 36in

Monika Anna Kovatsch

“It is all about nature and atmosphere. Capturing reflectance, light and the mood of natural scenes is my inspiration. The abstraction of reality enables me and the beholder to have different insights in my artwork. As an environmental planner, my propulsion is the conservation of nature and its beauty, thus my art shows a variety of natural highlights in an abstract way.”

Nature, 2019. Acrylics on canvas, 100 x 70 cm

Vital, 2019. Acrylics on canvas, 100 x 100 cm

Montserrat Martínez is a plant based multidisciplinary artist, her work seems influenced by elements and creatures that are out of this world yet reinterpreting her Mexican roots.

Inspired in a colorful Mexico and her love for nature and it’s conservation. She works in balance between art, beauty, creation, nature, and the awareness to take care of our home, our planet earth, one of MM many missions.

“Conecta con lo esencial” Eco Friendly Art Installation for VW Mexico.

Heart Watercolor Illustrations, 2020. Watercolor on cotton paper, 24 x 33 cm

Morten Saether

“Often my work consists of different photos put together in layers and presented in a new way. Mostly abstract but sometimes with elements you can recognize.”

Saether, through a harmonious synthesis of a professional trajectory and an innate penchant for artistic expression, has crafted a unique aesthetic, seamlessly weaving photography with acrylic painting and oftentimes deploying a sophisticated collage technique. Throughout his endeavor in the creative arena, he has engaged in collaborations with esteemed photographers, a journey during which the refinement and honing of his skills were paramount.

The vibrant interplay between photography and painting in his works has graced exhibitions across an eclectic array of European cities, including Collioure, Barcelona, Berlin, London, Fredrikstad, Horten, and, not least, his residential city, Oslo. Saether’s artworks, in their elegant blend of mediums and techniques, transcend mere visual appeal, inviting viewers to embark upon a vivid journey through his imaginatively constructed vistas.

Morten Saether’s artistic journey witnessed a profound transformation, notably influenced by ventures into the heart of Paris. The city’s Metro, adorned with layers of torn paper posters, captivated the artist, beckoning him into an innovative experiment with visual textures and forms. It was within the subterranean labyrinths of the Parisian transit system that he discovered a distinctive technique, giving birth to digital collages that eloquently meld colors, texts, and intricate details derived from various photographs, subsequently crafting entirely novel images.

When talking about influences, one have to mention artists such as Matisse, Braque, Man Ray, Warhol, Gerhard Richter and Kooning.

Antique Wall, 80x80cm, processed Photography, 2024

Wisdom, 68x50cm, Processed Photography, 2024

The artist’s path is often very intuitive and it is not easy to find yourself in art. Hard work and experience lead to the fact that you begin to understand what is important to you,interesting and what you want to focus on. In fact, this is the way to know yourself. If you are honest and sincere in art, it is easy to understand what kind of person you are from your work.

For me, as an artist and a viewer, it is very important to get emotions from art, to experience feelings, to feel the atmosphere. Working on the picture I experienced a lot of emotions and these emotions remain forever in the picture. This exchange of energy is sometimes much more difficult than the technical depiction of something. When the picture touches it is alive and full of living energy. Here are a few words about my art : solid composition, color, decorativeness, emotionality, joy of being, atmospheric, romanticism, generosity.

I spent a lot of time finding my own technique and style that would express me. This is a volumetric, textured, multi-layer oil painting with a palette knife . This is my main technique. but in parallel with it I work in other directions. Acrylic, oil pastel, mixed media-for me this is a huge field for experiments. Paper, canvas, cardboard , hardboard, Plexiglas - that’s what I work on.I also created a series of works on denim.

Sun at home , 2021 . oil on canvas ,80x120 cm

Nancy Anne Woolf-Pettyjohn

Nancy Anne Woolf-Pettyjohn is a diversely talented artist born in America, residing in Missouri. She is internationally known both for her accuracy and attention to detail. In the beginning, wanting to be a surgical missionary nurse but having come down with 4 fatal diseases; (three from the sterile o.r) it was clear God had other plans. Five Dr’s. gave her no chance to survive but God alone healed her.

Nancy had a successful antique shop, vintage clothing museum and did appraisals. After closing her shop to pursue law school she received a degree for Paralegal/Legal Assistant. Working for lawyers and freelancing she was told she was intimidating with her knowledge. She soon found that law came too easy and she needed a challenge.

Nancy was born to creative parents both artists and inventors. Her Mom always had an appreciation for fine workmanship and lace textiles. Having learned by watching her Mom’s artwork all her life, and having no formal training she decided to pursue art. This is where she feels the most challenged and satisfied. This was God’s plan as he blessed her with a natural talent. Her Mom once asked, “Can you see it? Then you can paint it!”. Nancy took it to heart.

Accomplishments include:

Who’s Who in Art

Who’s Who in America

Who’s Who in the World

Only artist in the world to paint museum lace

Nancy is the daughter of Homer and Lucy Woolf and wife of Matthew Pettyjohn

Allhallows Museum Collection #118, 2009, Acrylic on Canvas, 60.96 cm. x 76.2 cm.

Nashīnasu ナシーナス

nashinasu.com

Rooted in storytelling, my artistic practice draws inspiration from past experiences, timeless images of popular culture, and abstract representations of emotions. While I explore various mediums like pastels and photography, my focus lies in acrylic and oil paintings, as well as graphite pencil sketches, often applied to canvas, medium-density fibreboard (MDF), and paper. Navigating diverse mediums, from the gentle caress of pastels to the stark realism of photography, my true expression finds its home within the realm of acrylic and oil paintings, guided by the meticulous precision of graphite. Each stroke, each shade, meticulously placed upon canvas, medium-density fibreboard, and paper, unveils the profound mysteries of our universe. My distinctive style bears witness to a rich tapestry of influences—from the captivating allure of anime and manga to the enchanting vistas of Disney and Studio Ghibli. It is a narrative that dances between reality and surrealism, influenced by artists including Hayao Miyazaki, Salvador Dali, and Stephen Wiltshire.

Yet within the layers of color and form lies a deeper exploration of the human experience. Each creation reflects my evolution—a journey through memory, passion, and curiosity. Inspired by the polka dots artworks of Yayoi Kusama, I infuse my compositions with ethereal light particles, inviting viewers to ponder the enigmatic interplay of shadow and illumination. In a world balanced between the tangible and the intangible, my art urges us to confront the mysteries that lie beyond—to question, to marvel, and to seek the profound truths hidden within ourselves.

Back To The Real World I Guess........, Pencil On Paper, 42 cm x 59 cm, 2022

Overnight Therapy, Oil On Canvas, 100 cm x 50 cm, 2022

Dr Natalia Jezova

Dr Natalia Jezova is awards wining, multidisciplinary artist based in London. She achieved her Professional Doctorate in Fine Art at the University of East London in 2021. Natalia communicates through a wide variety of media, including film, photography and installation. Her art addresses cultural memory, identity and gender issues. Natalia artworks are multilayered, containing their own secrets that viewers are invited to discover.

A few years ago Natalia’s vision had started to drastically deteriorate. She can now only see the blurry silhouettes with the double vision effect. This was one of the reasons why she started to use the superimposition technique (in which two images are simultaneously visible over each other) in her art practice. Natalia decided to show how she sees the world – just blurry multiple silhouettes.

In all projects Natalia employs metaphorical or symbolic language to address the underlying forces behind the themes explored in her works. She mixes classical and modern aspects; blur the lines between imagination, reality and memory. The layering of images on top of one another creates a new meaning and makes an impression on an almost subliminal level. For her latest project “May You Live in Interesting Times” using the superimposition technique, Natalia combined the iconic images of the Old Masters paintings with self-portraits from her “Masquerade” series.

The latest project introduces a reflection on the situation in the globalized and toxic context we live in today. Masks take on a social critique role; denounce the hypocrisy of the modern times.

“May You Live in Interesting Times” series, fig. 9, 2023, superimposition technique, 114x145cm

“May You Live in Interesting Times” series, fig. 7, 2022, superimposition technique, 99x145cm

Natalie Egger, a self-employed artist, is actively engaged in the realms of photography, digital art & visual arts. Her creative journey unfolds in the vibrant city of Vienna, where she resides and diligently hones her craft.

Natalie’s approach to art: it’s a pursuit of creation for its own sake, echoing the principles of l’art pour ‘art. The essence lies in the process of artistic creation, with less emphasis on the final outcome.

Natalie has experimented with various artistic media, but two particular mediums hold her current fascination: photography and digital art on one hand, and acrylic painting (mostly on canvas) and pencil drawing on the other.

In her digital art and photography, she captures close-ups of random subjects encountered during her urban explorations or travels. These serendipitous encounters become snapshots, which she later consciously deconstruct through the fusion of two to four photographs, often incorporating her pencil drawings. At first glance, viewers may struggle to identify the subjects in her work. Natalie intentionally focuses on subjective perspectives, revealing only a fragment of the whole. Consequently, the subjects may appear differently than they would in reality, viewed from a conventional perspective. This transformative process yields entirely new digital creations, reimagining her original photographs in fresh and unexpected ways.

Natalie’s acrylic paintings and pencil drawings reflect her deep fascination with the human face and body, as well as their myriad expressions. Her sources of inspiration include dance, performance theater, and fashion.

“Breakthrough”, 2023, digital art, photography, print on canvas, 1/1, 60x80 cm

“Allium schoenoprasum conchae”, 2023, digital art, photography, print on canvas, 1/1, 60x80 cm

My work is a contemporary statement thru my perception of magnificent network of nature and mankind that enables communication between the network of unseen connections of all living things juxtaposing with the time and space of everyday life.

Although we think of ourselves as individuals, separate from one another, we are all connected through an intricate web of energetic threads of network of human to human, human to nature or emotional or spiritual connection. A Symphony of Human Bonds and nature are deeply moving whimsically that explores the profound depths of human relationships.

The overall composition of my art works are whimsical, encapsulating the multifaceted nature of our bonds with each other. My artworks delve into the intricate emotions and experiences that shape our connections showcasing the beauty, complexity, and sometimes the fragility of our relationships.

By creating art, the most satisfying way I find to paint is the combination of the abstract and the figure. The freedom of abstraction and the emotions that the figure can carry, with the symbolic potential of the objective world are endless. The possibilities that abstraction presents in suggesting the unknown is almost magical. My paintings operate and hover visually and connect between semi abstraction and the cognitive world, between the known and unknown.

I want my work to provide a chance to see things from different perspective and fill in cognitive, emotional and physical space and connect humanity to elicit with emotional and intellectual response in my viewers.

Title: Falling into Infinity-Medium: Mixed Media on Canvas-Size: 45”x41”

As an artist, I feel a continuous urge to bring to life what I see, the experience. The process I use to create my works begin with a photograph, which becomes the central motif, but which ultimately is integrated into the overall painting.

I find inspiration in my daily life. It is said that artists, poets, writers, and musicians look at the world with different eyes from everyone else, that we relate to life differently. As I go about my day, I am drawn again and again to the smallest details of the natural world around me – the straight lines of the pine needles crunching underfoot, the tiny flower that emerges from the soil with a burst of color, the way the sunlight glimmers on the rippling waves. Using my camera, I collect these scenes as memories that I will use and develop as part of my artwork. In the last few months, I have been working on a series entitled “Homes on a Journey.” The name for this body of work, comes from a few poems written by my friend, who, like me, lives in two countries. Over the past decade, I have traveled back and forth overseas. The constant travel has given me different perspectives on distance and place, so that over time the houses, the sunrises and sunsets, the trees and flowers, and the distance between them, all move and merge into each other and turn into one big landscape that has no boarders.

Homes

Low Tide - Mixed Media on paper - 22x30

Nora Komoroczki

Nora Komoroczki (artist name: MANO) loves to paint the lights dancing on the surface of a lake or sea, the eyes and face of interesting people, special moments of our days or of our old history, and everything that inspires her. She admires and cares of the nature, and tries to capture its beauty on her canvas. Her creed that we have to preserve our nature as it is for the next generations as well.

Memory of a carnival, 2024. Oil on canvas, 70 cm x 90 cm

Sunny afternoon in the city, 2023. Oil on canvas, 60 cm x 80 cm

Oenone Hammersley

I draw on my training and experience in theatre design to present a wonderful array of visual stimuli afforded by my extensive travels. I am known for my imaginative and distinctive use of colour and light, I have progressed from painting wildlife on paper to larger more diverse images of nature in oil on canvas to fantastical depictions of water. I have perfected a method incorporating hand painting with multiple paint-pouring. Working on cut out wooden panels with mixed media and collage, the water shapes are further enhanced by a resin finish that produces an incredibly lustrous effect.

Splash, Mixed Media on Wood, 63.5 x 96.52 cm

Oluwafunmilayo Folaranmi

instagram.com/c_o_a_b?utm_medium=copy_link

I create unique art pieces filled with passion and soul. My childhood memories as an art student inspired me to pursue my passion for creating art.

One of my favourite memories and accomplishment was winning an award by the Foundation for Global Peace and Environment for the Twelfth Competition of ‘Paintings by Children on the Environment’. In recognition of my artistic contribution, I received a finalist award for Teravarna’s 2nd Nature International Juried Art Competition.

My artwork conveys a creative expression that explores the concept of modern / contemporary art. Using unconventional materials on canvas, each piece tells a story that provoke thought and a range of emotions, breaking down perceptions of what constitutes art.

NOIR, 2022. Glass bugle beads and acrylic paint on canvas, 42 x 59.4cm

GLORY, 2021. Glass bugle beads and acrylic paint on canvas, 84x59cm

Motivated by the delicate balancing of elements of the past, choices made in the present and a powerful intention to change the future, each thought and intuition becomes master to the emergence of form and method in my art making. Complexity is a key frame. The infinity of possible iterations of a form is a fascination intellectually and in terms of my method. It drives how I engage with materials in the search for what is luminous to the eye and transcendent in meaning to the heart. My art is intended to point to what is greater than the conventional and logic-based point-of-view.

The under-painting is central to how this orientation shows up in the final works. In search for the luminous and transcendental, the under-painting is an investigative yet carefully orchestrated evolution of intentional layering in which I am immersed in a process of moving with a rich flow of contemplative and clairvoyant thought. In this movement, I press-in on the mark-making with brush and paint, then stand apart from it, then press-in again and so on until the idea which wants to be noticed shows itself in relationship with my intention for an image. This process is deeply personal. It is intended to bridge to others in a way inviting them to participate in the images I make, such that well-being is magnified by an encounter with something opening them to intuition of a greater Whole.

Corrective Life, Acrylic on canvas, 48 x 48 in

Momentum masters, acrylic on canvas, 48 x 48 in

The essence of color and imagination

Patrick Joosten – A self-taught Virtuoso of Abstract Artistry. The Creative Spirit: Tracing the Artistic Journey of Patrick Joosten.

Patrick Joosten is a French abstract painter, renowned for his idiosyncratic artistic style and prodigious creative flair. Born in the cultural hub of Paris, Joosten has forged an independent path in the world of art, driven by his innate curiosity and an unrelenting passion for creative expression.

Largely self-taught, Joosten enjoys the unbridled freedom that his autodidacticism affords him. Without the constraints that come with a formal education in the arts, he is able to venture beyond the boundaries of established artistic conventions, experimenting with diverse styles and techniques.

His artworks are an amalgamation of personal exploration and unhindered creativity, which captivate audiences and elicit profound emotional responses. Art in all its myriad forms has always held a special place in Joosten’s heart, with painting, in particular, holding an unmatched allure for the artist.

He harbors an ardent passion for creating visually arresting artworks that resonate deeply with viewers, evoking a spectrum of emotions and eliciting contemplation and reflection. The sources of inspiration that fuel Joosten’s creative endeavors are manifold. As an abstract painter, he draws from the sinuous contours and forms of the human body, finding beauty in the natural elegance of physicality. Nature, too, serves as an inexhaustible wellspring of inspiration for Joosten, with its resplendent colors and ever-evolving patterns lending themselves to his artistic vision.

Red Sea Underwater

Bodies -Acrylic on Canvas - 150x100 cm - 2019

Paul Hartel

hartelart.com

From New York, now living in Ireland, I paint and draw in neo-expressionist and art brut styles with mixed media including oil, acrylic, oil stick and pastels, and charcoal. I believe in the veracity of spontaneity with influences that include DeKooning, Mitchel, Kline, Pollock, and Twombly. I think of my work as celebrating the spirit of the ‘inner child’ through an improvisationally eviscerated energy. I feel this expressive energy retained in the strokes, lines, forms and colours encompassing their fleeting application, yet everlasting presence. Experimenting with a variety of tools and techniques, I believe my work yields a spontaneous truth, not to be mitigated by hesitation. I subscribe to a raw sense of urgency I feel parallels the excitement of life and all its accompanying intellectual, emotional and existential vicissitudes.

Untitled (from Modern Faces). Mixed media on canvas, 24x60in.

Temporal Executives. Mixed media on canvas, 18x14in.

Paul Scott Malone

Malone was born in Houston and has lived most of his life in the American South and Southwest -- the settings of much of his work. He holds degrees from the University of Houston (BA 1978) and The University of Arizona (MFA 1986). His polymathic career, in addition to painting, covers numerous experiences and disciplines. He has been a soldier, a bartender, a newspaper journalist for five years between degrees, an instructor in English literature and writing at several colleges and universities, a book critic, an editor at a literary magazine, a writer and poet, an author. His books include the awardwinning In An Arid Land: Thirteen Stories of Texas (1995), a second story collection (2000), and a novel, This House of Women (2001). Since its publication, and before, Malone has lived and worked full-time as a visual artist. His paintings have appeared in a number of exhibitions, galleries and publications, on both sides of the Atlantic. First an abstractionist, Malone investigates his themes, people and landscapes in several other painterly genres as well.

Losing the Treasures of the Earth (Figure), 1999. Oil on canvas, 122 x 107 cm

Seeking the Treasures of the Earth (Figure), 1999. Oil on canvas, 122 x 91 cm

Peter Wall

“Logic takes you from A to B. Your imagination takes you everywhere.” This Einstein quote probably best describes the direction of my painting. My goal is to leave traces with my pictures that go beyond my normal existence. Painting has been something of a desire for as long as I can remember. Which I gave in to depending on my circumstances. The style of my painting developed step by step, self-taught. Today I live as an artist and illustrator on Lake Malchiner in MecklenburgWestern Pomerania. My artistic expression is representational and figurative with a direction towards fantastic realism and surrealism - styles in which my fantasies can really be lived out. In my freelance work I process emotions, dreams and sensations of many kinds. I am sometimes amazed and delighted by the many different interpretations of the viewers of my pictures. For painting I prefer acrylic paints on canvas or wood.

Post Anthropozän,2024,Acryl auf Holztafel,50 x 50 cm

Petra Dippold-Goetz

‚Live, love and fight for what‘s close to your heart with the weapons of ART‘

Born close to Nuremberg Petra grew up in the city of Albrecht Duerer, a well-known German painter, and has been under the spell of this fascinating artist since she was a child.

She never had a career as an artist in mind. The desire to make painting more than a hobby came in 2014. One winter evening she found a dead white dove in the garden, blood and feathers in the snow. This experience impressed her deeply. She created several pieces of art from the remains of the bird and decided to share her emotions and thoughts with the world as an artist.

Her art is emotional, intuitive, evocative, passionate. And her art is not uniform; the statements are different. Some works have a socio-political background, they want to warn and shake up: The destruction of our environment cannot go on! There is no Planet B. Other works wish to simply express joy and happiness, gratitude for a good life and want to celebrate the beauty of our wonderful world.

The most important achievement for Petra as an artist is the perception and appreciation of her art in the world. Since 2019 she was invited to exhibitions and art fairs in several parts of Europe, New York and Tokyo. And her biggest wish as an artist is to keep moving the hearts of people with her works.

The Dance of the Whales, 2021. Acrylic on paper, 38x29cm

Petraq Pecani

Petraq Pecani’s colours are deeply peculiar and they emanate a strong attraction, there is this rather diverse pallete based on properly studied colour schemes. The warm tones have an outstanding brightness and energy, the blue shades extend themselves through a wide amplitude and they exhibit a unique depth. Pecani paints a wide number of rural scenes, between mountains, groves, trails and houses. One can feel the passing of the seasons, as if we were watching his daily life throughout the year. The artist conveys deep genuine feelings with his painting and we tend to calmly and quietly be fond of the beauty of his brushstrokes. His impastos are captivating, they awaken our touch, they incite a tempting desire to touch them.

Pompeyo Curbelo Martin

pompeyocurbelomartin9

Mis obras tratan sobre los tiempos en los que vivimos. Muestran la preocupación de la humanidad, que desea paz y bienestar.

Nos enfrentamos a enfermedades como el Coronavirus y a guerras como la de Ucrania que podrían dar lugar a una hambruna a gran escala y a una posible guerra nuclear sino tomamos conciencia de ello.

Coronavirus, 2020, Óleo sobre lienzo, 116X82 cm

El Trigo del Este, 2023. Óleo sobre lienzo, 100X81 cm

Prudence Au

www.gallerpru.com

Dive into the enchanting depths of my captivating oil painting, “Aqua Treasure Cave”. This artwork portrays a magnificent underwater haven adorned with shimmering stalactites, stalagmites, and vibrant aquatic jewels. Feel the cool, serene atmosphere as you explore the interplay of light and shadow, evoking a sense of wonder and excitement. The focal point is a stunning array of sparkling gems, reflecting the cave’s light with allure and preciousness. Discover hidden wonders and contemplate the mysteries and treasures of the underwater world in “Aqua Treasure Cave”.

”Majestic Icefall” is my mixed media artwork inspired by the captivating moment when a glacier waterfall freezes halfway. It beautifully captures the essence of life, showcasing the wondrous culmination of relentless efforts leading to admiration and acclaim.

The vibrant and dynamic texture of the three-dimensional waterfall and glacier evokes awe and vitality, emphasizing resilience and inspiration. Enchanting Glacier Cascade invites viewers to marvel at the splendor found in pursuing dreams, celebrating life’s triumphs.

With a harmonious blend of colors and textures, this artwork serves as a visual reminder of the extraordinary rewards that await those who persevere. It is a testament to the splendor and beauty found in the pursuit of one’s dreams.

Aqua Treasure Cave

Majestic Icefall

Ragnhild Lunden

Compositions Swimming into Dreams

Lundéns activity of painting implicates the fantasy. They derive from the activity of the paint drifting and interacting of colors and media.Situations occur, pictures arise. Observation of the process starts the fantasy. Lunden has an attitude to painting like few artists. The imagination of the viewer is what will define the picture.She is not following standards and some logical order-painting follow not according to plan. Her attitude is not going by some logical plan. They happen.

It is the ever-expanding world of the real, in compositional clarity, straining her own and her observer’s imagination. The upper part of the picture often mimics some sort of sky. The lower part depicts a world of Lunden´s fantasy, creating a world open to everyone to experience their fantasies.

She lets the colors interact freely, floating or in slabs, creating their forms. Lundén transforms pictures built haphazardly into logical entities with an emotional and avoidable side. The art can be discomforting, comforting, expected or unexpected, too familiar or too odd. Lundén is a researcher who puts questions,trying to find answers to life which might be found or never will be known.

View of Our Planet, 2023.Acrylic on linen 40x30cm

Helping Hands,2021.Mixed media on linen,150x150cm

Born in Lands of Don Quixote (Castilla-La Mancha / Spain). His family environment and the multidisciplinary influence of his professional activity; in sports, music, engineering, inventions and art, in Castilla-La Mancha and Madrid, she was decisive for the artistic creation, of a very personal and different style, called Rivismo, based on the application of the Experiential Brush Stroke. During the last nineteen years, his research has managed to reinforce the Concepts and Philosophy that predominate in Rivismo and that have given prominence to the material elements to which he has assigned aspects, functions and values of people.

In his personal style he preferably uses mixed media. Renowned art professionals have recognized the exceptional originality and aesthetic appeal of Ramón’s work. His unique vision and exceptional abilities have not only captivated audiences around the world but have also contributed significantly to the enrichment of the art world.

His talent has been recognized through individual and group exhibitions held in several countries, including Spain, China, South Korea, Italy, Denmark, France and the United States. He has actively participated in art fairs in the United States and his art is proudly displayed in museums in Spain, Denmark and South Korea. Ramón’s artistic contributions have also appeared in numerous books, magazines and catalogues, cementing his presence in the art world. Additionally, this exceptional talent has been honored with prestigious international awards, further cementing his reputation as a distinguished artist.

Meta-stable Composition on Unicellular Foundations 2023 Mixed media-Rivismo 170x195 cm

Exhibition on the Universe with Art Drones 2023 Mixed media-Rivismo 177x195 cm

Rania Abulhasan @3plus5dots

These paintings are an exploration in colour, composition and textures. They balance freedom and risk with compositional intent and have been happy new spaces for ideas to flow and find their way from thought into physical space. I hope you feel a similar sense of tranquility, calm, wonder and possibility while being with these. Taking you into a meditative state of tranquil peace.

Tranquility C 205 x 127 x 4 cm // Mix media on linen canvas

Tranquility B 142 x 105.5 x 4 cm // Mix media on canvas

I expect a certain amount of randomness in my process. I never quite know how a picture will turn out because each image has a life of its own. My work combines elements of Architecture, cultural iconography, color, textures and the mundane that I see that often goes unnoticed. My work deals with the randomness and chaos that is part of our daily lives.

untitled time, 2024, photography, 30” x 40”

sontal, 2024, photography, 40” x 30”

Rebeccah Klodt

From person to person, each piece means something different. The individualized meaning, and personal interpretation of art is important to me, and I want viewers to be able to interpret my art without context beyond themselves. The majesty of nature is not only all around you but it is within you, express your nature and merge it with the world around you.

Rebeccah Klodt is an abstract artist from the Twin Cities area of Minnesota. Her art is on display throughout the United States and Europe. She works out of her Minneapolis studio overlooking the Mississippi River, and her lake home as well. Nature, and life’s majesty are key inspirations for Rebeccah; however, she is always quick to give credit to her three creative children, husband, and loyal pets for their valuable encouragement and critique.

Rebeccah has worked for over thirty-five years as an interior designer and continues to partner with other designers, artists, and architects. Her work exhibits consistently throughout Europe and the United States. To see more of Rebeccah’s work, please visit RebeccahKlodt.com or @Rebeccah_Klodt_Art on Instagram.

Untitled

Riitta Hellén-Vuoti

www.riittahellenvuoti.fi

Riitta Hellén-Vuoti (b. 1959) is a Finnish artist, living and working in Kuopio, Finland. By education she is licenced medical specialist in psychiatry and psychotherapy. She has been artistic since her youth, and started dedicating more time to painting and poetry around the year 2000. Her artistic focuses in painting and poetry. Her artworks have been on display in galleries around Finland since the year 2000 and internationally since 2020. She is now a full – time artist.

I am interested in - and - inspired by – human being and never ending coplexeties of life. A painting emerges from an inner need. I don’t plan my paintings. Paintings and poems are inner images and they can sometimes be the same. Layers, textures and metaphors playing together, creating meaning in varying degrees of abstraction.

Japanese Landscape of my Mind 7/7, 2024, Acrylic, spray and oil on canvas, 95x135cm

Nocturne, 2023, Acrylic and spray on canvas, 170x130cm

Robert Irwin Wolf

“Robert Irwin Wolf’s sculptures are a testament to the artist’s profound understanding of form, space, and the intrinsic qualities of his chosen materials. Each piece is a unique exploration of the relationships between nature, the man-made, and the interplay between light and shadow, form and void.

The sculptures often evoke natural forms—ripples on water, the curves of a shell, the smooth stones worn by rivers—yet they remain abstract, allowing for a multitude of interpretations. This duality is a hallmark of Wolf’s work; it is both grounded in the natural world and transcendent, reaching toward the sublime…

The craftsmanship in these sculptures cannot be overstated. The precision with which Wolf has removed every superfluous piece of stone to reveal the essence of his vision is reminiscent of Michelangelo’s belief that the sculpture was already present within the marble block. Wolf’s ability to see the potential in the raw material and to bring it to life is a testament to his skill as an artist…

Wolf’s sculptures are not just objects but presences that occupy their space with a quiet authority. They influence their environment, altering the viewer’s experience of space and perspective. These works are not merely to be viewed; they are to be encountered, each one commanding a unique interaction with its audience. Whether it’s a piece that spirals upward, drawing the eye skyward, or one that cradles space within its embrace, the artist’s manipulation of form creates a dynamic spatial dialogue.”

From a review written

by Marta Puig. Editor Contemporary Art Curator Magazine.

Twist of Fate, 23”H x 10”W x 7”D, White translucent alabaster, black Micarta base, stainless steel rods with recessed ball-bearing swivel mechanism

Harmony, 23”H x 10”W x 7”D, White translucent alabaster, black Micarta base with recessed ball-bearing swivel mechanism

Robert van de Graaf

Robert van de Graaf (b. 1983, the Netherlands) is interested in the connections and relationships between the mystical in this world, and the sense and the dimension of the spiritual world and our soul.

In his exploration he is seeking the mystical hidden in this world which he translates into metaphorical paintings. The works express a complex interplay of visual impressions combined with emotional and spiritual reflection. Each piece gives substance to his ongoing personal journey to seek meaning in life.

With his work Robert questions human destiny and how we as human beings can develop ourselves and grow on a spiritual level. The artworks aim to elicit a gaze back at the viewer, a reflection of feelings, crossing the line from observation to introspection.

Van de Graaf draws his inspiration from spiritual and religious stories, mythology, mystical places and the philosophy of life. He transforms his inspiration into contemporary interpretations while richly referring to artists through all times of art history such as Caspar David Friedrich, Anselm Kiefer, Joan Mitchell and the old masters.

Though primarily working on his oil paintings, he is also using drawings and watercolours during the creation process. The works are layered, densely merging his diverse range of mark making, the expressive use of colour and studied compositions. The paintings are often large in scale and balance between the figurative and the abstract, giving a certain freedom to the viewer. Van de Graaf experiences the process of creating as freedom, inner battles and faith.

The Dream of Angels, 2023, Oil on linen, 180 x 220 x 2,5 cm

Romany Mark Bruce

I am an Irish born sculptor and painter living in England . After ten years sculpting in clay (casting in bronze), I embarked on a self-taught expedition of painting, - my obsession with colour was not being explored in the monochrome world of clay. After several years of finding my way, I started to approach a canvas in the way I would a lump of clay – rapidly, with physical energy, rapidly applying acrylic paint to canvas with palette knives instead of brushes.

In the studio I work on several canvasses at once, chaotically, without planning or sketches. A collection evolves gradually and it is only later I understand from where the inspiration has derived.

My work is much influenced by my interest in anatomy. Even those paintings which are purely abstract contain reminders of my fascination with the sternocleidomastoid, the powerful neck muscle which allows the neck to bend and the head to tilt.

My latest collection (UN)SEEN, explores the way we interact with our environment. Some figures are hooded, shadowy urban figures, disempowered on the outside of society. Do we look inwards in an attempt to avoid interacting with the harsh reality of life? Others present as dominant, seeing with confidence and authority. Do they see, or are they blind, unable to see reality?

I am sculptor, and a sculptor who paints. I do it because I have no choice. The constant drive to be creative and productive is exhausting, but life without it would be pointless.

(NO ONE IS) VISIBLE 60 cm x 60 cm acrylic on canvas

Roxana Werner

There have been many exhibitions presented by this visual artist throughout thirty years not only in her country but also abroad. Especially meaningful one was Why Valparaíso held at UNESCO in Paris-France. She received the Creativity Award in the International Exposition of Latin American Images in Barcelona Spain and the Certificate of Excellence for artwork in Artavita Contest The themes of time and memory are subjects that have always been present in her work.

The most relevant thing in recent years was the Florence Biennale:

“XIII Edizione Firenze, 23 – 31 ottobre 2021; Premio LORENZO IL MAGNIFICO – Mixed Media, Quarto Premio conferito a Roxana Werner”

Chiloe `s Truck / Mixed Media

Sannie Guo

She was born on March 11, 1972 in the Southern City of Chu (Jingzhou), an ancient city site in China. Since childhood, she has experienced the cultural impact brought by ancient Chinese civilization. As a child, she lived in a very poetic country. There, the four seasons are distinct, and she feels the surprise brought to her by flowers, birds, fish and insects, especially the warmth and companionship brought to her by small animals. And the joy and growth of her family, neighbors and relatives...

Junior high school began to come to town with their parents to live. Staying in the city is 30 years, which is also the main period of economic construction since China’s reform and opening up. Living in the metropolis, usually face are high-rise buildings, steel and concrete. Until 2015, she accompanied her daughter to study in Melbourne, Australia. It was six years. There, she found the feeling of the birds and flowers of her childhood, especially the autumn maple leaves on Dandelong Mountain, a charming scene that seemed to rekindle the childhood impression across time and space.

“Autumn

“Autumn charm •abstract series No.45” 60x80cm Oil on canvas

2023

Savas Deli @savas.arts

I was born in Turkey and grew up in simple circumstances. I am divorced and have 3 children

Already in my childhood tendencies to the art have developed. I have painted but also worked with clay. For about 8 years I live my affinity for art also fully out.

I paint my artwork with acrylic paint. In my paintings, I express my most diverse impressions. It flows experiences from my life with, feelings such as joy and pain. On the other hand, I sometimes give free rein to my soul and let this flow into my abstract works of art. It is a simple art that arises from what makes me and moved

Untitle abstact 80cm ×80cm acyrlpaintings

Shiri Achu

Shiri Achu was born in Cameroon, West Africa. She and her family immigrated to London, where she lived for many years. Today, she has studios in Cameroon, the UK and the USA, where she is currently based.

Shiri Achu’s art comes from every day, unsurprising, yet unexpectedly vivid, moments, times, and places. She is reputed to capture the spirit of her subjects and make them come alive through form, color, texture, and tone.

One of the aims of Shiri Achu’s Art is to showcase the culture of Cameroon and other African countries worldwide. It’s also to bring back fond memories to those in the Diaspora. Shiri finds beauty in the woman carrying her child on her back and going on her way. She finds beauty in the African fabrics etc

Shiri’s paintings reflect the beautiful simplicity of Africa and she offers this to the western world to encourage understanding of the culture and interest in travel to African nations.

Shiri is extremely pleased and excited that she is achieving one of her goals of promoting the African Culture worldwide, through her art works, workshops and her annual worldwide InPrint Exhibitions.

From exhibitions; 35inPrint- St Augustine’s Tower in London in 2009, then 36InPrint:DC, 37inPrint:AUS etc through to 41InPrint, 42InPrint Dec 2021 at Gallery MAM in Douala and 43InPrint in Yaoundé at The National Museum of Yaoundé, November 2022. Shiri Achu Art goal is to share and spread imagery of the many beautiful cultures of Africa to one city at a time.

Baforchu Big Men Celebrate!

Rose

Simon Darling

As an artist, I’m known for my mastery of deep, obscure portraits that transcend conventional understanding. Through a style I’ve devised as “Imitated Pragmatism,” I explore the intricacies of human emotion, identity, and the enigmatic nature of perception.

My work is a reflection of the complexities inherent in the human experience, capturing moments of introspection, ambiguity, and existential questioning. Each stroke of my brush is a deliberate act of excavation, unearthing the hidden truths and contradictions that define our existence.

Drawing from a rich array of influences including poetry, psychology, and philosophy, I seek to create art that resonates on a deeply personal level while also inviting viewers to confront universal themes. My portraits, characterized by their depth and ambiguity, serve as mirrors to the soul, challenging viewers to confront their own perceptions and biases.

As a multiple award-winning artist, I am driven by a relentless pursuit of excellence and innovation. Each new piece is an opportunity to push the boundaries of my craft, experimenting with practice, texture, and symbolism to create works that are both visually striking and intellectually stimulating.

In a world that often privileges surface appearances over deeper meaning, I believe in the transformative power of art to provoke thought, inspire empathy, and foster connection. Through my portraits, I invite viewers to engage in a dialogue with the unknown, to embrace the ambiguity of existence, and to discover beauty in the shadows.

Admirable Confusion 2022_Struc.Acrylics on Canvas_100x80cm

Simon Hafele psypixart.com

As a visionary artist, I embark on a transformative journey to unravel the profound depths of the human experience. My artistic practice is a symbiotic dance between imagination and reality, where I strive to transcend the limitations of the tangible world and explore the infinite realms of possibility. My art should captivate the viewer so that they can get lost in the vast horizons of the present. What triggers me to create a painting are the emotions I want to pass on, which is also why people might identify with my works. Instead of letting myself or my art down on the spectrum of political or elite thoughts, I want the viewer to find truth when decoding my works. The layers I aim at are way above that and deal with consciousness and the highest off all. LOVE

Stereogram, 2024. Acrylic and Gold Imitation on canvas, 190cm x 80cm

The Art of Flying, 2024, Acrylic on Canvas, 80cm x 130cm

Art Prize winner Simone Monney was born in Zurich, Switzerland, and currently resides near Geneva.

Since 2006, following the birth of her daughter, Simone has felt the urge to unleash her creativity through painting. She left her job as a graphic designer in the world of perfumery to fully dedicate herself to her career as a painter, which took off remarkably.

Simone is a self-taught artist, constantly exploring new techniques and mediums. Her painting style primarily revolves around lyrical abstraction. Guided by music, her swift gestures form the foundation of all her creations. When facing the canvas, Simone feels a profound connection to the universe, finding solace in her artistic expression. She prefers working on large formats for the freedom they provide in movement and expression. The initial layers of her paintings are applied using black and colored Indian ink, occasionally diluted to achieve the desired transparency and depth. Simone manipulates shapes using brushes and knives, often incorporating rice paper sourced from Asia, as well as embroidery and various fabrics to establish the groundwork of her pieces. She then employs vibrant colors to create a striking contrast between strength and softness. Butterflies are a recurring motif in her artworks, symbolizing evolution within her artistic journey.

Through exhibitions at prestigious venues such as the Venice Biennale in 2022, as well as in Miami, New York, Dubai, Singapore, Rome, Madrid, and beyond, Simone’s talent has garnered increasing recognition. Her works are now showcased in numerous galleries worldwide.

Simon Weir

Simon Weir explores surrealism’s themes in contemporary Sydney, Australia. Among historical surrealism’s many research enquiries, Weir focusses on surrealism’s philosophical and psychological projects to foreground unconscious and unnoticed forces in art perception. The oil paintings and watercolours reflect philosophical enquiries into ontology, perception and mereology, that is, the fundamental elements of existence, visual cognition and whole-part relationships, hence we see scenes of ontological withdrawal, phenomenal objects and objects as assemblies of objects, each with its own identity and intimate relations. Snails kissing magpies, veiled figures, guarded gateways and ambiguous objects populate the Australian east coast: decayed stone stairways, wharfs, bright beaches, balconies, domestic interiors, as well as twilight vistas and public buildings with their ambiguous statuary.

These objects prompt the audience’s urge to interpret what they see and thereby cognitively capture visual phenomena. Weir’s surrealist preparatory response is to both offer and resist this capture, by endowing the objects with multiple mysteries. One mystery is conditional upon our habit of explaining phenomena as occurring outside ourselves, rather than within the unconscious, and consequently interpret surrealism’s strange objects as fictional remnants of romantically mythic theatre. This interpretation functions as camouflage for the second, more important, philosophical mystery. If instead the objects are understood as phenomenal, that is, as not corresponding to so-called external reality but corresponding to objectified operations of visual and cognitive mechanisms, the images resemble ontological mysteries, such as the simultaneous sensations of separation and inseparability necessary for the existence of the world.

No Mooring (Romantic Freedom), 2024, oil and collage on linen, 106 x 133 cm

Sensual Ontographic Assemblage (Portrait of My Wife), 2020, oil on linen, 31 x 38 cm

Sonia Roseval

In my artistic practice, I employ a unique technique that involves creating marks covering the entire surface of acid-free paper. Through this process, I embark on a journey of self-expression, where each line and stroke becomes a vehicle for exploring the concept of continual forms. By subsequently outlining these marks with an ink pen, I aim to capture and convey the essence of organized chaos.

The Initial act of creating marks is a spontaneous and intuitive process. It allows me to tap into the depths of my subconscious, unleashing a flood of emotions, thoughts, and ideas onto the blank canvas. As the marks intertwine and overlap, a complex and intricate web of lines emerges, reflecting the inherent disorder and unpredictability of life.

However, amidst this apparent chaos, the act of outlining each line with precision and intentionality serves as a unifying force. It establishes a framework that transforms the seemingly haphazard marks into cohesive and continuous forms. This juxtaposition of disorder and order becomes a metaphor for the human experience — a reminder that even in confusion, there exists a larger, interconnected pattern. Moments of uncertainty and turmoil are interwoven with moments of clarity and harmony.

organized chaos #1,2023, freehand ink on acid free 300lb.watercolor paper,75x104 cm.

Stanislav Riha

Born in 1952 in Prague, former Czechoslovakia. He grew up in Lesser Town (Malá Strana), surrounded by great medieval and modern art and artists that caused his desire to create.

In 1980, I lived for a year in Grinzing, Vienna, Austria, and then he moved to Vancouver, BC, Canada.

In the last three decades, I have been creating wall-mounted, cast resin, and aluminum sculptures combined with canvas and gold leaf, and I have been exploring the computer as an art tool for creating digital artwork. All my life, I have loved to create art full of emotions and feelings, “soul,” with the satisfaction of fun. I am interested in the balance and composition of colours and objects rather than the reality of the items. The direction of the last two decades has been aimed at understanding and, through artwork, expressing the human struggle of emotions and adaptations. For the past ten years, I have been polishing my creative work in the Surreal-abstract style.

The main motto of my artwork is; In a good story, readers have space to create their image; in a good impression, viewers can create their accounts.

Exhibitions/Publications: Close to a hundred in the past twenty years.

Education:

1961-1964, Open school of painting and drawing; 1967-1969, Private studies of applied art and design; 1979-1981, Classical hand drawing and architectural design under MgA Milos Saska in Prague,

Matador

Miami Beach

Sukey Camacho,I’m a Mexican artist and I’m currently living in the United States of America. I characterize my artwork as an expressionist portraits and surreal scenes full of colors and well defined lines and I have my own genuine style method viceversa view for another kind of perspective in life and unique vision. I’m a Self taught Artist.

For me,Art is a form of self language.

It expresses in itself the feelings beyond the soul beyond consciousness, it is where the known is show as the unknown expressing without any fear the existing and nonexistent feelings of the deepest part of the soul and the heart.

All this forms the language of my soul and in the inspiration of my heart combining the hidden dimensions of my mind to leave in each brushstroke the inverse and adverse emotions of my being.

The Magic of the Trilogy of my Hands! Acrylic paint on canvas pad. Size 45.72 cm x 35.56 cm. Year 2023.

Susanne Herbold

Susanne Herbold, born in Germany in 1970, lives and works near Cologne. Herbold’s passion for painting was kindled in her childhood, but initially took a back seat to her professional career. She completed a Bachelor of Tourism (CCI) with distinction and immersed herself in the fields of travel, tourism and later the automotive industry. At the same time, she ensured that her art became established, which led to an increase in demand. Today, Herbold lives her career as a full-time artist.

Herbold’s art has been shown at numerous international exhibitions in Italy, Spain, Germany and the USA and can be found in many public and private collections. In recognition of her artistic work, she was featured in the 2023 edition of International Contemporary Masters. She started with figurative, realistic paintings, today, she focuses mainly on abstract works. Regardless of style, her art encourages the viewer to pause and creates space for reflection on life and contemplation of the self.

”Energy follows our attention, so we should devote ourselves to what enriches us. I generally focus on the positive aspects of life: the beauty that surrounds us and that shows itself in many variations - either in the colors of nature, the sounds of music or even in the words of poetry. I see it as a gift that we can decide each day again which paths we take, which decisions we make and which people we allow into our environment. Life is always evolving - in its own beautiful flow.”

140 x 120 cm, Acrylic, oilpastel and spraypaint on canvas, 2024

“Starseed 1.0“, 140 x 140 cm, Acrylic, coal and oilpastel on canvas, 2023

Suzan Obermeyer

Suzan studied Fine Art at the San Francisco Art Institute. She completed her undergraduate studies earning her Liberal Arts degree from The Evergreen State College. Suzan received her MFA from Plymouth University, UK in 2015.

Suzan’s continued education includes studies at Anderson Ranch, Colorado Mountain College and European Graduate School. Suzan has attended artist residencies in Berlin Germany, Brooklyn and Manhattan New York, Venice Italy, Marfa Texas.

Suzan’s work has been exhibited internationally in Sweden, Germany, Austria, Italy, Ireland and in the USA. Suzan’s works are held in private and public collections in Australia, Bahamas, Canada, Germany, Indonesia, Italy, Ireland and in the USA.

Mystery Lotus mixed media painting 48”x48”

Mystery Lotus mixed media painting 48”x33”

Symona Colina

Born in Ridderkerk the Netherlands in 1954. Participated in a number of exhibitions in several countries; the Netherlands, the United States, Italy, Spain, Belgium, England, Bulgaria, Czech Republic, France …

My work is like the wind, perceiving perspective. A perspective which touches and surrounds me, And in its essence forms the source of my work and sparkles in endless interfaces.

My work is like the wind, perceiving perspective. A perspective which touches and surrounds me, and in its essence forms the source of my work and sparkles in endless interfaces. Composing with the shades of rainbow-light... Brushes in my hand, weaving lines and tunes into the shades... Words strung like beads on a string fall featherlight on a thin surface...

A song to see...Rainbow-light grows into whispered words of a high-pitched rhapsody...

A song to see. All is Rhythm All is Sound All is music

Jumpers, 2023, Oil on canvas 80x90,

The Breathing, 2019, Oil on canvas 100x90

Taryn Jahme www.tarynj.art

Swanky, eccentric, and original – three adjectives to best describe the artwork of the English artist Taryn Jahme, which is rich in vibrant colours, playful themes, and abstract compositions of flowers, animals, and geometric shapes. Above all else, Taryn paints very special teapots capturing historical moments from places all over the world.

Painted with Winsor & Newton oils and 24-carat gold leaf, Taryn’s artwork derives its inspiration from her childhood experiences and her collection of paintings. Taryn grew-up on a tea farm where she learned all about the beauty of tea and started creating artworks about it from the age of seven.

Exhibited on a shiny black background, Taryn’s work is prominent for its chromatic details and vivid depiction of glamour, elegance and delicate shapes, square, round and soft, with Pop-art themes and abstract compositions.

The real canvas for Taryn is the teapot itself, where the stories and subjects of all her paintings originate. She blends colours to create a synthetic experience, concrete and complete, reminding us of the importance of all events that bring people together, and the pretexts we use when we want to see those we love. Taryn captures this tradition with something very dear to her heart: a nice cup of tea.

”I feel that perhaps my intuition brought me to do these pieces of art from my deep passion for tea and how it brings people from all over the globe together, where enjoying tea is a ritual within millions of homes worldwide.”

Red Stallion, 2019, Oil on canvas & Gold leaf, 46x61 cm

Golden Vineyard, 2019, Oil on canvas & Gold leaf, 46 x61 cm

I discovered my passion for art at the tender age of 5 when I created my first painting. From that moment, I knew that being an artist was my calling, a decision I’ve never regretted. I earned my degree from the Kyiv Institute of Graphics and Printing and later pursued further studies at the Kyiv Academy of Arts and Architecture, all while actively contributing as an assistant to a set designer in the film industry.

Since 2016, I’ve embraced the life of a freelance artist in the Netherlands, operating from my personal studio. My artistic journey has seen me participate in more than 60 exhibitions and fairs, including 9 biennials. I’ve been honored with several awards that hold immense value for me.

I characterize my artistic style as ‘ultra-modern modern.’ It encapsulates the essence of Art Nouveau, with a focus on ornamentation, flowing lines, and curved shapes—elements that echo throughout my work. Dispensing with straight lines, each element seamlessly transitions into the next. I perceive our world as a vibrant tapestry of life, where elements are in perpetual motion, akin to the flowing waters of a stream. Every facet pulsates with life and rhythm. My artistic goal is to capture this dynamic essence—the living interaction of matter and light. Nature and its countless vital forces remain central to my artistic expression.

There is a perfect place for each of us, a place where we feel “at home”.

Your mind relaxes, feelings run high, and you find a way to express them without limitations. For me, that place is painting. Emotions and memories find their voice through colours. When I paint on commission, I love to get inspired by creating a work that resonates with the person who will buy it and the environment that will host its colours and material.

Rouge 1, 2021. Acrylic on canvas, 100x100

Turquoise Garden, 2023. Acrylic on canvas, 120x100

Tom Ashbourne SSC SCA OSA

“Memories of Sedona” is a powerful and evocative sculpture that appeals to the sleeping power of mountains as old as the earth itself. This sculpture was inspired by an indelible memory of stunningly beautiful cliffs that all that but overwhelmed my senses as our helicopter swooped across their ancient faces.

”Love You Forever” is a delicately beautiful sculpture in translucent alabaster. It glows with an inner radiance when light shines through it, just as we glow in the presence of those we love. It has a quiet voice, waiting to be noticed. Once you connect with its understated joy, you want to love it forever.

Memories of Sedona; wonderstone, granite base;

Love You Forever; alabaster, marble base; 16 x 7 x 5” (2024)

Torhild Frøydis Eid

froeydisart.no

« The Promised Land», 2023, Acrylic, mixed media, 100x70 cm

« I am close to You», 2023, Acrylic, mixed media, 80x60 cm

As a surreal portrait artist, I use watercolor to create paintings that merge symbols and vibrant colors, inviting you into a new world filled with light and life. Through these elements, I communicate universal stories that resonate within your subconscious, connecting you with the divine and the eternal. My art offers an alternative view of the world that inspires you to explore more profound levels of consciousness and rediscover human divinity.

The female figure, central in my works, symbolizes life, maternity, creativity, resilience, and love. She represents Mother Earth, embodying love and respect for everything around us, including nature and the urban environment, which deserve our care to create a more loving and just world.

My colors convey energy and emotion, using a mix of cold and warm tones to symbolize the connection between heaven and earth and arouse emotions.

The integration of the female figure into the architecture in my paintings indicates the fusion between humans and their creations, highlighting the often-unrecognized female influence in shaping our world. Through my art, I aim to capture the beauty of the universe and the human experience, prompting reflection on our interaction with the environment and the importance of preserving the natural and cultural beauty surrounding us.

Classical building, Gran Via, Madrid_ watercolor on 640 gr paper_53 x 60 cm

Trude Kjølen

My name is Trude Kjølen, born in Norway.

I am a painter. I manly do abstract paintings. My Art is often spiritual, and I only paint based on my feelings, thoughts and sometimes dreams.

I have studied art in Norway when I was young, and I had a close family friend that was an artist, that supported my dream of becoming a painter/artist. One of my teachers was Bruce Naigls, a sculptor, that I still keep in contact with.

At the age of 16, our artist friend died, and I had no support anymore from my family to keep doing art, so I destroyed all my work, and stopped doing anything related to art for the next 19 years.

After having told this story to my son, 3 years ago, he bought me a small painting set, and some canvases for Christmas, and urged me to start painting again. I did, and after a few months, I meet a Norwegian Actor and painter Jarl Goli, that urged me to exhibit my work.

So, with the help and support of my husband and Jarl Goli, we established a small gallery in our house, and had the first showing of my works, summer of 2022.

I have my works on display in New York, Tokyo, Venice, Rome and London.

I am proud to inform you, that one of my works will be on display in the Mondern art museum in Barcelona this coming fall.

Ursa Schoepper

Nothing is as it seems at first sight, everything is in process and thus in change.

A digital photography is a light picture and a data image, an icon, a foil of a pictorial perception. Photography is material of different substances. That always means something provisional.

In order to arrive at new points of view, it sometimes helps to destroy familiar ways of seeing in the figurative sense. For me as an artist, for example, I am destroying a previously recorded photographic image through transformation, that is, through a new algorithmic order structure, in order to arrive at a new order of sight and perspective after a new order.

The beauty of the world, its inherent formal order, makes me search for the formula of its perfection. Is it the synergy of their inner order? Is it the irrational that is in every reality? I would like to find out.

Just as different patterns of perception can arise through choreography in dance, as an artist I can reconfigure the seemingly fixed worlds of a photographic reality.

I am developing autonomous artworks that exist as a virtual reality in a realistic photography. It is a transformation of real objects into abstract objects, the transformation of the concrete image into an abstract artwork, an abstract autonomous photographic artwork. My experimental digital fine art photography is a metaphor of processual change. © Ursa Schoepper

Farbraster,2023,Pigmentprint on Aludibond with Shadow gap, 50 x 75 cm

Varda Breger

I deal in my paintings and poems (in Hebrew & English) with ecology and social life on our vulnerable planet. I use acrylic mixed media, transparent, and opaque, mainly on paper.

Streams of spontaneous running paint cages a blurred deer, rudely trod upon by my shoe or a car tire. An elephant with a broken task appears out of chaos. An abused nude body of a woman, her head hidden with a fig leaf, a knife, and a fork beside her to remind us of murder in the family. The threat of nuclear weapons is always on my mind (MSc. Chemistry). The atrocities and the cruel war in my own country, in Ukraine, and in other places drive me to act for Peace with my humble tools.

Inspired by staying in Hula Valley, where millions of birds pass to feed and rest, I wrote:

FOLLY WARS- Migrating birds, from north to south and back, season after season, millions of miles. Each flap of wings supports the bird behind. Fugitives of hunger and frost, not folly wars. Mysterious migration, Following a map of stars at night, the sun’s compass during daylight. No fuel, no flag, no borders, No God. Caressing the planet fraternity of feathers.

I believe that all the planet’s inhabitants are part of a chain, linked together, and We Humans have the task of keeping the future of our unique home- a planet of life.

HEDGEHOG ENDmixed media on paper,70x50,2023

Vasile Stefanoiu

Vasile Stefanoiu is a Romanian sculptor who through his sculptures conveys new messages with established techniques, moving from form to content, becoming an ideational art in which the concept takes precedence.

His credo is: art must have a message. His sculptures are dynamic, the theme of movement has appeared repeatedly in his recent works.

In some of his sculptures, he brings back the legends of Greek mythology (abandoned since Auguste Rodin) and places them in different contexts, suggesting movement in metamorphosis, to create a way of seeing again in modern times. The materials in which he sculpts are diverse: stone, marble, wood and stainless steel.

He participated in numerous art exhibitions, solo or group, online, in the USA, Canada, Italy, but also physically, with sculptures at the Art Biennale in Florence (2021 and 2023) or San Remo Biennale in 2023.

Prizes:

- The Harmony for Humanity: The Global Consciousness Art Prize! “offered by Contemporary Art Collectors.

- “Career Art Award 2023” in Sanremo, Italy;

- The “International Prize Michelangelo The Genius of Italy” award in Rome 2023;

- “The STARS OF ART AND MARKET” award, in Rome 2023;

- “TOP ARTISTS - The Protagonists of Contemporary Art” Award 2023, in Venice, Italy;.

- “International Prize Leonardo Da Vinci” 2023 - Milan Italy;

- “Artist of the Year 2022” award at the Artavita Gallery competition in Santa Barbara;

- Numerous “Honorable Mentions” and “Talent prize awards”, granted by art galleries.

The new Aphrodite, 2023, marble, WidthxHeightxDepth: 27x64x19 cm

Cohen

Wendy Cohen’s practice focuses on the relationship between shapes, lines, forms, and colors in natural and urban environments communicated in an abstract language. Everything, in reality, is a conglomeration of these elements, and by integrating shapes into a cohesive body of colors and forms in conjunction with collage materials, Wendy aims to convey her own poetry and harmonious rhythm to her paintings, developing playful imagery with an emotive and inventive sensibility. With a sense of curiosity, exploration, and discovery, a lyrical genre is created that results in spontaneous mark-making as well as the exciting interplay between the shapes and forms imbued with the ebb and flow of textured brushstrokes and the alchemy of a variation of colors. Observation, intuition and imagination are key to her process as she responds to the interconnectedness of the world, but most importantly Wendy welcomes the viewer to participate in the wonderment of her paintings translated onto the canvas with the rhythm of a musical genre

Sonic Blue Hue Waves, 2024. Acrylic on board, 30cm x 30cm

Flows of Bows, 2024. Acrylic on board, 30cm x 30cm

My work is very important to me and I use art to express my spirituality, physical state and make sense of my thoughts and emotions, I prefer to paint than to speak and I never plan any pieces to make sure I only use my intuition.

When I paint I feel I’m connecting to my higher self and I channel those messages on the canvas. The synchronicities collection is based on those subtle nudges from the universe that we often call coincidences but can often feel like something more, experiencing the interconnectedness of all things

I use paint and colour to alchemise pain into beauty, hope and happiness and I hope this translates to the viewer in some way because theres always something good that comes out of darkness.

777, 2023. Mixed media on canvas, 120 x 100 cm

444, 2023. Mixed media on canvas, 100 x 100 cm

Today, human beings are on the eve of the outbreak of powerful artificial intelligence. People’s emotions and thinking are becoming more and more chaotic, and everything is in a state of high uncertainty. In order to cope with today’s difficulties, I think it is very necessary to continue to expand art, because art has always provided important enlightenment, value support and indispensable energy for the survival of human civilization. Image art is irreplaceable. It has a wider expression space than text language, which is why I chose to engage in image creation.

My hand-painted works are mainly imaginative paintings painted with Chinese ink materials. Most of the landscape materials in my work come from the southern coastal areas of China, where I have lived for a long time. There are not only traces of local ancient culture, but also more modern European cultural factors. It looks colorful and strange, suitable for painting. The reason why I chose “ink painting” is that I find that my temperament is somewhat similar to the nature of “ink painting”, and “ink painting” can become a manifestation of my “free will”.

In the painting experiment, I accidentally broke into a strange field, where there was an unspeakable combination of beauty, metaphor and implied. When painting, I always feel rich fun, contradiction or self-consistent experience and pure faith.

Thank you to the Creator!

Buddha bed, 2023. Cloth ink, 99cmX99cm

Double cat double bird picture, 2023. Cloth ink, 99cmX99cm

Youri Messen-Jaschin

Youri Messen-Jaschin studied Fine art at the École nationale supérieure des Beaux-Arts. Youri spent four years in Paris. He then returned to Lausanne where he attended the École des Beaux-Arts. Another scholarship was awarded 1967, and studied University of Gothenburg.

Op Art stages optical illusions. It’s mathematical; everything is designed, down to hundredths of a millimeter, to mislead the viewer’s eyes into making their brain detect something that doesn’t exist. Accomplished works of Op Art require an astonishing mastery of freehand working. Youri Messen-Jaschin has huge reserves of talent. This is amply illustrated by viewing one of his works of art intently, whether sitting or standing in front of it. Then the world turns upside down, sometimes very swiftly! Some viewers are simply impressed by the patience the artist must have exercised to invent these infinite. Youri pushes the limits of the human retina and the healthy mind. He explains: “I calculate each line so that the distances between them, or their thicknesses, create an illusion. Similarly, superimposing different interlocking frameworks, first in black and white and then in color, creates the illusion of movement.

Won a variety of international prizes and is featured on the walls of museums at home in Switzerland such as Popa in Porrentruy, Kunsthaus Zürich, Cabinet des estampes in Geneva – and museums abroad such as Sakima Art Museum in Okinawa Prefecture and Ino-cho Paper Museum in Kochi-Ken, Japan, plus Angel Orensanz Foundation and Center for the Arts in New York, etc.

Nina Brissot

Gaia | oil painting | linen canvas | circle = 160 cm

Crystal Gold Drop

© 2024, Contemporary Art Collectors Magazine. All rights reserved.

No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

The contents of this magazine, including text, graphics, photos, and other material are protected by copyright and are intended solely for the personal non-commercial use of our readers. The artworks and articles published in this magazine represent the views and opinions of the respective authors and artists and do not necessarily reflect those of the publisher or editorial staff.

Any unauthorized use of material from this publication may be subject to legal action. www.contemporary-art-collectors.com

Artwork by Mitchell Gibson, “Woman 146”.