Tuttobene - Milan Design Week 2008

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focus!

tuttobene during Salone Internazionale del Mobile di Milano 2008

designers

Experimenta o Campo

Britta Teleman

FLOCKS

Studio Friso

Studio Vonk &

janneke hooyman

jeroen wesselink

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Studio MDFD

stephan siepermann

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Groene Honden

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39

bok.

April 16 – 21 daily 10.00-20.00 thur 17, 10.00-16.00

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Stazione Porta Genova

BLAOWWW

KREJCI

elsinga design

WEMADE

Celia Suzanne Sluijter

Alon Alex Gross

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Via Vigevano

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Tuttobene Milan 2008

Tuttobene Milan 2008

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Editorial

wild design needs strong focus!

contents

David Heldt

Tuttobene’s fifth anniversary! Five years ago Tuttobene was formed by a group of young designers that joined forces in order to keep costs low and approach a larger audience. And basically this is still the case, as there is a demand for a platform for starting design studios. Designers seem to find us easier as Tuttobene’s reputation is growing. While making the selection it was clear that the focus on quality became stronger.

This shows in our presentation!

FOCUS! is what we do this year, not only on our social or sustainable criteria, but also on what the designers come for: doing business. Thanks to the financial support from the EVD (Dutch Agency for International Business and Cooperation) we have organised a Network Cocktail / Dinner. Specifically invited guests from the design industry will meet the designers in an exclusive setting. Hotel Artemis from Amsterdam will make sure everyone will enjoy a great dinner. Networking is an important element for this presentation and is literally integrated in the design of this newspaper, greatly visualised by the graphic designers EsmĂŠe Steur en Loes van Esch.

As you might have noticed, sustainability has become a regular aspect within the design process to deal with, whether it is for legal, idealistic or commercial reasons. It is been spread like a meme*, and as a result the amount of presentations in Milan that promote sustainable design increased. Will the

overall design industry adopt the sustainable trend? Will the commercial interests be still attractive?

What else can you expect at our show this year? • Check out Tuttobene’s underground satellite presentation Focus on Nature in Tuttobene’s wild design jungle, lobby of the Nhow Hotel (see page 53). • Participate for 30 minutes in the SmallSpaceDesignRace design competition (2nd edition) powered by Ahrend (see page 20). • We launch our new design web-shop www.tuttobenedesignshop.com; upload your designs and sell your work worldwide (see page 43). • The Tuttobene Collection expands with a new product: Pit Industry, a glass house designed by Jana Flohr & Frederike Top, the winners of the competition SmallSpaceDesignRace (1st edition) during the Dutch Design Week, Eindhoven (see page 21).

Tuttobene realises the important duty of inspiring the industry with socially, environmentally and commercial sound concepts, whilst functioning as a bridge between young designers and the production and retail industry. Come to Tuttobene’s presentation and see if we succeed!

* A meme is cultural information, such as a practice or idea, that gets transmitted (like a virus!) verbally or by repeated action from one mind to another. en.wikipedia.org/wiki/Meme

new new w e n

tuttobene design shop "U 5VUUPCFOF %FTJHO 4IPQ ZPV DBO mOE RVBMJUZ QSPEVDUT DSFBUFE CZ EFTJHOFST UIBU FNCSBDF TVTUBJOBCJMJUZ *U CSJOHT UPHFUIFS QFPQMF UIBU FOKPZ VOJRVF BOE JOUFSFTUJOH QSPEVDUT BOE EFTJHOFST UIBU XBOU UP NBLF UIFJS EFTJHOT BWBJMBCMF UP BO BVEJFODF UIBU BQQSFDJBUFT UIF BEEFE WBMVF PG TVTUBJOBCMF EFTJHO are you a designer? you can sell your designs at www.tuttobenedesignshoP.com.

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Floorplan Evelien Tahoua Import Elena Khurtova Design Studio Carola Zee Blaowww Krejci Elsinga Design WEMADE Editorial: Bridging Visionary Design Celia Suzanne Sluijter Alon Alex Gross Bok. Groene Honden Studio MDFD The Tuttobene Collection SmallSpaceDesignRace Stephan Siepermann Jeroen Wesselink Studio Vonk & Janneke Hooyman StudioFriso Flocks Britta Teleman Experimenta o Campo Focus! make-a-match Editorial: Empty beer bottles create design opportunity Tuttobene Opening Party Focus on Nature in Tuttobene’s wild design jungle Tuttobene Reprise ‘08

sponsOrs & partners

4 6 / 51 7 / 50 8 / 49 9 / 48 10 / 47 11 / 46 12 / 45 13 / 44 14 15 / 42 16 / 41 17 / 40 18 / 39 19 / 38 20 21 22 / 35 23 / 34 24 / 33 25 / 32 26 / 31 27 / 30 28 / 29 36

www.evd.nl

www.mondriaanstichting.nl

37 43 53 53

www.ahrend.nl

colophon Tuttobene Tweede Atjehstraat 60hs 1094 LK Amsterdam The Netherlands www.tuttobene.nl Telephone: +31 (0)20 6685505 Mobile: +31 615510727 Fax: +31 (0)20 4633555 Organisation Tuttobene Board members David Heldt Victor le Noble Silke Spinner Tuttobene Teammembers Corporate Identity Lesley Moore Website Bethuel Heldt / 1site1 Production Assistant Sarah Sandler Matchmaking Link2Italy & Pressreleaseundercover

www.nhow-hotels.com

Tuttobene Newspaper Editor David Heldt Graphic Design Loes van Esch en EsmÊe Steur (graduate students from ArtEZ Arnhem Academy of Visual Arts) Printed by Dijkman Offset Š Tuttobene 2008 All rights reserved. Copyrights on the photographs, illustrations, drawings and written material in this publication are owned by the respective photographer(s), the designer(s) and the author(s). No part of this publication may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without permission from the publisher and designers, photographers and authors involved.

www.duvel.be

www.defietsfabriek.nl

www.artemisamsterdam.com

you create your own account and uPload your designs. we take care of marketing and sales, you do the shiPPing!

FOCUS!

www.interieurinstituut.nl

FOCUS!

Tuttobene Milan 2008

Tuttobene Milan 2008

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-advertisement-

floorplan via mortara 15

TOILET

TOILET

TUTTOBENE BAR

CELIA SUZANNE SLUIJTER Nepal weaving social development nature

SMALLSPACE DESIGNRACE

BOK fantasy weaving garden furniture reusing

WEMADE craftspeople collaboration social development Indonesian

ELSINGA DESIGN smile narrative living room express

KREJCI attitude fashion item urban recycling BLAOWWW nature living room digital communication DESIGN STUDIO CAROLA ZEE craftmanship ceramic social development China ELENA KHURTOVA ceramic relationship interaction emotional TAHOUA IMPORT weaving collaboration social development Niger EVELIEN narrative living room nature future

ALON ALEX GROSS technological possibilities social development portable

EXPERIMENTA O CAMPO weaving living room collaboration handmade

GROENE HONDEN narrative collaboration living room weaving

BRITTA TELEMAN portable fashion item environmental renewable FLOCKS living room weaving narrative origin

STUDIOFRISO adaptation garden furniture change surrounding STUDIO VONK & JANNEKE HOOYMAN weaving story collaboration reviving

STUDIO MDFD weaving living room lifetime flexible STEPHAN SIEPERMANN VORMGEVING narrative new applications nature high-end JEROEN WESSELINK techniques constructions narrative nature PRESS COUNTER / THE TUTTOBENE COLLECTION

VIA TORTONA 32 AHR_077_AD_DEF.indd 1

www.ahrend.com www.world-wide-working.com

11-03-2008 10:03:03

FOCUS!

–––––––––––––––– –––––––––––––––– “… as well as interior “… allowing a hot objects.” kitchen pot to come to the noble dinner ceremony.”

Experimenta o Campo.

FLOCKS, page 26 page 28 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

Studio: Dordrecht, The Netherlands

–––––––––––––––– “glass vases, cupboard, carpet, seat objects, lamps, ...”

––––––––––––––– “Studio MDFD, develops multi-functional furniture that can be adapted to our everchanging needs,...”

BLAOWWW, page 10 Elsinga Design, page 12 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Hi, we are Happy Lamps, we light up your space, and maybe your heart!”

On this page: rayon de soleil Tavie offers a unique collection of decorative and functional products, originating from Northern Niger.

A Tavie product is made with passion and pride, using the age-old traditional technique of palm leaf weaving. Every Tavie product is unique, they are all hand crafted and of the highest quality.

Crafts are an immensely important

www.tavie.nl info@tavie.nl +31630698198

–––––––––––––––– “When used outside the patina will be an ongoing process resulting in a slow change of color and appearance.”

StudioFriso, page 32 ––––––––––––––––

nature

living room

–––––––––––––––– “The furniture is for interior and exterior use.”

–––––––––––––––– –––––––––––––––– “In the search for a stage “… a great story is the for his enormous fanstarting point.” tasy and enthusiasm…”

Studio Vonk & Janneke FLOCKS, page 26 Bok., page 40 Hooyman, page 24 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “She has a great interest in reconnecting end products to their raw materials.”

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Jeroen Wesselink, page 23 ––––––––––––––––

–––––––––––––––– “A collection of carpets is based on the waves of the sea the power of water, …”

–––––––––––––––– “... a surprising transformation of the used materials.”

Tahoua Import is a small Dutch import organisation that aims at improving the economic situation of its producers and their families in Niger. Therefore developing the skills of the people in Niger as well as introducing elements that go well with European trends has been necessary to ensure an effective and successful partnership.

Tahoua Import gives special support to large groups of women in the North of Niger. In addition to producers in Niger, producers in Mali and Burkina-Faso are also involved.

tahoua import Abke Geels Contact person: Cecile Meeuwsen

Britta Teleman, page 27 ––––––––––––––––

–––––––––––––––– “…made as environmentally friendly as possible.”

–––––––––––––––– “An atmospheric wall lamp using cast plastic leaves mounted to the wall in a branch shape.”

Stephan Siepermann, BLAOWWW, page 10 Celia Sluijter, page 15 Bok., page 40 page 35 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

–––––––––––––––– “As result, the beasts get something mythological.” Liesbeth Huizing

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Stephan Siepermann, Jeroen Wesselink, Elsinga Design, page 12 Groene Honden, page 39 page 35 page 23 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “… but there is definitely some ‘space’ to communicate ethical values and even political ideas.”

–––––––––––––––– “The product never goes without a user and it’s perceptions, or a surrounding and it’s conditions.”

StudioFriso, page 32 ––––––––––––––––

future

–––––––––––––––– “A product that is made to last a lifetime without ever looking dated is a truly sustainable product.”

Studio MDFD, page 19 ––––––––––––––––

narrative

–

Evelien

Tuttobene Milan 2008

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In 2008, Tahoua Import will expand its network to other European countries. source of income for the Touarag Tribes of Northern Niger. According to the UN, Niger is a forgotten country and the poorest of the world. Purchasing a Tavie product helps create a better economic situation for the almost 3.000 women who are united in the S.A.A., the local cooperation organising the production. The Tavie collection has given them new hope and vitality!

All the Tavie products are made of young leaves taken from the ‘Doum’ palm, a naturally ecological and sustainable material.

FOCUS!

PRESENTING AT TUTTOBENE - Rayon de Soleil - Points du Jour - Coucher de Soleil - La Cascade - Outre Mer - Le Petit Etang - La Boucle

–––

Image by Wilkins

Study: Technical University Delft Industrial Design

Tuttobene Milan 2008

tahoua import

Tuttobene Milan 2008

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FOCUS!

Studio: Rotterdam, The Netherlands Carola Zee is running her own design company since 2004, developing and producing ceramic products. She is working under her own label but also designs for other labels.

Her work in general stands out by her use of graphic decorations in the material and the form of the objects. Combining modern production techniques with craftsmanship.

“Due to mass production people get an overload on products and gadgets, that follow the

newest hypes, every season. Most consumer articles are cheap and easily replaceable. Which leads to more consumption and waste of materials. My personal goal is to create products that are beautiful, unique and can withstand time by giving them personal and exclusive qualities.”

On this page: MADE IN CHINA Made in China (November 2007) is Carola’s latest collection and was realised in Jingdezhen China.

The collection is presented with a book publication, which tells the story of the people behind the

production and shows the way they work. The vases are the end result of this collaboration and show the different techniques typical for this region of China.

Even with the big economical and industrial changes in China at the moment a lot of products here are still produced manually. These products are able to compete with the low prices of machine-produced products because of the low wages the Chinese craftsmen get paid. By creating this collection Carola wants to make consumers aware of the fact that most Chinese products

FOCUS!

www.carolazee.nl carola@carolazee.nl +31654325628

Design Studio Carola Zee and the people creating them are under valued. Through interviews and photographs she shows the amount of work and time that the craftsmen put in to the creation of this collection.

PRESENTING AT TUTTOBENE - Made in China - Archetype Big - Secondhand Painting ––– Image by Ingmar Swalue

Design Studio Carola Zee Carola Zee

–––––––––––––––– –––––––––––––––– “An attitude that “There is many ways wants you to talk back!” to make others smile, design is my way!”

–––––––––––––––– “Then there is the modest desire to express some positive ethical values with some designs.”

KREJCI, page 46 Elsinga Design, page 12 Elsinga Design, page 12 –––––––––––––––– –––––––––––––––– ––––––––––––––––

emotional

–––––––––––––––– “My work represents a world where simplicity sets the tone and a clear communication appears to the users…”

BLAOWWW, page 10 ––––––––––––––––

interaction

–––––––––––––––– “My work represents a world where simplicity sets the tone and a clear communication appears to the users…”

BLAOWWW, page 10 ––––––––––––––––

relationship

Design Studio Carola Zee, page 9 ––––––––––––––––

–––––––––––––––– “… developing and producing ceramic products.”

Elena Khurtova

ceramic

Study: Willem de Kooning Academy, Rotterdam

Tuttobene Milan 2008

BLAOWWW Budi Joseph

–––––––––––––––– “I am interested in the emotional meaning of things, I create new images that provoke thinking…”

Elena Khurtova,, page 49 ––––––––––––––––

Study: ArtEZ Arnhem Academy of Art and Design BLAOWWW is mainly working on self-initiated projects; projects concerning furniture and other interior products.

Although the designs seem to come from a child’s world, my interior products are developed for adults; products that are inspired by graphic digital images. Simplicity and humor, results in a world where there’s room for your own imagination.

FOCUS!

On this page: TREE SEATER This chair is inspired by a graphic digital image of a small tree. The height of this object will invite you to sit on it.

PRESENTING AT TUTTOBENE - Tree Seater - Coat Rack - Bearrug

–––

Image by Budi Joseph

KREJCI

–––––––––––––––– “Then there is the modest desire to express some positive ethical values with some designs.”

Elsinga Design, page 12 Elsinga Design, page 12 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “There are many ways to make others smile, design is my way!”

attitude

Studio: Zuthpen, The Netherlands

BLAOWWW

–––––––––––––––– “… by using or reusing existing products or materials in a different, smarter and funnier way.”

Bok., page 40 ––––––––––––––––

–––––––––––––––– “The design combines both natural and hightech materials (...) in reviving...”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

FOCUS!

–––––––––––––––– “He uses to upgrade common or unusual materials and parts into high-end...”

Stephan Siepermann, page 35 ––––––––––––––––

–––––––––––––––– “….all materials are renewable, recycled or organic and come together in a stylish product.”

Britta Teleman, page 27 ––––––––––––––––

FLOCKS, page 26 ––––––––––––––––

–––––––––––––––– “The main interest of FLOCKS is to show the origin of raw materials that are used…”

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recycled

Tuttobene Milan 2008

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–––––––––––––––– “The product never goes without a user and it’s perceptions, or a surrounding and it’s conditions.”

StudioFriso, page 32 ––––––––––––––––

urban

Britta Teleman, page 27 ––––––––––––––––

–––––––––––––––– “…and come together in a stylish product.”

fashion item

Contact person: Jimmy Joseph j.joseph9@upc.nl +316 22409488 My work represents a world where simplicity sets the tone and a clear communication appears to the users, both in form and function.

Tuttobene Milan 2008

Tuttobene Milan 2008

Tuttobene Milan 2008

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I like this space, and will explore it.

Using the insight that the light and the serious matters go hand in hand in life.

On this page: HAPPY LAMPS Hi, we are Happy Lamps, we light up your space, and maybe your heart! People love them, their moods are lifted. No seriously guys, that is thething. Making people feel good is giving something. The very fundament of being social. Though the lamps are not especially eco-friendly, they are certainly not especially unfriendly.

PRESENTING AT TUTTOBENE - Happy Lamps - Happy Pet - Rainbow Table / World Leader Table - Friendly Chair ––– Image by Mara Skujeniece

www.elsingadesign.com elsingadesign@gmail.com +31634270746

www.lidewij.net / www.rixxt.nl rixtreitsma@gmail.com +31619434948

Studio: Amsterdam, The Netherlands

Design is about objects and peoples feelings. I love it when someone sees my design and smiles, it’s that simple! There is many ways to make others smile, design is my way!

It is for me a way of giving a little bit of ‘love’, this while studying form, structure and meaning of objects.

Then there is the modest desire to express some positive ethical values with some designs. Designing a chair will not create worldwide peace, but there is definitely some ‘space’ to communicate ethical values and even political ideas.

Studio: Amsterdam, The Netherlands

Study: Design Academy, Eindhoven

LET’S FEEL GOOD! EXPRESS AND SHARE VALUES IF POSSIBLE!

Study: Rietveld Academie, Amsterdam (Reitsma) Design Academy, Eindhoven (Spitshuis)

elsinga design

FOCUS!

WEMADE is a project between two Dutch designers and Indonesian craftspeople who were victims of the Bantul earthquake 2006. Goal: to increase the economic independence of the local craftspeople.

Result: series of lifestyle products meant for export.

The designs are characterised by implicity and contain a spot of humour.

Rixxt: studio for concepts and product design. The designs are often inspired by graphic design and crafts. They are fresh, tactile and playful.

Lidewij: studio for graphics, animation and product design.

On this page: LISTRIK A hammered copper lamp with

perforated pattern and chrome finish on the outside. The pattern is based on Islamic motives, since a lot of Middle Eastern influences can be seen on Java.

PRESENTINg AT TUTTOBENE - Bambuster - Soupper - Constructors - Smocker Bag

FOCUS!

- Elephant Bag - Coco - Cocups - Roster - Shareware - Rajut - Small Accessories - Listrik ––– Image by Lidewij Spitshuis

WEMADE Rixt Reitsma & Lidewij Spitshuis

elsinga design Roel-Jan Elsinga

WEMADE

Tuttobene Milan 2008

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Editorial

Study: Academy of Fine Art Maastricht

bridging visionary design Luis Bohorquez

Studio: Amstedam, The Netherlands

Just imagine: you live in Holland, a country in the middle of Europe known for its clouds and rainy weather. But you designed a spectacular bed with an integrated cooling system, which ensures a sensational cool sleeping experience without the usual energy-consuming air conditioner.

It is a perfect solution for environment-conscious consumers in countries with a warm climate. People in such countries -a lot of them in the Spanish-speaking areas of the world- are a great potential market and an interesting business opportunity. How can we bring the two together?

FLOOV Visionary Design, launched during the month of Dutch Design in March 2008, is a Madrid based online publication (www.floov.net) that wants to form a bridge between the non-Spanish-speaking with the Spanish-speaking world for products and ideas that promote sustainable design. How? Through articles, presentations and events it wants to link experts and leaders of the governmental, educational and business sectors on the one hand and the creative industry on the other. Many initiatives are developed in one part of the world, while there is a demand in interesting markets in Spain and Latin America.

Celia Suzanne Sluijter

Bohorquez wants to direct FLOOV at design students and researchers in a broad field: from architecture to industrial_graphic_interior design, crafts and engineering. He also wants to make Floov Visionary Design a platform for professionals and experts in all areas of design, R&D and business.

“I believe in exchanging knowledge and experience as the only way to create new business opportunities with a sustainable approach.”

Designing starts from an atmosphere, a history, a material or a technique. Design, pure and honest.

Fragile but strong in character forms the distinct signature noticeable in all designs. The focus lies on the purpose, the applicability of the object and the visual enrichment in form. Fare trade and proper design are no conflicting values. The studio supports different development projects. For this purpose the foundation Design 4 Development was founded in December 2007. The studio, specialises in custom-made designs and produces the home labels Celia Suzanne Sluijter and XO+; objects with an aim.

The website offers its content for free. The design of the web is fresh, clear, direct and collaborative to benefit the participants. “We hope to attract visionary experts and researchers, design academics and business man as well as governmental institutions to participate as providers of content or as sponsors. Also, we offer our platform to students to present their projects or to cooperate doing graphic content. This network of international contacts will be useful for everyone who promotes the value of innovation and visionary design.”

Bohorquez: “Don’t wait for the future; Visionary Design starts today.”

FOCUS!

On this page: SHADOW, L’ARBRE D’HIVER, WAVES ‘Thinking of Holland... ...with the voice of the water.’.* A collection of carpets is based on the waves of the sea, the power of water, the wind touching trees and the shadows playing on endless fields with northern lights and sailing clouds along the flat views of my country.

Tibetan wool and Nepal knots, silk, in raw and fine, with softening colours do bring a carpet to life.

Produced in Nepal based on old techniques and long traditions.

Being the first ‘Dutch’ designer to develop her own carpet collection,

Celia launched the Tapis Jardin collection in 2005 in co-operation with Nepal. The carpet production with a FAIR focus was a new way of thinking in ‘design‘ carpets.

The production company was founded and built up by a Tibetan refuge and is now in its second generation. The collection is supporting fair business improvement and the awareness of old techniques and natural materials. The business improvement has a social and poverty alleviation target.

FOCUS!

PRESENTING AT TUTTOBENE - Wallpaper towels (collection XO+) - Paperpillows (collection XO+) - Shadow (collection ‘Thinking of Holland...’)

- L’arbre d’ hiver (collection ‘Thinking of Holland...’)

- Waves (collection ‘Thinking of Holland...’) *Hendrik Marsman, Dutch Poet 1899-1940 ––– Images by Celia Suzanne Sluijter

Celia Suzanne Sluijter

FLOOV founder-director Luis Bohorquez: FLOOV Visionary Design promotes a new kind of thinking in the creative process. Why? “Today, people want the environmental impact to be important in the way products are designed.

For instance, they want to have information about the kind of materials that are used and what the impact can be on their health as well as on the environment.” And that means of course that the design process also has to take into account to control the social impact of the way the product is produced, distributed and sold. “I think a visionary designer needs to commit himself from the very beginning, to create a new generation of products that have their benefits for the environment and promote wellness and satisfaction with economic value and sustainable justice for the global society.”

www.celia.nl / www.xoplus.nl info@celia.nl +32473175844

www.floov.net

–––––––––––––––– “... new constructions and images he works with a variety of materials and techniques.”

Jeroen Wesselink, page 23 ––––––––––––––––

–––––––––––––––– “… make consumers aware of the fact that most (...) people creating them are under valued.”

Design Studio Carola Zee, page 9 ––––––––––––––––

–––––––––––––––– “Purchasing a Tavie product helps create a better economic situation for the almost 3.000 women who..”

Tahoua Import, page 7 –––––––––––––––– Celia Sluijter, page 15 ––––––––––––––––

WEMADE, page 13 ––––––––––––––––

FOCUS! –––––––––––––––– “StudioFriso finds the adaptation of a product just as important as it’s function, appearance and cleverness.”

StudioFriso, page 32 ––––––––––––––––

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Stephan Siepermann, Jeroen Wesselink, Elsinga Design, page 12 Groene Honden, page 39 page 35 page 23 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Tibetan wool and Nepal knots, silk, in raw and fine (...) do bring a carpet to life.”

–––––––––––––––– “... made with passion and pride, using the ageold traditional technique of palm leaf weaving.”

–––––––––––––––– –––––––––––––––– “She has a great interest “… a great story is the in reconnecting end starting point.” products to their raw materials.”

Studio Vonk & Janneke FLOCKS, page 26 Hooyman, page 24 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Fabrics are used in a totally different manner they were originally meant for.”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––––––––––––––– “…from weaving to basketry or tin work, in order to develop their material offer ...”

Experimoneta o Campo, FLOCKS, page 26 page 28 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Urchin’ is a handknitted woolen pouf…”

weaving

–––––––––––––––– “... a surprising transformation of the used materials.”

–––––––––––––––– “DeKast offers the possibility to display and combine a wide range of rich and decorative fabrics.”

Tahoua Import, page 7 Celia Sluijter, page 15 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The carpets are handmade, using leftover leather.”

Manon de Bruijn

Bok.

fantasy –––––––––––––––– “… but there is definitely some ‘space’ to communicate ethical values and even political ideas.”

–––––––––––––––– “… combines quality materials and construction to create products that will exist for another hundred year.”

Evelien, page 51 ––––––––––––––––

–––––––––––––––– “As result, the beasts get something mythological.” Liesbeth Huizing

–––––––––––––––– “When used outside the patina will be an ongoing process resulting in a slow change of color and appearance.“ StudioFriso, page 32 ––––––––––––––––

–––––––––––––––– “Searching for new applications, constructions and images he works with...”

Stephan Siepermann, page 35 ––––––––––––––––

FOCUS!

–––––––––––––––– “The design combines both natural and hightech materials (...) in reviving ...”

Studio Vonk & Janneke KREJCI, page 46 Hooyman, page 24 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The bags are made from recycled material in small social workplaces ...”

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Jeroen Wesselink, page 23 ––––––––––––––––

–––––––––––––––– “When used outside the patina will be an ongoing process resulting in a slow change of color and appearance.”

StudioFriso, page 32 ––––––––––––––––

–––––––––––––––– “He uses to upgrade common or unusual materials and parts into high-end ...”

Stephan Siepermann, page 35 ––––––––––––––––

–––––––––––––––– “… all materials are renewable, recycled or organic and come together in a stylish product.”

Britta Teleman, page 27 ––––––––––––––––

FLOCKS, page 26 ––––––––––––––––

–––––––––––––––– “The main interest of FLOCKS is to show the origin of raw materials that are used…”

reusing

–––––––––––––––– “An atmospheric wall lamp using cast plastic leaves mounted to the wall in a branch shape.”

Stephan Siepermann, Evelien, page 51 BLAOWWW, page 10 Celia Sluijter, page 15 page 35 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “A collection of carpets is based on the waves of the sea the power of water, …”

-page 17-

–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

Tuttobene Milan 2008

-page 16-

–––––––––––––––– “Respecting the work of nature while combining this with surprising solutions.”

garden furniture

–––––––––––––––– “That’s why Studio MDFD offers flexible furniture designs, which can be modified according to changing lifestyles.”

Studio MDFD, page 19 ––––––––––––––––

possibilities

Britta Teleman, page 27 ––––––––––––––––

–––––––––––––––– “As it comes flat-packed, transports are minimised too.”

portable

–––––––––––––––– “The business improvement has a social and poverty alleviation target.”

–––––––––––––––– “Goal: to increase the economic independence of the local craftspeople.”

social development

–––––––––––––––– “... new constructions and images he works with a variety of materials and techniques.”

Jeroen Wesselink, page 23 ––––––––––––––––

–––––––––––––––– “… my interior products are developed for adults; products that are inspired by graphic digital images.”

BLAOWWW, page 10 ––––––––––––––––

technological

Alon Alex Gross

Tuttobene Milan 2008

–––––––––––––––– “... a surprising transformation of the used materials.”

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Stephan Siepermann, Jeroen Wesselink, Elsinga Design, page 12 page 35 page 23 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “… but there is definitely some ‘space’ to communicate ethical values and even political ideas.”

Studio Vonk & Janneke FLOCKS, page 26 Bok., page 40 Hooyman, page 24 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “She has a great interest in reconnecting end products to their raw materials.”

FOCUS! –––––––––––––––– “Bok.HOSEPIPE furniture is a furniture concept made of old and new hosepipes.”

–––––––––––––––– “Tibetan wool and Nepal knots, silk, in raw and fine (...) do bring a carpet to life.”

–––––––––––––––– “... an artistic residence that seeks the development of new designs for artisans…”

Experimenta o Campo, page 28 ––––––––––––––––

–––––––––––––––– “DeKast offers the possibility to display and combine a wide range of rich and decorative fabrics.”

Tahoua Import, page 7 Celia Sluijter, page 15 Bok., page 40 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “... made with passion and pride, using the ageold traditional technique of palm leaf weaving.”

weaving

–––––––––––––––– “Our expertise is united in this project which will be the starting point...”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––––––––––––––– “WEMADE is a project between two Dutch designers and Indonesian craftspeople who were victims of ...”

Tahoua Import, page 7 WEMADE, page 13 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “… an effective and successful partnership.”

Studio MDFD Studio MDFD, develops multi-functional furniture that can be adapted to our ever-changing needs. People change, tastes change, and in the wake of this change most furniture is replaced, but in this process a lot of resources are wasted. That’s why Studio MDFD offers flexible furniture designs, which can be modified according to changing lifestyles.

The core structure of the furniture remains intact, while the general look and feel of a piece can be modified endlessly.

www.dekast.eu info@mdfd.nl +31628228408

Studio: Amsterdam, The Netherlands

Study: autodidact

–––––––––––––––– “… from weaving to basketry or tin work, in order to develop their material offer ...”

Experimoneta o Campo, FLOCKS, page 26 page 28 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Urchin’ is a handknitted woolen pouf …”

Tuttobene Milan 2008

-page 18-page 19-

Studio MDFD furniture will last a lifetime of change. It is this unique design characteristic which makes Studio MDFD a sustainable design practice. provides a growing collection of exclusive fabrics for use on the front panels of DeKast.

On this page: DeKast DeKast is a modular shelving system, which can be designed and assembled according to your personal taste and specific needs. DeKast offers the possibility to display and combine a wide range of rich and decorative fabrics. Studio MDFD

The structure of the DeKast shelving system is made from high quality, long lasting plywood. Fabrics such as cotton and wool are the basic materials used to give DeKast its unique finish.

DeKast appeals to our creativity.

DeKast invites its owner to change its look, simply by altering the composition of the structure, and

FOCUS!

PRESENTING AT TUTTOBENE - DeKast

–––

Image by Ralph Kamena

Studio MDFD Michel Doyer

–––––––––––––––– “Fabrics are used in a totally different manner they were originally meant for.”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

collaboration

–––––––––––––––– “… combines quality materials and construction to create products that will exist for another hundred year.”

Evelien, page 51 ––––––––––––––––

–––––––––––––––– –––––––––––––––– “In the search for a stage “… a great story is the for his enormous fanstarting point.” tasy and enthusiasm,…”

–––––––––––––––– –––––––––––––––– “… as well as interior “… allowing a hot objects.” kitchen pot to come to the noble dinner ceremony.”

Experimenta o Campo.

FLOCKS, page 26 page 28 –––––––––––––––– ––––––––––––––––

narrative

–––––––––––––––– “Hi, we are Happy Lamps, we light up your space, and maybe your heart!”

–––––––––––––––– “Studio MDFD, develops multi-functional furniture that can be adapted to our everchanging needs,...“ BLAOWWW, page 10 Elsinga Design, page 12 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

living room

–––––––––––––––– “This piece of furniture is because of its efficient use of materials highly environmentally conscious.”

Evelien, page 51 ––––––––––––––––

Groene Honden

Tuttobene Milan 2008

replacing the fabric mounted front panels. This creates a strong relationship between DeKast and its user. A product that is made to last a lifetime without ever looking dated is a truly sustainable product.

Tuttobene Milan 2008

Tuttobene Milan 2008

-page 20-

-page 21-

the tuttobene collection

small space design race

/&8

GSPN UIF XJOOFST PG UIF mSTU FEJUJPO PG UIF 4NBMM4QBDF%FTJHO3BDF UIBU XBT IFME EVSJOH UIF %VUDI %FTJHO 8FFL JO &JOEIPWFO

)PMZ )PNFT 'SFEFSJL 3PJKš

1JU *OEVTUSZ +BOB 'MPIS 'SFEFSJLF 5PQ

4QPOTPSFE CZ

4NBMM4QBDF TUVEJP EFTJHO CZ $IBOUBM WBO )FFTXJKL swijk.nl

antalvanhee

www.ikbench

/% &%*5*0/

%VUDI 8PPE -PUUF WBO -BBUVN

Pit industry together with holy homes from frederik roijĂŠ and dutch wood from lotte van laatum will be Presented and sold at the tuttobene Presentation in milan.

%SPQ UIF TFFET PS QJUT UISPVHI UIF DIJNOFZ BOE UIF TVO BOE TPNF XBUFS XJMM EP UIF SFTU %FTJHOFE CZ +BOB 'MPIS 'SFEFSJLF 5PQ GPS 5VUUPCFOF

" IJHI TQFFE EFTJHO DPNQFUJUJPO UIBU BMMPXT ZPV UP EFTJHO B OFX QSPEVDU GPS 5VUUPCFOF T $PMMFDUJPO :PV HFU NJOVUFT UP XPSL PVU ZPVS JEFB CBTFE VQPO PVS CSJFmOH *G ZPV XJO ZPV SFDFJWF â‚Ź QSJ[F NPOFZ BOE XF XJMM EFWFMPQ ZPVS JEFB UP CFDPNF UIF OFXFTU BEEJUJPO UP UIF 5VUUPCFOF $PMMFDUJPO

01&/ 50 &7&3:0/&

tuttobene Presentation via mortara 15 milan www.tuttobene.nl

Where? at the tuttobene Presentation in Via mortara 15, milano

When?

Wednesday aPril 16 - sunday aPril 20 all days from 10.00 am untill 20.00 Pm

1JU *OEVTUSZ B IBOE CMPXO HMBTT IPVTF GPS ZPVS XJOEPX TJMM

The leading magazine for architects and interior designers

de Architect Jaargang 38, Sdu Uitgevers, januari 2007

1

Architectuur en bouwen | Interview met Antony Vidler Instituut voor Beeld en Geluid in Hilversum Caballero Fabriek in Den Haag | Licht en architectuur

de Architect interieur Jaargang 38, Sdu Uitgevers, november 2007

Lensvelt de Architect Interieurprijs 2007

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Jaargang 38, Sdu Uitgevers, mei 2007

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Architectuur en infrastructuur | Interview met Don Murphy Architectuurfaculteit in New York door Steven Holl Selexyz boekwinkels door Merkx + Girod | Tafuri rivisited

de Architect

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Leren van Ridderkerk | Sejima in Almere 7/8 FiftyTwoDegrees door Mecanoo Interview met Paul Meurs | Woning van Fabio Novembre

de Architect Jaargang 38, Sdu Uitgevers, april 2007

Bloeiende architectuur in ZĂźrich | Theater in Lelystad Metzo College in Doetinchem | Interview met Olafur Eliasson Jaargang 38, Sdu Uitgevers, mei 2007 Woonhuizen in het landschap | Bibliotheek Roosendaal 5

de Architect Vernieuwing van de naoorlogse stad | Nesciobrug Amsterdam Universiteitsbibliotheek door atelier PRO Interview met David Banister | Loft nieuwe stijl in Gent

Collectieve woningbouw | Stadsarchief in Amsterdam Interview met Elma van Boxel en Kristian Koreman Werkgebouw op voormalig kraanspoor | Media-interieurs

Europese aanbestedingen | Interview met Frits Palmboom Stedebouwkundige plannen voor Almere Hout Stationsplein in Groningen | Salone del Mobile in Milaan

Jaargang 38, Sdu Uitgevers, maart 2007

Jaargang 38, Sdu Uitgevers, maart 2007

de Architect interieur

de Architect Jaargang 38, Sdu Uitgevers, november 2007

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Jaargang 38, Sdu Uitgevers, juli - augustus 2007

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De transformatie van Londen | Interview met Robert Yaro Parkrandgebouw in Amsterdam door MVRDV TRUTEC Building in Seoul | Restaurant Puck / Pip in Den Haag

Architectuur en onderwijs | Het Nieuwe Leren | Brede scholen Opdrachtvormen | Leefklimaat | Corlaer College in Nijkerk Trias vmbo in Krommenie | Brede school in Utrecht

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Jaaroverzicht architectuur Nederland 2007

Jaargang 38, Sdu Uitgevers, december 2007

12 Jaargang 38, Sdu Uitgevers, september 2007

de Architect extra de Architect Jaargang 38, Sdu Uitgevers, december 2007

Architectuur en ethiek | Interview met Josep Acebillo Onderwijsgebouwen Universiteit Twente Museum door Peter Zumthor | Bar Black Pearl in Antwerpen

Studentenhuisvesting in Nederland | Interview met Ed Soja Huis voor Cultuur en Bestuur in Nijverdal Geotechnologie in Delft | Coffeeshop in Hoofddorp

Did you miss Humberto and Fernando Campana or Michael Braungart during our events? Visit www.deArchitect.nl, subscribe yourself and we keep you informed about our topics and events.

–––––––––––––––– –––––––––––––––– “In the search for a stage “… a great story is the for his enormous fanstarting point.” tasy and enthusiasm …”

Studio Vonk & Janneke FLOCKS, page 26 Bok., page 40 Hooyman, page 24 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “She has a great interest in reconnecting end products to their raw materials.”

FOCUS! –––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

–––––––––––––––– “A collection of carpets is based on the waves of the sea the power of water, …”

www.jeroenwesselink.nl info@jeroenwesselink.nl +31624992269

Studio: Utrecht, The Netherlands

–––––––––––––––– “When used outside the patina will be an ongoing process resulting in a slow change of color and appearance.“ StudioFriso, page 32 ––––––––––––––––

–––––––––––––––– “StudioFriso finds the adaptation of a product just as important as it’s function, appearance and cleverness.”

Studio Friso ––––––––––––––––

–––––––––––––––– “The furniture is for interior and exterior use.”

–––––––––––––––– “When used outside the patina will be an ongoing process resulting in a slow change of color and appearance.”

StudioFriso, page 32 ––––––––––––––––

Study: Design Academy, Eindhoven

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Jeroen Wesselink, page 23 ––––––––––––––––

nature

–––––––––––––––– “That’s why Studio MDFD offers flexible furniture designs, which can be modified according to changing ...”

Studio MDFD, page 19 ––––––––––––––––

Evelien, page 51 BLAOWWW, page 10 Celia Sluijter, page 15 Bok., page 40 –––––––––––––––– –––––––––––––––– –––––––––––––––– –––––––––––––––

–––––––––––––––– “Respecting the work of nature while combining this with surprising solutions“

–––––––––––––––– “... of objects and devices that highlight new possibilities and harbor new technologies.”

Alon Alex Gross, page 41 ––––––––––––––––

Tuttobene Milan 2008

-page 22-page 23-

jeroen wesselink Jeroen Wesselink graduated cum laude at the Design Academy Eindhoven in 2006. He started his own studio in Utrecht (The Netherlands) where he creates furniture concepts and interior products. Searching for new constructions and images he works with a variety of materials and techniques.

On this page: MY DEER Stool that you can hang upside down on a wall hook and becomes a deer head.

FOCUS!

PRESENTING AT TUTTOBENE - Swing stool - Floco - My deer - Saddle –––

Image by Jeroen Wesselink

jeroen wesselink

–––––––––––––––– “As result, the beasts get something mythological.” Liesbeth Huizing

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Jeroen Wesselink, Elsinga Design, page 12 Groene Honden, page 39 page 23 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “… but there is definitely some ‘space’ to communicate ethical values and even political ideas.”

FLOCKS, page 26 ––––––––––––––––

–––––––––––––––– “The main interest of FLOCKS is to show the origin of raw materials that are used …”

new applications

–––––––––––––––– “… combines quality materials and construction to create products that will exist for another hundred year.”

Evelien, page 51 ––––––––––––––––

–––––––––––––––– “….all materials are renewable, recycled or organic and come together in a stylish product.”

Britta Teleman, page 27 ––––––––––––––––

narrative

–––––––––––––––– “The design combines both natural and hightech materials (...) in reviving ...”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

high-end

–––––––––––––––– “… by using or reusing existing products or materials in a different, smarter and funnier way.”

KREJCI, page 46 Bok., page 40 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The bags are made from recycled material in small social workplaces ...”

Stephan siepermann

Tuttobene Milan 2008

Studio Vonk & janneke hooyman Janneke Hooyman & Petra Vonk Studio Petra Vonk produces innovative fabric design for interior and fashion. Our specialty is the synthesis of innovation and tradition in knitted fabrics.

Janneke Hooyman operates in a wide range of fields, from jewellery design up to interior design. The key of their activities is a conceptual approach to all projects: a great story is the starting point.

The recently established cooperation Vonk-Hooymans exists next to our activities as textile designer and product-interior designer. Our expertise is united in this project which will be the starting point for a whole new range of products, examining the possibilities of knits in product design.

On this page: Poof Stretch your knits to the max!

4 layers of knitted fabric shape the

FOCUS! pillows into this poof.

Fabrics are used in a totally different manner they were originally meant for. Delicate mohair combined with high-tech knitted elastics hooked to a robust steel base.

The design combines both natural and high-tech materials and is produced in the Netherlands which will result in reviving the local craft of knitting. We would like to make use of the remaining textile industry to produce and develop new utilisations in knitting, to retain and further explore this knowledge.

PRESENTING AT TUTTOBENE - Poof

–––

Image by Hooyman en Vonk

–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

–––––––––––––––– “Respecting the work of nature while combining this with surprising solutions ...“

Study: Design Academy, Eindhoven

FOCUS!

–––––––––––––––– “A product that is made to last a lifetime without ever looking dated is a truly sustainable product.”

Studio MDFD, page 19 ––––––––––––––––

–––––––––––––––– “With the main focus on interior and furniture design, Evelien designs the antique of the future.”

Evelien, page 51 ––––––––––––––––

–––––––––––––––– “KREJCI stands for strong, urban, high quality design with an attitude.”

Britta Teleman, page 27 KREJCI, page 46 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “…made as environmentally friendly as possible.”

surrounding

–––––––––––––––– – “Searching for new applications, constructions and images he works with...“ Stephan Siepermann, page 35 ––––––––––––––––

-page 25-

–––––––––––––––– “That’s why Studio MDFD offers flexible furniture designs, which can be modified according to changing ...”

Studio MDFD, page 19 ––––––––––––––––

Tuttobene Milan 2008

-page 24-

–––––––––––––––– “... of objects and devices that highlight new possibilities and harbor new technologies.”

Alon Alex Gross, page 41 ––––––––––––––––

change

–––––––––––––––– “The furniture is for interior and exterior use.”

–––––––––––––––– “An atmospheric wall lamp using cast plastic leaves mounted to the wall in a branch shape.”

Stephan Siepermann, Evelien, page 51 BLAOWWW, page 10 Celia Sluijter, page 15 Bok., page 40 page 35 –––––––––––––––– –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “A collection of carpets is based on the waves of the sea the power of water, …”

garden furniture

–––––––––––––––– “That’s why Studio MDFD offers flexible furniture designs, which can be modified according to changing ...”

Studio MDFD, page 19 ––––––––––––––––

–––––––––––––––– “... of objects and devices that highlight new possibilities and harbor new technologies.”

Alon Alex Gross, page 41 ––––––––––––––––

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Jeroen Wesselink, page 23 ––––––––––––––––

Studio: Amsterdam, The Netherlands

adaptation –––––––––––––––– – “Searching for new applications, constructions and images he works with ...”

Stephan Siepermann, page 35 ––––––––––––––––

Studio Vonk & janneke hooyman

studio friso

www.tjep.com / www.petravonk.nl jane@tjep.com +31624652993

Tuttobene Milan 2008

Tuttobene Milan 2008

Tuttobene Milan 2008

-page 26-

-page 27-

On this page: AND MY BABY GOES SO WELL WITH IT! ‘And my baby goes so well with it!’ is a lightweight Moses basket for when the baby is still too small for a bed. In response to the growing trend of sustainable parenting, all materials are renewable, recycled or organic and come together in a stylish product.

The starting point for this project

was to make a sustainable product for babies. Because baby products are becoming like status symbols, and parents want to show off their environmental awareness, this needs to show in the product.

I believe that the shorter the life of the product, the smaller the ecological footprint should be.

A Moses basket is only needed for a few months, and should therefore

be made as environmentally friendly as possible. As it comes flat-packed, transports are minimised too.

PRESENTING AT TUTTOBENE: - And my baby goes so well with it!

––– Image by Britta Teleman

www.theseflocks.com christien@theseflocks.com +31626540843

britta.teleman@gmail.com +32495182560

Studio: Brussels, Belgium

Studio: Rotterdam, The Netherlands

Study: Design Academy, Eindhoven

Britta Teleman studied traditional product design at Central Saint Martins in London, but soon found her way into a more concept-based design via internships with Front and Droog design.

She takes her starting points in themes or statements, such as ‘taboo’, ‘contour’ or ‘babies are accessories’. Sustainability is a given factor in everything she does.

Study: Central Saint Martins in London Product Design

Britta Teleman

Dutch designer Christien Meindertsma (1980) lives and works in Rotterdam. Under her own label FLOCKS she designs clothes as well as interior objects – cardigans knitted from the wool of a single sheep and rugs from a whole flock.

Her latest project is a photo book called PIG 05049, a catalogue showing all the products that are made from a single pig; from porcelain to bullets, from shampoo to

washing powder. She has a great interest in reconnecting end products to their raw materials.

On this page: URCHIN ‘Urchin’ is a hand-knitted woolen pouf, carrying an ID tag showing the breed of sheep that provided the wool. The Urchin pouf will be presented in a ‘flock’ of various sizes and colors.

The Urchins are part of a collection

FOCUS!

of products entitled FLOCKS. The main interest of FLOCKS is to show the origin of raw materials that are used as well as producing products as locally as possible. All FLOCKS products come with a passport showing a photograph of the sort of animal the product came from as well as information about where it was made. For example, the crossbred sheep that provide for the Urchin wool graze in open fields in

New Zealand. Once the sheep are shorn the wool is exported to the Netherlands where it is spun, dyed and hand-knitted.

Britta Teleman

FLOCKS Christien Meindertsma

FLOCKS PRESENTING AT TUTTOBENE - Urchin ––– Image by Bas Helbers

FOCUS!

FOCUS! –––––––––––––––– “Hi, we are Happy Lamps, we light up your space, and maybe your heart!”

–––––––––––––––– “glass vases, cupboard, carpet, seat objects, lamps, ...”

–––––––––––––––– “Studio MDFD, develops multi-functional furniture that can be adapted to our everchanging needs,...”

BLAOWWW, page 10 Elsinga Design, page 12 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

FLOCKS, page 26 ––––––––––––––––

–––––––––––––––– “… as well as interior objects.”

FOCUS!

–––––––––––––––– “Our expertise is united in this project which will be the starting point ...”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––––––––––––––– “Goal: to increase the economic independence of the local craftspeople.“

Design Studio Carola Zee, page 12 WEMADE, page 13 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Combining modern production techniques with craftsmanship.”

handmade

–––––––––––––––– “The strength of the ‘Groene Honden, Jong Ontwerp’ foundation lies in their interdisciplinary collaboration.”

Groene Honden, page 39 ––––––––––––––––

-page 29-

–––––––––––––––– “WEMADE is a project between two Dutch designers and Indonesian craftspeople who were victims of ...”

Tahoua Import, page 7 WEMADE, page 13 –––––––––––––––– ––––––––––––––––

Tuttobene Milan 2008

-page 28-

–––––––––––––––– “… an effective and successful partnership.“

collaboration

–––––––––––––––– “This piece of furniture is because of its efficient use of materials highly environmentally conscious.”

Evelien, page 51 ––––––––––––––––

FLOCKS, page 26 ––––––––––––––––

–––––––––––––––– – “Urchin’ is a handknitted woolen pouf…”

Image by Duarte Amaral Netto

living room

–––––––––––––––– “Fabrics are used in a totally different manner they were originally meant for.”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––

–––––––––––––––– “DeKast offers the possibility to display and combine a wide range of rich and decorative fabrics.”

Tahoua Import, page 7 Celia Sluijter, page 15 Bok., page 40 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The carpets are handmade, using leftover leather.”

Manon de Bruijn

Study: Escola Superior de Arte e Design das Caldas da Rainha

a traditional loom in a sustainable handmade process by female artisans. It makes use of handmade linen and felt, both natural materials and transformed in a sustainable manufacturing process with the objective of developing of the traditional arts and crafts.

–––––––––––––––– “Tibetan wool and Nepal knots, silk, in raw and fine (...) do bring a carpet to life.”

Studio: Sintra, Portugal

On this page: HOT POT BASE TOWEL Linen is a traditional noble towel material that breaks with the conventional by allowing a hot kitchen pot to come to the noble dinner ceremony.

This design is manufactured with

–––––––––––––––– “...made with passion and pride, using the ageold traditional technique of palm leaf weaving.”

–––––––––––––––– “Bok.HOSEPIPE furniture is a furniture concept made of old and new hosepipes. .”

diana.r.antunes@gmail.com brunommcarvalho@gmail.com maneletto@gmail.com / +351919975119

weaving

Experimenta o Campo

Experimenta o Campo Diana Antunes, Bruno Carvalho & Manuel Amaral Netto Experimenta o Campo is an artistic residence that seeks the development of new designs for artisans of different crafts, from weaving to basketry or tin work, in order to develop their material offer and its economic value.

Tuttobene Milan 2008

Experimenta o Campo PRESENTING AT TUTTOBENE - Hot pot base towel - Tie Individual

portable FOCUS! –––––––––––––––– “A product that is made to last a lifetime without ever looking dated is a truly sustainable product.”

Studio MDFD, page 19 ––––––––––––––––

–––––––––––––––– “The product never goes without a user and it’s perceptions, or a surrounding and it’s conditions.”

StudioFriso, page 32 ––––––––––––––––

FLOCKS, page 26 ––––––––––––––––

–––––––––––––––– “The main interest of FLOCKS is to show the origin of raw materials that are used …”

–––––––––––––––– “glass vases, cupboard, carpet, seat objects, lamps, ...”

FLOCKS

–––––––––––––––– –––––––––––––––– “In the search for a stage “… a great story is the for his enormous fanstarting point.” tasy and enthusiasm …”

–––––––––––––––– “… but there is definitely some ‘space’ to communicate ethical values and even political ideas.”

–––––––––––––––– “… combines quality materials and construction to create products that will exist for another hundred year.”

Evelien, page 51 ––––––––––––––––

FOCUS!

–––––––––––––––– “ … by using or reusing existing products or materials in a different,smarter and funnier way.”

KREJCI, page 46 Bok., page 40 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The bags are made from recycled material in small social workplaces ...”

Studio Vonk & Janneke Bok., page 40 Hooyman, page 24 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The design combines both natural and hightech materials (...) in reviving ...”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––––––––––––––– “He uses to upgrade common or unusual materials and parts into high-end...”

Stephan Siepermann, page 35 ––––––––––––––––

–––––––––––––––– “…. all materials are renewable, recycled or organic and come together in a stylish product.”

Britta Teleman, page 27 ––––––––––––––––

origin

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Stephan Siepermann, Jeroen Wesselink, Elsinga Design, page 12 Groene Honden, page 39 page 35 page 23 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

-page 31-

–––––––––––––––– “... a surprising transformation of the used materials.”

Tuttobene Milan 2008

-page 30-

–––––––––––––––– “As result, the beasts get something mythological.” Liesbeth Huizing

narrative

–––––––––––––––– “…from weaving to basketry or tin work, in order to develop their material offer ...”

Experimoneta o Campo, page 28 ––––––––––––––––

–––––––––––––––– “Fabrics are used in a totally different manner they were originally meant for.”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––––––––––––––– “DeKast offers the possibility to display and combine a wide range of rich and decorative fabrics.”

Tahoua Import, page 7 Celia Sluijter, page 15 Bok., page 40 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The carpets are handmade, using leftover leather.”

Manon de Bruijn

–––––––––––––––– “Tibetan wool and Nepal knots, silk, in raw and fine (...) do bring a carpet to life.”

–––––––––––––––– “Bok.HOSEPIPE furniture is a furniture concept made of old and new hosepipes ...”

–––––––––––––––– “… allowing a hot kitchen pot to come to the noble dinner ceremony.”

Experimenta o Campo. page 28 ––––––––––––––––

weaving

–––––––––––––––– “Hi, we are Happy Lamps, we light up your space, and maybe your heart!”

–––––––––––––––– “Studio MDFD develops multi-functional furniture that can be adapted to our everchanging needs ...“ BLAOWWW, page 10 Elsinga Design, page 12 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

living room

–––––––––––––––– “He uses to upgrade common or unusual materials and parts into high-end ...”

Stephan Siepermann, page 35 ––––––––––––––––

–––––––––––––––– “This piece of furniture is because of its efficient use of materials highly environmentally conscious.”

Evelien, page 51 ––––––––––––––––

–––––––––––––––– “The design combines both natural and hightech materials (...) in reviving ...”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––––––––––––––– “... made with passion and pride, using the ageold traditional technique of palm leaf weaving.”

–––––––––––––––– “ … by using or reusing existing products or materials in a different, smarter and funnier way.”

KREJCI, page 46 Bok., page 40 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The bags are made from recycled material in small social workplaces ...”

renewable

–––––––––––––––– “With the main focus on interior and furniture design, Evelien designs the antique of the future.”

Evelien, page 51 ––––––––––––––––

environmentally

–––––––––––––––– “... a shoulder bag from the classic tubus collection of KREJCI, an elegant, easy to use bag with a simple design.”

KREJCI, page 46 ––––––––––––––––

fashion item

Alon Alex Gross, page 41 ––––––––––––––––

–––––––––––––––– “The device could be positioned next to a window, rooftop or in the garden.”

Britta Teleman

Tuttobene Milan 2008

Studio Friso Friso Dijkstra

FOCUS!

coffee kiosks in parks. It uses an oxidisation process to give the product its distinctive color and to preserve the metal from corroding.

When used outside the patina will be an ongoing process resulting in a slow change of color and appearance. MonoChromes are made by a single material, a single technique and ‘finished-to-age’ in a single color.

–––

Image by Friso Dijkstra

Studio Vonk & janneke hooyman

PRESENTING AT TUTTOBENE - MonoChrome Sturdy - MonoChrome Ray - MonoChrome Atmosphere –––––––––––––––– “She has a great interest in reconnecting end products to their raw materials.”

FLOCKS, page 26 Bok., page 40 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “In the search for a stage for his enormous fantasy and enthusiasm …”

FOCUS!

–––––––––––––––– “… by using or reusing existing products or materials in a different, smarter and funnier way.”

KREJCI, page 46 Bok., page 40 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The bags are made from recycled material in small social workplaces ...”

–––––––––––––––– “...an artistic residence that seeks the development of new designs for artisans…”

Experimenta o Campo, page 28 ––––––––––––––––

–––––––––––––––– “He uses to upgrade common or unusual materials and parts into high-end...”

Stephan Siepermann, page 35 ––––––––––––––––

–––––––––––––––– “... all materials are renewable, recycled or organic and come together in a stylish product.”

Britta Teleman, page 27 ––––––––––––––––

FLOCKS, page 26 ––––––––––––––––

–––––––––––––––– “The main interest of FLOCKS is to show the origin of raw materials that are used …”

reviving

–––––––––––––––– “The strength of the ‘Groene Honden, Jong Ontwerp’ foundation lies in their interdisciplinary collaboration.”

Groene Honden, page 39 ––––––––––––––––

-page 33-

–––––––––––––––– “WEMADE is a project between two Dutch designers and Indonesian craftspeople who were victims of ...”

Tahoua Import, page 7 WEMADE, page 13 –––––––––––––––– ––––––––––––––––

Tuttobene Milan 2008

-page 32-

–––––––––––––––– “… an effective and successful partnership.”

collaboration

–––––––––––––––– “... a surprising transformation of the used materials.”

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Stephan Siepermann, Jeroen Wesselink, Groene Honden, page 39 page 35 page 23 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “As result, the beasts get something mythological.” Liesbeth Huizing

–––––––––––––––– “…, but there is definitely some ‘space’ to communicate ethical values and even political ideas.”

Elsinga Design, page 12 ––––––––––––––––

–––––––––––––––– “… combines quality materials and construction to create products that will exist for another hundred year.”

Evelien, page 51 ––––––––––––––––

story

–––––––––––––––– “…from weaving to basketry or tin work, in order to develop their material offer ...”

Experimoneta o Campo, FLOCKS, page 26 page 28 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Urchin’ is a handknitted woolen pouf…”

–––––––––––––––– “DeKast offers the possibility to display and combine a wide range of rich and decorative fabrics.”

Tahoua Import, page 7 Celia Sluijter, page 15 Bok., page 40 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

weaving –––––––––––––––– “The carpets are handmade, using leftover leather.”

Manon de Bruijn

Study: Design Academy, Eindhoven

On this page: MONOCHROME STURDY The MonoChrome Sturdy is made of two aluminum sand cast parts.

It is intended for the chair to look more faded by the oxidation process, which, over time, will take place naturally.

MonoChromes is a collection for out- en indoor use, inspired by garden furniture surrounding

–––––––––––––––– “Tibetan wool and Nepal knots, silk, in raw and fine (...) do bring a carpet to life.”

–––––––––––––––– “Bok.HOSEPIPE furniture is a furniture concept made of old and new hosepipes ...”

Studio: Amsterdam, The Netherlands

Studio Friso

–––––––––––––––– “... made with passion and pride, using the ageold traditional technique of palm leaf weaving.”

www.studio-friso.com info@studio-friso.com +31624552838 StudioFriso finds the adaptation of a product just as important as it’s function, appearance and cleverness. The product never goes without a user and it’s perceptions, or a surrounding and it’s conditions.

All these elements change rapidly under the influence of each other and make sure new products can be born.

Tuttobene Milan 2008

Stephan siepermann

techniques Alon Alex Gross, page 41 ––––––––––––––––

–––––––––––––––– “… and appreciate alternative ecological and technological ideas.”

FOCUS!

–––––––––––––––– “In the search for a stage for his enormous fantasy and enthusiasm …”

–––––––––––––––– “She has a great interest in reconnecting end products to their raw materials.”

–––––––––––––––– “…, but there is definitely some ‘space’ to communicate ethical values and even political ideas.”

Elsinga Design, page 12 ––––––––––––––––

–––––––––––––––– “...a surprising transformation of the used materials.”

On this page: LEAFT’ WALL LAMP An atmospheric wall lamp using cast plastic leafs mounted to the wall in a branch shape. Available with a different quantity of leaves.

The work of Stephan Siepermann can be often described as a surprising transformation of the used materials. He uses to upgrade common or unusual materials

Studio: Utrecht, The Netherlands

Stephan Siepermann, Groene Honden, page 39 page 35 FLOCKS, page 26 Bok., page 40 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “As result, the beasts get something mythological.” Liesbeth Huizing

Stephan Siepermann graduated at the Design Academy Eindhoven in 2005. He started his own studio in Utrecht (The Netherlands) where he creates furniture concepts and interior products. Searching for new applications, constructions and images he works with a variety of materials and techniques.

www.stephansiepermann.com info@stephansiepermann.com +31620440951

–––––––––––––––– “… combines quality materials and construction to create products that will exist for another hundred year.”

Evelien, page 51 ––––––––––––––––

–––––––––––––––– “The furniture is for interior and exterior use.”

narrative

–––––––––––––––– “A collection of carpets is based on the waves of the sea the power of water, …”

–––––––––––––––– “When used outside the patina will be an ongoing process resulting in a slow change of color and appearance.”

StudioFriso, page 32 ––––––––––––––––

–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

–––––––––––––––– “An atmospheric wall lamp using cast plastic leaves mounted to the wall in a branch shape.”

Stephan Siepermann, Evelien, page 51 BLAOWWW, page 10 Celia Sluijter, page 15 Bok., page 40 page 35 –––––––––––––––– –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Respecting the work of nature while combining this with surprising solutions“

nature

Alon Alex Gross, page 41 ––––––––––––––––

–––––––––––––––– “… and appreciate alternative ecological and technological ideas.”

–––––––––––––––– “… my interior products are developed for adults; products that are inspired by graphic digital images.”

BLAOWWW, page 10 ––––––––––––––––

constructions

–––––––––––––––– “… my interior products are developed for adults; products that are inspired by graphic digital images.”

BLAOWWW, page 10 ––––––––––––––––

jeroen wesselink

Tuttobene Milan 2008

-page 34-page 35-

and parts into high-end furniture components. By this he tries to keep them away from the cycles of re-cycling and down-cycling, the so called out-cycling.

- Leaft’ hanging Lamp - Leaft’ Wall lamp - Ript’ Chair and Ript’ Stool - A lamp - Accicandlelly

PRESENTING AT TUTTOBENE - Duct’ Chair - Kitt’ Stool - Kitt’ table –––

FOCUS!

Image by Stephan Siepermann

Study: Design Academy, Eindhoven

Tuttobene Milan 2008

STEPHAN siepermann

Tuttobene Milan 2008

Tuttobene Milan 2008

-page 36-

-page 37narrative narrative narrative narrative narrative narrative fantasy story ceramic ceramic living room living room living room living room living room living room living room nature nature nature nature nature garden furniture garden furniture recycled reusing reviving high-end renewable origin environmental surrounding urban future lifetime social development social development social development social development social development collaboration collaboration collaboration collaboration collaboration emotional interaction communication relationship attitude express smile Niger China Indonesian Nepal weaving weaving weaving weaving weaving weaving weaving weaving fashion item fashion item craftmanship craftspeople handmade possibilities new applications flexible change adaptation technological digital constructions techniques portable portable

EMPtY BEER BOTTLES CREATE DESIGN OPpORTUNITY Antonia Teatino & Fatina Saikaly

Design as a tool to tackle social and environmental degradation in public square, Milan.

Several public meeting areas in Milan are witnessing social and environmental degradation. It is a common problem for many metropolis.

The Colonne di San Lorenzo is one of such areas situated in Corso di Porta Ticinese in Milan; it has a strategic position that is easy to reach.

The area is a fashionable place where pubs, bars and restaurants surround a Roman monument consisting of ten columns in front of the Basilica di San Lorenzo.

In June last year the social and environmental degradation reached a critical point. The area residents complained about the hundreds of beverage bottles and glasses left and broken. The city mayor decided to implement several experimental measures to support the residents and protect the monumental site. For example; after 9:00 pm from the 6th of June to 31st of July all pubs and bars in the area were only allowed to sell drinks in plastic cups. Another measure involved closing the whole monumental area with metal barriers from 7:00 pm until 7:00 am.

Unfortunately, the mayor’s measures failed. Instead of resolving the problem frequent visitors to the area retaliated, organising several specific protests against the mayor’s decisions.

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“Beer Bottles nei luoghi pubblici” is an international design competition with the objective of developing independent creative solutions for the problem. All stakeholders representative of the phases in the product’s life cycle should form part of the solution. This includes; bars, pubs, beverages local tradesmen, beverages street traders, area residents, and the groups of consumers.

The design problem should be resolved from a sustainable point of view.

Designers are asked to develop creative solutions considering both minor environmental impact and major social appreciation and satisfaction.

All submitted projects will be included and discussed in a research report and published on the competition website www.o2italia.org.

The research and design competition are a collaboration between O2 Italia, the local Italian group of O2 Global Network and Co-Creando, a research and design consultancy based in Milan. The Design competition will be launched in April as part of ‘System Reload’ an event that will celebrate the 20th Anniversary of O2 Global Network. This event will occur during Milan Design Week in the Nhow Hotel in Via Tortona 35, with the jury members are experts in social and environmental sustainability.

The winner of the competition will be offered a free exhibition space and all the travel and journey expenses required to participate in Milan Design Week 2009.

antonia.teatino@o2italia.org fatina.saikaly@cocreando.it Image by Fatina Saikaly

Evelien

tahoua import

Elena Khurtova

Design Studio Carola Zee

BLAOWWW

KREJCI

elsinga design

WEMADE

Celia Suzanne Sluijter

Alon Alex Gross

bok.

Groene Honden

Studio MDFD

stephan siepermann

jeroen wesselink

Studio Vonk & janneke hooyman

Studio Friso

FLOCKS

Britta Teleman

Experimenta O CAMPO

make-amatch

Editorial

FOCUS! artemis_tutto.indd 1

07-03-2008 16:06:38

FOCUS!

Lola Hesp Lola Hesp is a conceptual designer who gets inspired by science, technology and people and the coherence between these factors.

This results in very different projects, from a tunnel lightning to a genetic research project. www.theselfishgene.nl

Manon de Bruijn For the collection of carpets ‘Os Elos’ I have designed a technique which allows the whole production process to be carried out by disabled people in Brazil to give them a better future.

The carpets are handmade, using leftover leather. There is no need for a sewing machine. www.manonjuliette.nl

Frederike Top Flown up is a series of lamps which make your mind wonder. Due to

FOCUS!

the lamps shapes and silhouettes they look as if they are blowing in the wind. www.frederiketop.nl

Suzanne Rietdijk The domestic tasks that we perform daily exist from tradition and habit.

By going back to the basic function in the product, the user’s initiative is stimulated again. The washing modules give the action back to the user. www.suzannerietdijk.nl

Roza Pelgrom With these blankets I create a landscape of thought. Fictional maps show you a new way of travelling.

They show memories, thoughts and sometimes the dreams that a person can have about a certain place. It has a lot to do with creating your own space, wherever you are. www.rozapelgrom.nl

Study: All presenting designers studied 3d-design at the HKU, Utrecht, The Netherlands

Groene Honden

Studio: Utrecht, The Netherlands

-page 39-

pers@groenehonden.nl +31620683687 Frederike Top +31641211742 Roza Pelgrom

Liesbeth Huizing I copy animals without them literally become a copy. As result, the beasts get something mythological. They are like statues, lifeless, being turned into a ‘thing’, a thing to use as a sitting element or a table. www.liesbethhuizing.nl

Lola Hesp The selfish gene project (7 lamps)

–––––––––––––––– “…from weaving to basketry or tin work, in order to develop their material offer ...”

Experimoneta o Campo, FLOCKS, page 26 page 28 –––––––––––––––– ––––––––––––––––

Jana Flohr Why can people get so emotionally attached to the seemingly useless things they surround themselves with? The true worth of things can only be defined by its value to each individual person. Is it possible to design an emotional attachment?

Can we design immaterial value? www.janaflohr.com

Suzanne Rietdijk Washing devices (2 books, miniature bath and washing bag)

Frederike Top Flown up (3 lamps) and 1 rosette

Jana Flohr Home is where the heart is (cupboard)

On this page: Rosalie Bak ‘My work deals with that what is

fragile and what needs to be healed.

Whether it is an actual product, a material or something random as a stain. Something to comfort you, or for you to comfort it.’ www.rosaliebak.nl

Rosalie Bak Dissection#1 (4 glass vases) and #2 (20 bandaged dolls)

Manon de Bruijn Feliz! (carpet)

–––––––––––––––– “The carpets are handmade, using leftover leather.”

Manon de Bruijn

The ‘Groene Honden, Jong Ontwerp’ foundation is a platform that has been established by recently graduated designers. The ‘Groene Honden’ (Green Dogs) joined forces to generate exposure for new Dutch design.

This platform aims to reintroduce creativity and playfulness into the Dutch design community by questioning all existing boundaries of ‘design’.

The strength of the ‘Groene Honden, Jong Ontwerp’ foundation lies in their interdisciplinary collaboration.

Sharing knowledge and experience makes it possible to achieve higher goals. The foundation is involved in a wide range of activities; from designing new products and organizing exhibitions to expose young design, to organizing lectures and design tours.

Liesbeth Huizing Beasts (seat objects)

Roza Pelgrom Map of thought (three blankets)

–––––––––––––––– “Urchin’ is a handknitted woolen pouf…”

–––––––––––––––– “Bok.HOSEPIPE furniture is a furniture concept made of old and new hosepipes ...”

–––––––––––––––– “Fabrics are used in a totally different manner they were originally meant for.”

Studio Vonk & Janneke Tahoua Import, page 7 Celia Sluijter, page 15 Bok., page 40 Groene Honden, page 39 Hooyman, page 24 –––––––––––––––– –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Tibetan wool and Nepal knots, silk, in raw and fine (...) do bring a carpet to life.”

weaving

Britta Teleman, page 27 ––––––––––––––––

–––––––––––––––– “… made as environmentally friendly as possible.”

Tuttobene Milan 2008

-page 38-

groene honden www.groenehonden.nl info@groenehonden.nl

–––––––––––––––– –––––––––––––––– “glass vases, cup“… as well as interior board, carpet, seat objects.” objects, lamps, ...”

lifetime

–––––––––––––––– “Hi, we are Happy Lamps, we light up your space, and maybe your heart!”

–––––––––––––––– “The product never goes without a user and it’s perceptions, or a surrounding and it’s conditions.”

StudioFriso, page 32 ––––––––––––––––

–––––––––––––––– “...made with passion and pride, using the ageold traditional technique of palm leaf weaving.”

–––––––––––––––– “StudioFriso finds the adaptation of a product just as important as it’s function, appearance and cleverness.”

StudioFriso, page 32 ––––––––––––––––

–––––––––––––––– “… allowing a hot kitchen pot to come to the noble dinner ceremony.”

Experimenta o Campo, BLAOWWW, page 10 Elsinga Design, page 12 Groene Honden, page 39 FLOCKS, page 26 page 28 –––––––––––––––– –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

–––––––––––––––– “With the main focus on interior and furniture design, Evelien designs the antique of the future.”

Evelien, page 51 ––––––––––––––––

–––––––––––––––– “This piece of furniture is because of its efficient use of materials highly environmentally conscious.“ Evelien, page 51 ––––––––––––––––

–––––––––––––––– “When used outside the patina will be an ongoing process resulting in a slow change of color and appearance.“ StudioFriso, page 32 ––––––––––––––––

living room

–––––––––––––––– “Searching for new applications, constructions and images he works with ...“ Stephan Siepermann, page 35 ––––––––––––––––

flexible

–––––––––––––––– “... of objects and devices that highlight new possibilities and harbor new technologies.”

Alon Alex Gross, page 41 ––––––––––––––––

Studio MDFD

Tuttobene Milan 2008

Tuttobene Milan 2008

Tuttobene Milan 2008

-page 40-

-page 41-

On this page: AUTOMATED DEW/RAIN COLLECTOR FLOUR FOR DOMESTIC USE A technological based object, which allows a sustainable automated process to collect dew/rain drops relying on information that is being gathered by censors or being pulled out from the world wide web via network connection. The device could be positioned next to a window, rooftop or in the garden.

Fog harvesting and Dew collection are ancient methods for producing

drinking water. In an era where natural resources like pure drinking water are becoming scarce in many undeveloped countries, the role of design becomes important to pass on ecological and economical ideas that could hopefully contribute for finding solutions for water shortages. By presenting the Fog and Dew collector devices I strive to raise awareness to alternative production possibilities for water in areas where water supply is limited or doesn’t exist either because of

weather conditions or because the lack of suitable funds to supply drinking water.

PRESENTING AT TUTTOBENE - Fog Collector - Dew Collector - Automated dew/rain collector flour for a domestic use ––– Image by Nimrod Glickman

www.sanderbokkinga.nl info@sanderbokkinga.nl +31628455874

+447787802108 alonalexgross@gmail.com

Studio: London, Great Brittan

Studio: Rotterdam, The Netherlands

In my work I aim to combine technology and sustainability, which allow for the creation of objects and devices that highlight new possibilities and harbor new technologies.

The goal is to use these object to pass on a story, so the viewers can open up and appreciate alternative ecological and technological ideas.

This in turn will influence and perhaps change their perception of ecological problems that affect our environment.

Study: Goldsmiths College London MA Critical Theory and Practice.

Study: Technical University Delft, The Netherlands Faculty of Architecture

Alon Alex Gross

In the search for a stage for his enormous fantasy and enthusiasm, the Dutch architect/designer Sander Bokkinga started in 2006 with Bok.. Bok. is fascinating and wondering himself about the existing world around him.

Because of that Bok. is using existing traditional products and materials to design new surprising functional objects. The new objects are mainly meant as furniture and accessoirie for interior and exterior use.

On this page: Bok.HOSEPIPE furniture BOK.HOSEPIPE furniture is a furniture concept made of old and new hosepipes. The first series contains a chair, a floor-lamp and a stool. Each object is handmade

by Bok. The furniture is for interior and exterior use. And the water can still going through the objects! A water-cooled chair!

Bok. wants to make the world nicer and little better. Sustainability and

FOCUS!

social responsibility are important components of the Bok.vision.

Bok. wants to make the world aware of the beautiful things around us by using or reusing existing products or materials in a different, smarter and funnier way.

Bok. wants to stop the race of better and more. Quality instead of quantity. The new objects are always functional, not complex, with durable pure materials and easy to recycle or reuse. All Bok.

objects are produced in Holland

by Bok. or in cooperation with local factories.

PRESENTING AT TUTTOBENE - BOK.HOSEPIPE furniture

Alon Alex Gross

Bok. Sander Bokkinga

bok.

––– Image by Emiel Bokkinga

FOCUS!

nepal –––––––––––––––– “Urchin’ is a handknitted woolen pouf‌â€?

–––––––––––––––– â€œâ€Śfrom weaving to basketry or tin work, in order to develop their material offer ...â€?

Experimoneta o Campo, FLOCKS, page 26 page 28 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Goal: to increase the economic independence of the local craftspeople.�

–––––––––––––––– â€œâ€Śmake consumers aware of the fact that most (...) people creating them are under valued.â€?

Design Studio Carola Zee, page 9 ––––––––––––––––

–––––––––––––––– “Purchasing a Tavie product helps create a better economic situation for the almost 3.000 women who..�

Tahoua Import, page 7 ––––––––––––––––

4 20 0

–––––––––––––––– “The furniture is for interior and exterior use.�

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.�

Jeroen Wesselink, page 23 ––––––––––––––––

–––––––––––––––– “When used outside the patina will be an ongoing process resulting in a slow change of color and appearance.�

StudioFriso, page 32 ––––––––––––––––

tuttobene opening party

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–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.�

–––––––––––––––– “An atmospheric wall lamp using cast plastic leaves mounted to the wall in a branch shape.�

Stephan Siepermann, Evelien, page 51 BLAOWWW, page 10 Bok., page 40 page 35 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

N SEP

–––––––––––––––– “Respecting the work of nature while combining this with surprising solutions“

nature

-page 43-

11

FOCUS!

–––––––––––––––– â€œâ€Ś to pass on ecological and economical ideas, that could hopefully contribute for finding solutions...â€?

WEMADE, page 13 Alon Alex Gross, page 41 –––––––––––––––– ––––––––––––––––

social development

–––––––––––––––– “The carpets are handmade, using leftover leather.�

Manon de Bruijn

–––––––––––––––– “Fabrics are used in a totally different manner they were originally meant for.�

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––––––––––––––– “Bok.HOSEPIPE furniture is a furniture concept made of old and new hosepipes...�

–––––––––––––––– “DeKast offers the possibility to display and combine a wide range of rich and decorative fabrics.�

Tahoua Import, page 7 Bok., page 40 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “...made with passion and pride, using the ageold traditional technique of palm leaf weaving.�

weaving

–––––––––––––––– “...between two Dutch designers and Indonesian craftspeople who were victims of the Bantul earthquake 2006.�

WEMADE, page 13 ––––––––––––––––

–––––––––––––––– “...his collaboration and show the different techniques typical for this region of China.�

Design Studio Carola Zee, page 9 ––––––––––––––––

–––––––––––––––– “Tavie offers a unique collection of decorative and functional products, originating from Northern Niger.�

Tahoua Import, page 7 ––––––––––––––––

Celia suzanne Sluijter

Tuttobene Milan 2008

-page 42-

SU

Tuttobene Milan 2008

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–––––––––––––––– “Tavie offers a unique collection of decorative and functional products, originating from Northern Niger.”

Tahoua Import, page 7 ––––––––––––––––

–––––––––––––––– “...his collaboration and show the different techniques typical for this region of China.”

Design Studio Carola Zee, page 9 ––––––––––––––––

–––––––––––––––– “...an artistic residence that seeks the development of new designs for artisans…”

Experimenta o Campo, page 28 ––––––––––––––––

FOCUS! –––––––––––––––– “An attitude that wants you to talk back!”

KREJCI, page 46 ––––––––––––––––

–––––––––––––––– “...a surprising transformation of the used materials.”

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Stephan Siepermann, Jeroen Wesselink, Groene Honden, page 39 page 35 page 23 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “As result, the beasts get something mythological.” Liesbeth Huizing

–––––––––––––––– “She has a great interest in reconnecting end products to their raw materials.”

FOCUS!

–––––––––––––––– “I am interested in the emotional meaning of things, I create new images that provoke thinking…”

Elena Khurtova, page 49 ––––––––––––––––

KREJCI, page 46 ––––––––––––––––

–––––––––––––––– “An attitude that wants you to talk back!”

express

––––––––––––––– – “Studio MDFD, develops multi-functional furniture that can be adapted to our everchanging needs,...“ BLAOWWW, page 10 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “glass vases, cupboard, carpet, seat objects, lamps, ...”

–––––––––––––––– –––––––––––––––– “… as well as interior “…allowing a hot objects.” kitchen pot to come to the noble dinner ceremony.”

Experimenta o Campo.

FLOCKS, page 26 page 28 –––––––––––––––– ––––––––––––––––

-page 45-

–––––––––––––––– “This chair is inspired by a graphic digital image of a small tree.”

Tuttobene Milan 2008

-page 44-

–––––––––––––––– “This piece of furniture is because of its efficient use of materials highly environmentally conscious.“ Evelien, page 51 ––––––––––––––––

–––––––––––––––– “… to pass on ecological and economical ideas, that could hopefully contribute for finding solutions...”

Celia Sluijter, page 15 Alon Alex Gross, page 41 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The business improvement has a social and poverty alleviation target.”

–––––––––––––––– –––––––––––––––– “In the search for a stage “… a great story is the for his enormous fanstarting point.” tasy and enthusiasm,…”

–––––––––––––––– “…make consumers aware of the fact that most (...) people creating them are under valued.”

Design Studio Carola Zee, page 9 ––––––––––––––––

Studio Vonk & Janneke FLOCKS, page 26 Bok., page 40 Hooyman, page 24 –––––––––––––––– –––––––––––––––– ––––––––––––––––

living room

–––––––––––––––– “… combines quality materials and construction to create products that will exist for another hundred year.”

Evelien, page 51 ––––––––––––––––

narrative

–––––––––––––––– “I am interested in the emotional meaning of things, I create new images that provoke thinking…”

Elena Khurtova, page 49 ––––––––––––––––

smile

elsinga design

–––––––––––––––– “Purchasing a Tavie product helps create a better economic situation for the almost 3.000 women who..”

Tahoua Import, page 7 ––––––––––––––––

social development

–––––––––––––––– “…Celia launched the Tapis Jardin collection in 2005 in co-operation with Nepal.”

Celia Suzanne Sluijter, page 15 ––––––––––––––––

indonesian

–––––––––––––––– “Our expertise is united in this project which will be the starting point for a whole new,...”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––––––––––––––– “The strength of the ‘Groene Honden, Jong Ontwerp’ foundation lies in their interdisciplinary collaboration.”

Tahoua Import, page 7 Groene Honden, page 39 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “… an effective and successful partnership.“

collaboration

–––––––––––––––– “This design is manufactured with a traditional loom in a sustainable handmade process…”

Design Studio Experimenta o Campo, Carola Zee, page 9 page 28 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Combining modern production techniques with craftsmanship.”

craftspeople WEMADE

Tuttobene Milan 2008

KREJCI Doreen Westphal KREJCI stands for strong, urban, high quality design with an attitude.

An attitude that is asking you to think, that is encouraging you to question what we are used to. An attitude that wants you to talk back!

On this page: TAKASHI Takashi is the latest design of a shoulder bag from the classic tubus collection of KREJCi, an elegant, easy to use bag with a simple design. It is made from old bicycle inner tubes and felt.

FOCUS! The bags are made from recycled material in small social workplaces in Warsaw/Poland and Berlin/ Germany.

–––––––––––––––– –––––––––––––––– “… as well as interior “… allowing a hot objects.” kitchen pot to come to the noble dinner ceremony.”

Experimenta o Campo.

FLOCKS, page 26 page 28 –––––––––––––––– ––––––––––––––––

KREJCI

PRESENTING AT TUTTOBENE - A birds palace - Takashi - Let’s Grow Some Balls

–––

Image by Olga Overbeek

FOCUS!

–––––––––––––––– “... new constructions and images he works with a variety of materials...”

Jeroen Wesselink, page 23 ––––––––––––––––

–––––––––––––––– “It’s goal is to introduce understandings of our relationships with each other…”

–––––––––––––––– “... new constructions and images he works with a variety of materials and techniques.”

Jeroen Wesselink, Alon Alex Gross, page 41 page 23 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Conversation cups provoke interaction, interactive experience is a new important function. ” Elena Khurtova, page 49 ––––––––––––––––

Elena Khurtova, page 49 ––––––––––––––––

-page 47-

–––––––––––––––– “… and appreciate alternative ecological and technological ideas.”

digital

Tuttobene Milan 2008

-page 46-

communication

–––––––––––––––– “glass vases, cupboard, carpet, seat objects, lamps, ...”

–––––––––––––––– “Studio MDFD, develops multi-functional furniture that can be adapted to our everchanging needs,...”

Elsinga Design, page 12 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Hi, we are Happy Lamps, we light up your space, and maybe your heart!”

living room

–––––––––––––––– “When used outside the patina will be an ongoing process resulting in a slow change of color and appearance.”

StudioFriso, page 32 ––––––––––––––––

–––––––––––––––– “This piece of furniture is because of its efficient use of materials highly environmentally conscious.“ Evelien, page 51 ––––––––––––––––

–––––––––––––––– “The furniture is for interior and exterior use.”

BLAOWWW

–––––––––––––––– “Stool that you can hang upside down on a wall hook and becomes a deer head.”

Jeroen Wesselink, page 23 ––––––––––––––––

–––––––––––––––– “A collection of carpets is based on the waves of the sea the power of water, …”

Study: Theatre Design

nature

Studio: Amsterdam, The Netherlands

–––––––––––––––– “An atmospheric wall lamp using cast plastic leaves mounted to the wall in a branch shape.”

Stephan Siepermann, Evelien, page 51 Celia Sluijter, page 15 Bok., page 40 page 35 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Respecting the work of nature while combining this with surprising solutions“

www.krejci.nl contactl@krejci.nl +31624240989

Tuttobene Milan 2008

craftmanship FOCUS! ehurtova@hotmail.com +31647236998

–––––––––––––––– “The business improvement has a social and poverty alleviation target.”

Studio: Amsterdam, The Netherlands

–––––––––––––––– “Tavie offers a unique collection of decorative and functional products, originating from Northern Niger.”

Tahoua Import, page 7 ––––––––––––––––

–––––––––––––––– “... between two Dutch designers and Indonesian craftspeople who were victims of the Bantul earthquake 2006.”

WEMADE, page 13 ––––––––––––––––

Celia Sluijter, page 15 ––––––––––––––––

–––––––––––––––– “… Celia launched the Tapis Jardin collection in 2005 in co-operation with Nepal.”

china

–––––––––––––––– “… to pass on ecological and economical ideas, that could hopefully contribute for finding solutions...”

WEMADE, page 13 Celia Sluijter, page 15 Alon Alex Gross, page 41 –––––––––––––––– –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Goal: to increase the economic independence of the local craftspeople.”

I am interested in the emotional meaning of things, I create new images that provoke thinking about the value of the contemporary environment and the way people use it. My general subject is to question how people relate to design.

Elena Khurtova

–––––––––––––––– “Purchasing a Tavie product helps create a better economic situation for the almost 3.000 women who..”

Tahoua Import, page 7 ––––––––––––––––

social development

Elena Khurtova, page 49 ––––––––––––––––

–––––––––––––––– “Two connected cups enhance the moment of interaction between two friends.”

ceramic

–––––––––––––––– “This design is manufactured with a traditional loom in a sustainable handmade process…”

Experimenta o Campo, WEMADE, page 13 page 12 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Goal: to increase the economic independence of the local craftspeople.”

Design Studio Carola Zee

Tuttobene Milan 2008

-page 48-page 49-

Elena Khurtova On this page: CONVERSATION CUPS Two connected cups enhance the moment of interaction between two friends. You can’t drink at the same moment; you must first wait for your friend to have a drink. There are versions for left handed, right handed and mixed couples.

Conversation cups provoke interaction, interactive experience is a new important function.

It’s goal is to introduce understandings of our relationships and bring back common values for things like respect and taking care of each other instead of fulfilling never-ending desire of consumerism.

FOCUS!

PRESENTING AT TUTTOBENE - Conversation Cups - Porcelain Chair

–––

Image by Elena Khurtova

Study: Gerriet Rietveld Academy, Amsterdam

Tuttobene Milan 2008

–––––––––––––––– “The carpets are handmade, using leftover leather.”

Manon de Bruijn

–––––––––––––––– “Bok.HOSEPIPE furniture is a furniture concept made of old and new hosepipes. .”

–––––––––––––––– “Tibetan wool and Nepal knots, silk, in raw and fine (...) do bring a carpet to life.”

–––––––––––––––– “Fabrics are used in a totally different manner they were originally meant for.”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––––––––––––––– “…from weaving to basketry or tin work, in order to develop their material offer ...”

Experimoneta o Campo, FLOCKS, page 26 page 28 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “‘Urchin’ is a handknitted woolen pouf…”

FOCUS! –––––––––––––––– “… to pass on ecological and economical ideas, that could hopefully contribute for finding solutions...”

Celia Sluijter, page 15 Alon Alex Gross, page 41 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “The business improvement has a social and poverty alleviation target.”

–––––––––––––––– “... his collaboration and show the different techniques typical for this region of China.”

Design Studio Carola Zee, page 9 ––––––––––––––––

www.evelienvalk.nl evelien@evelienvalk.nl +31642812447

Celia Sluijter, page 15 ––––––––––––––––

–––––––––––––––– “… Celia launched the Tapis Jardin collection in 2005 in co-operation with Nepal.”

Studio: Utrecht, The Netherlands

Study: Design Academy, Eindhoven

Tuttobene Milan 2008

-page 50-page 51-

With the main focus on interior and furniture design, Evelien designs the antique of the future. Inspired by the old cabinet-makers she combines quality materials and construction to create products that will exist for another hundred year.

Respecting the work of nature while combining this with surprising solutions. furniture industry. Without any loss of wood this Secretaire is cut out of a single piece of oak wood.

PRESENTING AT TUTTOBENE - Secretaire - Box of Memories

On this page: SECRETAIRE This Secretaire is a reaction to the inefficient use of materials in the This piece of furniture is because of its efficient use of materials highly environmentally conscious.

–––

FOCUS!

Image by Evelien Valk

Evelien Evelien Valk

–––––––––––––––– “... between two Dutch designers and Indonesian craftspeople who were victims of the Bantul earthquake 2006.”

WEMADE, page 13 ––––––––––––––––

niger

–––––––––––––––– “…make consumers aware of the fact that most (...) people creating them are under valued.”

Design Studio WEMADE, page 13 Carola Zee, page 9 –––––––––––––––– ––––––––––––––––

–––––––––––––––– “Goal: to increase the economic independence of the local craftspeople.”

social development

–––––––––––––––– “DeKast offers the possibility to display and combine a wide range of rich and decorative fabrics.”

Celia Sluijter, page 15 Bok., page 40 Groene Honden, page 39 Studio MDFD, page 19 –––––––––––––––– –––––––––––––––– –––––––––––––––– ––––––––––––––––

weaving

–––––––––––––––– “Our expertise is united in this project which will be the starting point for...”

Studio Vonk & Janneke Hooyman, page 24 ––––––––––––––––

–––––––––––––––– “The strength of the ‘Groene Honden, Jong Ontwerp’ foundation lies in their interdisciplinary collaboration.”

Groene Honden, page 39 ––––––––––––––––

–––––––––––––––– “WEMADE is a project between two Dutch designers and Indonesian craftspeople who were victims of ...”

WEMADE, page 13 ––––––––––––––––

–––––––––––––––– “... an artistic residence that seeks the development of new designs for artisans…”

Experimenta o Campo, page 28 ––––––––––––––––

collaboration tahoua import

Tuttobene Milan 2008

Evelien

Tuttobene Milan 2008

Tuttobene Milan 2008

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-page 53-

w e n new new

focus on nature */ 56550#&/& 4 8*-% %&4*(/ +6/(-& '30. o "13*/)08 )05&- tuttobene’s underground satellite Presentation in the lobby, under the glass floor in front of the elevators

nhow hotel via tortona 35 milan

reprise pArTY

CONNECT

music by dJ mulat & dJJJ

"13*'30. 5*-- 1",)6*4 %& ;8*+(&3 ".45&3%".

CONGRES s CONFERENCE s CONCERT s CAFĂ? s CONCEPT s CLINICS s CATERING CO PRODUCTION s CELEBRATION s COFFEE s CHANNEL s CONTENT s CONVERSATION

"GUFS UIF 4BMPOF *OUFSOB[JPOBMF EFM .PCJMF EJ .JMBOP 5VUUPCFOF JT JOWJUFE CZ 1BLIVJT EF ;XJKHFS UP TIPX UIFJS QSFTFOUBUJPO

'30. o "13*1",)6*4 %& ;8*+(&3 ".45&3%".

"11&5*4&3 #: )05&- "35&.*4 1MBUGPSN GPS DSFBUJPO BOE JOOPWBUJPO XXX EF[XJKHFS OM

Piet heinkade 179 1019 hc, amsterdam

www.dezwijger.nl www.cultuurfabriek.nl www.women-inc.nl www.beamlab.nl www.streetlab.nl Pakhuis de Zwijger info@dezwijger.nl Piet Heinkade 179 1019 HC Amsterdam 020 7884440 Ad Tuttobene.indd 1

06-03-2008 15:22:37

56550#&/& 3&13*4& A

exhibition oPening times: 26 & 27 aPril from 13.00 till 18.00 28 & 29 aPril from 09.00 till 17.30

FOCUS!

Tuttobene Milan 2008

Tuttobene Milan 2008

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here we are!

via mortara 15 – milan www.tuttobene.nl

weaving / living room / collaboration / handmade

portable / fashion item / environmentally / renewable

living room / weaving / narrative / origin

adaptation / garden furniture / change / surrounding

weaving / story / collaboration / reviving

techniques / constructions / nature / narrative

high-end / narrative / new applications / nature

flexible / living room / lifetime / weaving

living room / narrative / collaboration / weaving

fantasy / weaving / garden furniture / reusing

technological / social development / portable / possibilities

nepal / weaving / social development / nature

craftspeople / collaboration / indonesian / social development

smile / narrative / living room / express

attitude / fashion item / urban / recycled

nature / living room / digital / communication

craftmanship / ceramic / social development / china

ceramic / relationship / interaction / emotional

collaboration / weaving / social development / niger

future / narrative / nature / living room

Design Studio Carola Zee

Elena Khurtova

tahoua import

Evelien