Program Notes: John Denver & Beethoven and Brews

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ALTERNATIVE 2025/26

JOHN DENVER: A ROCKY MOUNTAIN HIGH CONCERT CELEBRATION

CHRISTOPHER DRAGON, conductor

MACK BAILEY, guitar and vocals

JON CONLEY, guitar and mandolin

CHRIS NOLE, piano

ALAN DEREMO, bass guitar

NATE BARNES, drums

Thursday, September 4, 2025 at 7:30pm

Boettcher Concert Hall

SELECTIONS TO BE ANNOUNCED FROM STAGE

CONCERT RUN TIME IS APPROXIMATELY 2 HOURS INCLUDING A 20 MINUTE INTERMISSION.

FIRST TIME TO THE SYMPHONY? SEE PAGE 12 OF THIS PROGRAM FOR FAQ’S TO MAKE YOUR EXPERIENCE GREAT!

PROUDLY SUPPORTED BY

CHRISTOPHER DRAGON, conductor

Australian conductor Christopher Dragon is the Music Director of Greensboro Symphony Orchestra, newly appointed Music Director of the Philly Pops, former Music Director of the Wyoming Symphony Orchestra and is the Resident Conductor of the Colorado Symphony. He joined the Colorado Symphony in the 2015/2016 Season as Associate Conductor – a position he held for four years. For three years prior, Dragon held the inaugural position of Assistant Conductor with the West Australian Symphony Orchestra, which gave him the opportunity to work closely with Principal Conductor Asher Fisch.

Dragon has a versatile portfolio ranging from live-to-picture performances including Nightmare Before Christmas, Toy Story and Star Wars: Return of the Jedi, a wide variety of collaborations with artists such as the Wu-Tang Clan, Cynthia Erivo and Joshua Bell, to standard and contemporary orchestral repertoire such as Danny Elfman’s Percussion Concerto; all areas of which he has become highly sought after. Christopher has become known for his charisma, high energy and affinity for a good costume, consistently delivering unforgettable performances that has made him an audience favourite.

Recent highlights include his sold-out symphony tour with Gregory Alan Isakov, which included debuts with the Los Angeles Philharmonic and Nashville Symphony, a new orchestral collaboration with Nathaniel Rateliff and his successful German debut with the WDR Funkhausorchester.

Christopher is highly sought after as a guest conductor and has worked with the Los Angeles Philharmonic, San Francisco Symphony, National Symphony Orchestra, Nashville Symphony, Atlanta Symphony, Utah Symphony, Cincinnati Pops Orchestra, San Diego Symphony, Pacific Symphony, Omaha Symphony, Louisiana Philharmonic Orchestra, Rochester Philharmonic Orchestra, Chicago Philharmonic, Pacific Symphony, Singapore Symphony Orchestra, Orquestra Sinfônica de Porto Alegre and the New Zealand Symphony Orchestra. In Australia, he has guest conducted the Sydney, Melbourne, Adelaide and West Australian Symphony Orchestras. His 2015 debut performance at the Sydney Opera House with John Pyke and the Sydney Symphony Orchestra was released on album by ABC Music and won an ARIA the following year.

He has also conducted at numerous festivals including the Breckenridge and Bangalow Music Festivals, with both resulting in immediate re-invitations. At the beginning of 2016 Dragon conducted Wynton Marsalis’ Swing Symphony as part of the Perth International Art Festival alongside Wynton Marsalis and the Jazz at Lincoln Center Orchestra.

Christopher began his conducting studies in 2011 and was a member of the prestigious Symphony Services International Conductor Development Program in Australia under the guidance of course director Christopher Seaman. He has also studied with numerous distinguished conductors including Leonid Grin, Paavo and Neeme Jarvi at the Jarvi Summer Festival, Fabio Luisi at the Pacific Music Festival and conducting pedagogue Jorma Panula.

JOHN DENVER

With more than 33 million records sold and seven Billboard Top Ten albums, John Denver released 23 studio albums over his lifetime. He is best known for the beloved songs “Leaving On a Jet Plane,” “Sunshine On My Shoulders,” “Annie’s Song” and “Rocky Mountain High,” which is a co-state song of Colorado, and “Take Me Home, Country Roads,” which is a co-state song of West Virginia. In addition to his numerous awards and recognition, Denver was instrumental in championing environmental and humanitarian causes. His popularity and continuing influence on popular culture still grow more than a decade after his untimely death. Denver was a true adventurer, exploring all that the world had to offer. Throughout his life’s journey he challenged himself on every level, which is an integral part of what made him an extraordinary man, an uncommon friend, and a rare human being. While the frontiers of the American West satisfied his spirit, less-traveled frontiers appealed to his imagination. Denver was an experienced airplane pilot and collected vintage biplanes. His interest in outer space was so great that he took and passed NASA’s examination to determine mental and physical fitness required for space travel. He then became a leading candidate to be the “first civilian in space” on the Space Shuttle Challenger. Denver planned to write a song in space, but circumstances kept him from joining the ill-fated expedition, which exploded during take-off in 1986. Among his many gifts, Denver was also a talented photographer. He photographed images of the people and places he experienced in his travels and showed his work professionally, often in connection with speeches made at colleges, universities and government and business facilities across the country. Many of Denver’s songs reflected his relationship with nature, and one of his greatest pleasures was spending time outdoors. He spent as much time as possible backpacking, hiking, climbing, and fishing. He was an avid golfer and skier, regularly participating in celebrity charity events for both sports.

Today, millions of fans old and new enjoy the work of this extraordinary performer. Decades after he began, John Denver’s music is as relevant as ever. His humanitarian work continues to strengthen our global village, and his dynamic celebration of life, spirit and nature is a powerful inspiration to us all. More on John Denver at www.johndenver.com

MACK BAILEY, guitar and vocals

Using John Denver’s music, Mack taught himself to play the guitar, so it was a thrill for Mack when he had the privilege of trading verses to “Thank God I’m a Country Boy” with Denver in front of 9000 people shortly before John’s death. Today, his experiences with the Limeliters and John Denver continue to play an active role in Mack’s professional life, even as he pursues his successful solo career. Mack has caught the attention of national folk music audiences with not only his Limeliters performances, but also with his prominent role in the nationally touring show “A Musical Tribute to John Denver” with many of John’s former band members and production crew.

JON CONLEY, guitar and mandolin

Jon Conley is a mainstay of the Nashville music industry. Jon began playing guitar at seven (wanting to play like Roy Clark) and has branched out to include mandolin, fiddle, banjo, vocals and songwriting in his portfolio. Perhaps best known as the lead guitarist for the Kenny Chesney band, he has credits on recordings by a number of artists and attributes his success to practicing and taking every opportunity to perform seriously.

CHRIS NOLE, piano

A former member of John Denver’s band, songwriter/composer, accomplished session musician, producer, and recording artist Chris Nole performs around the world. Nole has toured and recorded with numerous top recording acts including Faith Hill, Travis Tritt, the Oak Ridge Boys, and Shelby Lynne. Chris Nole’s songs have been recorded by various recording artists ranging from Faith Hill to The Swamphonky’s and have been used in such television productions as Men of a Certain Age, Heroes, and E! True Hollywood Story.

ALAN DEREMO, bass guitar

A member of John Denver’s band from 1994 until Denver’s passing in 1997, Deremo has performed and/or recorded with a diverse assortment of artists including Vince Gill, Amy Grant, Eric Marienthal, Glenn Frey, Jesse Colin Young, Kathy Mattea, Dave Alvin, John Doe, Exene Cervenkova, Bo Diddley, Jules Shear, Jack Tempchin, Thelma Houston, the Mamas and the Papas, and the Captain and Tenille. For much of the last decade Deremo has toured and recorded with Men at Work singer/guitarist Colin Hay and served as musical director for Tony Hawk’s annual Boom Boom Huck Jam arena tours.

NATE BARNES, drums

As drummer for the band Rose Hill Drive, Nate Barnes has toured the world headlining shows and opening for acts including The Who, Van Halen, Aerosmith, Stone Temple Pilots, The Black Crowes, Queens Of The Stone Age, and Jane’s Addiction, and shared the stage with Pete Townshend (The Who), Warren Haynes, Leslie West (Mountain), Grace Potter, Matisyahu, Mike Watt, and others. In addition to collaborating and recording with legendary producers/engineers Brendan O’Brien and Nick DiDia, he has also co-produced and co-written three critically acclaimed, full-length albums with the band Rose Hill Drive. Specializing in Rock, Pop, Hip Hop, and Funk styles, Nate has earned a reputation as one of the premier live and studio drummers in the Rocky Mountain area.

SPOTLIGHT 2025/26

BEETHOVEN AND BREWS AT THE ‘PLEX

MAURICE COHN, conductor

KATE ARNDT, violin

Saturday, September 6, 2025 at 6:00pm

Boettcher Concert Hall

BEETHOVEN

BEETHOVEN

BEETHOVEN

BEETHOVEN

BEETHOVEN

BEETHOVEN

Egmont: Overture, Op. 84

Romance No. 1 in G major, Op. 40

Romance No. 2 in F major, Op. 50

Symphony No. 2 in D major, Op. 36

III. Scherzo: Allegro

European Anthem

— INTERMISSION —

Symphony No. 5 in C minor, Op. 67

I. Allegro con brio

II. Andante con moto

III. Allegro

IV. Allegro

CONCERT RUN TIME IS APPROXIMATELY 2 HOURS AND 5 MINUTES INCLUDING A 60 MINUTE INTERMISSION.

FIRST TIME TO THE SYMPHONY? SEE PAGE 12 OF THIS PROGRAM FOR FAQ’S TO MAKE YOUR EXPERIENCE GREAT!

PROUDLY SUPPORTED BY

MAURICE COHN, conductor

A two-time recipient of the Solti Foundation U.S. Career Assistance Award, Maurice Cohn is currently the 11th Music Director of the West Virginia Symphony Orchestra. Alongside his work in West Virginia, highlights of his 2024/25 season include debuts with the Filharmonie Bohslava Martinů for Stravinsky’s The Firebird and Tchaikovsky’s Rococo Variations and Omaha Symphony for Kurt Weill’s Symphony No. 2. In the summer he will return to the Colorado Music Festival for Beethoven’s Symphony No. 1.

Highlights of his 2023/24 season included a successful jump-in with the Cincinnati Symphony Orchestra, an appearance as Guest Conductor with Music in the Mountains, and a return to the Aspen Music Festival, where he conducted the Chamber Symphony in a programme that included the world premiere of Peng-Peng Gong’s Late Bells for Concertante Piano and Orchestra. He also returned to the Dallas Symphony Orchestra, where he conducted Mason Bates’s Philharmonia Fantastique and a concert performance of Terence Blanchard’s Fire Shut Up in My Bones. Recent seasons include debuts with Utah Symphony, Colorado Music Festival, and Symphoria New York as well as frequent appearances with the Chicago-based contemporary ensemble Zafa Collective and the Aspen Contemporary Ensemble. Maurice served as the Assistant Conductor of the Dallas Symphony Orchestra until the end of the 2023/24 season. He was also Assistant Conductor of the Aspen Music Festival in 2022 and 2023.

He is the recipient of the Robert J. Harth Conducting Prize and the Aspen Conducting Prize. He holds a Bachelor of Music in Cello Performance from Oberlin Conservatory and a Bachelor of Arts from Oberlin College, where he studied History and Mathematics. He received a Master of Music in Conducting from the Eastman School of Music.

BIOGRAPHIES

KATE ARNDT, principal second violin

Violinist Kate Arndt, from Boston, Massachusetts is currently pursuing her Doctor of Musical Arts degree at Yale University under Ani Kavafian. Kate holds Masters degrees from Yale University in both Music and Musical Arts and completed her undergraduate studies at New England Conservatory of Music under Miriam Fried. Kate has performed as a featured soloist with several orchestras, at venues such as Boston’s Symphony Hall, Fordham University and New England Conservatory’s Jordan Hall. In recent years, Kate has been active in Europe, including participation in the Gstaad Menuhin Festival in Switzerland, the Kronberg Masterclasses and Concerts in Germany and the IMS Prussia Cove Masterclasses in Cornwall, UK. In the US, Kate has attended several prestigious summer programs, including Music@Menlo, Norfolk Chamber Music Festival, the Taos School of Music, the Perlman Music Program, and the Sarasota Music Festival, where she was featured in 2019 as a guest soloist with the festival orchestra. In 2021, Kate received first prize at the CSU Bakersfield Competition for her recording of Michael Friedmann’s Fantasy for Solo Violin.

Kate has performed extensively with several prominent orchestras in the Northeast US, including with the Orpheus Chamber Orchestra as a guest musician, Symphony in C as Principal Second Violin, and as a member of the New York Classical Players. For the past two summers she has performed at the Colorado Music Festival in Boulder, Colorado as a part of the orchestra.

A passionate chamber musician, Kate has performed with a number of ensembles at venues such as Carnegie Hall, New York’s Metropolitan Museum of Art, as well as the Curtis Institute of Music and the University of New Orleans with her former group, the Vera Quartet. As a recurring artist in the Mellon Music Festival, Kate regularly performs in Davis, CA. Kate also attended the Four Seasons Winter Workshop at East Carolina University, where she collaborated with artists such as Robert McDonald, Ida Kavafian, Colin Carr, Misha Amory, Hye- Jin Kim and Ara Gregorian. Her former group, the Isolde Quartet, received an honorable mention at the Fischoff National Chamber Music Competition. Kate has collaborated with several existing chamber ensembles, including the Calidore, Callisto and Kodak String Quartets, and as winner of several chamber competitions, she was selected to perform as a guest artist with the Borromeo String Quartet and with the Boston Trio.

Kate’s academic interests focus on studying the contributions of women in classical music, an area she hopes to expand through featuring works by female composers in future performances.

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Program Notes: John Denver & Beethoven and Brews by Colorado Symphony - Issuu