Soundings - Stravinsky's The Rite of Spring

PHOTO: BRANDON MARSHALL

THE MAGAZINE OF THE COLORADO SYMPHONY Volume 15 • Number 3

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THE MAGAZINE OF THE COLORADO SYMPHONY Volume 15 • Number 3 CONTENTS

6 Welcome 8 Spotlight 10

Colorado Symphony Musicians

12 Colorado Symphony Board of Trustees 13

Colorado Symphony Staff

18

Musician Spotlight: Nicholas Tisherman

20 Corporate Council: A Musical Foundation Built on Community Support 23

Community Support

COMING SOON

John Williams: An American Journey FEB 9-10

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C O L O R A D O SY M P H O N Y.O R G

Vintage video games meet timeless botanical beauty. Experience pixelated metal sculptures playing in the Gardens’ natural landscape. #DBGPixelated

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WITH SUPPORT FROM

WELCOM E

Welcome to the Colorado Symphony! As we celebrate the dawn of a new year, our musicians, Board of Trustees, and staff thank you for your continued support and passion for outstanding symphonic music. I am thrilled to be sharing my first message with you, the patrons and supporters of this phenomenal organization, since joining the Symphony staff in October as Chief Advancement Officer.

It is a privilege to be part of the Colorado Symphony team and to be building relationships with the 3,000 individuals, John Burtness foundations, and corporations who make philanthropic Chief Advancement Officer investments in the Symphony. These contributions allow us to produce incredible performances while balancing our budget and keeping tickets affordable for everyone.

Passion, talent, and hours of practice enable our musicians to create the beautiful music that we all enjoy. In a similar way, passion and generosity drive our donors’ support and extends our reach to many other parts of the community through education and outreach programs. Through this support, our donors become co-stewards of our work in creating beautiful music for all to enjoy.

Entering 2018, we have an extraordinary opportunity to assure the future of the Symphony by adding new gifts to our endowment while creating a perpetual resource to support musicians and programs. A local foundation has offered a matching gift opportunity, adding a dollar to every new dollar raised for our endowment. To date, we have more than doubled our endowment to nearly $22 million and our near-term goal is to double that again to $50 million. We look forward to updating you on our progress moving forward.

In the meantime, please consider making a tax-deductible contribution to help us reach our goals via the enclosed envelope in your Soundings program.

On behalf of all of us, thank you again for all that you do to support the Colorado Symphony and we look forward to sharing in its bright future together.

John Burtness Chief Advancement Officer

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C O L O R A D O SY M P H O N Y.O R G

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SPOT L IG H T

JOIN THE BRETT MITCHELL SOCIETY In a time of new beginnings, the Colorado Symphony is pleased to launch the Brett Mitchell Society, a meaningful way for our most engaged donors and subscribers to have direct access to our new Music Director and have a profound role in the health and future of our orchestra. The Brett Mitchell Society was founded in the early spring of 2017 to give dedicated patrons at a certain giving level deeper access to the Symphony they love.

Brett Mitchell Society members receive extra perks throughout the season, including our quarterly newsletter From the Podium, Masterclasses with Brett Mitchell, Advance Access to one-night-only concerts and special events, and that’s just the start! Brett Mitchell Society members possess the unique opportunity to influence the shared vision of the Society and of the Colorado Symphony, and to present the Symphony to people everywhere as a world-class orchestra.

To join the 100+ households who are helping ensure the Colorado Symphony’s future, please email rsvp@coloradosymphony.org or call Kate Bentley at 303.308.2472.

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legal advice toadvice keep you in harmony legal to keep you in harmony

Liz Sharrer 303.295.8000 lsharrer@hollandhart.com Liz Sharrer 555 17th Street, Suite 3200 303.295.8000 Denver, Colorado 80202 lsharrer@hollandhart.com 555 17th Street, Suite 3200 Denver, Colorado 80202

Proud Supporter of the Arts Proud Supporter of the Arts

LOCK + LAND

DANNY TURNER

COLORADO SYMPHO NY

BRETT MITCHELL

ANDREW LITTON

MUSIC DIRECTOR

PRINCIPAL GUEST CONDUCTOR

The Bill Gossard Music Director Chair

VIOLIN

Yumi Hwang-Williams Concertmaster Claude Sim Associate Concertmaster Yi Zhao Assistant Concertmaster Paul Primus Principal Second Allegra Wermuth Assistant Principal Second Alessandra Jennings Flanagan Fixed 3rd Chair/Second Larisa Fesmire Thomas Hanulik Wyn Hart John Hilton Anne-Marie Hoffman Myroslava Ivanchenko-Bartels Dorian Kincaid Karen Kinzie Mark Lamprey Susan Paik Miroslaw Pastusiak Erik Peterson Megan Prokes * Adrienne Short * Robert Stoyanov Delcho Tenev Amy Tyson Bradley Watson Tena White Wenting Yuan

VIOLA

Basil Vendryes Principal

CHRISTOPHER DRAGON

ANDRÉS LOPERA

ASSISTANT CONDUCTOR

DUAIN WOLFE CHORUS DIRECTOR

ASSOCIATE CONDUCTOR

Mary Cowell Acting Assistant Principal Charlyn Campbell Marsha Holmes Leah Kovach Helen McDermott Summer Rhodes * Kelly Shanafelt Phillip Stevens Catherine Beeson + Assistant Principal

CELLO

Judith McIntyre Acting Principal Austin Fisher Assistant Principal Susan Rockey Bowles Andrew Briggs * Danielle Guideri Thomas Heinrich Margaret Hoeppner Matthew Switzer Susan Yun

BASS

Steve Metcalf Principal Nicholas Recuber Assistant Principal John Arnesen Susan Cahill James Carroll Jeremy Kincaid Owen Levine

FLUTE

Catherine Peterson Acting Principal Michael Williams * Julie Duncan Thornton 3rd/Assistant Principal Brook Ferguson + Principal

PICCOLO

Julie Duncan Thornton

OBOE

Peter Cooper Principal

The Irene & David Abosch Principal Oboe Chair

Nicholas Tisherman 2nd/Assistant Principal Jason Lichtenwalter

ENGLISH HORN Jason Lichtenwalter

CLARINET

Jason Shafer Principal Abby Raymond 2nd/Assistant Principal Andrew Stevens

E-FLAT CLARINET Abby Raymond

BASS CLARINET Andrew Stevens

BASSOON

Chad Cognata Principal Tristan Rennie 2nd/Assistant Principal Roger Soren

CONTRABASSOON Roger Soren

HORN

Michael Thornton Principal Carolyn Kunicki Kolio Plachkov 3rd/Associate Principal David Brussel

TRUMPET

Justin Bartels Principal Philip Hembree 2nd/Assistant Principal Patrick Tillery Associate Principal

TROMBONE

John Sipher Principal Paul Naslund 2nd/Associate Principal Gregory Harper

BASS TROMBONE Gregory Harper

TUBA

Stephen Dombrowski Principal

HARP

Courtney Hershey Bress Principal Timpani William Hill Principal Steve Hearn Assistant Principal

PERCUSSION John Kinzie Principal

Chair Endowed by a Friend of The Colorado Symphony

Steve Hearn Michael Van Wirt

ORCHESTRA LIBRARIAN

Joanne Goble Principal Jonathan Groszew Assistant

* = One year replacement + = On leave

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DON’T JUST HEAR THE MUSIC.

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BOARD OF TRU STEES HONORARY TRUSTEES OFFICERS Jerome H. Kern Co-Chair Mary Rossick Kern Co-Chair Stephanie Donner, Esq. Treasurer & Trustee Susan Bowles Secretary

TRUSTEES Anthony T. Accetta Dr. Paula P. Bernstein Susan Cahill* Young Cho Jim Copenhaver Zachary D. Detra, Esq. BJ Dyer Sandy Elliott Jack Finlaw Austin Fisher* Amy Harmon Diane S. Hill, Ph.D. Jessica Hobbs Margaret Hoeppner* Kathleen Johnson, Esq John Kinzie* Leah Kovach* Richard D. Krugman, MD

Governor John Hickenlooper Mayor Michael B. Hancock Christopher J. Ott, M.D.

Richard Kylberg P. Evan Lasky Jonathan Masoudi, M.D. Bill Myers Joe Neguse, Esq Erik Peterson* Kolio Plachkov* Nick Recuber* Julie Rubsam L.T. Sandvik Jason Shafer* Eric Sondermann Brandon L. Thall

* Colorado Symphony Musician Trustee

REMIX ASSOCIATE BOARD Kelly Waltrip, Chair Marilyn Brock Heather Church Nicole Donnelly Chelsea Eversmann Mike Fredregill Caiti Glasgo Bridget Kennedy McNeil Steve Metcalf Andy Evans William Kowalski Leah Kovach David Kuwayama Samantha Nuechterlein Sarah Parmley Brooke Smith Jackson Stevens Chris Strom Alexandra Tilton Kip Wallen Rosie Williamson Rachel Yeates

EX OFFICIO TRUSTEES Brett Mitchell Sara Moore Kelly Waltrip Ginger White

EMERITUS TRUSTEES William K. Coors John Low W. Gerald Rainer Lee Yeingst

TICKETS BUY AUTHENTIC! Are you buying your tickets via: ■ ■ ■ ■

coloradosymphony.org the Colorado Symphony Mobile app box office, in person at Boettcher Concert Hall phone at 303.623.7876

Get the best deal and support your symphony!

Learn more at coloradosymphony.org/Visit/FAQs

COLORADOSYMPHONY.ORG

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C O L O R A D O SY M P H O N Y.O R G

STA F F LEADERSHIP TEAM Jerome H. Kern John Burtness Susan Ellis Coreen Miller

Parker Owens Anthony Pierce

Chief Executive Officer Chief Advancement Officer Chief Administrative Officer Chief Operating Officer, Chief Financial Officer Chief Marketing Officer Chief Artistic Officer

ARTISTIC Anthony Pierce Brett Mitchell Andrew Litton Duain Wolfe

Christopher Dragon Andres Lopera Dave Aeling Travis Branam

Larry Brezicka Mary Louise Burke

Aric Christensen Joanne Goble Jonathan Groszew

Deborah Guess Philip Hiester Eric Israelson Sam Jaehnig Matt Koveal Taylor Martin

Mike Pappas Barbara Porter Emily Scott Phillip Strom

Chief Artistic Officer Music Director Principal Guest Conductor Chorus Director, Colorado Symphony Chorus Associate Conductor Assistant Conductor Production Stage Manager Assistant Conductor, Colorado Symphony Chorus Orchestra Personnel Manager Associate Conductor, Colorado Symphony Chorus Audio Engineer Principal Orchestra Librarian Assistant Orchestra Personnel Manager / Assistant Librarian Properties Master Master Electrician Chorus Manager Head Carpenter Manager of Artistic Operations Assistant Conductor, Colorado Symphony Chorus New Media Center Assistant Chorus Manager Director of Artistic Administration Artistic Coordinator

ADVANCEMENT John Burtness Sean Baker

Kate Bentley

Caiti Glasgo Emily Spirk Doug Yost

Chief Advancement Officer Senior Manager of Corporate Partnerships Senior Manager of Individual Giving & Brett Mitchell Society Manager of Annual Giving Advancement Coordinator Advancement Services Manager

EDUCATION Catherine Beeson

Shari Myers

Director of Community Education Programs Education Coordinator

MARKETING & COMMUNICATIONS Parker Owens Stephanie Derybowski Nick Dobreff

Chief Marketing Officer Applications Support Manger Manager of Publicity and Community Relations

SALES & PATRON SERVICES Susan Kelly Amanda Cantu Molly Epstein Rosa Gasdia Kelsey Holmes Theresa Illich Alexis Kittner Paxton Lee Ian MacIntyre Sol Ramos Jonathan Seid Rosa Torres Rob Warner

Director of Sales & Patron Services Asst. Manager of Patron Services Group Sales Associate Patron Services Associate Patron Services Associate Patron Services Associate Lead Patron Services Associate Patron Services Associate Manager of Patron Services Patron Services Associate Patron Services Associate Patron Services Associate Lead Patron Services Associate & Concierge

THE SYMPHONY FUND Stephen M. Brett Norman L. Wilson Susan K. Ellis Jerome H. Kern Gregg O. Kvistad Karen H. Long Suzanne Ryan

President Treasurer Secretary

COLORADO SYMPHONY GUILD OFFICERS Sara Moore Patty Goward Donna Connolly Janet Weisheit Mary Neidig Rose Blaschke Susan Thomas Sue Pawlik Sara Moore Rose Blaschke Kathy Swanson Monica Owen

President Recording Secretary Treasurer Assistant Treasurer VP of Fundraising VP of Membership VP of Information Management VP of Music Education Corresponding Secretary Immediate Past President Manager CSG Shop CSG Shop Buyer

BOETTCHER CONCERT HALL Denver Performing Arts Complex 1000 14th Street, No. 15 Denver, CO 80202 303.292.5566 :: tickets@coloradosymphony.org

TICKETS FINANCE

303.623.7876 :: coloradosymphony.org

Coreen Miller Chief Financial Officer Ben Boone Senior Finance Manager Annette Brown Staff Accountant Amber Sena Staff Accountant, Payroll & Benefits Manager

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COMING SOON! J A N U A R Y

Video Games Live™ Returns!

Mozart Happy Hour

SP E C IAL

JAN 26 FRI 6:30 Christopher Dragon, conductor Christina Naughton, piano Michelle Naughton, piano

Carnival of the Animals Beethoven’s “Emperor” Concerto No. 5

Ravel’s Daphnis et Chloé

C L ASSIC S

FEB 2-4 FRI-SAT 7:30 ■ SUN 1:00 Brett Mitchell, conductor Jessica Rivera, soprano Colorado Symphony Chorus, Duain Wolfe, director

John Williams: An American Journey

CL A S S I CS

MAR 16-18 FRI-SAT 7:30 ■ SUN 1:00 Andrew Litton, conductor Zhang Zuo, piano

Star Wars: A New Hope – Live In Concert with the Colorado Symphony SP E C IAL

FEB 9-10 FRI-SAT 7:30 Brett Mitchell, conductor Justin Bartels, trumpet Yumi Hwang-Williams, violin Jason Shafer, clarinet

MAR 22 THU 7:00 ■ MAR 24 SAT 2:00 1STBANK CENTER Brett Mitchell, conductor

Tickets: altitudetickets.com

Concert performance includes FULL SCREENING OF THE FEATURE FILM!- These performances will be presented at the 1stBank Center.

Presentation licensed by DISNEY CONCERTS in association with 20th Century Fox, Lucasfilm and Warner/ Chappell Music. © 2017 & TM LUCASFILM LTD. ALL RIGHTS RESERVED

Stravinsky’s The Rite of Spring

C L ASSIC S

FEB 16-18 FRI-SAT 7:30 ■ SUN 1:00 Brett Mitchell, conductor Kirill Gerstein, piano

John Denver: A Rocky Mountain High S YM P HO N Y P O P S Concert Celebration with the Colorado Symphony MAR 23 FRI 7:30 Andres Lopera, conductor

L I ST E N / H EA R 1 0 2 LIST E N/H E AR

FEB 22 THU 7:30 Christopher Dragon, conductor Austin Fisher, cello

Red Carpet Rewind: Celebration of the Music of the Academy Awards®

FAM I LY

HalfNotes

MAR 11 SUN 1:00 Christopher Dragon, conductor

F E B R U A R Y

Anything But Innocent: The Hard-Core Romantics

S P ECI A L

HalfNotes MAR 9-10 FRI-SAT 7:30 Colorado Symphony Chorus, Mary Louise Burke, associate director

A P R I L

Copland’s Rodeo Conducted by Andrew Litton SYMP H ONY P OP S

CL A S S I CS

APR 6-8 FRI-SAT 7:30 ■ SUN 1:00 Andrew Litton, conductor Alban Gerhardt, cello

L I ST E N / H EA R 1 0 3

FEB 24 SAT 7:30 Christopher Dragon, conductor Devin DeSantis, vocalist Claude Sim, violin

The American Voice

L I S TEN/HEA R

APR 12 THU 7:30 Brett Mitchell, conductor Colorado Symphony Chorus, Duain Wolfe, director

M A R C H

Tchaikovsky’s Piano Concerto No. 1 with Olga Kern

C L ASSIC S

HalfNotes Please join us for family-friendly activities 1 hour

MAR 2-4 FRI-SAT 7:30 ■ SUN 1:00 Brett Mitchell, conductor Olga Kern, piano

before the concert.

COLORADOSYMPHONY.ORG

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C O L O R A D O SY M P H O N Y.O R G

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VOICES AND WINDS

WITH THE COLORADO WIND ENSEMBLE, DAVID KISH, CONDUCTOR featuring works by Anton Bruckner and Daniel Kellogg (world premiere) FEB 23 7:30 Montview Presbyterian Church, Denver

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PRESENTATION LICENSED BY DISNEY CONCERTS IN ASSOCIATION WITH 20TH CENTURY FOX LUCASFILM AND WARNER/CHAPPELL MUSIC. © 2017 & TM LUCASFILM LTD. ALL RIGHTS RESERVED

MUSICIAN SPOTL IG H T

NICHOLAS TISHERMAN Last fall, the Colorado Symphony welcomed its newest musician, Nicholas Tisherman, as 2nd/Assistant Principal Oboe. A graduate of the New England Conservatory, Tisherman has also performed with the Los Angeles Philharmonic, the Sarasota Orchestra, and the San Antonio Symphony. In this edition of Soundings, Nicholas shares some insight on his career, moving to Denver, and working with a childhood idol.

What role did your family play in your early musical development?

I come from a pretty musical family, comprised primarily of clarinetists including my grandfather, my uncle, his son, and my twin brother. No one in my family ever pushed me into music, but I always had someone to inspire me. So it became very easy to get into the field and start studying seriously early on because I always had those role models.

What factors drew you to oboe instead of the clarinet?

When it came time to choose our instruments, the oboe seemed close enough to the clarinet that it felt familiar. My mother played the oboe through college and that’s where the idea started. But I felt like I was forging a different path. Someone told me it was a challenge and I thought, ‘How hard can that be?’ It turned out to be every bit as challenging as they said it would be, but it was worth it.

Do you have any favorite composers or pieces you love to perform?

Bach is my favorite composer because his works contain some of the most gorgeous oboe writing. No matter what you’re playing by Bach, it’s going to be something delicious and beautiful.

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What are your early impressions of living in Denver?

When I was here for my audition, I was so focused that I don’t think I noticed the mountains for three days. Shortly thereafter, I looked up and saw these gorgeous mountains and I fell in love. Seeing the city and the mountains behind it, I just knew I really wanted to live here.

What have you learned in your first few months with the Colorado Symphony?

It’s been nothing but learning so far as I figure out how to adapt to the work load, going through so much music so quickly, and keeping my chops up outside of rehearsal. I have to keep my playing at the highest level to be on par with this orchestra as it’s such a fantastic group.

What is an interesting fact that people may not know about you?

For my 10th birthday, I received a CD recording of Peter Cooper, Principal Oboist of the Colorado Symphony, playing Oboe concertos. I used to listen to it nonstop, sometimes even falling asleep at night while listening to it. Now I’m here and I get to sit next to Peter every day.

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A MUSICAL FOUNDATION BUILT ON COMMUNITY SUPPORT Through dynamic performances, innovative partnerships, and vibrant community engagement programs, the Colorado Symphony is the region’s preeminent symphony orchestra and is integral in positioning Denver as a world-class cultural destination.

However, our distinction as the area’s premier ensemble is not possible without the support of the Colorado business community.

Enter the Colorado Symphony Corporate Council: a network of Colorado businesses that support the mission and music of the Symphony, ensuring that superb symphonic performances by world-class musicians will continue to enliven and enrich our city.

Our Corporate Council members receive a host of exclusive benefits, including marketing recognition, business development and networking events with corporate leaders, and unique client entertainment opportunities tailored to each business.

Thanks to the support of the Corporate Council, the Colorado Symphony has an impact far beyond the doors of Boettcher Concert Hall. Each year, the Symphony reaches more than 300,000 people through concert performances and educational programming.

“At Arrow, we guide innovators forward to a better tomorrow,” said Joe Verrengia, the Global Director of Corporate Social Responsibility at Arrow Electronics. “The Colorado Symphony is one of the most innovative orchestras in America, from the Very Young Composers education program to an extensive community performance schedule. At Arrow, we talk about “Five Years Out” as the tangible horizon of technology and where innovation is heading. It’s equally exciting for Arrow to see the new directions in which the Colorado Symphony is heading five years out.”

PHOTO: ALLÉE PHOTOGRAPHY

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CO R P O RAT E CO U N CI L

PHOTO: BRANDON MARSHALL

In addition to performing over 80 concerts in Boettcher Concert Hall annually, the Symphony also held performances throughout the region over the last year, including the Salida SteamPlant Event Center, Red Rocks Park & Amphitheatre, the Arvada Center for the Arts and Humanities, Fiddlers Green Amphitheatre, and the Whitney Center for Performing Arts in Wyoming.

The Colorado Symphony contributes significantly to the economic well-being of Colorado and is responsible for $18.2 million in economic activity in the region.

A partnership with the Colorado Symphony actively supports a vibrant arts culture, which attracts educated, highly skilled professionals vital to the growth of local businesses and corporations in Denver and throughout Colorado. Investments by the Corporate Council in our institution benefit the organization, the Symphony, and the community we call home.

“As a firm with a long history in It’s only with the support of the Corporate Council that the Colorado Symphony is able to accomplish its mission of creating extraordinary musical experiences that transport today’s listener, from the best of the past to the edge of the future. Join the Colorado Symphony Corporate Council today and help us build a more dynamic and vibrant Colorado.

For more information on the Corporate Council, contact Sean Baker at sbaker@coloradosymphony.org.

Colorado, Sherman & Howard is committed to our clients and the Front Range community,” said Kate Johnson, Member at Sherman & Howard. “We honor the people and places that make Colorado an ideal place to live and work, and we are proud to support the Colorado Symphony for its breathtaking performances and dedication to advancing the arts in our community.”

“Davis Graham & Stubbs is committed to sustaining Denver’s legal, business, civic, and cultural communities, and we are delighted to partner with the Colorado Symphony because of the pivotal role it plays in enriching our city’s arts and culture scene,” said Zachary D. Detra, Partner at Davis Graham & Stubbs LLP.

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21

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Colorado Symphony 2017/18 Season Presenting Sponsor:

CLASSICS • 2017/18 STRAVINSKY'S THE RITE OF SPRING COLORADO SYMPHONY BRETT MITCHELL, conductor KIRILL GERSTEIN, piano Saturday's Concert is Gratefully Dedicated to Roger and Susan Bowles Sunday's Concert is Gratefully Dedicated to Celeste and Jack Grynberg

Friday, February 16, 2018, at 7:30 p.m.

Saturday, February 17, 2018, at 7:30 p.m.

Sunday, February 18, 2018, at 1:00 p.m.

Boettcher Concert Hall

RACHMANINOFF Piano Concerto No. 2 in C minor, Op. 18 Moderato Adagio sostenuto Allegro scherzando

— INTERMISSION — STRAVINSKY The Rite of Spring Part One: The Adoration of the Earth Part Two: The Sacrifice

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PROGRAM 1

CLASSICS BIOGRAPHIES BRETT MITCHELL, conductor Hailed for delivering compelling performances of innovative, eclectic programs, Brett Mitchell was named the fourth Music Director of the Colorado Symphony in September 2016. He served as the orchestra’s Music Director Designate during the 2016/17 season, and began his fouryear appointment in September 2017.

Mr. Mitchell concluded his tenure as Associate Conductor of The Cleveland Orchestra in August 2017. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra’s hundred-year history. In this role, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. Mr. Mitchell also served as Music Director of the Cleveland Orchestra Youth Orchestra (COYO) from 2013 to 2017, which he led on a four-city tour of China in June 2015, marking the ensemble’s second international tour and its first to Asia.

In addition to his work in Cleveland and Denver, Mr. Mitchell is in consistent demand as a guest conductor. Recent and upcoming guest engagements include his debuts at the Grant Park Music Festival in downtown Chicago, with the New Zealand Symphony Orchestra in Auckland and Wellington, and the San Antonio Symphony, as well as appearances with the Dallas, Detroit, Houston, Indianapolis, Milwaukee, National, and Oregon symphonies, The Cleveland Orchestra, the Rochester Philharmonic, and the Saint Paul Chamber Orchestra, among others. He has collaborated with such soloists as Yo-Yo Ma, Renée Fleming, Rudolf Buchbinder, James Ehnes, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein.

From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony, to which he frequently returns as a guest conductor. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010. In 2015, Mr. Mitchell completed a highly successful five-year appointment as Music Director of the Saginaw Bay Symphony Orchestra, where an increased focus on locally relevant programming and community collaborations resulted in record attendance throughout his tenure.

As an opera conductor, Mr. Mitchell has served as music director of nearly a dozen productions, principally at his former post as Music Director of the Moores Opera Center in Houston, where he led eight productions from 2010 to 2013. His repertoire spans the core works of Mozart (The Marriage of Figaro and The Magic Flute), Verdi (Rigoletto and Falstaff), and Stravinsky (The Rake’s Progress) to contemporary works by Adamo (Little Women), Aldridge (Elmer Gantry), Catán (Il Postino and Salsipuedes), and Hagen (Amelia). As a ballet conductor, Mr. Mitchell most recently led a production of The Nutcracker with the Pennsylvania Ballet in collaboration with The Cleveland Orchestra during the 2016-17 season.

PROGRAM 2

C O L O R A D O SY M P H O N Y.O R G

CLASSICS BIOGRAPHIES In addition to his work with professional orchestras, Mr. Mitchell is also well known for his affinity for working with and mentoring young musicians aspiring to be professional orchestral players. His work with COYO during his Cleveland Orchestra tenure was highly praised, and he is regularly invited to work with the highly talented musicians at the Cleveland Institute of Music and the orchestras at this country’s high level training programs, such as the National Repertory Orchestra, Texas Music Festival, and Sarasota Music Festival.

Born in Seattle in 1979, Mr. Mitchell holds degrees in conducting from the University of Texas at Austin and composition from Western Washington University, which selected him in as its Young Alumnus of the Year in 2014. He also studied at the National Conducting Institute, and was selected by Kurt Masur as a recipient of the inaugural American Friends of the Mendelssohn Foundation Scholarship. Mr. Mitchell was also one of five recipients of the League of American Orchestras’ American Conducting Fellowship from 2007 to 2010.

For more information, please visit www.brettmitchellconductor.com

KIRILL GERSTEIN, piano Pianist Kirill Gerstein’s curiosity and versatility has led to a powerful engagement with a wide range of styles. From Bach to Adès, his playing is distinguished by its clarity of expression, discerning intelligence, and virtuosity. Gerstein’s energetic and imaginative musical personality has taken him to the top of his profession. An American in Berlin, Kirill Gerstein’s career is balanced between the US and Europe. Highlights of his 2017-18 season include performances with the Pittsburgh, National, Boston, Chicago, and Colorado symphonies; summer festival in Ravinia, Aspen, and at the Mostly Mozart Festival; and a tour with cellist Clemens Hagen. Autumn 2017 marks the release of Scriabin’s Piano Concerto in F-sharp minor and Prometheus: The Poem of Fire with the Oslo Philharmonic and Chief Conductor Vasily Petrenko (LAWO Classics). Early 2018 brings Gershwin’s Piano Concerto in F and Rhapsody in Blue with the St. Louis Symphony Orchestra and David Robertson for Myrios classics. Brought up in the Soviet Union studying both classical and jazz piano, Gerstein moved to the US at age 14 where he was the youngest student to attend Boston’s Berklee College of Music. He studied with Solomon Mikowsky in New York, Dmitri Bashkirov in Madrid, and Ferenc Rados in Budapest. Gerstein has won a series of prestigious accolades: First Prize at the 2001 Arthur Rubinstein Competition; in 2002, a Gilmore Young Artist Award; and in 2010 both an Avery Fisher Career Grant and the Gilmore Artist Award, which provided funds for him to commission new works from Timothy Andres, Chick Corea, Alexander Goehr, and Brad Mehldau. Gerstein taught at the Stuttgart Hochschule Musik from 2007-2017. Beginning in 2018, he will teach at the Kronberg Academy’s new Sir András Schiff Performance Program for Young Artists.

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PROGRAM 3

CLASSICS PROGRAM NOTES SERGEI RACHMANINOFF (1873-1943): Piano Concerto No. 2 in C minor, Op. 18 Sergei Rachmaninoff was born April 1, 1873 in Oneg (near Novgorod), Russia and died March 28, 1943 in Beverly Hills, California. His Piano Concerto No. 2 was composed in 1900-1901 and premiered on October 14, 1901 in Moscow, conducted by Alexander Siloti with the composer as soloist. The score calls for pairs of woodwinds, four horns, two trumpets, three trombones, tuba, timpani, cymbals, bass drum and strings. Duration is about 34 minutes. Last performance by the orchestra was on October 18-20, 2013, with Natasha Paremski at the piano and Rossen Milanov conducting.

When he was old and as mellow as he would ever get, Rachmaninoff wrote these words about his early years: “Although I had to fight for recognition, as most younger men must, although I have experienced all the troubles and sorrow which precede success, and although I know how important it is for an artist to be spared such troubles, I realize, when I look back on my early life, that it was enjoyable, in spite of all its vexations and bitterness.” The greatest “bitterness” of Rachmaninoff’s career was brought about by his Symphony No. 1, a work that had such a disastrous premiere he forbade any other performances of the piece while he was alive.

The total failure of the Symphony at its premiere in 1897 was a traumatic disappointment to him, one that thrust him into such a mental depression that he suffered a complete nervous collapse.

Such a hyper-emotional attitude was not unusual at the turn of the 20th century for the Russian aristocracy of which Rachmaninoff was a member. Melancholia was virtually a way of upper-class life at the time, as the Russian critic and composer Leonid Sabaneiev described: “The famous Moscow restaurants, the no-less famous Gypsy choruses, the atmosphere of continuing dissipation in which perhaps there was no merriment at all, but on the contrary, the most genuine, bitter and impenetrable pessimism — this was the milieu. Music there was a terrible narcosis, a sort of intoxication and oblivion, a going-off into irrational places.... It was not form or harmoniousness or Apollonic vision that was demanded of music, but passion, feeling, languor, heartache. Such was Tchaikovsky’s music, and such also the music of Rachmaninoff developed into.” After the failure of his First Symphony, Rachmaninoff was mired in exactly such an emotional abyss as Sabaneiev described, and he showed little inclination of ever climbing out. His family, alarmed at the prospect of the brilliant young musician wasting his prodigious talents, expended their own capabilities to help him, and then sought out professional psychiatric counsel.

An aunt of Rachmaninoff, Varvara Satina, had recently been successfully treated for an emotional disturbance by a certain Dr. Nicholas Dahl, a Moscow physician who was familiar with the latest psychiatric discoveries in France and Vienna, and it was arranged that Rachmaninoff should visit him. Years later, in his memoirs, the composer recalled the malady and the treatment: “[Following the performance of the First Symphony,] something within me snapped. All my selfconfidence broke down. A paralyzing apathy possessed me. I did nothing at all and found no pleasure in anything. Half my days were spent on a couch sighing over my ruined life. My only occupation consisted in giving a few piano lessons to keep myself alive.” For more than a year, Rachmaninoff’s condition persisted. He began his daily visits to Dr. Dahl in January 1900. “My relatives had informed Dr. Dahl that he must by all means cure me of my apathetic condition and bring about such results that I would again be able to compose. Dahl had inquired what kind of composition was desired of me, and he was informed ‘a concerto for pianoforte,’ which I had given up in despair of ever writing. In consequence, I heard repeated, day after day, the same hypnotic formula, as I lay half somnolent in an armchair in Dr. Dahl’s consulting room: ‘You will PROGRAM 4

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CLASSICS PROGRAM NOTES start to compose a concerto — You will work with the greatest of ease — The composition will be of excellent quality.’ Always it was the same, without interruption.” Almost like a movie script from the Hollywood where Rachmaninoff eventually settled, the good doctor’s unusual cure worked.

“Although it may seem impossible to believe,” Rachmaninoff continued, “this treatment really helped me. I started to compose again at the beginning of the summer.” In gratitude, he dedicated the new Concerto in C minor to Dr. Dahl.

Rachmaninoff wrote the second and third movements of his rehabilitative Concerto in the summer and early autumn of 1900 in Italy, Novgorod, and Moscow; this incomplete version was heard at a charity concert in Moscow on October 14th, with the composer at the keyboard and Alexander Siloti conducting. The opening movement was composed by the following spring, and the premiere of the finished work was given on October 14, 1901 with the same two principals and the orchestra of the Moscow Philharmonic Society. The C minor Concerto was the first orchestral work to carry the name of Rachmaninoff into the world’s concert halls. (His ubiquitous C-sharp minor Prelude of 1892 had been a piano-bench and recital favorite for a decade.) Other advances in Rachmaninoff’s life soon followed — many successful musical compositions, an appointment as the opera conductor of the Moscow Grand Theater, and a triumphant career as a concert pianist. There always remained buried away in his innermost thoughts, however, those ghosts of self-doubt and insecurity that Nicholas Dahl could never have totally exorcised from the dour composer’s psychological constitution.

The C minor Concerto begins with eight bell-tone chords from the solo piano that herald the surging main theme, which is announced by the strings. A climax is achieved before a sudden drop in intensity makes way for the arching second theme, initiated by the soloist. The development section, concerned largely with the first theme, is propelled by a martial rhythm that continues with undiminished energy into the recapitulation. The second theme returns in the horn before the martial mood is re-established to close the movement.

The Adagio, a long-limbed nocturne with a running commentary of sweeping figurations from the piano, contains some beautiful concerted instrumental writing. The finale resumes the marching rhythmic motion of the first movement with its introduction and bold main theme.

Standing in bold relief to this vigorous music is the lyrical second theme, one of the best-loved melodies in the entire orchestral literature, a grand inspiration in the ripest Romantic tradition.

(Years ago, this melody was lifted from the Concerto by the tunesmiths of Tin Pan Alley and fitted with sufficiently maudlin phrases to become the popular hit Full Moon and Empty Arms.) These two themes, the martial and the romantic, alternate for the remainder of the movement. The coda rises through a finely crafted line of mounting tension to bring this work to an electrifying close.

Rachmaninoff once wrote, “I try to make music speak simply and directly that which is in my heart at the time I am composing. If there is love there, or bitterness, or sadness, or religion, these moods become part of my music, and it becomes either beautiful or bitter or sad or religious.” The heart of a true Romantic beat beneath the stern exterior of this man; his music is a direct link to the great traditions of the 19th-century masters.

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CLASSICS PROGRAM NOTES IGOR STRAVINSKY (1882-1971): The Rite of Spring, Pictures of Pagan Russia, Ballet in Two Parts Igor Stravinsky was born June 17, 1882 in Oranienbaum, near St. Petersburg and died April 6, 1971 in New York City. The Rite of Spring was composed in 1910-1913 and premiered on May 29, 1913 in Paris, conducted by Pierre Monteux. The score calls for piccolo, three flutes (third also doubling piccolo), alto flute, four oboes (fourth also doubling English Horn), English horn, E-flat clarinet, three B-flat clarinets (2nd also doubling bass clarinet), bass clarinet, four bassoons (fourth also doubling contrabassoon), contrabassoon, eight horns (seventh and eighth doubling Wagner tuben), trumpet in D, four trumpets, bass trumpet, three trombones, two tubas, two timpani, percussion and strings.

The piece was last performed on May 24-26, 2013, with Andrew Litton on the podium.

Stravinsky’s conception for The Rite of Spring, one of the most influential musical works of the 20th century, came to him as he was finishing The Firebird in 1910. He had a vision of “a solemn pagan rite; wise elders, seated in a circle, watching a young girl dance herself to death. They were sacrificing her to propitiate the god of spring.” Stravinsky knew that Nicholas Roerich, a friend who was an archeologist and an authority on the ancient Slavs, would be interested in his idea, and he mentioned it to him. Stravinsky also shared the vision with Serge Diaghilev, impresario of the Ballet Russe, the company which had commissioned The Firebird. All three men were excited by the possibilities of the project — Diaghilev promised a production and encouraged Stravinsky to begin work immediately. Having just nearly exhausted himself with the rigors of completing and staging The Firebird, however, Stravinsky decided to compose a Konzertstück for piano and orchestra as relaxation before undertaking his pagan ballet. This little “concert piece,” however, grew into the ballet Petrushka, and he could not return to The Rite until the summer of 1911.

“What I was trying to convey in The Rite,” said Stravinsky, “was the surge of spring, the magnificent upsurge of nature reborn.” Inspired by childhood memories of the coming of spring to Russia (“which seemed to begin in an hour and was like the whole earth cracking,” he remembered), he worked with Roerich to devise a libretto which would, in Roerich’s words, “present a number of scenes of earthly joy and celestial triumph as understood by the ancient Slavs.” Stravinsky labored feverishly on the score through the winter of 1911-1912, realizing by that time that he was composing an important piece in a startling new style. “I was guided by no system whatever in The Rite of Spring,” he wrote. “Very little immediate tradition lies behind it.

[Debussy was the only influence he admitted.] I had only my ear to help me. I heard, and I wrote what I heard. I am the vessel through which The Rite passed.”

Diaghilev scheduled the premiere for May 1913, and Nijinsky was chosen to do the choreography. Stravinsky, however, objected to Nijinsky’s selection because of the dancer’s inexperience as a choreographer and his lack of understanding of the technical aspects of the music, but preparations were begun and continued through more than 120 rehearsals. Pierre Monteux drilled the orchestra to the point of anxious readiness. The guests invited to the final dress rehearsal seemed to appreciate the striking modernity of the work, but gave no hint of the donnybrook that was to roar through the Théâtre des Champs-Elysées at the public premiere on May 29th, driven in equal parts by the iconoclastic angular choreography and the revolutionary music. Almost as soon as the curtain rose, a riot broke out the like of which had not been inspired by a piece of music since Nero’s song of antiquity. Shouts, catcalls, whistles, even fisticuffs grew so menacing that often the orchestra could not be heard. Diaghilev flashed the house lights on and PROGRAM 6

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CLASSICS PROGRAM NOTES off in a vain attempt to restore order; Nijinsky, when he was not on stage, pounded wildly on the scenery with his fists to keep the dancers together; Stravinsky ran out of the auditorium (“as angry as I have ever been in my life”) and spent most of the evening backstage pacing in the wings.

Somehow Monteux (“cool as a crocodile,” recalled Stravinsky) guided the performance through to the end. Puccini thought The Rite “might be the creation of a madman” and the critic of the New York Sun nominated the composer as “the cave man of music.” No one could deny, however, the ferocious, overwhelming power of the music, and when audiences began to listen to the work on its own, revolutionary terms, they could not help but be swept away by its awesome and wonderful maelstrom of exquisitely executed sound. Within a year of its stage premiere, Koussevitzky in Russia and Monteux in Paris had conducted concert performances of The Rite, and the true value of the work began to be recognized. A somewhat edited version of the score in Disney’s animated cartoon movie of 1938, Fantasia, brought the music to a wide audience, and its position in the orchestral repertory was soon secured.

E.W. White summarized the salient stylistic features of The Rite of Spring in his exemplary study of the life and works of Stravinsky: “A tremendous internal tension is set up in the score between the simplicity of the thematic material and the discordant complexity of the harmonic texture. This is exacerbated by the instrumentation, highly sophisticated means being employed to get a deliberately primitive effect.” The melodic material is often simple and contained within a range of four or five diatonic steps. The score is filled with sharp, often brutal dissonance piled upon the simple melodies and with galvanic rhythms, which Dame Edith Sitwell described as “the beginning of energy, the enormous and terrible shaping of the visible and invisible world through movement.” Stravinsky created the work’s rhythmic electricity with two compositional techniques: powerful, uneven groupings of beats with irregular accents or meters; and short ostinato (i.e., repeated) rhythms. This latter device charges much of the score with a primitive power unlike any music written before it. The most stunning evidences of the dynamism this technique engenders occur where an ostinato-based wall of sound suddenly collapses into a void of roaring silence. Such abrupt stops are the psychological equivalent of a head-on collision. The Rite of Spring is a work of consummate artistry and bold, innovative vision that won for Stravinsky a place among the greatest creative artists in the history of music.

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Robert Lawrence, in his classic reference work, The Victor Book of Ballet, provided the following summary of the stage action of The Rite of Spring: “The plot is of the simplest. Dealing with archaic Russian tribes and their worship of the gods of the harvest and fertility, it falls into two separate yet mutually interdependent parts — the Adoration of the Earth and the Sacrifice.

These primitive peoples assemble for their yearly ceremonies, play their traditional games, and finally select a virgin to be sacrificed to the gods of Spring so that the crops and tribes may flourish.

“Stravinsky’s score serves at once as accompaniment and excitant for the pagan rites. Before the curtain rises, there is a prelude in which the composer evokes the primitive past when man was in intimate contact with nature. A soft bassoon solo, played high on the instrument to produce a strange tone quality, opens the work — like an immemorial chant heard far off. Other SOUNDINGS

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CLASSICS PROGRAM NOTES instruments enter, seemingly improvised against the solo melody of the opening, which still flows on; then the curtain rises on a savage daylight picture of an ancient land. Insistent, barbaric rhythms are heard in the orchestra, shifting accent with almost every bar. The first rites of Spring are being celebrated, and a group of adolescents appears. They dance until other members of the tribe enter. Then the full round of ceremonies gets under way: a mock abduction — performed with much solemnity — games of the rival tribes, the procession of the Sage, and the thunderous dance of the Earth. The curtain falls, and the orchestra plays a soft interlude representing, in its shifting planes of instrumental color, the pagan night.

“Soon the tribal meeting place is seen again. This time, it is dark and the adolescents circle mysteriously in preparation for the choice of the virgin to be sacrificed to the gods. Suddenly their dance is interrupted, and one of the girls who has taken part is marked for the tribal offering.

The others begin a wild orgy glorifying the Chosen One and — in a barbaric ritual — call on the shades of their ancestors. Finally the supreme moment of the ceremony arrives: the ordeal of the Chosen One, perhaps the longest and most complicated solo in the annals of ballet. It is the maiden’s duty to dance until she perishes from exhaustion. The rhythms of her sacrificial round move relentlessly forward, while a short, stabbing motive is repeated insistently in brasses and winds. Throughout the dance, the music keeps gathering power through the element of frenzied repetition until finally it spins like a top on its own axis, and ends with a crash as the Maiden dies.” ©2017 Dr. Richard E. Rodda

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Mr. and Mrs. Joseph Bronesky Ms. Barbara Brown Mr. and Mrs. Wesley A. Brown Sandy and Rogene Buchholz M. Peyton and Suzanne D. Bucy - Bucy Family Fund Mrs. Elizabeth S. Budd Robert and Linda Bushman Mr. and Mrs. Ronald Butz Cadre General Contractors Inc. Rusty and Ellen Campos Douglas and Constance Cain Christina Carlson Ms. Barbara Carpenter Richard Caudel Caulkins Family Foundation Ms. Martha Chamberlin Daniel Chapman Dr. Kevin M. Christ Dr. David and Mrs. Delores Claassen Ms. Sherri Colgan Mr. Scott Coors and Dr. David Hurt Frances S. Corsello Ray and Kathleen Cravy Mr. Lee Cryer Anne M. Culver Hille L. Dais Suzanne Dakin Ms. Ruth Dalrymple Chris D’ambrosia Mrs. Sue Damour The Dowling Foundation Mr. and Mrs. Robert L. Drew Louise and Robert Dudley Dr. and Mrs. Michael P. Earnest Max and Carol Ehrlich Mr. Edward and Mrs. Judith Elgethun Lucy and Dan Ellerhorst Mr. Don Elliott Barbara Neal and Edward E. Ellis Mr. and Mrs. James W. Espy Courtney Ferer Dr. and Mrs. Richard Fieman Ms. Gail Fisher Mr. and Mrs. Gregg Flannery David and Debra Flitter Dr. Lauren Fraser and Ms. Rebecca Coughlin Frederick G. Fish Foundation Joann Freedman Ms. JoAnne Friedman Deborah S. Froeb Virginia E. & Robert K. Fuller Todd Gander and Terry Hsu-Gander Wes Ganter Marshall and Jenifer Gile Michael Gill The Gilman Family Foundation Mr. and Mrs. Jim Golanty Tamara Golden and Tim Worrall Mr. Barry J. Goldstein and Mrs. Thorey Goldstein Mr. and Mrs. James B. Grange Ms. Andrea J. Grant Mr. and Mrs. Gerald M. Greenberg Mr. and Mrs. Peter Griffiths

CO M M U N I T Y SU P P O RT

Mr. David Hackl Donald Hagengruber Mr. and Mrs. Alvin W. Haggerty Charles and Linda Hamlin Mr. and Mrs. Homer Hancock Ms. Linda Harger Mr. and Mrs. George Hearne Owen and Deborah Herman Betsy Herrick and Milt Kahn Mr. and Mrs. J.B. Hewetson Mr. and Mrs. James Hidahl Ms. Susan A. Hill Chad Hollingsworth Ms. Sally Hopper Andrew Hornbrook Michael E. Huotari and Jill R. Stewart Mr. and Mrs. Robert Hucks, Jr. Amanda Hutchison Robert and Betty Huzjak Mr. Jon Isenhart The Janet Melson Charitable Gift Fund Mrs. Jill Johnke Mr. Eric E. Johnson Mrs. Kathleen Johnson and Mr. Stephen Vierling Marvin and Carole Johnson Mr. Douglas C. Jones Dr. and Mrs. Everette G. Jones Kathy and Arthur Judd Lina Kelso Heidi and Randy Keogh Ms. Judy H. Kessenich

Mr. Michael Biere Oza and Milan Klanjsek Mel and Roberta Klein Mr. and Mrs. Stanley W. Kleinsteiber Mr. Kurt Koptish Mr. Richard Koseff Mr. William L. Kowalski Jr Eric Krein John W. Kure and Cheryl L. Solich Nancy Lambertson Mr. Richard Leather David C. Leger Deanna Rose Leino Frank and Ginny Leitz Mr. Owen Levine Judy and Dan Lichtin Ms. Marianne Lizza Ms. Johanna Llewellyn Mr. and Mrs. Harold Logan Paul V. LoNigro Patty Lorie Ms. Marian Lyons Mrs. Jean Macferran John Mamuscia Marian P. Gelfand Fund Mr. and Mrs. Jim Marlow Bruce W. Martin Mr. and Mrs. Gerard Martins

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Mr. and Mrs. Amos C. Mathews William Mathews Myron McClellan and Lawrence Phillips Dr. Jerrald McCollum Jay and Carol McCormick Ms. Tracey McCullough Michael E. McGoldrick Karen M. McGrath Carla E. McKennett Mrs. Bridget McNeil Ms. Carla McWilliams Mr. and Mrs. Harold ‘Bud’ Meadows Mr. Steve Metcalf Paul and Barb Moe Cheryl L. Moody Ms. Emily Morgan Ron, Hester, Fred and Estelle Nadal Mrs. Cynthia F. Nagel Ms. Marcia G. Naiman Newberry Family Fund Mrs. Kristen Nordenholz Mr. Robert and Mrs. Ilsa Nordenholz Ms. Sheila O’Brien Larry O’Donnell and Kermit Cain Ray O’Loughlin and Jamie Henderson Dr. Priscilla Zynda-Otsuki and Mr. Steve Otsuki Mary and Art Otten Mr. Gregory A. Parsons Carl Patterson David and Doris Pearlman Mr. and Mrs. George C. Pickering Mr. Cason and Rachel Pierce Ed Post Katy Powers Mr. and Mrs. H.W. Praetorius Ms. Julie Prange John Puckett Ms. Melinda Quiat Mr. and Mrs. Ted E. Rains Mr. Kameron Ray Mr. Nick Recuber Ms. Haley C. Reidy Nancy and Gene Richards Brandon Ridenour Richard Right Hannelore Rimlinger Matt Rippee Eleanor Roberts Mr. Bernie Rogoff and Ms. Jean Greenberg Anthony C. and Patricia J. Romeo Sig and Lucille Rosefeld Ms. Carol L. Rust Mr. and Mrs. Clayton Sandt Mr. Clayton Saylor Mr. Loren Schillinger Ms. Mary Ann Schultz Patrick Scully Mr. David Seeland Dr. and Mrs. David Shander Jo Shannon Dr. and Mrs. Arnold Silverman Ms. Janice Sinden Mr. and Mrs. William H. Speaker

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C O L O R A D O SY M P H O N Y.O R G

Hanspeter Spuhler Myron and Marcia Stein Julie and John Strain Mr. and Mrs. Michael Strear Helena and Allan Striker Ryan Sullivan Carol and Cedric Tarr Judy and Rob Tate Brandon Thall Mr. Frank Thomson Jennifer Thurman Skip Thurman Mr. and Mrs. Carl J. Tillery Mr. and Mrs. Lloyd Timblin Ms. Sheila Trader Dona Verschelden Ed and Patty Wahtera John and Kristine Wallack Mr. and Mrs. Douglas Ward Ms. Hanna Warren Walter and Susanna Weart Mr. Jim and Mrs. Janice White Jordan Wight Mr. Dieter and Mrs. Marianne Wons Dr. & Mrs. Roy R. Wright Dick and Lorie Young Marsha F. Young Mr. and Mrs. Ken Ziebarth R.A. Zimmerman Joan Zisler Susan Zohn

MATCHING DONATIONS Thank you to those companies who match current and retired employee contributions to the Colorado Symphony and to our donors who apply for these matching gifts. Please check with your Human Resources Department to see if your contribution can double through the generosity of your company. To contact the Advancement Department directly, please call Sean Baker at 303.534.0757.

WOMEN OF NOTE DONOR LIST The following are members of the Colorado Symphony’s Women of Note (WON). WON members receive exclusive benefits and event invitations throughout the season. The Colorado Symphony is grateful for the support of these dedicated individuals.

Anonymous Marin Alsop Nancy Accetta Addie Barkley Paula Bernstein Catherine Bess Terry Biddinger Libby Bortz Erna Butler Taesuk Cho-Hwang

Founding Member

Founding Member Founding Member Founding Member

Kirsten Collins Donna Connolly Anne Culver Courtney Ferer Kathie Finger Mary Lou Flater Deborah Gaensbauer Monica Glickman Diane Hill Elizabeth Holtze Eileen Honnen-McDonald Montjoy Kugeler Sandy Lasky Ann Levy Nira Lipner Carolyn Longmire Jeri Loser Merry Low Janet Mordecai Karin Mote Chris Murata Carol Murphy Elizabeth B. Neva Jane Nielsen Shelia O’Brien Ursula Powell Margaret Roath Mary Rossick Kern Suzanne Barber Ryan Suzanne Satter Elizabeth Schlosser

CO M M U N I T Y SU P P O RT Alice Silver Phoebe Smedley Kathy Sphuler Vicki Sterling Janyce Wald Rivka Weisberg Judy Wigod Founding Member

BRETT MITCHELL SOCIETY

Founding Member

The following are members of the prestigious Brett Mitchell Society (BMS). BMS members are highly engaged patrons and donors who share the Colorado Symphony’s passion for artistic excellence and innovation and who support the Symphony through their subscriptions and annual donations. The Colorado Symphony is grateful for the continued support of these individuals.

Founding Member

Anonymous Mr. and Mrs. Anthony Accetta Michael Altenberg and Libby Bortz Margaret and Larry Ballonoff Addie and Bob Barkley Ken and Zoe Barley Fackler Legacy Gift Col. Philip Beaver and Mrs. Kim Beaver Bob and Cynthia Benson

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J. Fern Black Ed and Laurie Bock Roger and Susan Bowles Barbara Bridges Dale and Marguerite Bussman Dr. Bonnie W. Camp Jim and Janice Campbell Mr. Willis Carpenter Ms. Ellie Caulkins Merle C. Chambers Professor Gerald Chapman Mr. Gene Child Young and Carolyn Cho Sylvia Sosin Cohen Tom and NoĂŤl Congdon Donna and Ted Connolly Bill and Nancy Cook Jim and Julie Copenhaver Lou Tate Dafoe Dr. Stephen Dilts Ted and Margaret Eickhoff Drs. Ellen and Anthony Elias Mr. John F. Estes III Keith and Kathie Finger Mr. Jack Finlaw Fran and Mike Fisher Dr. Everette J. Freeman Mrs. Sally S. Gart Ms. Donna S. Gerich Thomas J. and Shirley C. Gibson Mr. Paul E. Goodspeed and Ms. Mary Poole Robert S. Graham Peter and Rhondda Grant Michael and Frances Gundzik Stephen and Margaret Hagood Dr. and Mrs. Karl Hammermeister Dr. and Mrs. Robert D. Harry Jennifer Heglin Diane S. Hill and Kevin E. Somerville Bill and Donna Hoberecht Mr. and Mrs. Del Hock Elizabeth and Steve Holtze Edeltraud Johnson Donald and Henny Kaufmann Joe and Francine Kelso Mary Rossick Kern and Jerome H. Kern Rob and Kathy Klugman Donna C. Kornfeld Mr. George Kruger Dr. Richard and Mrs. Mary Krugman Mr. and Mrs. Frank Kugeler Donald and Margery Langmuir Steve and Pat Larson Sandy and Evan Lasky Judge and Mrs. John P. Leopold Robert and Patricia Lisensky John and Merry Low Mrs. Bette MacDonald Marjorie MacLachlan Mr. & Mrs. Claude M. Maer, Jr. Evi and Evan Makovsky Dr. Jon Masoudi and Dr. Marsha Tharakan

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Steve and Kathy McConahey Sharon L. Menard Mr. and Mrs. Michael Miller Mrs. Rhea Miller Michael and Sharon Modiz Robert and Carol Murphy Ms. Mary Neidig Drs. Sarah and Harold Nelson Elizabeth and Heather Neva Shelia O'Brien Frank Y. Parce Sue and Edwin Peiker Rosemary and John Priester Myra and Robert Rich Lt. Col. and Mrs. Robert W. Riegel Dr. Susan B. Rifkin Dr. and Mrs. Paul R. Rosen Dr. Joanne Rudoff Dr. and Mrs. Richard J. Sanders Raymond and Suzanne Satter Henry R. Schmoll Mr. Robert E. Schueller Rob and Jane Scofield David and Susan Seitz Ms. Barbara Servis Jon Gamm and Kathleen Sgamma Sam and Marty Sloven Phoebe Anne Smedley William F. Smith and Shirley A. Scott Anonymous Eric Sondermann and Tracy Dunning Ms. Kathy Spuhler Vicki and Harry Sterling Mr. and Mrs. Howard Turetzky Normie and Paul VoillequĂŠ Richard E. Wagner Mr. Larned Waterman, Jr. and Mr. Paul S. Mesard Mr. and Mrs. Seth Weisberg Malcolm and Donna Wheeler Alan and Judy Wigod Dr. Jack Wilson Michael and Sandra Wilson Mr. and Ms. Michael A. Zoellner

SPECIAL PROJECT DONORS The Colorado Symphony constantly seeks new and creative ways to preserve the cultural legacy of symphonic music while actively co-creating its future. By working on new recordings and collaborations, the Colorado Symphony strives to stay relevant for generations to come.

Anonymous Col. Philip Beaver and Mrs. Kim Beaver Bob and Cynthia Benson Colorado Symphony Guild, Inc. Tom and Noel Congdon Mr. and Mrs. Scott Cromie Dr. Everette J. Freeman Mr. Paul E. Goodspeed and Ms. Mary Poole Jennifer Heglin

CO M M U N I T Y SU P P O RT

Mary Rossick Kern and Jerome H. Kern Fred and Connie Platt Mr. Dan Poole Dr. and Mrs. Paul R. Rosen

Chairman’s Society

EDUCATION DONOR LIST Through our Musicurious program, your Colorado Symphony reaches thousands of young people within and well outside the Denver metro area, from months-old through high school and beyond. We always work to extend and increase our outreach and could not possibly do it without your support.

Platinum Chairman’s Society

($50,000+)

Anonymous Dresner Foundation Malone Family Foundation

Gold Chairman’s Society Anonymous The Anschutz Foundation Mrs. Libby Anschutz Arrow Electronics, Inc. Mrs. Sandy N. Elliott

($25,000+)

($10,000+)

Anonymous The AJL Charitable Foundation Ralph L. and Florence R. Burgess Trust The Denver Foundation Kern Family Foundation U.S. Bank Foundation Verizon Wireless Walter S. Rosenberry, III Trust

Silver Conductor’s Circle

($5,000+)

Anonymous Colorado Symphony Guild, Inc. Denver Post Charities, a McCormick Foundation Fund Precourt Foundation Scientific & Cultural Collaborative US Bank Foundation

Conductor’s Circle

($2,000+)

Anonymous Nathan B. & Florence R. Burt Foundation Cherry Hills Cultural Associates Collage Giving Fund ECA Foundation Fine Arts Foundation Katherine McMurray Henry B. Mohr Parker Foundation

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CO MMUN I T Y SUPPO RT

Concertmaster

TEGNA Foundation Ms. Lynne Valencia

Symphony Concertmaster

($1,000+)

Anonymous Keith and Kathie Finger Kinder Morgan Foundation Singer F. Foundation

Symphony Musician

($500+)

Anonymous Nancy Ball Dr. John A. and Mrs. Jane H. Coppola Mr. Billy Harris and Ms. Linda Purcell Betsy Herrick and Milt Kahn Mr. Jon Isenhart Ms. Carla McWilliams Mr. and Mrs. Howard Turetzky R.A. Zimmerman

Principal

BALL SPONSOR LIST The 2017 Colorado Symphony Ball: Rock and Roll Royalty celebrated our musical guest Tracksuit Wedding and raised over $1 million to sustain Symphony programs through table sales, donations, sponsorships, silent and live auctions, and real-time donations supporting our Educational programming including Very Young Composers.

Presenting Sponsor

($75,000+)

Arrow Electronics, Inc.

Virtuoso

($50,000+)

The Anschutz Foundation Liberty Global, Inc. Malone Family Foundation United Airlines Corporate

Maestro

($25,000+)

Anonymous AMG National Trust Bank Linda Shoemaker and Stephen M. Brett Mark Carleton Mr. Edward B. Cordes Sandy Elliott HomeAdvisor IAC Corporation Mary Rossick Kern and Jerome H. Kern Liberty Media Corporation LionTree Advisors, LLC

Encore

($15,000+)

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C O L O R A D O SY M P H O N Y.O R G

($5,000+)

AEG Live AMC Network Baker & Hostetler, LLP Baker Botts, LLP Benefactor/Randall Carter Breakthru Beverage Brownstein Hyatt Farber Schreck Carolyn and Young Cho Alyssa and Scott Clarke Colorado Rockies Baseball Club CU Anschutz Medical Campus CU Foundation DaVita DiBiase Family Fund Jayne Ford and Ken desGarennes Ali Pashel Frankfurt and Will Frankfurt Great Western Bank John and Bridget Grier Dr. Richard and Mary Krugman Sharon Magness Blake and Ernie Blake Dr. Marsha Tharakan and Dr. Jon Masoudi Coreen and Michael Miller MillerCoors Moye White, LLP 9NEWS Gary and Joyce Pashel Republic National Distributing Company Marcia and Richard Robinson Searchlight Capital Tracy Dunning and Eric Sondermann Southern Glazer’s Wine & Spirits Volunteers of America Wachtell, Lipton, Rosen & Katz WilmerHale

Rock Level

Applejack Wine & Spirits Keith and Kathie Finger KPMG, LLP Mr. Trent and Mrs. Nicole Martinet Northern Trust Company Sherman & Howard

($10,000+)

Nancy and Tony Accetta Davis Graham & Stubbs, LLP Delta Dental Plan of Colorado Denver Broncos Football Club University of Denver Discovery Communications Stephanie and Adam Donner Dr. Everette J. Freeman, President, Community College of Denver Diane S. Hill, Ph.D. and Kevin E. Somerville, Ph.D. Libby Anschutz Foundation Dr. Christopher Ott and Jeremy Simons The Publishing House Anna and John J. Sie Foundation

($1,000+)

FirstBank Stephanie and Adam Moore Judy and Alan Wigod

Bach Level Boss Architecture Cadre General Contractors Inc. Julie and Jim Copenhaver Barbara and Ed Greene A. B. Hirschfeld

($500+)

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Sandy and Evan Lasky Susan and Howard Noble Nijole and Walter Rasmussen Jane and Rob Scofield

Donations AllÊe Photography Sue Anschutz-Rodgers Applejack Wine & Spirits Argonaut Wine & Liquor Bouquets Ceavco Merle C. Chambers Epicurean Jay’s Valet Live Nation Peter Lockley The Publishing House Republic National Distributing Company Barbara Servis Tracksuit Wedding

IN MEMORIAM GIFTS The following gifts were made to the Colorado Symphony in memory of a family member, friend, or supporter of the symphony. These tributes hold an honored place with the Colorado Symphony and we are privileged to recognize them.

In memory of David Abosch given by: Roger and Susan Bowles Dick and Sigrid Freese Mr. John and Mrs. Karen Kinzie Mr. Duain Wolfe In memory of Mr. Charles Ansbacher given by: Swanee Hunt Family Foundation In memory of Ms. Nan L. Barnett given by: Ms. Teresa D. Case Eileen P. Hayes Carol Jordan E. Joyce Morgan Charles and Shirley Anne Sheets Janice A. Speer, classmates of Class of 1956 In memory of Terry Biddinger given by: Roger and Susan Bowles In memory of Bessie C. Burghardt given by: Bessie C. Burghardt Charitable Unitrust In memory of Ms. Muriel Cassidy given by: Mr. David Aker In memory of Mr. and Mrs. John H. Caton given by: Catherine Caton Groene In memory of Mingwah Chan given by: Mr. and Mrs. Daniel C. Chan In memory of Blair Chotzinhoff given by: The Denver Foundation Mr. Chet K. Hampson and Ms. Susan Martin Mrs. Nancy Schulein In memory of Dr. William R. Cook given by: Karen Cook

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C O L O R A D O SY M P H O N Y.O R G

In memory of Mr. Richard Culver given by: Marcia D. Strickland Wednesday Music Party In memory of Frances E. given by: Cynthia Schauer In memory of Paul and Ann Emrich given by: Mr. David Emrich In memory of Mr. Gerald Endsley given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Ms. Virginia W. Farber given by: Ms. Penny Berenbaum Christina K. Chavez Ms. Vicki Dansky Mr. Michael Eber Ms. Nikki Reyer Facteau Mr. and Mrs. Kevan Gibson Lynda Goldstein Celeste and Jack Grynberg Mr. and Mrs. A. B. Hirschfeld Brad Kornfeld Mrs. Linda Kornfeld Dan Levin Beth Levy Ms. Patricia Loewi Mr. Robert Loup Ms. Cynthia Lowinger Ms. Julie Malek Margie Margolies Rabbi and Mrs. David Meyer Louann and Micky Miller Recht Kornfeld PC Rose Community Foundation Sharon and Charles Rosen Temple Emanuel Denver In memory of Dr. Joyce S. Freeman given by: Freeman Family Foundation Ms. JoAnne Friedman In memory of Jerry and Joyce Friedman given by: Ms. JoAnne Friedman In memory of Mr. Michael Gaughan given by: Tanya and Bruce Caughey Mr. David W. Durnell Tim and Janet Taggert In memory of Carol and Bill Gossard given by: Mr. and Mrs. Steve Wynkoop In memory of Manny Greenberg given by: Ellie Greenberg and Family The Sylvan Stool Family In memory of Mr. Ken Harper given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Dr. H. Michael Hayes given by: Hayes Family Foundation In memory of Jeannine D. Hiester given by: Phillip C. Hiester In memory of retired musician Fred Hoeppner given by: Dr. and Mrs. Richard Bakemeier Drs. Paula and William Bernstein Roger and Susan Bowles Ed and Colleen Casper Rochelle Cohen Jim and Julie Copenhaver Mr. Edward and Mrs. Judith Elgethun David and Debra Flitter

Dick and Sigrid Freese Mrs. Trisha F. Hood Mike Jalving and Susan Spero Mr. Gary Kleiman and Ms. Elisa Moran Judge and Mrs. John P. Leopold Karen Jo and Brett Levin John and Merry Low Ms. Cynthia R. Mancinelli Mr. and Mrs. James Maurer Paul and Barb Moe His friends and neighbors of Mountain View Elizabeth and Heather Neva Ms. Kathleen Newman F.R. Owen Ms. Mary Ann Rhode Don Ruggles Rob and Jane Scofield Mr. and Ms. Steve Straub Judy Wiese In memory of Mrs. Suzanne Kintzele given by: Ms. Marianne Bolt In memory of Kenneth W. Kohlenberg given by: Mr. Bryan Kohlenberg In memory of David Kulaas given by: Mrs. Jennifer S. Kulaas Pelham G. Pearce In memory of Lea LaParle given by: Ms. Donna S. Gerich

CO M M U N I T Y SU P P O RT In memory of Maurice Larue given by: Scott and Jackie Barnes Denis and Kathy Donnelly Ms. Carol A. Greenwald In memory of Edward Levy given by: Ann Levy Ms. Denison Levy In memory of Marie Lindvall given by: Anonymous In memory of Dr. James List, M.D. given by: Emma L. Dafoe In memory of Stephen Hagen given by: Mr. John A. Coppola Stacie Goldin Louis and Sherry Hannen Susan Holt Mr. Roger Tate In memory of Suzanne Hewitt Lowell given by: Mr. and Mrs. Neil W. Hamilton Mr. Charles Homsy In memory of Thomas L. McClintock given by: Colorado Symphony Guild-Foothills Unit Ms. Nancy L. Graham G.J. and P.A. Graziano James D. and Elizabeth McMahon Mrs. Carol Reeves In memory of Ruthi McEwen given by: Frank Parce

Park Meadows Presents

Sharon Wehner and Yosvani Ramos by Allen Birnbach Futura Light

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CO MMUN I T Y SUPPO RT In memory of Virginia McGehee given by: Sarah C. Hite In memory of their late spouses, Richard McKennett and Sarah Porter given by: Carla McKennett and David Porter In memory of Trieba Clark Meeks given by: Ms. Penny Berenbaum Deanna J. Collins Larry O’Donnell and Kermit Cain Robert Pipkin Nadine C. Racek Revocable Trust In memory of Fred and Florence Mohr given by: Brad Metziner In memory of Maurine Howell Moody given by: Mr. Robert Moody In memory of Charles Lewis Mueldener given by: Challa Patchett In memory of her husband, Ralph S. Paffenbarger, Jr., M.D. given by: Jo Ann Paffenbarger In memory of Robert Peterson given by: Mr. John Peterson In memory of Herman D. Post given by: Dr. Robin D. Post In memory of Dorothy Presta given by: Mr. and Mrs. William Cowan Ms. Mary Neidig P. A. Price In memory of Ralph F. Proctor III given by: Mr. and Mrs. Steven H. Proctor In Memory of Dr. W. Gerald Rainer given by: Mr. and Mrs. Robert and Joan Bell Dr. and Mrs. David Flitter Mr. and Mrs. John Low In memory of Barbara Ridgway given by: Ms. Kathryn Taylor In memory of Erna Rockey given by: Roger and Susan Bowles In memory of Erwin I. Rogoff, “Country before Self” given by: Mr. Bernie Rogoff and Ms. Jean Greenberg In memory of Mr. Harry T. Safstrom given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Michael Schatz given by: Ms. Jo Ellen Cohen In memory of Robert Schulein given by: The Denver Foundation Mrs. Nancy Schulein In memory of Mary Ruth Smith given by: Ms. Anne H. Wheeler In memory of his wife, Tracy Smith given by: Mr. Clyde Eaton Smith In memory of Betty Sonnenberg given by: Sylvia Kreider In memory of Lee and Margaret Tipton given by: Tipton Family Foundation In memory of Barbara Uhrich given by: Mrs. Nancy C. Ives and Mr. M. J. Roddy Joan Manley Houlton

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C O L O R A D O SY M P H O N Y.O R G

In memory of Sue Van Deusen given by: M Cati Flater David P. and Chady L. Hall Ms. Violet Wagener In memory of Guenther Vogt given by: Mr. Charles Anderson Ms. Anne Oberbroeckling In memory of Sam Wagonfeld given by: Dick and Sigrid Freese In memory of Jane Harper Wagner given by: Wall, Smith, Bateman Inc. In memory of Seymour (SY) Wallach given by: Mrs. Merrily Wallach In memory of Mrs. Jean Watt given by: Rob and Jane Scofield In memory of Heinrich Weinberg given by: Dr. Adriana Weinberg In memory of Lisa Gayle Wigod given by: Alan and Judy Wigod In memory of Charleen Wippler given by: Ms. Linda Will In memory of Zelda K. Witkind given by: Mr. Richard Morris In memory of Randy Wren given by: Ms. Ann Cearley In memory of Josephine Zoglo given by: Regina Zoglo

IN HONOR GIFTS The following gifts were made to the Colorado Symphony in honor of a family member, friend, or special occasion. These tributes hold an honored place with the Colorado Symphony and we are pleased to recognize them.

In honor of Silver Ainomäe’s fine artistry given by: Elizabeth and Heather Neva In honor of Libby Anschutz given by: Mr. and Mrs. A. B. Hirschfeld Mr. and Mrs. John Sie In honor of Linda Battan given by: Nancy Battan In honor of Dr. Paula Bernstein given by: Ms. Marian Lyons Ms. Paula Folkman In honor of Marge and Ed Blaine given by: Dr. Judy Blaine In honor of Steve Brett and Linda Shoemaker for their work in our community: Anna and John J. Sie Foundation In honor of Christine and John Brown given by: Mr. Erik Bernstein In honor of Mary Louise Burke given by: Frank Y. Parce In honor of Char Campbell given by: Mr. and Mrs. Bradley James In honor of Christina Carlson given by: Ms. Marjorie H. Adler Carolyn and Ronald Baer Frederick W. Damour Virginia E. & Robert K. Fuller Mr. and Mrs. Harold Logan

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CO MMUN I T Y SUPPO RT In honor of Jeanette Carlson given by: Joseph Goldhammer In honor of Ellie Caulkins given by: Anna and John J. Sie Foundation In honor of Taesuk Cho-Hwang given by: Ms. Ruth Williams In honor of Mary Claire and Jim Brothers given by: Ms. Melinda Quiat In honor of the Colorado Symphony Chorus given by: Jude Blum Ms. Cynthia Lowinger Susan Von Roedern Mr. and Mrs. Kenneth Sladovnik In honor of the Colorado Symphony Guild given by: Billie Busby and Sidney Smith In honor of Susan Ellis given by: Deanna J. Collins In honor of Keith and Kathy Finger given by: Mr. and Mrs. Jonathan F. Zeschin In honor of Brook Ferguson, Principal Flutist given by: Mr. Robert Moody In honor of Monica Glickman given by: Ms. Ruth Schorsch In honor of Frank Gordon given by: Trevor Crandall In honor of Bill and Carol Gossard given by: Anonymous In honor of retired musician, Chet Hampson given by: Susan Martin In honor of Philip C. Hiester, Master Electrician of the CSO given by: Mr. Eli Reshotko and Mrs. Adina Reshotko In honor of Diane S. Hill and Kevin E. Somerville given by: Michael P. Dowling Mr. and Mrs. Seth Weisberg In honor of Roy A. Kent given by: Anonymous In honor of Jerry Kern’s Birthday given by: Nancy Battan Mrs. Terry A. Biddinger Laura Bond Patty and Don Cook Mr. Stephen A. Edmonds Sari and Bob Freedman Mr. Philip Hiester and Ms. Deborah Reshotko Coreen and Michael Miller Ms. Julie B. Rubsam Mr. and Mrs. John Sie Mr. Bruce Wald In honor of Mary Rossick Kern and Jerry Kern given by: Michael and Christine James Ms. Leslie Sexer Myron and Marcia Stein In honor of John and Karen Kinzie given by: Ms. Kathleen Dunnewald In honor of Keith Kirby given by: Ms. Sara Alt In honor of Nona Kolbe’s 100th Birthday given by: Brad Metziner

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In honor of Carole Leight given by: Mr. Erik Bernstein Ms. Melinda Quiat In honor of Ann Levy’ Birthday given by: Mrs. Sue Damour Rose Community Foundation In honor of Karen Littlefield given by: Mr. and Mrs. Steven H. Proctor In honor of Rebecca Moritzky given by: Barb Moritzky In honor of Frank Parce and Ellie Roberts given by: Mr. David Parce In honor of Jeffrey Pickard, MD given by: The Colorado Health Foundation In honor of Ken Quarles given by: Frank Y. Parce In honor of Dr. W. Gerald Rainer given by: Mr. and Mrs. Robert and Joan Bell Dr. and Mrs. James G. Chandler Dr. and Mrs. David Flitter Mr. and Mrs. John Low Dr. and Mrs. Morris H. Susman In honor of Julie Rubsam given by: Driscoll Foundation Mollie Leone In honor of Dr. and Mrs. Richard Sanders given by: Ms. Ann Gugenheim In honor of the matrimony of Margaret Shugrue and David Hackl given by: Mr. and Mrs. John Couzens In honor of Janice Schultz given by: Ms. Jennifer D. Spaulding In honor of Enid Slack’s Birthday given by: Mr. and Mrs. Dick Freese In honor of Jackson T. Stevens given by: Mrs. Bridget McNeil Mr. Chris Strom In honor of John and Kristine Wallack given by: Richard Falb and Gail Skaggs In honor of Robert Warner given by: Ruth Mosteller In honor of Janet Way’s 90th Birthday given by: Frank Y. Parce In honor of Darlee Whiting given by: Hayes Family Foundation In honor of Alan and Judy Wigod given by: Robert Wigod In honor of our Concertmaster, Yumi Hwang-Williams given by: Michael P. Dowling In honor of Harold Wippler given by: Ms. Linda Will In honor of the people of Western Oncology Hematology given by: Mr. Frank Y. Parce In honor of Duain Wolfe for his outstanding work with the Chorus given by: Mr. Eugene J. Nuccio In honor of Barbara and Jack Zable given by: Diane K. Henderson

RING IN THE NEW YEAR Illustration by Kyle Malone

Illustration by Kyle Malone

WITH A FLURRY OF SHOWS

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CO MMUN I T Y SUPPO RT THE HORACE TUREMAN SOCIETY Named for the first conductor of the Denver Civic Orchestra, the Horace Tureman Society honors an exceptional group of people who have pledged future support for the Symphony through an estate gift. The Tureman Society recognizes in perpetuity those making estate gifts through wills, living trusts, annuities, IRAs, retirement plans, charitable trusts, life insurance designations, or other legacy giving vehicles.

Anonymous (2) Richard and Susan Abernethy Edgardo and Lisa Belen Mr. and Mrs. David M. Budd Mr. Jim Caputo Mr. Gene Child J. Harold Corp Trust Anne M. Culver Ms. Janice G. Eckhardt William G. Fairfield Ms. Grace L. Freye Ms. Carol K. Gossard Ms. Jennifer Guess Ms. Donna E. Hamilton Mr. James Harold Mr. Johannes Heim Cathey A. Herren Mrs. Janice E. Hesser Ms. Blanche B. Hilf Senta G. Holtzmann Ms. Margaret R. Houston Jane A. Hultin Virginia Ruth Hungerford Mr. and Mrs. Gopal Iyengar Ms. Gloria E. Johnston-McGregor Mrs. Suzanne W. Joshel

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C O L O R A D O SY M P H O N Y.O R G

Mr. Geoffrey Kuhn Sandy and Evan Lasky Deanna Rose Leino Frank and Ginny Leitz Ms. Ann C. Levy John and Merry Low Sandey Luciano Evi and Evan Makovsky Mrs. Sue McFarlane Mr. Willis M. McFarlane Mr. James Mead and Ms. Carol Svendsen Steve G. Morton Mr. Thomas Murray Ms. Lori Needler Mr. and Mrs. Ron Neel Judith Nichols Mr. William Oliver Gordon R. and Pam Parker Armeda Plank Barbara J. Powell James Robert Pratt Dr. and Mrs. W. Gerald Rainer Mrs. Lee R. Roberts Mr. Neil F. Roberts Mr. Bruce M. Rockwell Audrey D. and Harvey D. Rothenberg Mr. and Mrs. Robert E. Runice Suzanne Barber Ryan Richard and JoAnne Sanders Rob and Jane Scofield Ms. Floy L. Senior James and Jenene Stookesberry Mr. Richard Thackrey James D. and Judy Vaughn John R. and Kristine E. Wallack Ms. Elizabeth P. Wright The Patricia G. Wunnicke Trust Phyllis J. Young

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